Kaws- Brian Donnelly

5 artworks

  • Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Kaws- Brian Donnelly Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Black Book Graffiti Drawing Tg Throw Up Practice Personal Journal by TC5 x Totem x Psycho x ZiNk x Delk x Comet x Kaws Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. 1994 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11.  Various Artists Graffiti Blackbook, c. 1994 Hardcover sketchbook with artist's original tags and signatures 11 x 8-1/2 x 1 inches (27.9 x 21.6 x 2.5 cm) A hardcover sketchbook with various artists' original tags and signatures, including Kaws, ZiNk, Psycho Seen TC5and Totem from the TC5 Crew. There are a bunch of fill color drawings, tons of tags & marker art, some personal scraps, old phone numbers, hangout locations, ideas and private info about the crew. 50 Pages & the Cover Full of Drawings (There are also many blank pages). Also Includes IBM, Squad One, Pilot, MPV. Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws This black book sketch journal from 1994 captures an extraordinary moment in graffiti history, representing a convergence of style, rebellion, and creative experimentation by some of the most influential members of the TC5 graffiti crew. The 8.5 x 11 inch hardcover book is not simply a sketchpad but a deeply personal archive of raw street energy. The journal includes vibrant marker renderings, sticker layering, detailed character illustrations, fill-ins, throw-up drills, personal notes, and signed tags from core members like Totem, Psycho, ZiNk, Delk, Comet, Seen and Kaws. The book also includes aliases and side crews such as IBM, MPV, and Squad One, providing a layered snapshot of interconnected graffiti subgroups active in New York City during the golden age of black book culture. Tag Evolution and Street Pop Art & Graffiti Artwork The entries in this journal reflect the fusion of graffiti’s traditional wildstyle aesthetics with the graphic sensibilities that would come to influence Street Pop Art. Each page reveals a combination of practice and performance: tag outlines sharpened to perfection, psychedelic fill-ins, collaged flyer scraps, and character doodles full of humor and attitude. Artists like ZiNk and Psycho demonstrated their technical prowess in dimensional letterforms while simultaneously layering them with playful characters and surreal backdrops. Kaws’s early lettering tag, found here under FC and TC5, shows the nascent influence of his cartoon-fusion iconography that later became a signature in fine art and commercial crossover platforms. Legacy of the Black Book Format Black books were the heart of graffiti culture long before digital archives. They were traveling galleries, practice arenas, and intimate communication platforms among writers. This particular journal’s inclusion of personal tags, secret locations, phone numbers, and emotional reflections reveals graffiti as more than exterior expression—it was an interior life. Totem’s aggressive handstyle, Delk’s stylized urban iconography, and Comet’s classic wildstyle fragments reflect years of train-line experimentation brought onto paper. MPV and IBM frequently appear scrawled across sticker surfaces and borders, and while IBM's specific meaning in the context is still ambiguous, it consistently appears next to trusted tags and carries the weight of crew respect. Cultural Weight and Collector Significance This journal functions not only as a record of TC5’s peak graffiti years but also as an artifact of a cultural shift toward stylized Street Pop Art & Graffiti Artwork. The high saturation of media—hand-drawn lettering, collaged music flyers, branded pop references like Richie Rich and Nervous Records, and customized stickers—marks this black book as a multidisciplinary cultural object. In today’s art market, such journals are revered for their honesty, rawness, and the insights they offer into the private side of graffiti’s most public artists. The handstyle signatures from Kaws, Psycho, ZiNk, and Totem in particular make this a museum-worthy record of graffiti’s transformation from train to gallery wall.

