Graffiti

Cradle AP Silkscreen Print by Add Fuel Hand-Pulled 7-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. AP Artist Proof 2023 Signed & Marked AP Limited Edition Artwork Size 19.69x19.69 Silkscreen Print of Stylized Tile Like Medical Caduceus Symbols, Hearts & Steam Punk Machine Like Elements. "As part of the creation, install and public reveal of CRADLE, I created this limited edition screen print based on the visual aesthetic of the tile installation.
This edition is (was?) not available for sale." -Add Fuel. The Intersection of Traditional Imagery and Modern Techniques in Add Fuel's Cradle AP Silkscreen Print Add Fuel's "Cradle AP" is an exemplary piece of Street Pop Art and graffiti Artwork, a silkscreen print that intricately weaves historical symbolism with contemporary design. This hand-pulled, 7-color print on 320gsm Astropack fine art paper stands out in its limited edition form, with each piece marked as an artist proof (AP) and signed by the artist in 2023. With artwork dimensions of 19.69x19.69 inches, "Cradle AP" is a testament to the meticulous craft of silkscreen printing and the innovative spirit of modern street-inspired artwork. The print's visual lexicon is a tapestry of stylized tile-like patterns, medical caduceus symbols, hearts, and steampunk machine-like elements. This blend of iconography is a hallmark of Street Pop Art and graffiti Artwork, where artists often employ familiar motifs unexpectedly to challenge the viewer's perceptions and invite more profound reflection on the intersection of past and present, tradition and innovation. Add Fuel's Artistic Language: A Blend of Heritage and Rebellion "Cradle AP" speaks a complex visual language that is both a homage to and a reinterpretation of historical art forms. The use of tile-like patterns references the ancient practice of ceramic tiling, a craft steeped in cultural heritage and often seen in historical buildings. Yet, Add Fuel infuses the work with contemporary relevance and pop culture connectivity by incorporating modern symbols such as the caduceus – associated with medicine and healing – and hearts. The inclusion of steampunk elements furthers this blend of times and traditions, introducing a subculture that embodies a fusion of Victorian-era industrial steam-powered machinery with futuristic concepts. This anachronistic style is particularly resonant in Street Pop Art and graffiti Artwork, where artists frequently mix eras and ideas to create something entirely new and thought-provoking. Materiality and Method: The Significance of Silkscreen Printing in Street Pop Art The silkscreen printing method used in "Cradle AP" is significant within the context of Street Pop Art and graffiti Artwork. Silkscreen, or serigraphy, is a printing technique embraced by various art movements throughout the 20th century, most notably pop art. It allows for the vibrant and precise application of color, evident in the rich textures and layers in this print. By choosing Astropack fine art paper, Add Fuel ensures that the print has a high-quality finish and longevity, mirroring street art's lasting impact on urban landscapes. This choice of medium reflects a reverence for the durability of street art. At the same time, the limited edition nature of the work introduces an element of exclusivity akin to the unique location-specific nature of graffiti. Collectibility and Cultural Resonance of Cradle AP The limited edition "Cradle AP" holds a special place in collectible Street Pop Art and graffiti Artwork. As an artist's proof, it serves as a testament to the creative process, offering insight into the artist's work before the final edition is run. Street art collectors are often drawn to the authenticity and rawness of artist proofs, finding value in the visible iterations and refinements that lead to the final piece. Add Fuel's signature on each print, which serves as a direct connection between the artist and the collector, a significant element in street art where the artist's identity and personal touch carry substantial weight. This aspect of "Cradle AP" is a nod to the origins of graffiti, where the artist's tag is both a signature and a claim to space. The Evolution of Street Art: Add Fuel's Contribution Add Fuel's "Cradle AP" represents a point in the evolution of Street Pop Art and graffiti Artwork where artists explore new methods and mediums while staying true to the ethos of street art. With its intricate design and layered meanings, this piece exemplifies the dynamic nature of street-inspired art, pushing beyond the confines of urban spaces and into the realm of fine art collections. The work is a celebration of the power of street art to transform spaces and ideas, merge the historical with the contemporary, and create dialogues that cross cultural and temporal boundaries. "Cradle AP" is not just a print but a narrative woven in color and form that continues the ever-evolving story of Street Pop Art and graffiti Artwork.

