Maison54

1 artwork

  • Maison54 Collaborative S2-1 Black Silkscreen Print by Jeff Soto

    Jeff Soto Maison54 Collaborative S2-1 Black Silkscreen Print by Jeff Soto

    Maison54 Collaborative S2-1 Black 1-Color Hand-Pulled Limited Edition Silkscreen Print on Archival Cotton Rag Paper by Jeff Soto x Maison54 Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Artwork Size 18x24 Black Series 2, Print 1 from the secret print project by Maison54. This print was a collaboration between artists Jeff Soto (top portion), Urban Aztec (middle portion) and Florian Bertmer (bottom portion). None of the artists knew what the others created until after the print was finished! Prints measure 18" x 24" on special archival cotton rag paper and feature deckled edges and Maison54 embossed logo. Prints are signed/numbered by Jeff Soto. Maison54 Collaborative S2-1 Black: Fragmented Unity in Street Pop Art & Graffiti Artwork The Maison54 Collaborative S2-1 Black print is a rare, signed, and numbered silkscreen released in 2020 as part of the Maison54 Series Two project. Printed in a hand-pulled single-color edition of 30, this 18x24 inch work is a striking example of experimental collaboration in Street Pop Art & Graffiti Artwork. The print was produced using archival cotton rag paper with deckled edges and features an embossed Maison54 seal. What makes this piece especially unique is the process behind it: each contributing artist—Jeff Soto, Urban Aztec, and Florian Bertmer—created their section of the composition independently, without knowledge of what the others were drawing. The result is a seamless yet surreal convergence of three distinct visual voices merged into one unified image that challenges artistic ego and emphasizes intuitive synchronicity. Visual Breakdown and Artist Contributions The vertical triptych format allows the viewer to dissect each artist's input while appreciating the composite harmony. Jeff Soto’s work, found in the upper portion of the piece, features his signature owl iconography—piercing eyes and surreal organic textures rendered in stark monochrome. Soto’s graphic fluency lies in blending nature with myth, which here acts as a visual guardian hovering over the piece. The central section, created by Urban Aztec, channels bold geometry and cultural symbology, referencing ancient visual languages through stylized forms, sharp symmetry, and kinetic movement. The bottom segment, illustrated by Florian Bertmer, dives into underground intensity with sinuous creatures, skulls, and intricate stippling that reveals his precision-driven linework. The fact that these three artists worked independently yet arrived at a composition of such cohesion reflects a shared sensibility rooted in street-level storytelling, tattoo traditions, and pop cultural myth-making. Production Format and Material Detail Printed at In-House Media Group in California, the piece uses traditional silkscreen methods on fine cotton rag paper designed for archival permanence. The deckled edges reinforce the handmade quality and elevate the work beyond standard poster formatting into the domain of collectible fine art. While black-and-white palette choices often suggest minimalism, the density of illustration here generates maximum visual impact. Each section holds its own micro-narrative, yet the composition flows as a singular totem of surreal energy and hybrid iconography. The print is signed and numbered by Jeff Soto, further marking its authenticity within a tightly controlled edition. Its status as part of a secret Maison54 initiative adds mystery and exclusivity, key traits often associated with Street Pop Art & Graffiti Artwork projects. Maison54 and the Spirit of Unscripted Collaboration Maison54’s ability to engineer a project where three globally recognized artists contribute blindly to a unified print reflects its deep understanding of the unpredictable power of Street Pop Art & Graffiti Artwork. The collaborative nature of this release removes pretense and forces visual trust between creatives, who are accustomed to complete control over their compositions. The success of this experiment lies in the intuitive overlaps between their styles, proving how aligned many visual languages are beneath surface differences. This project also highlights how Maison54 uses limited edition drops not just as releases but as conceptual acts—moments where the process is as compelling as the final product. S2-1 Black functions not only as a print but as a document of creative spontaneity, where chaos becomes cohesion and secrecy transforms into symbolic order. It stands as a rare collaboration that embodies the radical, ritualistic energy at the core of modern urban visual culture.

    $360.00

Maison54> Pop Artist Graffiti Street Artworks

Maison54: Conceptual Energy and Iconic Mashups in Street Pop Art & Graffiti Artwork

Artist Maison54 is known for a dynamic body of work that blends luxury symbolism, cultural irony, and visual remix into a signature aesthetic that lives comfortably within Street Pop Art & Graffiti Artwork. Drawing from fashion, advertising, historical iconography, and pop media, Maison54 constructs layered narratives built on familiar imagery and subverted context. The name Maison54 references the world of haute couture while simultaneously suggesting numerical coding or institutional designation—an intentional play on perception, status, and identity. Each work by Maison54 pulls the viewer into a saturated visual environment where opulence collides with satire and fine art techniques are used to question value systems, branding, and societal obsession.

Visual Language, Composition, and Material Choices

Maison54 utilizes a sharp and clean compositional style built on balance, juxtaposition, and the interplay of color and icon. Figures pulled from fashion campaigns, cartoons, classical paintings, and corporate logos are often set against controlled geometric backgrounds, metallic textures, or flat color fields. Many of these works use collage as both a literal and conceptual device—layering paper, screenprint, and paint to create tension between surface polish and visual disruption. The result is work that feels simultaneously composed and chaotic. In Street Pop Art & Graffiti Artwork, this balance between control and chaos reflects a larger narrative about urban life, cultural memory, and mass influence. Maison54’s use of luxury iconography—often Chanel, Louis Vuitton, or Hermes—is not celebration but critique, using these emblems of wealth as cultural flashpoints for deeper questions around access, identity, and illusion.

Position Within Contemporary Pop and Street-Inspired Movements

Maison54 operates in the hybrid territory where contemporary pop meets urban expression. While the artist’s work is polished and often suited to gallery or interior environments, its origin lies in the visual attitude of graffiti and street-based culture. The boldness of the messaging, the directness of the references, and the commitment to remixing borrowed material places Maison54’s work firmly within the context of Street Pop Art & Graffiti Artwork. Like many artists who came of age in a post-Warhol, post-Basquiat visual environment, Maison54 uses art to process overload. The pieces speak not only to what is seen but to how visual culture shapes behavior, aspiration, and memory. Maison54’s works serve as mirrors, reflecting how deeply branding has infiltrated the visual psyche and how closely art now interacts with commerce, commentary, and chaos.

Maison54 and the Language of Luxury Subversion

What makes Maison54 stand out in the contemporary field is the ability to both critique and seduce using the same language. The works often feel elegant, inviting, and refined at first glance—but closer inspection reveals distortion, humor, and subversion. By weaponizing aesthetics associated with beauty and wealth, Maison54 disarms the viewer before delivering a deeper message. This approach is central to the best of Street Pop Art & Graffiti Artwork, where the artist plays both trickster and philosopher, using accessible visuals to deliver uncomfortable truths. Through repetition, distortion, and refinement, Maison54 continues to evolve a visual practice that speaks directly to modern culture’s contradictions—seductive and critical, playful and sharp, fashionable and fractured. Each piece is not just image but observation, frozen in time and styled for disruption.
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