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Time Capsule Silkscreen Print by Michael Reeder Hand-Pulled 8-Color on 500g Rising Museum Board Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 99 Artwork Size 33x46 Silkscreen Print with Phosphorescent Glow-In-The-Dark Ink “The year is 3023. An unidentified object is discovered during an archeological dig in the now desolate and barren region of North America. While carefully cleaning the relic, it began to glow and shake violently. Unbeknownst to the handler, an ancient time capsule was inadvertently activated, releasing a power never before seen by humankind.” -Michael Reeder Michael Reeder is a contemporary American artist known for his distinct style that combines portraiture, graphic design, and street art elements. His work often features striking, colorful, and geometric compositions incorporating realistic and abstract elements. The "Time Capsule" silkscreen print by Michael Reeder is a limited edition artwork showcasing his unique visual storytelling approach. This piece features a subject rendered in Reeder's signature style, with bold colors, geometric shapes, and intricate details. The composition probably emphasizes the duality of the human experience, exploring themes such as identity, self-discovery, and the passage of time. As a silkscreen print, "Time Capsule" would have been created through a printmaking technique called serigraphy or screen printing. This process involves using a stencil to apply ink onto a surface through a fine mesh screen. The technique allows multiple identical prints to be created, often resulting in bold, vibrant colors and crisp lines. Limited edition prints like this are typically signed and numbered by the artist, making them desirable for collectors and art enthusiasts. Michael Reeder's work has been exhibited in galleries and art fairs around the world, and his unique style has garnered him a solid following among collectors and enthusiasts of contemporary art. Owning a piece like "Time Capsule" would be an excellent opportunity to bring a piece of Reeder's distinctive artistic vision into one's personal art collection.

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Storyteller AP Silkscreen Print by Raid71 Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2023 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 of Hayao Miyazaki Storyteller AP Silkscreen Print by Raid71: A Vibrant Celebration of Hayao Miyazaki in Street Pop Art & Graffiti Artwork The Storyteller AP Silkscreen Print by Raid71 is a stunning addition to the world of Street Pop Art & Graffiti Artwork. Crafted as an Artist Proof in 2023, this hand-pulled screen print is a powerful tribute to Hayao Miyazaki, one of the most influential figures in animation and storytelling. Raid71, born Chris Thornley in the United Kingdom, is renowned for his ability to infuse popular culture into detailed and emotionally resonant works of art. Sized at 18x24 inches and produced on fine art paper, this limited edition piece offers collectors a rare and intimate portrayal of Miyazaki. With every brush of color and line of ink, the print immerses the viewer in a vibrant tapestry built from the unforgettable scenes and characters that have made Miyazaki a household name across the globe. The Construction and Meaning Behind the Storyteller AP Print Every aspect of the Storyteller AP Silkscreen Print reflects meticulous care and dedication. As a hand-pulled screen print, each copy of the artwork carries slight nuances, capturing the authenticity and tactile richness that mechanical reproductions cannot replicate. The Artist Proof status of this edition, signed and AP marked by Raid71 himself, marks it as a particularly rare and treasured version among collectors. The visual composition layers iconic moments and beloved characters from Miyazaki’s legendary films like Spirited Away, Howl's Moving Castle, and My Neighbor Totoro. Rather than presenting Miyazaki through a traditional portrait, Raid71 constructs his visage out of the very elements that define his storytelling universe. This method honors the dynamic energy of Street Pop Art & Graffiti Artwork, where art serves as both a celebration and a commentary on its subject. Hayao Miyazaki’s Influence in the World of Contemporary Art Hayao Miyazaki, born in 1941 in Tokyo, Japan, remains alive as of 2025 and continues to inspire millions through his imaginative worlds and nuanced storytelling. Known for his deep engagement with themes such as nature, humanity, and pacifism, Miyazaki’s works transcend cultural boundaries and have cemented his place in global popular culture. The Storyteller AP Print by Raid71 captures this universality, highlighting how Miyazaki’s characters and narratives resonate across generations and cultures. The print offers a unique visual archive, mapping out the richness of Miyazaki’s creative spirit in a format that speaks directly to the contemporary sensibilities of Street Pop Art & Graffiti Artwork. Raid71’s work demonstrates how pop and street influences can celebrate the figures who have helped shape modern storytelling without losing the rebellious and expressive nature inherent to the medium. Street Pop Art & Graffiti Artwork as a Platform for Homage and Innovation The Storyteller AP Silkscreen Print exemplifies how Street Pop Art & Graffiti Artwork serves as a vital platform for honoring cultural icons while pushing artistic boundaries. Through vivid color palettes, intricate details, and hand-crafted techniques, Raid71 channels the spontaneity and boldness of street culture into a refined yet accessible artwork. The decision to use silkscreen printing underscores the tactile relationship between artist and medium, a hallmark of street and pop art traditions. Hayao Miyazaki’s likeness, reimagined through his own creations, becomes a living, breathing symbol of creativity, compassion, and wonder. The Storyteller AP Print captures not just a face but an entire world, woven together by the threads of imagination and visual storytelling that define both Miyazaki’s legacy and the enduring vibrancy of Street Pop Art & Graffiti Artwork.

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Some May Never Live, But The Crazy Never Die Etching Print on Fine Art Paper by Artist Mark Powell Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 11x22.44

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Che No Vive- Pink Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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Chateau Paris Black Letterpress Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Letterpress Print Chateau Marmont, an iconic Los Angeles landmark, has been a beacon of creativity, opulence, and allure since its doors in 1929. This institution has been essential to Hollywood history, hosting numerous celebrities, artists, and influential figures. While it is best known for its role in Tinseltown's culture and history, Chateau Marmont has also impacted the world of graffiti and street art.

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End of the Trail Mini Archival Print by Emek Golan Limited Edition on Archival Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2015 Signed & Numbered Print Limited Edition of 500 Artwork Size 8x10 Archival Pigment Fine Art Symbolic Resonance in "End of the Trail" The artwork presents a robotic horse poised atop a tree stump, set against a lunar backdrop, encapsulating themes of technology, nature, and perhaps commentary on progress and its repercussions. This visual narrative is a typical example of Golan's work, where he skillfully intertwines elements of pop culture, street art sensibilities, and more profound social commentary. Including mechanical elements within the horse's design speaks to the intersection of industrial advancement and the natural world, a recurring subject in modern art discourse. Emek Golan's "End of the Trail Mini Archival Print" is a profound statement in street pop art and graffiti artwork. This limited edition piece, available in a print run of just 500, is a signed and numbered artwork that captures the imagination with its intricate detail and poignant symbolism, rendered on high-quality archival fine art paper. Artistic Craft in Limited Edition Prints With the "End of the Trail," Golan showcases his mastery over printmaking. The use of archival pigment ensures the longevity of the image and its resistance to the degradation that often accompanies paper-based art. This attention to preservation is paramount in the street art community, where the transient nature of the art form contrasts sharply with the desire to create lasting visual statements. Sized at 8x10 inches, this artwork is ideal for collectors and admirers who appreciate art that makes a statement without overwhelming space. Emek Golan's Contribution to Street Pop Art As a renowned pop graffiti street artist, Golan's work often reflects a modern sensibility combined with a critical edge. "End of the Trail" is not just an aesthetic accomplishment but also a platform for dialogue on the impact of human actions on the environment. It is a visual metaphor for the 'end of the trail' for specific natural processes and species due to industrialization and human interference. Collectibility and Impact of Golan's Work The limited edition nature of "End of the Trail," along with Golan's signature, adds a level of exclusivity and personal touch that is highly valued in modern artwork. Collectors of Golan's prints are acquiring a piece of art and supporting the narrative of environmental consciousness and the need for balance between progress and preservation. Golan's work is recognized for its ability to transcend the boundaries of street art, taking the conversation from the walls of the urban landscape into the intimate settings of private collections. In summary, Emek Golan's "End of the Trail Mini Archival Print" exemplifies the power of street pop art and graffiti artwork to communicate complex messages through compelling imagery. The print serves as a reminder of the delicate balance between technological advancement and ecological stewardship, which is often explored through contemporary art. Golan's dedication to both craft and message ensures that "End of the Trail" will remain a significant piece within the canon of modern street pop art.

