Man Male

8 artworks

  • Marchers White Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers White Silkscreen Print by Cleon Peterson

    Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers White by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers White is a 2016 hand-pulled 2-color silkscreen print by American artist Cleon Peterson. This signed and numbered limited edition of 125 was printed on deckled fine art paper and measures 13 x 34 inches. It features a procession of six stylized, muscular figures in a uniform line, each carrying a blood-streaked sword draped across their shoulders. The artwork is a graphic portrayal of conformity and violence, rendered in Peterson’s iconic flattened silhouette style. With clean lines and bold simplicity, the figures march in lockstep across a stark white background, forming a visual rhythm that mimics propaganda friezes and ancient relief carvings. The use of gold and red ink intensifies the contrast between elegance and brutality, a hallmark of Peterson’s visual language. Symbolism of Power, Violence, and Uniformity In Marchers White, Peterson explores the mechanization of power and the erosion of individuality within systems of control. Each figure appears identical, stripped of personal identity and locked in a hypnotic march. The red-tipped blades suggest recent violence or continuous bloodshed, reinforcing the idea that aggression has become routine, even ceremonial. The figures’ nudity, stylized musculature, and emotionless posture evoke primal force restrained within a ritual of obedience. The repeated form not only recalls ancient military parades or mythic processions, but also comments on contemporary structures of state, surveillance, and oppression. The absence of background or contextual setting forces viewers to focus entirely on the figures and their choreography, placing the act of violence and conformity at the center of the narrative. Cleon Peterson’s Allegorical Voice in Street Pop Art & Graffiti Artwork Cleon Peterson is known internationally for creating visual allegories that depict lawlessness, domination, and moral inversion. His works pull from classical art history, political propaganda, and modern editorial illustration to construct a world in collapse—where traditional boundaries between good and evil are blurred. Marchers White reflects Peterson’s ongoing examination of systemic violence and institutional complicity. While minimal in execution, the work functions as a complex statement on the banality of authoritarianism. It belongs squarely within the lineage of Street Pop Art & Graffiti Artwork, as it utilizes bold, graphic style to engage in socio-political critique. Peterson does not romanticize rebellion or glorify power—instead, he presents viewers with unfiltered snapshots of a dystopian order wrapped in seductive aesthetics. Printmaking Technique and Collector Value The Marchers White edition is crafted with the precision and attention to detail that characterizes Cleon Peterson’s fine art practice. Printed using a 2-color silkscreen method on heavyweight deckled fine art paper, the physical quality of the piece matches its conceptual weight. The crisp edges of the figures and the subtle texture of the ink application reflect a high standard of printmaking. Each print is individually signed and numbered, securing its authenticity and positioning it as a significant work within Peterson’s catalog. For collectors of Street Pop Art & Graffiti Artwork, Marchers White stands as a poignant artifact of modern discontent—a visually arresting and politically charged piece that underscores the silent march of violence accepted as structure.

    $1,199.00

  • Last Supper in South Park Giclee Print by Ron English

    Ron English- POPaganda Last Supper in South Park Giclee Print by Ron English- POPaganda

    Last Supper in South Park Artwork Giclee Limited Edition Print on Hahnemühle Photo Rag Pearl Paper by Pop Culture Graffiti Artist Ron English- POPaganda. South Park Studios proudly presents this museum quality fine-art reproduction of "Last Supper in South Park" by Ron English- POPaganda. Printed with Epson Pigmented inks on Hahnemühle Photo Rag Pearl paper, this unframed collector's piece is hand-signed and individually numbered by the artist. 150 prints in the edition. The creators of South Park and Ron English- POPaganda selected 15 artists to pay tribute to the 15th season of South Park at an art show that opens on March 28th at Opera Gallery in New York City.

    $835.00

  • Presence Serigraph Print by Derek Hess

    Derek Hess Presence Serigraph Print by Derek Hess

    Presence Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "This piece is about a “presence”, higher power, greater conscience, god, or whatever you believe it to be. The words are “presence” written in many different languages to illustrate the universal presence. No one religion has a copyright on angels, they all basically come from the same source.The white of the wings and hair are the white of the paper." - Derek Hess

    $352.00

  • A Study in Pink Giclee Print by Alice X Zhang

    Alice X Zhang A Study in Pink Giclee Print by Alice X Zhang

    A Study in Pink Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alice X Zhang. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 19x13

    $218.00

  • Old Man Varaniassi Autumn Vines Brooklyn 2013 Print by Swoon- Caledonia Curry

    Swoon- Caledonia Curry Old Man Varaniassi Autumn Vines Brooklyn 2013 Print by Swoon- Caledonia Curry

