Debut Homeage Box Portfolio Art Set Archival Prints by Fin DAC 8x Limited Edition on 330gsm Enhanced Satin White Somerset Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 60 Portfolio Art Set of 8 Artworks Size 15.75x23.62 Archival Pigment Fine Art, This exclusive package includes a 24-page HomEage A4 booklet, elegantly bound with a metallic-foiled, color plan cover in a regal purple hue. The booklet is personally hand-signed by the artist on the introductory page, adding a touch of uniqueness and value. Accompanying the booklet is a detailed 12-page Certificate of Authenticity, assuring the item's provenance. To ensure the preservation of this fine art collectible, a pair of luxurious 100% cotton gloves embroidered with the distinctive HomEage logo is provided for careful handling of the work. Artists That Fin DAC Pays Homage to in the Debut HomEage Box Portfolio Art Set Erte - Zuihou by Fin DAC Signed & Numbered Keith Haring - Lucheng by Fin DAC Signed & Numbered Gustav Klimt - Tuileries by Fin DAC Signed & Numbered Barbara Kruger - Shukumei by Fin DAC Signed & Numbered Frank Miller - Endian by Fin DAC Signed & Numbered Hayoa Miyazaki - Madeleine by Fin DAC Signed & Numbered Alphonse Mucha - Changsegi by Fin DAC Signed & Numbered Vincent van Gogh - Akiko by Fin DAC Signed & Numbered Custom Oxford Buckram Presentation Box The presentation box, exquisitely crafted, features a luxurious covering of premium purple Oxford library buckram, complemented by an interior lining of delicate Wibalin natural in a soft lilac shade. The exterior of the box and spine are adorned with metallic gold foil blocking, adding a touch of elegance and refinement. This exclusive box measures 686 x 490 x 47 mm, ensuring ample content space. Adding a personal touch, each box set is hand-signed and numbered by the artist on the inside cover, making each one a unique collector's item. Hand Deckled Fine Art Archival Print Set The prints are meticulously housed in a protective folder, elegantly situated on the top layer. This folder is embellished with metallic gold foil blocking on a Colorplan plain finish Amethyst 330gsm, exuding sophistication. Beneath each print lies a sheet of translucent, acid-free paper, ensuring the utmost protection. The box set comprises eight exquisite hand-deckled edge archival prints, each crafted on Somerset Enhanced Satin in radiant white 330gsm. Measuring 60 x 40 cm, these prints are hand-signed, numbered, and stamped by the artist, adding a distinctive mark of authenticity and craftsmanship. Fin DAC x West Contemporary Art Video Unveiling the Debut HomEage Box Portfolio Art Set by Fin DAC In the exhilarating world of modern art, the Debut HomEage Box Portfolio by the esteemed street pop and graffiti artist Fin DAC emerges as a testament to the harmonious fusion of traditional homage and contemporary aesthetics. This limited edition art set of just 60 portfolios is a celebration of cultural synergy, encapsulating street art's vibrancy and fine art paper's finesse. Each of the eight artworks within the set is a dedication, a signature blend of Fin DAC's distinctive style with the indelible influence of iconic artists spanning various art movements and epochs. Fin DAC's Artistic Tribute to Masters With a respectful nod to the art masters, Fin DAC pays homage to a diverse lineage of artists through his archival prints. From the Art Deco brilliance of Erte's "Zuihou" to the dynamic expressionism of Keith Haring's "Lucheng," each piece is a dialogue across time. The golden motifs and ornate detailing of Gustav Klimt's "Tuileries" find a modern counterpart in these prints. The provocative textural contrasts of Barbara Kruger's "Shukumei" and the noir-like intensity of Frank Miller's "Endian" are reimagined through the lens of street pop art. The whimsical storytelling of Hayao Miyazaki's "Madeleine" and the Art Nouveau elegance of Alphonse Mucha's "Changsegi" are beautifully interwoven with urban artistry. Lastly, the post-impressionist vigor of Vincent van Gogh's "Akiko" is revitalized, reflecting the perpetual influence of these artists on contemporary creations. Exquisite Presentation and Preservation The HomEage Box Portfolio is a physical embodiment of luxury and attention to detail. The presentation box is a masterpiece, covered in premium purple Oxford library buckram and lined with a lilac Wibalin natural finish, reflecting a royal aesthetic. Metallic gold foil blocking on the box's exterior and spine adds a layer of luxury, mirroring the golden age of artistry. Within this box, a 24-page A4 booklet, bound in Colorplan and foil-stamped, awaits the collector, along with a meticulously detailed 12-page Certificate of Authenticity. This certificate not only assures the provenance but also enhances the narrative of each piece. As a measure of the set's exclusivity, every booklet is hand-signed by Fin DAC, solidifying its status as a collector's treasure. Archival Prints of Impeccable Quality The heart of the portfolio lies in the archival prints, each a hand-deckled fine art creation on Somerset Enhanced Satin white fine art paper, with a substantial 330gsm weight that exudes quality. The prints, sized at an impressive 60 x 40 cm, are individually hand-signed, numbered, and artist-stamped. Housed in a protective folder with gold foil accents on Colorplan Amethyst paper, each print is separated by translucent, acid-free paper, ensuring longevity and vibrance. The combination of materials and the hand-finishing touches speak to the artist's commitment to creating art and heirlooms. Legacy and Craftsmanship in Street Pop and Graffiti Artwork Fin DAC's Debut HomEage Box Portfolio is a convergence of heritage and innovation, a homage transcending time through street pop and graffiti artwork. It is a curated experience that offers a visual feast and an insightful journey into the legacy of the greats, interpreted by one of the most intriguing artists in the contemporary street art scene. This archival print set is a bold statement in the art collection world, promising to be a conversation starter and a cherished possession for generations of art lovers.

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Study Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 28-Color on 2ply Rising Museum Board Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 30x30 Silkscreen Print Exploring the Vibrancy and Technique of Street Pop Art The fusion of street art sensibilities with the colorful dynamics of pop art has given rise to a unique artistic expression known as Street Pop Art. Within this genre, the work of contemporary artists like Jordan Nickel, widely recognized under his moniker 'Pose,' stands out. Nickel's approach is symbolic of a generation of artists who combine the street's rawness with pop art's aesthetics to create visually arresting and culturally relevant pieces. One of the latest contributions to this vibrant field is the 'Study Silkscreen Print' by Pose, a remarkable 28-color hand-pulled screenprint on a two-ply Rising Museum Board Fine Art Paper. The artwork, produced in a limited edition of 75, measures 30x30 inches, and each piece is signed and numbered by the artist, making it a coveted item for collectors and enthusiasts alike. Jordan Nickel's Place in the Continuum of Graffiti Artwork Jordan Nickel hails from the United States and has significantly impacted the world of graffiti and street pop art. Not confined to the street corners and dark alleys of urban landscapes, Nickel's work reflects a sophisticated and nuanced understanding of color theory, graphic design, and visual storytelling. His pieces are often characterized by bold, vivid colors and intricate compositions that capture the viewer's attention and invoke a sense of familiarity and nostalgia. This is particularly true for the 'Study Silkscreen Print,' where the artist's choice of colors and the complexity of the print process showcase his mastery of his craft. The screenprint technique used by Pose is a testament to the evolution of street pop art from spray cans to more elaborate and technical forms of production. This transition signifies the acceptance of graffiti art into the fine art world and represents the artist's growth and versatility. Using 28 distinct colors in the 'Study Silkscreen Print' requires a meticulous and labor-intensive process, as each color must be applied separately to achieve the desired effect. The result is a layered, textured work that leaps off the paper and captures the essence of the urban environment that inspired it. Impact and Significance of Limited Edition Street Pop Art The limited edition nature of Pose's 'Study Silkscreen Print' elevates the work within the art market and the community of street art collectors. By limiting the series to only 75 signed and numbered prints, the artist creates scarcity and exclusivity around the piece, enhancing its value monetarily and as a cultural artifact. Each work becomes a part of a select group owned by those who appreciate not just the visual splendor of the piece but also the cultural statements embedded within it. Moreover, releasing limited edition prints allows access to a broader audience than a singular mural on a city wall. It enables the dissemination of the street pop art ethos to various parts of the world, transcending geographical boundaries and inviting a global audience to engage with the art form. Collectors and admirers of Pose's work can thus own a piece of the vibrant street culture that is often temporary and fleeting in its original context. The 'Study Silkscreen Print' carries graffiti artwork's spirit into the refined fine art paper domain. This choice adds a layer of contrast to the intrinsic nature of street art, which is typically temporary and confrontational. This choice reflects a broader conversation within the art world about the place of street art and its evolution. Pose's 'Study Silkscreen Print' is a compelling representation of the contemporary street pop art and graffiti artwork genre. Through this limited edition series, Jordan Nickel underscores the technical prowess involved in creating such pieces and celebrates the vibrant, eclectic essence of street culture. The artwork stands as a colorful testament to the evolving narrative of street art and its rightful place in the annals of fine art.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Relief Variant Black Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 13-Color on Hand Deckled 160lb Cover Mohawk Superfine UltraWhite Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Variant Black Limited Edition of 20 Artwork Size 23x30 Silkscreen Print "Relief Variant Black Silkscreen Print" by Pose, or Jordan Nickel, is a silkscreen print artwork that utilizes bold colors, patterns, and textures to create an engaging visual experience. Pose is a contemporary American artist known for his distinctive style, which combines influences from street art, pop art, and graffiti. Pose (Jordan Nickel) – Relief Variant Black and the Evolution of Urban Abstraction Pose, the artist alias of Jordan Nickel, has firmly established himself as a pivotal figure in the convergence of Street Pop Art & Graffiti Artwork. His 2023 limited edition Relief Variant Black Silkscreen Print is a powerful demonstration of his commitment to layered visual chaos and cultural commentary. Created as a 13-color hand-pulled silkscreen on hand-deckled 160lb Mohawk Superfine UltraWhite paper, the artwork bursts with saturated energy. This variant black edition is tightly limited to just 20 signed and numbered prints, cementing its rarity and importance within his expanding body of work. This piece encapsulates Nickel’s approach to urban abstraction, combining comic book language, graffiti letterforms, and commercial design with high-gloss precision. With clashing shapes, textures, and vibrant tones, Relief Variant Black exists in a constant state of visual tension—each element exploding with kinetic force yet held together by strict compositional control. The purple-haired figure at the center, seemingly overwhelmed or ecstatic, symbolizes both emotional release and sensory overload, themes Pose frequently explores through his intricate collages of visual culture. Layered Emotion Through Graphic Dissonance At the heart of Pose’s silkscreen print is the manipulation of emotion through exaggerated expression and digital-era fragmentation. The character’s facial features are partially obscured by intersecting blocks of color, sharp angles, and drips of paint. This interplay of abstraction and representation suggests the disconnection of personal identity in the hypermediated age. The screaming mouth, clutched hands, and glitch-style overlays all evoke a collision of excitement and distress, reflecting the overstimulated emotional states common in digital life. Rather than offering clear messages, Pose opts for symbolic and formal disruption. His characters become vessels of conflict, joy, and chaos all at once. The graphic layering technique, rooted in graffiti’s natural affinity for density and call-and-response mark-making, draws attention to the act of composition itself. It’s a visual cacophony reminiscent of street walls—where posters, tags, and illustrations merge into living archives of voice and rebellion. Pose’s Role in the Graffiti to Gallery Continuum Jordan Nickel began his career as a graffiti writer in Chicago, part of a generation of artists who blurred the line between fine art and vandalism. Influenced by hip-hop, comic books, signage, and advertising, he developed a signature aesthetic that celebrates both high-velocity mark-making and meticulous craftsmanship. His move to studio work didn’t dilute his raw energy—it refined it into gallery-ready explosions of color and cultural sampling. Pose has exhibited globally and contributed to major mural festivals and installations, often creating large-scale works that retain the handstyle essence of his roots. Whether on canvas, wall, or silkscreen paper, his work always references the urban landscape and consumer culture while pushing toward something more abstract and psychological. Street Pop Reimagined with Graphic Precision Relief Variant Black represents a refined moment in Street Pop Art & Graffiti Artwork—where street influence meets print studio mastery. The silkscreen process, with its meticulous layering, complements the spontaneous feel of Pose’s composition. Every burst of color and block of visual interference is intentional, bringing the energy of graffiti into a new medium while preserving its confrontational spirit. In Jordan Nickel’s hands, pop imagery becomes unstable, dripping with irony and layered meaning. The viewer is invited to engage not just with the character on the page, but with the entire infrastructure of media, culture, and identity that Pose samples and deconstructs. As both an heir to the graffiti movement and an innovator of pop abstraction, Pose continues to expand the boundaries of what street-born fine art can be.