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Rubik Country Life Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 431 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-3. Enhance your space with the "Rubik Rubikcubism Metal Giclee Prints" by the distinguished Invader, a set of four color-drenched, ready-to-hang masterpieces. This acclaimed selection from Invader's Rubik's Cube series transforms playful nostalgia into high art. Each limited edition print is masterfully Diasec-mounted, offering a superior giclée finish on a precision-cut aluminum composite panel. These substantial art pieces measure an impactful 100 x 100 cm and have a notable weight of 13.5kg, ideal for creating a modern and engaging atmosphere. Dive into the world of street pop art with these prints that celebrate Invader's innovative fusion of classic gaming and cutting-edge artistry. Capturing the Essence of Nostalgia: Invader's Rubik Country Life Series The "Rubik Country Life Rubikcubism Metal Giclee Print" by Invader is a modern tribute to the idyllic pastoral scenes, reimagined through the pixelated lens of Rubik's Cubes, bringing a unique fusion of nostalgia and contemporary art to the fore. As a leading figure in the graffiti pop street art movement, Invader's work continues to challenge and redefine the boundaries of art and technology. His 2023 signed and numbered limited edition of 431 pieces, each measuring 100cm by 100cm, represents a bold statement in the art community, marrying the playful simplicity of the Rubik's Cube with the complexity of fine art. Each print in the "Rubik Country Life" series is an intricate composition of Diasec-mounted Giclée on a laser-cut aluminum composite panel weighing 13.5kg. The choice of material speaks to the durability and longevity of the artwork, ensuring that the vibrant mosaics of rural life endure as a lasting piece of cultural expression. These ready-to-hang prints showcase Invader's artistic skill and encapsulate his vision of bringing street pop art and graffiti artwork into a new realm of recognition and appreciation. Invader's Artistic Journey and the Innovation of Rubikcubism Invader's artistic journey is marked by his innovative approach to street pop art, which he has aptly named "Rubikcubism." This technique involves using the iconic Rubik's Cube to create elaborate mosaics that, from a distance, merge into recognizable images. With the "Rubik Country Life" series, Invader weaves a visual narrative that resonates with the tranquility and beauty of rural landscapes, transformed into a grid of colored squares that captivate and intrigue the viewer. The artist's signature method is a technical feat and a conceptual bridge connecting the tactile engagement of solving a Rubik's Cube with the visual experience of appreciating a work of art. Each cube is a pixel, a single component in a larger image that collectively presents a cohesive and striking depiction of country life. This approach pays homage to the early days of digital art and the historical genre of landscape painting, reinterpreted through a modern-day prism. The Cultural Significance of Invader's Limited Edition Prints The limited edition nature of the "Rubik Country Life" series elevates these prints beyond mere artistic creations; they become cultural artifacts. Each signed and numbered piece signifies its place in the lineage of street pop art, marking Invader's impact on the art world. Collectors and enthusiasts of Invader's work can own a segment of this historical narrative, as each print becomes a testament to the evolving landscape of street art. Invader's prints are important for their visual impact and their role in the discourse of street art's place within the art historical canon. The "Rubik Country Life" series and its counterparts demonstrate the potential for street art to transcend its temporary nature and to be celebrated and preserved as high art. This reflects the shifting perceptions surrounding graffiti and street pop art, with Invader at the forefront of this transformation. The "Rubik Country Life Rubikcubism Metal Giclee Print" series is a vibrant example of how street pop art intersects with traditional art forms to create something entirely new and profoundly impactful. Invader's work, with its distinctive aesthetic and cultural resonance, continues to inspire and challenge viewers, cementing his status as an innovator and a pivotal figure in contemporary art.

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Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Limited Edition of AP Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Nuke Tank Biohazard Military-Themed Gig Poster. Moore Theater November 18th 1994 Seattle Washington. Frank Kozik is an internationally recognized artist, best known for revitalizing the concert poster scene in the 1990s with his distinctive, edgy designs. Born in Madrid, Spain in 1962, Kozik emigrated to the United States at the age of 14, where his love for punk rock and counter-culture aesthetics began to shape his artistic vision. In the 1980s, he moved to San Francisco, CA, where he began creating concert posters for alternative bands, ultimately designing artwork for major acts such as Nirvana, Pearl Jam, and The Red Hot Chili Peppers. His work, characterized by saturated colors, cartoonish figures, and a subversive, often dark humor, became emblematic of the grunge era. In addition to poster art, Kozik has also made significant contributions to the world of designer toys, most notably with his creation of the Labbit character for Kidrobot. His work across various mediums has earned him a global following, making him a key figure in contemporary pop culture and art.

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Alcides Escobar/ WWI Soldier- Royals Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Alcides Escobar/ WWI Soldier- Royals

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Pujols Braun Managers Dream/TwinsUnique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Pujols Braun Managers Dream/Twins, Brewers, Cardinals

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Re-Vandalism- Red 11-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Outis Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Edition 44 by the Artist Outis Red Variant 11 Colour Screen Print on Somerset 300 gsm paper. 70 x 52cm Artwork of a Graffiti Tag Throw Up in an Art Gallery Industrial Setting with a Crowd of People Taking Photos and Admiring Street Art. Re-Vandalism Red by Outis Re-Vandalism Red is a powerful and thought-provoking 11-color hand-pulled silkscreen print created by the enigmatic street pop artist Outis. Released in 2015 as a limited edition of just 44 pieces, this print blends the rebellious essence of graffiti artwork with the refined setting of an art gallery. Measuring 70 x 52 cm and printed on 300gsm Somerset Satin paper, the artwork explores themes of urban expression, cultural acceptance, and the evolving relationship between street art and institutionalized fine art. A Bold Commentary on Art and Culture This print depicts a striking scene of a graffiti tag in vibrant red, styled in a throw-up fashion, prominently displayed on a pedestal in an art gallery. The setting, complete with an admiring crowd, detailed framed classical paintings, and a security guard, creates a fascinating juxtaposition. The red graffiti text boldly declares "Street Art" against a brick wall background, challenging viewers to reconsider how street pop art and graffiti artwork are perceived when placed in a traditional fine art context. The vibrant red serves as a focal point, drawing attention to the clash between the raw energy of urban art and the polished atmosphere of the gallery. The Artistic Vision of Outis Outis, whose name references the Greek word for "nobody," is a mysterious figure celebrated for his sharp social commentary and unique approach to street pop art. His work often critiques societal norms, highlighting the shifting boundaries between vandalism, rebellion, and art. Re-Vandalism Red encapsulates this ethos by placing street art in a space traditionally reserved for fine art, questioning notions of legitimacy, value, and cultural hierarchy. The use of meticulous 11-color silkscreen printing demonstrates Outis’ commitment to craftsmanship while maintaining the raw edge of graffiti-inspired themes. A Limited Edition Collectible Re-Vandalism Red is part of a highly exclusive limited edition of 44 prints, each signed and numbered by Outis. The use of high-quality 300gsm Somerset Satin paper ensures that the vibrant colors and intricate details are preserved, making the piece both visually striking and enduring. The relatively large size of the artwork enhances its presence, making it a standout addition to any collection of contemporary art. The combination of its limited availability, bold visual narrative, and cultural significance elevates it to the status of a prized collectible. Re-Vandalism Red by Outis is a celebration of the transformative power of street pop art and graffiti artwork. By placing graffiti in an institutionalized art setting, it challenges viewers to rethink cultural biases and explore the evolving definitions of art. This limited-edition print is not just a work of art but a statement on the ongoing dialogue between tradition and rebellion, making it a must-have for collectors and enthusiasts alike.