    The Old Man and Varaniassi With Autumn Vines Brooklyn 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. The Old Man and Varaniassi with Autumn Vines by Caledonia Curry aka Swoon The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 is a striking giclee print by Caledonia Curry, the influential Street Pop Art & Graffiti Artwork figure known as Swoon. Released as part of the Swoon Street Series Print Collection in 2016, this signed and numbered edition of 175 showcases one of her most haunting and poetic wheatpaste interventions. Captured in situ, the piece features an intricate black-and-white wheatpaste portrait of an elderly man, placed against the weathered textures of a Brooklyn wall, overtaken by creeping autumn vines and surrounded by vibrant street ephemera. The print measures 19x13 inches and is produced on museum-grade fine art rag paper, emphasizing the detail and tonal richness of the original street composition. Street Pop Art Symbolism in Swoon's Urban Portraiture Caledonia Curry's ability to breathe emotional depth into public spaces has made her a defining voice in contemporary street culture. In The Old Man and Varaniassi with Autumn Vines, the figure appears contemplative and weathered, rendered in her signature hand-drawn, cut, and pasted style. The background creates a rich tapestry of decay and life—flaking paint, tags, stickers, and ivy coexist as both natural and cultural decay and regeneration. This synergy between subject and environment reflects one of the core themes in Curry’s body of work: honoring human dignity amid the chaos of urban life. The artwork draws on the language of both graffiti and fine art, blending portraiture with the physicality of the street surface and layering in symbolism that rewards slow looking. Graffiti Pop Street Artist Caledonia Curry and Her Printmaking Legacy Caledonia Curry has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork by documenting her ephemeral public wheatpastes in limited-edition fine art prints. These prints are not mere reproductions but vital reimaginings that preserve the emotional and aesthetic impact of the original installations. The Old Man and Varaniassi with Autumn Vines is a key example of how Curry translates fleeting urban moments into permanent artistic records. The dense linework, atmospheric tone, and interplay between figure and urban decay reflect her background in printmaking and her dedication to community-centered narratives. This print is both a piece of art history and a continuation of street storytelling. Preserving Urban Stories through Fine Art Editions The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 stands as an enduring document of Swoon's work in New York during a pivotal period in her career. Printed with archival inks on heavyweight fine art paper, the edition reflects the technical care and conceptual weight Curry brings to all her projects. Whether experienced on the street or as a gallery-quality print, her work communicates empathy, memory, and resilience. As part of the Swoon Street Series Print Collection, this piece allows collectors and institutions to engage with the raw immediacy of street culture in a format that honors its artistic and cultural value. Caledonia Curry continues to shape Street Pop Art & Graffiti Artwork through her visionary blend of fine art precision and social engagement.

    $350.00

  • Marchers Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers Black Silkscreen Print by Cleon Peterson

    Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers Black by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers Black is a 2016 hand-pulled 2-color silkscreen print by Cleon Peterson, an American artist acclaimed for his stark allegories of violence, dominance, and control. This limited edition work is printed on 13 x 34 inch deckled fine art paper and was released in an edition of 125, each one signed and numbered by the artist. The image features six identical, stylized figures walking in strict formation, each with a sword slung over the shoulder. The figures are rendered in gold on a deep matte black background, emphasizing their ritualistic presence and evoking both ancient procession and modern conformity. The figures’ nudity, musculature, and uniform posture strip them of individual identity, instead casting them as instruments of institutional force, frozen in a silent parade of aggression. Conformity, Power, and the Aesthetic of Ritual In Marchers Black, Cleon Peterson isolates the mechanisms of systemic violence and repetition. The identical figures advance in step, their gestures calm yet loaded with menace. The blood-smeared blades on their backs are symbolic rather than graphic, suggesting not the moment of action but the aftermath—the silent normalization of brutality. The lack of expression or differentiation among the figures speaks to the erasure of individuality under oppressive structures, whether they be military, political, or societal. Their forward momentum, fixed and unrelenting, reads as both a march toward power and a descent into complicity. The black background serves not just as negative space but as psychological weight, amplifying the intensity of the gold silhouettes and enforcing a sense of visual and emotional gravity. Cleon Peterson’s Signature Themes in Street Pop Art & Graffiti Artwork Cleon Peterson is a leading voice in Street Pop Art & Graffiti Artwork, known for merging graphic minimalism with confrontational narratives. His compositions channel ancient mural traditions, propaganda design, and dystopian storytelling into modern allegories. Marchers Black exemplifies this approach by simplifying form to maximize meaning. While many artists in the genre celebrate rebellion, Peterson exposes the systems behind it—the hierarchies, the ritualistic cycles of violence, the role of submission in maintaining order. His work is not decorative but declarative, challenging viewers to confront the undercurrents of cruelty that persist beneath polished surfaces. Marchers Black is not a depiction of chaos, but of order so rigid it becomes inhuman. It visualizes the seduction and horror of control through the repetition of figures whose purpose is not to question, but to obey. Material Execution and Collector Impact Printed on premium deckled fine art paper using a two-layer silkscreen process, Marchers Black merges street aesthetics with refined printmaking tradition. The gold pigment contrasts dramatically against the matte black background, delivering a visual impact that echoes the thematic weight of the piece. Each print is hand-pulled and signed by Cleon Peterson, reinforcing its position as a deliberate and enduring object. As a limited edition of 125, it holds significant value for collectors interested in Street Pop Art & Graffiti Artwork that critiques systems of power without relying on spectacle. Marchers Black is both a visual mantra and a warning—documenting the quiet march of institutional violence, masked in symmetry, strength, and silence.

