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Butch Limited Edition 5-Color Hand-Pulled Silkscreen Print on Mohawk Cream Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction-inspired piece from Spoke Art's Quentin vs. Coen group art show.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Zed's Dead Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction inspired piece from Spoke Art's Quentin vs. Coen group art show. 12"x18" six-color screen print. signed and numbered edition of 80.

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Talk Talk Talk- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Acclimation Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Pop Artist Adam Hall Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 16x18

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Take Me Now Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. Take Me Now Black & Gold Silkscreen Print by Cleon Peterson Take Me Now Black & Gold Silkscreen Print by Cleon Peterson stands as a striking example of the artist’s characteristic style and thematic focus. Cleon Peterson, an American artist known for stark depictions of struggle and confrontation, has built a reputation for bold monochromatic works that draw the eye and provoke conversation. This piece presents figures in dynamic conflict, rendered in gold against a deep black background. Each figure’s form is both angular and fluid, capturing a sense of motion that reflects a stark view of human interaction. The size measures 18x18, making it a balanced composition with high-impact visual appeal. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, the texture and weight of the paper enhance the overall impact. Signed and numbered by Cleon Peterson in 2024, the edition is limited to 100, creating a rare opportunity for collectors and enthusiasts to acquire a piece that underscores the artist’s ongoing exploration of power dynamics. The print’s name suggests tension and urgency, resonating with the typical themes in Peterson’s work. He frequently examines moral dualities, using stark color contrasts and bold shapes to evoke visceral emotional responses. Viewers often see a commentary on aggression and conflict, yet the piece also invites deeper reflection on the complexities of human behavior. The black and gold palette offers a refined aesthetic, lending an air of elegance to a scene that might otherwise be unsettling. Each brush stroke and line remains crisp due to the high-quality silkscreen process, granting an enduring vibrancy that collectors value in limited edition works. The hand deckled edges further elevate the tactile experience, emphasizing the craftsmanship of this print. Bold Symbolism within Street Pop Art & Graffiti Artwork Cleon Peterson’s distinct visual language has positioned him at the intersection of Street Pop Art & Graffiti Artwork with contemporary fine art. His bold approach takes cues from graphic design and urban culture, reflecting influences that range from European street murals to American underground zines. The sense of energy in Take Me Now Black & Gold Silkscreen Print recalls the raw power found in many street art pieces. Peterson’s figures, locked in combative poses, mirror the high-impact imagery seen in graffiti and pop-infused works. This synergy between classical printmaking and urban-inspired motifs makes his creations resonate with diverse audiences worldwide. The flat planes of color carry a graphic punch that suits those who appreciate both street-inspired aesthetics and the refinement of traditional silkscreen techniques. Collectible Appeal and Fine Art Details Collectors seek out Cleon Peterson’s signed and numbered prints for their enduring value and bold storytelling. Limited to only 100 editions in this 2024 release, Take Me Now Black & Gold Silkscreen Print embodies exclusivity and artistic ambition. Each piece features the rich contrast of black and metallic gold, capturing light in a way that accentuates the dynamic composition. The 290gsm Coventry Rag Fine Art Paper ensures the print’s longevity, while the hand deckled finish adds a personal touch that stands apart from machine-cut edges. This combination of premium materials, powerful imagery, and Peterson’s signature further solidifies its place in collections focused on Street Pop Art & Graffiti Artwork. Enthusiasts and new admirers alike often find that Cleon Peterson’s work sparks conversation, reminding viewers of the complexities of human behavior through a raw yet refined vision.