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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BFF Valentine's Day Silkscreen Print by Hijack Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 92 Artwork Size 20x30 Silkscreen Print Exploring the Fusion of Love and Street Pop Art in Hijack's BFF Valentine's Day Silkscreen Print The blending of emotions with the raw vibrancy of street pop art takes a compelling form in the BFF Valentine's Day Silkscreen Print by Hijack, a striking piece of graffiti artwork that makes a pronounced statement in contemporary art. The artist behind this creation, Hijack, is the offspring of the renowned street artist Mr. Brainwash (real name Thierry Guetta). Hijack has carved out his niche in the urban art scene, with his works sought after by enthusiasts and collectors worldwide. The BFF Valentine's Day Silkscreen Print is a hand-pulled artwork on fine art paper that encapsulates the essence of street pop art. Hijack's masterful use of this medium in the 2024 limited edition, consisting of only 92 pieces signed and numbered by the artist, underlines the exclusivity and personal touch that resonates with the art connoisseur's sensibility. Measuring 20x30, this silkscreen print is a testament to the artist's dedication to quality and craftsmanship. Intimacy and Iconography: The Visual Language of Hijack's Artwork Hijack's print commands attention with its sizeable heart pulsating in the backdrop, symbolizing the universal emblem of love and affection. The subject, a hooded figure, sits contemplatively, absorbed in thought, casting an aura of reflective solitude. This juxtaposition of a bold, symbolic heart with a solitary figure invites viewers to reflect on the complexities of personal connections and the reflective nature of love itself. Here, Hijack's artistry shines, blending the street's immediacy and the profundity of individual experience. The choice of a limited color palette — the assertive red, sunny yellow, and calming teal, set against a stark white figure and background, punctuated with playful polka dots — echoes the work of pop art pioneers while infusing it with the edginess of street art. The print's meticulous layering and sharp contrasts, inherent in the silkscreen method, highlight the artist's skill and echo the visual cacophony of street murals and graffiti tags. Hijack: A Distinct Voice in Street Pop and Graffiti Art Born and raised in the cultural melting pot of Los Angeles, California, Hijack's immersion in an environment rich with street art heritage has significantly influenced his artistic trajectory. The anonymity that often accompanies street artists adds a mystique to Hijack's work, allowing the art to communicate directly with the audience. His style, characterized by its bold lines, stenciled imagery, and socio-political commentary, bridges personal expression with public art forms. In the BFF Valentine's Day Silkscreen Print, we see this personal-public dialogue manifest. The piece isn't just a visual treat; it's a snapshot of a deeply personal and universally understood emotion. By depicting such a significant emotion through street pop art, Hijack invites a broader audience to engage with the sentimentality often reserved for more traditional depictions of Valentine's Day. The artwork resonates with the spirit of graffiti artwork, where the environment plays a crucial role in the narrative. Similarly, Hijack's print blurs the line between personal space and public exhibition, inviting the rawness of the street into intimate spaces. This piece stands out as a powerful example of how contemporary artists can meld the disparate worlds of street art and fine art, creating pieces that are both accessible and deeply evocative. The BFF Valentine's Day Silkscreen Print by Hijack is more than just a depiction of love or a hallmark of street pop art; it is an interaction between viewer and creator. Each print, by its very nature of being hand-pulled, bears individual characteristics — subtle variations that make each one unique, much like the personal stories of love they represent. The limited nature of the edition amplifies this connection, ensuring that each piece holds a special place in the continuum of street pop and graffiti art. Through this artwork, Hijack offers an opportunity to reflect on the personal echoes within the public spectacles of love and street art. With its bold iconography and introspective subject, the print captures the dual essence of street pop art — the public and the personal, the glorious and the granular. It's a visual valentine from the streets, a love letter written in the language of graffiti, and a piece that reminds us of the emotional depth that can be found in the most unexpected of canvases.

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Photographer Original AP Acrylic Spray Painting by Martin Whatson, One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. AP Artist Proof 2008 Handmade Stencil Spray Paint & Acrylic Signed Painting Original Artwork Size 30x20. Mild scuffing along right edge. Martin Whatson Photographer Original AP Street Pop Art & Graffiti Artwork Background and Artistic Identity Martin Whatson, born in Norway in 1984, is internationally recognized for his ability to merge detailed monochrome stencils with bursts of vibrant graffiti energy. This signature approach positions him at the forefront of contemporary street pop art and graffiti artwork, appealing to both urban art enthusiasts and fine art collectors. His training at the Westerdals School of Communication in Oslo provided him with a strong design foundation, but it was his discovery of stencil art in the early 2000s that shaped his artistic trajectory. Over time, Whatson has developed a style that not only reflects his Norwegian roots but also speaks to a global audience, merging the structure of stencil art with the unpredictability of street graffiti. About the Photographer Original AP Painting The *Photographer* Original AP (Artist Proof) from 2008 is a rare, one-of-a-kind artwork created using handmade stencil spray paint techniques combined with acrylic on stretched canvas. Measuring 30x20 inches, this signed painting captures the early era of Whatson’s career, when his exploration of stencil realism was becoming intertwined with graffiti-infused abstraction. The composition depicts a monochromatic, life-like photographer mid-action, aiming the camera toward an explosion of vivid orange and yellow paint splatter. This juxtaposition between the structured, carefully rendered figure and the spontaneous energy of the paint captures Whatson’s philosophy — that life is a balance between control and chaos. Symbolism and Visual Narrative The *Photographer* artwork embodies themes of observation, creativity, and the relationship between the artist and their subject. The photographer, rendered in grayscale, represents focus, discipline, and the technical side of art-making. In contrast, the bright splatter across the canvas represents raw creativity, spontaneity, and the unpredictable nature of inspiration. The use of warm colors like orange and yellow injects energy and draws the viewer’s gaze, suggesting that creativity often emerges in bold and unexpected ways. The piece invites reflection on how moments are captured — whether in street photography, graffiti, or fine art — and how the act of seeing is as artistic as the act of creating. Collectibility and Rarity As an Artist Proof from 2008, this *Photographer* piece holds special significance. Artist Proofs are typically produced in extremely limited numbers outside the main edition, reserved for the artist’s personal collection or for special release. The fact that this work is a handmade original, rather than a print, enhances its desirability among collectors of street pop art and graffiti artwork. Its early date makes it an important marker of Whatson’s evolving style, bridging his formative stencil work with the later, more color-saturated compositions that have become his signature. Martin Whatson’s Place in Street Pop Art Over the years, Martin Whatson’s work has appeared in galleries, public murals, and private collections across the world. His art captures the dynamic tension between the controlled discipline of stencil painting and the unrestrained spirit of graffiti culture. Pieces like *Photographer* demonstrate his early mastery of technical realism while foreshadowing the explosion of color and motion that defines his mature work. In the broader context of contemporary street pop art, Whatson stands out as an artist who can merge fine art sensibility with the raw authenticity of urban expression, creating works that are as thought-provoking as they are visually striking.

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Captain America HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2018 Signed Custom Framed Spray Paint, Acrylic Paint Mixed Media HPM Embellished Artwork Size 36.5x48.5. Stylistic Comic Book Cover of Marvel Comics Superhero Captain America with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Antiqued hammered Style Bronze Colored Frame Size 46.5x58.5 Thierry Guetta's Artistic Interpretation of Captain America In Street Pop Art and Graffiti Artwork, 2018 witnessed an extraordinary fusion of comic book heroism and urban visual language with Thierry Guetta, known in the art world as Mr. Brainwash, presenting his unique creation, "Captain America." This piece exemplifies the daring blend of classic superhero imagery with the raw, expressive power of street art techniques. Thierry Guetta's work frequently disrupts the conventional boundaries between high art and popular culture, drawing upon familiar symbols from our collective consciousness and reimagining them through a lens of gritty realism and vibrant abstraction. In "Captain America," Guetta showcases his distinctive style of high-energy, mixed-media artistry, which has become a hallmark of his oeuvre. This stunning, hand-embellished silkscreen print brings the iconic Marvel Comics superhero to life on a deckled fine art paper background. The dynamic use of spray and acrylic paints further accentuates the artwork, which drapes the superhero in a cascade of vivid, dripping color. This is not just a representation of Captain America; it is an embodiment of the character's essence, rendered through the prism of street art sensibility.  Composition and Craftsmanship in "Captain America" Guetta's "Captain America" represents the artist's skill in manipulating form and content to deliver a powerful visual statement. The composition borrows the layout of a stylistic comic book cover, yet it is fractured and reassembled with a controlled chaos characteristic of Guetta's work. The artwork is a limited edition piece carrying the artist's signature, which attests to its authenticity and the prestige of owning a Guetta original. The size of the artwork, measuring 36.5x48.5 inches, provides a grand canvas for Guetta's explosive creativity. In contrast, the custom ornate antiqued hammered-style bronze-colored frame, sizing 46.5x58.5 inches, gives it a sturdy and majestic enclosure. The impact of Street Pop Art, as seen in Guetta's "Captain America," is profound, signaling a shift in how contemporary society consumes and appreciates art. Through the lens of this genre, icons like Captain America are not merely subjects to be depicted; they are canvases onto which the complexities of our time are projected. Guetta's work, with its thick layers of paint and dramatic splatters, challenges the viewer to see beyond the surface to engage with the symbols of our culture in a way that is both critical and celebratory. Collecting and Valuing Guetta's Street Pop and Graffiti Artwork As a cultural artifact, "Captain America" carries significant weight. The superhero is an emblem of justice, freedom, and the American spirit, ideals consistently resonating with audiences worldwide. Guetta's interpretation does not shy away from these connotations but embraces and amplifies them. By applying the anarchic motifs of street art to this symbolic figure, Guetta invites discourse on the role of such heroes in today's society. The result is an artwork that is as thought-provoking as visually arresting. Collectors and fans of art and comic book lore are drawn to pieces like Guetta's "Captain America" for their aesthetic appeal, investment potential, and cultural resonance. The convergence of street art's accessibility and pop art's mass appeal has created a fertile ground for artists like Guetta to flourish. His works, particularly those that engage with iconic figures, become not just art to be hung on a wall but conversations to be had, questions to be asked, and histories to be written. Thierry Guetta's "Captain America" vividly illustrates the power of street pop art and graffiti artwork to communicate, revolutionize, andmemorialize. It is a piece that captures the zeitgeist, a piece that is as much about the storied past of a beloved superhero as it is about the ongoing narrative of street art's place in the annals of art history. As Guetta's work continues to intrigue and inspire, it is a poignant reminder of the evolving dialogue between art and society. This conversation is rendered in bright colors, bold strokes, and the indelible ink of a silkscreen print.

