Investment Grade Art

I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

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R@brick Karimoku Rabbrick Woven 400% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture. 2020 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after their collaborations with Medicom. Product Name: R@BBRICK Karimoku WOVEN 400% Manufacturer: Medicom Toy Specifications: Painted and articulated wooden figure Height (approx.): 320 mm | 12.6" Medicom Toy’s R@BBRICK figure line continues its unique woodworking series with this Karimoku WOVEN release! The 12.6” tall 400% figure uses eye-catching joinery to create a diamond pattern using dark and light wood that showcases Japan’s traditional woodworking craftsmanship. R@brick Karimoku Woven 400% The latest in Medicom's ongoing collaboration with the Japanese furniture manufacturer, Karimoku has been handcrafted from wood. Each woven Bearbrick takes four months to craft by artisans in Japan and each one is uniquely finished. Medicom and Karimoku's logos have been laser etched onto the figure. Height 28cm.

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Smiling Since 1999 V Original One of a Kind Mixed Media Spray Paint, Acrylic & Stencil Painting Artwork on 270gsm Royal Sundance Paper by Popular Street Graffiti Artist Pez. 2022 Signed Mixed Media Spray Paint Stencil Painting Artwork Size 19.69x27.56 "Smiling Since 1999 V" stands out as a one-of-a-kind mixed media artwork by the acclaimed street graffiti artist known as Pez. Known for his distinctive and jubilant artistic style, Pez has crafted this piece using a blend of spray paint, acrylic, and stencil techniques on a 270gsm Royal Sundance paper. The artwork's dimensions of 19.69x27.56 inches provide a generous canvas for the artist's vivid expression. Each creation of Pez is a signed original, and this particular piece is no different, delivering a personal touch from the artist's hand to the collector's wall. The artwork is a vibrant homage to the spirit of graffiti and street art culture, exuding an infectious cheerfulness that has been the hallmark of Pez's work since he began in 1999. This piece is a visual symphony of color, movement, and emotion. It captures the gaze with its bold letters spelling "SMILING" set against a backdrop that bursts with animated figures and a kaleidoscope of bright, contrasting colors. Each character, with its signature wide grin, symbolizes the artist's optimistic philosophy and injects a dose of happiness into the urban environment. Pez's use of mixed media in "Smiling Since 1999 V" illustrates a dynamic layering effect, creating a sense of depth and complexity that is often sought after in street art. His technique, combining the raw edge of spray paint with the precision of stencils, showcases a mastery of the medium and a deep understanding of the aesthetic and narrative potential of urban art. The choice of Royal Sundance paper as the substrate adds an element of refinement and durability, ensuring that the piece retains its vivid colors and structural integrity over time. As a representative piece of Pez's ongoing engagement with street and pop art, "Smiling Since 1999 V" is not only a continuation of the artist's legacy but also a reflection of the broader evolution of street art into a recognized and celebrated form of contemporary art. It embodies the transformative power of graffiti, from its early days as an underground movement to its current status as a significant and influential part of the art world. Through his art, Pez extends an invitation to viewers to partake in his world of boundless joy and to celebrate the art form that has been bringing smiles to the streets and galleries alike for over two decades.

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Pop Graff Original Painting Acrylic, Spray Paint Mixed Media on Canvas Gallery Wrap by Sen2 Graffiti Street Artist Modern Pop Art. "Having developed my style over the course of thirty years, I often use vibrant colors and funky lettering to capture the viewer's attention in an instant. While my graffiti is generally limited to the street, I decided to showcase three original canvases exclusively for 1xRUN.As an artist, I have deep and passionate respect for the forefathers of the Pop Art Movement. Some of my greatest influence has come from Andy Warhol and Roy Lichtenstein. They planted the seeds in the latter part of the 20th century which changed people's perception of art. It's remarkable when a handful of individuals can spawn a revolution that will continue for many years to come, well into the 21st century. They created a paradigm shift in how art was to be interpreted and became the legendary masters." - Sen2

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No Posts, No Bills- 24x36 Paper Limited Edition 4-Color Hand-Pulled Silkscreen Print on Archival Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 70 Artwork Size 36x26 Mr Brainwash- Thierry Guetta 2021 NO POST, NO BILLS Paper Edition 24 X 36” print S/N of 75

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Substrata Artwork Giclee Limited Edition Print on 300gsm Heavy Archival Cold Press Cotton Rag Paper by Pop Culture Graffiti Artist Faile. Edition of 200 + 20 AP Giclée print on paper Signed and numbered by the artists Heavy Archival Cold Press Cotton Rag 300 g/m2 paper 100 × 80 cm 2021

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AAVEI-2 Original Mixed Media Spray Paint, Found Object Painting Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla x D Young V. 2014 Signed by D Young V and Eddie Colla Original Mixed Media Spray Paint Acrylic Painting on Reclaimed Items & Wood Artwork Size 55x42 Large Mixed Media Painting on Wood With Reclaimed Toy Gun and 3x Vintage Spray Paint Cans. AAVEI-2 Collaboration with D Young V and Eddie Colla 55 x 42 x 15 inches Mixed Media on Wood, Spray Cans, Plastic Gun 2014

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Steve Ender Dragon Minecraft Original Acrylic Painting by Dhawa Rezkyna One of a Kind Artwork on Canvas by Street Art Pop Artist. 2022 Signed Acrylic Painting Original Artwork Loose Canvas Size 15.5x20.5  Steve Ender Dragon Minecraft by Dhawa Rezkyna – Digital Myth Reimagined in Street Pop Art & Graffiti Artwork Steve Ender Dragon Minecraft is a 2022 original acrylic painting on loose canvas by Indonesian artist Dhawa Rezkyna, measuring 15.5 x 20.5 inches and signed by the artist. The work showcases Rezkyna’s mastery in fusing nostalgic digital imagery with analog painterly textures, creating a visual field where gaming mythology and emotional symbolism meet. The central figure of Steve, rendered in blocky, pixelated proportions directly referencing the global phenomenon Minecraft, rides a stylized version of the Ender Dragon. The character pairing is familiar to millions, but Dhawa shifts the context entirely—surrounding the figures with lush, hand-painted botanical flourishes and surreal floral intensity set against a fiery coral-pink background. The contrast between geometric form and organic bloom embodies a painterly synthesis that defines the most compelling work within Street Pop Art & Graffiti Artwork. Digital Lore Meets Handcrafted Symbolism Rather than merely replicate digital characters, Dhawa Rezkyna transforms them into archetypes. Steve and the dragon are not in a pixelated void but in a garden of stylized reality, their forms softened and celebrated through brushstroke and composition. The Ender Dragon, usually depicted as a final boss, is here playful and approachable, its expression warm, almost cartoonish, yet filled with presence. Steve's angularity remains intact, but Rezkyna builds volume with a grainy texture that references both sponge painting and pastel shading, giving the figure a sculpted physicality rarely seen in game-based artwork. The characters float not as threats or champions, but as companions, surrounded by red hibiscus-like flowers and exaggerated green foliage that suggest both protection and fantasy. This reinterpretation of the digital narrative elevates the work beyond fandom into metaphor, where the pixel becomes symbol, and the icon becomes a stand-in for inner story. Color Theory, Texture, and Emotional Heat Dhawa Rezkyna’s command of palette gives the work its emotional temperature. The backdrop is a rich coral wash filled with tonal shifts and painterly gradients that intensify the atmosphere around the characters. The plants feel lush and tactile, the red flowers glowing against deep green stems, while the characters remain visually anchored with simplified shadows and clean silhouettes. The use of loose canvas enhances the informal power of the painting—reminding the viewer that this is not a digital rendering but a handmade object. Every brushstroke is purposeful, reinforcing the artist’s commitment to combining digital subject matter with physical process. This analog approach to a digital icon is central to the vocabulary of Street Pop Art & Graffiti Artwork, where nostalgia and immediacy coexist. Dhawa Rezkyna and the Playful Revision of Pop Memory Steve Ender Dragon Minecraft is a declaration of Dhawa Rezkyna’s position in contemporary Street Pop Art & Graffiti Artwork—a painter who reframes digital memories through the language of fine art and emotional storytelling. By pulling characters from Minecraft and placing them in a dreamlike, tropical tableau, Rezkyna disrupts the binary between fantasy and nature, between play and presence. His work suggests that memory, whether pixelated or painted, carries weight and possibility. In this painting, Steve is not just a player avatar, and the Ender Dragon is not just a game boss. They are transformed into figures of narrative and imagination, set within a universe shaped by color, texture, and the unmistakable hand of the artist.

