The Portal HPM Giclee Print by Jeff Soto Artwork Limited Edition Print on 305gsm Cotton Rag Fine Art Paper Hand Embellished PrintGraffiti Pop Street Artist. 2023 Signed & Numbered Acrylic HPM Hand Embellished Print Limited Edition of TBD Artwork Size 18x24 Giclee Print. Butterfly on a Stylistic Fantasy World Cactus Like Alien Desert Plant. Jeff Soto's "The Portal" HPM Giclee Print: A Foray into Fantastical Imagery Jeff Soto's "The Portal" stands out as a testament to his exceptional talent and imaginative vision in the pantheon of street pop art and graffiti artwork. Released in 2023, this hand-embellished print pushes the boundaries of traditional graffiti art, incorporating elements of fantasy and surrealism that are hallmarks of Soto's aesthetic. The artwork is a giclee print on 305gsm cotton rag fine art paper, a medium chosen for its ability to capture the vibrancy of Soto's palette and the intricacy of his details. Each piece in this limited edition series is signed and numbered, underscoring the personal touch Soto brings to his work and the value placed on each print by collectors and enthusiasts alike. Symbolic Elements in "The Portal" "The Portal" features a butterfly perched on a cactus-like alien desert plant, a subject that immediately captivates the viewer with its rich colors and otherworldly appearance. The butterfly, often a symbol of transformation and beauty, is rendered with meticulous attention to detail, its wings a canvas for Soto's exploration of pattern and hue. The surrounding flora and landscape, reminiscent of a stylistic fantasy world, invite interpretation and suggest a narrative beyond the visual. This image, juxtaposing the natural and the fantastical, invites viewers to consider the intersection of reality and imagination, a recurring theme in Soto's work. Artistic Techniques and the Creation Process The creation process of "The Portal" reflects Soto's commitment to craftsmanship and originality. Hand embellishments with acrylics add a unique dimension to each print, ensuring that no two pieces are identical. This practice of hand embellishing, known as HPM (Hand Painted Multiple), bridges the gap between mass-produced prints and one-of-a-kind paintings. It's a nod to the artist's roots in graffiti, where each piece is an individual expression, yet it also embraces the reproducibility and accessibility of pop art. The size of the print, 18x24 inches, is substantial, allowing the viewer to immerse themselves in the details and the vivid world Soto has created. Cultural Significance of Soto's "The Portal" "The Portal" is more than a beautiful image; it is a cultural artifact that reflects the evolving landscape of street pop art and graffiti artwork. By situating a symbol of beauty and metamorphosis in a setting that defies conventional interpretations of space and environment, Soto challenges the viewer to rethink their perceptions of graffiti art. This piece exemplifies the shift in contemporary art towards multifaceted works, blending technique, form, and meaning to create pieces that are as thought-provoking as they are aesthetically pleasing. In the context of Soto's oeuvre, "The Portal" represents both a continuity of themes and an exploration into new creative territories. In conclusion, Jeff Soto's "The Portal" HPM giclee print significantly contributes to street pop art and graffiti artwork. It encapsulates the essence of Soto's artistic journey, showcasing his ability to transcend the confines of traditional street art and embrace a broader canvas of expression. This limited edition print, with its hand-embellished touches and striking imagery, is a celebration of art's potential to transport, transform, and enchant. It is a vibrant gateway into the imagination of one of the most visionary artists in contemporary street pop art.

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Label 907 Vol III Sunset Silkscreen Print by UFO907 Hand-Pulled on 140lbs. Pure White French Art Paper Limited Edition Screenprint Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 5-color Split Fountain Screen Print Silkscreen Print Label 907 Vol III Sunset Silkscreen Print by UFO907 The Label 907 Vol III Sunset Silkscreen Print by UFO907 captures the energy and playful rebellion that has made this underground graffiti artist a cult figure within Street Pop Art & Graffiti Artwork. Released in 2019 as a signed and numbered limited edition of only 50 pieces, this 18 x 24 inch artwork is a five-color split fountain screenprint, hand-pulled on 140lbs pure white French art paper. The piece reflects the raw yet whimsical spirit of UFO907's iconic characters—particularly the wide-eyed alien cephalopod with spray can in hand, painted over a United States Postal Service priority mail sticker backdrop. This visual pun on identity and tagging is not only humorous, but deeply rooted in graffiti’s long tradition of postal label bombing. Cosmic Characters with a Street-Level Voice In Label 907 Vol III Sunset, UFO907 presents one of his signature tentacled figures dressed in a hoodie and New York Yankees cap, holding a classic spray paint can mid-action. The oversized eyes and rounded limbs give the creature an innocent appearance, yet its posture and the act of painting imply intent and defiance. The gradient background shifts through sunset hues—pinks, oranges, and yellows—achieved through a skillful split fountain technique that mirrors the spray effect of actual aerosol art. Combined with bold black linework and fluorescent green detail spray, this print vibrates with both nostalgia and new energy. It’s a direct translation of wall-to-paper graffiti, preserving the movement’s spirit through print media. Graffiti’s Material Language and Collector Appeal The use of USPS Priority Mail labels as visual anchors is no coincidence. Graffiti artists have long used these free labels as mini canvases to bomb mailboxes, poles, and phone booths. UFO907’s decision to formalize that in a silkscreen edition connects the underground past to a collector-friendly present without losing authenticity. His character’s expression and stance add a layer of narrative—combining street mischief with pop sensibility. The silkscreen medium reinforces its value in the Street Pop Art & Graffiti Artwork world where texture, print layers, and production technique become integral to the message. Being signed and numbered by the artist makes each copy not only a print but a certified moment in his evolving catalog. UFO907’s Role in Street Pop Art & Graffiti Artwork Known for his elusive presence and interstellar characters, UFO907 has remained a staple of unsanctioned art in New York City and beyond. His work often blends innocence with resistance, showing characters that feel pulled from a cartoon dimension but acting with real-world urgency. Unlike artists who transition entirely into fine art spaces, UFO907 maintains his connection to walls, freight trains, and found surfaces—yet prints like Label 907 Vol III Sunset offer a portal for collectors to experience his world without compromising its edge. Each detail in this piece—from the alien figure to the branded spray can—points to a love for graffiti’s absurdity, danger, and color-soaked spontaneity. It’s not just a print, but a celebration of UFO907’s persistent vision and his place in the ever-evolving language of Street Pop Art & Graffiti Artwork.

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Dark Green Mandala 1-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2010 Signed Limited Edition of 25 Artwork Size 18x24

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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The Beaver State Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed Limited Edition Artwork Size 18x24 Oregon Natural Parks

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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Where I've Been Fight Club GID Glow Silkscreen by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 12x18 Fight Club Movie Tribute, 4th Unreal Estate show

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