Guitar

4 artworks


  • Just A Minor Threat Silkscreen Print by Glen E Friedman x Shepard Fairey- OBEY

    Shepard Fairey- OBEY Just A Minor Threat Silkscreen Print by Glen E Friedman x Shepard Fairey- OBEY

    Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman The intersection of punk rock and visual art finds a pulsating tribute in Shepard Fairey's silkscreen print titled "Just A Minor Threat." This limited edition piece, numbered to only 550 and signed by both Fairey and celebrated photographer Glen E. Friedman, crystallizes the essence of the iconic hardcore punk band Minor Threat. Created on Cream Speckletone Fine Art Paper and measuring 18x24 inches, the artwork commemorates not only the band's fierce energy but also the release of Friedman's new book. Minor Threat, fronted by Ian MacKaye, left an indelible mark on the punk scene with their explosive music and D.I.Y. ethos. This band didn't just play music; they ignited a cultural movement by establishing Dischord Records, encouraging self-expression and independence within the arts community. Fairey, himself a product of the skateboarding and punk cultures of the 1980s, attributes his confidence and outspoken nature to the catalytic influence of bands like Minor Threat. His collaboration with Friedman is not just a celebration of their shared inspirations but a manifestation of the band's impact on their creative and intellectual trajectories. The artwork vividly captures the raw intensity of a Minor Threat performance, with each member and the palpable energy of the audience rendered in a style that bridges the gap between photography and stylized illustration. This visual synergy complements the narrative of Friedman's book, which not only offers an array of unseen photographs but is peppered with essays that give voice to the era and the band's pivotal role in it. Fairey's print stands as a testament to the band's legacy and as a beacon for those fueled by the spirit of rebellion and authenticity that Minor Threat so potently symbolized.

    $432.00

  • SAMO© Quote 4 The Overzealous Air-Guitarist Silkscreen Print by Al Diaz

    Al Diaz SAMO© Quote 4 The Overzealous Air-Guitarist Silkscreen Print by Al Diaz

    SAMO© Quote 4 The Overzealous Air-Guitarist Silkscreen Print by Al Diaz Hand-Pulled 1-Color Screen Print on 130lb Natural Off-White Stock Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 14x11 4 The Overzealous Air-Guitarist

    $224.00

  • Let There Be Dark Red Print by Shepard Fairey- OBEY x Niagara

    Shepard Fairey- OBEY Let There Be Dark Red Print by Shepard Fairey- OBEY x Niagara

    Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

    $600.00

  • Let There Be Dark Blue PP Print by Shepard Fairey- OBEY x Niagara

    Shepard Fairey- OBEY Let There Be Dark Blue PP Print by Shepard Fairey- OBEY x Niagara

    Let There Be Dark Blue PP Printers Proof Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Shepard Fairey's 'Let There Be Dark Blue': A Portrait of Rebellion in Print Shepard Fairey, the artist behind the OBEY brand, is a force to be reckoned with in street pop art and graffiti artwork. His 'Let There Be Dark Blue PP Printer's Proof Silkscreen Print,' created in collaboration with artist Niagara, is a powerful embodiment of his iconic style and the subversive edge of street culture. The 2019 limited edition hand-pulled print, signed and marked as a Printer's Proof, is a collector's piece, reflecting a synthesis of Fairey's design sensibility and the punk rock ethos encapsulated by the figures of Ron and Niagara. The artwork, 24x18 inches and printed on 320gsm Natural Coventry Rag Vellum fine art paper, features Fairey's signature three-color silkscreen process, yielding a print with crisp lines and bold contrast. The image exudes raw energy, with Ron's assertive eye contact and raised fist paired with Niagara's subtle yet commanding presence. Fairey enhances this dynamic by cleverly adding a switchblade, augmenting Niagara's femme fatale allure and highlighting her understated control within the composition. Interpreting Fairey's Vision and Artistic Narrative In 'Let There Be Dark Blue,' Fairey draws on the powerful imagery of cultural rebellion and the dichotomy of strength and subtlety. His portrayal of the two figures is steeped in a narrative that transcends the print, suggesting a story of defiance, control, and the complexities of interpersonal dynamics. The title, 'Let There Be Dark Blue,' hints at a theme of emergence, breaking from the conventional into the shadows where the counterculture thrives. As recounted by Fairey, the original idea for the title, 'Bonnie & Clyde Were Lightweights,' sets the tone for an interpretation of the print as a modern-day outlaw saga. This narrative is further emphasized by the backdrop of newspaper headlines and text, suggesting turmoil and the clamor of society against which the central figures stand in stark relief. Through this print, Fairey not only captures the aesthetic of the punk rock scene but also comments on the enduring spirit of rebellion it represents. The Significance of 'Let There Be Dark Blue' in Street Art The cultural significance of 'Let There Be Dark Blue' within the street art community is multi-layered. The print is a visual feast and a thought-provoking piece that invites reflection on the role of art as a commentary on society. Shepard Fairey's work is often associated with social and political activism, and this print fits within his broader oeuvre as a medium for messaging and reflection. Furthermore, the piece celebrates the collaborative spirit inherent in street art culture. The partnership between Fairey and Niagara exemplifies the communal aspect of the genre, where artists come together to create works that are greater than the sum of their parts. The limited edition nature of the print and its status as a Printer's Proof enhances its value and desirability, capturing a moment in time when the energy of street culture is distilled into a single, tangible work of art. In essence, 'Let There Be Dark Blue' by Shepard Fairey is a testament to the vibrancy and potency of street pop art and graffiti artwork. It encapsulates the defiance, the style, and the narrative depth that defines the street art movement, inviting audiences to engage with a piece of art that is as thought-provoking as it is visually striking. Through this print, Fairey continues to push the boundaries of what street art can convey, solidifying his role as a pivotal figure in the contemporary art world.