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The Passions 2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Miguel Cotto Limited Edition Hand Pulled 6-Color Serigraph Print on Fine Art Paper by Artist Ernesto Yerena Montejano (Hecho Con Ganas) Urban Modern Artwork. 2021 Signed & Numbered Limited Edition of 400 Size 18x24 Miguel Cotto x Ernesto Yerena Montejano This striking 6-color serigraph print, showcasing the formidable figure of Miguel Cotto, is a work by the dynamic artist Ernesto Yerena Montejano under his Hecho Con Ganas brand. The 2021 signed and numbered limited edition of 400 pieces, each sized at 18x24 inches, captures the essence of Cotto's athletic prowess and fighting spirit. The collaboration between Miguel Cotto and Ernesto Yerena Montejano brings forth an artwork steeped in urban modernity. It resonates deeply with the aesthetics of pop art, street art, and graffiti. Ernesto Yerena Montejano's signature style, which often melds the bold, graphic sensibilities of pop art with the subversive edge of street art, is evident in this piece. The representation of Cotto is not just as a sports icon but as a cultural symbol, reflecting the strength and resilience of a community. Each print, meticulously crafted, exudes the energy and passion that Cotto himself embodies. The vibrant colors and intricate details, from the tattoos that adorn Cotto's body to the background imbued with cultural references, create a visual narrative that extends beyond the confines of the canvas. This artwork does more than just depict a sports figure; it tells a story of heritage, pride, and unwavering determination. Including text within the artwork adds a layer of personal touch, signifying the intimate relationship between the subject and the artist, and between the artwork and its audience. Montejano’s choice to produce these pieces through traditional hand-pulled serigraphy adds to their exclusivity and allure, bridging the gap between artisanal craft and contemporary art. The collaboration of Miguel Cotto and Ernesto Yerena Montejano in this limited edition series is a cultural statement, merging the realms of athletics, art, and identity. Through this print, Montejano not only showcases his artistic talent but also pays homage to the fighting spirit that both he and Cotto share, a spirit deeply rooted in their collective experiences and individual endeavors.

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One Third Barack Obama Giclee Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on 12pt C2S Cardstock Paper Pop Artist Modern Artwork.  2012 Signed & Numbered Limited Edition of 50 Artwork Size 12x18 Barak Obama 3 Ways One Third Barack Obama Giclee Print by Serge Gay Jr – Limited Edition Street Pop Art & Graffiti Artwork Serge Gay Jr., an artist known for his intricate and socially conscious compositions, presents One Third Barack Obama, a striking 12x18-inch archival pigment fine art print created in 2012. Released as a signed and numbered limited edition of 50, this piece captures the former U.S. president in a fragmented, multi-dimensional portrait that challenges the viewer’s perception of identity, history, and cultural symbolism. Printed on 12pt C2S cardstock paper, the artwork merges realism with abstraction, layering different facets of visual storytelling in a way that speaks to the complexity of political imagery in Street Pop Art & Graffiti Artwork. The composition is divided into three distinct sections, each portraying a different aspect of Barack Obama’s persona. The first segment features a traditional African mask, evoking deep ancestral roots and the history of cultural heritage. The second reveals a skeletal, almost decayed version of his face, a stark contrast to the refined, public-facing image. The third, painted in hyperrealistic detail, presents Obama as a polished, composed figure—his gaze intense and unshaken. The use of bold color shifts and fragmented framing techniques creates a powerful visual dialogue between identity, perception, and legacy. The Symbolism Behind One Third Barack Obama This piece is a layered exploration of leadership, representation, and the way historical narratives shape public figures. By incorporating an African mask, Serge Gay Jr. acknowledges the deep cultural significance of ancestry and the unspoken narratives tied to Obama’s heritage. The skeletal imagery, often a symbol of mortality and hidden truths, suggests the weight of history, perhaps alluding to the struggles, contradictions, and political challenges faced by leaders in modern society. The final third, the most recognizable, serves as a reminder of the carefully crafted public persona that defines leadership in the contemporary political landscape. Street Pop Art & Graffiti Artwork has often been used as a medium to deconstruct powerful figures, challenging the way they are perceived and interpreted. This artwork dissects the visual iconography of Obama, questioning what lies beneath public admiration, media representation, and personal legacy. The use of fragmented portraiture creates an intentional disruption, forcing viewers to examine not just what is seen, but what is implied. Serge Gay Jr.’s Influence in Street Pop Art & Graffiti Artwork Serge Gay Jr. has established himself as an artist who blends fine art techniques with urban influences, creating visually stunning and socially charged pieces that resonate beyond the gallery space. His work often carries a strong narrative, whether addressing political themes, cultural identity, or the human experience. His attention to texture, contrast, and symbolism allows his pieces to communicate complex themes while maintaining a visually captivating aesthetic. Incorporating both traditional and modern techniques, his style is a fusion of realism and surrealism, often employing sharp contrasts in color and form. His ability to manipulate historical references alongside contemporary themes has made his work stand out in the world of Street Pop Art & Graffiti Artwork. One Third Barack Obama is a testament to this approach, presenting a subject that is instantly recognizable yet layered with deeper, thought-provoking elements. The Impact of One Third Barack Obama in Contemporary Urban Art One Third Barack Obama remains a powerful piece within contemporary Street Pop Art & Graffiti Artwork, reflecting the intersection of culture, politics, and artistic expression. By dissecting a highly recognizable political figure into multiple visual components, the piece challenges the audience to reconsider how identity is shaped by both personal history and public perception. The deliberate use of cultural symbolism, juxtaposed with hyperrealism and abstraction, forces the viewer to engage with the complexity of representation in modern society. The limited edition nature of the print makes it highly collectible, as it encapsulates a moment in time when political discourse, cultural identity, and artistic critique converged in a single image. Serge Gay Jr. continues to push boundaries within urban contemporary art, using his talent to create thought-provoking, visually striking pieces that leave a lasting impact. One Third Barack Obama stands as a bold example of how street art can serve as both a political statement and a deep exploration of identity, ensuring its relevance in the ongoing dialogue between art and society.

