Young Until I Die 1 Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 270gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2021 Signed Mixed Media on Royal Sundance 270gsm paper 19.69" × 27.56" / 50 × 70 cm Artwork Size, Black Professionally Framed With Floating Mat

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Smiling Since 1999 V Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 270gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2022 Signed Mixed Media Spray Paint Stencil Painting Artwork Size 19.69x27.56 "Smiling Since 1999 V" stands out as a one-of-a-kind mixed media artwork by the acclaimed street graffiti artist known as Pez. Known for his distinctive and jubilant artistic style, Pez has crafted this piece using a blend of spray paint, acrylic, and stencil techniques on a 270gsm Royal Sundance paper. The artwork's dimensions of 19.69x27.56 inches provide a generous canvas for the artist's vivid expression. Each creation of Pez is a signed original, and this particular piece is no different, delivering a personal touch from the artist's hand to the collector's wall. The artwork is a vibrant homage to the spirit of graffiti and street art culture, exuding an infectious cheerfulness that has been the hallmark of Pez's work since he began in 1999. This piece is a visual symphony of color, movement, and emotion. It captures the gaze with its bold letters spelling "SMILING" set against a backdrop that bursts with animated figures and a kaleidoscope of bright, contrasting colors. Each character, with its signature wide grin, symbolizes the artist's optimistic philosophy and injects a dose of happiness into the urban environment. Pez's use of mixed media in "Smiling Since 1999 V" illustrates a dynamic layering effect, creating a sense of depth and complexity that is often sought after in street art. His technique, combining the raw edge of spray paint with the precision of stencils, showcases a mastery of the medium and a deep understanding of the aesthetic and narrative potential of urban art. The choice of Royal Sundance paper as the substrate adds an element of refinement and durability, ensuring that the piece retains its vivid colors and structural integrity over time. As a representative piece of Pez's ongoing engagement with street and pop art, "Smiling Since 1999 V" is not only a continuation of the artist's legacy but also a reflection of the broader evolution of street art into a recognized and celebrated form of contemporary art. It embodies the transformative power of graffiti, from its early days as an underground movement to its current status as a significant and influential part of the art world. Through his art, Pez extends an invitation to viewers to partake in his world of boundless joy and to celebrate the art form that has been bringing smiles to the streets and galleries alike for over two decades.

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Green/Blue/Red/Yellow 10 Year Anniversary Silkscreen Print by Hense- Alex Brewer Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 19.69x27.56 Silkscreen Print to Celebrate the 10-year Anniversary of The Jaunt Abstract Art by Hense- Alex Brewer. Green/Blue/Red/Yellow 10 Year Anniversary Silkscreen Print by Hense Created in 2023 by Atlanta-based artist Alex Brewer, known professionally as Hense, the Green/Blue/Red/Yellow 10 Year Anniversary Silkscreen Print celebrates a decade of artistic exploration with The Jaunt. This limited edition artwork is a striking example of abstract Street Pop Art & Graffiti Artwork, produced in a signed and numbered edition of only 50. Each hand-pulled print measures 19.69 by 27.56 inches and is printed on fine art paper with bold silkscreen techniques that echo Brewer’s iconic use of geometry, color fields, and spatial tension. The composition, with its interlocking organic forms and vibrant primary palette, pays homage to his large-scale murals while offering a more intimate encounter with his visual language. Hense’s Transition from Graffiti to Contemporary Abstract Alex Brewer began painting graffiti in the early 1990s in Atlanta, where he developed a distinct letterform-based style under the tag Hense. His career progressed from trains and walls to commissioned public art, where he became known for massive, vividly colored abstract murals. His transition into studio work allowed his practice to expand into abstract expressionism while still holding true to the aesthetics and philosophy of graffiti culture. Hense’s Street Pop Art & Graffiti Artwork often eschews representational elements in favor of pure abstraction, focusing on shape, line, and color to elicit visual rhythm. This silkscreen print mirrors his mural techniques, distilling the complexity of his public works into layered, flat shapes with precise color registration. Street Pop Meets Minimalist Geometry The Green/Blue/Red/Yellow print uses four dominant hues—green, blue, red, and yellow—to create an energetic and balanced composition. Negative space plays a crucial role, with white interludes offering visual rest amid the saturated colors. The forms are playful yet deliberate, invoking both architectural scaffolding and the loose hand of freeform tagging. The interplay between graphic minimalism and street-informed gestures exemplifies the hybrid nature of Street Pop Art & Graffiti Artwork. Hense’s process involves mapping intuitive structures across the print’s surface, with each color layered to build rhythm and spatial depth. The result is both spontaneous and calculated, reflecting the duality of graffiti improvisation and fine art printmaking discipline. A Decade with The Jaunt and the Culture of Collecting Released as part of The Jaunt’s 10-year anniversary, this silkscreen is more than a print—it represents a snapshot of cultural collaboration. The Jaunt, known for curating artist residencies and collectible editions worldwide, selected Hense to contribute a piece that encapsulates his evolution from street writer to international contemporary artist. With only 50 in existence, this signed print solidifies Hense’s relevance in the conversation of modern Street Pop Art & Graffiti Artwork. Whether viewed as abstract composition or coded expression rooted in graffiti history, the print stands as both a collector's piece and a celebration of cross-disciplinary art born from urban creativity.