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Silver East Coast Legends 5oz Canbot Canz Pop Graffiti Art Toy by Crash- John Matos x Czee13 Limited Edition Spray Paint Can Figure Robot Artwork. 2023 Limited Edition of 100 New in Box Size 3x5.5 Silver Crash Graffiti Robot 5oz Canz Canbot Spray Paint Can Art Toy.   Crash's Canbot: A Homage to Graffiti's Spirit The Silver East Coast Legends Canbot is a limited-edition art toy that encapsulates the spirit and history of graffiti art in its design and conception. A collaborative effort by renowned graffiti artist John "Crash" Matos and artist Czee13, this collectible merges street art's rebellious energy with pop art's aesthetics. Released in 2023, this series was limited to a batch of 100, each piece a new-in-box robot figure styled after a spray paint can, the quintessential tool of the graffiti artist. Crafted with a metallic sheen, the Canbot embodies graffiti's industrial and provocative nature. The design is a tribute to Crash's legacy as a pioneer of the East Coast graffiti scene, his tag "CRASH" inscribed on the can's top. The robot's form takes on a personified spray can, with a cap for a head and a body adorned with Matos' iconic graffiti. This art toy does not merely represent a static figure but symbolizes graffiti art's movement and fluidity. Matos and Czee13: Bridging Street Art and Collectible Culture John Matos, better known as Crash, has been instrumental in elevating graffiti from the streets to the galleries, and his collaboration with Czee13 on the Canbot further bridges the gap between street art and collectible culture. The Canbot is not just an art toy; it is a piece of street pop art, merging the collectible market with the ethos of street art. Each Canbot's unique design is a testament to the individuality and creativity that defines the graffiti art form. This series extends the narrative of street art into collectors' homes and personal spaces, allowing for an intimate interaction with a piece of pop culture history. The Canbot, with its sleek design and historical significance, serves as a functional work of art, encapsulating the essence of street art's impact on contemporary culture and its persistent influence on various artistic mediums. The Canbot as a Statement Piece in Graffiti Artwork The Silver East Coast Legends Canbot is more than a mere homage; it is a statement piece that speaks to the endurance and evolution of graffiti artwork. The limited edition series highlights the transformative journey of street art from the fringes of public spaces to the center stage of art collector's showcases. Each Silver Canbot, with its brilliant finish and detailed design, carries the story of graffiti's past, its vibrant present, and its potential future. In a broader sense, the Canbot by Crash and Czee13 is a physical manifestation of the dialogues that street pop art and graffiti artwork inspire – conversations about art, accessibility, culture, and the ways these intersect within our modern world. Through this piece, the artists invite viewers to reflect on the intrinsic value of street art beyond the walls and into the realm of the every day, offering a tangible connection to the pulse of the city streets and the art that breathes life into them.

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Multi Tags Series 8465 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2023 Signed on Back Original Multi Tags Series Acrylic & Spray Paint Painting Size 52x34 Original canvas from SEEN, Multi Tags Series, 2023. The actual painting size is 34" x 52" (86,3 x 132 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 30" x 48" (61 x 122 cm) // UN- stretched size is 34" x 52" (86,3 x 132 cm). Multi Tags Series 8465 is an original graffiti painting by legendary street artist Seen UA, whose real name is Richard "Richie" Mirando. A pivotal figure in the graffiti and street art movement, Seen UA rose to prominence in the 1970s and 1980s. Originally from the Bronx, New York, Seen UA began his artistic career by tagging subway trains and quickly gained recognition for his unique style and skillful lettering. In the Multi Tags Series, Seen UA showcases a variety of graffiti styles, techniques, and forms, creating a visually captivating composition. As the title suggests, the painting features multiple tags, a signature element of graffiti art. These tags often represent the artist's street name or the name of their crew. The work showcases Seen UA's distinct talent for incorporating bold, vibrant colors and intricate designs, blending them harmoniously in a dynamic and energetic composition. Through this piece, the artist continues to push the boundaries of graffiti art, demonstrating its legitimacy as a powerful form of artistic expression. UA's artwork has been exhibited in galleries and museums worldwide, and his influence on the graffiti and street art scene is undeniable. Collectors and enthusiasts alike appreciate the cultural and historical significance of his works, as they represent the origins and development of this vibrant art movement.

