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Mimi Yoon Once Upon A Time No More 2 Lenticular Print by Mimi Yoon

Once Upon A Time No More 2 Artwork Lenticular Giclee Limited Edition Print on Lenticular Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. 2021 Signed & Numbered COA Lenticular Artwork Size 21x27. The image changes according to the direction of view. Chicago Dior, Nike Shoes. Pop culture, graffiti, and street art have been playing an instrumental role in the contemporary art scene, presenting unique takes on traditional motifs and embracing the amalgamation of different artistic forms. Mimi Yoon, a celebrated artist in this sphere, has achieved commendable success with her artwork titled "Once Upon A Time No More 2". This creation stands as a testament to her ingenious approach, seamlessly merging classic fairy tale imagery with modern cultural symbols. Rendered as a giclee print, a method renowned for its ability to reproduce color accurately and with high-resolution detail, the artwork is presented on lenticular fine art paper. This particular choice of medium is what sets "Once Upon A Time No More 2" apart. Lenticular printing is a technology that employs lenticular lenses to produce images with an illusion of depth or the ability to change when viewed from different angles. This dynamic visual effect means that the image morphs depending on the viewer's perspective, offering a multifaceted and interactive experience. Mimi Yoon's decision to use this technique infuses an element of dynamism and modernity into her artwork, allowing the narrative to evolve with the observer's movement. The subject matter of the artwork is both captivating and thought-provoking. It portrays a reimagined Cinderella, juxtaposed with the iconic Nike shoes from Chicago Dior, challenging the traditional Cinderella narrative where glass slippers play a pivotal role. This deliberate blend of a fairy tale princess with contemporary streetwear reflects a cultural shift, suggesting a modernized fairy tale where brand logos and urban style have a significant place. The presence of the bird and mouse, familiar figures from the Cinderella story, further intertwines the old with the new, cementing Yoon's narrative of a modern-day fairy tale. The year 2021 marked a milestone for "Once Upon A Time No More 2", as it was released as a limited edition piece. Each print carries the signature of Mimi Yoon, ensuring authenticity and a personal touch from the artist herself. Further enhancing its exclusivity, the artwork is accompanied by a Signed & Numbered Certificate of Authenticity. With dimensions of 21x27 inches, it's poised to be a statement piece, capturing attention and evoking discussions. Mimi Yoon's "Once Upon A Time No More 2" is more than just an artwork; it is a reflection on contemporary society's interplay with age-old tales. By positioning Cinderella in Nike shoes, Yoon not only challenges but also refreshes the narrative, making it relevant to today's audience. As a representation in the broader context of pop art, graffiti, and street art, this piece exemplifies how artists like Yoon are rewriting norms and pushing boundaries. It serves as a reminder that art is ever-evolving, constantly influenced by societal shifts, technological advancements, and the artist's own perspectives. Through "Once Upon A Time No More 2", Mimi Yoon invites observers to witness and engage with a fairy tale that is firmly rooted in today's zeitgeist.

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$737.00
Marwan Shahin Kim Jong’s Supreme Barber AP Giclee Print by Marwan Shahin