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Translucid Giclee Print by Dalek- James Marshall Artwork Limited Edition Print on 308gsm Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 19.69x19.69 Translucid by Dalek: Psychedelic Geometry and Character Deconstruction in Street Pop Art & Graffiti Artwork Translucid is a 2022 limited edition giclée print by James Marshall, known globally under the moniker Dalek. Created in an edition of 50 and printed on 308gsm Hahnemühle fine art paper, the piece measures 19.69 x 19.69 inches and is both signed and numbered by the artist. Dalek’s work continues to explore the intersection of digital surrealism, animated abstraction, and character disassembly, all delivered through the lens of high-contrast saturation and urban visual syntax. In Translucid, Dalek revisits his Space Monkey universe but pushes it through an explosion of translucent layering, deconstructed movement, and psychedelic repetition, fully encapsulating the energy and philosophy of Street Pop Art & Graffiti Artwork. At the center of the composition is a hyper-stylized figure with bulbous limbs, cyclopean eyes, and aggressive posture. The colors are electric—neon greens, acid pinks, sky blues, and jet black clashing across a looping, rhythmic design. Each form appears duplicated in offset trails, creating a sense of motion, echo, and dimensional slippage. Arms extend wildly, one arm reaching into space as geometric beams stretch outward from the figure’s head, like a visual shout. Behind the main character, semi-transparent replications ripple outward, suggesting time-lapse, digital lag, or a multi-frame animation frozen in layered stillness. Color, Repetition, and Hyper-Controlled Chaos Dalek’s visual structure in Translucid is anything but accidental. His precise control over linework, curvature, and fill creates a sense of machine-assisted hallucination—balanced and ordered while still feverishly alive. The background cycles in soft circular shadows and bubble-like forms, contrasting against the sharper explosions of the foreground. The result is a tension between kinetic madness and graphic symmetry. This interplay mimics the visual philosophy of graffiti—where repetition, character tags, and layered symbols become identity marks in a sea of controlled chaos. The translucent effect is a key feature. Shadows, ghosted lines, and echo silhouettes hint at multiplicity within a single subject, blurring the boundary between the singular and the cloned. This approach mirrors the digital saturation of contemporary image culture, where icons are constantly remixed, repurposed, and looped across screens. Dalek captures this sensation of visual echo and overload in fine art form, reflecting the pulse of the street in a contained 19.69-inch square. Space Monkey Mutation and Visual Dialogue with Modern Culture The figure in Translucid may stem from Dalek’s iconic Space Monkey identity, but here it has mutated into something more abstract and dynamic. While earlier works presented Space Monkey as a flat, enigmatic observer, Translucid transforms the character into a conduit of movement, shape, and power. It dances, attacks, and glitches, no longer passive but fully integrated into the chaos it once surveyed. The distorted grin, radiating eyes, and disconnected limbs build a mood of paradoxical joy and digital exhaustion. Dalek’s work fits seamlessly into the language of Street Pop Art & Graffiti Artwork by maintaining an animated energy and conceptual looseness that still delivers refined structure. He distills pop culture, video game rhythm, and graffiti wall aesthetics into a composition that communicates without narrative. Translucid does not tell a story—it emits a frequency. It is a painting you can hear if you look closely enough. Translucid as Artifact of Pop Abstraction and Contemporary Identity Printed on 308gsm Hahnemühle fine art paper, the physical texture and pigment retention elevate Translucid into collector-grade territory while preserving the street-informed aesthetic integrity of Dalek’s work. Each edition carries the same intensity and depth of color, capturing every shadow trail and collision point with exact precision. It is both object and signal—a reminder that visual culture is not linear, and that repetition can be both expressive and destabilizing. James Marshall’s contribution to the Street Pop Art & Graffiti Artwork canon continues to expand through works like Translucid. This piece encapsulates the language of repetition, kinetic design, and psychedelic commentary, all while maintaining Dalek’s commitment to abstraction rooted in character evolution. Translucid is not about resolution—it is about motion, multiplicity, and the fragmented joy of navigating a world where meaning comes layered, duplicated, and infinitely alive.

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