Man Male

8 artworks


  • Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis of a Kind of Artwork on Foam Core Mounted to Acrylic Sheet From Street Art Pop Artist. 2001 Signed Acrylic Painting Original Artwork Size 32x12 Depicting 2 People Sharing a Meal at a Table with Wine Over a Massive Red Carpet. Tagged, Signed, Dated, and titled on the Back. Imperial / Red Carpet / Dred66 / March 2001 Essence of "Red Carpet Imperial" by Tyree Davis "Red Carpet Imperial" stands as a remarkable testament to the artistic prowess of Tyree Davis, known in the street pop art and graffiti artwork community as Dred66. This original oil painting, a one-of-a-kind artwork on foam core mounted to an acrylic sheet, exemplifies the fusion of street art aesthetics with the traditional oil painting medium. Created in 2001, this signed acrylic painting stretches across a sizeable 32x12 canvas, depicting a scene that is both intimate and grandiose — two people sharing a meal at a table with a wine bottle over a massive red carpet. Davis's "Red Carpet Imperial" encapsulates the ethos of street pop art by bringing the personal into the public sphere. The subjects of the painting — two individuals engaged in the simple act of sharing a meal — are universal in their relatability. Yet, they are set against a backdrop that speaks to grandeur and excess. This contrast sketched out in the earthy yet bold tones of the oil paints, evokes a narrative that is both a celebration and a critique of cultural and social dynamics. It's a snapshot of life that is as much about the environment as it is about the individuals within it. Signature Style of Dred66 and Artistic Influence Tyree Davis's signature style is evident in how "Red Carpet Imperial" harmonizes street art's raw energy with a gallery piece's sophistication. The painting carries the hallmarks of graffiti in its background — tagged, signed, and dated by the artist, which is a nod to the graffiti tradition of artists marking their territory and claiming space. This element of the artwork connects the practice of street art with the established conventions of fine art, creating a dialogue between two worlds often seen as disparate. The tactile quality of the foam core gives the painting a three-dimensional feel. At the same time, the mounting on an acrylic sheet provides a modern twist, suggesting the protective glazing found in street art installations. These material choices by Davis reflect a thoughtful consideration of medium and message, ensuring that "Red Carpet Imperial" resonates with the authenticity of street art even as it occupies a different physical and conceptual space. In "Red Carpet Imperial," Davis offers a cultural commentary that is as relevant today as it was at the beginning of the millennium. The work's title, 'Imperial,' hints at a critique of societal structures and the seduction of luxury, a theme deep in street pop art's veins. The painting invites viewers to reflect on the disparities and contradictions that pervade modern life by placing an everyday scene in a context that implies wealth and luxury. Moreover, the painting's year of creation, 2001, situates it at a time when street art began gaining widespread recognition as a legitimate art form. Tyree Davis contributed to this burgeoning recognition through his work, bridging the gap between the street and the gallery and challenging preconceived notions about the value and place of graffiti and street pop art in the art historical canon. Legacy and Continuing Influence Tyree Davis's "Red Carpet Imperial" legacy continues influencing the street art community and the broader art world. It stands as a powerful example of how the aesthetics and themes of street pop art can be translated into different mediums and settings, maintaining their impact and resonance. Davis's work invites ongoing discourse about the intersections between art, culture, and society through its bold visual language and underlying social commentary. This conversation is as vital now as it was two decades ago. "Red Carpet Imperial" is more than just a painting; it is a piece of social fabric, a historical document, and a beacon of street pop art's enduring power to communicate, challenge, and captivate. Tyree Davis, as Dred66, has crafted an artwork that is both a reflection and a critique of the world it inhabits, securing his place in the annals of street pop art history.

    $5,000.00

  • The Joker Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta The Joker Silkscreen Print by Mr Brainwash- Thierry Guetta