    $25,000.00

  • Holiday Thailand Black Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Thailand Black Art Toy by Kaws- Brian Donnelly

    Holiday Thailand Black Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Black Art Toy by KAWS – Brian Donnelly The Holiday Thailand Black Art Toy by Brian Donnelly, professionally known as KAWS, is a 2025 limited edition vinyl collectible that brings emotional storytelling into the core of Street Pop Art & Graffiti Artwork. Standing 7 x 11 inches, the sculpture features the iconic KAWS Companion character in a nurturing pose—seated on a vibrant blue and green globe, gently cradling a smaller child figure. Together they hold a glow-in-the-dark fluorescent moon, detailed with a textured surface resembling the lunar landscape. Released in limited quantity and now out of print, this new-in-box edition is stamped and printed on the foot to confirm authenticity. The black edition is the most visually stark of the Thailand Holiday series, emphasizing silhouette, light, and shadow in its emotional impact. Monochrome Design with Universal Themes Rendered entirely in matte black vinyl, this version removes all color distractions from the figures themselves, allowing the Earth and the glowing moon to take visual prominence. The absence of color sharpens the emotional tone of the piece, drawing attention to the posture, gesture, and quiet intimacy between the adult and child Companions. This decision amplifies the sculpture’s symbolic weight, allowing it to speak to global responsibility, parental care, and environmental reflection. The use of black gives the figures a ghostlike presence, while the bright world beneath them remains alive and vibrant. The glowing orb adds a supernatural softness, inviting the viewer to consider themes of guidance, protection, and shared hope. KAWS’ Sculptural Language in Street Pop Art & Graffiti Artwork Brian Donnelly, born in the United States, rose from the streets of Jersey City where his early graffiti subverted public advertisements with satirical cartoons. His signature Companion figure became a modern icon in Street Pop Art & Graffiti Artwork, embodying themes of alienation, empathy, and memory. With the Holiday Thailand series, Donnelly introduced a softer, more meditative layer to the Companion's identity. The Holiday Black edition pushes this even further—its somber tone and striking globe-seat foundation underscore the idea of the figure as a caretaker of a fragile world. The signature X-ed eyes and cartoon gloves remain, but instead of sarcasm, they now seem to express stillness and reflection. A Collector’s Masterpiece in Emotional Minimalism As with all KAWS Holiday editions, this sculpture was highly sought after at release and quickly sold out. The black version has become especially desirable due to its aesthetic rarity and its ability to convey depth through restraint. The use of minimal color enhances the sculpture’s interaction with light, especially when the moon begins to glow in the dark. The piece shifts dramatically between day and night, with the moon’s gentle illumination bringing warmth to the shadowed figures. This kinetic transformation has made it not only a visual object but an emotional experience. For collectors and enthusiasts of Street Pop Art & Graffiti Artwork, the Holiday Thailand Black Art Toy is more than a figure—it is a moment suspended in time, balancing silence, care, and cosmic symbolism through the signature visual language of Brian Donnelly.

    $1,500.00

  • Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly

    Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Brown Art Toy by KAWS – Brian Donnelly The Holiday Thailand Brown Art Toy is a standout limited edition vinyl sculpture by Brian Donnelly, an American artist known globally as KAWS. Released in 2025 and now out of print, this collectible piece represents a key moment in the evolution of Street Pop Art & Graffiti Artwork. Standing approximately 7 x 11 inches, the artwork features the artist’s signature Companion characters—recognizable by their cartoonish gloves, soft forms, and crossed-out eyes. In this edition, a large Companion figure sits on a brightly painted globe, holding a smaller child-like figure while both cradle a textured, glow-in-the-dark moon. The earth beneath them is rendered in bold blue and green, grounding the piece in a clear environmental and humanistic message. A Symbol of Care, Connection, and Responsibility This artwork differs from many of KAWS’ earlier works by emphasizing intimacy and quiet reflection over commercial parody. The large Companion, positioned as either a mother, father, or protector, gently supports the child figure in its lap. The shared moon held between them glows in the dark, adding a symbolic gesture of shared light, guidance, and imagination. The planetary imagery reinforces the sense of global connectedness and personal responsibility—an increasingly relevant theme in Street Pop Art & Graffiti Artwork. Rather than existing as a critique, this edition feels more like an offering of comfort and unity, a sentiment that has resonated widely with collectors and fans of Donnelly’s work. KAWS and the Expansion of Street Pop Art Brian Donnelly began his career tagging walls and subverting advertisements in New York City, later evolving into one of the most commercially and critically successful figures in contemporary Street Pop Art & Graffiti Artwork. His Companion character has appeared in sculptures, paintings, large-scale installations, and collectible toys. Each iteration of Companion holds a different emotional register, and the Holiday Thailand edition marks one of the most sincere. Donnelly’s decision to have the figure seated on Earth holding a celestial body is a continuation of his visual storytelling, often involving themes of isolation, care, and shared vulnerability. The X-ed eyes, once associated with irony or detachment, become here a symbol of a quiet inner world. Collector Significance and Artistic Detail This edition was part of the ongoing Holiday series that placed Companion figures in culturally symbolic locations around the world. For Thailand, the sculpture’s gentle posture and universal themes reflect a more spiritual tone. The glow-in-the-dark moon is made with detailed surface textures to mimic the actual lunar surface, enhancing its realism and tactile appeal. The foot of the figure is stamped and printed, certifying authenticity and aligning it with previous limited editions. Like many KAWS pieces, this edition sold out quickly and is now highly sought after. Its rarity, craftsmanship, and emotional resonance have made it a landmark example of collectible vinyl art within the context of Street Pop Art & Graffiti Artwork. Collectors and cultural institutions have increasingly embraced works like this for their ability to communicate complex feelings through simple forms. The Holiday Thailand Brown Art Toy stands as a powerful visual story about nurturing, fragility, and global consciousness, rendered in the familiar yet ever-evolving language of KAWS. This sculpture is not just a toy, but a meditation in vinyl—one that continues to influence the trajectory of Street Pop Art & Graffiti Artwork worldwide.