    $1,199.00

  • Hi-Fi AP Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Hi-Fi AP Silkscreen Print by Shepard Fairey- OBEY

    Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Hi-Fi AP by Shepard Fairey: A Tribute to Punk and Graffiti Pop Street Art The Hi-Fi Artist Proof silkscreen print by Shepard Fairey is a bold exploration of the intersection between music, rebellion, and Street Pop Art. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and was hand-pulled as a one-color silkscreen print on fine art paper. Signed and marked as an Artist Proof by Fairey, this piece is a rare collector’s item that pays homage to the aesthetic and cultural impact of punk music and album art. The design features a figure with a sharp, stylized jacket adorned with music-inspired elements. The phrases Burn It Down, Lost Souls, The Enemy, F.S.U., and Movin On cascade down the image like a punk rock playlist, evoking the raw energy of the punk scene. A leopard-print border adds texture and contrast, reflecting the bold, unapologetic attitude associated with punk culture. Fairey’s meticulous use of line work and negative space emphasizes the dynamic interplay between the central figure and the surrounding design elements, creating a visually arresting composition. The Influence of Music on Shepard Fairey’s Art Shepard Fairey has often credited music as one of the most significant influences in his artistic journey. Hi-Fi AP exemplifies his ability to channel the spirit and energy of music into visual form. The design draws heavily on the DIY ethos of punk rock, where album covers and merchandise served as canvases for artistic expression. Fairey’s work reflects this connection by incorporating elements that evoke the tactile and immediate qualities of vinyl records, zines, and handmade posters. The leopard-print motif and gritty typography reinforce the rebellious aesthetic of punk, while the inclusion of track titles creates a narrative that connects music to the emotions and experiences it represents. Fairey’s ability to encapsulate the cultural significance of music in his work highlights his deep understanding of its role as a unifying force. Hi-Fi AP is not just a piece of art; it is a visual celebration of the energy, individuality, and community that music fosters. The Craft of Silkscreen Printing The silkscreen printing process used for Hi-Fi AP is a testament to Shepard Fairey’s dedication to his craft. Each print is meticulously hand-pulled, allowing for a high level of precision and detail. The one-color design emphasizes the bold contrasts and sharp lines that define Fairey’s style. Printed on fine art paper, the piece achieves a refined finish that enhances its visual and tactile appeal. As an Artist Proof, this print holds a special significance within the edition, often representing the artist’s experimentation and refinement of the design. The choice of silkscreen printing aligns with Fairey’s roots in graffiti and street art, where stencils and hand-pulled prints are integral to the medium. This traditional approach, combined with modern graphic sensibilities, makes Hi-Fi AP a compelling example of contemporary Street Pop Art. Shepard Fairey: Elevating Graffiti Pop Street Art Shepard Fairey has become a pivotal figure in the evolution of Street Pop Art and Graffiti Artwork. His ability to blend bold graphic elements with cultural commentary has established him as a voice for individuality and social awareness. Hi-Fi AP reflects his commitment to exploring the intersections of music, art, and activism, creating pieces that resonate with audiences on multiple levels. Through works like Hi-Fi AP, Fairey demonstrates the enduring influence of punk culture and its ability to inspire new forms of artistic expression. This piece is a celebration of the raw energy and democratic spirit that define both music and art, making it a significant addition to Fairey’s body of work and a must-have for collectors and fans of contemporary Street Pop Art.

