Gray/Grey

Wrong PP Silkscreen Print by Chaz Bojorquez Hand-Pulled 8-Color Screen Print on 250gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2016 Signed & PP Marked Limited Edition Run Artwork Size 20x25  Chaz Bojorquez's "Wrong PP": A Testament to Street Pop Art and Graffiti "Wrong PP," a hand-pulled 8-color screen print by Chaz Bojorquez, is a testament to the seamless blend of street pop and graffiti artwork. Created in 2016, this limited edition artwork on 250gsm Stonehenge Art Paper demonstrates Bojorquez's adeptness in screen printing. This method allows him to employ a rich array of colors with meticulous attention to detail. Each print in this limited edition run is individually signed and marked as a Printer's Proof (PP), signifying its status as a verified piece directly from the artist's collection and cementing its uniqueness and value for collectors. The artwork, with dimensions of 20x25 inches, is a significant piece that encapsulates the essence of Bojorquez's artistic philosophy. Renowned for his integration of Cholo calligraphy with street art sensibilities, Bojorquez's "Wrong PP" displays the elegant and fluid script that is characteristic of his work. This script, deeply entwined with the cultural fabric of East Los Angeles, is interlaced with abstract elements, creating a visual narrative that is both personal and universally accessible. The print is a dialogue between the heritage of graffiti as a form of street-level communication and the precision of fine art printmaking. Cultural Significance of "Wrong PP" in Bojorquez's Oeuvre The cultural significance of "Wrong PP" in Chaz Bojorquez's oeuvre is manifold. It reflects the rich tapestry of street culture and embodies the narratives and identities that have emerged from the urban landscapes. Bojorquez is a pioneer in advocating for recognizing graffiti as a legitimate and complex art form. His work, including "Wrong PP," is pivotal in shifting perceptions and framing the narrative around street art. The print is a vibrant expression of creativity and a landmark in the ongoing journey of street pop art and graffiti artwork. The decision to create a limited edition series amplifies the exclusivity and desirability of "Wrong PP." Each print holds a piece of the narrative of street art's evolution, particularly in Los Angeles, where Bojorquez has been a critical figure. The PP marking further emphasizes the direct connection between the artist and each piece, assuring collectors of its authenticity and place within the limited run. The Artistic Merit and Collectability of "Wrong PP" "Wrong PP" is a piece that holds considerable artistic merit, demonstrating the possibilities that arise when the rebellious spirit of street art meets the discipline of fine art printmaking. The collectability of such works is derived from their visual appeal and their representation of a particular moment in art history. As street pop art and graffiti artwork continue to gain prominence in galleries and private collections, prints like "Wrong PP" bridge the ephemeral nature of street art and the permanence of fine art. Bojorquez's prints, particularly "Wrong PP," profoundly impact the art community. They are sought after by collectors who value the nuances of street art aesthetics and the craftsmanship of traditional printmaking techniques. The artwork is an invitation to engage with the streets' rich visual language and appreciate the stories that emerge from its depths. Enduring Impact of Chaz Bojorquez's "Wrong PP" Chaz Bojorquez's "Wrong PP" endures as a significant work within the artist's legacy and the broader context of contemporary art. It embodies the evolution of street art, showcasing Bojorquez's commitment to his craft and ability to influence urban art's trajectory. The print is a narrative of cultural resilience and artistic innovation, capturing a movement's ethos that continues redefining the boundaries of visual expression. In conclusion, "Wrong PP" by Chaz Bojorquez is a powerful example of the enduring legacy of street pop art and graffiti artwork. The print is a testament to the artist's mastery, his cultural contributions, and his vision for the place of street art in the larger conversation about art and society. Each signed and marked piece from the limited edition run celebrates the art form's past and is a beacon for its future, inviting viewers to explore the rich tapestry of the urban experience through the lens of Bojorquez's iconic style.