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Grandmaster Caz Cold Crush Brothers Disco Fever Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Grandmaster Caz of the Cold Crush Brothers at Disco Fever. Grandmaster Caz Cold Crush Brothers Disco Fever Print by Joe Conzo Jr The Grandmaster Caz Cold Crush Brothers Disco Fever Print by Joe Conzo Jr. is a striking archival photograph that captures a pivotal moment in the history of hip-hop. This limited edition artwork, created in 2023, features an iconic image of Grandmaster Caz performing at the legendary Disco Fever nightclub in the Bronx. Printed on 290gsm Moab Entrada Fine Art Paper using archival pigment techniques, this signed and numbered edition of five highlights the artistry and influence of both the performer and the photographer. Measuring 20x16 inches, the photograph serves as a powerful representation of the energy and creativity that defined the early hip-hop era. The Influence of Grandmaster Caz and the Cold Crush Brothers Grandmaster Caz, a foundational member of the Cold Crush Brothers, is widely recognized as one of hip-hop’s most innovative and influential MCs. Known for his lyrical prowess and magnetic stage presence, Caz played a key role in shaping the culture and sound of early hip-hop. This photograph captures him mid-performance at Disco Fever, a venue that was central to the genre’s rise in the 1970s and 1980s. The Cold Crush Brothers became synonymous with lyrical excellence and performance artistry, inspiring countless artists and influencing the aesthetics of Street Pop Art and Graffiti Artwork that celebrated the vibrancy of urban life. Joe Conzo Jr.’s Role in Documenting Hip-Hop History Joe Conzo Jr., often hailed as hip-hop’s first photographer, has created an invaluable visual archive of the culture’s formative years. His ability to capture the raw energy and cultural significance of the Bronx during this time has cemented his place as a critical figure in the documentation of urban art and music. This particular print, with its intimate focus on Grandmaster Caz, reflects Conzo’s talent for preserving fleeting moments that embody the spirit of an era. His work seamlessly connects the worlds of Street Pop Art and Graffiti Artwork by highlighting the intersection of performance, visual art, and cultural commentary. The Artistic and Cultural Significance of the Disco Fever Print The Disco Fever nightclub was more than just a venue; it was a cultural hub that brought together musicians, graffiti artists, and fans of hip-hop. The Grandmaster Caz print captures the electric atmosphere of this iconic space, emphasizing its role as a breeding ground for creativity and innovation. The choice of archival pigment printing on fine art paper elevates this image into a collectible work of art, ensuring its longevity and vibrancy. As a limited edition of only five, this print not only celebrates the artistry of Grandmaster Caz and the Cold Crush Brothers but also underscores the importance of Joe Conzo Jr.’s photographic contributions to the broader narrative of Street Pop Art and Graffiti Artwork. This piece stands as a timeless tribute to the pioneers of hip-hop and the artistic movements they inspired.

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Johnny Face- Shoo Fly Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist John Van Hamersveld. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Goonie 034 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Navigating the Surreal and Street Pop Art in Goonie 034 by Naoto Hattori Naoto Hattori's "Goonie 034" emerges as a significant piece in Street Pop Art & Graffiti Artwork despite its roots in the more traditional practice of watercolor painting. The 2013 original creation is a testament to Hattori's distinctive vision, blending the boundaries between the precise technique of watercolor and the often spontaneous, expressive nature of street art. This artwork, enshrined within a custom 8.5x8.5-inch frame, brings forward a 3x3-inch image that captivates with its surrealist depiction, inviting a streetwise dialogue on a fine art platform. The artwork, signed and singular in its existence, reflects the artist's deep engagement with the piece, from the stroke of the brush to the careful selection of the frame and matte. Hattori's involvement in each step of the creation and presentation process aligns with the ethos of street artists, who often see their art from inception through to its final public display. This dedication to the craft and the artwork's journey from studio to viewer shares the spirit of Street Pop Art & Graffiti Artwork, where the artist's hand is evident in every aspect. Hattori's "Goonie 034" might not explicitly adopt the visual lexicon of graffiti; however, the piece exudes a rebellious aura akin to the impactful visuals of graffiti art. The watercolor medium, often seen as delicate and reserved for fine art, is pushed to new limits in Hattori's hands, presenting a piece that challenges the viewer's expectations and traditional art norms. This subversion is a core element of street and pop art, making "Goonie 034" a bridge between disciplines and inviting fine art enthusiasts to explore street-inspired artwork's vivid and raw territories. The Influence of Naoto Hattori and the Interplay with Urban Art Forms Naoto Hattori's influence in the artistic community extends beyond his surreal imagery. His artwork "Goonie 034" is pivotal in the conversation about the interplay between different art forms. The small scale of the watercolor painting demands close inspection, much like the intricate details found in stencil graffiti or the hidden messages in urban murals. It's a dialogue of the intimate versus the expansive, the personal versus the public, a dynamic often explored in Street Pop Art & Graffiti Artwork. The enigmatic quality of Hattori's work embodies street art's unpredictability and layered meanings. While his canvas is paper and his tools are brushes and pigments, the sentiment conveyed is as powerful and engaging as any piece found on the concrete canvases of cityscapes. "Goonie 034" is a cultural artifact that transcends the conventional gallery space and resonates with the authenticity and vibrancy of street art. Exploring "Goonie 034" in the context of Street Pop Art & Graffiti Artwork underscores the fluidity of art and howhich it can occupy multiple spaces and cater to diverse audiences. Hattori's piece serves as a reminder of the limitless possibilities that arise when artists draw inspiration from various sources and blur the lines between established art categories. The artwork is a testament to the evolving narrative of street and pop art, which continues redefining itself and its relevance in the ever-changing landscape of contemporary art.

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Shadow Original Acrylic Painting by Richard Hambleton One of a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 1983 Unsigned with COA From Robert Murphy Acrylic & Masking Tape Painting Original Artwork Size 33x76 Frame 37.75x80 Richard Hambleton's "Shadow": A Street Art Phenomenon The legacy of Richard Hambleton, a pioneering figure in the street pop art and graffiti artwork movement, is deeply enshrined in the "Shadow Original Acrylic Painting," a powerful example of his innovative spirit. Known for his stark, shadowy figures that seem to leap off urban surfaces, Hambleton's work has shaped the course of street art and significantly impacted the larger contemporary art scene. His 1983 "Shadow" is a testament to this influence, rendered in acrylic and masking tape on art paper, its paper size stretching to approximately 76 by 33 inches. The larger frame size of 80 by 37.75 inches provides an almost life-size experience, asserting a formidable presence reminiscent of the figures that Hambleton famously painted in alleyways and building sides. The fact that this particular piece is unsigned only adds to the mystique that Hambleton cultivated throughout his career. Provenance is crucial for artworks of such caliber, and this piece's authenticity is backed by a hand-written Certificate of Authenticity (COA) from Robert Murphy and another COA from Dirtypilot, grounding it firmly in its historical context. Robert Murphy and the Provenance of a Masterpiece Robert Murphy, a close friend of Richard Hambleton and an ardent supporter, plays a crucial role in the story of "Shadow." As the most prominent collector of Hambleton's works, Murphy's connection to the art is not merely that of a collector but also that of a confidant and advocate. His relationship with the artist grants the artwork an additional layer of depth, highlighting the personal connections and friendships that often underlie and, indeed, define the street art community. This relationship is immortalized in the feature film "Shadowman," where both Hambleton and Murphy feature, providing a cinematic glimpse into the artist's life and works. Such a connection enriches the narrative of the "Shadow," situating it within a fabric of personal histories that span beyond visual art. It serves as a poignant reminder that the value of street pop art extends beyond the physical work and into the realm of personal and communal histories. Legacy of Hambleton and His "Shadows" in Street Pop Art Within the pantheon of street pop art, Richard Hambleton's contributions stand out for their haunting simplicity and emotional depth. Born in Canada and having passed away in 2017, Hambleton's legacy continues through pieces such as "Shadow," which encapsulate his distinctive approach to street art. His shadow figures, which first appeared in the 1980s, brought a new level of critical engagement to graffiti, transforming it from an act of rebellion into a form of profound artistic expression. "Shadow Original Acrylic Painting" is an original piece from one of the seminal figures in street pop art and a witness to the era in which it was created. The early 1980s saw a dynamic growth in graffiti artwork, evolving from vandalism to a respected medium of socio-political discourse and artistic exploration. Hambleton's work cuts through this moment in history, offering a spectral yet profound critique of society and the self, asking the observer to confront the shadows that linger within urban life and themselves. The story of Richard Hambleton's "Shadow" is a narrative woven from threads of creative genius, personal bonds, and the shifting ethos of street art. This piece remains a vibrant component of Hambleton's oeuvre, a silent yet eloquent sentinel testament to the power of street pop art and graffiti artwork in shaping urban landscapes and discourse.