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Family- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2021 Limited Open Edition 13.39 X 12.2 X 5.71 IN / 34 X 31 X 14.5 CM. Displayed With Box KAWS' Family-Black Series: A Fusion of Street Pop Art & Collectible Culture The "Family-Black" Limited Edition Vinyl Art Toy Collectible is a distinctive set by KAWS, a modern pop artist whose work has consistently blurred the lines between fine art and commercial design. Released with the 2021 TOKYO FIRST art exhibit, the series includes fan-favorite characters that have become central to KAWS' oeuvre. Measuring 13.39 x 12.2 x 5.71 inches, the set features the Companion figures, a mini and full-sized Chum figure, and a BFF figure, all rendered in a sleek black finish that gives the set a cohesive and striking visual impact. Each figure in the set stands out for its artful blend of sophistication and playful design, a hallmark of KAWS' style. The collectibles are displayed in their original box, preserving their mint condition and adding to their value as art objects. The release of the Family-Black set offers new and seasoned collectors the opportunity to own a piece of the KAWS legacy that continues to shape the landscape of Street Pop Art and graffiti Artwork. KAWS' Artistic Vision: Integrating Toy Design with Contemporary Art KAWS' approach to art is unique in that it incorporates street culture, pop art, and toy design elements into a singular, recognizable aesthetic. His work does not shy away from commercial appeal but embraces it, allowing a broader audience to engage with contemporary art. The Family-Black series, with its varying sizes and characters, represents the diverse expressions of KAWS' artistic vision, from the tender and diminutive mini Companion to the more imposing full-sized Chum figure. The collectibles, while playful and whimsical in form, carry an undercurrent of the artist's critique on social structures and individuality, consistent with the themes found in graffiti art. The uniform black color magnifies this statement, emphasizing the characters' silhouettes and forms and allowing their design's subtleties to emerge. This set is not just a collection of toys but a curated exhibition of KAWS' exploration into the interaction between art, emotion, and consumer culture. Cultural Relevance of KAWS' Family-Black in the Street Pop Art Scene The release of the Family-Black series during the 2021 TOKYO FIRST art exhibit signifies a momentous event in Street Pop Art and graffiti Artwork. KAWS' decision to release these characters, each with a dedicated fan base, reflects the cultural significance and the emotional connection that his work fosters. While identical in color, the figures are varied in texture and detail, with the BFF figure's soft, fibrous appearance contrasting with the glossy finish of the Companions and Chum figures. This diversity within the set speaks to the multifaceted nature of street art, which can be both uniform in its rebellion against traditional art forms and diverse in its execution and representation. KAWS' Family-Black series, therefore, becomes a microcosm of street pop art's potential to be both universally relatable and deeply personal. As a limited open edition, the set balances exclusivity and accessibility, inviting a broad spectrum of art enthusiasts to partake in the experience of KAWS' creative world.

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Off On A Fast One- Savage Sacred Young Minds Series 17-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. Savage Sacred Young Minds Series FAILE (American, est. 1999) Title: Off On A Fast One 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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You Sound Like A Broken Record Screen Original One of a Kind Ink on Nylon Mesh & Aluminum Frame Painting Artwork by Legendary Street Graffiti Artist House33. YOU SOUND LIKE A BROKEN RECORD (Screen), 2021 Ink on nylon mesh & aluminum frame 68 × 52 in 172.7 × 132.1 cm HOUSE33: BAD INFLUENCES, an exhibition celebrating the artists who’ve influenced HOUSE33 through the medium of the silkscreen: a tool that turns everyday objects into inspiring accessible art. The exhibition features a series of one-off screen-printed canvases, large-scale skateboard decks, printed baltic birch panels, a series of utilized original silkscreens, and a limited edition exhibition screenprint. HOUSE33, a deviation of the iconic design studio and font foundry House Industries, originated as a mutated design experiment between commercial and art, born from a conversation about album covers, Hot Rods, Chaos Theory, and Brothel Creepers between Andy Cruz founder of House Industries and British fashion designer Simon “Barnzley” Armitage of London streetwear myth and fame. That conversation led House Industries, Barnzley, and designer Jeremy Dean to collaboratively build HOUSE33 and its flagship store in Soho London in the early 2000s. What began as a muse for typographic and illustrative explorations, became a collaborative creative breeding ground for clothing, art, and lettering, rooted in the art of screen printing.

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Feels So Good Original Silkscreen Etching Print by D*Face- Dean Stockton Hand-Pulled on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 1 Original Artwork Size 33x54 Silkscreen Etching Print Custom Framed D*Face (b. 1978) Feels So Good, c. 2009 Etching and screenprint in colors on wove paper 54 x 33 inches (137.2 x 83.8 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along the lower edge. No apparent condition issues. Floated and framed under acrylic. Framed Dimensions 59 X 37.5 Inches

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Cube Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2001 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cube, 2001 Offset lithograph in colors on satin wove paper 23-1/2 x 23-1/2 inches (59.7 x 59.7 cm) (sheet) Ed. 133/300 Signed and numbered in ink lower right Published by Kaikai Kiki, Ltd., Tokyo Print Grade: 10/10 No apparent condition issues. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 32 X 32 Inches Takashi Murakami is a renowned Japanese contemporary artist known for his unique blend of traditional Japanese art styles, such as ukiyo-e, with pop culture and Western influences. He has created a distinctive style often referred to as "Superflat" that features bold colors and graphic designs. The "Cube Offset Lithograph Print" by Takashi Murakami from 2001 is a limited edition print that features the artist's signature style vine with smiling flowers Ms Flower, with TM/KK being a reference to Takashi Murakami and Kaikai Kiki, his art production and management company. Cube Offset Lithograph is a type of printing method that produces high-quality reproductions of original artworks, often used for creating limited edition prints. Murakami's works are highly sought after by collectors and have been exhibited in prestigious museums and galleries worldwide. Owning a limited edition print like the "Cube Offset Lithograph Print" could be considered a valuable addition to an art collection.

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Jellyfish Eyes Black 2 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75. Comes Framed in 2 Frame Styles, Modern Blck Frame Size 22x22, Beige Matte Frame Size 28.75x28.75 Jellyfish Eyes Black 2 by Takashi Murakami – Floating Optics in Street Pop Art & Graffiti Artwork Takashi Murakami’s 2004 lithograph Jellyfish Eyes Black 2 stands as a vibrant continuation of his exploration into recurring motifs of vision, surveillance, and playful abstraction. Measuring 19.75 x 19.75 inches, the print is part of a signed and numbered limited edition of 300, released under the TM/KK imprint. Executed on fine wove art paper, the composition features a constellation of color-saturated, stylized eyes that hover and merge across a velvety black field. The piece is available in two distinct presentation options—modern black frame at 22 x 22 inches, and an elegantly soft beige matte frame at 28.75 x 28.75 inches—each emphasizing the spatial fluidity of Murakami’s floating forms. In the context of Street Pop Art & Graffiti Artwork, this piece emerges as both a study in surface aesthetics and a philosophical meditation on perception and presence. Murakami’s Animated Language of Form The visual structure of Jellyfish Eyes Black 2 builds upon the iconography of its predecessor, deploying a series of floating eyeball-like entities that fuse pop animation with organic drift. Set against a deep black background, the circular forms appear to pulse and glow, shifting subtly in tone and layering. Each figure is constructed with concentric rings of bold color—lime greens, blush pinks, scarlets, turquoise, ochres—punctuated with lashes, droplets, and slight distortions. The connective tissue that flows between the eyes resembles both mycelium and neural pathways, suggesting a symbiotic or collective intelligence. Within the lexicon of Street Pop Art & Graffiti Artwork, this mapping of interlinked optics translates as a metaphor for social networks, media vision, and collective consciousness. Murakami’s abstraction is not random; it is tightly ordered chaos, echoing both Japanese folklore and cybernetic futurism. Optical Play and the Superflat Aesthetic True to Murakami’s Superflat manifesto, Jellyfish Eyes Black 2 rejects the illusion of spatial depth while simultaneously creating tension and layering. The eyes are rendered in a graphic, poster-like style, referencing both commercial design and the techniques of Japanese anime and manga. The lithographic medium allows for pristine color reproduction, retaining Murakami’s digital sharpness and uniform flatness. This results in a visual experience where each element competes equally for attention, much like signage in urban space or characters in graffiti murals. The framing options further influence viewer reception—one suggesting sleek modernity and the other a nostalgic museum-grade presentation. Both emphasize the contrast between high-end collectibility and subcultural rawness. Eyes as Agents of Identity and Control In Jellyfish Eyes Black 2, the floating eyes are both whimsical and menacing. They call to mind not only the innocence of animated characters but the omnipresence of surveillance and digital observation. Murakami leverages the symbol of the eye to reflect the watching, documenting, self-aware nature of modern identity. The multiplicity of eyes within the same space speaks to fragmentation, overload, and an inability to escape the gaze—whether from others, institutions, or ourselves. In the realm of Street Pop Art & Graffiti Artwork, eyes often appear as markers of territory, vision, and spiritual assertion. Here, they become avatars of psychological atmosphere. Takashi Murakami’s Enduring Influence in Global Pop Visual Culture Takashi Murakami continues to serve as one of the most influential artists at the intersection of commercial design, conceptual painting, and urban culture. His approach unites Japanese Edo traditions with the immediacy of contemporary visual storytelling. Jellyfish Eyes Black 2 is emblematic of this approach—deceptively simple, richly layered, and hauntingly joyous. It occupies a space where traditional craftsmanship meets hyper-modern aesthetics, and where personal mythologies intermingle with digital consumer culture. The piece is not merely collectible—it is a portal into a stylized cosmos of symbolic resonance, humor, and introspection, rendered in flawless print form for the language of the street and the gallery alike.