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Haiconca Pearl Lustre Pearl HPM Embellished Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Unique HPM Embellished Acrylic Silkscreen Limited Edition of 8 Artwork Size 20x31.5 Silkscreen Print Haiconca Pearl Lustre Pearl HPM Silkscreen Print by Fin DAC Haiconca Pearl Lustre Pearl is a 2023 hand-pulled 8-color silkscreen edition by celebrated street pop art and graffiti artwork artist Fin DAC. Each piece in this hyper-limited run of only eight prints is uniquely hand-embellished with acrylic paint, transforming every print into a one-of-a-kind mixed media artwork. Produced on full bleed, hand-deckled 410gsm Somerset fine art paper, the print measures 20 by 31.5 inches and stands as a signature work in Fin DAC’s ongoing series that merges high-impact visual aesthetics with symbolic commentary on cultural beauty and strength. Symbolism, Detail, and Technique This edition of Haiconca features the distinctive facial motifs that define Fin DAC’s iconic visual language. The woman’s grayscale face is adorned with pearl-toned mask markings that drip down like ceremonial paint, while the lips are painted in a high-gloss crimson red with visible brushstrokes that speak directly to the artist’s hand in the work. Her stare is direct, evocative, and filled with both mystery and assertion. The inclusion of finely rendered details such as a nose ring, sculptural ring, and black nail polish draws attention to adornment, identity, and defiance. The result is a balance between elegance and edge, between silence and power. Materials and Edition Specificity Printed using an 8-color silkscreen process, this edition achieves extraordinary depth and texture. The high weight of the Somerset fine art paper offers a tactile richness that enhances the artwork’s presence whether framed or displayed raw. The full bleed presentation removes any framing margin, making the print feel immersive and immediate. The hand-painted embellishments—visible in the lips and subtle accents—elevate each piece beyond a standard print into the category of highly collectible original art. With only eight editions produced, each signed and numbered, this HPM release is among the rarest and most exclusive expressions of Fin DAC’s aesthetic philosophy. Relevance in Street Pop Art & Graffiti Artwork Fin DAC, based in the UK and of Irish origin, has carved a distinctive space in the global art community by spotlighting women of diverse cultural identities in work that challenges objectification while celebrating beauty, power, and nuance. Haiconca Pearl Lustre Pearl exists firmly in the tradition of street pop art and graffiti artwork, merging photorealistic execution with stylized street iconography. The hand-embellished elements of this edition further reflect the hybridization of studio discipline with street spontaneity. These pieces connect with collectors not just through aesthetics, but through their symbolic resonance and their elevated status within contemporary art culture. Each HPM in this edition captures Fin DAC’s commitment to craftsmanship, narrative, and the power of portraiture as a vessel for social commentary and artistic evolution.

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The High Ground Giclee Print by Dave Pollot Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 20x13 Star Wars May the 4th Special Edition Print on Rolled Canvas. The High Ground Giclee Print by Dave Pollot: Star Wars in the American Wilderness The High Ground is a 2025 giclee print by Dave Pollot, a limited edition artwork measuring 20x13 inches on rolled canvas. Signed and numbered by the artist, this special edition was released to mark Star Wars Day, combining sci-fi iconography with classic Americana. Dave Pollot, known for recontextualizing pop culture into traditional landscapes and thrift store finds, brings Darth Vader, stormtroopers, and mallards into a serene wilderness hunting scene, transforming fan art into a contemplative and visually satirical piece within Street Pop Art & Graffiti Artwork. Star Wars and American Nostalgia Collide This artwork channels the quiet stoicism of mid-century American wildlife paintings, a genre associated with stillness, solitude, and reverence for nature. However, Pollot introduces an unexpected yet humorous disruption—Darth Vader, dressed in full regalia, holds a camouflage duck call and lifts his hand as ducks scatter across a frosty marsh. In the backdrop, stormtroopers pose as hunters with rifles raised, as if unaware they are participants in a parody. The distant trees and subdued color palette create a tranquil environment that is cleverly unsettled by these fictional intrusions. The Death Star hovers faintly in the misted moon, replacing the sun like an all-seeing presence. The balance between humor and reverence is where Pollot excels, subtly critiquing the commercialization of mythology while celebrating it at the same time. The Satirical Language of Dave Pollot Dave Pollot is an American artist celebrated for taking discarded art and reimagining it through the lens of popular culture. His works often remix vintage aesthetics with modern characters from video games, films, and television, turning forgotten or ignored canvases into sharply observed commentaries. The High Ground follows this trajectory by preserving the painting’s original sentiment—peaceful wilderness and natural observation—but replacing the human subjects with galactic legends. This method turns the familiar into the surreal and invites viewers to reassess both the imagery and the context. It functions both as a homage and a gentle subversion, seamlessly embedding Star Wars lore into the pastoral. Modern Street Pop Art on Traditional Canvas The High Ground is not just a novelty print for science fiction fans; it is a deliberate exploration of cultural layering. In the context of Street Pop Art & Graffiti Artwork, it utilizes mashup aesthetics to reflect how pop culture infiltrates memory and collective nostalgia. By printing on canvas and mimicking classical wildlife art, Pollot bridges the distance between digital-age fandom and analog artistic traditions. Released as a limited edition for Star Wars May the 4th, the print resonates beyond franchise loyalty. It becomes a narrative about cultural saturation, about how icons like Darth Vader are not simply fictional—they inhabit our landscapes, our metaphors, and our humor. Dave Pollot’s The High Ground embodies this ethos with cleverness and craftsmanship, making it a notable piece within contemporary collectible fine art.

