Markers & Permanent Markers

Priority Mail RD Blue Bubble Marker Original Sticker Slap-Up Label Painting/Drawing Artby Tru Graffiti Legend RD-357 Modern Street Artist. Original Slap Up Graffiti Art Tag, Signed 2021 5.5x4.25

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Batman Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Target Red King HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red HPM SDCC 2012 Limited Edition by Luke Chueh The 2012 Target Red HPM SDCC Limited Edition vinyl sculpture by Luke Chueh stands as a pivotal example of how emotionally resonant themes can be rendered through collectible art. Released as an exclusive for San Diego Comic Con in 2012, this hand-embellished edition of the Target series was produced by Munky King and remains one of the most sought-after releases in Chueh’s career. The artwork is based on his iconic painting which portrays a solitary bear marking himself with a target, standing in front of a bullet-riddled execution wall. This sculpture not only captures the essence of self-awareness and vulnerability but adds a raw layer through its physical dimensionality and hand-drawn elements unique to each piece. Hand-Embellished Detail and Signature Themes This particular Target figure, sized at 6.5 by 10.5 inches, is presented new in its box and includes removable accessories: a brush and a paint bucket. It is housed in molded packaging that mimics the stone wall backdrop of the original painting. What sets this SDCC 2012 edition apart from standard Target releases is the hand-drawn embellishment on the back panel. In this HPM version, Luke Chueh drew a bear with a crown and his own signature on the firing wall, using bullet hole placement to enhance the sense of mortality and critique. Some versions feature additional phrases like shoot to kill, injecting a powerful sense of danger and societal commentary. The red target on the bear’s chest, hand-painted to appear freshly applied, stands in sharp contrast to the surrounding destruction. Luke Chueh’s Street Pop Art & Graffiti Artwork Legacy Luke Chueh, a Los Angeles-based street pop art and graffiti artwork practitioner, has established a reputation for using minimalist figures and iconic bear characters to explore deeply psychological themes. His work merges pop surrealism with street sensibilities and draws heavily from his own personal experiences. Often cast in muted palettes, Chueh’s figures are vehicles for exploring alienation, depression, and self-destruction. In the Target Red HPM SDCC edition, he compresses the full weight of such emotions into a single moment of performative vulnerability—his bear choosing to mark itself for destruction, while standing against a wall already pockmarked with history. The use of humor, darkness, and childlike iconography invites audiences into a disarming confrontation with deeper truths. Collectibility and Cultural Commentary Limited to just 250 pieces, with only a select portion containing original hand-drawn details, the Target Red HPM SDCC figure remains a grail item for serious collectors of street pop art and graffiti artwork. Each sculpture captures a static yet emotionally turbulent moment that mirrors larger cultural critiques—on violence, societal pressures, and identity in the age of hyper-visibility. The fact that it debuted at San Diego Comic Con speaks to Chueh’s roots in pop culture and his ability to subvert it from within. This edition not only symbolizes the convergence of art toy culture and fine art, but it underscores Luke Chueh’s place as one of the most conceptually driven artists working in designer toys and modern narrative art.