    The Joker Batman DC Comics Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr. Brainwash Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 79 Artwork Size 32x43 "Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, The Joker. A seven-color screen print on hand-torn archival art paper. Each print is signed and numbered, with a thumbprint on the back. The standard edition will be out of an edition of 79" -Mr Brainwash- Thierry Guetta (Team) Mr. Brainwash, a moniker used by the street artist Thierry Guetta, continues to influence the street pop art and graffiti art movement with his distinctive works that often blend pop culture references and an edgy street aesthetic. His latest foray into comic book art brings us a limited edition silkscreen print featuring The Joker, one of Batman's most infamous adversaries from DC Comics. This particular piece is a stunning representation of The Joker, encapsulating the character's chaotic energy and anarchic spirit. Crafted through a meticulous seven-color hand-pulled silkscreen process on fine art paper, the print exemplifies Mr. Brainwash's signature style that fuses street art and pop art elements. The artwork is a riot of color, with splashes and drips that suggest a raw, uncontained force, much like The Joker himself. This approach to the piece invokes graffiti art's spontaneity and rebellious nature, while the iconic comic imagery ties it firmly to pop art traditions. Each of the limited edition prints, sized at an impressive 32x43 inches, is not only signed and numbered but also carries the unique thumbprint of the artist on the back, serving as a hallmark of authenticity and a personal touch from Mr. Brainwash. With only 79 pieces, this artwork is a coveted item for collectors and enthusiasts of comic books and contemporary street pop art. The choice of The Joker is particularly resonant in today's culture, symbolizing the dual nature of chaos and intellect. Mr. Brainwash's portrayal taps into the zeitgeist, presenting The Joker as a comic character and an icon of modern-day societal contradictions. The artwork is a bold statement in Mr. Brainwash's oeuvre, continuing his exploration of popular culture and its icons through street and pop art.

    $5,415.00

  • Into The Night MMXXI- Gold/White Silkscreen Print by Cleon Peterson

    Cleon Peterson Into The Night MMXXI- Gold/White Silkscreen Print by Cleon Peterson

    Into The Night MMXXI- Gold/White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and White screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

    $1,134.00

  • Into The Night MMXXI- Gold/Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Into The Night MMXXI- Gold/Black Silkscreen Print by Cleon Peterson

    Into The Night MMXXI- Gold/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

    $1,134.00

  • Sale -15% Flower of Evil: There is an End To Everything- White Silkscreen Print by Cleon Peterson

    Cleon Peterson Flower of Evil: There is an End To Everything- White Silkscreen Print by Cleon Peterson

    Flower of Evil: There is an End To Everything- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (White) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

    $702.00$597.00

  • Sale -15% Flower of Evil: There is an End To Everything- Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Flower of Evil: There is an End To Everything- Black Silkscreen Print by Cleon Peterson

    Flower of Evil: There is an End To Everything- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (BLACK) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

    $702.00$597.00

  • Into The Night MMXXI- Black/Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Into The Night MMXXI- Black/Black Silkscreen Print by Cleon Peterson

    Into The Night MMXXI- Black/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Into The Night MMXXI (black/black) 32 x 32 inch. Hand-pulled black on black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 75 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

    $1,545.00

  • Tender Forever 1986 Silkscreen Print by Faile Tender Forever 1986 Silkscreen Print by Faile

    Faile Tender Forever 1986 Silkscreen Print by Faile

    Tender Forever 1986 Silkscreen Print by Faile Hand-Pulled 25-Color Screen Relief Print on 300gsm Somerset Satin Paper Limited Edition Pop Street Art Artwork. 2008 Signed & Numbered Limited Edition of 315 Artwork Size 32x28.25 FAILE (b. 1975) Tender Forever 1986, 2008 Screenprint in colors on wove paper 28-1/4 x 32 inches (71.8 x 81.3 cm) (sheet) Ed. 315 Signed and annotated in pencil along lower edge, numbered and dated in ink verso Mild light and time staining verso. Sheet is loose. Tender Forever 1986 is a silkscreen print by the artist collective Faile. Faile is a Brooklyn-based collaboration between two artists, Patrick McNeil and Patrick Miller. They started working together in the late 1990s and are known for their contemporary street art, which combines graphic design, painting, and printmaking techniques. Their work often incorporates elements of popular culture, religious iconography, and vintage advertisements. The Tender Forever 1986 silkscreen print is an example of Faile's unique style, using a combination of vibrant colors and intricate patterns to create a visually engaging piece. The image contains multiple layers, featuring fragmented images and texts that evoke a sense of nostalgia like Native Americans, urban decay corporate brand logos, and the passage of time. Faile's works, including Tender Forever 1986, have been exhibited in galleries and museums worldwide, and their street art can be found on walls and buildings in major cities like New York, London, and Berlin. Collectors and fans of contemporary art appreciate Faile's innovative approach and their ability to blur the lines between high art and street culture.

    $1,931.00

Man Male Graffiti Street Pop Artwork

The Evolution of Male Imagery in Street Pop Art and Graffiti Artwork

Graffiti street art has long been a platform for artists to express themselves, share messages, and challenge social norms. Men as a topic in graffiti street art can encompass a wide range of subjects, styles, and messages. Some key themes and aspects of men in graffiti street art include Portraits and representation: Graffiti artists often create portraits of men, whether they're famous figures, friends, or strangers. These portraits can showcase various emotions, characteristics, and styles, allowing artists to communicate messages and ideas about masculinity. Street Pop Art and Graffiti Artwork have long been powerful mediums for expression, often reflecting social, political, and cultural themes. Among these themes is the portrayal of men, which has evolved significantly. This evolution is a reflection of changing artistic styles and shifting societal perceptions about masculinity and male identity.

