Hair

Mike Mitchell Kraven Marvel Playday Giclee Print by Mike Mitchell

Kraven Marvel Playday Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell counter-culture street artist art. 2014 Signed & Numbered Limited edition of 170 Artwork Size 8x10 Kraven at Playground From Mondo x Marvel Giclee Print by Mike Mitchell Kraven at Playground Giclee Print by Mike Mitchell: A Unique Take on Street Pop Art & Graffiti Artwork Mike Mitchell’s Kraven at Playground Giclee Print is a playful and subversive take on a well-known character from Marvel Comics. Released in 2014 as part of the Mondo x Marvel series, this 8x10-inch signed and numbered limited edition of 170 exemplifies the artist’s distinctive ability to blend pop culture with humor and satire. Known for his ability to reimagine iconic figures in unexpected ways, Mitchell presents Kraven the Hunter in a completely new light, reinforcing the intersection of Street Pop Art & Graffiti Artwork with contemporary illustration. Reimagining Kraven with Humor and Playfulness Kraven the Hunter has long been depicted as one of Spider-Man’s most dangerous foes, known for his ferocity and intense physical prowess. However, Mitchell’s rendition transforms this otherwise intimidating character into a humorous and almost childlike version of himself. Rather than appearing in his usual menacing stance, he is shown riding a playground spring toy shaped like a tiger, his face expressing exaggerated determination and bravado. This shift from the character’s usual depiction highlights Mitchell’s ability to deconstruct established narratives and present them in a way that both engages and entertains. The contrast between Kraven’s traditionally fierce persona and the innocent, almost ridiculous setting serves as a commentary on the nature of heroism, villainy, and pop culture mythology. By placing such a dominant figure in a childlike scenario, Mitchell encourages the viewer to rethink preconceived notions about characters who have been defined by years of storytelling. Artistic Style and Execution Mitchell’s clean lines and rich, warm color palette are hallmarks of his artistic style. The print’s cartoonish aesthetic is enhanced by the use of subtle shading and textural elements, making it feel both polished and approachable. The exaggerated facial expressions, simplified forms, and precise use of negative space contribute to the overall charm of the piece, making it a standout within his portfolio. The choice of giclee printing ensures that every detail is captured with high fidelity. Known for its superior color accuracy and durability, this printing technique allows the artwork’s warm tones and fine details to remain sharp and vibrant. The limited-edition nature of the piece further adds to its desirability among collectors of Street Pop Art & Graffiti Artwork. The Impact of Mike Mitchell’s Pop Culture Portraits Mitchell has developed a reputation for creating art that reinterprets pop culture in a way that is both nostalgic and refreshingly irreverent. His work, often celebrated in galleries and exhibitions, strikes a balance between humor, critique, and visual storytelling. Through his Mondo x Marvel series, he has reimagined countless characters in ways that challenge traditional portrayals while maintaining a deep respect for their histories. Kraven at Playground is a perfect example of how Mitchell transforms well-known characters into something new and unexpected. This piece, much like his broader body of work, reminds audiences that art is not just about replicating familiar images but about reinterpreting them in ways that add new layers of meaning. By placing a legendary villain in such an absurdly playful context, Mitchell delivers a piece that is both humorous and deeply insightful. Collectors of Street Pop Art & Graffiti Artwork will appreciate this print for its originality, technical precision, and undeniable charm. It captures the essence of Mitchell’s artistic philosophy—blending pop culture with wit, nostalgia, and an unmistakable sense of fun.

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$97.00
Dave Kinsey Broome Silkscreen Print by Dave Kinsey

Broome Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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$142.00
Akira Beard Imagined Headpiece #18 Giclee Print by Akira Beard

Imagined Headpiece #18 Artwork Giclee Limited Edition Print on Heavy Fine Art Paper by Pop Culture Graffiti Artist Akira Beard.

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$217.00
Jason Levesque Spit Giclee Print by Jason Levesque

Spit Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 30x10

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$256.00
Crajes Stigma I Giclee Print by Crajes

Stigma I Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Crajes.

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$103.00
Eddie Colla Japanese School Girl Flag HPM Archival Wood Cradled Print by Eddie Colla

Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

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$450.00
Crajes Stigma II Giclee Print by Crajes

Stigma II Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Crajes.