    $285.00

  • Forever | Never Giclee Print by Nimit Malavia

    Nimit Malavia Forever | Never Giclee Print by Nimit Malavia

    Forever | Never Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

    $159.00

Man Male Graffiti Street Pop Artwork

The Evolution of Male Imagery in Street Pop Art and Graffiti Artwork

Graffiti street art has long been a platform for artists to express themselves, share messages, and challenge social norms. Men as a topic in graffiti street art can encompass a wide range of subjects, styles, and messages. Some key themes and aspects of men in graffiti street art include Portraits and representation: Graffiti artists often create portraits of men, whether they're famous figures, friends, or strangers. These portraits can showcase various emotions, characteristics, and styles, allowing artists to communicate messages and ideas about masculinity. Street Pop Art and Graffiti Artwork have long been powerful mediums for expression, often reflecting social, political, and cultural themes. Among these themes is the portrayal of men, which has evolved significantly. This evolution is a reflection of changing artistic styles and shifting societal perceptions about masculinity and male identity.

Early Representations of Men in Graffiti and Street Art

In the early days of graffiti and street art, male figures were often depicted as symbols of rebellion and social dissent. Graffiti, in its nascent form, was closely linked with the subcultures of urban environments, where it was used as a tool for the marginalized to voice their frustrations and aspirations. Exaggerated features, bold lines, and a sense of ruggedness typically characterized the male figures in these early works. They were often portrayed in dynamic poses, symbolizing strength and defiance against societal norms. One of the pioneering artists in this field was Keith Haring, an American artist known for his unique style that combined graffiti, pop art, and cartoon elements. Haring's work often featured male figures engaged in various actions, reflecting themes of life, death, sexuality, and war. He used these depictions to comment on broader social issues, including the AIDS crisis and LGBTQ+ rights. Haring passed away on February 16, 1990, but his influence on street pop art and graffiti remains profound.

Modern Interpretations and Diverse Perspectives

As street pop art and graffiti evolved, the representation of men in these mediums became more diverse and complex. Modern artists have moved away from one-dimensional portrayals, presenting men in various roles and contexts. This shift reflects a broader societal movement towards questioning and redefining traditional notions of masculinity. Contemporary artists like Banksy, whose real identity remains unknown, have utilized male imagery to critique political systems and societal structures. Banksy's work often features men in ironic or paradoxical situations, challenging viewers to reconsider their preconceptions about male identity and power structures. His art serves as a commentary on the vulnerabilities and complexities of modern masculinity, veering away from the stereotypical portrayal of men as merely solid and unemotional.
Similarly, Brazilian artist Eduardo Kobra uses colorful, kaleidoscopic patterns to create large-scale murals that often include male figures from history and pop culture. Kobra's work blends hyper-realism and abstraction, bringing a sense of humanity and depth to his subjects. His murals are visually striking and carry messages about peace, unity, and the human experience.

Impact and Influence of Male Imagery in Street Pop and Graffiti Art

The portrayal of men in street pop art and graffiti has significantly impacted both the art world and society. These artworks have provided a platform for discussing and challenging traditional gender roles, offering new perspectives on what it means to be a man in the modern world. They have also played a crucial role in democratizing art, taking it out of galleries and into public spaces, making it more accessible and relatable to a broader audience. Moreover, the evolution of male imagery in these art forms reflects the ongoing societal conversation about gender identity and expression. As attitudes towards masculinity continue to evolve, so too does the portrayal of men in street pop art and graffiti. This dynamic relationship between art and society ensures that these art forms remain relevant and powerful tools for social commentary and change. Cultural icons and role models: Artists may depict male icons, leaders, or role models from various cultures, highlighting their accomplishments, impact, or influence on society. This can include athletes, musicians, politicians, activists, or historical figures. Social issues and masculinity: Graffiti street art often addresses social issues and challenges cultural norms. Men can be the subject of these discussions as artists explore themes such as toxic masculinity, gender roles, and male vulnerability. These artworks can provoke thought and conversation about how men are perceived and expected to behave in society. Styles and techniques: Various styles and techniques in graffiti art can be used to represent men or masculine themes. For example, artists may use realistic, abstract, or cartoonish styles, incorporating typography, stencils, or mixed media elements. Collaborations and collectives: Many graffiti artists work in groups or collaborate on projects, creating a sense of community and shared artistic vision. These collaborations can lead to unique and impactful works that address themes related to men or masculinity. Men as a topic in graffiti street art can be approached in numerous ways, ranging from portraits and representation to social issues and cultural icons. The versatility of graffiti as a medium allows artists to express their thoughts and ideas about men and masculinity in a way that is accessible, thought-provoking, and engaging to the public. The representation of men in street pop art and graffiti artwork has undergone significant changes over the years. From symbols of rebellion in the early days to more nuanced and diverse portrayals in modern times, these images reflect the complex and ever-evolving nature of male identity. Artists like Keith Haring, Banksy, and Eduardo Kobra have shaped this narrative, using their art to challenge stereotypes and spark conversations about masculinity in contemporary society. The impact of their work extends beyond the art world, influencing societal perceptions and contributing to the broader discourse on gender.
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