    $1,500.00

  • Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly

    Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Grey Art Toy by KAWS – Brian Donnelly The Holiday Thailand Grey Art Toy by KAWS, the artistic alias of American creator Brian Donnelly, stands out as a rare and powerful work in the field of Street Pop Art & Graffiti Artwork. Released as a 2025 limited edition and now out of print, this collectible sculpture measures approximately 7 x 11 inches and arrives new in box with a printed stamp on the foot. Rendered in a muted grey palette, the artwork features the beloved Companion characters—an adult figure seated atop a vividly painted Earth while gently embracing a smaller child figure. Both characters hold a glow-in-the-dark fluorescent moon with a detailed textured surface, symbolizing both innocence and cosmic wonder in a world that increasingly values emotional narrative in contemporary vinyl art. Emotional Expression Through Form and Symbol Unlike the bright tones often used in earlier Companion works, the grey edition of the Holiday Thailand Art Toy emphasizes subtlety and seriousness. The seated figure may be interpreted as a mother, father, or guiding friend, creating a moment of quiet connection with the child nestled in their lap. The Earth below them is shown in bold blue and green, visually rooting this piece in themes of global care and responsibility. The glowing moon cradled between them becomes a shared point of light, a guiding symbol in the literal and figurative darkness. This interaction between figures and the celestial object elevates the sculpture from a collectible toy to a visual meditation on care, protection, and environmental consciousness. Brian Donnelly’s Continued Impact on Street Pop Art & Graffiti Artwork Brian Donnelly, born in Jersey City, USA, started his career tagging walls and bus stop advertisements, blending cartoon iconography with sharp social commentary. His rise from graffiti artist to global contemporary art figure is marked by his ability to blend street language with emotional depth. The Companion figure, instantly recognizable with its X-ed out eyes and Mickey Mouse-inspired gloves, has become an international symbol for vulnerability, connection, and modern alienation. In the Thailand Grey edition, Donnelly strips the form of bright color and instead uses the soft grey tones to focus attention on the body language and the emotional intimacy of the piece. The positioning of the child figure leaning into the adult’s chest creates a tender pause, often missing in the more satirical or energetic works of Street Pop Art & Graffiti Artwork. A Coveted Collectible in the Vinyl Art Toy Movement Each Holiday edition by KAWS ties the Companion character to a geographic or thematic location, and the Thailand release is no exception. While the colorful brown variant captures warmth, this grey version offers a more introspective aesthetic. The bright, hand-painted globe beneath the seated figure ensures that the sculpture’s message remains worldly and expansive, even as the figures themselves remain personal and inward-looking. The glow-in-the-dark moon feature enhances the sculpture’s interactive and ambient qualities, transforming under different lighting to reveal its full emotive power. Collectors and museums alike consider this edition a benchmark for contemporary vinyl-based Street Pop Art & Graffiti Artwork. Its scarcity, strong narrative, and signature KAWS execution make it a vital piece for those who seek work that blends simplicity with depth. The Holiday Thailand Grey Art Toy is not just a decorative figure—it is a sculptural story about human connection and cosmic hope.