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Soar LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by MAD pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Ganas Soldier Limited Edition Hand Pulled 5-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Montejano Mexican American street artist modern pop art. 2010 Signed & Numbered Limited Edition of 87 Artwork 20x26 Ernesto Yerena Ganas Soldier, 2010 Serigraph, Ed, of 78 26”x20”. 5 Colors/ 6 solid runs / 1 blend run. "GANAS SOLDIER: DEFENDING DIGNITY". It was hand-printed at the legendary Chicano print house by Self Help Graphics Master Printer Jose.

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Rap in Blue HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Glitter, Spray Paint, Acrylic HPM Embellished Limited Edition of 50 Artwork Size 19x25 Silkscreen Print of Darth Vader in Classic Sweater With Girlfriend Hugging & The Word Rap Rap in Blue by Faile: Pop Culture Clash in Street Pop Art & Graffiti Artwork Rap in Blue is a 2023 hand-embellished silkscreen print by the artist collective Faile, combining elements of pop parody, retro comic style, and subcultural nostalgia. Measuring 19x25 inches, this limited edition of 50 is printed on fine art paper and finished with layers of glitter, spray paint, and acrylic paint, making each piece a unique hand-painted multiple. The artwork features a couple mid-embrace, with the male figure wearing a Darth Vader helmet and a vintage-style sweater, while the woman, dressed in a noir-style jacket and domino mask, leans in close. The word Rap dominates the bottom third of the image in bold typography, creating a textual anchor that disrupts the composition’s vintage sensibility. The image plays with identity, anonymity, and cultural remix—core themes in Street Pop Art & Graffiti Artwork. Stylistic Fusion and Subversive Iconography Faile’s Rap in Blue exemplifies the group’s ability to recontextualize mass imagery through layered visual narrative and material disruption. The piece references pulp romance covers and old comic strips, using halftone textures and simplified shading while simultaneously inserting the surreal juxtaposition of Darth Vader’s unmistakable helmet. The sweater on the Vader figure adds absurd normalcy, contrasting the sci-fi mask with suburban fashion, while the woman's masked eyes hint at mystery and performance. The spray paint splatter and hand-brushed embellishments break the surface polish, giving the piece physical energy and the immediacy of the street. Glitter is applied in select areas, catching light and adding tension between kitsch and reverence. In the context of Street Pop Art & Graffiti Artwork, these contradictions drive the message—where recognition is weaponized and nostalgia is reassembled into something strange, personal, and political. Process, Materials, and Unique Presentation Each print in the edition is hand-signed and numbered by Faile, with no two pieces exactly alike. The silkscreen process forms the base structure, but the added acrylic brushwork and layered spray give each work a customized, almost collage-like texture. The use of archival fine art paper ensures stability while allowing absorbency for the mixed-media embellishments. The word Rap is rendered in thick black print, anchoring the composition and tying it to urban music, street culture, or even misunderstood slang, depending on the viewer's interpretation. The physical surface holds evidence of hand movements—splatters, drips, and streaks—connecting the piece to the tactile language of graffiti walls and paste-ups, where icon and slogan live together in visual confrontation. Faile’s Role in Contemporary Street Pop Expression Founded in Brooklyn in the late 1990s, Faile is the collaborative project of Patrick McNeil and Patrick Miller. Known for their ability to fuse street aesthetics with fine art polish, their work blends advertising, pop fiction, spiritual symbols, and social commentary. Rap in Blue sits comfortably within Faile’s broader practice, where the collision of mass culture and memory is the central terrain. The Vader figure is not just a nod to franchise dominance—it’s a symbol of masked identity, commercial saturation, and the lingering power of media-based characters in contemporary life. By offsetting this figure with a noir-drenched romantic embrace and an unexplained bold slogan, Faile reframes the scene as both absurd and meaningful. In Street Pop Art & Graffiti Artwork, this piece functions as visual sampling—layered like a mixtape, referencing multiple decades, and filtered through a lens that values rupture, remix, and rebellion.

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Cody Ross/ Jesus- Giants Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Cody Ross/ Jesus- Giants

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Darth Vader Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Talk Talk Talk- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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In The Treasure of Time- Blue Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. 2021 Signed & Numbered Blue variant. Art print giclée With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 21.25” / 42 x 54 cm Signed & Numbered Hot Wax Seal Stamped Edition: 25 2021. AR Augmented Reality: https://vimeo.com/518617123  Uses the Artivive App In The Treasure of Time – Blue Edition by Handiedan in Street Pop Art & Graffiti Artwork In The Treasure of Time – Blue is a 2021 limited edition giclée print by Dutch artist Handiedan, known for her intricate compositions blending vintage aesthetics with modern symbolism. This blue variant, sized at 16.5 x 21.25 inches and printed on 315 gsm etching cotton rag paper, features detailed visual layers that merge currency design, figurative collage, and classical romanticism. Released in an edition of only 25, each print is signed, numbered, hot wax seal stamped, and enhanced with augmented reality components that expand the viewer’s experience beyond the physical print. Handiedan’s work sits at the intersection of baroque complexity and street art composition, reworking monetary iconography and ornamental design into statements on value, identity, and the feminine form. Conceptual Depth Through Currency and Composition In The Treasure of Time – Blue centers around a reimagined banknote structure, loaded with allegorical and emotional symbolism. Two male figures occupy the center, engaged in an intimate yet ambiguous exchange that could suggest conflict, desire, or internal struggle. Their interaction is surrounded by decorative scrollwork, numerical references, and repeated motifs found in vintage currency design. The title of the piece, embedded in the ornate frame, speaks to the theme of time as both asset and illusion. Handiedan plays with classical portraiture and banknote aesthetics to critique the commodification of identity and emotion. The figures, though highly rendered, exist within a symbolic frame that suggests they are caught in cycles of value, ownership, and visual consumption. Blue Tone and the Role of Repetition in Street Pop Art The blue color variant is not simply a palette change but an emotional recalibration. The cooler tones evoke a sense of nostalgia and emotional distance, allowing viewers to experience the work with a slower, more contemplative gaze. The layering of ornate elements—frames, flourishes, and mirrored figures—creates a visual rhythm that mimics both street poster layering and vintage engraving. Repetition in Handiedan’s work functions both decoratively and philosophically, emphasizing cycles of power, attraction, and historical amnesia. Her manipulation of symmetry and pattern transforms elements of money and mass production into works of emotive and spiritual inquiry. This approach reflects the ethos of Street Pop Art & Graffiti Artwork, where subversion often hides beneath beauty. Technical Craft and Augmented Reality Integration Printed on high-quality 315 gsm etching cotton rag using giclée methods, the texture and richness of In The Treasure of Time – Blue speaks to Handiedan’s precision and material awareness. The hot wax seal and hand-signature reinforce the tactile, one-of-a-kind nature of each print in the edition of 25. What sets this piece apart is its integration of augmented reality, allowing digital interactions to expand the narrative. Through this technology, the viewer can access additional visual layers, animations, or symbolic references that enhance the meaning without distracting from the analog artwork. This fusion of traditional printing with digital experience situates Handiedan’s work at the forefront of modern Street Pop Art & Graffiti Artwork, where physical and virtual mediums coalesce to deepen artistic storytelling. In The Treasure of Time – Blue is not just a portrait or collage but a layered artifact of power, memory, and visual meditation.