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Companion Model Drawing Original Graphite Drawing by Robert Lazzarini on Fine Art Paper Modern Street Pop Artwork. 2010 Signed Original Graphite Pencil Drawing Size 11.5x14.5. Robert Lazzarini (b. 1965) Companion Model Drawing, c. 2010 Graphite on paper 14-1/2 x 11-1/2 inches (36.8 x 29.2 cm) (sheet) Signed in pencil to lower right. Exploring Robert Lazzarini's Companion Model Drawing in the Context of Street Pop and Graffiti Art American contemporary artist Robert Lazzarini was born in 1965 and is renowned for his mind-bending sculptures that manipulate everyday items such as guns, chairs, and skulls. These pieces challenge our understanding of reality, incorporating a mix of computer-aided design and traditional sculpting methods. Lazzarini completed his studies at the School of Visual Arts in New York City, earning his BFA in 1990. His artwork has been showcased in numerous galleries and museums across the globe, with some of his most notable exhibitions being held at the Virginia Museum of Fine Arts, the Hirshhorn Museum, and the Whitney Museum of American Art. Lazzarini's sculptures are famous for their ability to distort and alter our spatial perception. His creations' unconventional shapes and dimensions make the viewer question the objects themselves and the reality they occupy. Lazzarini's artwork challenges us to reconsider our assumptions and preconceptions about the world around us by presenting familiar objects in unfamiliar ways. The art world is an ever-evolving landscape, and within its broad spectrum lies the fusion genre of Street Pop Art, a style that embodies the rebellious spirit of street art with the mass appeal of pop art. It's within this creative milieu that Robert Lazzarini's "Companion Model Drawing," a graphite-on-paper creation, finds its place. This artwork, dating back to circa 2010, represents a significant contribution to the genre, offering a unique blend of street art's grit and pop art's accessible imagery. Born in 1965, Lazzarini has been a prominent figure in the contemporary art scene, known for his distortion of familiar objects and icons, effectively challenging viewers' perceptions and expectations. The "Companion Model Drawing" is a testament to his distinctive approach, as it presents the viewer with a sketch that appears to be simple at first glance but reveals complex undercurrents upon closer inspection. The piece size, 14-1/2 x 11-1/2 inches, is intimate, inviting personal engagement, and the graphite medium gives it a raw, unfinished quality that resonates with the ethos of street art. Interpreting Lazzarini's Artistic Technique and Street Pop Art Aesthetic Lazzarini's work is often characterized by a meticulous technique that belies the chaotic impression it leaves. This is evident in the "Companion Model Drawing," where the lines are deliberate and precise, yet the overall effect is disorientation and altered reality. Though rendered in graphite, this drawing carries the visual weight and immediacy often associated with graffiti artwork. The boldness of the lines and the shading techniques contribute to a three-dimensional effect, making the drawing leap off the fine art paper. While not a traditional example of graffiti art, the artwork embodies the movement's spirit through its engagement with popular culture and subversive elements. The subject of the drawing, which can be described as a deconstructed character, resonates with the iconography typical in street and pop art. Lazzarini's signature in pencil at the bottom right corner adds a personal touch to the piece, anchoring it firmly within the artist's body of work. The Cultural Relevance of Lazzarini's Work in Modern Art Discourse Street Pop Art is not merely an aesthetic; it's a cultural phenomenon that speaks to societal narratives, often acting as a visual language for urban experiences. Lazzarini's "Companion Model Drawing" engages with this dialogue through its subject matter and execution. The choice of a companion model, a figure that could be interpreted as a guide or an alter ego, reflects the personal yet universal themes that street art explores. The artwork blurs the lines between high art and the more democratically accessible street art, embodying the inclusive nature of modern art movements. Moreover, Lazzarini's drawing bridges the immediacy of street art and the enduring nature of fine art. While graffiti is ephemeral, often painted over or washed away, the permanence of graphite on paper allows this piece to become a lasting record of artistic expression. It captures a moment in time within the street pop art movement, preserving it for future generations to appreciate and study. Conclusion: The Impact of Lazzarini's Companion Model Drawing In conclusion, Robert Lazzarini's "Companion Model Drawing" is a significant piece at the intersection of Street Pop Art and Graffiti Artwork. Its execution in graphite on fine art paper transcends the temporary nature of street art, allowing it to be appreciated as a long-lasting artifact. The piece showcases Lazzarini's technical prowess and embodies the essence of street pop art—a blend of subcultural depth and pop culture iconography. As a signed original graphite pencil drawing from 2010, it carries the hallmarks of Lazzarini's style: a thought-provoking distortion of reality that challenges and engages the viewer. This artwork remains a crucial reference point for those interested in the evolution of street-inspired art within contemporary art discourse.

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Selfie Gun Blue Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Blue Silkscreen Print by Joan Cornellà Selfie Gun Blue is a 2024 silkscreen print by Spanish artist Joan Cornellà, known for his satirical and unflinching commentary on modern life. This limited edition piece, hand-pulled on fine art paper, is signed and numbered out of an edition of 250. Measuring 16.14 by 22.44 inches, the artwork presents a bold visual punch with clean lines, flat blocks of color, and a composition that captures Cornellà’s iconic absurdist humor. The image depicts a smiling figure holding a selfie stick topped not with a phone, but with a handgun pointed directly at their own head. The bright cyan blue background serves as a jarring contrast to the image’s grim thematic undertones, echoing the aesthetic cues of commercial design while delivering a sharp critique. Joan Cornellà and Satirical Extremism in Street Pop Art & Graffiti Artwork Joan Cornellà, born in 1981 in Barcelona, Spain, has emerged as a crucial figure in the evolution of Street Pop Art & Graffiti Artwork. His visual language is instantly recognizable—smiling characters, polished cartoonish lines, and saturated colors serve as vehicles for biting, often darkly humorous reflections on society. Selfie Gun Blue stands as an archetypal example of Cornellà’s approach: presenting a cheerful scene that reveals something deeply unsettling upon closer inspection. This tension between style and substance is a hallmark of his work. In this silkscreen print, the fusion of an everyday object with an instrument of violence creates a jarring metaphor about technology, self-obsession, and the superficial culture of digital validation. Technique and Visual Economy as Subversive Tools The artwork’s strength lies in its visual economy. There is no clutter, no background narrative, and no textual explanation. Every element in the frame is calculated and precise. Cornellà uses simplicity as a form of satire, stripping his characters of individuality while heightening their symbolic impact. The man’s suit, smile, and vacant eyes are rendered in bold primary hues, reducing him to an archetype. The gun, rendered in muted gray and pink tones, is stark in contrast but seamlessly integrated into the composition. This hand-pulled screenprint showcases Cornellà’s command over flat color layering, a classic method in fine art printing now repurposed for modern commentary. Modern Irony Encapsulated Through Visual Absurdity Selfie Gun Blue is not merely a visual gag; it is a stark reflection on societal detachment. Cornellà uses cheerful aesthetics to critique real-world issues—narcissism, desensitization, and the commodification of identity in digital spaces. Through Street Pop Art & Graffiti Artwork, he confronts the viewer with uncomfortable truths hidden beneath polished surfaces. His work has resonated globally, in galleries, books, and public installations, because it forces a confrontation with the absurdities of modern behavior using the very visual cues that have become familiar and trusted. This piece, like much of Cornellà’s portfolio, demands not just observation but introspection, challenging the viewer to question the hidden implications behind every filtered smile.

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Old Glory- Archival Paper Limited Edition Hand Deckled 6-Color Hand-Pulled Silkscreen Print on Archival Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 80 Artwork Size 32x26 Medium: Silkscreen on archival paper. Size: 26 x 32 inches Edition: 80 Signed, numbered and thumb printed. In celebration of Independence Day, Mr Brainwash- Thierry Guetta has announced his latest Editions. Old Glory is reminiscent of the nation’s hard-fought journey to independence and reminds us to reflect on the importance of its past. The silkscreen edition print will be available on Archival Paper and Framed Canvas. Each print is numbered, signed and thumb printed by the artist.

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Know Your Rights- Large Format Limited Edition Hand Pulled 1-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Serigraph Artwork 42 x 42 inchesAugust 21, 201. 42 x 42 Large Format Serigraph.1 Color printed on Varnished 100% Cotton Rag Archival Paper. "Know Your Rights" is a commanding serigraph by Shepard Fairey, an artist who has cemented his place in the contemporary art scene through works that intertwine the ethos of street art with the aesthetic of modern pop art. This piece, released on August 21, 2014, is particularly noteworthy not only for its bold political message but also for the meticulous craftsmanship that goes into the production of each print. As an extensive format work, measuring an impressive 42 x 42 inches, it makes an indelible mark on the viewer, both through its scale and its strikingly stark one-color presentation on varnished 100% cotton rag archival paper, complete with hand-deckled edges. Shepard Fairey is renowned for blending fine art with the raw, in-your-face quality of street art and graffiti, and "Know Your Rights" is a prime example of this synthesis. The piece is anchored by a central image featuring an open book titled "THE FUTURE IS UNWRITTEN," encapsulating a message of empowerment and the potential for change. This is framed by laurels and a lit torch, evoking classic motifs that signify victory, knowledge, and enlightenment. The bordering texts "OBEY PROPAGANDA" and "KNOW YOUR RIGHTS" play into Fairey's recurring themes of propaganda, control, and the dissemination of information, urging the viewer to question authority and the narratives they are presented with. Each print in this limited edition is signed and numbered by Fairey, signifying its authenticity and connection to the artist's hand. The decision to use a one-color palette speaks to the work's assertive simplicity and Fairey's skill in using contrast and texture to convey depth and resonance. It's a technique that mirrors his street art roots, where messages must be given quickly and memorably. The serigraph process, a labor-intensive method of screen printing, ensures that each impression is of the highest quality, with the varnishing on the cotton rag paper adding a durable, tactile finish that also enhances the visual impact. "Know Your Rights" stands as a powerful statement in Fairey's oeuvre, reflecting his social and political advocacy rendered through his distinct pop art lens. This artwork resonates with the immediacy of street art and carries the weight of historical art traditions, bridging contemporary concerns with timeless expressions of resistance and hope.