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Lines In The Slipstream #14 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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Detroit Tag Series- 6 Original Painting Aerosol & Krink Marker on Canvas by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Original Aerosol & Krink on Stretched Canvas Size: 20 x 12 x 1.5 Inches Release: November 16, 2010 Run of 1 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," -Cope2 Exploring Cope2's 'Detroit Tag Series- 6' Cope2, born Fernando Carlo, is a name that resonates with authority in graffiti and street art. His 'Detroit Tag Series- 6' is a powerful original painting that combines the raw energy of aerosol art with the precision of Krink markers on canvas. This piece, created in 2010, is a testament to his versatility and evolution as an artist who has been influential in the scene for over three decades. The Evolutionary Path of Cope2's Artistry Cope2's journey as an artist has seen him transition from the streets of the Bronx, where he earned his stripes as a graffiti writer, to the galleries that now house his canvas work. 'Detroit Tag Series- 6' reflects this journey, showcasing a mature style without losing the spontaneity and vigor of his early work. The piece, with dimensions of 20 x 12 x 1.5 inches, is a singular expression within a limited run, emphasizing Cope2's commitment to creating unique works that are personal and reflect his roots in street culture. Cope2 captures the essence of Detroit's urban landscape in this series through his iconic tag style. The bold, sweeping curves and sharp lines rendered in black against a striking red background indicate his confident hand, honed by years of practice. The use of Krink markers, known for their vibrant ink and durability, allows Cope2 to bring the immediacy and authenticity of street tagging to the canvas. Cope2's 'Versatile' Exhibition: A Display of Artistic Range The 'Detroit Tag Series- 6' was a highlight of Cope2's exhibition titled 'Versatile,' which showcased the breadth of his artistic repertoire. In his own words, the show was an opportunity to present the evolution of his style and his progression as an artist. Cope2's ability to navigate between the street and the studio, to exhibit the rawness of graffiti alongside the refinement of mixed media paintings, speaks to his adaptive approach to art-making. His work not only captures the essence of street pop art but also pushes its boundaries, inviting viewers to experience the dynamic nature of graffiti in new contexts. The exhibition was a narrative of growth, a visual documentation of Cope2's transition from street legend to a respected figure in contemporary art. 'Detroit Tag Series- 6' stands as a proud testament to the original spirit of street art while signaling Cope2's ongoing exploration of form, color, and medium. The Enduring Legacy of Cope2 in Street Art Cope2's impact on street pop art and graffiti artwork is indelible. 'Detroit Tag Series- 6' is a canvas and a chronicle of an artist's life-long dedication to his craft. Through this work and others like it, Cope2 demonstrates that graffiti is not a static art form but a living, evolving practice that continues to challenge and redefine artistic expression. As a pivotal figure in the graffiti world, Cope2's contributions extend beyond his artworks. He has inspired generations of artists to pick up the can and the marker, to make their mark on the world, and to express their voices in bold and unapologetic ways. Cope2 remains a vital presence in the art community; his work bridges the past and future of street art. His legacy is one of transformation, a reminder that art is constantly in motion, seeking new surfaces to conquer and stories to tell.

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Aki Sharks #1 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Priority Mail 228-2013 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.5x3.5 Color Marker on the USPS United States Postal Service Priority Mail Label 228-2013.  Street Art's Intersection with Everyday Objects The 'Priority Mail 228-2013' slap-up label sticker featuring original tag art by Saber is a remarkable embodiment of how modern street artwork intersects with everyday objects. Saber, a recognized name in graffiti, transforms a mundane USPS mailing label into a canvas for his artistic expression. This piece, a 4.5x3.5 color marker on the USPS United States Postal Service Priority Mail Label 228-2013, is 2020 original, showcasing the artist's unique ability to repurpose everyday items into art. Saber's Artistic Commentary on Communication This work is more than an act of creative repurposing; it serves as a commentary on communication and how messages are transmitted in the modern world. By choosing a Priority Mail label, Saber taps into the theme of urgency and the importance of messages that such labels signify. His artwork disrupts this narrative of swift communication with a personal and cryptic tag, suggesting that amidst the rapid exchange of information, there are layers of meaning waiting to be uncovered. The tag, applied with a color marker, flows across the label in a style reminiscent of Saber's street art murals. The vibrant green strokes against the white and red of the Priority Mail label create a stark contrast, symbolizing perhaps the clash between the institutional and the individual, the standardized and the personalized. The use of a USPS label also points to the public domain as a space ripe for artistic intervention, where the artist can leave a mark that is both provocative and publicly accessible. Modern Street Art and the Culture of Slap-Up Tags Saber's choice of a slap-up label adheres to the culture of street pop art, where quick, spontaneous creations are integral to the art form. Slap-up tags are known for their immediacy and are often used by artists to leave a quick signature in public spaces. This piece emulates that culture, with Saber's tag being a literal and figurative mark of the artist's presence. In the context of street pop art and graffiti artwork, Saber's 'Priority Mail 228-2013' label is a testament to the genre's evolving canvas. It moves beyond walls and subway cars to find a place on portable, everyday items, thus expanding the reach of street art. Saber, an American artist, is known for such innovations, constantly challenging the boundaries of where and what street art can be. In sum, the artwork on the Priority Mail label is a statement on the power of street art to transform the mundane into the extraordinary. It captures the essence of street pop art's spontaneity and Saber's role as a pioneer in the movement. The tag, a signature of the artist's identity, reminds of the personal touch in an increasingly impersonal world dominated by digital communication and standardized services.