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The Naked Woman & Man White 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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Chain & The Gang- Elks Lodge 2010 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Elks Lodge. October 7th 2010 Featuring Chain & The Gang, Danny and the Darleans, Richie Are The Whip, DJ Forest.

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The Gipper Ultra-Violence- Green Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Artwork Size 6x18 Displayed With Box Vinyl Bust of Ronald Regan Destroy Sculpture. The Gipper Ultra-Violence Green by Frank Kozik The Gipper Ultra-Violence Green Vinyl Art Toy is a provocative and collectible piece by Frank Kozik, a renowned figure in street pop art and graffiti artwork. Released in 2019 as a limited edition of 50 pieces, this signed vinyl sculpture boldly reimagines Ronald Reagan in Kozik’s signature satirical style. Standing at 6x18 inches, the vibrant green bust captures the attention of art enthusiasts and collectors alike with its striking design and thought-provoking message. A Powerful Commentary in Street Pop Art This artwork is a vivid commentary on political and cultural power structures, using Reagan’s likeness as a symbol of authority. The neon green bust, adorned with a detachable “Destroy” sign across the eyes, challenges traditional perceptions of leadership and societal control. The vibrant green color amplifies its pop art aesthetic, creating an eye-catching contrast against the backdrop of its accompanying graphic box, which is adorned with Kozik’s bold designs and messaging. The interactive “Destroy” sign adds a layer of depth, encouraging viewers to engage with the piece on multiple levels. The Vision of Frank Kozik Frank Kozik, born in Spain in 1962 and later based in the United States, was a trailblazer in blending graffiti artwork with pop art influences. Known for his bold use of color and biting political commentary, Kozik redefined contemporary art through pieces that resonated with both humor and critique. His work often drew from punk culture and social dynamics, making strong statements about power, identity, and consumerism. The Gipper Ultra-Violence series is a testament to Kozik’s ability to transform familiar symbols into provocative works of art that challenge viewers to rethink societal norms. Kozik passed away in 2023, leaving behind an impactful legacy in the art world. A Rare and Iconic Collectible With only 50 pieces in existence, The Gipper Ultra-Violence Green is a highly sought-after collectible. Each bust is meticulously crafted from vinyl, signed by the artist, and accompanied by a custom-designed box that enhances its presentation. Its compact size of 6x18 inches makes it a versatile addition to any art collection, while its bold design ensures it remains a focal point. The limited-edition nature of the piece adds to its exclusivity and value, making it a prized possession for collectors of street pop art and political satire. The Gipper Ultra-Violence Green by Frank Kozik exemplifies the power of street pop art to provoke thought and spark dialogue. Through its vibrant color, interactive design, and sharp commentary, this sculpture stands as both a work of art and a cultural statement, reflecting Kozik’s enduring influence on the contemporary art scene.