    $1,500.00

  • Hostages Giclee Print by Vandul

    Vandul Hostages Giclee Print by Vandul

    Hostages Giclee Print by Vandul Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 17x11 Fine Art Giclee. Crease Across Middle, Bump To Upper Middle, Crease Across Lower Right Edge Exploring the Impact of Vandul's "Hostages" Giclee Print Street pop art and graffiti have witnessed a remarkable evolution, from the rebellious markings on urban landscapes to the coveted pieces in fine art galleries. Vandul, a noteworthy contributor to this transformative journey, brings forth a limited edition Giclee print titled "Hostages." This piece encapsulates the essence of pop culture while embedding the raw, unfiltered voice often associated with street art. As an exploration of this artwork, one must understand the nuances that make it a standout piece. The Artistic Merit of "Hostages" by Vandul "Hostages" is a potent example of Street Pop Art, which denotes the confluence of street art's edginess with pop art's mass culture commentary. Vandul, an artist whose real name remains as enigmatic as the masked figures in his work, continues to influence the graffiti art scene. The Giclee print, a limited edition of 50, is a testament to the exclusivity and demand for high-quality street art in modern collecting. Measuring 17x11, it is printed on fine art paper, a medium that endows the work with a gallery-worthy finish. The artwork's condition, noted with a crease across the middle, a bump to the upper middle, and a crease across the lower right edge, adds to its authenticity, reflecting the often imperfect environments where street art is commonly found. The Cultural Significance of "Hostages" in the Landscape of Street Pop Art The cultural impact of "Hostages" lies in its ability to speak the visual language of street pop art and graffiti artwork while remaining accessible to a broad audience. Vandul's work often captures the spirit of rebellion and a desire for liberation, themes that resonate with the core of street art's ethos. Though reminiscent of familiar pop culture icons, the characters are depicted in captivity, a powerful commentary on consumerism and the commodification of culture. By rendering these figures vulnerable, Vandul challenges viewers to reconsider their relationship with popular media and the societal structures that bind us. Vandul's "Hostages" is not merely a print but a narrative piece that commands attention and contemplation. It is a beacon of the street art genre, an emblem of the artist's mastery over form, color, and message. The limited edition nature of this Giclee print underscores the value placed on street art in the contemporary art market. Vandul's artistic prowess and the cultural significance of "Hostages" ensure that this piece will continue to be discussed and admired in the dynamic world of Street Pop Art and Graffiti Artwork.

    $110.00

Kaws- Brian Donnelly> Pop Artist Graffiti Street Artworks

Kaws (Brian Donnelly) and His Influence on Street Pop Art & Graffiti Artwork

Brian Donnelly, known professionally as Kaws, is an American artist whose work emerged from graffiti subculture and expanded into a globally recognized force in contemporary visual art. Born in 1974 in Jersey City, New Jersey, Donnelly began tagging in the early 1990s under the name Kaws on the streets of New York. His distinctive lettering style and use of skull-and-crossbones motifs with X-ed out eyes became instantly recognizable symbols throughout the urban landscape. Rather than remaining strictly within traditional graffiti methods, he evolved his practice into character-based visual storytelling that blends commercial appeal with underground roots. This evolution placed him at the forefront of the movement now identified as Street Pop Art & Graffiti Artwork, where the techniques and energy of graffiti intersect with consumer culture, animation, and product design.

From Graffiti to Gallery and Collectible Culture

Kaws transitioned from tagging billboards and bus stop ads to creating collectible vinyl figures, large-scale sculptures, paintings, and collaborations with major brands. He reimagined characters like Mickey Mouse and The Simpsons through his unique visual lens, giving them skull faces, cartoonish gloves, and emotionally vacant eyes. These figures reflect both nostalgia and alienation, capturing the tension between mass appeal and personal expression. The Companion figure, one of his most iconic creations, has become a symbol within Street Pop Art & Graffiti Artwork, representing the emotional core of pop-driven culture with a graffiti-born defiance. Despite his commercial success, Kaws retains the rebellious, accessible spirit that graffiti stands for by continuing to create public art installations and offering limited edition releases outside of traditional gallery systems.