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Dance At The Garden Block Archival Print by Faile Limited Edition on Deckled 290gsm Cotton Entrada Rag Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 250 Artwork Size 12x16 Archival Pigment Fine Art Woman Dancer Pinning Wrestling Wrestler at Match. "Do You Dare Dance at the Garden" Faile's "Dance At The Garden Block": A Bold Intersection of Sport and Art The archival print "Dance At The Garden Block" by Faile is a provocative and vibrant piece that captures the essence of street pop art and graffiti artwork. Printed on 290gsm Cotton Entrada Rag fine art paper, this 2023 signed and numbered limited edition of 250 exemplifies pop culture dynamism's unique blend with street art's gritty edge. Sized at 12x16 inches, it features an evocative scene of a woman dancer dominating a wrestling match, a powerful representation of strength and grace. Faile, a collaborative duo known for their impactful street art, presents a visually arresting and conceptually stimulating narrative. The image of the woman dancer pinning her opponent is layered with meaning, challenging traditional representations of femininity and power. The background text, "Do You Dare Dance at the Garden," suggests a dare or a challenge, perhaps to the norms of the art world and society. The use of archival pigment ensures that the colors and details of the print will endure, much like the lasting impact of Faile's work on the public consciousness. This particular piece, with its bold lines, comic book aesthetic, and juxtaposition of text and imagery, is a perfect example of their approach to art-making. This fearless blending of genres and styles cemented Faile's reputation in the street pop art scene. The wrestlers in the artwork are enveloped in a background of vivid colors and patterns, typical of Faile's style, which often incorporates elements of vintage advertising and pulp magazines. This blend of old and new, classical and contemporary, is a hallmark of street pop art and graffiti, genres known for repurposing and remixing cultural references to create something entirely new. "Dance At The Garden Block" is not just a static image; it is a dynamic conversation between the artwork and the viewer, a conversation that is indicative of Faile's work as a whole. The collective's ability to draw on the energy and spontaneity of street art while delivering it through the refined medium of fine art prints allows them to reach a broad audience, bridging the gap between the street and the gallery. Collectors and admirers of Faile's work will appreciate the print's quality and the significance of owning a piece representing a pivotal moment in the evolution of street pop art and graffiti artwork. "Dance At The Garden Block" is a testament to Faile's innovative spirit and their enduring contribution to the discourse of modern art.

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Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

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Victor Martinez/Beaten Up- Tigers Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Victor Martinez/Beaten Up- Tigers

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Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman The intersection of punk rock and visual art finds a pulsating tribute in Shepard Fairey's silkscreen print titled "Just A Minor Threat." This limited edition piece, numbered to only 550 and signed by both Fairey and celebrated photographer Glen E. Friedman, crystallizes the essence of the iconic hardcore punk band Minor Threat. Created on Cream Speckletone Fine Art Paper and measuring 18x24 inches, the artwork commemorates not only the band's fierce energy but also the release of Friedman's new book. Minor Threat, fronted by Ian MacKaye, left an indelible mark on the punk scene with their explosive music and D.I.Y. ethos. This band didn't just play music; they ignited a cultural movement by establishing Dischord Records, encouraging self-expression and independence within the arts community. Fairey, himself a product of the skateboarding and punk cultures of the 1980s, attributes his confidence and outspoken nature to the catalytic influence of bands like Minor Threat. His collaboration with Friedman is not just a celebration of their shared inspirations but a manifestation of the band's impact on their creative and intellectual trajectories. The artwork vividly captures the raw intensity of a Minor Threat performance, with each member and the palpable energy of the audience rendered in a style that bridges the gap between photography and stylized illustration. This visual synergy complements the narrative of Friedman's book, which not only offers an array of unseen photographs but is peppered with essays that give voice to the era and the band's pivotal role in it. Fairey's print stands as a testament to the band's legacy and as a beacon for those fueled by the spirit of rebellion and authenticity that Minor Threat so potently symbolized.

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Heads of Fate Red AP Silkscreen Print by Dave Kinsey Artist Proof Hand-Pulled 4-Color Screen Print on 290gsm 100% Coventry Cotton Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Limited Edition Artwork Size 12x16

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Beast of Burden Standard Silkscreen Print by Lee Eelus Hand-Pulled 2-Color Screen Print on Deckled 300gsm Somerset Satin Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 150 Artwork Size 27.55x19.68 Lee Eelus is a contemporary British artist known for his thought-provoking and visually striking works, which often blend street art techniques with traditional fine art practices. His art often explores themes of duality and the human condition, and his distinctive style is characterized by bold colors and intricate stencil work. "Beast of Burden" is a standard silkscreen print created by Lee Eelus. Silkscreen printing is a technique in which an image is transferred onto a surface, such as paper or fabric, by forcing ink through a mesh screen. This process allows for the creation of vibrant and detailed prints, which can be replicated multiple times. In "Beast of Burden," Eelus portrays an animal, possibly a donkey or a mule, carrying a heavy load on its back. The piece is likely a commentary on the burden that humans place on animals, both physically and metaphorically, and it may also serve as a reflection on the weight that we all carry in our lives. The rich colors and intricate design of the piece make it a visually captivating work that is sure to spark conversation and reflection.

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HR Giger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Lampman Lamp Light Sculpture Object Art by Joan Cornellà Limited Edition Designer Collectible Pop Artist Artwork. 2024 Limited Edition of 300 Rare Battery Powered Lamp Sculpture Art Object Size 6x9.8 Artwork. Exploring the Intriguing World of Pop Art Objects The realm of Pop Art has always been one of intrigue and fascination, with objects that often blur the lines between artistic expression and everyday utility. One such captivating piece is the 'Lampman' lamp light sculpture, an art object conceived by the renowned Spanish artist Joan Cornellà. His limited edition designer collectible combines the functionality of a lamp with the aesthetic pleasure of a sculpture, creating a piece that is both practical and whimsically surreal. Joan Cornellà's Unique Brand of Satirical Artistry Joan Cornellà's work is known for its brightly colored, often unsettling representation of contemporary social interaction, rendered in his unmistakably crisp and cheerful style. The 'Lampman' piece continues this thematic exploration, encapsulating modern existence's absurdity and bizarre nature. Released in 2024, this rare art object is a limited edition release, with only 300 units crafted, making it a sought-after item for collectors and admirers of Cornellà's work. Sized at 6x9.8 inches, it is a compact, battery-powered lamp sculpture designed to fit into various spaces, from the intimacy of a personal study to the more public domain of a gallery. The 'Lampman' is not just a lamp; it is a statement, a piece that challenges the viewer to reconsider the boundaries between art and design, form and function, fun and critique. Through this work, Cornellà continues to push the boundaries of Street Pop Art & Graffiti Artwork, exploring how these forms can extend beyond traditional canvases and walls into three-dimensional objects that inhabit our daily spaces. The 'Lampman': A Fusion of Art and Everyday Life The 'Lampman' lamp sculpture represents Joan Cornellà's acute ability to transform the mundane into the extraordinary. Its bold colors and design echo the sentiment of Street Pop Art & Graffiti Artwork, where everyday items become the substrates for creative expression. The lamp, characterized by its distinctive figure with a lampshade for a head, sporting a content smile, invites reflection on the interplay between the light it emits and its shaded expression. This piece symbolizes a movement where art is not confined to the walls of galleries or the exterior of buildings but is integrated into the objects we use daily. Cornellà's 'Lampman' serves as a bridge, inviting art into the living spaces of individuals, allowing for an intimate and constant engagement with creativity. The playful yet provocative nature of the piece encapsulates the core of what Pop Art strives to achieve. This art form is accessible, relatable, and deeply rooted in the fabric of contemporary culture. The Collectible Nature of Cornellà's Creations The collectible nature of Joan Cornellà's 'Lampman' lamp sculpture speaks to the intersection of art commerce and the personal gratification of owning a piece of art that serves a functional purpose. The limited edition aspect of these 300 pieces creates an air of exclusivity and desirability among art collectors and enthusiasts. As a contemporary artist, Cornellà keenly understands the importance of making art that resonates on multiple levels - as an object of aesthetic pleasure, a functional item, and a valuable collectible. In making the 'Lampman,' Cornellà has once again demonstrated his expertise in crafting art that crosses the threshold from the artist's imagination into tangible reality. The lamp light sculpture is not merely an object to be looked at but to be experienced, its light serving as a metaphor for the illumination that art brings into our lives. As an active and influential figure in the art world, Joan Cornellà continues to explore and expand the possibilities of Street Pop Art & Graffiti Artwork, creating pieces that are at once familiar and provocative, practical, and exceptional.