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Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 20x31.5 Silkscreen Print Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Haiconca Metallic Yellow Gold is a 2023 silkscreen masterpiece by renowned street pop art artist Fin DAC. Printed on full bleed, hand-deckled 410gsm Somerset fine art paper, this work measures 20 by 31.5 inches and comes from a strictly limited edition of only 40 signed and numbered prints. The print is created using an intricate 8-color silkscreen process, featuring a finely rendered monochromatic portrait that is electrified by a bold, metallic yellow gold mask motif. This juxtaposition of grayscale hyperrealism with vibrant symbolic color is a hallmark of Fin DAC's visual language and contributes to his ongoing commentary on cultural beauty and feminine power. Signature Style and Cultural Emblems of Fin DAC Fin DAC, born in Ireland and now internationally recognized, has redefined female portraiture in street pop art and graffiti artwork through his consistent and deliberate visual symbolism. His signature aesthetic includes masked women adorned with color-splashed facial motifs that recall traditional Asian, South American, or tribal ceremonial elements. Haiconca Metallic Yellow Gold exemplifies this ongoing thematic approach. The woman in this piece gazes directly at the viewer, poised yet guarded, her piercing eyes offset by the dripping gold mask over her upper face. Her nose ring, textured ring, and painted fingernails add to the layered storytelling that often defines Fin DAC’s subjects—powerful yet introspective, adorned yet undiminished. Process, Materials, and Artistic Execution The use of 410gsm Somerset paper is a deliberate choice, enhancing the tactile depth of the work and allowing the metallic pigment to reflect light in varying tones depending on the viewer's angle. The 8-color hand-pulled silkscreen method allows for extreme control and layering, resulting in a print that feels almost photographic while retaining its raw street art origin. The hand-deckled edges give the print a raw, sculptural quality that complements the street-to-gallery ethos central to Fin DAC's practice. These production details are not incidental—they are essential to understanding how street pop art has evolved into a serious collectible fine art medium. Contemporary Relevance in Street Pop Art & Graffiti Artwork Haiconca Metallic Yellow Gold stands as a visually arresting reflection on identity, agency, and perception. The metallic yellow mask is both shield and declaration—a visual metaphor for the roles women adopt or resist in contemporary society. Fin DAC’s work continues to elevate women of diverse cultural backgrounds not as exotic symbols, but as empowered individuals commanding their presence across urban and gallery landscapes. In the context of street pop art and graffiti artwork, this piece bridges photorealistic portraiture with bold iconography, highlighting Fin DAC’s place as a pivotal figure in the genre. With only 40 editions produced, this 2023 release offers collectors a rare and powerful work that speaks directly to the moment while maintaining timeless aesthetic and emotional depth.

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Shadow Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Shadow Limited Edition Archival Pigment Print by DAIM Shadow by DAIM is a striking three-dimensional graffiti composition that explores the contrast between depth, structure, and abstraction. This archival pigment print on museum fine art paper presents the artist’s trademark illusion of sculptural lettering, where sharp, angular forms appear to emerge from and recede into the background. The play of light and shadow in this work enhances its monumental presence, making it a prime example of modern graffiti transformed into fine art. Three-Dimensional Lettering and Architectural Influence DAIM, born Mirko Reisser, is internationally recognized for his pioneering role in three-dimensional graffiti lettering. His approach integrates architectural precision with abstract movement, resulting in compositions that seem to break free from the two-dimensional plane. Shadow embodies this mastery by using layered depth, shading, and an interplay of light and darkness to create the illusion of floating structures. This piece utilizes a muted palette of grays, blacks, whites, and hints of blue, creating a stark, industrial aesthetic. The shadows cast by each fragment of the lettering give the impression that the composition exists within an atmospheric void, emphasizing the dynamic energy of destruction and reconstruction within the piece. The letterforms remain highly stylized yet nearly deconstructed, symbolizing the fluidity of identity and artistic evolution. Personal Evolution and Graffiti as Self-Reflection For DAIM, graffiti is more than a visual statement—it is a self-portrait. His approach to lettering has evolved over the decades, becoming increasingly complex and introspective. He has described his work as a reflection of personal growth, with each composition marking a distinct phase in his artistic and personal journey. Shadow represents a refinement of his three-dimensional technique, stripping down elements to their most essential yet impactful forms. The controlled chaos of the composition reflects a balance between movement and stillness, showcasing DAIM’s ability to create a harmonious tension within his work. The controlled drips along the edges of the piece allude to the organic roots of graffiti, reminding viewers of the raw, urban origins of the art form. The Impact of DAIM on Street Pop Art & Graffiti Artwork DAIM’s contributions to street pop art & graffiti artwork have established him as a leading figure in three-dimensional urban lettering. His work blurs the lines between graffiti, architecture, and contemporary abstraction, challenging traditional notions of what street art can achieve. Shadow stands as a testament to the depth and sophistication of graffiti as an art form, pushing the boundaries of lettering into the realm of fine art and modern design. By mastering light, perspective, and structure, DAIM has elevated graffiti into a fully immersive visual experience, leaving an indelible mark on the art world. His ability to transform simple letters into multidimensional sculptures continues to inspire the next generation of urban artists.