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Risky J Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Black Book Graffiti Original Personal Drawing Journal by Stay High 149- Wayne Roberts Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. STAYHIGH149 x  2003 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11. Good, Some Wear And Tear And Some Pages Seem To Be Missing. This one-of-a-kind black book once belonged to the legendary STAYHIGH149, a true icon in graffiti history. It's more than just a sketchbook—it's a cultural artifact worthy of a museum collection. Inside, you’ll find over 130 pages filled with raw, authentic tags and pieces not only by STAYHIGH149 but also by his close collaborator Dead Leg and influential figures like TRACY 168, among others. This Black Book is bursting with visual history. The back cover is also adorned, making this a full-spectrum look into the underground art of an era. Historic Black Book from Graffiti Legend STAYHIGH149 This original drawing journal is a profoundly rare and culturally significant piece directly tied to the late Wayne Roberts, better known as STAYHIGH149. A cornerstone figure in the early development of New York City graffiti, STAYHIGH149 left an indelible mark on the movement with his iconic “smoker” tag and elevated letterforms. The black book featured here is not just a collection of pages—it is a museum-worthy artifact that reveals the soul of 1970s and 1980s graffiti culture through the hands of its pioneers. It is signed and marked throughout, and was actively used in the early 2000s, serving as a visual time capsule of creativity, brotherhood, and raw street energy. Hand-Tagged Pages from Graffiti’s Original School The black book, measuring 8.5 by 11 inches, contains over 130 pages of unfiltered tags, throw-ups, characters, and sketches—each one layered with markers, spray paint, stickers, and mixed media. Some pages are crossed out or worn, showing the passage of time and the frequent use by the artist and his close circle. Inside, the presence of Dead Leg, STAYHIGH149’s trusted collaborator, is heavily featured, along with pieces and dedications from other legends such as TRACY 168. These works are not curated—they are raw, spontaneous, and packed with style, making them some of the most authentic surviving street pop art & graffiti artwork on paper. Some pages are fully saturated with color while others feature quick bursts of lettering and iconic character drawings. Physical Condition and Artistic Integrity This one-of-a-kind black book carries the physical evidence of its use: some pages are missing, many have edge wear, and a few feature ghosting from marker bleed. Yet this only enhances its credibility as an active tool and companion for one of graffiti’s most visionary figures. The outside covers are heavily adorned in ink and paint, with the back featuring phrases like “Voice of the Ghetto”—a message that aligns directly with the legacy of Wayne Roberts. Inside, the mixture of bubble letters, classic tags, and stylized drawings represents decades of urban art tradition transferred from subway cars and city walls onto a personal canvas. Legacy Captured in Street Pop Art & Graffiti Artwork This black book isn’t a reproduction or retrospective. It is a living archive of graffiti history, created by the hands of those who built the culture from the ground up. STAYHIGH149 remains a towering figure in the world of graffiti, and this book reflects the camaraderie, influence, and unrelenting drive that defined an entire era. It is a powerful example of how street pop art & graffiti artwork evolved beyond city streets to become a revered form of contemporary expression. This black book is a rare opportunity to witness the underground art world as it was—personal, unfiltered, and immortal.