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Headspin Silkscreen Print by Rosy One 3 Color Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 35 Artwork Size 39.4x27.6 Silkscreen Print Rosy One Headspin Silkscreen Print Limited Edition Street Pop Artwork The 2022 Headspin Silkscreen Print by Swiss graffiti artist Rosy One is a rare, bold, and vivid celebration of movement, rhythm, and character-driven Street Pop Art & Graffiti Artwork. Hand-pulled using a three-color screenprint process on fine art paper, this limited edition release of only 35 signed and numbered prints spans an impressive 39.4 by 27.6 inches. The composition immediately commands attention with its stylized character performing a headspin — a clear nod to the foundational role of breakdancing in hip-hop and graffiti culture. With dynamic brush lines, graphic elements, and abstracted anatomy, Rosy One captures not only the motion of dance but also the energy and attitude embedded in street expression. Rosy One’s Identity Within Graffiti and Street Pop Aesthetics Rosy One, based in Lausanne, Switzerland, has been deeply rooted in hip-hop culture since the early 1990s and is internationally recognized for blending graffiti styles with comic book visuals and subcultural iconography. She is one of the few prominent female graffiti artists who successfully bridges raw wall-based art with collectible editions, maintaining her signature aesthetic across both platforms. Known for cartoonish exaggeration, saturated palettes, and humorous yet critical perspectives, her work often reflects the dynamic lifestyle of street culture. Headspin continues this visual vocabulary, transforming an action associated with b-boying into a graffiti-infused visual pun that exists both as an art object and a cultural emblem. Visual Symbolism and Color Theory in Headspin by Rosy One Rendered in vibrant blue, yellow, and black, the piece leans into the visual impact of high-contrast color theory. The figure’s oversized hands, stylized headgear, and tilted body create a literal spin around the composition’s center. Graphic accents such as stars, concentric spirals, and exaggerated facial expressions push the visual language into the realm of caricature, while the artist’s graffiti roots remain visible in the thick outlines and bubble-inspired forms. The deliberate simplicity of the color scheme enhances clarity and movement, giving the impression that the character is both in motion and locked into a freeze-frame moment. This approach resonates with graffiti’s ephemeral nature and the performative core of street culture. Headspin as a Modern Artifact of Street Pop Art & Graffiti Artwork As both a silkscreen print and a narrative graphic, Headspin functions as a contemporary artifact of street history. It honors hip-hop's golden era, when breakdancers and graffiti writers occupied the same cultural space, each contributing to the visual and physical rhythm of the street. Rosy One’s translation of that synergy into fine art form preserves and reanimates the spirit of rebellion, athleticism, and comic absurdity that characterizes the best of graffiti culture. This limited edition not only stands as a collector’s item but also as a visual manifesto for those who understand graffiti not just as an art movement but as a living culture in motion.

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Hungry Eyes Original Pen Pencil Paint Drawing by Atomik Modern Street Pop Artwork. 2025 Signed Original Ink Paint Pencil Graphite on Paper Drawing Size 5x8 of the Famous Miami Florida Atomik Orange. Hungry Eyes Original Drawing by Atomik: A Raw Expression of Graffiti Culture in Street Pop Art The 2025 piece titled Hungry Eyes by Miami-based graffiti artist Atomik is a potent example of raw Street Pop Art & Graffiti Artwork captured in traditional media. Known globally for his animated orange character, Atomik channels his origins from the streets of Florida into this expressive 5x8 inch work executed in pen, pencil, ink, and white paint on paper. The drawing preserves the energetic curves, exaggerated facial features, and strong iconography that define his visual language, yet it diverges by focusing on depth, texture, and mood rather than public wall space or train cars. This signed original holds particular weight because it brings Atomik’s explosive style into a more intimate and tactile dimension, highlighting the same mischievous gaze and stylized emotion that viewers typically encounter on a city wall or boxcar. The Miami Influence and the Evolution of Atomik’s Orange Atomik, born and based in Miami, Florida, has been a key figure in the visual evolution of graffiti across the southeastern United States. His signature orange character was born out of a tribute to a lost local landmark—the Miami Orange Bowl—and has since morphed into a universal symbol of urban rebellion, humor, and resilience. Hungry Eyes strips down that icon into its most fundamental parts. Drawn with ballpoint pen, graphite, and accented with sharp white strokes, this piece introduces nuance and technique often overlooked in outdoor works. Swirls and crosshatch marks surround and define the facial contours, merging classical drawing skills with street sensibility. The background of kraft-tone paper gives the composition a raw, unpolished energy, consistent with the artist’s handstyle and sense of immediacy. Even in this format, the image demands attention as if it were wheatpasted across a city block. Street Pop Art Translated to Fine Drawing While Atomik’s graffiti legacy is built upon bright enamel hues and fatcap spray lines across highly visible surfaces, Hungry Eyes functions as an alternate lens into the graffiti psyche—quiet, detailed, and full of coded visual emotion. The angular ink strokes channel years of tagging and can control, while the whimsical circular gradients embedded in the eyes mimic bubble letters and aerosol flares. The use of hand-drawn highlights instead of reflective gloss draws from a comic-book aesthetic while simultaneously staying grounded in graffiti's DIY tradition. This drawing proves that Street Pop Art & Graffiti Artwork can exist with just as much presence and weight on paper as it does on steel or concrete. Signature and Collectibility in Contemporary Street Art The reverse of the artwork is inscribed in pencil with the artist’s signature, a stylized flourish of the name Atomik and the date 25. This mark authenticates the piece not only in terms of authorship but also as a deliberate object within the continuum of street artist editions and originals. Collectors and fans of graffiti culture recognize works like Hungry Eyes as evidence that street artists are not limited to spray paint and murals. Atomik’s ability to transfer his identity onto fine art media makes this piece a collector-worthy addition for any serious archive of modern graffiti or pop-inspired street visuals. The drawing stands as a reminder that graffiti is not only about location or defiance—it is about mark-making, identity, and the ability to repurpose commercial and personal symbols into resonant visual statements.

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Chuck D Black Steel Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2018 Signed by Sheppard Fairey Janette Beckman and Chuck D. Numbered Limited Edition of 300 Artwork Size 24x36 Silkscreen Print of Music Rapper Chuck D of Public Enemy & Prophets of Rage. "Chuck D has long been a hero of mine as founder and lead rapper of Public Enemy, as an outspoken social and political voice, as an activist, and now as co-vocalist of Prophets of Rage. I’m always looking for excuses to collaborate with Chuck and celebrate his influence on me and culture in general, so I was very happy to work with him and Janette Beckman, whose hip-hop and punk photography I’ve loved for years. With the 30 year anniversary of Public Enemy’s “It Takes A Nation of Millions To Hold Us Back” coming up on June 28, I decided one of Janette’s photos of Chuck from that time would be great for me to illustrate as a tribute to my favorite MC and my favorite hip-hop album of all time. If you don’t own Public Enemy’s “It Takes A Nation of Millions To Hold Us Back,” learn what music at the pinnacle of it’s sonic, political, and revolutionary potential can be. Proceeds from this print will go to Central Coast Alliance United for a Sustainable Economy (CAUSE). All prints signed by Shepard, Janette Beckman and Chuck D. Thanks for the inspiration Chuck!" -Shepard Fairey- OBEY The intertwining of music and visual art finds a compelling expression in Shepard Fairey's "Chuck D Black Steel Large Format Silkscreen Print," a piece that stands as a testament to the enduring legacy of hip-hop's powerful voices. Released in 2018, this limited edition artwork is a collaboration that features the iconic presence of Chuck D, frontman of the seminal hip-hop group Public Enemy, captured through the lens of renowned photographer Janette Beckman, and reinterpreted by Fairey's distinct graphic style. This particular print celebrates a momentous occasion—the 30th anniversary of Public Enemy's "It Takes A Nation of Millions To Hold Us Back"—heralded as one of hip-hop's most influential albums. Fairey, known for his "OBEY" campaign and his significant role in pop culture and street art, often infuses his work with social and political commentary, echoing the ethos of Chuck D's artistry. His choice of Beckman's photograph for the illustration is deliberate, acknowledging her impact on hip-hop culture through her visual documentation. The collaboration between Fairey, Beckman, and Chuck D in creating this silkscreen print embodies a fusion of talents that pays homage to the past while making a statement in the present. The artwork features a black and white depiction of Chuck D, with a backdrop of words and images that echo the messages conveyed through his music—resistance, empowerment, and the fight against injustice. The print, sized 24x36 inches, was hand-pulled on cream speckletone fine art paper, further enhancing its tactile quality and exclusivity with a limited run of 300 signed and numbered editions. Fairey's decision to direct the proceeds from this print to the Central Coast Alliance United for a Sustainable Economy (CAUSE) aligns with the social advocacy inherent in Chuck D's music. This move not only celebrates hip-hop's cultural significance but also its potential for driving social change. The convergence of music, art, and activism in this silkscreen print underscores hip-hop's position as a vehicle for social commentary, with artists like Chuck D leading the charge and figures like Shepard Fairey amplifying the message through visual mediums. This piece is not just a collectible but serves as a narrative, an intersection where art meets the profound voices of a movement, continuing to inspire and provoke thought in a manner that is emblematic of both pop art and street art sensibilities.

