Lilo & Stitch

3 artworks

  • Snitches Get Stitches Methadone Original Acrylic Painting by Ben Frost

    Ben Frost Snitches Get Stitches Methadone Original Acrylic Painting by Ben Frost

    Snitches Get Stitches Methadone Original Acrylic Painting by Ben Frost One of a Kind Artwork on Upcycled Pharmaceutical Methadone Drug Packaging by Street Art Pop Artist. 2025 Signed Acrylic Painting Original Artwork Size 6.9x8.6 on Reclaimed/Upcycled Methadone Drug Packaging. Stylized Stitch from Lilo & Stitch. Snitches Get Stitches: The Subversive Original by Ben Frost Ben Frost, a contemporary Australian artist known for his razor-sharp juxtapositions, continues to challenge cultural norms with his 2025 one-of-a-kind original titled Snitches Get Stitches. This acrylic painting is a direct application of Frost's signature aesthetic, merging pop iconography with pharmaceutical detritus. The artwork features a stylized, hyper-expressive rendition of Stitch from Disney’s Lilo & Stitch, hand-painted over upcycled methadone packaging measuring 6.9 x 8.6 inches. By using reclaimed drug containers as his canvas, Frost transforms discarded clinical waste into confrontational, high-contrast Street Pop Art & Graffiti Artwork. Pop Surrealism Meets Pharmaceutical Critique The artwork takes the viewer into an uncanny space where innocence and institutionalized control collide. Stitch, depicted in a manic, tongue-out pose, becomes the perfect stand-in for chaos within a tightly regulated system. Methadone packaging, typically linked to addiction treatment and regulatory control, becomes a new battleground for Frost’s visual rebellion. The sharp lines of commercial branding and dosage information clash against the whimsical, cartoonish character, forming a potent juxtaposition that critiques both consumer addiction and commodified escapism. The use of pharmaceutical packaging is not arbitrary. Frost consistently sources his materials from real-world clinical products, embedding layers of commentary on the commodification of health, the packaging of dependency, and the visual language of trust. By painting directly on the box that once held medication for opioid dependency, Frost questions how both pharmaceuticals and media serve as palliatives for society’s deeper ailments. Ben Frost’s Weaponization of Nostalgia Frost is known for dissecting the nostalgia economy—his work tears apart the sentimentality we assign to childhood icons by throwing them into harsh, adult contexts. In this piece, Stitch becomes an emblem of rebellion, recast not as a cuddly alien companion but as a mischievous agent of disruption amid medical sterility. The title Snitches Get Stitches adds further bite to the message. It's a coded nod to subcultural ethics, resistance to authority, and retaliation against betrayal, wrapped in the visual candy of a beloved animated figure. This weaponized nostalgia is central to Frost’s practice. He blends vintage comics, anime, and cartoon branding with medical advertising and capitalist excess to create a saturated feedback loop of mass culture. His works are instantly digestible but deliberately laced with critical aftertaste. Snitches Get Stitches fits perfectly into this lineage, continuing the artist’s commitment to peeling back layers of comfort to expose a system dependent on sedative imagery and chemical coping. Upcycled Packaging as Contemporary Canvas Reclamation is integral to the ethics and visual appeal of this artwork. Upcycled pharmaceutical packaging serves not only as material but also as message. The literal recycling of objects used in the treatment of addiction becomes symbolic of the broader process of cultural reconditioning. In Street Pop Art & Graffiti Artwork, the surface is never neutral. Frost’s choice of methadone box repositions trash as testimony and forces viewers to reconsider where art belongs and what it is allowed to critique. With Snitches Get Stitches, Ben Frost continues his radical fusion of medical-industrial commentary and pop surrealist distortion, offering a disruptive, collectible artifact that sits at the intersection of vandalized commercial design and fine art provocation. The work’s scale, material honesty, and iconic visual language make it not only a standout within Frost’s 2025 output but also a snapshot of a culture caught between sugar-coated rebellion and controlled dependency.