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Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

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Protect the eARTh Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Hijack Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 22.5x30 Silkscreen of Man With Broken Blue Umbrella Walking By Graffiti Wall. Hijack's "Protect the eARTh" serves as a profound reflection on the intersection of urban life and environmental consciousness. Crafted in 2022, this artwork, confined to a limited edition of 50 pieces, demonstrates the artist's knack for capturing the zeitgeist of our contemporary world. Spanning a canvas of 22.5x30 inches, the print communicates a tale both intimate and universal through its evocative imagery. A key component of the composition is the solitary figure, navigating an urban landscape with a broken blue umbrella. This umbrella, damaged yet still fulfilling its role, is emblematic of the Earth's resilience in the face of human-induced challenges. Its vibrant blue color, a symbol of the planet's vast waters and clear skies, contrasts starkly with the gritty, grayscale urban setting. The backdrop, an old graffiti wall, underscores the impermanence of human endeavors. Amidst the myriad of tags and markings, the words "Protect eARTh" and "I LOVE EARTH" stand out, echoing the piece's overarching theme. Through these seemingly random but carefully chosen scribbles, Hijack emphasizes the importance of cherishing and preserving our environment. "Protect the eARTh" is more than a captivating visual; it's an urgent plea. While it draws from the aesthetics and ethos of pop graffiti art, the piece transcends the genre, becoming a universal statement about our collective responsibility towards the planet. In this print, Hijack masterfully converges the immediacy of street art with a timeless message, creating a poignant reminder of the world's fragility and our role within it.

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Glass Jaw Limited Rare Resin Sculpture Artwork by graffiti street artist modern pop artist Ron English- POPaganda. 2021 Signed Limited Edition of Only 10 Size 6x11 Displayed With Wooden Box From the mind of Ron English- POPaganda comes to his latest twist on reality, weighing in at a whopping 8 lbs, standing tall at 11 inches, cast from realistically colored solid high impact resin, for the first time in the world, see a full-size brain cast inside of a perfectly recreated boxing glove...The Glass Jaw! Each Glass Jaw is a double-cast handmade artwork, created in NY by Clutter and comes in a special wooden box with a COA, all pieces are signed by Ron English- POPaganda. Limited to 10 pieces. Glass Jaw Glows in the dark!

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Atlas- Standard Limited Edition 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 Each print is signed plus numbered by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash.

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Chanel Dark Side HPM Stencil on Wood by Ben Frost Hand-Painted Multiple Panel Ready to Hang by ARTIST Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Edition of 3 HPM MEDIA Print Artwork Size 27.5x23.5 Acrylic and spray paint on board with synthetic rope handles

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Sansho Copper HPM PP Printers Proof Silkscreen Print by Fin DAC 23-Color Screen Print on 330gsm Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. PP Printers Proof 2020 Signed & Marked PP Copper Leaf HPM Hand Finished Embellished Limited Edition Artwork Size 23.62x33.46 Concept and Execution in Fin DAC's Artwork The "Sansho Copper HPM PP" silkscreen print stands as a significant piece within the oeuvre of the artist Fin DAC, known for his distinctive fusion of street pop art and traditional painting techniques. The piece is part of a limited edition, highlighting the artist's intricate work with a 23-color screen print on 330gsm Somerset fine art paper, a testament to the high quality and attention to detail hallmarks of Fin DAC's art. In "Sansho Copper HPM PP," Fin DAC showcases his mastery of color and form. The image is a striking portrait featuring a subject adorned in traditional Asian attire, overlaid with vibrant, explosive color patterns and copper leaf embellishments. This contrast of the subject's serene, almost stoic, expression with the dynamic splashes of color reflects the artist's aim to juxtapose the calm of the figure with the chaos of the surrounding environment, a theme prevalent in street pop art. Artistic Significance and Cultural Impact The artwork is marked PP, denoting 'Printer's Proof,' indicating its status as a rare piece outside the standard numbered series. Fin DAC's decision to sign and mark these proofs assures collectors of authenticity and exclusivity. The copper leaf HPM, or 'Hand Painted Multiple,' signifies that each piece in the edition, while part of a series, contains unique hand-applied elements, making each print a standalone work of art. Technique and Materials Fin DAC employs silkscreen printing, a technique beloved in street art and pop art for producing vibrant, crisp images. Using 23 separate screens to apply color illustrates the complexity and labor-intensiveness of the process. The 330gsm Somerset paper, chosen for its high quality and durability, ensures that the artwork's vivid colors and intricate details are preserved. Placement in Pop and Street Art "Sansho Copper HPM PP" manifests how street pop art can be accessible and sophisticated. By incorporating traditional elements of pop art, such as screen printing and vivid coloration, with the nuanced details of hand embellishment, Fin DAC bridges the gap between street art's raw energy and fine art's refined techniques. This piece exemplifies the potential of street pop art to not only exist within the public sphere but also to hold a prestigious place in private collections. Fin DAC's Influence on Contemporary Art Fin DAC has carved a niche for himself within the art world by consistently delivering visually arresting and thematically resonant works. His ability to capture the essence of his subjects while infusing them with a modern aesthetic has made him a prominent figure in the dialogue surrounding contemporary street pop art. "Sansho Copper HPM PP" is a testament to Fin DAC's skill in creating pieces that resonate with a broad audience and contribute to the discourse of what constitutes art in the modern era. "Sansho Copper HPM PP" by Fin DAC is an exemplar of contemporary street pop art and a significant contribution to the evolving narrative of pop art and graffiti artwork. It showcases the potential for traditional art forms to adapt and thrive in the context of modern aesthetics and cultural commentary. This print stands as a vibrant intersection of history, culture, and contemporary art, reflecting the diverse and dynamic nature of the genre.

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Graffiti for Sale One of a Kind 1 HPM Painted Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Street Art Artwork. 2022 Signed #1 of One of a Kind Edition of 5 HPM Custom Framed Hand Painted Artwork Size 30x22 Hijack's "Graffiti for Sale" is a distinctive artwork that boldly merges the worlds of commercialism with the unbridled spirit of street art. Created in 2022, this one-of-a-kind hand-pulled 15-color screen print exemplifies the artist's ability to juxtapose societal commentary with vibrant urban aesthetics. Using fine art paper as its canvas, the piece measures an impressive 30x22 inches, large enough to capture the intricate detailing and bold strokes that are trademarks of Hijack's style. As a testament to its exclusivity, "Graffiti for Sale" is signed as #1 in a very limited edition series, an HPM or Hand-Painted Multiple, where only five such pieces exist. Unlike traditional prints where each piece is a replica of the original, an HPM means that while the print may be the same, each artwork has unique hand-painted elements, making each one distinct. This specific artwork, being custom framed, adds an additional layer of sophistication, preserving its vibrancy and ensuring longevity. Delving deeper into the artwork's narrative, one is immediately drawn to the central figure, a poised individual holding a sign that reads "Street Art for Sale." This statement acts as a satirical nod to the commodification of street art, a once underground movement now showcased in galleries and auction houses worldwide. Surrounding the central figure is a whirlwind of colors, shapes, and forms - a chaotic representation of the bustling world of graffiti. Hijack's piece is not just art; it's a conversation, a statement, and a reflection on the ever-evolving world of street and pop art.

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Separated Silkscreen Print by Kaws- Brian Donnelly Hand-Pulled on 250gsm Steel Gray Fine Art Paper Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 250 Artwork Size 16x20 Silkscreen Print of Kaws Companion Holding Head In Hands Sitting Cross Legged Sad or Thinking in Gray & Brown. The Influence and Style of KAWS in Contemporary Art Brian Donnelly, professionally known as KAWS, has made an indelible mark on the contemporary art scene, blending the realms of pop art, street art, and graffiti with his unique and recognizable aesthetic. His works often involve a reimagined approach to familiar characters from popular media, repurposed to explore and critique modern society and its values. One such work is his "Separated" silkscreen print, which depicts his iconic character, the Companion, in a moment of emotional reflection. This piece, rendered on 250gsm steel gray fine art paper, encapsulates the essence of Street Pop Art and Graffiti Artwork, speaking volumes through its silent, contemplative posture. Dissecting the Emotional Depth in KAWS' "Separated" Silkscreen Print KAWS' "Separated" is not just a visual piece; it's a conduit of emotion. The artwork features the Companion in a state that evokes sadness or deep thought, sitting cross-legged and holding its head in its hands. This introspective pose is a significant departure from the character's usual presentation and suggests a moment of vulnerability. The limited-edition artwork, with only 250 signed and numbered pieces, measures 16x20 inches, a size that is intimate yet impactful. The choice of gray and brown hues contributes to the somber mood, emphasizing the gravity of the character's introspection. As a silkscreen print, the piece also honors the tradition of hand-pulled prints, showcasing KAWS' commitment to craftsmanship in the digital age. KAWS' "Separated": A Commentary on Isolation in Urban Life The title "Separated" is a powerful commentary on the contemporary experience of isolation, particularly within urban life. In an era where screens often mediate connection, the Companion's pose can be interpreted as a metaphor for the collective loneliness of society. KAWS utilizes the visual language of Street Pop Art to communicate complex emotional states, mirroring the alienation that can be felt amidst the bustling activity of city streets. Through its poignant imagery, this artwork invites viewers to reflect on their own experiences of separation and solitude. The Collectibility and Impact of KAWS' Artwork in Modern Culture The exclusivity of the "Separated" edition adds to its desirability among collectors. KAWS' works are sought after not only for their striking visual appeal but also for their investment potential. His ability to transcend the traditional boundaries of art and enter the realms of fashion, design, and mass media has established him as a cultural icon. The "Separated" silkscreen print stands as a testament to his influence, resonating with audiences beyond the confines of the art world. It is a piece that captures the zeitgeist of contemporary urban life, cementing KAWS' position as a pivotal figure in the evolution of Street Pop and Graffiti Artwork. Exploring the Legacy of KAWS Through "Separated" In conclusion, Brian Donnelly's "Separated" silkscreen print is a significant work that embodies the emotional resonance, cultural critique, and aesthetic innovation that KAWS is known for. As a limited edition art, it represents the intersection of accessibility and exclusivity, a hallmark of KAWS' philosophy. The artwork's melancholy tone and introspective subject matter offer a poignant reflection on modern existence, establishing an enduring legacy for KAWS within Street Pop Art and Graffiti Artwork. Through "Separated," KAWS continues challenging viewers, inviting them to engage with the complexities of emotion and isolation in the contemporary social landscape.

