Rabbit House Artwork Limited Edition Giclee Print on Fine Art Paper by Propaganda Artist Ron English- POPaganda. 2013 Signed & Numbered Limited Edition of 25 Size 32x27 "Rabbit House" is a captivating artwork by Ron English- POPaganda, an artist famed for his contribution to the propaganda art movement, which critiques contemporary culture through the melding of high and low art. The limited edition giclee print on fine art paper showcases English's expertise in juxtaposing surrealism with a hyper-saturated palette, creating a piece that is both a visual feast and a profound commentary on consumerism and the corporate infiltration of American life. The 2013 artwork, with its size of 32x27 inches, belongs to a highly exclusive series, limited to only 25 signed and numbered prints, making it a coveted piece for collectors. English's Rabbit House thrusts the viewer into a vibrant, almost psychedelic scene, blending elements of fantastical landscapes with familiar yet distorted characters and motifs. This vivid tableau is populated with mutated creatures and toys, expressing the artist's trademark fusion of reality with the absurd. The creatures in the scene are exaggerated and colorful, embodying English's critical perspective on the mutagenic powers of capitalism on nature and childhood innocence. The meticulous detail and depth of the piece draw onlookers into a three-dimensional space that feels at once otherworldly and uncomfortably familiar, echoing the intrusion of the fantastical into the mundane that is ever-present in today's advertising-saturated environment. Ron English- POPaganda utilizes the giclee printing method, revered for its high-quality reproduction of colors and details, ensuring that each element, from the reflective surfaces to the intricate textures of the flora and fauna, is captured with exceptional clarity by crafting a limited series of prints, English ties the artwork to the street art ethos, where exclusivity and access play pivotal roles. Like a street artist's fleeting murals, "Rabbit House" holds a transient place in the art world; its limited availability endows the piece with a sense of impermanence contrasting with the enduring nature of the paper it's printed on. English's work is a sophisticated blend of criticism and celebration of popular culture, offering an immersive escape while prompting introspective reflections on the world we live in. This artwork is not just a statement but a conversation starter, engaging its audience with layers of meaning and a rich visual narrative.

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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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The Joker Batman DC Comics Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr. Brainwash Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 79 Artwork Size 32x43 "Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, The Joker. A seven-color screen print on hand-torn archival art paper. Each print is signed and numbered, with a thumbprint on the back. The standard edition will be out of an edition of 79" -Mr Brainwash- Thierry Guetta (Team) Mr. Brainwash, a moniker used by the street artist Thierry Guetta, continues to influence the street pop art and graffiti art movement with his distinctive works that often blend pop culture references and an edgy street aesthetic. His latest foray into comic book art brings us a limited edition silkscreen print featuring The Joker, one of Batman's most infamous adversaries from DC Comics. This particular piece is a stunning representation of The Joker, encapsulating the character's chaotic energy and anarchic spirit. Crafted through a meticulous seven-color hand-pulled silkscreen process on fine art paper, the print exemplifies Mr. Brainwash's signature style that fuses street art and pop art elements. The artwork is a riot of color, with splashes and drips that suggest a raw, uncontained force, much like The Joker himself. This approach to the piece invokes graffiti art's spontaneity and rebellious nature, while the iconic comic imagery ties it firmly to pop art traditions. Each of the limited edition prints, sized at an impressive 32x43 inches, is not only signed and numbered but also carries the unique thumbprint of the artist on the back, serving as a hallmark of authenticity and a personal touch from Mr. Brainwash. With only 79 pieces, this artwork is a coveted item for collectors and enthusiasts of comic books and contemporary street pop art. The choice of The Joker is particularly resonant in today's culture, symbolizing the dual nature of chaos and intellect. Mr. Brainwash's portrayal taps into the zeitgeist, presenting The Joker as a comic character and an icon of modern-day societal contradictions. The artwork is a bold statement in Mr. Brainwash's oeuvre, continuing his exploration of popular culture and its icons through street and pop art.

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Where It Falls Archival Pigment Fine Art Limited Edition Print on Hot Press Paper by Artist Chris Austin, Modern Pop Art. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 32x17

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$500 Dollar Bill- Green Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 1995 Signed Custom Framed Front of the United States $500 dollar bill money from 1934 featuring US President William McKinley. $500 Dollar Bill Green Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman The $500 dollar bill Green Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas is a striking piece of Street Pop Art and Graffiti Artwork by Steve Kaufman, a legendary modern pop artist. The artwork is a signed and custom-framed rendition of the front of the United States $500 bill from 1934, featuring President William McKinley. This piece, created in 1995, stands as a powerful example of Kaufman’s signature approach to transforming historical and cultural symbols into vibrant modern masterpieces. Steve Kaufman and His Impact on Street Pop Art and Graffiti Artwork Steve Alan Kaufman, born in 1960 in the United States, was a student and assistant to Andy Warhol before developing his own unique artistic voice. He expanded on Warhol’s pop art techniques by incorporating hand embellishments, graffiti elements, and unconventional color schemes, making his works one-of-a-kind collectibles. Kaufman’s contributions to Street Pop Art and Graffiti Artwork involved a deep engagement with American cultural imagery, including currency, historical figures, and iconic consumer symbols. His work frequently explored themes of capitalism, nostalgia, and the power of recognizable images to evoke emotion and commentary. This $500 dollar bill print is an excellent representation of Kaufman’s ability to fuse financial iconography with street art aesthetics. Through the use of hand-applied oil paint embellishments and silkscreen techniques, the piece achieves a tactile richness that contrasts with the traditional design of American currency. By reimagining the bill in bold colors, Kaufman breathes new life into an object typically associated with economic power and exclusivity. Symbolism of the $500 Bill in Pop Art and Street Graffiti Culture The $500 bill, particularly the 1934 series featuring President William McKinley, is a rare and discontinued form of U.S. currency. While once in circulation, these high-denomination bills were removed from general use and now exist mainly as collectors’ items. In the context of Street Pop Art and Graffiti Artwork, the depiction of large-denomination currency serves as a commentary on wealth, value, and the transient nature of money. Kaufman’s reinterpretation of the bill in vivid green and yellow hues transforms it from a monetary instrument into a striking visual statement. The contrast between the structured, official design of the original banknote and the expressive, graffiti-inspired application of color creates an engaging tension. This reimagining forces the viewer to reconsider the meaning of money beyond its traditional role in transactions, turning it into an artistic expression of power, history, and cultural significance. Kaufman’s use of layering, texture, and freehand detailing adds an urban, almost rebellious energy to the piece, making it stand out in any collection of modern pop art. Legacy of Kaufman’s $500 Dollar Bill Artwork Steve Kaufman’s limited edition $500 dollar bill Green HPM silkscreen print exemplifies his approach to combining financial symbolism with artistic innovation. The custom-framed piece is more than a decorative statement; it encapsulates the essence of Street Pop Art and Graffiti Artwork by challenging traditional notions of wealth and status. The bold color palette, hand-embellished details, and large-scale reinterpretation of a historical banknote ensure that this piece remains both visually captivating and intellectually thought-provoking. Through works like this, Kaufman cemented his legacy as a pivotal figure in modern pop art, influencing artists who continue to blend fine art techniques with urban street culture. His reinterpretation of the $500 bill serves as a lasting testament to his ability to elevate ordinary objects into extraordinary pieces of art that capture the energy and complexity of contemporary society.  

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