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Sister White Fox Letterpress Print by Yumiko Kayukawa Limited Edition on MEDIUM Graffiti Street Pop Artwork. 2024 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 8 x 10 in. 2-Color Letter Press on Hand-Deckled Coventry Rag Paper Letterpress Print Yumiko Kayukawa Sister White Fox Letterpress Print 2024 The 2024 Sister White Fox letterpress print by Japanese-born, Seattle-based artist Yumiko Kayukawa exemplifies her refined blend of traditional Japanese iconography, contemporary illustration, and the bold graphic sensibility associated with Street Pop Art & Graffiti Artwork. Produced as a signed and numbered limited edition of 40, this 8 x 10 inch print is executed in two-color letterpress on hand-deckled Coventry Rag paper, giving each piece a tactile, crafted presence. The soft emboss of letterpress printing heightens Kayukawa’s signature balance of elegance and contrast, further enhancing the print’s collectible appeal. Imagery Rooted in Myth and Modernity The composition features a serene female figure adorned with a fox mask, accompanied by a live white fox perched at her shoulder. Rendered in crisp black linework with accents of vivid red, the artwork evokes the Japanese folklore of the kitsune — mystical foxes known for intelligence, shapeshifting, and spiritual guidance. The woman’s poised expression and flowing hair intertwine with stylized cloud forms and cherry blossoms, symbols that echo both tradition and rebirth. Kayukawa’s minimal but deliberate use of red punctuates the composition with emotional intensity, drawing attention to the mask’s markings, the woman’s lips, and the subtle cords tying the scene together. Technique and Material Detail Printed on hand-deckled Coventry Rag, the piece carries the textured sophistication of fine art paper often used in high-end printmaking. The letterpress technique sinks the ink slightly into the fibers, producing a soft relief that complements Kayukawa’s clean, controlled linework. This method emphasizes the interplay of negative space and form, a hallmark of her visual language. The intimate scale reinforces the personal, almost devotional quality of the imagery, inviting close viewing to appreciate the subtle precision of the print. Yumiko Kayukawa’s Artistic Voice Born in Hokkaido, Japan in 1970, Yumiko Kayukawa has built a significant international following through her harmonious fusion of pop culture, anime-influenced stylization, and traditional Japanese motifs. Now working from Seattle, she continues to explore themes of femininity, independence, nature, and mythology through bold contrasts and emotionally charged symbolism. Sister White Fox reflects her ability to draw from centuries-old stories while shaping them into contemporary expressions of identity and strength. Within the sphere of Street Pop Art & Graffiti Artwork, Kayukawa’s prints stand apart for their narrative clarity and cultural resonance, offering viewers an encounter with myth reimagined for a modern world.

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Obey More Limited Edition 1-Color Hand Letterpress Print on Fluorescent White 100% Cotton Paper by Famous Street Modern Artists Shepard Fairey x Shantell Martin. 2022 Signed & Numbered by Shepard Fairey x Shantell Martin Limited Edition of 150 Size 10x13 Hand Deckled

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Sirens Of The Night White Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Printed on 290gsm Coventry Rag paper with deckled edges. Sirens Of The Night White by Cleon Peterson – 1-Color Silkscreen in Street Pop Art & Graffiti Artwork Sirens Of The Night White is a 2022 hand-pulled silkscreen print by American artist Cleon Peterson, known for his graphic depictions of violence, power, and resistance. This limited edition artwork measures 24 x 18 inches and is printed on 290gsm Coventry rag paper with deckled edges, combining street-level symbolism with fine art craftsmanship. Limited to 100 signed and numbered prints, the piece features a dynamic white silhouette of a nude woman on horseback, swinging a golden sword amidst a storm of jagged, electrified forms. The figure, both elegant and commanding, charges forward against a pitch-black backdrop, surrounded by lightning-like patterns that suggest chaos, rage, and transformation. The striking use of white and gold on black intensifies the impact of the composition, transforming a classical equestrian pose into a modern mythology of power and defiance. Feminine Force and Symbolic Weaponry In Sirens Of The Night White, Peterson reimagines the female form not as a passive muse but as an active embodiment of disruption. The central figure rides bareback, sword raised, poised in a moment of deliberate motion. Her nudity does not imply vulnerability but instead emphasizes fearlessness and purity of purpose. The minimal linework allows the viewer to focus on the rhythm and energy of the pose, while the controlled use of gold in the sword and lightning accents infuses the piece with spiritual and revolutionary undertones. The storm that surrounds her is not one of destruction but of awakening, a visual metaphor for resistance in the face of oppressive structures. Her presence becomes a call to arms, confronting viewers with a raw form of feminine agency rarely seen in such stylized modern iconography. Cleon Peterson’s Allegorical Combat in Street Pop Art & Graffiti Artwork Cleon Peterson is a Los Angeles-based artist whose work addresses themes of brutality, lawlessness, and the collapse of social order. Through minimalist, silhouette-based figures often caught in ritualistic violence, he creates a visual world where power is always contested and morality is ambiguous. Sirens Of The Night White continues his exploration of domination and rebellion but through a more mythic lens. Within the tradition of Street Pop Art & Graffiti Artwork, Peterson’s aesthetic pulls from ancient reliefs, propaganda posters, and graphic design, reconfiguring them into stark allegories for the modern psyche. His visual narratives reject the sanitized optimism of traditional pop art, instead embracing the darker currents that shape contemporary life. This print stands as a meditation on both destruction and rebirth—told not through words, but through form, color, and motion. Print Quality and Collector Value This silkscreen edition is meticulously printed on heavyweight 290gsm Coventry rag paper, a premium surface known for its durability and rich texture. The deckled edges give each print a handmade, archival quality that reinforces its position as fine art. As a limited edition of 100, each print is signed and numbered by Cleon Peterson, ensuring its authenticity and collectibility. The monochromatic palette, accented by gold, ensures that the piece can hold visual presence in any setting while carrying deep conceptual weight. For collectors of Street Pop Art & Graffiti Artwork, Sirens Of The Night White represents not just a work of visual power, but a statement of urgency, resistance, and unapologetic force—etched in stark contrast and timeless symbolism.