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Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 812 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-2. Enhance your art collection with the striking "Rubik Camouflage Rubikcubism Metal Giclee Prints" by the renowned street artist Invader. These ready-to-hang prints are a fusion of vibrant colors and intricate design, each crafted from an assembly of Rubik’s Cubes to bring Invader’s acclaimed series to life. The art prints are expertly Diasec-mounted, ensuring a high-quality giclée finish that enhances the visual depth and color fidelity. Set against a robust, laser-cut aluminum composite panel, these pieces measure an impressive 100 x 100 cm and have a solid presence at 13.5kg each. Elevate your space with these conversation-starting prints that blend pop culture with sophisticated artistry.  Innovative Fusion in Invader's Rubik Camouflage Rubikcubism Series The Rubik Camouflage pattern created by Invader symbolizes the artist's legacy as an urban disruptor. Over several decades, he has left his mark on cities across the globe by installing pixelated mosaics, often influenced by classic video games from the 8-bit era. The Rubik's Camouflage design features a white creature reminiscent of Space Invader set against a vibrant blue, red, yellow, and orange backdrop arranged in a military-style camouflage. Invader has commented that this artwork represents the infiltration of modern technology into our daily lives. The Rubik Camouflage Rubikcubism Metal Giclee Print represents Invader's innovative approach to street pop art and graffiti artwork. The pseudonymous French artist Invader has long been celebrated for uniquely incorporating digital and gaming elements into the public sphere. His limited edition series, comprising four color-filled prints, exemplifies his distinctive style known as 'Rubikcubism'—a term he coined to describe his art made from Rubik's Cubes. These works are visually striking and embody a complex interplay between pop culture, technology, and traditional street art aesthetics. Each print in the series is a testament to Invader's mastery of blending classical art techniques with contemporary mediums. The choice of Rubik's Cubes as the basis for these prints is a nod to the nostalgia of the 1980s, re-envisioned through a modern lens. The cubes are meticulously arranged to create an image that, upon closer inspection, reveals the complexity of its construction. This method is reminiscent of pointillism, where small, distinct dots of color are applied in patterns to form an image. Invader's technique, however, is uniquely futuristic, utilizing the cubic form and the inherent challenge of the Rubik's Cube to dictate the aesthetic outcome. The metal giclee prints are a further exploration of material and medium. By mounting the giclée prints on Diasec—a process where the print is bonded to acrylic glass—and then onto an aluminum composite panel, Invader ensures durability and an almost three-dimensional visual effect. This innovative use of materials reflects the street artist's understanding of the importance of longevity and the impact of texture and depth in visual art. Cultural Commentary and Artistic Merit Invader's artworks are more than mere decorative pieces; they are rich in cultural commentary and artistic merit. The limited edition series, with each piece signed and numbered by the artist, becomes a collectible item that holds value both in the art market and within the community of street art enthusiasts. The specific edition size of 812 may allude to a personal or thematic significance, adding mystery and exclusivity to the series. These prints intersect art and puzzle, a duality that challenges the viewer to engage with the artwork on multiple levels. They also represent the broader movement of street pop art, which often repurposes elements of popular culture to create something entirely new and unexpected. Invader's work disrupts the traditional narrative of street art being ephemeral and instead offers a vision of it as something that can be preserved, collected, and treasured. The Rubik Camouflage Rubikcubism Metal Giclee Print series is ready to hang, which speaks to the artist's intention of these works being accessible and enjoyed by a broad audience. The robust construction and careful consideration of the mounting process mean that these pieces are aesthetically pleasing, practical, and ready for display. The Evolution of Street Art in Invader's Practice Invader's practice represents a significant evolution in the field of street art. He bridges the gap between street art and fine art by moving beyond the walls and into the realm of tangible, collectible art objects. His work challenges the perception of street art, expanding it to include the creation of physical artifacts that carry the spirit of the streets into private collections and galleries. The use of Rubik's Cubes objects is intrinsically linked to the idea of problem-solving and intellectual challenge within his art, inviting a dialogue about the interconnectivity of art, play, and cerebral engagement. Invader's pieces are not passively consumed; they require active participation from the viewer, both intellectually and emotionally. The playful aspect of his work does not diminish its seriousness; rather, it enhances the viewer's connection to the art. Invader's Rubik Camouflage Rubikcubism Metal Giclee Print series is a remarkable contribution to street pop art and graffiti artwork. It is a testament to the artist's ingenuity and ability to push the boundaries of what is expected in this art form. These limited edition prints are not only a celebration of the artist's iconic style but also a significant marker of the progression of street art into new and exciting territories.

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Faile Girl HPM Acrylic Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Acrylic HPM Embellished Limited Edition of 16 Artwork Size 17.9x24 Faile is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Initially founded in 1999, the duo is known for their wide-ranging multimedia practice, recognized for its explorations of duality through a fragmented style of appropriation and collage. Working in the vein of popular culture and frequently referencing mass consumerism, Faile's work encompasses a variety of materials and techniques, including painting, silkscreening, stencils, stickers, sculpture, and more. Their art has been exhibited in a wide array of contexts, from city walls and lamp posts to galleries and museums around the world, such as Perry Rubenstein Gallery, New York; Dallas Contemporary, Dallas; and Palais de Tokyo, Paris. The name "Faile" is an anagram of "A life", which signifies the duo's shared philosophy towards their work. They are known to embrace the dichotomies of art and popular culture, acknowledging the fluidity and ubiquity of imagery in the modern world. HPM, or Hand-Painted Multiples, is a term used to describe a specific method of silkscreen printing. In HPM silkscreen printing, each piece of an edition is individually embellished or altered by the artist, thereby making each print within the edition unique. This technique can often be seen in street art and other forms of contemporary art. Silkscreen printing, also known as screen printing, is a process that involves pushing ink through a stenciled mesh screen to create a printed design. It's a popular technique used in a variety of different industries, such as fine art, fashion, and marketing, due to its versatility in adapting to different materials and surfaces. Artists like Faile often utilize HPM silkscreen printing to create limited editions of their work. This method allows them to produce a series of pieces that maintain a consistent theme or image, but with individual variations that make each piece unique. This can range from changes in color, to additional elements, to hand-finishing details. This results in each print being not just a copy, but a unique work of art.

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Two Flags 2P Offset Lithograph Print by Madsaki Hand-Pulled Print on Smooth Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 18x26.75 MADSAKI (b. 1974) Two Flags 2P, 2018 Offset lithograph in colors on smooth wove paper 26-3/4 x 18 inches (67.9 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in ink lower right Published by Kaikai Kiki, Ltd., Tokyo.

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Don't Listen To Them Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Half Perfumed Helter Skelter Square The Beautiful Paintings Giclee Print by Damien Hirst Artwork Limited Edition Print on Poly-Cotton Canvas Graffiti Pop Street Artist. 2023 Signed The Beautiful Paintings Unique Original Print Edition Artwork Size 27.56x27.56 (70cmx70xm) Square Titled: Beautiful Half Perfumed Helter Skelter Painting. H12-6-150 Exploring the Vivid World of Damien Hirst Damien Hirst's "Beautiful Half Perfumed Helter Skelter Painting" stands as a vibrant testament to the intersection of street pop art & graffiti artwork with the refined techniques of modern printmaking. This 2023 artwork, part of 'The Beautiful Paintings' series, is a limited edition giclée print on poly-cotton artist canvas, a choice that ensures durability and color fidelity. Hirst uniquely signs each print, emphasizing its originality and the artist's personal touch. The artwork spans a perfect square, measuring 27.56 inches on each side, a size that allows the intricate details and explosive color palette to command the viewer's full attention. Mounted on birch plywood stretchers, Hirst's work transcends the traditional print format, offering a depth and presence akin to that of a painting. The title, "Beautiful Half Perfumed Helter Skelter Painting," suggests a fusion of sensory experiences and a dizzying descent into the artist's psychedelic aesthetic. Hirst, a pivotal figure in the Young British Artists movement, is known for challenging the boundaries of art with his unconventional methods and thought-provoking themes. Damien Hirst's Unique Contribution to Contemporary Art "Beautiful Half Perfumed Helter Skelter Painting" encapsulates Hirst's exploration of the chaotic beauty inherent in the world, a theme recurrent throughout his work. The giclée printing process, known for its high-quality art reproduction, perfectly complements Hirst's intricate designs. The poly-cotton canvas for these prints presents a textured surface that adds a tactile dimension to the visual experience. The mounting on birch plywood gives the artwork a sturdy base, bridging the gap between traditional canvas paintings and contemporary art prints. The piece is a colorful explosion that mimics the centrifugal force of a helter-skelter, a spiraling amusement ride, drawing viewers into a vortex of color and form. Hirst's work is often a commentary on the complexities of human existence, and this piece is no exception. Through his art, Hirst invites us to ponder the cyclical nature of life, the interplay between order and chaos, and the fragility of our perceptions. In the realms of street pop art & graffiti artwork, Hirst's "Beautiful Half Perfumed Helter Skelter Painting" is a monumental piece that marries the accessibility of street art with the exclusivity of limited edition prints. This work, and others in 'The Beautiful Paintings' series, reflect Hirst's status as an artist who continuously pushes the envelope in terms of technique and concept. The square format of the piece, often associated with balance and symmetry, is disrupted by the tumultuous swirl of colors, a juxtaposition that is quintessentially Hirst. Damien Hirst's "Beautiful Half Perfumed Helter Skelter Painting" is a must-consider for lovers of modern art looking to capture a slice of the artist's famed oeuvre. The print is a bold statement, blending the artist's signature use of vivid color with the precision of giclée printing, resulting in a piece that is as thought-provoking as it is visually arresting. As part of a limited edition, this artwork stands as a beacon of Hirst's innovative spirit and his unwavering commitment to exploring the aesthetic potentials of contemporary art.