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Target Red King #2 HPM SDCC 12 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Luke Chueh. 2012 Signed with Unique HPM San Diego Comic Con 2012 SDCC Exclusive Hand-Embellished Hand Drawn Image & Text "Shoot to Kill" Limited Edition of 250 (A Select Amount HPM with Hand Drawn Unique Drawings on Wall) Sculpture Artwork Size 6.5x10.5 New in Box. Comes with a removable brush and bucket. From Famous Luke Chueh Target Series Depicting a Bear Painting Target on the Chest Standing at a Hand Drawn Firing Wall with Red Target and Paint Bucket. Target Red King #2 HPM SDCC 12 Vinyl Art Toy by Luke Chueh Luke Chueh’s Target Red King #2 HPM SDCC 12 vinyl art toy stands out as one of the most emotionally evocative and conceptually striking releases in the Street Pop Art & Graffiti Artwork category. Released in 2012 as a San Diego Comic-Con exclusive and produced by Munky King, this limited edition figure is part of a larger series based on Chueh’s original Target painting. This particular version, hand-embellished with the artist’s own unique illustration on the firing wall, encapsulates Chueh’s deeply introspective themes through a sculptural medium that resonates with collectors, critics, and fans of dark, conceptual pop art. This figure is a continuation of Chueh’s exploration of vulnerability, self-awareness, and the relationship between creator and subject. Design, Details, and Physical Structure This collectible measures 6.5 x 10.5 inches and is crafted in vinyl with a mixed-media sculptural base. The figure depicts Chueh’s iconic bear character, rendered in a minimalist palette, painting a blood-red concentric target over its own chest while standing in front of a cracked wall riddled with bullet holes. The backdrop serves as a sculptural representation of vulnerability, punctuated with a bold hand-drawn bear head and crown motif signed by Luke Chueh. This version, known as Red King #2, is part of a select sub-edition of the original run of 250, featuring individually hand-drawn graffiti-style customizations on the wall base, turning each one into a distinct piece of hand-painted art. The inclusion of the removable brush and bucket gives the figure a tragic sense of complicity—blurring the line between empowerment and self-destruction. Conceptual Narrative and Symbolism Target is not merely a title; it is a statement about identity and visibility. By painting the target on its own body, the character becomes both artist and object, aggressor and victim. The wall behind it, resembling an urban execution backdrop, intensifies the piece’s tension. With this Red King edition, the additional crown scrawled above the bear adds a layer of sovereignty or martyrdom—elevating the character to a symbol of sacrifice. This duality has long been a hallmark of Luke Chueh’s work, combining cute and tragic elements into a surreal pop art narrative that reflects his ongoing commentary on anxiety, depression, self-image, and the burdens of self-expression. Legacy in Contemporary Urban Art Luke Chueh, born in the United States in 1973, is a pivotal figure in the Street Pop Art & Graffiti Artwork movement. His use of simplified, iconic characters and a muted color palette enables him to channel raw emotion through clean lines and impactful staging. Munky King’s collaboration with Chueh on the Target series represents one of the most successful translations of gallery-oriented character art into three-dimensional collectibles. Each edition, especially rare variants like Red King #2, carries with it the emotional depth and visual simplicity that Chueh has cultivated across mediums. The SDCC exclusive aspect of this release only enhances its rarity and desirability, cementing it as a significant artifact in the narrative of modern collectible sculpture.