Visual Language and Public Installations

The visual structure of Kaws’ work is rooted in flat color fields, clean linework, and familiar forms distorted through repetition and stylized exaggeration. These elements make his art instantly digestible while embedding subtle critiques about media saturation, branding, and emotional disconnection. His installations have been featured in cities around the world, including large-scale inflatable figures in Hong Kong’s Victoria Harbour and monumental sculptures in parks and museums. These pieces extend the reach of Street Pop Art & Graffiti Artwork into civic and institutional spaces, showing that urban visual language can thrive beyond illegal walls and gallery frames. Kaws has also exhibited in major institutions such as the Brooklyn Museum and the National Gallery of Victoria, further solidifying his presence within both pop culture and art history.

Global Impact and Contemporary Presence

Kaws’ trajectory exemplifies the growing acceptance and influence of street-rooted artists in the broader cultural and economic landscape. His work challenges distinctions between fine art, design, and street culture by functioning across all three without compromise. From his roots in New York graffiti to his status as a global art brand, Kaws has helped shape how Street Pop Art & Graffiti Artwork is consumed, collected, and contextualized in the modern era. By consistently blending commercial aesthetics with personal motifs, he has built a visual language that is both accessible and complex. His continued relevance is driven by a commitment to craft, cultural awareness, and a deep understanding of how image, identity, and repetition function in contemporary life.

KAWS: The Intersection of Street Art and Pop Culture

KAWS, the artistic moniker of Brian Donnelly, is a name that has become synonymous with a unique blend of street pop art and graffiti artwork. In 1974, in Jersey City, New Jersey, KAWS started as a graffiti artist in the early 1990s. He gained recognition by subverting imagery on billboards, bus shelters, and phone booth advertisements. These early interventions in the urban landscape laid the groundwork for a career that would eventually blur the lines between street art and the global art market. Graduating from the School of Visual Arts in New York with a Bachelor of Fine Arts in illustration in 1996, KAWS embarked on a journey to see his work evolve from spray-painted walls to highly sought-after fine art and massive public sculptures. His art is characterized by a cast of figurative characters and motifs—most notably, 'Companion,' with its crossed-out eyes, which has become his signature. His work is often described as a sophisticated version of what began as street art, evolved through soft sculpture, and later expanded into various materials and imagery.

KAWS' Artistic Evolution and Global Impact

The artistic evolution of KAWS is marked by his seamless transition from creating graffiti on the streets to designing limited-edition toys, clothing, and other collectibles. His aesthetic—grounded in a distinct lineage of pop art and characterized by its bold, graphic, and instantly recognizable style—resonates with a broad audience, from art lovers to the general public. KAWS has also cultivated a strong presence in the commercial sector, collaborating with international brands such as Nike, Uniqlo, and Dior. These collaborations have expanded his influence and allowed him to bridge the gap between high art and mainstream consumer culture. His works often contain a deep emotional resonance, playing on human vulnerability and resilience themes. KAWS' art provides commentary on the nature of consumerism, fame, and the idolatry of celebrity culture. The universality of these themes has allowed his work to hold a mirror to contemporary society and to become a cultural phenomenon in its own right.

Legacy and Continuation in Contemporary Art

KAWS continues to influence the trajectory of contemporary art by challenging the conventions of creativity and the artist's role in society. His exhibitions in prestigious venues worldwide have introduced street pop art to new audiences and cemented its legitimacy within the art historical canon. His large-scale sculptures and public installations have become gathering points, transforming the perception of public art and its ability to engage communities. The work of KAWS—Brian Donnelly—is a testament to the transformative power of street pop art and its capacity to permeate and profoundly influence the art world and popular culture. His distinctive style, marked by recurring motifs, a vibrant palette, and thought-provoking themes, continues to engage viewers, provoke dialogue, and inspire a new generation of artists and collectors. As his art traverses the realms of painting, sculpture, and digital media, KAWS remains at the forefront of an evolving art scene, defining the contours of street pop art and graffiti artwork for the 21st century.

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