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Haiconca Pearl Lustre Pearl HPM Embellished Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Unique HPM Embellished Acrylic Silkscreen Limited Edition of 8 Artwork Size 20x31.5 Silkscreen Print Haiconca Pearl Lustre Pearl HPM Silkscreen Print by Fin DAC Haiconca Pearl Lustre Pearl is a 2023 hand-pulled 8-color silkscreen edition by celebrated street pop art and graffiti artwork artist Fin DAC. Each piece in this hyper-limited run of only eight prints is uniquely hand-embellished with acrylic paint, transforming every print into a one-of-a-kind mixed media artwork. Produced on full bleed, hand-deckled 410gsm Somerset fine art paper, the print measures 20 by 31.5 inches and stands as a signature work in Fin DAC’s ongoing series that merges high-impact visual aesthetics with symbolic commentary on cultural beauty and strength. Symbolism, Detail, and Technique This edition of Haiconca features the distinctive facial motifs that define Fin DAC’s iconic visual language. The woman’s grayscale face is adorned with pearl-toned mask markings that drip down like ceremonial paint, while the lips are painted in a high-gloss crimson red with visible brushstrokes that speak directly to the artist’s hand in the work. Her stare is direct, evocative, and filled with both mystery and assertion. The inclusion of finely rendered details such as a nose ring, sculptural ring, and black nail polish draws attention to adornment, identity, and defiance. The result is a balance between elegance and edge, between silence and power. Materials and Edition Specificity Printed using an 8-color silkscreen process, this edition achieves extraordinary depth and texture. The high weight of the Somerset fine art paper offers a tactile richness that enhances the artwork’s presence whether framed or displayed raw. The full bleed presentation removes any framing margin, making the print feel immersive and immediate. The hand-painted embellishments—visible in the lips and subtle accents—elevate each piece beyond a standard print into the category of highly collectible original art. With only eight editions produced, each signed and numbered, this HPM release is among the rarest and most exclusive expressions of Fin DAC’s aesthetic philosophy. Relevance in Street Pop Art & Graffiti Artwork Fin DAC, based in the UK and of Irish origin, has carved a distinctive space in the global art community by spotlighting women of diverse cultural identities in work that challenges objectification while celebrating beauty, power, and nuance. Haiconca Pearl Lustre Pearl exists firmly in the tradition of street pop art and graffiti artwork, merging photorealistic execution with stylized street iconography. The hand-embellished elements of this edition further reflect the hybridization of studio discipline with street spontaneity. These pieces connect with collectors not just through aesthetics, but through their symbolic resonance and their elevated status within contemporary art culture. Each HPM in this edition captures Fin DAC’s commitment to craftsmanship, narrative, and the power of portraiture as a vessel for social commentary and artistic evolution.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 20x31.5 Silkscreen Print Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Haiconca Metallic Yellow Gold is a 2023 silkscreen masterpiece by renowned street pop art artist Fin DAC. Printed on full bleed, hand-deckled 410gsm Somerset fine art paper, this work measures 20 by 31.5 inches and comes from a strictly limited edition of only 40 signed and numbered prints. The print is created using an intricate 8-color silkscreen process, featuring a finely rendered monochromatic portrait that is electrified by a bold, metallic yellow gold mask motif. This juxtaposition of grayscale hyperrealism with vibrant symbolic color is a hallmark of Fin DAC's visual language and contributes to his ongoing commentary on cultural beauty and feminine power. Signature Style and Cultural Emblems of Fin DAC Fin DAC, born in Ireland and now internationally recognized, has redefined female portraiture in street pop art and graffiti artwork through his consistent and deliberate visual symbolism. His signature aesthetic includes masked women adorned with color-splashed facial motifs that recall traditional Asian, South American, or tribal ceremonial elements. Haiconca Metallic Yellow Gold exemplifies this ongoing thematic approach. The woman in this piece gazes directly at the viewer, poised yet guarded, her piercing eyes offset by the dripping gold mask over her upper face. Her nose ring, textured ring, and painted fingernails add to the layered storytelling that often defines Fin DAC’s subjects—powerful yet introspective, adorned yet undiminished. Process, Materials, and Artistic Execution The use of 410gsm Somerset paper is a deliberate choice, enhancing the tactile depth of the work and allowing the metallic pigment to reflect light in varying tones depending on the viewer's angle. The 8-color hand-pulled silkscreen method allows for extreme control and layering, resulting in a print that feels almost photographic while retaining its raw street art origin. The hand-deckled edges give the print a raw, sculptural quality that complements the street-to-gallery ethos central to Fin DAC's practice. These production details are not incidental—they are essential to understanding how street pop art has evolved into a serious collectible fine art medium. Contemporary Relevance in Street Pop Art & Graffiti Artwork Haiconca Metallic Yellow Gold stands as a visually arresting reflection on identity, agency, and perception. The metallic yellow mask is both shield and declaration—a visual metaphor for the roles women adopt or resist in contemporary society. Fin DAC’s work continues to elevate women of diverse cultural backgrounds not as exotic symbols, but as empowered individuals commanding their presence across urban and gallery landscapes. In the context of street pop art and graffiti artwork, this piece bridges photorealistic portraiture with bold iconography, highlighting Fin DAC’s place as a pivotal figure in the genre. With only 40 editions produced, this 2023 release offers collectors a rare and powerful work that speaks directly to the moment while maintaining timeless aesthetic and emotional depth.

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Duke of Lizards SPAC #3- Watercolor Variant Limited Edition 4-Color Hand Letterpress Print on Fine Art Paper by AJ Masthay pop art graffiti famous artist art. AP Artist Proof. Hand Deckled Bottom, 4 color linoleum block print. Triptych, Lizard, Saratoga Springs, New York, NYC, Party, Event, Fish, July 2013. SPAC, Saratoga Performing Arts Center, Intermission,Triptych,Lizard,Saratoga Springs,New York,NYC,Party,Event,Fish

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Runaway Paradise: Black/ DFXX B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 8 HPM Artwork Size 24x38 24 x 38 Inches / Each an edition of 8 Acrylic and Silkscreen Ink on Lenox 100 Paper Signed, Stamped and Embossed FAILE 2022 "Based on a new image from our Endless show in Miami, we are releasing a hand-painted and silkscreened Runaway Paradise print. These works reflect some newer paintings that we've been working on in the studio and we've really been liking working within the style. These prints are bold and classic FAILE. Made from a series of painted backgrounds, stencil prints and silkscreen they are a vibrant set. We made these in three editions of 8. The B-side feature a DFXX Sound / Vision print." -Faile Runaway Paradise: Black/ DFXX B-Side Silkscreen Print by Faile – Limited Edition Street Pop Art & Graffiti Artwork Faile, the Brooklyn-based artistic duo known for their bold and layered approach to Street Pop Art & Graffiti Artwork, presents Runaway Paradise: Black/ DFXX B-Side. This hand-pulled silkscreen print, created using stencil techniques and acrylic on 310gsm Coventry Rag, is a stunning continuation of their signature visual style. With a signed and numbered limited edition of only eight, this artwork stands as a rare and highly collectible piece. The 24x38-inch composition is an extension of their Endless series, originally showcased in Miami, and is deeply connected to their studio practice, where painted backgrounds, stencils, and screen-printing techniques converge. This print explodes with saturated tones of pink, red, and yellow contrasted against deep black, creating a high-energy aesthetic. The imagery is unmistakably Faile, merging retro pulp-style figures, nostalgic Americana, and a punk-infused sense of rebellion. The title Runaway Paradise evokes a dreamlike escape, yet the chaotic undertones hint at a more complex narrative. Crocodiles snap at the feet of carefree characters, while bold typography like Silent Partner and American Illusions frame the artwork, reinforcing themes of desire, deception, and fleeting fantasy. Faile and the Evolution of Street Pop Art & Graffiti Artwork Since the late 1990s, Faile has been one of the most innovative forces in contemporary Street Pop Art & Graffiti Artwork. The duo, consisting of Patrick McNeil and Patrick Miller, built their reputation through large-scale wheat-pasting, hand-painted murals, and mixed-media prints that draw inspiration from advertising, propaganda, and comic book aesthetics. Their work reflects a deep understanding of visual culture, remixing familiar imagery into layered compositions that challenge perceptions of consumerism, nostalgia, and identity. Faile’s artistic language is instantly recognizable, blending distressed textures, fractured narratives, and a raw street-art sensibility. Their process is deeply rooted in traditional printmaking techniques, often incorporating hand-painted elements, collage work, and experimental applications of color and texture. Each piece carries the essence of a lived-in, worn-down aesthetic that mirrors the decay and vibrancy of urban landscapes. Runaway Paradise: A Collision of Pulp Fiction, Nostalgia, and Urban Chaos Runaway Paradise is a perfect example of Faile’s ability to balance visual storytelling with a sense of unpredictability. The artwork references vintage pulp novel covers, mid-century advertisements, and rock-and-roll poster culture, all blended through a graffiti-inspired lens. The characters appear carefree, almost oblivious to the lurking danger beneath them, reinforcing themes of American escapism and the illusions of paradise. The text elements scattered throughout the composition serve as both commentary and disruption, leading the viewer to question the deeper meaning behind the vibrant imagery. The choice of black, neon pink, and fiery red adds to the intensity of the composition, creating an almost hypnotic effect. The DFXX Sound/Vision print on the B-side further expands the artwork’s conceptual depth, linking it to Faile’s ongoing exploration of music, media, and subcultural influence. The layering of silkscreen ink with stencil work ensures that each print carries a distinct personality, making every edition within this set a unique piece of Street Pop Art & Graffiti Artwork. The Influence of Faile’s Work on Contemporary Art Faile continues to push the boundaries of what Street Pop Art & Graffiti Artwork can be, merging high-art techniques with the rebellious energy of street culture. Their work can be found in galleries, museums, and public installations worldwide, yet it never loses its underground ethos. By incorporating hand-pulled silkscreen techniques and stencil applications, they keep their work grounded in the raw, tactile experience of printmaking, avoiding the sterility of mass production. Runaway Paradise represents a perfect blend of Faile’s past and present, echoing their early street-art roots while incorporating the refined techniques they have developed over decades. This limited edition stands as both an artistic statement and a cultural artifact, proving that Street Pop Art & Graffiti Artwork continues to thrive in new and unexpected forms. Whether viewed as a commentary on the illusions of modern life or simply as a bold visual experience, this piece remains a testament to Faile’s ever-evolving impact on contemporary art.

