Gray/Grey

Credit Limit- Until Debt Do Us Part Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Credit Limit- Until Debt Do Us Part Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Until Debt Do Us Part by Denial Credit Limit: Until Debt Do Us Part is a thought-provoking archival pigment fine art print created by Canadian street pop art and graffiti artist Daniel Bombardier, known professionally as Denial. Released in 2020, this piece is part of the artist’s iconic Credit Limit series, which critiques consumerism and the deeply ingrained relationship between love, marriage, and financial dependency. Measuring 24x18 inches and printed on 290gsm MOAB fine art paper, this limited edition artwork is signed, numbered, and stamped on the reverse, with only 25 prints available. The piece combines striking visuals and sharp social commentary, making it a standout example of Denial’s signature style. Exploring Love and Consumerism Through Pop Art Until Debt Do Us Part features a romantic embrace between a couple overlaid onto a design inspired by an American Express credit card. The juxtaposition of love and financial commitment highlights the often-overlooked monetary dimension of relationships. The couple’s intimate pose, rendered in vibrant colors and comic book-style linework, conveys passion and tenderness. However, the backdrop of a credit card serves as a stark reminder of the financial realities that can influence and complicate relationships. This duality of emotion and materialism invites viewers to reflect on the cultural and personal implications of merging love with economic obligations. Denial’s Unique Artistic Approach Daniel Bombardier’s work is celebrated for its fusion of pop culture imagery with critical social commentary. Until Debt Do Us Part exemplifies his ability to repurpose everyday symbols into powerful artistic statements. The American Express-inspired design underscores the pervasive role of financial institutions in modern life, while the romantic imagery adds an emotional depth that resonates with audiences. Denial’s use of archival pigment printing ensures that the artwork maintains its vibrant colors and fine details, while the 290gsm MOAB paper enhances its visual and tactile quality. By combining elements of street pop art and graffiti artwork, Denial creates a piece that is both visually engaging and intellectually stimulating. The Cultural Relevance of Until Debt Do Us Part This artwork speaks to the complex intersections of love, marriage, and consumer culture. By framing a romantic moment within the context of financial dependency, Denial critiques the societal pressures that often intertwine emotional and economic commitments. The limited edition nature of the piece adds to its significance, making it a coveted item for collectors and enthusiasts of street pop art and graffiti artwork. Until Debt Do Us Part is a poignant reminder of the ways in which financial systems influence our most personal relationships, solidifying Denial’s reputation as a leading voice in contemporary art. Through its bold visuals and provocative themes, this artwork challenges viewers to reconsider the dynamics of love and debt in a materialistic world.  

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Credit Limit- Bank of Ugh-Merica Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Bank of Ugh-Merica Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Bank of Ugh-Merica by Denial Credit Limit: Bank of Ugh-Merica is a powerful archival pigment fine art print created by street pop art and modern culture artist Daniel Bombardier, known as Denial. This artwork, released in a limited edition of 25, reflects Denial's sharp critique of consumerism and the financial systems that dominate modern life. Printed on 290gsm MOAB fine art paper, this 24x18-inch piece combines vivid colors, pop culture references, and satirical imagery to challenge the viewer’s perception of wealth, credit, and societal values. Each print is signed, numbered, and stamped on the reverse, making it a highly collectible piece within the street pop art and graffiti artwork community. The Visual Commentary on Consumerism Credit Limit: Bank of Ugh-Merica transforms the iconic design of a credit card into a biting critique of financial systems and American consumer culture. The central figure—a woman with the American flag painted across her face—symbolizes the allure and burden of patriotism tied to economic identity. Her exaggerated expression conveys disillusionment, mirroring the emotional weight of consumer debt and financial dependence. The replacement of the credit card’s typical branding with Denial’s satirical take highlights the disconnect between the promises of prosperity and the realities of economic inequality. This artwork encapsulates the power of street pop art to deliver meaningful social commentary through familiar visual cues. Denial’s Approach to Modern Pop Culture Art Daniel Bombardier, a Canadian artist, has built a career on critiquing consumerism, politics, and societal norms through his street pop art and graffiti artwork. Credit Limit: Bank of Ugh-Merica exemplifies his signature style of combining bold graphic elements with thought-provoking themes. By appropriating the imagery of a credit card—a symbol of wealth and status—Denial invites viewers to reconsider the systems they take for granted. His meticulous attention to detail, from the crisp archival pigment print to the high-quality MOAB fine art paper, ensures that the message is delivered with both clarity and impact. The Cultural Relevance of Credit Limit This artwork resonates in an era where conversations about economic disparity, debt, and consumer habits are more relevant than ever. Credit Limit: Bank of Ugh-Merica not only critiques the structures that perpetuate inequality but also questions the cultural obsession with material wealth and financial power. The limited edition nature of this piece enhances its significance, making it a statement of both artistic and cultural value. As a representation of Denial’s ability to merge humor, critique, and pop culture into a cohesive and impactful artwork, this piece stands as a testament to the enduring power of street pop art and graffiti artwork in challenging societal norms.  