Kim Jong’s Supreme Barber AP Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. AP Artist Proof Marwan Shahin's "Kim Jong’s Supreme Barber" an iconic standout from Black Pop series, Debuting in 2015, Releasing 20 Artist Proof Prints from the archives and produced by Shahin Studios Only 20 Available, "Kim Jong’s Supreme Barber” 2015 20 inches x 27 inches Giclée on Photographique Rag Signed, Numbered, Embossed and Branded Kim Jong’s Supreme Barber by Marwan Shahin – Black Pop Satire at Full Clip Kim Jong’s Supreme Barber is one of the most provocative and visually arresting works from Marwan Shahin’s Black Pop series. Released in 2015 and issued as a limited Artist Proof edition of just 20 prints, this 20 x 27 inch giclée on Photographique Rag paper represents Shahin’s signature blend of satire, symbolism, and street pop art with razor-sharp cultural critique. Signed, embossed, and branded by the artist, the piece reflects the fusion of authoritarian iconography and global consumerism, delivered through the lens of contemporary graffiti artwork. At the center of the artwork is a hyper-stylized depiction of Kim Jong-un seated at a barbershop, his face rendered in yellow and marked by concentric linework that reflects the hypnotic style common across Shahin’s visual lexicon. Draped in a barber’s gown stamped with the bold red Supreme logo, the North Korean leader becomes the unsuspecting subject of transformation. Hovering behind him is a heavily stylized barber with dreadlocks, grills, tattoos, gold jewelry, and a gleaming pair of clippers. His expressive gestures, confident stance, and the dangling barbershop pole clipped to his chain inject this piece with a swagger that contrasts sharply with the rigid, emotionless stare of his client. Global Irony Woven into Detail What makes Kim Jong’s Supreme Barber stand out in the canon of street pop art is its layered messaging. The juxtaposition of Supreme, a global streetwear empire rooted in Western counterculture, with one of the most globally criticized authoritarian figures, comments on the absurdity and irony of modern icon-making. The barber, portrayed as a stereotypical symbol of hip-hop culture and Black excellence, takes the role of power-shifter, reshaping the dictator’s image in a visual reversal of societal roles. The piece subtly flips the dynamics of influence and agency in a consumer-driven world. Shahin’s careful craftsmanship appears not only in the illustrative precision of the linework, but in the symbolism interwoven throughout. The Supreme logo acts as a stand-in for corporate worship. The barber’s gold accessories and confident demeanor challenge the cultural hierarchy of who shapes global style and influence. The red background pulses with movement and tension, while the flat, expressionless stare of Kim grounds the absurdity in an eerie calm. Black Pop at Its Sharpest Part of the Black Pop series, this artwork belongs to a body of work that reclaims visual narratives typically monopolized by white or Western artists and commercial institutions. Marwan Shahin, through this satirical print, addresses the power dynamics between fashion, race, media, and propaganda. His depiction of the barber as a cool, cultural force—who literally shapes the head of a dictator—speaks to the growing influence of marginalized communities over the global zeitgeist. Kim Jong’s Supreme Barber is both absurdist and profound. It dissects global politics, power, and the cult of consumerism with biting wit. As with much of Shahin’s output, it is unafraid to provoke, to reframe dominance, and to push pop culture imagery into radical, uncharted territory. For collectors and admirers of true street pop and graffiti artwork, this limited Artist Proof is a masterstroke in visual commentary and cultural subversion.

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$385.00
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Dragon76 Protect Our Oceans- XL HPM Hand-Embellished Giclee Print by Dragon76

Protect Our Oceans- XL HPM Hand Embleshed Artwork Limited Edition Giclee Print on Deckled 310gsm Canson Aquarelle Art Paper by Urban Modern Artist Dragon76. 2022 Signed & Numbered Limited Edition of 26 Artwork Size 52x27- Stock Photo PangeaSeed Foundation 52 x 27 inches Fine-art Giclée print on Canson Aquarelle 310gsm fine art paper Limited edition of 26 Uniquely hand-embellished Signed + Numbered Printed with ♥ by Static Medium

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$1,112.00 $945.00
Mimi Yoon Once Upon A Time No More Lenticular Giclee Print by Mimi Yoon

Once Upon A Time No More- Lenticular Holographic Changing Limited Edition Giclee Print on Vision Shifting Paper by Mimi Yoon Counter-Culture Street Artist Art. 2021 Signed Limited Edition Artwork Size 21x27

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$820.00
BE@RBRICK Andy Warhol Marilyn Monroe 2 1000% Be@rbrick

Andy Warhol Marilyn Monroe 2 1000% BE@RBRICK Limited Edition Medicom Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 The Andy Warhol Foundation

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$962.00
BE@RBRICK Van Gogh Museum Self Portrait 1000% Be@rbrick

Van Gogh Museum Self Portrait 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Van Gogh Self Portrait Grey Felt Hat 1000% Bearbrick Medicom Toy

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$820.00

Hair as a Symbol in Street Pop Art

From the iconic Warhol wigs to the vibrant and expressive spray-paint portraits found on urban walls, hair has played a significant role in the visual language of pop art, street art, and graffiti art. Its significance goes beyond just aesthetics, serving as a medium of cultural commentary, individual expression, and socio-political critique. Pop art, originating in the 1950s and 60s, often took inspiration from everyday objects and images, recontextualizing them to offer a fresh perspective. Within this movement, hair, especially hairstyles associated with popular celebrities, became symbolic of consumerism, celebrity culture, and the rapidly changing trends of the times. Artists like Andy Warhol leveraged the allure of hair, using it as a central element in his silkscreen prints. Marilyn Monroe’s glamorous blonde locks, for instance, repeated across canvas in bold colors, spoke of her iconic status but also hinted at the artifice and commercial nature of fame. The mass repetition of such imagery underscored the mechanized, commodified aspect of popular culture. Hair, in this regard, became both a subject and symbol within pop art. In the realm of street and graffiti art, hair takes on an even more nuanced and varied significance. Hair, in its myriad forms and connotations, has emerged as a powerful symbol within the domain of street pop art and graffiti artwork. It represents a canvas upon which artists project ideas related to identity, freedom, rebellion, and societal norms. In the vibrant landscape of urban art, hair is not merely a subject but a statement—a tool that artists wield with skill to convey messages that are as varied as the styles they depict. Street pop art, known for its visual punch and immediacy, often employs hair as a motif to draw attention to the socio-political themes of the era. Graffiti artists, too, use the image of hair to reflect individuality and diversity. Through the prism of hair, these artists celebrate the stories and experiences of people from all walks of life. Whether it is the flowing locks that adorn the portraits of iconic figures or the stylized depictions of everyday characters, hair in street art and graffiti becomes a metaphor for expression.