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Time Travel Hand-Pulled 29-Color Silkscreen Print on 320g Coventry Rag Paper by Desirable Artist Futura 2000- Leonard McGurr Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x22 Title: TIME TRAVEL Medium: Silkscreen in 29 colors Paper: 320g Coventry Rag Paper Edge: Straight Edition: 100 Year: 2022 Printer: Gary Litchenstein Edition Signed & numbered Embossed with the master printer's seal Includes Certificate of Authenticity

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Red Dragon Jet Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 25.2x23.1 Rare Takashi Murakami TM/KK Red Dragon Bitcoin Protocol Satoshi Nakamoto Silkscreen Print Artwork Signed 2022 Edition of 100 "Red Dragon Jet Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper" by Takashi Murakami TM/KK is a profound representation of contemporary street and pop art aesthetics. This rare and limited-edition artwork not only stands as a testament to Murakami's unique artistic flair but also embodies the evolution and confluence of various art genres. Takashi Murakami, an iconic name in art, has consistently blurred the lines between high art and low culture. His works, often bridging the realms of fine art, fashion, and pop culture, have garnered international acclaim and have been instrumental in redefining the boundaries of contemporary art. This specific artwork, dated 2022, adds to the artist's illustrious portfolio and exhibits his ever-evolving creative prowess. The "Red Dragon Jet Black" artwork, intricately detailed, stands out with its two-color silkscreen print. The hand-pulled technique showcases the painstaking attention to detail and the personal touch that Murakami lends to each of his pieces. Crafted on fine art paper, it ensures longevity and preserves the intricate details, allowing the colors to shine vibrantly and capture the essence of the subject. Delving deeper into its thematic elements, the artwork is a nod to the world of cryptocurrency, with "Bitcoin Protocol" and "Satoshi Nakamoto" inscribed, representing the revolutionary digital currency and its pseudonymous creator. The amalgamation of traditional Japanese art forms with such contemporary topics exhibits Murakami's penchant for melding different worlds, resulting in pieces that are both topical and timeless. Limited to an edition of just 100, this artwork becomes even more sought-after. Its exclusivity is further heightened by its signature, affirming its authenticity and the artist's direct involvement in its creation. The dimensions, 25.2x23.1, provide ample space for the artwork to breathe, ensuring that each detail, from the fierce dragon to the subtle background patterns, is discernible and appreciated. In the realms of pop art, street art, and graffiti, Takashi Murakami's "Red Dragon Jet Black" is a testament to the transformative power of art. It stands as a beacon of how art can adapt, evolve, and comment on contemporary societal changes while still retaining its essence and roots. This artwork is not just a visual treat but a thought-provoking piece that challenges conventions and pushes boundaries. Through such works, Murakami continues to pave the way for future artists, shaping and influencing the world of art for generations to come.

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Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 20x31.5 Silkscreen Print Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Haiconca Metallic Yellow Gold is a 2023 silkscreen masterpiece by renowned street pop art artist Fin DAC. Printed on full bleed, hand-deckled 410gsm Somerset fine art paper, this work measures 20 by 31.5 inches and comes from a strictly limited edition of only 40 signed and numbered prints. The print is created using an intricate 8-color silkscreen process, featuring a finely rendered monochromatic portrait that is electrified by a bold, metallic yellow gold mask motif. This juxtaposition of grayscale hyperrealism with vibrant symbolic color is a hallmark of Fin DAC's visual language and contributes to his ongoing commentary on cultural beauty and feminine power. Signature Style and Cultural Emblems of Fin DAC Fin DAC, born in Ireland and now internationally recognized, has redefined female portraiture in street pop art and graffiti artwork through his consistent and deliberate visual symbolism. His signature aesthetic includes masked women adorned with color-splashed facial motifs that recall traditional Asian, South American, or tribal ceremonial elements. Haiconca Metallic Yellow Gold exemplifies this ongoing thematic approach. The woman in this piece gazes directly at the viewer, poised yet guarded, her piercing eyes offset by the dripping gold mask over her upper face. Her nose ring, textured ring, and painted fingernails add to the layered storytelling that often defines Fin DAC’s subjects—powerful yet introspective, adorned yet undiminished. Process, Materials, and Artistic Execution The use of 410gsm Somerset paper is a deliberate choice, enhancing the tactile depth of the work and allowing the metallic pigment to reflect light in varying tones depending on the viewer's angle. The 8-color hand-pulled silkscreen method allows for extreme control and layering, resulting in a print that feels almost photographic while retaining its raw street art origin. The hand-deckled edges give the print a raw, sculptural quality that complements the street-to-gallery ethos central to Fin DAC's practice. These production details are not incidental—they are essential to understanding how street pop art has evolved into a serious collectible fine art medium. Contemporary Relevance in Street Pop Art & Graffiti Artwork Haiconca Metallic Yellow Gold stands as a visually arresting reflection on identity, agency, and perception. The metallic yellow mask is both shield and declaration—a visual metaphor for the roles women adopt or resist in contemporary society. Fin DAC’s work continues to elevate women of diverse cultural backgrounds not as exotic symbols, but as empowered individuals commanding their presence across urban and gallery landscapes. In the context of street pop art and graffiti artwork, this piece bridges photorealistic portraiture with bold iconography, highlighting Fin DAC’s place as a pivotal figure in the genre. With only 40 editions produced, this 2023 release offers collectors a rare and powerful work that speaks directly to the moment while maintaining timeless aesthetic and emotional depth.

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C/S I 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P1  Exploring the Intricacies of C/S I by OG Slick and Chaz Bojorquez The collaboration between OG Slick and Chaz Bojorquez has given rise to C/S I, a 9-color hand-pulled limited edition silkscreen print that showcases the nuanced synergy between street pop art and graffiti artwork. Crafted in 2016, this work is part of a limited series, each piece bearing the artist's signature and numbered P1 out of 150, marking its exclusivity and importance as a collector's item. The collaboration between these two stalwarts of the street art scene synthesizes their distinct artistic voices into a unified visual statement that resonates with the energy and ethos of the urban landscape from which it draws inspiration. OG Slick, whose roots are firmly planted in the street culture of Los Angeles, brings his iconic imagery to the collaboration. His contributions to the C/S I print are characterized by the cartoon-like gloves that gesture towards the viewer, a direct and impactful use of imagery that has become a signature of his work. This graphical element starkly contrasts the intricate background, inviting a dialogue about the interaction between pop culture and the subversive nature of graffiti art. Signature Elements and Cultural Commentary in C/S I Chaz Bojorquez's influence within the C/S I print is unmistakable. His signature calligraphic style, derived from the Cholo writing of East Los Angeles, provides a rich textual backdrop to Slick's bold graphical elements. The layers of text in print are reminiscent of the palimpsest nature of street art, where messages are layered upon one another, creating a complex tapestry that speaks to the community's pulse. Bojorquez's artistry with letters goes beyond mere aesthetics, delving into the identity politics and social narratives that have always been at the heart of his work. The distressed pearl white finish on the print adds a dimension of age and texture, suggesting a weathered quality often found in street art exposed to the elements. This choice of finish not only enhances the visual depth of the piece but also bridges the gap between the transient nature of street art and the permanence sought by fine art pieces. The Stonehenge White Fine Art Paper, known for its quality and durability, reinforces the intention to preserve the fleeting beauty of street art in a form that stands the test of time. The Limited Edition Nature of C/S I and Its Collectibility The limited edition nature of the C/S I print underscores its value within street pop art and graffiti artwork. The fact that only 150 of these prints exist, each signed by the artists OG Slick and Chaz Bojorquez, elevates the work from mere reproduction to a coveted art piece. Collectors and enthusiasts of street art are drawn to the visual appeal of the work and the cultural capital that such a limited series represents. Owning a piece of this series is akin to holding a fragment of street art history, a snapshot of the moment when two renowned artists converged to leave an indelible mark on the art world. Impact of C/S I on the Perception of Street Art The impact of C/S I goes beyond the boundaries of traditional graffiti and street art. By situating the work within the context of pop art, OG Slick and Chaz Bojorquez challenge the viewer to reconsider the distinctions between high art and urban art forms. The collaboration speaks to the versatility and adaptability of street art, its ability to comment on and absorb influences from various artistic movements, and its persistent quest to gain legitimacy and respect within the art hierarchy. The print's visual elements reflect a sophisticated understanding of cultural symbols, iconography, and the power of the written word, all staples in street pop art and graffiti artwork. The collaboration between OG Slick and Chaz Bojorquez on C/S I is symbolic of a movement that refuses to be categorized simplistically, instead insisting on a complex identity as fluid and vibrant as the streets from which it originates. Through their artistic fusion, these artists contribute to the ongoing narrative of street art as a form that constantly evolves yet remains true to its roots in the urban tapestry.