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Dye Job Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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A Girl Dressed As Rikku Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Ian Francis Graffiti Street Artist Modern Pop Art. Ian Francis - A Girl Dressed as Rikku, 2009 BLK/MRKT Editions 3-color screenprint on 100% cotton rag Edition: 100 Size: 18 x 24 inches signed/numbered/stamped. Based on the Final Fantasy video game character.

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Metropolis 3 Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Fine Art Paper by David Soukup Graffiti Street Artist Modern Pop Art. "These pieces were originally designed for a show I had in Long Beach a while back. I was working with the idea of how buildings, places, and space relate to each other in the urban environment. I've always been fascinated by cities and city life in general, and focus on that in a majority of my works. These pieces were collaged digitally and then stenciled by hand. I'm always trying to do whatever I can to push the stencil medium and see what can continue to be done. " - David Soukup

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Rainbow One Archival Pigment Fine Art Limited Edition Print on 310gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Scott Listfield. 2019 Signed & Numbered Limited Edition of 50 Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 12x18 Inches Release: November 22, 2019 "Weirdly enough, I was thinking about the color palette from Thor: Ragnarok. It's one of my favorite movies from the past couple of years, and it's got a wonderful, bright, 70's psychedelic space vibe in some of the set designs and movie posters. I wanted to grab that exuberant rainbow and see how it fit into this starry world I was working on." ––Scott Listfield Scott Listfield's "Rainbow One": A Collision of Cosmic Hues and Earthly Solitude "Rainbow One" by Scott Listfield is a testament to the innovative crossroads of street pop art and the vibrancy of modern graffiti artwork. This limited edition archival pigment print, on the esteemed 310gsm Moab fine art paper, exhibits a solitary astronaut set against a backdrop of iridescent hues reminiscent of the color palette from "Thor: Ragnarok." As Listfield noted, the movie's 1970s psychedelic space vibe influenced the exuberant rainbow that breathes life into the starry scape he was crafting. The 12x18 inch print, released on November 22, 2019, is part of an exclusive series, with only fifty signed and numbered pieces available. Each print in this series is a portal to Listfield's universe, where the starkness of the astronaut's isolation is juxtaposed with the unrestrained joy of a cosmic spectrum. Through "Rainbow One," Listfield invites us into a contemplative narrative, encouraging a dialogue between the solitary exploration of space and our vibrant cultural tapestry.

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Credit Limit- Chase Your Tail Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Chase Your Tail Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Chase Your Tail by Denial Credit Limit: Chase Your Tail is a striking example of Denial’s ability to fuse humor, critique, and nostalgia into a powerful statement through street pop art and graffiti artwork. This 24x18-inch archival pigment fine art print is part of a limited edition of 25, each one numbered, signed, and stamped on the reverse, printed on 290gsm MOAB fine art paper. Created by Canadian artist Daniel Bombardier, also known as Denial, this work continues his exploration of consumer culture and societal constructs, blending pop culture references with biting social commentary. The design uses the format of a credit card to critique financial systems and human behavior in a consumer-driven world. Thematic Depth and Symbolism Chase Your Tail reimagines a credit card with a fantastical twist, featuring a ferocious werewolf clutching a bag of money. This imagery encapsulates the relentless pursuit of wealth and the predatory nature of financial systems. The werewolf, a symbol of transformation and untamed instinct, serves as a metaphor for the primal and often destructive drives behind consumerism. The card's design, with its playful alteration of familiar branding, highlights the endless cycle of chasing financial stability while remaining ensnared in debt and materialism. This artwork invites viewers to reflect on the personal and societal consequences of these pursuits, all while maintaining the bold and accessible aesthetic of street pop art. Denial’s Artistic Perspective Daniel Bombardier’s work is celebrated for its wit, visual appeal, and ability to critique contemporary issues. Chase Your Tail exemplifies his talent for transforming everyday symbols into powerful artistic statements. By incorporating the universally recognizable format of a credit card, Denial draws attention to the ways in which consumer culture shapes identity and behavior. His use of vibrant colors and graphic elements reflects the influence of graffiti artwork, while the meticulous details of the archival pigment print demonstrate his commitment to quality. This combination of high craftsmanship and provocative themes is a hallmark of Denial’s approach to modern street pop art. The Cultural Impact of Chase Your Tail Chase Your Tail resonates with audiences by addressing themes of greed, power, and the cyclical nature of consumerism. It critiques the financial systems that perpetuate inequality and the cultural obsession with wealth, presenting these ideas in a format that is both accessible and impactful. The limited edition nature of the print enhances its value as a collectible, while the artwork’s message remains relevant in a world increasingly dominated by credit, debt, and economic disparity. This piece is a testament to Denial’s ability to use street pop art and graffiti artwork as a means of questioning societal norms and sparking critical conversations.  