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Credit Limit- Until Debt Do Us Part Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Credit Limit- Until Debt Do Us Part Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Until Debt Do Us Part by Denial Credit Limit: Until Debt Do Us Part is a thought-provoking archival pigment fine art print created by Canadian street pop art and graffiti artist Daniel Bombardier, known professionally as Denial. Released in 2020, this piece is part of the artist’s iconic Credit Limit series, which critiques consumerism and the deeply ingrained relationship between love, marriage, and financial dependency. Measuring 24x18 inches and printed on 290gsm MOAB fine art paper, this limited edition artwork is signed, numbered, and stamped on the reverse, with only 25 prints available. The piece combines striking visuals and sharp social commentary, making it a standout example of Denial’s signature style. Exploring Love and Consumerism Through Pop Art Until Debt Do Us Part features a romantic embrace between a couple overlaid onto a design inspired by an American Express credit card. The juxtaposition of love and financial commitment highlights the often-overlooked monetary dimension of relationships. The couple’s intimate pose, rendered in vibrant colors and comic book-style linework, conveys passion and tenderness. However, the backdrop of a credit card serves as a stark reminder of the financial realities that can influence and complicate relationships. This duality of emotion and materialism invites viewers to reflect on the cultural and personal implications of merging love with economic obligations. Denial’s Unique Artistic Approach Daniel Bombardier’s work is celebrated for its fusion of pop culture imagery with critical social commentary. Until Debt Do Us Part exemplifies his ability to repurpose everyday symbols into powerful artistic statements. The American Express-inspired design underscores the pervasive role of financial institutions in modern life, while the romantic imagery adds an emotional depth that resonates with audiences. Denial’s use of archival pigment printing ensures that the artwork maintains its vibrant colors and fine details, while the 290gsm MOAB paper enhances its visual and tactile quality. By combining elements of street pop art and graffiti artwork, Denial creates a piece that is both visually engaging and intellectually stimulating. The Cultural Relevance of Until Debt Do Us Part This artwork speaks to the complex intersections of love, marriage, and consumer culture. By framing a romantic moment within the context of financial dependency, Denial critiques the societal pressures that often intertwine emotional and economic commitments. The limited edition nature of the piece adds to its significance, making it a coveted item for collectors and enthusiasts of street pop art and graffiti artwork. Until Debt Do Us Part is a poignant reminder of the ways in which financial systems influence our most personal relationships, solidifying Denial’s reputation as a leading voice in contemporary art. Through its bold visuals and provocative themes, this artwork challenges viewers to reconsider the dynamics of love and debt in a materialistic world.  

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The Naked Woman & Man Gold 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” Gold black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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Delectable Duo- Mushroom Cream Pop Artwork Open Edition Giclee Print on Cream Art Paper by Modern Artist Nate Duval. 2014 Signed Artwork Size 11.75x18

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The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Aliens Vs Pharaohs Arrival Chrome Tablet Silkscreen Print by Marwan Shahin Limited Edition on Chrome Metal Pop Artwork. 2022 Signed & Numbered Limited Edition of 30 Size 15"x18"x1/8" "Shahin Studios is delighted to present the first object edition from Aliens Vs Pharaohs, the new controversial series by Marwan Shahin. This edition is the conclusion of over 6 months of experimenting to create the ultimate chromed out tablet telling modern day history. this edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on mirror like chromed out metal surface, Each print intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin

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The Passions 1 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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My Mary 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Mark Dean Veca Rare Street Art Famous Pop Artwork Artist.

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Culling 3-Color Hand-Pulled Mixed Media HPM Limited Edition Silkscreen Print & Iron Oxidizing Paint on Cradled Birch Wood Panel by Eddie Colla Rare Street Art Famous Pop Artwork Artist. 2016 Signed By Wood Burnt Stamp On Back & Custom Metal Plate on Side. Mixed Media HPM 3-Color Screen Print, Screws w/ Iron Oxidizing Paint on Cradled Birch Wood Panel Size: 18 x 24 x 1.75 Inches Release: March 17, 2016 Run of: 5

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The Naked Woman & Man Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Artwork Size 13x18 Hand-pulled 13 x 18” black and bone screen print. It was printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered—a limited edition of 75. Cleon Peterson's visuality is based on various influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, creating the illusion that the artwork is divided into levels. The perspective and the impression of depth moderately exist in the art of Peterson. Like in Greek vases, the background space is usually left empty or slightly embellished.