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Sunset On The 5 And The 110 PP Archival Print by Stephanie Buer Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 20x13 Archival Pigment Fine Art Stephanie Buer's "Sunset On The 5 And The 110 ": A Moment Captured in Urban Landscape Stephanie Buer's "Sunset On The 5 And The 110" captures a moment in time, a snapshot where the urban landscape meets the transient beauty of the sunset. This archival print, produced in 2019, is a testament to Buer's dedication to exploring the often-overlooked nooks of city life. As a Printer's Proof (PP) on 290gsm Moab Entrada fine art paper, the work is part of a limited series that has been personally overseen and approved by the artist. Each print within this limited edition is signed and marked 'PP,' distinguishing it as a direct artifact of Buer's vision. Measuring 20x13 inches, the artwork is rendered with archival pigment, ensuring that the subtle gradations of light and the vividness of the urban graffiti are preserved. Buer is known for her detailed and nuanced portrayal of derelict and abandoned urban spaces, often focusing on the textural interplay between the natural world and human-made structures. Her work in "Sunset On The 5 And The 110" is emblematic of this style, as it meticulously depicts the convergence of nature and the urban environment at a specific moment. The print showcases Buer's ability to capture the essence of street pop and graffiti artwork within a fine art context, inviting contemplation on the transient nature of the urban sprawl and the art that adorns it. The interplay of Light and Texture in Buer's Work Buer's attention to detail is evident in the realistic rendering of the scene. The contrast between the organic silhouettes of the hills and the concrete geometry of the overpass is softened by the warm hues of the sunset, encapsulating the dialogue between the built environment and the natural one. The graffiti, a hallmark of street art, is depicted not as an act of vandalism but as an intrinsic part of the urban tapestry. This perspective indicates Buer's approach to her subjects, where elements often seen as decay are portrayed with a sense of dignity and inherent beauty. The choice of Moab Entrada fine art paper speaks to the quality and longevity of the print. Known for its premium feel and ability to hold pigments without degradation, the paper complements Buer's intricate and layered technique. The archival pigment used in the printmaking process ensures that the work's refined details, down to the texture of the concrete and the fading light of the sky, are captured with fidelity. Reflections of Street Pop Art in Buer's "Sunset On The 5 And The 110" Buer's work stands at the intersection of street pop art and fine art, incorporating elements from both to create something transcending either category. "Sunset On The 5 And The 110" does not simply document a scene; it communicates the silent narratives within urban spaces. The graffiti present in the artwork is a nod to the street artists and an acknowledgment of the layers of history and expression that they contribute to the cityscape. "Sunset On The 5 And The 110" by Stephanie Buer is a poignant reminder of the beauty found in transient moments within the urban landscape. As a Printer's Proof, it holds an exceptional value for collectors and admirers of Buer's work, offering a tangible connection to her artistic process. Buer elevates the every day to the extraordinary by portraying the interplay between light, texture, and structure, inviting viewers to see the world around them through a lens of nuanced appreciation. Her work continues to resonate within the spheres of street pop art and graffiti artwork, capturing the quiet magnificence of scenes that might otherwise go unnoticed.

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Bloom Hand Deckled Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Victoria Cassinova. 2022 Signed & Numbered Limited Edition of 40 Artwork Size 20x25

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Right PP Silkscreen Print by Chaz Bojorquez Hand-Pulled 8-Color Screen Print on 250gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2016 Signed & PP Marked Limited Edition Run Artwork Size 20x25  The Distinctive Fusion in "Right PP" by Chaz Bojorquez Chaz Bojorquez's "Right PP" is a compelling example of the interplay between street pop art and graffiti artwork. Created in 2016, this hand-pulled 8-color screen print on 250gsm Stonehenge Art Paper represents a refined distillation of the artist's decades-long engagement with urban visual culture. The limited edition print, marked as a Printer's Proof (PP), is a rare collectible within Bojorquez's oeuvre, showcasing his mastery in screen printing. This technique allows for the precise and vibrant application of rich color in texture and depth. The artwork encapsulates Bojorquez's celebrated style, which is deeply rooted in the Cholo graffiti tradition of East Los Angeles. His script, often compared to Asian calligraphy, holds a fluidity and grace that belies the often rugged environments of its origins. The letters swirl and coalesce into forms that are at once abstract and highly deliberate, embodying the artist's connection to his cultural heritage and the broader lexicon of street art. In "Right PP," these scripts are rendered with a precision that screen printing affords, allowing Bojorquez to explore the subtleties of light and shadow, depth and dimension. Chaz Bojorquez's Contribution to Street Art and Its Cultures Chaz Bojorquez is not just an artist; he is a chronicler of the street's pulse and a communicator of its ethos. The significance of "Right PP" extends beyond its visual appeal, engaging with the rich tapestry of street culture. Bojorquez has long advocated recognizing graffiti as a legitimate art form, and his work plays a crucial role in shifting perceptions. Through his art, he conveys stories of identity, community, and resistance, framing the narrative within the accessible screen print medium. The artwork's size, 20x25 inches, is significant as it presents a substantial visual statement while remaining intimate enough to invite close examination. The PP marking indicates not only the print's status within the edition but also Bojorquez's endorsement of the piece as an accurate representation of his artistic vision. As such, each print carries a piece of the history and evolution of street art in Los Angeles and beyond. Enduring Appeal of "Right PP" The enduring appeal of "Right PP" lies in its ability to stand at the intersection of street pop and fine art. Bojorquez's skillful use of the silkscreen technique allows the piece to inhabit both worlds seamlessly. His prints are sought after by collectors who appreciate the nuances of street aesthetics and the craftsmanship of printmaking. With its limited edition run, this particular piece captures a moment when an artist known for his transient street creations turned into a medium that promised longevity. Chaz Bojorquez's work, particularly in prints such as "Right PP," bridges the often disparate art communities. It challenges the notion that graffiti is a subculture or a fleeting act of rebellion. Instead, Bojorquez positions it within a more extensive dialogue about art, culture, and society. This conversation continues to gain relevance as street pop art and graffiti artwork find their way into more traditional art venues and the hearts of a broader public. Chaz Bojorquez's Artistic Legacy Chaz Bojorquez's artistic legacy is cemented not only by his murals and public works but also by his prints, which allow his art to reach a wider audience. "Right PP" is a testament to his enduring impact on the Los Angeles art scene and the global street art movement. His signature style, which has influenced countless artists, continues to resonate through the layers of paint on city walls and the meticulously pulled screens of his prints. The significance of "Right PP" and works like it is found in their capacity to encapsulate the spirit of a particular place and time while speaking to universal themes of identity, expression, and the human experience. Bojorquez's prints are not mere reproductions but artifacts of a life spent in the service of art and community. Each piece tells a story, and "Right PP" is a chapter in the larger narrative of street pop art and graffiti artwork—a narrative that Chaz Bojorquez continues to write with each stroke of his brush and pull of the squeegee.

