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Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

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Idiot Giclee Print by Joan Cornellà Artwork Limited Edition Print on Archival Textured Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 25.59x21.25 Idiot Giclee Print by Joan Cornellà Idiot is a 2023 limited edition giclee print by renowned street pop artist Joan Cornellà. Signed and numbered, this piece is part of a collection of 100 prints, created on archival textured fine art paper. Measuring 25.59x21.25 inches, the artwork showcases Cornellà's distinctively humorous and absurd style, often characterized by simplistic cartoon figures and dark satirical themes. The image depicts a smiling man being scanned with a thermometer-like device reading "Idiot Certified," creating an immediate visual punch and exemplifying Cornellà’s signature approach to challenging societal norms. Joan Cornellà's Approach to Satire in Street Pop Art Joan Cornellà, a Spanish-born artist, is widely known for his minimalist, absurdist cartoons that take a critical look at modern society. His work frequently uses humor, often dark and uncomfortable, to shine a spotlight on the trivialities and absurdities of human behavior. Idiot is no exception, and in this print, Cornellà uses simple lines and bright colors to convey a biting critique on the ease with which society labels individuals, often without deeper understanding or nuance. Cornellà’s characters typically have smiling, vacant expressions, which only serves to heighten the absurdity of their situations. In Idiot, the juxtaposition of the smiling man with the thermometer reading “Idiot Certified” suggests a satirical commentary on the superficial judgments people face in a world driven by appearances and quick assessments. The "certification" of idiocy highlights the ridiculousness of relying on superficial indicators or societal validation to define self-worth or intelligence. This kind of critique is a hallmark of street pop art, where everyday symbols and elements are often recontextualized to critique social behavior and norms. The use of minimalistic, flat designs is a stylistic choice that enhances the immediacy of the message. Cornellà uses a bold color palette and simple lines to make the work visually striking, creating an art piece that immediately grabs attention while allowing viewers to quickly grasp its satirical meaning. The exaggerated, cartoon-like figures may appear simple at first glance, but they carry complex undertones about the human condition and the absurdity of modern societal structures. The Role of Dark Humor in Cornellà's Graffiti and Pop Art Cornellà’s work has been likened to graffiti and street pop art in that it distills complex social critiques into instantly recognizable images. His use of dark humor—a staple of his work—sets him apart within the pop art landscape. Idiot relies on a form of humor that is both biting and subtle, allowing viewers to laugh at the absurdity of the situation while recognizing the deeper societal issues being critiqued. The simplicity of the image belies the complexity of its social commentary, offering layers of interpretation. In street pop art, humor is often used as a tool to subvert traditional art norms or challenge authority. Cornellà's approach can be seen as a continuation of this tradition, where humor acts as a vehicle to critique social, political, and cultural systems. The absurdity in Idiot draws attention to how people often willingly conform to ridiculous standards without question. It reflects the increasingly superficial nature of society, where quick judgments based on surface-level interactions—much like a thermometer scan—can lead to reductive, often harmful, labels. The use of a medical device to certify idiocy also evokes a commentary on the over-reliance on technology or systems that dehumanize people. Cornellà’s work often critiques the technological and bureaucratic systems that strip individuals of their humanity, reducing them to a set of labels or metrics. This resonates with the broader themes in street pop art and graffiti, where artists often challenge the dehumanizing aspects of modern life, from politics to mass surveillance. Giclee Print as a Modern Medium for Street Pop Art The choice of giclee printing for Idiot aligns with the artist’s commitment to quality and the longevity of his artwork. Giclee printing is a process that uses high-resolution digital images and archival inks to create prints that are as close to the original as possible. This method ensures that the vibrant colors and sharp lines in Cornellà’s work are preserved over time. The use of archival textured fine art paper further enhances the print’s quality, providing a tactile, almost painterly feel to the image. Giclee printing is often used by modern street pop artists who want to maintain the integrity of their work while making it more accessible to collectors. In the case of Idiot, the giclee print allows Cornellà’s satirical cartoon to be appreciated in a physical format that retains all of the detail and color of the original digital design. By producing a limited edition of 100, Cornellà ensures that the artwork remains exclusive, while still making it available to a wider audience. In street pop art, the medium is often just as important as the message. By using high-quality printing techniques, Cornellà ensures that his satirical message—both humorous and critical—can stand the test of time, while also contributing to the ongoing conversation about what constitutes fine art in the context of street art and graffiti. The print is both a collectible item and a work of art with a strong social message. The Role of Social Commentary in Joan Cornellà's Artwork Cornellà’s artwork often revolves around themes of identity, societal expectations, and the absurdity of modern life. Idiot is a perfect example of how Cornellà uses simple imagery to dissect these complex ideas. The smiling man in the image, unperturbed by his "certified" idiocy, reflects the way individuals can become complicit in their own dehumanization by accepting societal labels. Cornellà’s work frequently critiques how people allow themselves to be categorized and diminished, all while maintaining a cheerful or passive demeanor. The absurdity of the situation is heightened by the fact that the character being labeled an "idiot" seems entirely unaware or unconcerned by the judgment being passed. This plays into Cornellà’s larger body of work, where individuals are often depicted as detached from the consequences of their actions or the systems that control them. In street pop art, this detachment is a common theme, reflecting how urban environments and societal structures can alienate individuals from themselves and each other. Idiot by Joan Cornellà is a masterful example of how street pop art and graffiti-inspired artwork can blend humor, absurdity, and critical social commentary. Through the use of minimalistic design, bright colors, and satirical humor, Cornellà challenges viewers to question how society defines intelligence, self-worth, and identity. The high-quality giclee print on archival fine art paper ensures that this artwork will remain a lasting and impactful piece within the world of contemporary art.

