White Zombie Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Elvisdead Graffiti Street Artist Modern Pop Art.
Screenprint. Hand-numbered.
Punishment- Red Hand-Pulled 1-Color Silkscreen Print on 290gsm Coventry Rag Paper by Desirable Artist Cleon Peterson Limited Edition Pop Art Artwork.
2021 Signed & Numbered Limited Edition of 125 Artwork Size 36x36
“One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, Cleon Peterson says. Nonetheless, his art is not dealing with violence on a superficial level, and it is not used as a tool of provocation per se. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead, weaponizes in the battle with apathy. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty alone but the lack of reaction to them.
The Macabre Aesthetic: Horror in Street Pop Art and Graffiti Artwork
The world of street pop art and graffiti artwork often reflects the myriad facets of human emotion and cultural expression. Among these, horror and scary themes have carved out a niche that resonates deeply with the human psyche. This fascination with the macabre in street art is a testament to the enduring appeal of horror in the popular imagination and how it can be used to explore and comment on deeper societal fears and anxieties. Graffiti street art has always been a powerful medium for self-expression, and many artists have ventured into creating horror-inspired pieces to elicit a range of emotions from viewers. Horror in graffiti street art can be seen in various forms, including Dark Imagery. Artists may utilize dark, eerie, and sometimes grotesque imagery to evoke a sense of horror. This can include haunted houses, ghosts, zombies, or other supernatural beings. Macabre themes: Themes related to death, decay, and the darker aspects of life are often explored in horror-based graffiti art. Skulls, skeletons, and other symbols of mortality can be prominently featured. Surrealism: Surrealistic elements can heighten the sense of unease in horror-themed graffiti. The artist might create distorted, dreamlike, or nightmarish scenes to disorient and unsettle the viewer. Pop culture references: Graffiti artists may incorporate well-known horror characters, such as Pennywise from "It" or Freddy Krueger from "A Nightmare on Elm Street," into their works. This creates a familiar yet unsettling atmosphere. Psychological horror: Some artists may opt for a more subtle approach, using symbolic imagery or metaphorical representations to evoke a sense of dread or anxiety rather than outright terror. Urban legends and folklore: Artists can tap into the rich history of urban legends and folklore to create chilling scenes that capture the imagination of passersby. Social commentary: Horror-based graffiti can be a means of exploring and critiquing societal issues, such as violence, poverty, or political oppression. These pieces can serve as powerful statements that provoke thought and discussion. Horror in graffiti street art allows artists to express their creativity while engaging with their audience on a visceral level. Combining public space and unsettling imagery can make these works memorable and impactful, leaving a lasting impression on viewers.
Haunting the Urban Canvas: Horror's Place in Street Art
Street artists have long been drawn to the allure of the horror genre, using its imagery to create works that startle, provoke, and engage the public. In the labyrinth of city streets, a sudden encounter with a mural depicting scenes or figures from horror can transform the experience of a space, charging it with an eerie atmosphere. The use of horror-themed imagery serves multiple purposes – it can be a visceral form of self-expression, a reflection of the artist's demons, or a symbolic commentary on the horrors of contemporary life. The figures that populate the horror genre – ghosts, monsters, and other supernatural entities – become powerful symbols when transposed onto the urban landscape. They speak of the unseen and the unknown, tapping into the collective unconscious with their potent blend of fear and fascination. Artists adept in the language of street pop art and graffiti use these symbols to tell stories that are as much about external realities as they are about internal worlds. Whether it is the monstrous personification of societal ills or the spectral representation of lost histories, these artworks invite reflection on the nature of fear itself.
Monsters and Morality: Scary Stories Told on Concrete
Horror and the scary are not just about shock value; they also serve as a moral compass to navigate the complexities of right and wrong. In the hands of street artists, the grotesque and the frightful become tools for social critique. Monsters painted on the sides of buildings may represent the real-life monsters of corruption, violence, and injustice. The ghoulish and the ghostly remind passersby that there are things in the world that should not be ignored or forgotten. In many ways, the use of horror in street pop art and graffiti artwork is an act of rebellion, a defiance of the notion that public spaces should be sanitized and stripped of anything unsettling. By bringing the scary into the light, these artists challenge the viewer to confront discomfort, question what is taken for granted, and recognize the power of art to unsettle and please. Horror and the scary are integral elements of street pop art and graffiti artwork, serving as potent vehicles for expression, commentary, and confrontation. These themes provide a lens through which artists can explore the human condition in all its darkness and complexity. As long as there are fears to be faced and stories to be told, horror will continue to haunt the walls of our cities, compelling us to look – and to think – a little deeper.