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The Kiss- Foil AP 3-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil by Brian Ewing Modern Pop Culture Artist. AP Artist Proof Signed 2017 24x18 Rare Unique Colorway

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Life After Death Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Ken Flewellyn. 20x16 inches / 51x41 cm Edition of 40 Fine art print on 290gsm paper Hand-signed and numbered by the artist Ken Flewellyn’s Life After Death: Baroque Symbolism in Street Pop Art Form Ken Flewellyn’s Life After Death presents a meticulously rendered still life that fuses classical painting traditions with the language of Street Pop Art & Graffiti Artwork. Released as a 20 x 16 inch giclée print on 290gsm fine art paper in a signed and numbered edition of 40, the piece takes aesthetic cues from 17th-century vanitas while layering in modern hip-hop and pop culture references. With photographic precision, Flewellyn constructs a visual narrative about legacy, excess, identity, and mortality—turning familiar symbols into philosophical statements. A gold-plated skull wearing a crown rests atop a stack of magazines, evoking both royalty and finality. The juxtaposition of this memento mori with luxury objects—a Versace-styled boombox, thick gold rope chain, designer sunglasses, a spilled wine glass—highlights the tension between materialism and impermanence. The broken cigar, empty jewelry case, and antique pocket watch on a satin ribbon extend this commentary, nodding to the fragility of status and time. Like Dutch vanitas painters who used decaying fruit and extinguished candles to hint at life’s brevity, Flewellyn replaces those metaphors with consumer goods, packaging the same message for a contemporary audience. Hyperrealism as a Tool of Cultural Synthesis The precision of Flewellyn’s painting style is not just a technical flex—it’s a deliberate choice that elevates the visual weight of every object on the table. Each item is treated with reverence and clarity, forcing the viewer to examine them individually and collectively. Hyperrealism in this context becomes a method of preservation, much like how historical paintings immortalized wealth, nobility, or religious conviction. Here, the objects preserved are relics of urban culture, hip-hop mythology, and fashion-driven self-construction. This synthetic approach to visual storytelling is one of Flewellyn’s strengths. Rather than lean into abstraction or expressive distortion, he paints with clinical sharpness. The boombox, decorated with intricate Medusa heads and gold patterning, becomes a sacred totem. The magazines, showing muscle-bound figures and flashy headlines, serve both as cultural archive and pop commentary. The reflection in the polished orb at left even contains the outline of the artist’s studio space, collapsing the illusion of classical detachment and re-inserting the viewer into the act of creation. Rewriting the Still Life Through Street Pop Language Ken Flewellyn’s background in pop culture study and urban visual language allows Life After Death to operate as a cross-genre artwork. Though not made with aerosol or on public walls, its structure and symbols place it firmly in the lineage of Street Pop Art & Graffiti Artwork. The work reframes the aesthetics of graffiti—where hierarchy, identity, and legacy are constantly negotiated—through the composition and technique of high art traditions. It does not imitate graffiti stylistically; instead, it honors its values through symbolism and narrative. By reconstructing a still life with hip-hop’s material vocabulary, Flewellyn bridges historical and contemporary methods of cultural storytelling. The table becomes a battlefield of symbols—power, time, excess, fame—and the viewer is invited to read the relics for what they reveal about the pursuit of permanence in a transient world. The crown, worn by a skull, reminds us that all power is borrowed. The spilled drink, the tangled chain, the tooth—each item carries encoded meaning, transformed by the hand of the artist into a modern-day parable. Ken Flewellyn’s Life After Death captures the essence of contemporary Street Pop Art by combining the rigor of fine art painting with the immediacy of cultural critique. Through composition, symbolism, and visual clarity, it serves as a statement on mortality, self-image, and what survives after the noise fades.

