Kaws- Untitled Blame Game Portfolio

1 artwork

Filter

  • Untitled from Blame Game- #10 Hand on Brow Silkscreen Print by Kaws- Brian Donnelly Untitled from Blame Game- #10 Hand on Brow - Sprayed Paint Art Collection

    Kaws- Brian Donnelly Untitled from Blame Game- #10 Hand on Brow Silkscreen Print by Kaws- Brian Donnelly

    Untitled from Blame Game- #10 Hand on Brow Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With a Large Custom Frame and Mat, Slight Feather Scuff To Lower Middle White. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York The Expressive Nuance of KAWS' "Untitled from Blame Game - #10 Hand on Brow" The "Untitled from Blame Game - #10 Hand on Brow" stands as a significant piece within the oeuvre of KAWS, the artistic alias of Brian Donnelly. This piece is part of a limited series, a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper, known for its exceptional quality and resilience. The artwork, measuring 35 x 23 inches, is one of a limited edition set of 100, each signed, numbered, and dated by the artist in pencil along the lower edge, showcasing his direct involvement and personal touch in each piece. Released in 2014 and published by Pace Prints in New York, this work is framed within a large custom frame and mat, which elegantly encases the artwork and enhances its display. The "Hand on Brow" motif featured in print indicates KAWS' unique and recognizable visual language, frequently including bold colors, graphic shapes, and the reimagined characters that have become central to his art. The slight feather scuff to the lower middle white of the print may suggest the hands-on process involved in creating these works, emphasizing their handmade nature and the authenticity of the screen printing process. KAWS: Bridging Street Art and the Fine Art Sphere KAWS' journey from a graffiti artist tagging the streets of Jersey City to a global art phenomenon encapsulates the transformative power of street pop art and its ability to permeate the fine art world. His background in graffiti is evident in the freeform and expressive quality of his work, yet there is a sophistication to his approach that aligns with delicate art sensibilities. His "Untitled from Blame Game - #10 Hand on Brow" vividly represents this crossover, presenting a visual dialogue that is accessible yet complex, playful yet profound. Using an 11-color palette in the silkscreen process is particularly noteworthy, allowing KAWS to layer colors with precision and create images with depth and vibrancy. The choice of Saunders Waterford Hi-White paper reflects his commitment to quality, as it is a preferred substrate for fine art prints due to its superior texture and durability. Like many in KAWS' body of work, this piece is a sophisticated confluence of street art's edginess and pop art's mass appeal. Cultural Resonance of KAWS' Limited Edition Prints KAWS' prints, especially those within the "Blame Game" series, resonate culturally due to their commentary on social constructs and individual experience. The recurring themes in his work, including isolation, companionship, and contemplation, are universally relevant, allowing his art to speak to a diverse audience. His "Untitled from Blame Game - #10 Hand on Brow" encapsulates these themes, employing his iconic crossed-out eyes and abstracted figures to invite introspection and emotional response. As a limited edition piece, this artwork occupies a special place in street pop and graffiti art narratives. Collectors and enthusiasts value KAWS' prints for their artistic merit, rarity, and investment potential. The art of KAWS, particularly pieces like "Untitled from Blame Game - #10 Hand on Brow," continues to influence the trajectory of street-inspired art, commanding attention in urban environments and refined gallery spaces. In conclusion, "Untitled from Blame Game - #10 Hand on Brow" is a testament to KAWS' masterful blend of street art's spontaneity with the calculated craft of fine art printmaking. This piece symbolizes the artist's capacity to engage with viewers on multiple levels, offering a visual feast that is as thought-provoking as aesthetically pleasing. As street pop art continues to evolve, the work of KAWS is a pivotal point of reference, blurring the lines between subcultures and mainstream art forms.

    Read more

    $33,611.00

Kaws- Untitled Blame Game Portfolio Graffiti Street Pop Artwork

Cultural Phenomenon of KAWS' Blame Game Artwork

Specific creations define their era in the eclectic domain of street pop art and graffiti artwork. The Blame Game Kaws Artwork Print Portfolio is such a collection, offering a compelling look at the contemporary dynamics of visual culture. Within this portfolio, the pieces are striking, characterized by bold lines, vibrant colors, and an innovative blend of street art sensibilities with pop art's penchant for the interrogation of mass media and consumerism. KAWS, the moniker of American artist Brian Donnelly, is renowned for his provocative approach to familiar cartoon and pop culture imagery, often recontextualizing it to explore deeper themes of identity, consumerism, and the human condition. The Blame Game portfolio exemplifies this approach. The works are immediately recognizable for appropriating characters from the global vocabulary of animation but with a twist that is quintessentially KAWS. His signature motifs, such as the crossed-out eyes, are not merely aesthetic devices but serve as commentary on the blindness of consumer culture or the loss of individual identity amidst the homogenizing force of mass media. The visual language that KAWS employs in the Blame Game series amalgamates his graffiti background and his astute critique of pop culture. The prints, with their sharp delineations and arresting color palette, echo the rebellious spirit of street art while engaging with the iconography and techniques derived from the pop art movement. This fusion defines the series as street pop art, a field that KAWS has been instrumental in shaping.

Untangling the Influence of "Untitled" from Blame Game

An examination of "Untitled" from this series reveals a canvas where KAWS deconstructs the boundary between commercial and fine art. The piece is a pastiche of animated characters, disassembled and reassembled in a manner that both distorts and familiarizes. This juxtaposition is KAWS' hallmark, a method through which he delivers a palimpsest of modern society's obsessions and fears. The characters, stripped of their original context, become vessels for the artist's examination of the universal human experiences of connection, isolation, and the search for meaning. The portfolio, and "Untitled" in particular, does not exist in a vacuum but reflects a broader conversation about the place of street pop art and graffiti artwork in the annals of art history. KAWS brings the subversive edge of street art into a dialogue with the ironies of pop art, creating a bridge between two movements that have, each in their own right, challenged the art world's status quo. The result is a body of work that is as thought-provoking as visually striking. In "Untitled," we observe a culmination of KAWS' artistic journey, embodying his evolved style that incorporates his graffiti roots while embracing the scale and ambition of gallery-oriented art. The imagery in "Untitled" is complex in its simplicity, a paradox that KAWS navigates with deft precision. The work is a testament to the enduring power of symbols and their reconfiguration in the hands of a masterful artist. Discussing KAWS' Blame Game series, and "Untitled" in particular, is a way to delve into a narrative beyond the canvas. It encapsulates the story of street art's ascent into the gallery, pop art's critique of culture, and KAWS' trajectory from street artist to a luminary of contemporary art. "Untitled" is not just a piece of art; it is a conversation starter, a statement, and a milestone in the journey of street pop art and graffiti artwork. In the context of modern art, the Blame Game series and "Untitled" underscore the fluidity and permeability of art genres. They demonstrate the potential for street art and graffiti to transcend their origins and assert themselves within the broader artistic discourse. The series is a striking example of how street pop art can be accessible and sophisticated, offering layers of interpretation that invite viewers from all backgrounds to engage with the work. KAWS' "Untitled" is a vibrant chapter in this ongoing narrative that continues to inspire and provoke thought in equal measure.

© 2024 Sprayed Paint Art Collection,

    Login

    Forgot your password?

    Don't have an account yet?
    Create account