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Queen of Love Pink Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 10-Color on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 50 Artwork Size 22x22 Silkscreen Print of a Queen of Hearts Card with Forever Yours Written Across Front in Pink. A Vibrant Fusion of Pop Aesthetics Queen of Love Pink Silkscreen Print by Mr Brainwash, also known as Thierry Guetta, presents a playful take on the classic Queen of Hearts card. Created in 2024 as a signed and numbered edition of 50, it measures 22x22 inches and includes a captivating overlay of bright pink lettering reading Forever Yours. The piece merges iconic imagery with expressive gestures that recall the energy of Street Pop Art & Graffiti Artwork, highlighting Guetta’s talent for blending the familiar with the provocative. This approach draws viewers into a lively encounter between tradition and avant-garde style, capturing the essence of how pop-inspired images can become vehicles for personal statements and cultural commentary. The focal point of this work is the instantly recognizable Queen of Hearts figure, set against a background resembling a cardboard shipping surface marked with fragile tape and cautionary symbols. This juxtaposition not only pays homage to a timeless playing card motif but also challenges it by placing it in a realm of everyday commercial packaging. At the center of the composition, pink spray-paint text hovers over the queen’s face, evoking the tactile flourish of real graffiti on an unlikely surface. As the pink words sweep across the card, a powerful dynamic emerges: the viewer’s eye shifts rapidly between the regal lines of the queen and the raw spontaneity of the text. The overall effect is a captivating push and pull between refinement and rebellion. Blending Street Pop Art & Graffiti Artwork Techniques Mr Brainwash channels influences from street culture, pop icons, and graffiti-inspired compositions to craft images that feel both lighthearted and edgy. This silkscreen print draws from street-based styles by incorporating bright color fields and bold typography. The pink text across the playing card suggests a sense of immediacy, as if spray paint were just applied moments before. The crisp lines of the queen’s face contrast with the rough edges of the background, reinforcing the tension found in Street Pop Art & Graffiti Artwork, where slick design elements merge with raw authenticity. By mixing formal silkscreen processes with the randomness of graffiti marks, Mr Brainwash highlights the democratic potential of public art, now captured for private spaces. The Queen of Hearts as a Symbol of Devotion The Queen of Hearts image speaks to love, power, and allure. Guetta seizes on these themes by layering forever yours across the card, framing the royal figure in an aura of romance and desire. In a modern context, references to playing cards can suggest both risk and reward, reflecting how personal relationships often involve leaps of faith. The pink lettering adds a sweet yet bold twist, giving a pop sensibility to what might otherwise be a simple card depiction. This strategy underscores how universal symbols can be reinvented through creative interventions, enhancing their resonance for contemporary audiences. A Collector’s Treasure in Limited Edition Form Art enthusiasts seeking vibrant pop expressions are drawn to Queen of Love Pink Silkscreen Print for its unique fusion of classical and urban motifs. The 10-color, hand-pulled silkscreen process preserves subtle details while delivering saturated layers, ensuring that each of the 50 editions carries an unmistakable intensity. The deckled fine art paper adds a textured feel, echoing the handcrafted quality often missing from mass-produced prints. This careful production elevates the print to a valuable collectible, reflecting Guetta’s flair for visually arresting, high-impact designs. Whether appreciated for its romantic message, its creative fusion of Street Pop Art & Graffiti Artwork styles, or its commentary on consumer culture through packaging references, the piece remains a dynamic statement on love and modern art.

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Biscayne XL Giclee Print by Dulk- Antonio Segura Donat Artwork Limited Edition Hand Deckled Print on Canson Arches Aquarelle Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 30 Artwork Size 31.5x42.5 Hammerhead Shark Swimming In Deep Teal Blue Ocean With Colorful Coral Renowned in the world of pop art, street art, and graffiti art, the limited edition "Biscayne XL" Giclee Print by Dulk- Antonio Segura Donat stands as a striking testament to the artist's ability to merge the seemingly contrasting domains of naturalistic themes and the vibrant, sometimes chaotic, world of graffiti. Created in 2023, Dulk- Antonio Segura Donat's masterpiece resonates with a keen sense of depth and is made even more exclusive by its limited availability - a mere 30 signed and numbered pieces in circulation. Dulk- Antonio Segura Donat, a street artist with a global following, is acclaimed for his keen eye for detail, a penchant for color, and an audacious embrace of the street art medium. His artwork consistently challenges the norm and pushes the boundaries of what can be achieved in graffiti art. This limited edition print, Biscayne XL, is no exception. Crafted with painstaking detail on Canson Arches Aquarelle Fine Art Paper, the choice of medium itself speaks volumes about the artist's commitment to quality and the fusion of classic and contemporary art forms. This magnificent artwork encapsulates the grandeur of a hammerhead shark in its natural habitat. The shark, an apex predator of the deep teal blue ocean, is presented in a novel light, brought to life with a riot of colors that are the hallmark of Dulk- Antonio Segura Donat's artistry. The graffiti influence in the artwork is unmistakable, and it lends a vibrant dynamism to the usually fearsome creature, accentuating its majestic elegance. The depth of the ocean, often synonymous with mystery and vast, unexplored territories, has been captured in hues of deep teal blue, lending an aura of mesmerizing beauty to the painting. Amidst this surreal background, the hammerhead shark swims majestically, surrounded by a lively and vividly colored coral that not only adds a splash of color but also accentuates the sense of depth in the artwork. The coral is not merely a decorative element; it introduces an intricate layer of naturalistic details into the graffiti-inspired work, creating a sense of depth and perspective rarely seen in such art forms. The Biscayne XL Giclee Print, with its vivid depiction of an undersea marvel, serves as an emblematic representation of Dulk- Antonio Segura Donat's style and artistic vision. With its grandiose size of 31.5x42.5 inches, the artwork possesses an imposing physical presence that mirrors its strong aesthetic impact. This piece demonstrates Dulk- Antonio Segura Donat's ability to convey a narrative through his art, challenging the viewer to appreciate not just the visual spectacle but also the underlying themes and messages inherent in the painting. As a testament to Dulk- Antonio Segura Donat's craft, the Biscayne XL Giclee Print is more than just a visually appealing piece of art; it's a reflection of the artist's dedication to pushing the boundaries of what is possible in graffiti art, while also highlighting his unique ability to transform the ordinary into the extraordinary. This artwork serves as a reminder of the vast potential of street art to transcend its unconventional roots and carve out a significant place in the world of mainstream art, all the while retaining its authentic and gritty charm.

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1969 Super Sport Camaro 8-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Lady Pink Rare Street Art Famous Pop Artwork Artist. 1969 Super Sport Camaro, 2021 8-Color Screen Print on Coventry Rag 290gsm Paper Deckled Edge 24 x 26 in (61 x 64.7 cm) Edition of 100 Signed and numbered by LADY PINK BEYOND THE STREETS Embossed This piece was inspired by the scene on the Lower East Side, before it was cleaned up and gentrified. PINK would travel to Jenny Holzer’s, right off of Houston Street, and would be witness to all the colorful people who came out at night. "It wasn’t pleasant. It was full of hookers and drug addicts. It was the stuff you heard about but to see it was pretty shocking.” -Lady Pink

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River of Blood Gold Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Deckled Coventry Rag Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print of 3 Nude Stylized Women Depressed or Sad or in Confusion in a River. Diving deep into the modern dimensions of artistry, Cleon Peterson's "River of Blood Gold" captures raw emotion with eloquence and profundity. This meticulously hand-pulled 2-color silkscreen print, set on the rich texture of deckled Coventry Rag fine art paper, speaks to the confluence of visceral human experiences and abstract artistic expression. Through the haunting portrayal of three nude, stylized women seemingly immersed in feelings of despair, sadness, or confusion, Peterson manages to convey a narrative that resonates with the chaos and introspection often inherent in the human experience. Rendered 18x24 inches, the artwork's striking monochromatic scheme is punctuated with intricate details, bringing forth an evocative depth. Each figure's posture and expression beckon the viewer to introspect, contemplate, and find a personal connection, thereby transcending the boundaries of mere observation. As they lay amidst the mysterious river, their presence becomes a potent symbol of vulnerability, inner turmoil, and the omnipresence of emotions in our lives. Peterson's piece, a signed and numbered limited edition of only 100, embodies the essence of pop, street, and graffiti art. It exemplifies the artist's ability to harness conventional artistic forms and infuse them with layers of meaning, inviting appreciation and deep contemplation. "River of Blood Gold" stands as a testament to Peterson's prowess, his understanding of human nuances, and his undying commitment to pushing the boundaries of visual storytelling.