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Sea Also Rises- Canals of Midtown Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Title: The Canals of Midtown Poster artist: Tim Doyle Edition: 1st edition hand signed and numbered out of only 100 that were printed Year: 2013 Type: Limited edition screen printed poster Size: 20x30 Location: Nakatomi, Inc. Venue: Sea Also Rises

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Terminator Examining Old Krylon Can Original One of a Kind Acrylic/Spray Paint Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. 16”x20” Inch Canvas With a Cool Detailed Painting of a Terminator From the Movie Franchise the Terminator Is Examining a Old Krylon Spray Paint Can Left Behind by Rd357 All Hand Painted by rd357 a True Graffiti Writer Who Has Out Lasted the Rest in the NYC Graffiti Racket Nick Naming Him ‘’’The Last Man Standing ‘’’’’From His Era’ By Rd #357 Rd Is the Real Deal He Has Been a Graffiti Writer for Over 40 Years Starting on the Irt Subway Trains of New York City Rd Has Graffiti Tags in Many Many Movies & TV Shows & Books Filmed in New York City (Film Documented Proof) Stretching Out Threw the 38 Years.

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SAMO©…SINCE 1978... Deluxe Collectors Set Archival Pigment Fine Art Limited Edition Print, Photos, Book & Marker on Fine Art Paper by Modern Pop Street Graffiti Artist Ali Diaz. 2018 Signed & Numbered Al Daiz Portfolio Art Set of Prints, Art Objects, Media & Photographs. The Samo©… Since 1978… Deluxe Collectors Set Includes The Following Items: A signed first-edition book with an exclusive inscription by Al Díaz and Mariah Fox. A signed and numbered archival print measuring 8 x 8 inches is a photograph by Al Díaz from circa 2018. An 11-piece archival print set of vintage SAMO© photography, each measuring 4 x 6 inches, with photographs by Al Díaz, Natalya Maystrenko, and Jane Burrell Yadav from around 1978/79. A signed paint marker that was used to create an original SAMO© piece of art. A hand-screened canvas tote bag, printed on each side, measuring 15 x 20 inches. An enamel cross pin. A sticker pack. A bookmark. A blue marker. A signed Letter of Authenticity. Historical Significance and Composition of the SAMO©…SINCE 1978... Deluxe Collectors Set Released in 2018, this limited edition portfolio by Al Diaz is a comprehensive assembly that includes various items, each rich with the essence of street pop art. A signed first edition book with an exclusive inscription provides insight into the SAMO© tag's inception and evolution, a narrative co-created with Mariah Fox. Accompanying the book is a signed and numbered archival print, an 8 x 8-inch photograph Diaz took, offering a visual narrative that complements the written word. The realm of modern street pop art and graffiti artwork is ever-evolving, often blurring the lines between an art piece and a historical document. The "SAMO©…SINCE 1978..." Deluxe Collectors Set is a prime example of this intersection, offering a tangible connection to the roots of street art as seen through the lens of influential artist Al Diaz. This set is not just an amalgamation of art objects; it's a capsule of cultural heritage that chronicles the rise of one of the most enigmatic tags in the history of graffiti. Further delving into the historical context, the set includes eleven archival prints measuring 4 x 6 inches, featuring vintage SAMO© photography by Al Diaz, Natalya Maystrenko, and Jane Burrell Yadav. These images capture the rawness of the late 1970s and early 1980s in New York, where SAMO© became a recognized symbol of rebellion and artistic freedom. Including a signed paint marker used to create an original SAMO© piece signifies the authenticity of the art-making process, bridging the past with the present. The Artistic and Collectible Value of Al Diaz's Work The Deluxe Collectors Set assembles art objects extending beyond prints and photographs. This eclectic mix includes a hand-screened canvas tote bag, an enamel cross pin, a sticker pack, and a bookmark. Each item is a piece of memorabilia and a slice of the artistic journey that Diaz has embarked upon. Notably, the set has a blue marker and a signed letter of authenticity, sealing its value as a collectible. Al Diaz's contributions to the graffiti art scene are deeply etched into the cultural fabric of urban art. His work, especially the SAMO© tag, co-created with the legendary artist Jean-Michel Basquiat, has become a symbol of street art's DIY ethos and provocative nature. This Deluxe Collectors Set does not merely reflect Diaz's artistic footprint; it serves as a conduit for the stories, the era, and the movement that SAMO© represents. Legacy of the SAMO© Tag The legacy of the SAMO© tag immortalized in this Deluxe Collectors Set is multifaceted. It's a testament to the power of words and images in the public domain, a reminder of street art's transitory yet impactful nature. The tag's cryptic messages once sparked curiosity and dialogue among passersby on New York's streets. Through this set, they continue instigating thought and appreciation among collectors and art enthusiasts. In essence, the "SAMO©…SINCE 1978..." Deluxe Collectors Set by Al Diaz is more than just an item of monetary value; it is an essential piece for anyone interested in the history and evolution of street pop art and graffiti artwork. Through this collection, Diaz cements his place in art history and invites others to explore and understand street art's profound impact on society and culture. As a limited edition of just 25 sets, it holds a unique place in the pantheon of modern art collectibles, embodying the spirit of a time when art took to the streets, challenging conventions and forever changing the face of urban expression.