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Sexual Tyrannosaurus Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 12x18 Exploring Jon Smith's "Sexual Tyrannosaurus" The "Sexual Tyrannosaurus" is a provocative and compelling piece within the oeuvre of Jon Smith, an artist who bridges the realms of graffiti, street, and modern pop art. This limited edition 6-color hand-pulled silkscreen print on fine art paper is a testament to Smith's audacious approach to art that challenges and engages viewers. Created as an artist-proof in 2012 and signed by the artist, the 12x18 inch artwork is a mélange of prehistoric ferocity and modern cultural commentary. Street Pop Art and the Reimagining of Prehistory In this piece, Smith takes the iconic figure of the Tyrannosaurus Rex and imbues it with a contemporary edge, resulting in an artwork beyond simple representation. The name itself, "Sexual Tyrannosaurus," suggests a playfulness and irreverence that is often found in street pop art. The visual narrative crafted by Smith pushes the boundaries of traditional pop art by infusing it with the rawness and immediacy of street art. It's a piece that does not shy away from making a statement, demanding the viewer's attention with its vivid colors and striking imagery.  The Cultural Impact of "Sexual Tyrannosaurus" This work symbolizes the cultural impact and the versatility of street pop art and graffiti artwork. By choosing the Tyrannosaurus Rex, an emblem of power and dominance, and placing it within a modern context, Jon Smith opens up a dialogue about the intersection of past and present, nature and culture. The "Sexual Tyrannosaurus" is a metaphor for the enduring fascination with these ancient creatures while commenting on how they are perceived in contemporary society. In street pop art, such pieces are not mere decorations but conversations etched onto paper, walls, and the public consciousness. Artists like Jon Smith play a pivotal role in this ongoing discourse, using their art to explore, provoke, and reflect the zeitgeist. The limited edition nature of "Sexual Tyrannosaurus" underscores its value as a collectible piece of art that captures a moment in time in the ever-evolving narrative of street art. Through works like this, the legacy of prehistoric giants continues to be felt, reimagined through the lenses of artists who continue to challenge the status quo.

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Reading Club AP Artist Proof Pop Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Pop Artist Cinta Vidal. AP Artist Proof 2016 Signed & Marked AP 18x18 Limited Edition of People Reading Books On Flying Furniture In the realm of contemporary pop art, few works captivate with as much intrigue and whimsy as "Reading Club" by Cinta Vidal. With this limited edition giclee print, Vidal takes viewers on a surreal journey, defying the laws of physics and convention, as individuals immerse themselves in the world of literature, suspended on flying furniture. The piece, beautifully rendered on 290gsm Moab Entrada Paper, is not merely a visual spectacle but also an ode to the transformative power of reading and the universality of this experience across different cultures and contexts. Spanning an 18x18 canvas, the artwork is both intimate in its portrayal of individual readers and grand in its conceptual scope. Vidal's meticulous attention to detail, coupled with her penchant for creating multi-dimensional spaces, lends depth and dynamism to the composition. Chairs, sofas, and books float, topple, and twirl, seemingly untethered by gravity, yet each reader remains engrossed, unperturbed by the surrounding chaos. The juxtaposition of the ordinary act of reading with the extraordinary setting speaks to the escapism that literature offers. Released as an Artist Proof in 2016, this creation is part of an exclusive series, elevating its significance for collectors and art enthusiasts. Cinta Vidal, a luminary in the spheres of pop art, street art, and graffiti art, continues to push boundaries, challenging perceptions while celebrating the simple pleasures of life. "Reading Club" stands testament to her unique vision and unparalleled artistic prowess.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Miranda and Caliban Artwork Giclee Limited Edition Print on 310gsm Museum-Grade Archival Paper by Pop Culture Graffiti Artist Tran Nguyen. Miranda and Caliban by Tran Nguyen Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper 13 x 18 inches Limited Edition of 75 Signed & Numbered Printed with ♥ by Static Medium "I often paint figures enveloped by nature such as birds. I'm interested in the relationship between the two and how they co-exist with one another on the picture plane." -Tran Nguyen

