Investment Grade Art

3 artworks

  • Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

    $8,751.00

  • Mannequin 3 Art Sculpture by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Mannequin 3 Art Sculpture by Denial- Daniel Bombardier

    Mannequin 3 Original Mixed Media Sculpture Mannequin Artwork by graffiti street artist modern pop artist Denial. 2013 Signed Original Sculpture Covered with Hundreds of Custom Brand Stickers Artwork Size 51x26. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation in confronting re-imaginings of our current dystopian society. In the dynamic intersection of street pop art and graffiti artwork, the 'Mannequin 3' original mixed media sculpture by the artist known as Denial stands as a compelling commentary on consumer culture and the saturation of branding in modern life. This 2013 signed original sculpture is a profound exploration of identity and materialism, meticulously covered with hundreds of custom brand stickers, each a testament to the pervasive reach of commercial influence. Denial, a Canadian artist, has built a reputation for his thought-provoking works that often incorporate elements of pop art with a twist of subversion, challenging viewers to reconsider their surroundings and the messages they are bombarded with daily. This particular piece, with its life-sized mannequin form, becomes a canvas that reflects our society's obsession with brands and the commodification of human identity. The mannequin is transformed into a mosaic of commercial logos, each sticker meticulously placed to create a tapestry that is both familiar and unsettling. This sculpture symbolizes the artist's style, which often merges humor with critique and blurs the lines between high and low culture. By appropriating the very symbols of the consumerist society, Denial forces a dialogue on the value we place on brand identities and their invasive presence in our lives. The artwork's size, 51x26, gives it a presence that cannot be ignored, dominating the space and demanding contemplation. Through 'Mannequin 3', Denial, in collaboration with Ben Frost, an Australian-born artist known for his provocative work, invites viewers to navigate the complexities of appropriation and the role of branding in our understanding of the world. The sculpture is not just an object of art; it is a statement on the state of our society—a society in which the line between person and product is increasingly blurred.

    $6,126.00

  • Sale -15% MTA Subway Sign Elevator to Mezzanine Original Street Sign Graffiti Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo MTA Subway Sign Elevator to Mezzanine Original Street Sign Graffiti Painting by Cope2- Fernando Carlo

    MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

    $2,607.00 $2,216.00

Investment Grade Graffiti Street Pop Artwork

Investment Grade Art in Street Pop Art & Graffiti Artwork

Investment grade art in the context of Street Pop Art & Graffiti Artwork refers to works that hold strong potential for financial appreciation while maintaining cultural and aesthetic relevance. These pieces are typically created by artists with a proven market presence, institutional recognition, or consistent collector demand. Investment grade does not solely refer to high price tags; it reflects a combination of rarity, provenance, production quality, and the artist’s trajectory. In the street art market, investment grade works are often part of limited edition silkscreens, mixed media pieces, or original canvases that demonstrate technical skill, conceptual depth, and a unique visual voice. As the line between street culture and fine art continues to dissolve, collectors increasingly look to this category for both long-term value and meaningful engagement.

Qualities That Define Investment Grade Street Pop Works

Works considered investment grade within this genre share several defining characteristics. They are most often signed and numbered, with edition sizes kept low to enhance scarcity. Materials play a significant role, with prints produced on museum-grade cotton rag paper or using archival pigments gaining preference among serious collectors. Production details such as embossing, hot wax stamps, hand-embellishments, or augmented reality enhancements elevate the status of the piece. More importantly, these works often carry strong conceptual grounding—whether through political critique, emotional introspection, or historical reinterpretation. Artists such as Cleon Peterson, Shepard Fairey, Handiedan, and Faile have released pieces that consistently meet these standards, with values that have held or appreciated across gallery markets and auction sales.

Market Behavior and Collector Strategy

Collectors who invest in this tier tend to track artist development, auction records, edition control, and institutional endorsements. Releases from trusted galleries such as Thinkspace, Stolenspace, and Subliminal Projects often signal long-term collectibility. Timing is essential—early releases, first editions, and debut HPMs tend to outperform later print runs or open editions. Many investment grade pieces also benefit from global exposure, either through large-scale murals, museum exhibitions, or inclusion in public collections. Scarcity combined with sustained visibility builds credibility, which translates into market resilience. For investors, these works serve both as aesthetic assets and cultural markers, reflecting a moment in time through the lens of urban expression.

The Role of Cultural Value in Investment Art

Unlike traditional financial instruments, investment grade art carries emotional and cultural weight. In Street Pop Art & Graffiti Artwork, this duality is heightened. These pieces often emerge from resistance, identity, satire, or memory, giving them a resonance that transcends surface appeal. The most valuable artworks in this field do not just decorate—they disrupt, inform, and provoke. This depth of message and medium is what distinguishes investment grade work from decorative print runs. As collectors and institutions increasingly recognize the power of street-originated work to define contemporary visual culture, investment grade graffiti and pop art continue to find firm footing in the evolving conversation between finance and artistic legacy.

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