Early Representations of Men in Graffiti and Street Art

In the early days of graffiti and street art, male figures were often depicted as symbols of rebellion and social dissent. Graffiti, in its nascent form, was closely linked with the subcultures of urban environments, where it was used as a tool for the marginalized to voice their frustrations and aspirations. Exaggerated features, bold lines, and a sense of ruggedness typically characterized the male figures in these early works. They were often portrayed in dynamic poses, symbolizing strength and defiance against societal norms. One of the pioneering artists in this field was Keith Haring, an American artist known for his unique style that combined graffiti, pop art, and cartoon elements. Haring's work often featured male figures engaged in various actions, reflecting themes of life, death, sexuality, and war. He used these depictions to comment on broader social issues, including the AIDS crisis and LGBTQ+ rights. Haring passed away on February 16, 1990, but his influence on street pop art and graffiti remains profound.

Modern Interpretations and Diverse Perspectives

As street pop art and graffiti evolved, the representation of men in these mediums became more diverse and complex. Modern artists have moved away from one-dimensional portrayals, presenting men in various roles and contexts. This shift reflects a broader societal movement towards questioning and redefining traditional notions of masculinity. Contemporary artists like Banksy, whose real identity remains unknown, have utilized male imagery to critique political systems and societal structures. Banksy's work often features men in ironic or paradoxical situations, challenging viewers to reconsider their preconceptions about male identity and power structures. His art serves as a commentary on the vulnerabilities and complexities of modern masculinity, veering away from the stereotypical portrayal of men as merely solid and unemotional.
Similarly, Brazilian artist Eduardo Kobra uses colorful, kaleidoscopic patterns to create large-scale murals that often include male figures from history and pop culture. Kobra's work blends hyper-realism and abstraction, bringing a sense of humanity and depth to his subjects. His murals are visually striking and carry messages about peace, unity, and the human experience.

Impact and Influence of Male Imagery in Street Pop and Graffiti Art

The portrayal of men in street pop art and graffiti has significantly impacted both the art world and society. These artworks have provided a platform for discussing and challenging traditional gender roles, offering new perspectives on what it means to be a man in the modern world. They have also played a crucial role in democratizing art, taking it out of galleries and into public spaces, making it more accessible and relatable to a broader audience. Moreover, the evolution of male imagery in these art forms reflects the ongoing societal conversation about gender identity and expression. As attitudes towards masculinity continue to evolve, so too does the portrayal of men in street pop art and graffiti. This dynamic relationship between art and society ensures that these art forms remain relevant and powerful tools for social commentary and change. Cultural icons and role models: Artists may depict male icons, leaders, or role models from various cultures, highlighting their accomplishments, impact, or influence on society. This can include athletes, musicians, politicians, activists, or historical figures. Social issues and masculinity: Graffiti street art often addresses social issues and challenges cultural norms. Men can be the subject of these discussions as artists explore themes such as toxic masculinity, gender roles, and male vulnerability. These artworks can provoke thought and conversation about how men are perceived and expected to behave in society. Styles and techniques: Various styles and techniques in graffiti art can be used to represent men or masculine themes. For example, artists may use realistic, abstract, or cartoonish styles, incorporating typography, stencils, or mixed media elements. Collaborations and collectives: Many graffiti artists work in groups or collaborate on projects, creating a sense of community and shared artistic vision. These collaborations can lead to unique and impactful works that address themes related to men or masculinity. Men as a topic in graffiti street art can be approached in numerous ways, ranging from portraits and representation to social issues and cultural icons. The versatility of graffiti as a medium allows artists to express their thoughts and ideas about men and masculinity in a way that is accessible, thought-provoking, and engaging to the public. The representation of men in street pop art and graffiti artwork has undergone significant changes over the years. From symbols of rebellion in the early days to more nuanced and diverse portrayals in modern times, these images reflect the complex and ever-evolving nature of male identity. Artists like Keith Haring, Banksy, and Eduardo Kobra have shaped this narrative, using their art to challenge stereotypes and spark conversations about masculinity in contemporary society. The impact of their work extends beyond the art world, influencing societal perceptions and contributing to the broader discourse on gender.

© 2024 Sprayed Paint Art Collection,

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