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Serpents PP Printer Proof Letterpress Print by Gats- Graffiti Against The System Limited Edition 3-Color on Hand Deckled 250gsm Lenox Art Paper Graffiti Street Pop Artwork. PP Printer Proof 2016 Signed & Marked PP Limited Edition Artwork Size 12x18 Letterpress Print Gats- Graffiti Against The System' "Serpents": A Letterpress Legacy in Street Pop Art The "Serpents" by Gats- Graffiti Against The System, an acronym for Graffiti Against The System, is a symbolic work that encapsulates the raw essence and socio-political underpinnings of street pop art and graffiti. As a Printer's Proof (PP) letterpress print from 2016, this artwork showcases the distinct visual language for which Gats- Graffiti Against The Systemby has become renowned. It is a limited edition, three-color print on hand deckled 250gsm Lenox art paper, meticulously signed and marked by the artist, signifying its importance within the edition. The 12x18-inch size allows the intricate details and the stark contrasts of the letterpress technique to shine, emphasizing the artistry and message conveyed by the piece. Gats- Graffiti Against The Systemby is known for his iconic mask imagery, which is prevalent throughout his work and serves as a symbol of anonymity and universality. The "Serpents" print continues this thematic exploration, with the mask motif taking center stage, surrounded by serpentine forms that could be interpreted as literal and metaphorical representations. Letterpress printing adds a tactile depth to the work, harking back to a time when print was both a craft and a form of communication for the masses. Letterpress Printing and Its Resonance in Gats- Graffiti Against The System' Work The choice of letterpress for "Serpents" is particularly significant in the context of Gats- Graffiti Against The Systemby's oeuvre. Letterpress printing, with its origins in traditional craftsmanship, brings a historical weight to the work, juxtaposing the transience of graffiti with the permanence of printed art. The hand-deckled edges of the Lenox art paper contribute a delicate, almost antique quality to the print, suggesting that its message is timeless and enduring. Gats- Graffiti Against The Systemby's work is often laden with social commentary, and "Serpents" is no exception. The piece reflects Gats- Graffiti Against The Systemby's engagement with the urban environment, his critique of societal systems, and his contemplation of the individual's place within the larger context. The layered meaning within the print, combined with the striking aesthetic, indicates the power of street pop art to capture the viewer's gaze and provoke thought and discourse. The Cultural Impact of Gats- Graffiti Against The System' "Serpents" In street pop art and graffiti artwork, Gats- Graffiti Against The Systemby is a figure who bridges various artistic worlds. His work "Serpents" is not merely a static image but a dynamic interaction of historical printmaking techniques and contemporary street art sensibilities. As a limited edition PP print, it occupies a unique niche within the art market, appealing to collectors of fine art prints and fans of street art. In summary, "Serpents" by Gats- Graffiti Against The Systemby exemplifies the artist's dedication to a form of expression rooted in the history of printmaking while being deeply entrenched in the discourse of modern street art. His utilization of letterpress printing on high-quality Lenox paper underscores a commitment to craft in an age of mass production. Through works like "Serpents," Gats- Graffiti Against The Systemby continues to contribute to the narrative of street pop art, offering visually captivating and intellectually stimulating pieces. The print stands as a testament to the potential of street art to transcend its temporary nature and establish itself as a significant and lasting form of cultural expression.