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$103.00
Victo Ngai After Dark Giclee Print by Victo Ngai

After Dark Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Inspired by Haruki Murakami's novel - "After Dark". Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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$262.00
Dan Christofferson- Beeteeth Im Sorry Im on Fire AP Letterpress Print by Dan Christofferson- Beeteeth

I'm Sorry, I'm on Fire AP Artist Proof 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Print 2011 Signed & Marked AP Artwork Size 6x10 Letterpress Print Fine Art. I'm Sorry, I'm on Fire by Dan Christofferson: Emotional Symbolism in Street Pop Art & Graffiti Artwork I'm Sorry, I'm on Fire is a 2011 artist proof letterpress print by Dan Christofferson, widely known by his artist name Beeteeth. This rare 6 x 10 inch hand-pulled work exemplifies Christofferson’s approach to narrative symbolism through graphic minimalism and emotionally charged iconography. Printed in two colors, a muted coral red and deep maroon, the piece captures a burning moment of self-awareness and collapse, rendered through the haunting figure of a woman mid-transformation. With smoke rising from her lips and plumes of fire erupting from her head, the image rests between introspective grief and mythological catharsis. The AP marking and signature affirm its status as a one-of-a-kind proof from the edition, enhancing its rarity among collectors of Street Pop Art & Graffiti Artwork. Symbolism Through Human Form and Mythic Fire The visual narrative unfolds with a bare female figure whose elongated neck and stylized hands echo religious iconography, while the turbulent plumes of smoke and flame emerging from her skull evoke chaos, pain, and psychic overload. Christofferson’s use of thick, clean outlines and selective crosshatching pulls from traditional comic aesthetics while amplifying the surreal quality of the scene. Her gaze is unwavering, defiant, and exhausted, suggesting an emotional combustion that is more internal than external. The print compresses human vulnerability and divine spectacle into a concise composition that maintains tension and stillness simultaneously. It is not a literal fire but an existential flare, making the title feel like a quiet scream. Mastery of Letterpress Technique and Limited Color Dan Christofferson’s work often fuses historical printing methods with contemporary design principles. This letterpress print emphasizes texture and depth in ways that digital work cannot replicate. The slight embossment of ink against thick fine art paper gives the artwork a tactile weight that enhances the themes of physicality and damage. The use of only two ink colors forces a visual economy that sharpens the contrast and pulls the eye toward the core gesture of flame, smoke, and flesh. This minimal palette creates maximum emotional resonance, mirroring the internal friction represented in the subject. As an artist proof, it showcases Christofferson’s hands-on control during the printing process, reinforcing the personal imprint left on each piece. Dan Christofferson’s Emotional Lexicon in Street Pop Art As Beeteeth, Dan Christofferson has developed a visual language rooted in sacred iconography, regional mysticism, and a clear emotional current. Based in Salt Lake City, his works often explore myth, ritual, and personal trial using contemporary symbolism and design precision. I'm Sorry, I'm on Fire stands apart as one of his most intimate illustrations, transcending literal storytelling to present a visceral metaphor for burnout, identity, and unresolved internal conflict. Its scale may be modest, but the emotional breadth and graphic boldness make it a significant artifact in the ongoing evolution of Street Pop Art & Graffiti Artwork. This print exists as a small yet powerful meditation on transformation, despair, and resilience.

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$150.00

Hair as a Symbol in Street Pop Art

From the iconic Warhol wigs to the vibrant and expressive spray-paint portraits found on urban walls, hair has played a significant role in the visual language of pop art, street art, and graffiti art. Its significance goes beyond just aesthetics, serving as a medium of cultural commentary, individual expression, and socio-political critique. Pop art, originating in the 1950s and 60s, often took inspiration from everyday objects and images, recontextualizing them to offer a fresh perspective. Within this movement, hair, especially hairstyles associated with popular celebrities, became symbolic of consumerism, celebrity culture, and the rapidly changing trends of the times. Artists like Andy Warhol leveraged the allure of hair, using it as a central element in his silkscreen prints. Marilyn Monroe’s glamorous blonde locks, for instance, repeated across canvas in bold colors, spoke of her iconic status but also hinted at the artifice and commercial nature of fame. The mass repetition of such imagery underscored the mechanized, commodified aspect of popular culture. Hair, in this regard, became both a subject and symbol within pop art. In the realm of street and graffiti art, hair takes on an even more nuanced and varied significance. Hair, in its myriad forms and connotations, has emerged as a powerful symbol within the domain of street pop art and graffiti artwork. It represents a canvas upon which artists project ideas related to identity, freedom, rebellion, and societal norms. In the vibrant landscape of urban art, hair is not merely a subject but a statement—a tool that artists wield with skill to convey messages that are as varied as the styles they depict. Street pop art, known for its visual punch and immediacy, often employs hair as a motif to draw attention to the socio-political themes of the era. Graffiti artists, too, use the image of hair to reflect individuality and diversity. Through the prism of hair, these artists celebrate the stories and experiences of people from all walks of life. Whether it is the flowing locks that adorn the portraits of iconic figures or the stylized depictions of everyday characters, hair in street art and graffiti becomes a metaphor for expression.