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Silver Tall Tagged Original Metallic Marker Slap-Up Label Drawing Art on Mailing Label by Graffiti Artist Sechor Modern Street Artwork. 2021 Signed Original Slap Up Graffiti Art Tag 5.5x4.25 Marker Tagged on USPS Priority Mailing Label. Handling Creases Along Midsection.

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Naivety Scene Era 12 Original Marker Drawing on Canvas Framed by Blake Jones Modern Street Pop Artwork. 2019 Signed Framed Original Color Marker Hand Drawing Size 7.75x10.25 Naivety Scene Era 12 by Blake Jones – Hand-Drawn Whimsy in Street Pop Art & Graffiti Artwork Naivety Scene Era 12 is a 2019 original framed marker-on-canvas drawing by American artist Blake Jones, measuring 7.75 x 10.25 inches. Known for his dynamic, character-driven compositions and bold use of line and color, Jones brings a sense of uninhibited joy and hyperactive imagination to this piece. Executed entirely with color markers by hand, the artwork presents a freeform universe of creatures, objects, and doodles rendered in a collage-like explosion. Framed cleanly in white to contrast with the visual energy inside, the piece delivers an immediate sense of personality and motion. This one-of-a-kind original draws from the playful absurdity of children’s art while integrating the conscious repetition and symbolic layering found in Street Pop Art & Graffiti Artwork. Character Clutter and Controlled Chaos The surface of Naivety Scene Era 12 is a kaleidoscope of cartoonish forms—bright-eyed ghosts, barking dogs, melting ice cream cones, alligator teeth, lightning bolts, and wild-eyed humanoid faces—each drawn with unique flair and outlined in vivid color. These figures inhabit the space with no obvious hierarchy, emphasizing the democratic and improvisational nature of Jones’s work. Every inch of the canvas is utilized, producing a densely populated environment that feels simultaneously random and intentional. Some characters are drawn in black and white, while others burst in neons and pastels. The mix of expressive gestures, graphic patterns, and text elements like YO and CALIENTE provides multiple entry points for interpretation. It’s not a narrative; it’s a moment of visual play, inviting the viewer to explore without boundaries. This strategy fits squarely within Street Pop Art & Graffiti Artwork, where image-making is as much about energy and vibe as it is about message. Marker as Medium, Process as Performance Blake Jones’s use of markers as the primary medium reinforces the raw and spontaneous quality of the piece. Unlike digital work or painting, marker allows for a level of immediacy and texture that reflects hand movement and personal expression. The layering of color, the visible overlaps, and the variance in pressure and line weight speak to a process that is direct and unfiltered. The artist’s restraint in working within a compact canvas size adds to the intensity of the piece, forcing every form to interact and react within tight constraints. This kind of live, intuitive creation is rooted in sketchbook culture and graffiti blackbook traditions, where artists rapidly generate ideas, shapes, and energy with whatever tools are available. Jones translates that into finished work that retains all the freshness of a spontaneous session. Visual Joy and Cultural Remix from Blake Jones Blake Jones continues to build a visual language that blurs the line between outsider drawing, studio illustration, and graffiti spontaneity. In Naivety Scene Era 12, the artist celebrates the imperfections of instinct, the humor of randomness, and the beauty of clutter. He delivers a composition that rejects minimalism in favor of abundance, noise, and expression. The framed format elevates the chaotic imagery, giving it gallery presence while maintaining its raw emotional accessibility. As part of Street Pop Art & Graffiti Artwork, this original drawing exemplifies how art can exist in both casual and collectible forms, reminding viewers that even the simplest gestures—when repeated and refined—can form complex universes. Blake Jones doesn’t just draw pictures. He builds ecosystems of feeling, gesture, and graphic play where everything belongs, nothing is sacred, and joy is the only rule.

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Priority Mail Double White 2021 Original Marker Slap-Up Label Painting/Drawing Art on USPS Label by Tru Graffiti Legend Sechor Modern Street Artist. 2021 Original Slap Up Graffiti Art Tag Sticker, Signed 4.25x5.5 Marker on USPS Priority Mail Label.