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D'Book of Boba Archival Pigment Fine Art Limited Edition Print on 340gsm Cold Press Natural Paper by Artist Naturel, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 100 Size 14x18

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Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

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Credit Limit- Chasing The Blues Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Credit Limit- Chasing The Blues Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Chasing The Blues by Denial Credit Limit: Chasing The Blues is a provocative archival pigment fine art print by Daniel Bombardier, professionally known as Denial. This artwork, created in 2020, is part of his iconic Credit Limit series, which critiques consumer culture and the psychological toll of financial systems. The piece measures 24x18 inches and is printed on 290gsm MOAB fine art paper, known for its exceptional quality and durability. As part of a limited edition of 25, each print is signed, numbered, and stamped on the reverse, ensuring its exclusivity and appeal to collectors of street pop art and graffiti artwork. The Visual Language of Chasing The Blues Chasing The Blues takes the familiar design of a credit card and transforms it into a striking visual metaphor for the emotional and financial burdens associated with modern consumerism. The central figure—a distressed woman rendered in vibrant blue hues—emphasizes the emotional toll of chasing financial stability in an increasingly debt-driven world. Her expression of anxiety and despair contrasts sharply with the sleek, corporate design of the credit card backdrop. By juxtaposing these elements, Denial critiques the illusion of luxury and freedom often associated with credit and highlights the hidden struggles it entails. The attention to detail and bold graphic style make this piece both visually arresting and thematically compelling. Denial’s Artistic Vision Daniel Bombardier is a Canadian artist whose work often explores themes of consumerism, capitalism, and societal constructs. Chasing The Blues exemplifies his ability to use humor, irony, and pop culture imagery to deliver powerful critiques. The use of a credit card as the central motif reflects his talent for repurposing everyday objects into thought-provoking works of art. Denial’s fusion of street pop art and graffiti artwork aesthetics results in pieces that are accessible yet deeply impactful. The archival pigment printing on high-quality MOAB paper ensures the vibrancy and longevity of his work, making it a standout piece in any collection. The Cultural Relevance of Credit Limit: Chasing The Blues Chasing The Blues resonates in a society where financial anxiety and material aspirations often go hand in hand. By blending corporate symbolism with raw human emotion, Denial invites viewers to question the cost of consumerism and the pressures of modern economic systems. This artwork serves as both a critique and a reflection of the pervasive influence of credit and debt in contemporary life. As part of a limited edition, it holds significant value not only as a collectible piece of art but also as a cultural artifact that captures the struggles of its time. Denial’s work continues to challenge conventions and spark dialogue, solidifying his position as a leading figure in street pop art and graffiti artwork.  

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Cathedral Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. 2017 Signed & Numbered Limited Edition of 25 Giclee Artwork Size 18x18 "Cathedral," a giclée print on 290gsm fine art paper by Kari-Lise Alexander, is a captivating piece that blends pop culture's aesthetics and graffiti art's raw authenticity. This 2017 signed and numbered limited edition of 25 pieces, measuring 18x18 inches, is a testament to Alexander's unique vision within contemporary art. While distinct from traditional street pop art and graffiti, her work carries the same spirit of personal expression and cultural resonance that characterizes these art forms. Alexander's "Cathedral" is a piece that invites introspection and admiration, holding a special place in the collections of modern art enthusiasts.

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The Butterfly Giclee Print by Jeff Soto Artwork Limited Edition Print on 305gms Cotton Rag Archival Acid-Free Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 Liberated from its confines, the wounded butterfly embarks on a journey toward serenity and optimism. This exclusive print edition of the animated digital masterpiece, originally minted on SuperRare in 2021, has been skillfully modified in scale to display exquisitely at 18" x 24". Featuring subtle variations in hue and intricacy, this rendition diverges slightly from its digital counterpart. "The Butterfly" Giclee Print by Jeff Soto is an artwork created by the American contemporary artist Jeff Soto. He is well-known for his distinct style, blends street art, pop surrealism, and elements of nature vividly and imaginatively. Giclee prints are high-quality, fine art reproductions created using advanced digital printing technology. They are printed on various types of substrates, including canvas, fine art paper, or photographic paper, and are designed to accurately capture the original artwork's colors, textures, and details. Giclee prints are widely popular among artists and collectors due to their durability and longevity, ensuring the artwork can be enjoyed for years. "The Butterfly" Giclee Print showcases Jeff Soto's signature style and the recurring theme of nature in his work. It features a colorful and detailed depiction of a butterfly, often symbolizing transformation, hope, and life. The artwork's vibrant colors and intricate patterns make it a striking piece, suitable for display in various settings, including private collections, galleries, or as a statement piece in your home or office.