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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The Gipper Ultra-Violence- Glow In The Dark Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Limited Edition of 50 Artwork Size 6x18 Glow in the Dark Displayed With Box Vinyl Bust of Ronald Regan Destroy Sculpture. We knew what really lurked behind Reagan’s benign smile and twinkling eyes… Now Frank Kozik embodies the spirit of America’s 40th president with the brilliant Gipper Bust. Standing 16" tall, the Kozik Gipper Bust comes with a detachable DESTROY sign, which gives you the option of staring straight into the face of evil. Plus, the Glow in the Dark colorway casts a ghastly glow when you turn out the light. The spirit of the 80s is alive on your shelf, day or night. The Glow in the Dark Kozik Gipper Bust was produced in a limited edition of 50. The Gipper Ultra-Violence Glow In The Dark by Frank Kozik The Gipper Ultra-Violence Glow In The Dark Vinyl Art Toy is a captivating and satirical creation by Frank Kozik, a trailblazer in the world of street pop art and graffiti artwork. Released in 2019 as a limited edition of 50, this glow-in-the-dark vinyl bust stands at an impressive 16 inches tall. It reimagines Ronald Reagan in Kozik’s signature style, blending bold critique with pop culture aesthetics. The piece comes with a detachable "Destroy" sign, offering an interactive element that allows collectors to engage directly with the provocative theme. A Glow-in-the-Dark Statement This unique version of the Gipper Bust elevates its presence with a luminous glow-in-the-dark finish, ensuring it makes an impact whether displayed in light or darkness. The glowing effect casts an eerie radiance, amplifying the sinister undertones of the bust’s design. Kozik’s depiction of Reagan, complete with his trademark grin, serves as a biting commentary on the duality of charm and power. The detachable "Destroy" sign across the eyes reinforces the message, inviting viewers to confront their perceptions of authority and the legacy of the 1980s political landscape. The Vision of Frank Kozik Frank Kozik, born in Spain in 1962 and later based in the United States, was a revolutionary artist who challenged traditional art norms with his bold, subversive creations. His works often delved into political and cultural themes, using humor and sharp commentary to provoke thought. Kozik’s art spans posters, sculptures, and designer toys, all marked by his distinctive aesthetic. The Gipper Ultra-Violence series encapsulates his ability to blend satire with high-quality craftsmanship. Kozik passed away in 2023, leaving behind a legacy that continues to inspire artists and collectors worldwide. A Rare and Collectible Masterpiece With only 50 pieces in existence, the Glow In The Dark Gipper Bust is a highly sought-after collectible. Each bust is meticulously crafted from durable vinyl and comes with a custom-designed box featuring Kozik’s iconic artwork. Its large size and interactive design make it a standout piece for any collection of street pop art or political commentary. The glowing feature adds an extra layer of intrigue, ensuring it remains a conversation starter in any setting. The Gipper Ultra-Violence Glow In The Dark by Frank Kozik is more than just a collectible; it is a provocative work of art that challenges viewers to reflect on the intersections of politics, power, and culture. Its limited availability, bold design, and glowing finish make it a must-have for fans of street pop art and graffiti artwork. This sculpture continues to embody Kozik’s unyielding spirit and his ability to turn familiar symbols into powerful statements.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Talk Talk Talk- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Statue of David Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 The Unique Fusion of Street Pop Art and Graffiti Artwork: Adam Lister's Perspective The Statue of David Giclee Print by Adam Lister is an exemplary work of contemporary art that melds the aesthetics of Street Pop Art and Graffiti Artwork. Adam Lister, an American artist known for his geometric and pixelated interpretations of classical and pop culture themes, has gained recognition for his ability to reinterpret iconic imagery through a modern lens. His limited edition giclee prints, meticulously produced on 300gsm hot press matte paper, reflect his commitment to quality and creativity. Lister's 2023 giclee prints are signed, numbered, and produced in editions of just 50, ensuring exclusivity and collectability. Measuring 24 by 18 inches, this artwork offers a reinterpretation of Michelangelo’s Statue of David, reimagined through Lister's characteristic style. He employs a method that dissects and reconstructs forms into fragmented geometric blocks, reminiscent of 8-bit video game graphics. This visual approach bridges the classical and the modern, creating a dialogue between the Renaissance masterpiece and the aesthetics of the digital age. Street Pop Art and Graffiti Artwork: Redefining Classical Imagery Street Pop Art and Graffiti Artwork often draw inspiration from a mix of historical references and contemporary cultural movements. Adam Lister’s work exemplifies this synthesis by using iconic symbols, such as the Statue of David, and rendering them with a playful, pixelated distortion. The juxtaposition of classical Renaissance art with the pixelated style associated with early digital media reflects the evolution of cultural symbols over time. By incorporating themes of deconstruction and simplification, Lister's work aligns with the ethos of Street Pop Art. His prints evoke the boldness and immediacy found in graffiti and street culture, while simultaneously referencing the intellectual rigor of fine art. This blend of styles positions his work at the forefront of contemporary artistic expression, making it accessible to a wide audience while maintaining artistic depth. The Process and Medium: Giclee Printing in Contemporary Art The giclee printing process plays a crucial role in the production of Adam Lister’s artwork. This technique involves the use of high-quality archival inks and papers, ensuring vibrant colors and exceptional durability. The 300gsm hot press matte paper used for the Statue of David print adds a subtle texture and depth, enhancing the visual impact of the geometric design. The use of giclee printing not only preserves the integrity of the artwork but also elevates it to a museum-quality standard. Lister’s choice to limit his editions to 50 prints underscores the exclusivity of his work, appealing to collectors who value unique and carefully crafted pieces. Each print is signed and numbered by the artist, adding an element of authenticity and personal connection to the piece. Adam Lister's Contribution to Contemporary Art Adam Lister continues to redefine how classical art is perceived in the context of Street Pop Art and Graffiti Artwork. His unique aesthetic offers a fresh perspective on iconic works, making them relevant and engaging for modern audiences. Born and based in the United States, Lister has successfully carved a niche for himself by combining historical themes with contemporary design elements. His work serves as a testament to the enduring power of art to transcend time and medium, connecting the past and present in innovative ways. The Statue of David giclee print is not just a reinterpretation of a timeless masterpiece but also a statement about the fluidity of artistic boundaries. By employing techniques and styles rooted in street art and digital culture, Adam Lister has created a piece that resonates with collectors, art enthusiasts, and casual viewers alike. His ability to transform the familiar into the extraordinary cements his place as a leading figure in contemporary art.