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It's Your Birthday Pink Paint Limited Edition Hand-Embellished HPM 1-Color Silkscreen & Acrylic Paint Print on Hand Deckled Fine Art Paper by Mr. Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Framed Signed & Numbered Pink Paint HPM Hand-Embellished Limited Edition of 30 Artwork Size 50x38 Single-color Screen Print with Hand Finishing on Archival Fine Art. Uniqueness of Hand-Embellished Prints by Mr. Brainwash In modern pop art and graffiti, few pieces stand out quite like "It's Your Birthday" by the street artist Mr. Brainwash, also known as Thierry Guetta. This piece encapsulates the spirit of street art with its hand-embellished, hand-deckled fine art paper and a splash of pink acrylic paint that defies convention. The 2018 limited edition piece is a testament to the artist's dedication to the craft and his commitment to injecting his personality into each print. Under his moniker, Mr. Brainwash, Thierry Guetta has become an intriguing figure in street pop art. Guetta has earned both criticism and acclaim by bursting onto the scene with a style that combines elements of street art's rawness with the polish of gallery pieces. "It's Your Birthday" showcases his penchant for bold statements and the use of popular imagery recontextualized through a street art lens. The piece's single-color silkscreen base is transformed with hand-finishing, ensuring no two prints are identical. The "It's Your Birthday" series is a limited edition of 30, each piece uniquely hand-finished by Mr. Brainwash himself. The hand-embellished process involves the application of pink acrylic paint, a signature touch that adds dimension and texture, distinguishing each print as a standalone artwork. This technique bridges the gap between the mass-produced and the one-of-a-kind, reflecting the artist's philosophy that art should be accessible yet exclusive. Significance of Silkscreen in Mr. Brainwash's Work Silkscreen printing has a storied history in pop art, and Mr. Brainwash's use of this technique is a nod to the tradition while pushing its boundaries. The "It's Your Birthday" print, sized at a striking 50x38 inches, is a bold canvas for the artist's experimentations with color and form. The use of archival fine art paper as a base material ensures the longevity of the artwork, marrying the ephemeral nature of street art with the permanence valued by collectors. Since his emergence in the art world, Mr. Brainwash has been a polarizing figure, with debates surrounding his authenticity and style. Yet, pieces like "It's Your Birthday" solidify his status in the art market. The limited edition print's size, the quality of materials, and the personalized touch of hand embellishments make it highly sought after by collectors. It celebrates street art's influence on contemporary culture and how artists like Mr. Brainwash continue to innovate within the genre. Mr. Brainwash's contributions to pop art, street art, and graffiti cannot be understated. With each hand-embellished print, he challenges preconceived notions about what street art can be and how it should interact with the world of fine art. "It's Your Birthday" is a colorful beacon of Mr. Brainwash's artistry, a limited edition piece that captures street pop art's exuberant and transformative spirit.

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Promised Land Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Renowned for his striking and confrontational style, Cleon Peterson is an artist whose work brings to life the undercurrents of societal strife and conflict. Known for his vivid depictions of brutal scenes that reflect a world in chaos, Peterson is widely recognized as a significant figure in the realms of pop art, street art, and graffiti art. His work often provides a haunting mirror to societal tensions, rendering them visually captivating through the stark contrast between light and dark, order and chaos, violence and peace. One piece that exemplifies this distinctive style is his "Promised Land Night" silkscreen print. True to Peterson's style, the work explores the darker facets of human nature in a dichromatic palette - typically a stark contrast of black and white or, in this case, dark navy blue and white. It showcases figures engaged in what appears to be a chaotic, violent struggle, as a symbol of the perpetual conflict and power dynamics within societies. Despite its seemingly bleak narrative, the composition carries an undeniable magnetism, skillfully drawing the viewer in. The silkscreen print method, known for its bold, crisp lines and the ability to create vibrant, flat areas of color, serves Peterson's style perfectly. It underscores the harsh narrative of his work while simultaneously highlighting the meticulous detail of his composition. Each figure, while entangled in the wider chaos, holds its narrative, rendering the piece a compelling visual exploration of societal unrest. The "Promised Land Night" speaks volumes of Peterson's vision of the world – not shying away from harsh realities, but rather confronting and examining them through his artwork. With the ever-present contrast between the stark visual style and the dark themes, Peterson positions himself firmly in the continuum of pop and street art, challenging viewers to consider the depths of human nature and societal structures. It is through such bold pieces that Cleon Peterson cements his place in contemporary art, forever pushing boundaries and igniting necessary conversations about society and its structures.

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Self-Discovery- Archival Paper 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 110 Artwork Size 30x22 Self-Discovery Archival Paper 6-Color Screen Print Archival Paper with Deckled Edges Edition of 110 Certificate of Authenticity Signed and thumb printed by the Artist 30x22 Signed 2022

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Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

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Talk Talk Talk- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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My Love Is Vengeance Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "My Love Is Vengeance" is a compelling silkscreen print that exemplifies the masterful artistry of Cleon Peterson. Released in 2022, the piece is an evocative blend of pop, street, and graffiti art influences, capturing the dynamic evolution of modern visual narratives. With a powerful dichotomy of black and bone, the artwork explores profound themes of passion, conflict, and resilience, drawing viewers into its rich tapestry of emotion and symbolism. Printed meticulously on the premium 290gsm Coventry Rag paper, the artwork's quality is indisputably top-notch. The paper, known for its rich texture, amplifies the depth of the piece, allowing the intricate details to shine through. The choice of deckled edges adds an air of vintage charm, offering a stark contrast to the modern and contemporary essence of the depicted figures. With dimensions set at 18x24 inches, the expansive canvas becomes a window to a world where love and vengeance dance in an eternal embrace. The intertwined figures, rendered in fluid lines and sharp contrasts, echo tales of love and its multifaceted nature—both tender and fierce. Each curve, shadow, and hue speaks volumes, challenging viewers to introspect and interpret. And adding to the allure is the artwork's exclusivity. With each print being hand-pulled, a unique touch of authenticity is embedded. The signature of Cleon Peterson and the numbered mark further assert its rarity, making it a treasured addition for any art collector. In "My Love Is Vengeance", Cleon Peterson has, yet again, showcased his unparalleled ability to merge diverse artistic genres, creating a timeless piece that resonates deeply with today's art aficionados.

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Fish Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist, Slight Scuffing To Frame Consistent to Age. The Artistic Journey of Naoto Hattori's Fish Original Drawing Naoto Hattori's unique contribution to the art world often finds a comfortable residence at the intersection of surrealism and street art. The 'Fish Original' hand-drawn art piece on framed hand-deckled aged art paper is a distinct representation of this artistic blend. Crafted in 2012, this original pencil/graphite drawing is a testament to Hattori's intricate style and ability to create depth and narrative within the confines of minimalist subject matter. The artwork, housed within a custom 8.5x8.5 inch frame, showcases an image size of 3x5 inches, offering a glimpse into the artist's surreal perspective through the lens of street pop art and graffiti artwork. This singular piece by Hattori is a signed, original, one-of-a-kind drawing showcasing monochromatic art's subtle yet powerful impact. The decision to create this work on hand-deckled aged art paper indicates Hattori's reverence for the textural qualities that the paper brings to the artwork. The deckled edges add an element of antiquity and an organic feel to the piece, enhancing the visual experience and complementing the simplicity of the subject—a single fish. The drawing, while straightforward in its representation, is imbued with a sense of motion and life, capturing the subject's essence with a delicate realism often associated with Hattori's work. Exploring the Nuances of Hattori's Surrealism in a Street Art Context The 'Fish Original' piece by Naoto Hattori is a subtle nod to the fluidity of street pop art and the evocative nature of graffiti artwork. While Hattori's work is primarily rooted in surrealism, the influences of street art are evident in the way he approaches his subjects. This drawing has a certain rawness and directness, qualities frequently celebrated in street art. The pencil work is precise, yet there is an undercurrent of freedom and spontaneity that aligns with the spirit of graffiti art. Custom framed and matted by the artist, the 'Fish Original' drawing reflects Hattori's hands-on approach to his art from inception to presentation. The slight scuffing on the frame, consistent with its age, adds character to the piece, suggesting a history beyond its visual content. This kind of patina often draws admirers of street art to such pieces, as it provides a rich and personal narrative. The scuffs are not flaws but marks of a journey, much like the weathered walls that serve as canvases in street art.  Street Pop Art, Graffiti Artwork, and the Intimacy of Small-Scale Works The world of street pop art and graffiti artwork is known for its boldness and large-scale visibility. However, pieces like Hattori's 'Fish Original' challenge this convention by bringing the intimacy of small-scale artwork into focus. Through this drawing, Hattori communicates that the essence of street pop art is not confined to size but is found in the authenticity and expressive power of the piece. Hattori's choice of framing and matting further personalizes the artwork, making it a complete piece that offers a narrative, much like street art, which often tells stories in the public domain. The 'Fish Original' by Naoto Hattori bridges the often disparate worlds of fine art and street art, marrying the intricacy of pencil drawing with the accessible, emotive drawing of street pop art. It exemplifies how art can transcend boundaries and speak to a diverse audience. This drawing, with its meticulous craftsmanship and the textured backdrop of aged paper, is a cherished piece in contemporary art, offering a moment of contemplation and connection in the bustling dialogue of street pop art and graffiti artwork. It stands as a beacon of the potential that lies in the fusion of different artistic disciplines, as seen through the visionary eyes of Naoto Hattori.