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Day of the Dead Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Leslie Ditto. 2011 1st Printing of 75

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Rainbow Two PP Printer Proof Archival Pigment Fine Art Limited Edition Print on 310gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Scott Listfield. PP Printer Proof 2019 Signed & Marked PP Limited EditionArchival Pigment Print on 290gsm Moab Fine Art Paper Size: 12x18 Inches Release: November 22, 2019 "Weirdly enough, I was thinking about the color palette from Thor: Ragnarok. It's one of my favorite movies from the past couple of years, and it's got a wonderful, bright, 70's psychedelic space vibe in some of the set designs and movie posters. I wanted to grab that exuberant rainbow and see how it fit into this starry world I was working on." ––Scott Listfield Exploring the Chromatic Narratives of Scott Listfield's "Rainbow Two" Scott Listfield's "Rainbow Two PP Printer Proof" is a striking piece in modern pop street graffiti art. Released alongside its predecessor, "Rainbow One," on November 22, 2019, this limited edition archival pigment print is rendered on 310gsm Moab fine art paper. Signed and marked as a Printer's Proof, this 12x18 inch print is part of a limited edition, distinctive for its quality and rarity. Drawing inspiration from the vivid color scheme of "Thor: Ragnarok," Listfield captures a 70s psychedelic space aesthetic, weaving it into the fabric of his trademark starry landscapes. This print, featuring his iconic astronaut, continues Listfield's exploration of pop culture and societal themes set against the infinite tapestry of space.

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Statue of David Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 The Unique Fusion of Street Pop Art and Graffiti Artwork: Adam Lister's Perspective The Statue of David Giclee Print by Adam Lister is an exemplary work of contemporary art that melds the aesthetics of Street Pop Art and Graffiti Artwork. Adam Lister, an American artist known for his geometric and pixelated interpretations of classical and pop culture themes, has gained recognition for his ability to reinterpret iconic imagery through a modern lens. His limited edition giclee prints, meticulously produced on 300gsm hot press matte paper, reflect his commitment to quality and creativity. Lister's 2023 giclee prints are signed, numbered, and produced in editions of just 50, ensuring exclusivity and collectability. Measuring 24 by 18 inches, this artwork offers a reinterpretation of Michelangelo’s Statue of David, reimagined through Lister's characteristic style. He employs a method that dissects and reconstructs forms into fragmented geometric blocks, reminiscent of 8-bit video game graphics. This visual approach bridges the classical and the modern, creating a dialogue between the Renaissance masterpiece and the aesthetics of the digital age. Street Pop Art and Graffiti Artwork: Redefining Classical Imagery Street Pop Art and Graffiti Artwork often draw inspiration from a mix of historical references and contemporary cultural movements. Adam Lister’s work exemplifies this synthesis by using iconic symbols, such as the Statue of David, and rendering them with a playful, pixelated distortion. The juxtaposition of classical Renaissance art with the pixelated style associated with early digital media reflects the evolution of cultural symbols over time. By incorporating themes of deconstruction and simplification, Lister's work aligns with the ethos of Street Pop Art. His prints evoke the boldness and immediacy found in graffiti and street culture, while simultaneously referencing the intellectual rigor of fine art. This blend of styles positions his work at the forefront of contemporary artistic expression, making it accessible to a wide audience while maintaining artistic depth. The Process and Medium: Giclee Printing in Contemporary Art The giclee printing process plays a crucial role in the production of Adam Lister’s artwork. This technique involves the use of high-quality archival inks and papers, ensuring vibrant colors and exceptional durability. The 300gsm hot press matte paper used for the Statue of David print adds a subtle texture and depth, enhancing the visual impact of the geometric design. The use of giclee printing not only preserves the integrity of the artwork but also elevates it to a museum-quality standard. Lister’s choice to limit his editions to 50 prints underscores the exclusivity of his work, appealing to collectors who value unique and carefully crafted pieces. Each print is signed and numbered by the artist, adding an element of authenticity and personal connection to the piece. Adam Lister's Contribution to Contemporary Art Adam Lister continues to redefine how classical art is perceived in the context of Street Pop Art and Graffiti Artwork. His unique aesthetic offers a fresh perspective on iconic works, making them relevant and engaging for modern audiences. Born and based in the United States, Lister has successfully carved a niche for himself by combining historical themes with contemporary design elements. His work serves as a testament to the enduring power of art to transcend time and medium, connecting the past and present in innovative ways. The Statue of David giclee print is not just a reinterpretation of a timeless masterpiece but also a statement about the fluidity of artistic boundaries. By employing techniques and styles rooted in street art and digital culture, Adam Lister has created a piece that resonates with collectors, art enthusiasts, and casual viewers alike. His ability to transform the familiar into the extraordinary cements his place as a leading figure in contemporary art.