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Sweet Sins- Blue 2-Color Hand-Pulled Limited Edition Embellished HOM Silkscreen Print on Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. Edition of 250 Acrylic and Silkscreen Ink on Lenox 100 Paper This is the blue/red colorway. Signed, Stamped & Numbered, Faile

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Untitled Crying Eyes Original Concrete Spray Painting by Snik One of a Kind Artwork by Street Art Pop Artist. 2018 Signed Spray Paint Painting Framed Original Artwork on Concrete Ready to Hang Size 15.25x15.25 Untitled Crying Eyes by Snik – Silent Emotion and Surface Precision in Street Pop Art & Graffiti Artwork Untitled Crying Eyes is a 2018 original spray paint painting by UK-based stencil duo Snik, framed and executed directly on a 15.25 x 15.25 inch slab of concrete. Signed by the artists, the work captures a close-up of a woman's face, rendered in black and white with diagonally sliced stencil precision that distills both depth and vulnerability through layers of minimalist contrast. The composition isolates the eyes, brow, and nose, with special emphasis on the emotional presence within the gaze. The tears are not literal but implied through texture, shadow, and line. The rawness of the concrete acts as both background and active element, amplifying the piece’s quiet power. Within the space of Street Pop Art & Graffiti Artwork, this painting exemplifies how raw materials, tight technique, and controlled execution can transform surface into soul. Hand-Cut Stencil Craft and Emotional Fidelity Snik’s meticulous hand-cut stencil technique is on full display in this piece. Every contour of the eyes, every arch of the brow, and every soft transition in tone is created through layered spray work applied with exacting care. The use of diagonally cut lines adds a cinematic quality—like a paused film frame or a memory fading into texture. What might seem like a technical abstraction at first glance is, in truth, a deeply human expression delivered through a nonverbal visual code. The eyes, framed by shadows and glints of light, tell a story of containment and release. There is tension held beneath the surface. In the tradition of Street Pop Art & Graffiti Artwork, this method of telling emotional truths through stencil craft and surface texture has become Snik’s unmistakable signature. Concrete as Emotional Conduit Rather than choosing canvas or panel, Snik works here directly on concrete, reinforcing a commitment to the street-based origins of their medium. Concrete carries with it the memory of walls, sidewalks, and cities—an unspoken biography of surfaces touched by time, weather, and wear. This material choice is both conceptual and aesthetic. The visual grain and imperfections of the concrete interact with the spray layers, producing moments of erosion and fracture that mimic the emotional undercurrent of the piece. The face is partially obscured by the very nature of its foundation, making it feel like a memory etched into infrastructure. Within Street Pop Art & Graffiti Artwork, this decision ties the personal to the public, giving form to emotion in a setting that evokes the weight of urban life. Snik and the Precision of Emotional Stillness Untitled Crying Eyes distills Snik’s core artistic ethos into a single image: poetic clarity delivered through methodical labor. This is not a work of spectacle, but one of sustained gaze. It slows the viewer down. It doesn’t beg for attention—it holds it. The quiet sadness within the piece is elevated by its craft, and the rawness of the concrete gives it truth. Through balance, texture, and visual silence, Snik continues to redefine how emotion is handled in Street Pop Art & Graffiti Artwork. Their approach combines the mechanical edge of stencil work with the painterly flow of light and feeling. This piece does not tell a story—it offers a face to one. Framed, grounded, and ready to hang, Untitled Crying Eyes is a moment of precision carved into permanence, whispering across surface and time.

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Family Silkscreen Print by Kaws- Brian Donnelly Hand-Pulled Screenprint on Stonehenge Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 16x21 Silkscreen Print The Intersection of Familial Motifs and Street Art in KAWS' Family Silkscreen Print KAWS, the artistic moniker of Brian Donnelly, has been a defining presence in Street Pop Art and graffiti Artwork, constantly pushing the boundaries of these genres. His "Family" silkscreen print is a testament to this continual evolution, capturing the essence of family through the lens of pop street art. This hand-pulled screenprint on Stonehenge art paper is a limited edition work with only 500 pieces, making it a coveted item for collectors and art enthusiasts. Measuring 16x21 inches, "Family" is an artwork that stands out for its size and intimate portrayal of familial connections, represented by KAWS' signature characters. The piece is signed and numbered by KAWS, guaranteeing its authenticity and solidifying its status as a significant work within his oeuvre. The print showcases a lineup of characters in varying sizes, symbolizing a familial unit, each bearing the artist's iconic crossed-out eyes. KAWS' Exploration of Family Dynamics through Street Pop Art The "Family" silkscreen print delves into the concept of family, a universal theme that resonates across cultures and communities, yet it is explored here through the distinctive visual language of KAWS. The juxtaposition of the characters, each rendered with precision and care, mirrors the complexities of familial relationships. In this work, KAWS moves beyond the typical urban settings and motifs of graffiti art to a more personal subject matter while maintaining the bold aesthetic and accessibility inherent to street pop art. Though stylized and abstract, the characters convey a sense of belonging and togetherness central to the notion of family. The use of silkscreen printing, a method often associated with the mass production of pop art, further emphasizes KAWS' blending of high art techniques with street art's approachability. This limited edition print, therefore, is not only a visually striking piece but also an artwork rich with layers of meaning and context, characteristic of KAWS' multifaceted approach to art. Cultural Impact and Significance of KAWS' Family Silkscreen Print "Family" by KAWS does more than depict figures; it encapsulates a dynamic narrative within the visual language of pop and street art. The limited edition nature of the silkscreen print elevates its status within the art world, signifying the growing recognition and appreciation for street art within the broader context of contemporary art. KAWS' ability to translate the vibrancy and rawness of street art onto Stonehenge art paper, a medium traditionally reserved for fine art, reflects the eroding barriers between different art forms. The print's release into the art market is a cultural event, symbolizing the intersection of street aesthetics with the exclusivity of limited-edition art. For collectors, owning a piece of the "Family" series is an investment and an opportunity to engage with KAWS' vision and commentary on the social structures that shape our lives. As such, this artwork becomes an integral part of the conversation around Street Pop Art and graffiti Artwork, underscoring its ongoing impact and relevance in contemporary art discussions.

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Blackjack HPM Hand-Embellished Mixed Media Silkscreen Art on Framed Canvas by Artist Steve Kaufman SAK Contemporary Pop Artwork. 2000 Signed & Numbered on Back HPM Hand Embellished Limited Edition of 25 Artwork Size 16x16

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Blokes Neon Acrylic LED Giclee Print by Futura 2000- Leonard McGurr Artwork Limited Edition Print Graffiti Pop Street Artist. 2023 Light Up LED Neon Print on Acrylic Plastic & COA Limited Edition of 100 Artwork Size 25x20 Includes Remote Welcome to the exclusive world of limited edition creations - this masterful LED neon sign is one of only 100 pieces worldwide. Each piece is unique, individually numbered, and comes accompanied by an officially sanctioned Certificate of Authenticity, guaranteeing the artwork's provenance and adding a further touch of exclusivity to the ownership experience. The artwork is a stunning amalgamation of abstract artistry and dazzling light. It stands as a testament to the artist's unique ability to tap into a realm of unexplored creative potential. Vivid hues of blue, yellow, red, white, and hot pink converge and diverge, creating a vibrant dance of color and form that is both hypnotic and exhilarating. Fluid lines weave across the sign, creating intricate patterns that confound, excite, and entrance in equal measure. Each piece, with its dimensions measuring 25 x 20 inches or 64 x 52 cm, serves as a doorway to a scintillating universe of artistic expression. It's an invitation to step beyond the confines of everyday reality and immerse oneself in a radiant spectacle of abstract brilliance. The result is a mesmerizing composition that breaks away from the traditional norms, offering viewers an immersive journey into a dazzling realm where art meets technology. Our LED neon artwork is not just about impressive visuals, it also speaks to sustainable practices. The energy-efficient tubing ensures that the artwork illuminates your space with minimal environmental impact. But it doesn't stop there; the printed backing proudly features Futura's artwork, adding yet another layer of depth and complexity to this remarkable piece. Designed to radiate beauty, this avant-garde piece not only brightens your living space but also stands as an illuminating testament to the intersection of modern technology and timeless artistry. Witness how it transforms an ordinary space into a vibrant art gallery, beckoning onlookers with its brilliant colors and hypnotic charm. Leonard McGurr, better known as Futura 2000, is a pioneering figure in the world of street art. He is particularly renowned for his unique ability to merge pop art, graffiti art, and street art, creating pieces that are visually striking and deeply emotive. One of his most compelling works is the "Blokes Neon Acrylic LED Giclee Print." This vibrant creation harmoniously blends the raw energy of street art with the polished aesthetics of gallery presentations. The piece itself boasts a riot of color, using neon acrylics that serve as a callback to the neon lights often associated with city life and urban culture. Its electrifying palette is magnified through the use of LED lighting, which is ingeniously incorporated into the Giclee print. The merging of the traditional printing method with modern technology is symbolic of Futura 2000's work - a seamless blend of old and new, tradition and innovation. The subject of the work, "Blokes," could be interpreted as a commentary on the everyday person's place within the vibrant, chaotic world that Futura 2000 portrays. Each figure is rendered in his signature abstract style, a nod to his graffiti roots, and the neon colors add a pop art twist, drawing in the viewer's attention. This piece, like many others by Futura 2000, explores the boundaries between high art and street art. It reaffirms his place in the art world as an artist unafraid to push boundaries and challenge conventions. The "Blokes Neon Acrylic LED Giclee Print" serves as a testament to Futura 2000's creativity and innovation, a luminous beacon within the realm of contemporary art.