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To Create & Destroy Bone Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 45x36 Silkscreen Print Cleon Peterson is an internationally recognized contemporary artist, known for his stark, provocative works that often grapple with the darker aspects of human nature. Born in Seattle, Washington, Peterson's career has been shaped by his unique experiences and observations of societal dynamics, which he channels into his powerful art pieces. Peterson's signature style incorporates monochromatic figures, often depicted in scenes of brutal conflict or chaotic activity. These figures, lacking clear individuality, serve as a commentary on the universal aspects of human violence and power struggles. The raw, unsettling quality of his work challenges viewers to confront their own perceptions and biases about these challenging topics. His work has been displayed in numerous solo and group exhibitions all over the world, including Los Angeles, Paris, and Tokyo. Peterson's distinct voice in the art world has cemented his place as a significant figure in contemporary art, providing a lens through which we can examine the often uncomfortable realities of the human condition.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Sirens- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Signed 2021 26 x 32 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. “One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, he says. Nonetheless, his art is not dealing with violence on a superficial level and it is not used as a tool of provocation per see." - Cleon Peterson

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Preservation- Sustain Series Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Dave Kinsey. Fine art giclée prints on Italian produced cold press watercolor paper with hand deckled edges. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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A Delightful Balance Original Watercolor Painting by Bwana Spoons One of a Kind Artwork on Deckled Wove Fine Art Paper by Street Art Pop Artist. 2006 Signed Watercolor Painting Original Artwork Size 5.5x7.5 A Delightful Balance by Bwana Spoons – Playful Equilibrium in Street Pop Art & Graffiti Artwork A Delightful Balance is a 2006 original watercolor painting by Bwana Spoons, executed on 5.5 x 7.5 inch wove fine art paper. Known for his whimsical characters, radiant color palettes, and deeply imaginative world-building, Bwana Spoons brings his signature blend of innocence, strangeness, and narrative abstraction into a compact composition full of visual delight. The painting features a fantastical character—half humanoid, half creature—juggling or balancing a dish on their head while riding or interacting with a stylized turtle. Surrounded by swirling floral motifs, loose color washes, and dense brush textures, the scene becomes a metaphor for composure amidst chaos. It evokes emotional calm while still exploding with energy. As a standalone work within the genre of Street Pop Art & Graffiti Artwork, it represents Bwana Spoons’ dedication to fantasy storytelling through accessible, painterly forms. Character, Gesture, and Symbolic Motion The figure at the center of A Delightful Balance is rendered with exaggerated limbs, stylized facial features, and expressive lines that combine cartoon logic with surreal motion. The character’s outstretched arms and lifted legs suggest both acrobatics and a moment of suspended movement. The wide smile, bright blue nose, and swirl of green hair enhance the overall whimsy, turning the figure into a visual protagonist in a wordless story. The turtle beneath the character anchors the piece in slow movement and grounded energy, reinforcing the theme of balance. Bwana Spoons' approach to character design is non-linear and playful, refusing conventional anatomy in favor of shapes that feel fluid and emotionally coded. Within Street Pop Art & Graffiti Artwork, these characters operate as emotional reflections, channeling energy through visual abstraction. Watercolor Technique and the Handcrafted World Bwana Spoons’ use of watercolor is dense, layered, and richly textural. Rather than soft washes or translucent minimalism, his approach embraces color collisions, thick brush gestures, and vibrant gradients. The pinks, greens, blues, and earth tones in A Delightful Balance blend into one another with intentional harmony, creating a background that feels like a fantastical natural setting without locking into realism. The use of opaque color in some sections pushes the boundaries of the medium, suggesting the layering seen in mural work or screen printing. The hand-torn edges of the wove paper further highlight the intimate scale and handcrafted nature of the work. Every part of the image vibrates with movement, making even stillness feel alive. In the language of Street Pop Art & Graffiti Artwork, this painting is a small-scale expression of large-scale imagination. Bwana Spoons and the Celebration of Emotional Design A Delightful Balance exemplifies Bwana Spoons’ ability to inject kindness, weirdness, and narrative into every stroke. His work does not seek to critique or confront—it offers escape, humor, and introspection in equal measure. By creating strange creatures in vibrant harmony with their environment, Spoons invites the viewer to pause, observe, and reconnect with a form of visual joy that is often absent in urban contemporary culture. The balance he explores is not just literal—it is emotional and visual. As a figure in Street Pop Art & Graffiti Artwork, Bwana Spoons continues to offer a portal into worlds that feel both personal and universal. This piece reminds us that art can be soft and ecstatic at once—that balance, while fleeting, is always worth painting.

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Freedom Art HPM Acrylic Silkscreen Print by Mr. Brainwash- Thierry Guetta Screen Print on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2024 Signed & Numbered Hand Applied Acrylic Paint HPM Embellished Limited Edition of 75 Artwork Size 22x30 Jackson Pollock Drizzle Art Tribute. Embracing the Vibrancy of Street Pop Art and Tribute to Jackson Pollock Street Pop Art and Graffiti Artwork have taken bold strides in the modern art narrative, mainly through the contributions of artists who challenge conventional aesthetics. Thierry Guetta, known by his moniker Mr. Brainwash, is one such artist who infuses his work with the spirit of street art culture. His "Freedom Art HPM Acrylic Silkscreen Print" is a direct homage to the legendary Jackson Pollock, renowned for his signature drizzle painting technique. This piece is a limited edition work featuring a four-color screen print on hand-deckled fine art paper, imbued with the energy and anarchic spirit synonymous with Pop Street Art. The Distinctive Artistry of Mr. Brainwash Thierry Guetta, operating under the pseudonym Mr. Brainwash, is a street artist of repute whose work is often characterized by its provocative nature and the fusion of pop culture with street art aesthetics. Born in France and now based in the United States, Mr. Brainwash has significantly impacted the Street Pop Art & Graffiti Artwork scenes. The "Freedom Art HPM" perfectly illustrates his approach to art: taking recognizable elements from popular culture and history and then remixing them with street art's raw, expressive techniques. In this limited series of 75, the "Freedom Art HPM" represents a unique synthesis of Mr. Brainwash's style with the dynamic energy of Jackson Pollock's action painting. Each piece is not just a print but is enhanced with hand-applied acrylic paint, making every print within the edition a one-of-a-kind piece. The substantial size of 22x30 inches allows the vivacity and motion of the drizzle technique to be fully appreciated, lending each work a sense of movement and spontaneity deeply ingrained in the ethos of street art and the legacy of Pollock. A Contemporary Tribute to Jackson Pollock The "Freedom Art HPM" by Mr. Brainwash is a contemporary tribute to Jackson Pollock, an artist who revolutionized the art world with his abstract expressionist techniques. By incorporating Pollock's renowned drizzle style into his screen prints, Mr. Brainwash pays homage to a figure whose work was, in many ways, a precursor to the uninhibited, free-form expressions found in street art. The hand-applied acrylic embellishments bridge the mechanical process of screen printing and the human touch inherent in the act of painting, echoing Pollock's emphasis on the physical act of art-making. In this series, Guetta captures the essence of Pollock's artistry while infusing it with his street art sensibility, creating a dialogue between two art forms that, though separated by decades, share a common thread of rebellion against the traditional. The "Freedom Art HPM" pieces embody the spirit of innovation and the bold departure from norms that both artists champion. Collectors and enthusiasts of both abstract expressionism, Street Pop Art, & Graffiti Artwork find a celebration of the fearless exploration of art and the breaking of boundaries in these prints. The Legacy of Street Art in Modern Expressionism As Street Pop Art & Graffiti Artwork continues evolving, artists like Mr. Brainwash exemplify the ongoing dialogue between contemporary street art and the broader spectrum of modern art. The "Freedom Art HPM" pieces represent more than just aesthetic beauty; they stand for the ongoing pursuit of freedom in artistic expression, honoring the past while continuously pushing toward the future. Each hand-embellished print is a visual spectacle and a piece of narrative, telling the story of art's relentless drive to defy, redefine, and express. With the "Freedom Art HPM" series, Thierry Guetta has created more than a mere series of prints; he has crafted a lineage that connects the radical expressionism of Jackson Pollock to the vibrant and ever-changing world of street art. This collection, limited in edition but boundless in impact, is a testament to the transformative power of art, celebrating its capacity to challenge, inspire, and reflect the complexity of the human experience through bold colors, form, and movement. Through this work, Mr. Brainwash continues to shape the pulse of Street Pop Art & Graffiti Artwork, securing his place in the continuum of artists who refuse to remain silent in their quest for creative emancipation.