    $3,500.00

  • Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost

    Ben Frost Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost

    Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Ben Frost's Stitch and the Prescription Rebellion Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost, released in 2025 as a limited edition pigment print on perforated blotter paper, continues the Australian street artist's sharp critique of consumerism, pharmaceutical branding, and the hijacking of pop culture. In this particular work, the animated alien Stitch is depicted in a manic outburst overlaid on EpiPen pharmaceutical packaging. Known for his unapologetic visual collisions, Ben Frost uses the raw visual energy of graffiti tactics and comic aesthetics to deliver a satirical jab at the marketing of medical dependency, while simultaneously twisting beloved childhood characters into symbols of overstimulated chaos. Street Pop Art Meets Pharmaceutical Anxiety What sets this work apart in the category of Street Pop Art & Graffiti Artwork is its brutal honesty in aesthetic and message. The combination of a hyperactive Stitch and the sterile typography of prescription medicine constructs an immediate visual dissonance. Stitch's feral teeth, wide eyes, and clawed hand scream in emotional excess, a stark contradiction to the controlled and impersonal design of the EpiPen label behind him. The juxtaposition acts as a metaphor for cultural burnout, the medicating of identity, and the commodification of both childhood and health. Frost’s use of blotter paper, a medium historically associated with LSD, heightens the psychedelic tone and lends another layer of commentary about societal escapism through pills, pleasure, or nostalgia. Perforation as Medium and Message The print is produced on a 7.5 x 7.5 inch perforated blotter sheet, hand-perforated by Zane Kesey, son of Ken Kesey, the cultural icon known for pioneering the psychedelic movement. This detail ties the artwork to a broader historical conversation around consciousness, art, and rebellion. In this format, the artwork becomes something to be metaphorically consumed, suggesting the idea of breaking apart sanitized narratives into fragmented truths. The perforations also echo street art’s ephemerality, its nature of being divided, destroyed, or shared. The medium is the message as much as the image, with Frost exploiting every inch of material for critical storytelling. The Power of Satirical Mutation in Urban Culture Ben Frost’s visual style often depends on mutation, appropriation, and critique, and Trip A Stitch In Time stands out for its frenzied commentary on overstimulation, identity distortion, and pharmaceutical dependence. Within the context of Street Pop Art & Graffiti Artwork, this piece is more than a parody of medical culture—it is an indictment of the manufactured balance society attempts to impose through pills, branding, and repackaged characters. Stitch, in this chaotic reinterpretation, becomes a monster of modern consumption, captured at the moment he breaks through the constraints of prescription labels and cartoon nostalgia to claw at something far more human—truth through madness.

    $550.00

  • Dissection of Stitch Anatomy Sheet No 30 Silkscreen Print by Nychos

    Nychos Dissection of Stitch Anatomy Sheet No 30 Silkscreen Print by Nychos

    Dissection of Stitch- Anatomy Sheet No 30 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

    $159.00

Lilo & Stitch Graffiti Street Pop Art

From Animation to Urban Walls: The Transformation of Lilo & Stitch

Lilo & Stitch, originally a 2002 animated film produced by Walt Disney, has transcended its narrative of extraterrestrial chaos and Hawaiian culture to become a recurring symbol in Street Pop Art & Graffiti Artwork. The image of Stitch in particular, with his punk-like demeanor, irreverent energy, and emotional duality, resonates with the rebellious spirit at the heart of contemporary street movements. While traditionally housed in cinema and consumer merchandise, this character has taken on new meaning in urban contexts, reinterpreted by street artists as a symbol of nonconformity, misunderstood identities, and found family in a chaotic world.

The Rebellious Nature of Stitch in Graffiti Context

Graffiti artists have long gravitated to figures who represent anti-authority attitudes and outsider status. Stitch, as a genetically engineered alien prone to destruction and labeled a monster, speaks to the experience of being misjudged or rejected by mainstream society. His image has appeared in murals, stencil art, stickers, and street posters around the world, often portrayed with expressive emotion or exaggerated features to highlight inner turmoil. These adaptations bypass the sanitized corporate version of the character and instead offer rawer interpretations that align with real human experiences of isolation, rage, and longing for connection.

Cultural Mashups and Global Appeal

One of the defining features of Street Pop Art & Graffiti Artwork is its ability to recontextualize recognizable imagery within local settings. In the case of Lilo & Stitch, artists often use the character as part of mashups—placing him alongside hip-hop icons, anime figures, or political messages. This creates layers of commentary that are both humorous and charged. The iconography of Stitch, whether painted into dystopian backdrops or alongside defaced luxury brand logos, becomes a conduit for critiquing capitalism, pop culture saturation, and lost innocence. His wide eyes and unpredictable posture offer a visual anchor in murals that are both chaotic and intimate, injecting the walls of cities with a blend of childhood familiarity and underground rebellion.

Stitch as a Symbol of Emotional Complexity in Street Pop Narratives

Unlike many cartoon characters reduced to flat symbolism, Stitch carries emotional weight that resonates across subcultures. Street Pop Art often uses him not just for aesthetic appeal but as an emblem of duality—rage versus love, destruction versus protection. Artists tap into this complexity to explore deeper emotional states, especially in urban spaces where public art becomes therapy, protest, and personal confession. Whether tagged on alley walls or printed on blotter paper, Stitch becomes more than a cartoon. He evolves into a reflection of the human condition, refracted through the stylized visual language of street culture and the poignant punch of graffiti.

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© 2025 Sprayed Paint Art Collection,

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