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Tell Your Bumps Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Peeta Graffiti Street Artist Modern Pop Art. "This piece is part of a 2011 production. Most of the works I have painted during the last part of that year follow the same trend: the painting of fictional brush strokes over the 3d piece on canvas. The practice inspired me to create new volumetric and dynamic effects.Each time I paint a new canvas, I aim to discover the most optimal way to use colors, light and shade to reach a three-dimensional result. Layering splashes of color over the letters brings into keen focus their three-dimensionality, transforming them into real objects that not only cast shadows but also receive or obscure the subsequent blottings and swipes of paint." - Peeta

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Banned Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Entrada Textured Bright Paper by Graffiti Street Art and Pop Culture Artist Adam J O'Day. Banned • Autographed archival pigment print • Printed on Moab Entrada Textured 300 GSM archival paper • Custom hand-torn deckled edges • 16 x 20 inches Hand-signed and numbered by artist Adam J. O'day in a limited edition of 23

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Bugged Out- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. Warner Brothers Loony Toons Bugs Bunny Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Size: 20 x 20 Inches Release: November 26, 2021 Run of: 25 It is not random that a great portion of his art consists of appropriated imagery of animations, just like the Looney Tunes which are placed into a new artistic context, without losing their original connotations. This visual re-branding of such imagery, that Frost is displaying in his work, is nostalgic enough in order for us to feel instantly familiar with it, but, at the same time, disturbing, so that it grabs our attention and we cannot help but focus on it.

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Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

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AK40Heaven Limited Edition Archival Pigment Prints on Metal by Fil Fury Graffiti Street Artist Modern Pop Art. "This piece is inspired by late UK 90's House and Garage music. There was an original digital artwork I created, made from photographs I took a few years back. That piece has since been modified to create a bespoke run for 1xRUN.The stock has been added to the gun and it is printed on metal. It looks crazy! I am so happy with the result, the metal sheeting reflects the textures of the original Technics deck. These Technics decks were part of my youth.” - Fil Fury

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OG Chicago Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Entrada Textured Bright Paper by Graffiti Street Art and Pop Culture Artist Adam J O'Day. OG Chicago • Autographed archival pigment print • Printed on Moab Entrada Textured 300 GSM archival paper • Custom hand-torn deckled edges • 16 x 20 inches Hand-signed and numbered by artist Adam J. O'day in a limited edition of 23

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Winter Cabin Archival Print by Aron Wiesenfeld Limited Edition on 300gsm Cotton Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2015 Signed & Numbered Epson HDR Ultrachrome Ink Print Limited Edition of 50 Artwork Size 20x16 Archival Pigment Fine Art Aron Wiesenfeld's "Winter Cabin" and the Essence of Street Pop Art Aron Wiesenfeld's "Winter Cabin" archival print captures the silent introspection of winter with the nuanced touch characteristic of fine art while resonating with the raw, expressive impulses found in Street Pop Art and Graffiti Artwork. This limited edition piece, released in 2015, utilizes Epson HDR Ultrachrome ink, a medium known for its longevity and vibrant color spectrum, to lay down an image that speaks in hushed tones of solitude and contemplation. Printed on a 300gsm Cotton Moab Entrada Fine Art Paper, the artwork is distinguished by its substantial feel and the ability to hold color with a precision that breathes life into Wiesenfeld's vision. The print, sized at 20x16 inches, is part of an exclusive run of 50, each signed and numbered by the artist, assuring collectors of its authenticity and exclusivity. Wiesenfeld's work stands at the crossroads of contemporary Pop Graffiti and traditional fine art, a path less trodden that he navigates with grace and originality. "Winter Cabin" is a testament to the possibilities that emerge when the boundary-pushing ethos of street art is applied within the context of modern artwork. Despite being more commonly associated with the vibrant, often public executions of graffiti, the spirit of street art can also be found in the stillness of Wiesenfeld's print. It conveys a deeply personal yet universally understood narrative—a hallmark of the most impactful Street Pop Art. The Evocative Imagery of "Winter Cabin" In "Winter Cabin," Wiesenfeld presents a scene steeped in tranquility and mystery. The subject, a solitary figure nestled in the embrace of a wintry landscape, is rendered with a level of detail that invites close inspection. The contrast between the warmth of the human form and the cool detachment of the surrounding environment evokes a sense of introspection, a theme often explored in Street Pop Art, albeit through more boisterous and public avenues. Wiesenfeld's use of light and shadow, the positioning of the figure, and the selection of the environment all work in concert to create a moment suspended in time, reflecting the ephemeral nature of street art and life itself. The limited edition nature of "Winter Cabin" further cements its place within collectible art. As with coveted graffiti, each print holds a fragment of the artist's soul, a piece of a larger narrative spread across the fifty iterations, each as valuable as the next. This scarcity creates a connection between the artist and the owner, similar to the bond formed when encountering a street art piece in its natural urban setting. The signature and numbering by Wiesenfeld not only serve as proof of authenticity but also as an intimate bridge between his creative process and the collector's personal experience with the artwork. Blending Modern Art with Street Pop Sensibilities "Winter Cabin" exists in the liminal space between street art's ephemeral nature and fine art prints' enduring quality. Wiesenfeld's choice of materials ensures the longevity of the print, a contrast to the often-temporary lifespan of street murals and graffiti. However, the spirit of the street is alive in the emotion conveyed through the print. The subject's pose, the intricate patterns that adorn her clothing, and the setting she is placed in all speak to the artist's understanding of the human condition, a theme deeply entrenched in Street Pop Art. This grasp of universal human experiences, coupled with a personal touch, elevates "Winter Cabin" above mere representation; it becomes a piece of storytelling, a visual poem crafted in the language of color and form. Aron Wiesenfeld's "Winter Cabin" is a modern artwork imbued with the ethos of Street Pop Art and Graffiti Artwork. It encapsulates a narrative that, while rooted in the stillness of a private moment, echoes the dynamic, accessible, and emotionally charged nature of street art. Each limited edition print serves as a gateway to a profound personal journey, a moment of quiet amidst the cacophony of urban life, and a reminder of the soft power art can hold in all its forms.