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Marilyn Pure Joy Yellow 3 Color Silkscreen Print by Pure Evil Hand-Pulled on Deckled 300gsm Somerset Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 16x20 Silkscreen Print of Hollywood Actress, Marilyn Monroe Stylized in Black & Yellow. Marilyn Pure Joy Yellow by Pure Evil as Street Pop Art & Graffiti Artwork Marilyn Pure Joy Yellow is a hand-pulled 3 color silkscreen print created by the London-based artist Pure Evil, born Charles Uzzell-Edwards. Printed on 300gsm deckled Somerset fine art paper, the 2025 signed and numbered edition captures the essence of both pop culture iconography and emotional minimalism through a unique lens of urban commentary. Sized at 16 x 20 inches, the artwork features a stylized portrayal of Hollywood legend Marilyn Monroe rendered in stark black and soft yellow tones, layered with Pure Evil’s trademark tear motif—a thick black streak cascading from one eye, cutting vertically across the paper. This striking visual device has become a hallmark of the artist’s practice and is a powerful form of commentary within street pop art and graffiti artwork. The Pop Icon Reimagined Through a Graffiti Lens Pure Evil recontextualizes Monroe, not as a flawless screen goddess, but as a fractured symbol of glamour and vulnerability. Rather than focusing on realism, the portrait embraces stylization and abstraction that allows the subject’s mythos to be reinterpreted. The yellow accents in the hair evoke mid-century beauty culture, but the stark monochrome contrasts emphasize a sense of loss or distortion. It is not simply a celebration of fame; it is a meditation on its cost. The vertical black tear, recurring across Pure Evil’s works, is not decorative. It evokes themes of trauma, impermanence, and identity loss associated with celebrity worship. By blending graffiti aesthetics with pop culture subjects, this work destabilizes nostalgia and forces reconsideration of public memory. Fine Art Materials with Street-Driven Intent Though grounded in the lineage of street art, this silkscreen is printed using fine art techniques and materials. The 300gsm Somerset paper and hand-deckled edges signal the artist’s fluency with the gallery system, while maintaining visual cues from urban environments. The bold contour lines, the stencil-like application, and the saturated palette are grounded in graffiti’s graphic sensibility. Each print is hand-pulled, which introduces a subtle variation and authenticity to every edition. This craftsmanship affirms that even though the imagery is rooted in mass-produced iconography, the execution is deeply intentional and personal. Emotional Simplicity and Symbolism in Contemporary Urban Art Pure Evil’s Marilyn Pure Joy Yellow connects to a broader contemporary conversation about the emotional undercurrents of iconography in street pop art and graffiti artwork. The emotional core is heightened by its formal restraint—limited colors, bold geometry, and the solitary symbolic gesture of the tear. In an era saturated with digital images, this piece slows the viewer down. It invites reflection on why we idolize and what we ignore. Through this piece, Pure Evil extends a conversation about fame, fragility, and the psychological fallout that so often accompanies cultural elevation. As both an homage and a critique, the work serves as a compelling example of how street culture can infiltrate and elevate high art discourse without abandoning its rebellious roots.

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Flower of Evil: There is an End To Everything- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (White) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

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Venus Unique #13 Unique Original HPM 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr. Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 HPM Signed & Numbered Hand Painted Original Unique One of a Kind Deckled Artwork Size 16x16. Custom Frame & Mat. Each print is signed plus numbered 1/1 by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash. The Intersection of Classical Imagery and Contemporary Street Pop Art in Mr. Brainwash’s Venus Unique #13 Thierry Guetta, artistically known as Mr. Brainwash, has been a transformative force in modern art, bridging the gap between street art's rebellious energy and pop art's iconic imagery. His work, Venus Unique #13, is a testament to this fusion, embodying the spontaneous creativity of Graffiti Street Artists Modern Pop Art. Released in 2021, this hand-pulled silkscreen print is part of an original series that infuses the classic depiction of Venus with a burst of contemporary life, underscored by the vibrant disruption of a Rubik's cube pattern. Venus Unique #13 is a symbolic piece within Mr. Brainwash's oeuvre. It is a 6-color silkscreen print, underscored by the Artist's hand-painted embellishments on hand-torn archival paper, which gives it an organic and tactile feel. The artwork is encased in a custom frame and mat, enhancing its visual appeal and preserving its condition. This particular print is marked 1/1, signaling its status as a unique work within the series. It is further authenticated by Mr. Brainwash's signature and thumbprint on the reverse, hallmarking its originality. Capturing Art Historical References with a Modern Twist Mr. Brainwash's penchant for juxtaposing classic art historical references with modern elements is evident in Venus Unique #13. The artwork reimagines the Roman goddess Venus, an enduring symbol of beauty and love, through the lens of modern-day iconography and urban artistry. By overlaying the serene and timeless figure of Venus with the chaotic, colorful patterns of a Rubik's cube, Mr. Brainwash creates a dialogue between the past and the present, between enduring ideals and contemporary challenges. The use of the Rubik's cube is remarkably evocative, as it is a pop culture icon and a metaphor for complexity and the human endeavor to solve puzzles. It suggests that the interpretation of beauty and art is itself a complex puzzle, a challenge that evolves with time and perspective. Mr. Brainwash cleverly employs the cube's colors and forms to fracture and reinterpret the classical imagery, giving it a new context and relevance in today's visual language of Street Pop Art and Graffiti Artwork. The Signature Style and Cultural Commentary of Mr. Brainwash Mr. Brainwash's signature style is characterized by his bold use of color, eclectic iconography, and seamless blending of various artistic techniques. Venus Unique #13 is imbued with this signature approach, showcasing a harmonious blend of spray-painted graffiti with refined silkscreen printing. The piece is as much a celebration of the Artist's technical skill as it is of his conceptual ingenuity. By integrating elements like comic strips, street signs, and pop culture ephemera into the backdrop of Venus, Mr. Brainwash comments on the inundation of media and advertising in our daily lives. His artwork becomes a canvas where modern-day consumerism and the timeless quest for meaning and beauty intersect. Including such diverse and seemingly disparate elements is a nod to the complex visual landscapes we navigate, suggesting that art and beauty can be found in the most unexpected places. Collectability and Influence in Contemporary Art The collectability of Mr. Brainwash's work, particularly pieces like Venus Unique #13, is significant. As a unique, one-of-a-kind piece with the Artist's direct involvement, it holds aesthetic value and a high degree of collectible appeal. The artwork's size, 16x16 inches, makes it a versatile piece for collectors, suitable for various spaces and settings. These qualities make Mr. Brainwash's work highly sought after by enthusiasts of Street Pop Art and Graffiti Artwork. Venus Unique #13 is more than just a visual statement; it reflects the current era where art history receives a contemporary remix. Mr. Brainwash's approach to art challenges viewers to see beyond the surface and appreciate each piece's layers of meaning and craftsmanship. In doing so, he has cemented his place within the modern art movement, inspiring both admiration and critical thought about the role and interpretation of art in contemporary society.

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Stairway to London Limited Edition 2-Color Vintage Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 30x22 Led Zeppelin Music Rock Super Stars Vintage 2009 Print. Hand-finished screenprint on hand torn, 100% cotton 300gsm cream archival art paper with deckled edges. 22 × 30 in 55.9 × 76.2 cm Edition 100

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Garden of Infinite Possibilities Hand-Pulled 15-Color Silkscreen Print on Mirri Sparkle Silver Paper by Desirable Artist Dabs Myla Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Hand Deckled Artwork Size 18x25 Garden of Infinite Possibilities, 2022 15-Color Screen Print on Mirri Sparkle Silver Paper 18 x 25 in (45.72 x 63.5 cm) Deckled Edge Edition of 100 Signed, Numbered and Embossed by the Artists

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Window No 2 Silkscreen Print by Joshua Vides Hand-Pulled 3-Color Screen on UV Gloss Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Hand Deckled Artwork Size ???

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This Is Bad Lands- Red/Blue 3-Color Hand-Pulled Limited Edition Embellished HPM Silkscreen Print on Deckled Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 250 HPM Hand Painted Multiple Artwork Size 12.5x19 Faile's "Bad Lands" art print – a limited edition masterpiece with a mere 250 copies available worldwide. As the newest addition to the 150 Series, this release features approximately seven unique variations within the edition, including multiple color schemes, hand-painted, stained, and printed versions. Crafted on durable, thick archival paper, the eye-catching Red/Blue variation is a highly sought-after piece that boasts an extraordinary texture. The print measures 12.5" x 19" and showcases two deckled edges and two straight edges. The front and back of the print are meticulously detailed, with the reverse side adorned with printing, stamping, and more. Each copy is signed, numbered, dated, stamped, and embossed by the artist, making it a truly exclusive and valuable collectible. Don't miss the chance to own this incredible art print – experience its stunning visual impact in person! The "This Is Bad Lands Red/Blue HPM Silkscreen Print" is a piece of art created by Faile, an artist collaboration between Patrick McNeil and Patrick Miller. Faile is known for their distinctive style, which combines elements of street art, graphic design, pop culture, and fine art. In this piece, the title "This Is Bad Lands Red/Blue HPM Silkscreen Print" is a hand-painted multiple (HPM) silkscreen print featuring red and blue colors and a cowboy driving a classic sports car. "Bad Lands" refers to a desolate or unwelcoming environment, indicating that the piece may convey a sense of danger or conflict. Faile's work often contains layers of imagery and intricate details, and their silkscreen prints typically involve multiple layers of color and texture. They often incorporate found materials, stencils, and wheat paste, creating a distinctive aesthetic that blends street art and contemporary fine art.