    $800.00

Guitar
Guitar is a popular instrument that has captured the hearts of many musicians and music enthusiasts around the world. It is not surprising that the guitar has found its way into the world of art, particularly in graffiti art and street art. In this essay, we will explore how guitar has been used as a topic in graffiti art and street art. Graffiti art and street art are forms of art that are often associated with urban environments. They are characterized by their bold, bright colors and their use of unconventional materials such as spray paint, stencils, stickers, and posters. Graffiti art and street art have been used to express political and social messages, as well as to beautify public spaces. One of the ways guitar has been incorporated into graffiti art and street art is through murals. Murals are large-scale paintings that are often found on the sides of buildings or other urban structures. They are created using a variety of materials and techniques, including spray paint, brushes, and rollers. Murals that feature guitars often depict musicians playing the instrument, or simply showcase the guitar itself. One famous example of a mural featuring a guitar can be found in Los Angeles. The mural, titled "Angel with Guitar," was painted by artist David Flores in 2011. The mural features a woman with wings playing a guitar. The image is created using a mosaic of tiles, giving the mural a unique texture and depth. Another way guitar has been incorporated into graffiti art and street art is through stencils. Stencils are a popular technique used by graffiti artists and street artists to quickly create intricate designs. The stencil is created by cutting out a design on a sheet of paper or cardboard, and then spraying paint over the stencil onto a surface. Stencils of guitars can be found on walls, sidewalks, and other surfaces around the world. These stencils often depict the outline of a guitar, or a guitar with wings, flames, or other designs. Stencils are a popular way for graffiti artists and street artists to quickly create multiple copies of a design. Posters are another popular form of street art that often feature guitars. Posters are created by printing designs onto paper and then pasting the posters onto walls, poles, and other surfaces. Posters that feature guitars often advertise concerts, music festivals, or other music-related events. One of the most iconic guitar posters of all time is the "Have a Nice Day" poster created by artist Gary Grimshaw in 1968. The poster features a guitar with a smiley face on it, and has become synonymous with the counterculture movement of the 1960s. In addition to murals, stencils, and posters, guitars have also been incorporated into street art through sculptures. Sculptures of guitars can be found in parks, plazas, and other public spaces around the world. These sculptures often depict oversized guitars, or guitars made out of unconventional materials. One example of a guitar sculpture can be found in Nashville, Tennessee. The sculpture, titled "Guitar Man," was created by artist Paul Chase Jr. and features a 10-foot-tall guitar made out of aluminum. The sculpture has become a popular tourist attraction and has helped to establish Nashville as the "Music City." In conclusion, guitar has become a popular topic in graffiti art and street art. Whether it's through murals, stencils, posters, or sculptures, the guitar has found a place in the urban landscape. The use of guitar in street art and graffiti art has helped to celebrate music, musicians, and the cultural significance of the instrument.

© 2024 Sprayed Paint Art Collection,

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