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In The Treasure of Time Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. 2020 Signed & Numbered Art print giclée With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 21.25” / 42 x 54 cm Signed & Numbered Hot Wax Seal Stamped Edition: 55 . AR Augmented Reality: https://vimeo.com/518617123 Uses the Artivive App

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In The Treasure of Time- Blue Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. 2021 Signed & Numbered Blue variant. Art print giclée With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 21.25” / 42 x 54 cm Signed & Numbered Hot Wax Seal Stamped Edition: 25 2021. AR Augmented Reality: https://vimeo.com/518617123  Uses the Artivive App In The Treasure of Time – Blue Edition by Handiedan in Street Pop Art & Graffiti Artwork In The Treasure of Time – Blue is a 2021 limited edition giclée print by Dutch artist Handiedan, known for her intricate compositions blending vintage aesthetics with modern symbolism. This blue variant, sized at 16.5 x 21.25 inches and printed on 315 gsm etching cotton rag paper, features detailed visual layers that merge currency design, figurative collage, and classical romanticism. Released in an edition of only 25, each print is signed, numbered, hot wax seal stamped, and enhanced with augmented reality components that expand the viewer’s experience beyond the physical print. Handiedan’s work sits at the intersection of baroque complexity and street art composition, reworking monetary iconography and ornamental design into statements on value, identity, and the feminine form. Conceptual Depth Through Currency and Composition In The Treasure of Time – Blue centers around a reimagined banknote structure, loaded with allegorical and emotional symbolism. Two male figures occupy the center, engaged in an intimate yet ambiguous exchange that could suggest conflict, desire, or internal struggle. Their interaction is surrounded by decorative scrollwork, numerical references, and repeated motifs found in vintage currency design. The title of the piece, embedded in the ornate frame, speaks to the theme of time as both asset and illusion. Handiedan plays with classical portraiture and banknote aesthetics to critique the commodification of identity and emotion. The figures, though highly rendered, exist within a symbolic frame that suggests they are caught in cycles of value, ownership, and visual consumption. Blue Tone and the Role of Repetition in Street Pop Art The blue color variant is not simply a palette change but an emotional recalibration. The cooler tones evoke a sense of nostalgia and emotional distance, allowing viewers to experience the work with a slower, more contemplative gaze. The layering of ornate elements—frames, flourishes, and mirrored figures—creates a visual rhythm that mimics both street poster layering and vintage engraving. Repetition in Handiedan’s work functions both decoratively and philosophically, emphasizing cycles of power, attraction, and historical amnesia. Her manipulation of symmetry and pattern transforms elements of money and mass production into works of emotive and spiritual inquiry. This approach reflects the ethos of Street Pop Art & Graffiti Artwork, where subversion often hides beneath beauty. Technical Craft and Augmented Reality Integration Printed on high-quality 315 gsm etching cotton rag using giclée methods, the texture and richness of In The Treasure of Time – Blue speaks to Handiedan’s precision and material awareness. The hot wax seal and hand-signature reinforce the tactile, one-of-a-kind nature of each print in the edition of 25. What sets this piece apart is its integration of augmented reality, allowing digital interactions to expand the narrative. Through this technology, the viewer can access additional visual layers, animations, or symbolic references that enhance the meaning without distracting from the analog artwork. This fusion of traditional printing with digital experience situates Handiedan’s work at the forefront of modern Street Pop Art & Graffiti Artwork, where physical and virtual mediums coalesce to deepen artistic storytelling. In The Treasure of Time – Blue is not just a portrait or collage but a layered artifact of power, memory, and visual meditation.

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