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Moooo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Xiau-Fong Wee. Xiau-Fong Wee - "Moooo" limited edition fine art giclee print edition of 40 copies signed and numbered

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Into The Night MMXXI- Black/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Into The Night MMXXI (black/black) 32 x 32 inch. Hand-pulled black on black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 75 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Absolute Ali Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed Custom Framed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 48.5x35.5. Famous Boxer Muhammad Ali Raising Hands in Boxing Sports Victory with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Gold Frame Size 57x45 Evolution and Impact of Mr. Brainwash's Street Pop and Graffiti Artwork The vibrant and irreverent energy of Street Pop Art and Graffiti Artwork has radically transformed the visual landscape of urban culture. These forms of artistic expression, which have their roots deeply embedded in the subversive countercultures of the past, have now ascended to the pantheon of high art, thanks to the works of visionaries like Thierry Guetta, also known as Mr. Brainwash. His unique approach to art, which combines elements of both street art and pop art, has resulted in creations that are not only visually stunning but also rich in cultural commentary. Mr. Brainwash burst onto the art scene with his innovative blend of street art sensibilities and pop art aesthetics. His work often incorporates iconic figures and familiar motifs, recontextualizing them within street art's urban grit and spontaneous energy. His 2017 "Absolute Ali" piece is a powerful testament to this style. By using silkscreen printing and hand embellishments with spray and acrylic paints, Mr. Brainwash creates a multi-layered texture that echoes the complexity of the cultural icon it depicts: the legendary boxer Muhammad Ali. "Absolute Ali" - A Masterpiece of Mixed Media "Absolute Ali" stands as a stunning example of Mr. Brainwash's artistry. This piece showcases a limited edition, mixed media screen print on fine art paper featuring the heavyweight champion Muhammad Ali. The artwork captures the triumphant moment of Ali raising his hands in victory, immortalizing the emotion and power of the sports legend. Through the application of vibrant and chaotic splashes of color, the artwork is infused with a sense of movement and dynamism characteristic of both Ali's boxing style and Mr. Brainwash's artistic approach. This work is not just a mere portrait but a celebration of triumph, diversity, and the indomitable spirit of the human will, as embodied by Ali. The backdrop of the composition is a veritable collage of imagery and color, with each layer of paint and each silkscreened element building upon the last to create a rich tapestry of visual stimuli. The piece is a feast for the senses, with the hand-embellished splatters of paint not only adding texture but also creating an almost palpable energy that radiates from the canvas. The Role of Street Pop and Graffiti Artwork in Contemporary Art Artworks like "Absolute Ali" are pivotal examples of how Street Pop Art and Graffiti Artwork have shifted the boundaries of traditional art. They reflect the cultural zeitgeist, encapsulating the streets' voices, struggles, and victories. By bringing such work into galleries and the realm of fine art, artists like Mr. Brainwash challenge preconceived notions of what art can be and who it is for. This democratization of art has led to a more inclusive and diverse art world where the line between high art and street culture is increasingly blurred. The limited edition nature of "Absolute Ali," coupled with its hand-embellished features, ensures that each piece is a unique treasure, representing Mr. Brainwash's vision. The artwork's custom ornate gold frame further enhances its allure, juxtaposing the traditionally luxurious connotations of gold and the raw, unrefined essence of street art. For collectors, owning a piece like "Absolute Ali" is not just an investment in art; it is an investment in cultural history, a snapshot of when street art rose to prominence and reshaped the art world. "Absolute Ali" is more than just a work of art. It is a cultural artifact that embodies the essence of Street Pop and Graffiti Artwork. Through the fusion of silkscreen printing and spray paint, Mr. Brainwash has created an artwork that vibrates with life, encapsulating the spirit of Muhammad Ali and the essence of street art. It is a bold statement in the ongoing narrative of art history, highlighting the ever-evolving nature of artistic expression and the power of art to capture the human experience.

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Street Where? K30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM.

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Catalyst Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5. Custom Framed & Matted By Artist Naoto Hattori's "Catalyst": A Surreal Intersection of Imagery and Emotion "Catalyst," an original hand-drawn art piece by the surreal artist Naoto Hattori, represents a unique convergence of delicate pencil work and emotive surrealism captured on hand-deckled aged art paper. This 2012 one-of-a-kind pencil/graphite drawing is a testament to Hattori's skill in portraying complex, dream-like visions within a compact space. The framed artwork, with an image size of 3x5 inches and a frame size of 8.5x8.5 inches, has been custom framed and matted by the artist, adding a personal touch that complements the intimate scale of the work. This drawing stands apart from conventional urban art's execution and presentation. While street pop art and graffiti artwork are typically associated with large-scale, public displays, Hattori's "Catalyst" invites a more personal interaction. The piece is imbued with the intricacies of fine art while resonating with the accessibility and visceral impact often found in street art. Hattori's work does not scream from the walls; instead, it whispers, drawing the viewer into a one-on-one dialogue with the art. Exploring the Artistic Detail in "Catalyst" The meticulous detail in "Catalyst" showcases Hattori's masterful control of pencil and graphite, revealing an otherworldly creature that seems to emerge from the very fibers of the aged paper. The hand-decked paper highlights the artist's appreciation for the tactile qualities of his materials and his intent to merge the traditional with the surreal. Each stroke and shadow in the drawing contributes to an overall sense of depth and dimension, breathing life into the fantastical subject. The creature depicted combines familiar elements with the enigmatic, challenging the viewer's perception of reality. The intimate size of the image, contrasting with the more substantial frame, emphasizes the artwork's precious nature, akin to a relic or a talisman. This sense of preciousness is often sought in street pop art and graffiti artwork, where the transient nature of the medium contrasts sharply with the desire to create something lasting and impactful. Hattori's "Catalyst," while not a typical street art piece, captures the essence of what many street artists strive for—an enduring connection with the audience. Naoto Hattori's "Catalyst" is a profound piece of art that transcends the boundaries between the various disciplines of pop art, street art, and surrealism. It encapsulates the ethereal, tangible, imagined, and accurate, inviting viewers to ponder the unknown depths of their psyche. The meticulous craftsmanship, coupled with the unique presentation, makes "Catalyst" a valuable addition to contemporary art discourse, highlighting the breadth and diversity within the realm of artistic expression.

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Into The Night MMXXI- Gold/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Almost Rapture- Savage Sacred Young Minds Series 23-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. FAILE (American, est. 1999) Title: ALMOST RAPTURE, 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Spray Happiness- Red Limited Edition 3-Color Hand-Pulled Serigraph Print With Acrylic Paint Embellishments on Hand Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 30x22.5 3 color screen print and hand-finished paint splatter on hand torn archival art paper 57.2 x 76.2 cm (30 x 22 in) Edition of 75

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The Return Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Black & Gold Silkscreen Print: A Stark Narrative by Cleon Peterson The Return by Cleon Peterson is a striking example of Street Pop Art and Graffiti Artwork, blending minimalist design with profound storytelling. This limited-edition silkscreen print, released in January 2025, is created on hand-deckled 290gsm Coventry Rag fine art paper, offering both visual and tactile depth. Measuring 20x20 inches, it features Peterson's signature style, characterized by bold contrasts and graphic figures. Depicting a warrior astride a horse, wielding a bloody sword, the artwork presents themes of conflict, dominance, and survival. Released during the California fires of 2025, the piece resonates with an atmosphere of destruction and resilience, drawing parallels between personal battles and larger societal struggles. Cleon Peterson’s Distinctive Artistic Voice Cleon Peterson is known for his stark, graphic style that combines elements of pop art with the intensity of graffiti-inspired aesthetics. His work often explores themes of power dynamics, chaos, and human nature's darker facets. The Return continues this tradition, with the central figure of a warrior on horseback symbolizing conquest and survival. The use of black and gold adds a regal yet ominous tone, heightening the tension in the scene. Peterson’s ability to distill complex narratives into simplified forms creates an immediate visual impact while inviting deeper reflection on the themes presented. Design and Symbolism in The Return The Return features a dramatic composition where the central warrior figure dominates the visual space. The horse, rendered in Peterson’s signature minimalism, evokes movement and strength, while the bloody sword serves as a stark reminder of violence and its consequences. The black background amplifies the figure's golden hue, emphasizing its prominence and isolating it in a void-like space. This duality of light and dark symbolizes not just conflict but also resilience and survival. The stripped-down aesthetic reflects the rawness of struggle, making the piece both visually striking and thematically intense. Limited Edition Craftsmanship and Context Printed on premium Coventry Rag fine art paper, The Return is hand-deckled to give it an artisanal quality that complements the graphic intensity of the artwork. Signed and numbered by Cleon Peterson, the limited-edition nature of the piece ensures its exclusivity and collectibility. The timing of its release during the California fires adds an additional layer of relevance, tying the themes of destruction and survival to contemporary events. The Return exemplifies the intersection of Street Pop Art and Graffiti Artwork, capturing both the raw energy of street art and the enduring narratives of human conflict and resilience. This piece stands as a testament to Peterson’s mastery in merging minimalist design with powerful storytelling.

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The Naked Woman & Man Gold 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” Gold black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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