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Generative Mask Green Original Acrylic Painting by Mysterious Al One of a Kind Artwork on Stretched Canvas Ready to Hang by Street Art Pop Artist. 2023 Signed Acrylic Spray Paint Mixed Media Painting Original Artwork Size 36x36. Mysterious Al used a AI to select the colors, the hand painted the artwork. "These two paintings were done together with me using an algorithm to choose the colours! It's the first time I've done this, and it really worked." -Mysterious Al. Generative Mask Green: A Techno-Cultural Synthesis in Art The union of technology and art reaches a compelling crescendo in Mysterious Al's "Generative Mask Green," an original acrylic painting that is stirring the waters of Street Pop Art. The piece is a hallmark of how contemporary artists are embracing the digital age's capabilities to redefine the creation and perception of art. In this case, the innovation lies within the vibrant visuals that Mysterious Al is known for and in the process behind the painting. Utilizing artificial intelligence to select the color scheme, the artist has married the precision of algorithms with the soul of human creativity, resulting in a one-of-a-kind artwork that captures the zeitgeist of the modern world. The Process: AI Meets Acrylic in Street Art In a groundbreaking approach, "Generative Mask Green" was born from a partnership between Mysterious Al and AI technology. The AI's role was to choose the colors, traditionally reserved for the artist's intuitive sense. This pioneering method allowed for a color palette that might have remained unexplored without the algorithm's input, leading to a fresh and unforeseen aesthetic outcome. Once the colors were selected, Mysterious Al took to the canvas, using spray paint and mixed media to bring the artwork to life. The 36x36-inch artwork epitomizes the evolution of Street Pop Art and Graffiti Artwork, representing a shift from the genre's traditional methods. Using AI tools introduces a new narrative in street art—a genre always reflecting current trends and technologies. The artwork bears the artist's signature, not only physically through his hand-applied strokes of paint but also conceptually, through his willingness to allow a machine a role in the creative decision-making process. The result of this collaboration is a painting that speaks to both the continuity of the artist's vision and the advent of a new era where technology becomes an integral part of the artistic journey. It captures the essence of Street Pop Art, which thrives on innovation and disrupting the status quo. The painting is a testament to Mysterious Al's adaptability and embrace of the unknown, qualities that have always been at the heart of the street art movement. Generative Mask Green: Reflecting the Pulse of Modern Society "Generative Mask Green" does more than represent the synthesis of AI and artistic expression; it reflects the pulse of modern society and its complex relationship with technology. The painting is a visual commentary on the convergence of our digital and physical realities. It embodies the spirit of Street Pop Art, which often serves as a cultural barometer, measuring and expressing societal shifts through visual means. In this piece, Mysterious Al is not just an artist but a cultural narrator, documenting the era of AI through the lens of street art. The painting's aesthetics are unmistakably Mysterious Al's, but the color selection process introduces an unexpected element. This aspect invites viewers to engage with the artwork on a new level, to question the origins of the choices made on the canvas, and to contemplate the future of art in an age where machines can play a part in creative expression. For Street Pop Art and Graffiti Artwork, which have always been deeply rooted in human emotion and societal discourse, the introduction of AI presents a fascinating expansion of the artists' toolkit, enabling new forms of dialogue and expression. "Generative Mask Green" is not just a painting but a symbol of the ever-changing landscape of Street Pop Art and Graffiti Artwork. It represents a bold step into a future where the lines between artist and machine are blurred, where creativity is a dance between human impulse and algorithmic suggestion. This piece stands as a powerful statement on the potential of technology to influence and enhance the creative process, offering a glimpse into a new horizon for artists and art enthusiasts alike. As Mysterious Al continues to explore this fertile ground between art and artificial intelligence, the art world anticipates what innovative creations will come next from this dynamic collaboration.

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Into The Wild Lithograph Print by Hebru Brantley Hand-Pulled Print on Rives BFK Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2021 Signed & Numbered Limited Edition of 150 Artwork Size 28.75x34. Published by Print Them All, Montparnasse. Handling Creases: Minor Dog-ear Crease To Lower Left Corner. The Vibrant Narrative of "Into The Wild" by Hebru Brantley Hebru Brantley's "Into The Wild" lithograph is a vibrant narrative captured in street pop art and graffiti, offering a rich palette and a compelling character from Brantley's universe. This hand-pulled print on Rives BFK Fine Art Paper represents one of the limited editions, with only 150 pieces produced, each signed and numbered by the artist. Released in 2021 and published by Print Them All, Montparnasse, the artwork spans an impressive size of 28.75x34 inches, allowing the viewer to immerse themselves in Brantley's distinctive world. "Into The Wild" showcases Brantley's talent for storytelling through visual art, featuring a character that embodies the spirit of adventure and exploration. The figure, clad in a pilot's helmet, stares intently at the viewer, challenging them to join in on an adventure into uncharted territories. The use of camouflage in the background intertwines with the figure, suggesting a blending of the character with its environment, an embodiment of resilience and adaptability. This piece is imbued with the energy of street art, pop art's boldness, and fine art printmaking's finesse.  Cultural Resonance of Hebru Brantley's "Into The Wild" The cultural resonance of Hebru Brantley's "Into The Wild" is found in its capacity to bridge the worlds of fine art and street culture. The lithograph print medium is a nod to traditional art forms. Yet, the subject matter and stylistic approach are deeply rooted in the contemporary realm of graffiti and street pop art. This work reflects Brantley's ability to translate the ethos of street culture onto a canvas that is both accessible and esteemed by collectors and critics alike. "Into The Wild" is a limited edition piece that captures a moment in Brantley's evolving artistic journey. The art piece reflects the artist's ongoing dialogue with themes of heroism, youth, and the challenges of modern life. Being part of a limited run, each print is a collector's item, offering a snapshot of Brantley's vision and a connection to the broader narrative that his body of work represents. The Artistic Merits of Hebru Brantley's "Into The Wild" The artistic merits of "Into The Wild" are manifold. Brantley's command over color and form, his ability to infuse his work with a sense of dynamism and emotion, and the technical skill evident in the hand-pulling of the prints all contribute to the work's standing in the art world. The Rives BFK Fine Art Paper is a testament to the quality and durability of the piece, ensuring that the colors and details remain vivid over time. Hebru Brantley's "Into The Wild" is a testament to the artist's commitment to pushing the boundaries of street pop and graffiti artwork. The print is a celebration of the art form's past, a commentary on its present, and a nod to its future. Each signed and numbered piece from the limited edition run is a testament to Brantley's vision and a vibrant example of the transformative power of art.

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Detroit Series 16 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x24 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my evolution of style and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2's Detroit Series 16: An Emblem of Street Pop Art and Graffiti Artwork Cope2, a name synonymous with the gritty vibrancy of street pop art and graffiti artwork, presents us with "Detroit Series 16", which encapsulates the essence of urban expression. This 2010 original painting is a vivid example of the fusion of spray paint, acrylic paint, and mixed media on cradled wood. At a sizeable 24x24 inches, this ready-to-hang piece is an authentic Cope2 creation, complete with his iconic bubble letters that burst with the energy and spontaneity characteristic of his work. This particular piece of the Detroit Series is a rich tapestry of color, texture, and form. Using cradled wood as a substrate represents a departure from the temporary walls and subway cars that traditionally serve as canvases for graffiti artists. Cope2's choice of material marks a conscious step towards the permanence and longevity of his art, aligning with his desire to evolve and adapt over his thirty-plus years of creating. By employing a mixed media approach, Cope2 bridges the gap between graffiti's raw, street-level artistry and the refined, deliberate nature of studio-created works. The Evolution of Style in Cope2's Work The journey that Cope2 describes in his transition to mixed media paintings is evident in "Detroit Series 16". The artwork serves as a visual narrative of his stylistic evolution, revealing the layers of growth and change that define his career. In his own words, the versatility of his art showcases the breadth of his experience, from the unbridled expressions of 'hardcore graffiti' to the complex, multidimensional pieces he crafts today. The piece tells the story of an artist who is not content with the status quo, continuously pushing the boundaries of his medium to explore new techniques and concepts. The essence of street art, emphasizing accessibility and community engagement, is preserved in this work, even as it embraces elements of pop art's focus on mass media and popular culture. Cope2's work, mainly "Detroit Series 16", is a testament to the transformative power of art to convey personal journeys and societal narratives. It is a visual representation of the artist's belief in change, the potential of graffiti to evolve, and his ability to reflect these shifts through his art. Impact and Legacy of Cope2's Detroit Series The impact of "Detroit Series 16" extends beyond the visual appeal of its vibrant colors and intricate forms. It represents a moment in time within the broader narrative of street art's assimilation into the fine art world. Cope2's work, with its signature aesthetic and commitment to graffiti's core values, has played a pivotal role in redefining the perceptions of street-inspired art. The series, particularly this piece, exemplifies the fluid nature of contemporary art, where genres intersect and new forms emerge. As street art continues to gain recognition and respect within the art community, works like "Detroit Series 16" stand as milestones along this path of cultural acceptance. They are reminders of the roots of this art form in the uncommissioned, often unsanctioned expressions found in urban environments worldwide. Yet, they also signify the possibility of transcendence, of art that can rise from the streets to hang on the walls of collectors and enthusiasts who value the authenticity and raw power that graffiti embodies. In assessing Cope2's "Detroit Series 16" legacy, one cannot help but recognize the artist's influence on the trajectory of street pop art and graffiti artwork. His ability to navigate the transition from street to studio without losing the essence of graffiti's spirit is remarkable. The series offers a visual testimony to Cope2's enduring relevance in the art world, highlighting his role not just as an artist but as a chronicler of street art's dynamic and ever-evolving language. Through his creations, Cope2 continues contributing to the dialogue around what constitutes art, who can create it, and where it deserves to be seen.

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Life is Beautiful- Classic Blue Limited Edition Resin Sculpture Artwork by Legendary Fine Graffiti Street Artist Mr Brainwash- Thierry Guetta. 2022 Signed & Numbered Limited Edition of 70 Artwork Size 12x7 Signed Limited Edition of 70 Size 7 x 12 x 1.75 in (17.8 x 30.5 x 4.4 cm) Includes Plexiglass Case & Signed by the Artist Resin Sculpture Artwork.

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Life One of a Kind 3 HPM Silkscreen by Hijack Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & HPM Original Hand Spray Painted Limited Edition of 10 Each Unique Artwork Size 22x22

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