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Take Warning Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 12x18 Street Sign This use of intertextuality also serves to offer a comfort or familiarity of sorts to the viewer. Chris’ works frequently reveal everyday musings and people one would pass on the street without looking or thinking about twice.

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Landfall PP Printers Proof Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. PP Printers Proof Signed & marked PP 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered Artist proof working copy, small bump to lower mid white margin bottom. The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Credit Limit- Less is More Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Credit Limit- Less is More Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Less is More by Denial Credit Limit: Less is More is an engaging archival pigment fine art print by Canadian street pop art and graffiti artist Daniel Bombardier, also known as Denial. This artwork, part of his Credit Limit series, is a bold critique of consumer culture, financial dependency, and the pervasive influence of branding in modern society. Created in 2020, the piece measures 24x18 inches and is printed on 290gsm MOAB fine art paper, ensuring the highest level of detail and vibrancy. Each piece is part of a limited edition of 25, individually signed, numbered, and stamped on the reverse, making it a prized collectible among art enthusiasts and collectors. The Visual Commentary of Less is More Less is More transforms the familiar design of a credit card into a provocative artwork that challenges societal norms and values. The central figure, a woman with green skin and a melancholic expression, is a striking pop art reimagination. Her stylized appearance, complete with halftone patterns and bold colors, evokes the graphic aesthetic of mid-century comic books. The credit card design features branding and elements that are cleverly altered to reflect Denial’s critique of consumerism and the contradictions inherent in the phrase less is more. The world map in the background hints at the global reach of financial systems and their influence on individual lives. By combining these elements, the piece offers a layered exploration of the emotional and cultural impact of materialism. Denial’s Unique Artistic Approach Daniel Bombardier’s work is celebrated for its ability to combine humor, satire, and pop culture references into thought-provoking pieces. Less is More exemplifies his skill in turning everyday objects into vehicles for social commentary. The use of a credit card as the foundation of the artwork speaks to the ubiquity of consumerism and its impact on identity and values. Denial’s meticulous attention to detail, from the crispness of the archival pigment print to the dynamic interplay of colors, ensures that the piece is both visually stunning and thematically rich. His fusion of street pop art and graffiti artwork continues to challenge audiences to rethink their relationship with consumer culture. The Cultural Significance of Credit Limit: Less is More Less is More captures the paradoxical relationship between material aspirations and the psychological toll of consumerism. It critiques the notion of equating financial success with personal fulfillment, highlighting the emotional dissonance that often accompanies the pursuit of wealth. As part of the Credit Limit series, this artwork reinforces Denial’s commentary on the systems and ideologies that shape modern life. The limited edition nature of the piece underscores its exclusivity and value as a work of art that not only resonates aesthetically but also sparks critical conversations. Denial’s ability to blend bold visuals with profound messages ensures that Less is More remains a standout piece in the world of contemporary street pop art and graffiti artwork.  

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Malekith The Accursed Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist John Aslarona.