The Aesthetics of Hair in Contemporary Art

Street artists often use the walls of cities as their canvases, drawing from the environment, local culture, and current issues. In many urban settings, hair serves as a representation of cultural identity, socio-economic status, rebellion, or belonging. Graffiti artists often accentuate hairstyles, be it intricate braids representative of African or Afro-Caribbean cultures, or the sharp, angular cuts popular in urban punk scenes. These are not just depictions but are symbols of defiance, pride, or sometimes even resistance against prevailing norms and stereotypes. Beyond cultural identity, the portrayal of hair in street art has also been instrumental in drawing attention to pertinent issues such as racial bias and gender norms. Portraits showcasing the natural beauty of curly or coiled hair challenge prevailing beauty standards and comment on racial prejudices. Similarly, depictions of shaved or androgynous hairstyles might question traditional gender norms and the fluidity of identity. The methods and mediums used in graffiti art further enhance the significance of hair in these pieces. The very nature of spray paint allows for a dynamic range of expression. With swift strokes, an artist can create the illusion of flowing locks or the texture of a curly mane. The juxtaposition of hair, with its organic and fluid form, against the often rigid and gritty urban landscapes, creates a powerful visual statement. This contrast not only captures attention but often invites viewers to consider deeper narratives and stories behind such artworks. To understand the role of hair in pop, street, and graffiti art is to appreciate its transformative power. It's a medium that has allowed artists to delve into themes of identity, culture, rebellion, and society. Whether through the vibrant hues of a Warhol print or the textured strokes of a graffiti portrait, hair stands as a testament to the evolving dialogues and discourses within the world of art. In the context of modern street pop art, hair has been used to challenge gender stereotypes and explore cultural dynamics. Artists may exaggerate hairstyles to emphasize a point or to defy conventional beauty standards. Murals showcasing individuals with unique and bold hairdos are not uncommon and serve to highlight the artist's perspective on individuality and self-expression. The art of depicting hair requires a nuanced understanding of form and flow, making it a technical challenge as well. The texture of hair, the way it frames a face or character, and its movement can bring energy and life to a piece. In the hands of a skilled artist, hair transcends its role as a mere physical feature and becomes a dynamic element of the composition. It is both a visual focus and a thematic linchpin, often influencing the interpretation of the artwork itself.

Street Art, Pop Culture, and the Iconography of Hair

Hair in the context of street pop art also becomes a means of paying homage or critiquing popular culture. Icons of music, film, and fashion are frequently represented, with their distinctive hairstyles acting as shorthand for their identity. The striking afro of a 70s music legend, the slick back hair of a film icon, or the ever-changing colors of a pop star—these depictions utilize hair to encapsulate the essence of the subject. The role of hair in the lexicon of street art and graffiti artwork is emblematic of the timelessness of human adornment and decoration. As a feature that is both personal and public, hair encapsulates the dual nature of street art: an individual statement made in a space that is inherently communal. It is a reflection of both the artist's inner world and the broader cultural dialogue, making it a potent motif for commentary and artistry in the public sphere. Hair serves as a versatile and evocative theme within street pop art and graffiti artwork. It is used by artists to explore themes of identity, society, culture, and aesthetics. The depiction of hair in urban art becomes a form of storytelling, a way to engage with viewers, and an avenue for artists to leave their mark on the canvas of the city. Through the strokes of a paintbrush or the spray of a can, hair is transformed into a statement, a symbol, and a signature within the ever-evolving narrative of street art.

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Mimi Yoon Once Upon A Time No More 2 Lenticular Print by Mimi Yoon

Marwan Shahin Kim Jong’s Supreme Barber AP Giclee Print by Marwan Shahin

Dragon76 Protect Our Oceans- XL HPM Hand-Embellished Giclee Print by Dragon76

Mimi Yoon Once Upon A Time No More Lenticular Giclee Print by Mimi Yoon

BE@RBRICK Andy Warhol Marilyn Monroe 2 1000% Be@rbrick

BE@RBRICK Van Gogh Museum Self Portrait 1000% Be@rbrick

Hair as a Symbol in Street Pop Art

The Aesthetics of Hair in Contemporary Art

Street Art, Pop Culture, and the Iconography of Hair