The Aesthetics of Hair in Contemporary Art

Street artists often use the walls of cities as their canvases, drawing from the environment, local culture, and current issues. In many urban settings, hair serves as a representation of cultural identity, socio-economic status, rebellion, or belonging. Graffiti artists often accentuate hairstyles, be it intricate braids representative of African or Afro-Caribbean cultures, or the sharp, angular cuts popular in urban punk scenes. These are not just depictions but are symbols of defiance, pride, or sometimes even resistance against prevailing norms and stereotypes. Beyond cultural identity, the portrayal of hair in street art has also been instrumental in drawing attention to pertinent issues such as racial bias and gender norms. Portraits showcasing the natural beauty of curly or coiled hair challenge prevailing beauty standards and comment on racial prejudices. Similarly, depictions of shaved or androgynous hairstyles might question traditional gender norms and the fluidity of identity. The methods and mediums used in graffiti art further enhance the significance of hair in these pieces. The very nature of spray paint allows for a dynamic range of expression. With swift strokes, an artist can create the illusion of flowing locks or the texture of a curly mane. The juxtaposition of hair, with its organic and fluid form, against the often rigid and gritty urban landscapes, creates a powerful visual statement. This contrast not only captures attention but often invites viewers to consider deeper narratives and stories behind such artworks. To understand the role of hair in pop, street, and graffiti art is to appreciate its transformative power. It's a medium that has allowed artists to delve into themes of identity, culture, rebellion, and society. Whether through the vibrant hues of a Warhol print or the textured strokes of a graffiti portrait, hair stands as a testament to the evolving dialogues and discourses within the world of art. In the context of modern street pop art, hair has been used to challenge gender stereotypes and explore cultural dynamics. Artists may exaggerate hairstyles to emphasize a point or to defy conventional beauty standards. Murals showcasing individuals with unique and bold hairdos are not uncommon and serve to highlight the artist's perspective on individuality and self-expression. The art of depicting hair requires a nuanced understanding of form and flow, making it a technical challenge as well. The texture of hair, the way it frames a face or character, and its movement can bring energy and life to a piece. In the hands of a skilled artist, hair transcends its role as a mere physical feature and becomes a dynamic element of the composition. It is both a visual focus and a thematic linchpin, often influencing the interpretation of the artwork itself.

Street Art, Pop Culture, and the Iconography of Hair

Hair in the context of street pop art also becomes a means of paying homage or critiquing popular culture. Icons of music, film, and fashion are frequently represented, with their distinctive hairstyles acting as shorthand for their identity. The striking afro of a 70s music legend, the slick back hair of a film icon, or the ever-changing colors of a pop star—these depictions utilize hair to encapsulate the essence of the subject. The role of hair in the lexicon of street art and graffiti artwork is emblematic of the timelessness of human adornment and decoration. As a feature that is both personal and public, hair encapsulates the dual nature of street art: an individual statement made in a space that is inherently communal. It is a reflection of both the artist's inner world and the broader cultural dialogue, making it a potent motif for commentary and artistry in the public sphere. Hair serves as a versatile and evocative theme within street pop art and graffiti artwork. It is used by artists to explore themes of identity, society, culture, and aesthetics. The depiction of hair in urban art becomes a form of storytelling, a way to engage with viewers, and an avenue for artists to leave their mark on the canvas of the city. Through the strokes of a paintbrush or the spray of a can, hair is transformed into a statement, a symbol, and a signature within the ever-evolving narrative of street art.

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Mike Mitchell Kraven Marvel Playday Giclee Print by Mike Mitchell

Dave Kinsey Broome Silkscreen Print by Dave Kinsey

Akira Beard Imagined Headpiece #18 Giclee Print by Akira Beard

Jason Levesque Spit Giclee Print by Jason Levesque

Crajes Stigma I Giclee Print by Crajes

Eddie Colla Japanese School Girl Flag HPM Archival Wood Cradled Print by Eddie Colla

Crajes Stigma II Giclee Print by Crajes

Victo Ngai After Dark Giclee Print by Victo Ngai

Dan Christofferson- Beeteeth Im Sorry Im on Fire AP Letterpress Print by Dan Christofferson- Beeteeth

Hair as a Symbol in Street Pop Art

The Aesthetics of Hair in Contemporary Art

Street Art, Pop Culture, and the Iconography of Hair