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Thriving Cities Archival Print by Chris Austin Limited Edition on Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 40 Artwork Size 32x18 Archival Pigment Fine Art of Sharks Swimming Though the Busy Streets of an Urban City with Cars & People. In the eclectic world of contemporary art, Chris Austin's "Thriving Cities" stands as a vivid testament to the boundless imagination of its creator. This archival print, masterfully designed on Fine Art Paper, offers viewers a surreal journey through a bustling urban landscape that intriguingly intertwines elements of the aquatic and the metropolitan. Skillfully capturing the spirit of pop, street, and graffiti art, the piece beckons onlookers to dive into the depths of its narrative. Spanning an impressive 32x18 inches, "Thriving Cities" is an audacious exploration of the juxtaposition between nature's apex predators and the human-made jungle. Envisioning sharks effortlessly swimming amidst the busy streets, navigating between moving cars and wandering pedestrians, Austin crafts a world where the boundaries between the wild and the urban blur seamlessly. While the sharks may symbolize the relentless hustle and unstoppable drive of city life, they also introduce a sense of foreboding, reminding us of the lurking dangers in our seemingly mundane routines. Crafted with archival pigment, the fine art print's quality and attention to detail ensure that every nuance, from the sun's reflection on the cars to the sparkle in the sharks' eyes, is captured with unparalleled precision. Each piece is signed and numbered by Chris Austin, emphasizing its limited-edition nature with only 40 prints available. A true emblem of modern artistic expression, "Thriving Cities" is an evocative reflection on the symbiotic relationship between nature and urban development, sparking introspection and dialogue among art enthusiasts and casual viewers alike.

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Saboteur Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey, Graffiti Street Artist Modern Pop Art. AP Artist Proof 2010 Signed & Marked AP Limited Edition Artwork Size 24x18  The Essence of Rebellion in Kinsey's Saboteur Dave Kinsey, a street artist who has made significant waves in modern pop art, presents a compelling piece in the form of the 'Saboteur' limited edition print. This three-color hand-pulled silkscreen print on 100% cotton rag archival paper reflects the essence of what street pop art and graffiti artwork stand for - a blend of aesthetic appeal and a strong message. Created in 2010, the 'Saboteur' is not only a visually striking piece but also one laden with symbolism and meaning. The 'Saboteur' showcases Kinsey's skill in using limited color palettes to create depth and narrative. The stark contrast of the orange background against the black-and-white imagery of the Statue of Liberty immediately captures the viewer's attention. The choice of the Statue of Liberty as the central figure is remarkably evocative, symbolizing freedom and the American spirit. However, Kinsey's portrayal is not one of patriotic triumph but rather a nuanced critique, perhaps a comment on the state of liberty in contemporary society. A Limited Edition Piece with a Timeless Message This artwork, marked as an Artist Proof (AP), signifies its status as part of a unique subset of prints often kept by the artist for personal use or sold as precious pieces to collectors. The print, sized at 24x18 inches, is significant not just for its size but for its exclusivity and the personal touch of the artist's signature. Collectors and admirers of Kinsey's work recognize the value of such a piece in terms of its aesthetic quality and its potential as an investment and a historical artifact. The 'Saboteur' is a testament to Kinsey's mastery of silkscreen printing, which requires precision and skill. The hand-pulled method employed by Kinsey ensures that each print is unique, with slight variations that make each piece one-of-a-kind. The use of 100% cotton rag archival paper speaks to the quality and durability of the print, designed to withstand the test of time without losing its color and integrity. The Impact of 'Saboteur' in Street Pop Art and Graffiti Artwork In the broader context of street pop art and graffiti artwork, the 'Saboteur' stands out as a beacon of Kinsey's style and the political edge often found in this genre. Street art, known for its transient nature, is painted on walls and surfaces of the public domain. By transforming such a piece into a silkscreen print, Kinsey bridges the gap between street art's ephemeral nature and fine art's longevity. This piece allows the rebellious spirit of street art to enter homes and galleries, preserving its message and aesthetic for future generations. The 'Saboteur' is not just a piece of art; it's a conversation starter, a statement, and history. It encapsulates the turbulent emotions and the critical discourse of the time it was created, yet its message remains timeless. As a work of modern pop art, it embodies the cultural and political atmosphere of the early 21st century, reflecting the artist's perception of liberty and the societal structures that govern it. Dave Kinsey's Ongoing Legacy and 'Saboteur's' Place Within It The continuing legacy of Dave Kinsey as an influential figure in street pop art and graffiti artwork is further cemented by works like 'Saboteur.' He has consistently demonstrated an ability to convey powerful messages through his art; this print is no exception. As with many great works of street pop art, the 'Saboteur' challenges its viewers to think critically about the symbols and institutions they may otherwise take for granted. For collectors, enthusiasts, and students of street pop art and graffiti artwork, 'Saboteur' represents a pinnacle of Kinsey's artistic endeavors, encapsulating his message, medium, and method. Pieces like this ensure Kinsey's place in the annals of modern art is secure and revered. As time progresses, 'Saboteur' will continue to resonate and inspire, much like the enduring spirit of the street art movement from which it was born.