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Chaz Bojorquez Matte Black Spray Paint Can Artwork by Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2025 Hand Tag Signed Matte Black  Color Limited Edition of 1000 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Chaz Bojorquez Montana MTN Matte Black Spray Paint Can Object Artwork The Chaz Bojorquez Matte Black Spray Paint Can by Montana MTN is a 2025 limited edition object artwork that merges functional graffiti culture with collectible Street Pop Art & Graffiti Artwork. Released in an edition of 1000, the piece features a fully paint-filled Montana MTN spray can housed inside a custom wooden display box and hand tag signed by Chaz Bojorquez, American artist. Measuring approximately 3 x 8 inches, the work transforms one of graffiti culture’s most recognizable tools into a sculptural collectible that reflects the deep relationship between artists and the materials they use. Chaz Bojorquez and the Legacy of West Coast Graffiti Culture Chaz Bojorquez is widely regarded as one of the most influential figures in Los Angeles graffiti history. Emerging during the 1970s, Bojorquez developed a distinct visual language rooted in Cholo writing traditions, calligraphy, and urban sign painting. His work helped establish a uniquely West Coast approach to graffiti that differed from the subway-driven letter styles associated with New York. The handstyle visible on this Montana MTN can reflects the artist’s signature script aesthetic, combining sharp movement with elegant line rhythm. Within Street Pop Art & Graffiti Artwork, Bojorquez remains a foundational figure whose influence extends across muralism, typography, and contemporary urban art. Spray Paint Can as Sculptural Street Pop Art & Graffiti Artwork The spray can itself has become an important symbol within graffiti and contemporary street culture. By elevating the can into a signed collectible object, Montana MTN and Bojorquez acknowledge the significance of the medium as both artistic tool and cultural artifact. The vivid skull imagery wrapped around the can references classic graffiti themes of rebellion, mortality, and visual intensity, while the matte black cap color highlights the specific paint tone contained inside. The inclusion of a custom wooden presentation box further shifts the object from commercial product into gallery-oriented artwork. This crossover between utility and collectible design is a defining characteristic of modern Street Pop Art & Graffiti Artwork. Artist Collaboration and Contemporary Graffiti Collectibles Montana MTN has become one of the most respected paint manufacturers in graffiti culture, frequently collaborating with internationally recognized artists on limited edition releases. These artist crossover editions blur the line between merchandise, sculpture, and fine art print culture. Because the can remains filled with usable paint, the object carries a unique dual identity as both functional material and preserved artwork. Signed examples such as this edition have become highly desirable among collectors interested in graffiti history, artist tools, and contemporary Street Pop Art & Graffiti Artwork. The release demonstrates how objects associated with street culture continue evolving into recognized collectible art forms within modern contemporary art markets.

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Thank You!! Original Marker Tag Drawing by Dalek- James Marshall on Cardboard Modern Street Pop Artwork. 2023 Signed Original Permanent Marker Cardboard Thank You Drawing Size 12x6 The Gratitude of Graffiti: Dalek's "Thank You!!" Cardboard Tag The simple yet profound phrase "Thank You!!" takes on a new life in the hands of Dalek, the street name of artist James Marshall. This original marker tag drawing on cardboard is a piece that stands out in the realm of modern street pop artwork. Signed in 2023, the piece measures 12x6 inches. It is a genuine expression of gratitude, rendered in the permanent ink of a marker, a material synonymous with the unfiltered honesty of street art. James Marshall's "Thank You!!": A Study in Sincerity In an age where digital communication often reigns supreme, James Marshall's choice to return to the roots of personal touch with a hand-drawn tag on cardboard speaks volumes. The medium of cardboard, often discarded as waste, is reclaimed by Marshall as a legitimate and poignant surface for art. It is a nod to the eco-friendly and resourceful nature of street pop art and graffiti artwork, which often sees value and potential in overlooked places. His work resonates with the ethos of street art culture, which finds its voice in the every day, transforming the mundane into the extraordinary. Cardboard as Canvas: Street Pop Art's Ephemeral Charm Marshall's work on cardboard also captures the ephemeral charm, often the essence of street pop art. Unlike canvases destined for gallery walls, cardboard suggests a transient nature—today, it's art. Tomorrow, it could be part of a recycling pile. This piece, with its bold black strokes forming the words "Thank You!!" elevates the transient material to a lasting statement of gratitude, a universal and timeless sentiment. In a sense, Marshall's work immortalizes the fleeting moments of appreciation we experience daily, serving as a reminder to acknowledge and celebrate them. In essence, Dalek's "Thank You!!" is more than just a marker drawing; it is a testament to the transformative power of street pop art. Through Marshall's work, we are invited to recognize the beauty in simplicity, the potential of unconventional materials, and the importance of gratitude. As this piece journeys from the streets to the collector's archive, it carries with it the sincere thanks of the artist, a message that resonates with the hearts of those who encounter it.