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Dave Parker/Old Man All-Star- Reds Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Dave Parker/Old Man All- Star- Reds

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Juston Smoak/Putin Beanie- Mariners Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Juston Smoak/Putin Beanie- Mariners

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Oracle LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by MAD pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Flush Giclee Print by Ron English- POPaganda Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 30 Artwork Size 37x25 Uncle Scam Ad Flag Giclee Print is a work of art by Ron English- POPaganda, a contemporary American artist known for his thought-provoking, often satirical and subversive street art, paintings, and sculptures. English is famous for creating art that highlights the absurdity of modern society, often blending elements of pop culture, advertising, and politics. In this particular piece, the artist critiques consumerism and the advertising industry by combining elements of the American flag with a caricature of Uncle Sam, who is transformed into "Uncle Scam." The term "Uncle Scam" refers to the idea that the advertising industry often manipulates consumers and promotes excessive materialism, which can be detrimental to society as a whole. A giclee print is a high-quality digital printing method that is capable of producing vivid and detailed reproductions of artwork. This process uses specialized inkjet printers and archival-quality inks, which are applied to various substrates, such as canvas or fine art paper, to create a long-lasting and visually appealing print. The result is a reproduction that retains the original artwork's colors and details, making it a popular choice for artists and collectors alike.

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Baseball Jerks- Randy Johnson Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

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Statue of David Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 The Unique Fusion of Street Pop Art and Graffiti Artwork: Adam Lister's Perspective The Statue of David Giclee Print by Adam Lister is an exemplary work of contemporary art that melds the aesthetics of Street Pop Art and Graffiti Artwork. Adam Lister, an American artist known for his geometric and pixelated interpretations of classical and pop culture themes, has gained recognition for his ability to reinterpret iconic imagery through a modern lens. His limited edition giclee prints, meticulously produced on 300gsm hot press matte paper, reflect his commitment to quality and creativity. Lister's 2023 giclee prints are signed, numbered, and produced in editions of just 50, ensuring exclusivity and collectability. Measuring 24 by 18 inches, this artwork offers a reinterpretation of Michelangelo’s Statue of David, reimagined through Lister's characteristic style. He employs a method that dissects and reconstructs forms into fragmented geometric blocks, reminiscent of 8-bit video game graphics. This visual approach bridges the classical and the modern, creating a dialogue between the Renaissance masterpiece and the aesthetics of the digital age. Street Pop Art and Graffiti Artwork: Redefining Classical Imagery Street Pop Art and Graffiti Artwork often draw inspiration from a mix of historical references and contemporary cultural movements. Adam Lister’s work exemplifies this synthesis by using iconic symbols, such as the Statue of David, and rendering them with a playful, pixelated distortion. The juxtaposition of classical Renaissance art with the pixelated style associated with early digital media reflects the evolution of cultural symbols over time. By incorporating themes of deconstruction and simplification, Lister's work aligns with the ethos of Street Pop Art. His prints evoke the boldness and immediacy found in graffiti and street culture, while simultaneously referencing the intellectual rigor of fine art. This blend of styles positions his work at the forefront of contemporary artistic expression, making it accessible to a wide audience while maintaining artistic depth. The Process and Medium: Giclee Printing in Contemporary Art The giclee printing process plays a crucial role in the production of Adam Lister’s artwork. This technique involves the use of high-quality archival inks and papers, ensuring vibrant colors and exceptional durability. The 300gsm hot press matte paper used for the Statue of David print adds a subtle texture and depth, enhancing the visual impact of the geometric design. The use of giclee printing not only preserves the integrity of the artwork but also elevates it to a museum-quality standard. Lister’s choice to limit his editions to 50 prints underscores the exclusivity of his work, appealing to collectors who value unique and carefully crafted pieces. Each print is signed and numbered by the artist, adding an element of authenticity and personal connection to the piece. Adam Lister's Contribution to Contemporary Art Adam Lister continues to redefine how classical art is perceived in the context of Street Pop Art and Graffiti Artwork. His unique aesthetic offers a fresh perspective on iconic works, making them relevant and engaging for modern audiences. Born and based in the United States, Lister has successfully carved a niche for himself by combining historical themes with contemporary design elements. His work serves as a testament to the enduring power of art to transcend time and medium, connecting the past and present in innovative ways. The Statue of David giclee print is not just a reinterpretation of a timeless masterpiece but also a statement about the fluidity of artistic boundaries. By employing techniques and styles rooted in street art and digital culture, Adam Lister has created a piece that resonates with collectors, art enthusiasts, and casual viewers alike. His ability to transform the familiar into the extraordinary cements his place as a leading figure in contemporary art.

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Chateau Paris Pink Letterpress Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Letterpress Print Chateau Marmont, an iconic Los Angeles landmark, has been a beacon of creativity, opulence, and allure since its doors in 1929. This institution has been essential to Hollywood history, hosting numerous celebrities, artists, and influential figures. While it is best known for its role in Tinseltown's culture and history, Chateau Marmont has also impacted the world of graffiti and street art.

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The Possessed Triptych Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 154x18 (18x18 x 3) Triptych Silkscreen Print. Unveiling The Possessed: A Triptych by Cleon Peterson The Possessed Triptych Silkscreen Print by Cleon Peterson captures a raw, dynamic energy that is both compelling and confrontational, embodying the spirit of street pop art and graffiti artwork. Released in 2024, this limited edition artwork reflects Peterson's stark, narrative-driven style, showcasing his distinctive approach to visual storytelling through bold lines and contrasting colors. Cleon Peterson's Vision in Print With only 125 pieces available, each signed and numbered by the artist, The Possessed Triptych becomes a coveted item for art enthusiasts and collectors. Measuring an impressive 54 inches wide by 18 inches high when displayed side by side, the three 18x18 panels create a striking visual impact. Hand-pulled on deckled 290gsm Coventry Rag fine art paper, the triptych's medium is as refined as its execution, a testament to Peterson's craftsmanship and attention to detail. The choice of Coventry Rag paper underscores the artist's commitment to quality. Known for its durability and exceptional surface, this paper enhances the depth and intensity of the silkscreen print, allowing the stark contrasts and intricate details to resonate with the viewer. Interpreting The Possessed Triptych The Possessed Triptych is an arresting exploration of chaos, power, and human interaction. Peterson's work is often laced with themes of struggle and strife, depicting scenes that challenge the onlooker's perceptions of morality and order. This triptych is no different, presenting a tumultuous narrative that unfolds across the three panels, drawing the viewer into a world of stark dichotomies and raw emotion. Peterson's use of a limited color palette amplifies the drama within each frame, with the stark black and the warmth of gold engaging in a visual dance that is both ancient and contemporary in its expressions. The aggressive forms and the interaction of figures suggest a more profound commentary on societal structures and personal demons, leaving much to interpretation while clearly stating the pervasive nature of the conflict. The Cultural Impact of Peterson's Work Cleon Peterson's art is not created in a vacuum but is a direct response to the world around him. Much like the rest of his oeuvre, the Possessed Triptych is a bold statement within street pop art, a genre that often serves as a public forum for social critique and reflection. His distinctive style has solidified his standing within the contemporary art scene, resonating with the ethos of street art and its roots in graffiti's transgressive nature. As a visual storyteller, Peterson takes on the role of a modern-day chronicler, using silkscreen prints to document and dissect the complexities of the human condition. The limited nature of The Possessed Triptych ensures that each piece is a part of this narrative, an artifact of Peterson's artistic journey, and a snapshot of cultural discourse. Cleon Peterson's The Possessed Triptych is a powerful addition to the canon of street pop art and graffiti artwork, offering a glimpse into the artist's profound engagement with themes of power, chaos, and societal constructs. Through silkscreen printing, Peterson has created a series that captures the eye and also provokes the mind, ensuring that his work remains a subject of discussion and admiration within the art community.

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