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Late At Night Original Graphic Acrylic Drawing by Mandy Tsung on Fine Art Paper Modern Street Pop Artwork. 2014 Signed Original Ink & Graphite Pencil Drawing Size 3.25x4

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NYC MTA MAP 1st Element 1965 Original One of a Kind Marker on Subway Train Map Painting Artwork by Popular Street Graffiti Artist Cornbread- Darryl McCray. Artist: Darryl "Cornbread" McCray Description: Changed The World 196, Marker on OG NYC MTA map Paper: NYC MTA Map Size: 23" x 32" (Inches) Edition Size -1 Hand-signed & Numbered by Artist

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Drawing 24 Original Marker Ink Hand Drawing on Watercolor Paper by modern trending street art artist JM Rizzi. 2021 Signed Original Drawing Marker Ink on Watercolor Paper Size: 18 x 24 Inches Release: November 15, 2021

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Thank You!! Original Marker Tag Drawing by Dalek- James Marshall on Cardboard Modern Street Pop Artwork. 2023 Signed Original Permanent Marker Cardboard Thank You Drawing Size 12x6 The Gratitude of Graffiti: Dalek's "Thank You!!" Cardboard Tag The simple yet profound phrase "Thank You!!" takes on a new life in the hands of Dalek, the street name of artist James Marshall. This original marker tag drawing on cardboard is a piece that stands out in the realm of modern street pop artwork. Signed in 2023, the piece measures 12x6 inches. It is a genuine expression of gratitude, rendered in the permanent ink of a marker, a material synonymous with the unfiltered honesty of street art. James Marshall's "Thank You!!": A Study in Sincerity In an age where digital communication often reigns supreme, James Marshall's choice to return to the roots of personal touch with a hand-drawn tag on cardboard speaks volumes. The medium of cardboard, often discarded as waste, is reclaimed by Marshall as a legitimate and poignant surface for art. It is a nod to the eco-friendly and resourceful nature of street pop art and graffiti artwork, which often sees value and potential in overlooked places. His work resonates with the ethos of street art culture, which finds its voice in the every day, transforming the mundane into the extraordinary. Cardboard as Canvas: Street Pop Art's Ephemeral Charm Marshall's work on cardboard also captures the ephemeral charm, often the essence of street pop art. Unlike canvases destined for gallery walls, cardboard suggests a transient nature—today, it's art. Tomorrow, it could be part of a recycling pile. This piece, with its bold black strokes forming the words "Thank You!!" elevates the transient material to a lasting statement of gratitude, a universal and timeless sentiment. In a sense, Marshall's work immortalizes the fleeting moments of appreciation we experience daily, serving as a reminder to acknowledge and celebrate them. In essence, Dalek's "Thank You!!" is more than just a marker drawing; it is a testament to the transformative power of street pop art. Through Marshall's work, we are invited to recognize the beauty in simplicity, the potential of unconventional materials, and the importance of gratitude. As this piece journeys from the streets to the collector's archive, it carries with it the sincere thanks of the artist, a message that resonates with the hearts of those who encounter it.

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Man In The Mirro Original Permanent Marker USPS Box End Drawing Art on Cardboard by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 7.5x4.5 Marker Tagged on USPS Priority Mailing Box End.

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Tusken Raider Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Crystal Shield #2 Original Graphic Ink Drawing by Mandy Tsung on Fine Art Paper Modern Street Pop Artwork. 2014 Signed Original Ink & Graphite Pencil Drawing Size 8.25x6 INFO

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Warning: Addictive- Blue Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. Signed on Front With Marker. Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard

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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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Eye Text Tag Original Permanent Marker Slap-Up Label Drawing Art on Mailing Label by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4.25x5.5 Marker Tagged on USPS Priority Mailing Label.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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Shark USPS Priority Original Spray Paint & Permanent Marker Slap-Up Label Drawing Art by Tru Graffiti Artist Shark Toof Modern Street Artwork. 2015 Signed Orignal Spray Paint Mixed Media Marker Slap Up Graffiti Drawing Artwork Size 4.75x3.5 Slap Up Graffiti Art Tag 4.75x3.5 Spray Paint & Marker Tagged on USPS Label.