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A Staged Race Has No Thunder Archival Pigment Limited Edition Print on Fine Art Paper by Artist Chris Austin Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Hand Deckled Artwork Size 20x20 Chris Austin – A Staged Race Has No Thunder in Street Pop Art & Graffiti Artwork Chris Austin’s A Staged Race Has No Thunder (2022) is a compelling archival pigment print that blends fine art discipline with themes central to Street Pop Art & Graffiti Artwork. This limited edition of only 50 signed and numbered pieces is rendered on fine art paper with hand-deckled edges and measures 20 by 20 inches. At first glance, the piece confronts the viewer with an impossible scene—a massive great white shark levitating through a dusk-red sky, surrounded by pigeons in flight. The surreal quality of this composition evokes both wonder and unease, a hallmark of Austin’s artistic voice. The title itself suggests commentary on artificiality—perhaps touching on the idea that forced or constructed competition lacks authenticity and power. The shark, a creature of unmatched predatory prowess in the ocean, is seen drifting in an unnatural element, stripped of its dominance and rendered passive in the air. The pigeons appear unbothered, even orchestrated around it, adding to the absurdity. This reversal of natural order serves as a metaphor for societal constructs—systems that force beings into roles they were never meant to inhabit. That theme resonates deeply within urban and street art culture, where identity, power dynamics, and freedom are core visual and philosophical motifs. Symbolic Creatures and Urban Commentary Austin’s use of wildlife as stand-ins for human emotion and systemic critique is one of his signature techniques. Sharks in his work often symbolize raw nature, strength, and survival. But here, elevated above the ocean and floating powerlessly through the sky, the shark becomes symbolic of misplacement and confinement. The birds, typically symbols of freedom, act like shepherds or bystanders—echoing themes of surveillance or forced coexistence. This strange dynamic is one that mirrors graffiti’s role in the urban landscape: often criticized, often revered, but always reacting to confinement, power, and space. Color, Composition, and Street-Level Energy The visual temperature of A Staged Race Has No Thunder is blistering. The red-orange twilight sky evokes urgency, suggesting environmental tension or societal unrest. The saturation of color mirrors mural-scale graffiti, where large washes of pigment draw the eye and trigger emotion. Austin’s style, though rooted in controlled studio practice, maintains the kinetic energy of outdoor street art, where visual shock is used to push messages quickly and forcefully. The shark's heavy, grounded form contrasts the fluttering lightness of the pigeons—further emphasizing imbalance and contradiction, which are core tools in the vocabulary of street pop visuals. Fine Art Format, Street Pop Message Though presented as a high-quality archival pigment print, Austin’s piece feels at home within the ethos of graffiti culture. Like wheatpaste posters or stencil bombs that turn alleyways into galleries, this work uses nature as a storytelling device to critique artificial constructs. Its fine art finish doesn’t dull the rebellious core—it enhances it. The controlled medium of pigment on paper combined with hand-deckled edges adds a layer of permanence to a message that, in other formats, might be fleeting. Through this blend of aesthetics and meaning, Chris Austin delivers not only an artwork but a meditation on authenticity, force, and the surreal consequences of staging what was never meant to compete.

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Death To Damien Hirst Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Ryan McCann Graffiti Street Artist Modern Pop Art. "This is part of the “Death to...” series that has culminated in a solo show highlighting the death of 8 living contemporary artists. It is now on view at Guy Hepner Contemporary in West Hollywood.The concept came to me over a year ago and took about a month to finish. I thought about having my assistant paint the whole piece for me in true Damien Hirst fashion but decided against it because painting is fun. I am fascinated by the career of Damien Hirst and as I learned more about his work I started to feel really bad for the butterflies and approached the work from their perspective." - Ryan McCann Very Minor Crease To Upper Tip In Margin.

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Wolf Like Me Original Painting Acrylic on Mixed-Media Reclaimed Wood Panel by Bask Graffiti Street Artist Modern Pop Art. “The esthetic of my work is similar to the Detroit landscape. The re-purposed nature of my art plays off of panels, wood, signs, that once were proudly displayed. But over the years they stopped serving their intended purpose and thrown out. The inspiration behind the work I made for this show was Detroit's strengths, struggles, and landscape. I took the opportunity to move to Detroit fourteen years ago, but for a number of reasons beyond my control, my stay lasted only 4 years. However, that was long enough for the city to have a profound impact on my work as well as my consciousness towards social and political issues. And even though I haven't called Detroit home in 9 years, the impression it stamped on me is something I hope I never lose. And it was this appreciation for the influence that DETROIT has had on me, that inspired the work I made for the show.” -Bask

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