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Archives Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Misfits Silkscreen by Hijack Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 30x22

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Drippy Throw Ups Original Marker Painting by MartÍ Sawe One of a Kind Artwork on Mixed Media by Street Art Pop Artist. 2025 Signed Marker Mixed Media Painting Original Artwork Size 8.5x4.4 on Fine Art Paper Martí Sawe Drippy Throw Ups Original Marker Painting Drippy Throw Ups is a 2025 one of a kind original marker painting by Martí Sawe, created on mixed media support and measuring approximately 8.5 x 4.4 inches. Executed with bold red and green lettering surrounded by yellow bubble accents and directional arrows, the piece reflects the energy of classic graffiti throw-up styles translated into a compact studio format. As Street Pop Art & Graffiti Artwork, it captures the immediacy of handstyle lettering while retaining the spontaneity and personality that define authentic marker-driven compositions. Throw-Up Tradition and Expressive Letterform The throw-up is a foundational graffiti format, designed for speed, clarity, and impact. In Drippy Throw Ups, Martí Sawe channels this tradition through rounded, interlocking letters outlined in deep green with vibrant red fills. The addition of drips, arrows, and cloud-like bursts reinforces the raw visual language associated with street tagging and quick wall executions. Despite its small scale, the composition maintains strong movement, with arrows pointing downward and outward to guide the viewer’s eye across the surface. The handwritten signature and energetic linework emphasize the work’s direct, unfiltered character. Within Street Pop Art & Graffiti Artwork, such throw-up studies serve as both homage to graffiti history and assertion of individual style. Originality, Scale, and Material Presence As a signed original marker painting rather than a print edition, Drippy Throw Ups carries the physical immediacy of the artist’s hand. Marker strokes remain visible, with slight variations in opacity and line thickness adding texture and authenticity. The mixed media surface enhances the vibrancy of the saturated red, green, and yellow palette, allowing the colors to stand out against the neutral background. Compact in size yet visually assertive, the piece demonstrates how Street Pop Art & Graffiti Artwork can distill large wall aesthetics into intimate collectible formats without sacrificing attitude or graphic power.

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Sen2- Light Blue Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Born in Puertorico, grown in the Bronx, representing worldwide, SEN2 (4Burners) is an NYC icon who developed his style with respect for the wild style tradition and interest for the European styles.

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Van Gogh- Blue Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Priority 228-2016 Slap-Up Label Sticker Original Tag Art by Skewville Original Permanent Marker Art Drawing on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2021 Signed Original Slap Up Graffiti Art Tag 4x5.5 Marker Tagged on USPS United States Postal Service Mail Label Sticker 228-2016.  Skewville and the Art of the Slap-Up: A Street Art Staple The urban art landscape is adorned with various forms of expression, and one pivotal figure who has contributed significantly to this vibrant scene is the artist known as Skewville. With the 'Priority 228-2016 Slap-Up Label Sticker', Skewville offers a quintessential piece that epitomizes the slap-up style of graffiti art. This art form, which utilizes stickers - often postal labels - as the medium, has been a cornerstone of Skewville's work, allowing for a distribution of his art that transcends geographical boundaries.  Dissecting the Slap-Up Phenomenon The 'Priority 228-2016' piece by Skewville is a signed original featuring a robust slap-up tag rendered in permanent marker on a USPS mailing label. Measuring 4x5.5 inches, this work is emblematic of the artist's signature style - bold, assertive, and unapologetically street. The choice of the USPS label is deliberate and indicative of the slap-up genre, which often employs ready-made, adhesive surfaces to create art that can easily be affixed to various urban fixtures, thus integrating the artwork seamlessly into the city's fabric. Skewville's Artistic Influence and Legacy Skewville's work is not merely an act of artistic expression but a statement on the accessibility and democratization of art. By choosing to work with inherently mundane and practical materials, Skewville elevates the ordinary into the extraordinary. His tags, a visual signature, become synonymous with their environments, reflecting the artist's dialogue with the urban landscape. The impact of such works is significant, offering an uncurated and spontaneous encounter with art available to all who traverse the cityscape. Skewville's 'Priority 228-2016 Slap-Up Label Sticker' is more than just a piece of street pop art; it is a testament to the genre's enduring appeal and ability to communicate complex narratives through simple, powerful visual gestures. As a modern street artwork, it represents the continuous evolution of graffiti as a form and the artists like Skewville who have shaped its trajectory over the years.

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