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Landfall Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Edition of 175 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Franklin Street Pop Street Artwork Limited Edition Giclee Print on Archival Cotton Rag Paper by Urban Graffiti Modern Artist Matthew Grabelsky. 2016 Signed & Numbered Limited Edition of 30 Artwork Size 18x18

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SlapTag Urban Decay Original One of a Kind Montana Gold Spray Paint and Acrylic Painting Artwork on Wood by Popular Street Graffiti Artist Lyric One. Signed Original 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021

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Bad Influences Show Print- Black & White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by House33 Rare Street Art Famous Pop Artwork Artist. 24x18 2021 Signed and Numbered Edition of 33

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Cathedral AP Artist Proof Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. AP Artist Proof 2017 Signed & Marked AP Limited Edition Giclee Artwork Size 18x18 Kari-Lise Alexander’s Cathedral: The Fluidity of Identity in Contemporary Pop-Inspired Surrealism Kari-Lise Alexander’s Cathedral, released as an 18 x 18 inch signed Artist Proof in 2017, presents a hypnotic portrait that blends photorealistic precision with elements of surreal distortion. This giclée print on 290gsm fine art paper captures a figure partially obscured by cascading water, flowers, and organic abstraction. The subject, a pale-skinned woman draped in vibrant blossoms, is simultaneously present and vanishing, her body dissolving into fluid motion. The transparency of water acts as a veil, distorting reality and transforming the portrait into a meditation on impermanence, transformation, and self-concealment. Alexander, known for her figurative surrealism, often incorporates themes of water, femininity, and nature into her work. In Cathedral, she positions the viewer as both witness and intruder, observing a moment of private reflection through a barrier of falling water. The water does not merely frame the composition—it reshapes it. Faces blur. Petals smear. The painting becomes an active space where emotion is filtered through liquid movement. This dynamic use of transparency offers more than visual interest; it becomes a metaphor for the slippery, ever-shifting boundaries of personal identity. Hyperreal Texture Meets Atmospheric Abstraction The interplay between realism and abstraction in Cathedral is deliberate and poetic. The figure’s facial expression is rendered with lifelike accuracy—delicate shadows, tightly painted features, and emotional weight. Yet her body, partially hidden by wet streaks and botanical textures, seems to dissolve into the background. This creates a tension between what is defined and what is disappearing. Kari-Lise Alexander utilizes oil-like effects in a digital print medium to mimic the unpredictability of nature and the complexity of inner life. The circular framing device behind the figure may evoke the architectural structure implied by the title. A cathedral, often associated with spiritual sanctuary and towering form, contrasts with the vulnerability of the exposed body and the ephemeral texture of water. The contrast suggests that the true place of worship in this work is not stone or space, but the internal landscape of emotion and memory. The circle becomes both halo and lens—focusing the viewer’s attention while abstracting the context. Symbolism of Nature and the Female Form In Cathedral, floral imagery serves as more than decorative flourish. The dense crown of peonies, berries, and green vines placed on the figure’s shoulders connects her to cycles of life and growth. The flowers are not merely worn—they appear to grow from her, reinforcing a fusion between the natural world and the self. Water, often a recurring motif in Kari-Lise Alexander’s paintings, amplifies this symbolism. It signifies renewal, decay, and emotional release all at once. In combination, these elements create a visual language where the feminine body becomes both the temple and the terrain. Though not strictly situated within traditional Street Pop Art & Graffiti Artwork, Cathedral echoes contemporary movements that challenge the line between classical portraiture and cultural commentary. The work’s ethereal energy, paired with its striking surface distortion, aligns it with a broader pop-influenced aesthetic that merges beauty with introspection, and figuration with experimentation. Kari-Lise Alexander's work expands the vocabulary of modern surrealism by using tactile realism to explore the unseen interior—turning emotion, memory, and transformation into arresting visual experiences.

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Social Distortion Diptych Artist Proof AP Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Desirable Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2007 Signed & AP Marked Original Run Limited Edition of 125 Artwork Size 24x18 Diptych Set of 2 Prints 3 color screen print Printed on 100% Off-White Archival Acid-Free Paper Signed AP: KINSEY / Stamped From the Original Edition 125 Size: 24 x 18 inches ea. / 60.9 x 45.7 cm ea. Year: 2007

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