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The Possessed Triptych Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 154x18 (18x18 x 3) Triptych Silkscreen Print. Unveiling The Possessed: A Triptych by Cleon Peterson The Possessed Triptych Silkscreen Print by Cleon Peterson captures a raw, dynamic energy that is both compelling and confrontational, embodying the spirit of street pop art and graffiti artwork. Released in 2024, this limited edition artwork reflects Peterson's stark, narrative-driven style, showcasing his distinctive approach to visual storytelling through bold lines and contrasting colors. Cleon Peterson's Vision in Print With only 125 pieces available, each signed and numbered by the artist, The Possessed Triptych becomes a coveted item for art enthusiasts and collectors. Measuring an impressive 54 inches wide by 18 inches high when displayed side by side, the three 18x18 panels create a striking visual impact. Hand-pulled on deckled 290gsm Coventry Rag fine art paper, the triptych's medium is as refined as its execution, a testament to Peterson's craftsmanship and attention to detail. The choice of Coventry Rag paper underscores the artist's commitment to quality. Known for its durability and exceptional surface, this paper enhances the depth and intensity of the silkscreen print, allowing the stark contrasts and intricate details to resonate with the viewer. Interpreting The Possessed Triptych The Possessed Triptych is an arresting exploration of chaos, power, and human interaction. Peterson's work is often laced with themes of struggle and strife, depicting scenes that challenge the onlooker's perceptions of morality and order. This triptych is no different, presenting a tumultuous narrative that unfolds across the three panels, drawing the viewer into a world of stark dichotomies and raw emotion. Peterson's use of a limited color palette amplifies the drama within each frame, with the stark black and the warmth of gold engaging in a visual dance that is both ancient and contemporary in its expressions. The aggressive forms and the interaction of figures suggest a more profound commentary on societal structures and personal demons, leaving much to interpretation while clearly stating the pervasive nature of the conflict. The Cultural Impact of Peterson's Work Cleon Peterson's art is not created in a vacuum but is a direct response to the world around him. Much like the rest of his oeuvre, the Possessed Triptych is a bold statement within street pop art, a genre that often serves as a public forum for social critique and reflection. His distinctive style has solidified his standing within the contemporary art scene, resonating with the ethos of street art and its roots in graffiti's transgressive nature. As a visual storyteller, Peterson takes on the role of a modern-day chronicler, using silkscreen prints to document and dissect the complexities of the human condition. The limited nature of The Possessed Triptych ensures that each piece is a part of this narrative, an artifact of Peterson's artistic journey, and a snapshot of cultural discourse. Cleon Peterson's The Possessed Triptych is a powerful addition to the canon of street pop art and graffiti artwork, offering a glimpse into the artist's profound engagement with themes of power, chaos, and societal constructs. Through silkscreen printing, Peterson has created a series that captures the eye and also provokes the mind, ensuring that his work remains a subject of discussion and admiration within the art community.

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Social Distortion Diptych Artist Proof AP Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Desirable Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2007 Signed & AP Marked Original Run Limited Edition of 125 Artwork Size 24x18 Diptych Set of 2 Prints 3 color screen print Printed on 100% Off-White Archival Acid-Free Paper Signed AP: KINSEY / Stamped From the Original Edition 125 Size: 24 x 18 inches ea. / 60.9 x 45.7 cm ea. Year: 2007

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