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Hello There Orange Original Spray Paint Art Can by Atomik Sculpture Drawing Artwork by Iconic Pop Culture Modern Artist.  2025 Signed Original Magic Marker Atomik Orange Smiling Face Reclaimed Spray Paint Can Painting Artwork Size 3x8 Hello There, Orange Original Spray Paint Art Can by Atomik The Hello There Orange Original Spray Paint Art Can by Atomik is a distinct piece of Street Pop Art & Graffiti Artwork that exemplifies the artist’s commitment to transforming ordinary objects into personalized statements of identity and expression. Created in 2025 and signed by the artist, this artwork is drawn directly on a reclaimed spray paint can using a magic marker. The work features the iconic grinning orange face that has become synonymous with Atomik’s visual language. With bold black linework over a used Montana spray can, the piece merges the raw energy of graffiti materials with the intimate immediacy of a hand-drawn illustration. Atomik’s instantly recognizable orange face peeks forward with oversized, cartoonish eyes and a mischievous smile, encapsulating the spirit of his Miami-based street art heritage. Reclaiming the Tools of Expression as Art Objects Spray paint cans are a staple in graffiti and street art culture. They are tools of resistance, freedom, and self-expression. Atomik’s decision to turn a spray can into the canvas itself reflects a deeper ethos in Street Pop Art & Graffiti Artwork. Rather than discarding the medium once emptied, he reclaims it—transforming the functional into the collectible. The resulting artwork stands as both an homage to graffiti’s tactile process and a rebellion against traditional notions of fine art. Every dent, scratch, and warning label on the can becomes part of the finished aesthetic, grounding the orange character in the lived reality of street-level artmaking. This practice not only preserves a piece of graffiti history but recasts it as a standalone object worthy of admiration and discourse. The Smiling Orange and the Miami Identity The smiling orange has its roots in Atomik’s personal response to the demolition of Miami’s beloved Orange Bowl stadium, a landmark of civic pride. Atomik reimagined the orange as a graffiti character that pays tribute while asserting a uniquely Floridian flavor. Over the years, it has appeared on freight trains, abandoned buildings, and murals, becoming one of the most widely recognized characters in contemporary graffiti. On this specific spray paint can, the orange floats in contrast against a sea of fine print, warnings, and hazard symbols. This juxtaposition of regulatory text and unruly character speaks to the tension between control and freedom, legality and expression. It also reflects the artist’s ongoing commentary on reclaiming space and materials for cultural storytelling. Graffiti as Sculpture and Collectible Commentary This hand-drawn reclaimed can is not only a visual piece but a sculptural one. The cylindrical form allows the artwork to live in three dimensions, giving viewers the opportunity to see how street art evolves when it enters a more permanent and collectible format. Unlike traditional canvas or digital prints, the use of the spray can physically and conceptually connects the viewer to the graffiti process. Atomik’s signature on the base further authenticates the piece, anchoring it in his artistic lineage and practice. As Street Pop Art & Graffiti Artwork continues to push boundaries, works like the Hello There Orange Spray Can stand at the forefront, showing that even a once-discarded object can become a celebrated artifact when touched by the right artist’s hand.

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Hardcore Energy Original Spray Paint Marker Painting by Optimo NYC One of a Kind Artwork on Fine Art Paper Street Art Pop Artist. 2022 Signed Magic Marker & Spray Paint Painting Original Artwork Size 7x9 Hardcore Energy by Optimo NYC – Original Spray Paint and Marker Artwork in Street Pop Art & Graffiti Artwork Hardcore Energy is a 2022 original 7 x 9 inch mixed media painting by Optimo NYC, created using spray paint and marker on fine art paper. This one-of-a-kind piece distills the essence of street presence and visual rhythm into a compact, raw, and stylized composition. The central figure is drawn with a minimalist elegance—defined by sharp, fluid marker lines that outline a faceless figure in a tall hat and coat. The phrase Hardcore Energy is written boldly across the chest, doubling as both a message and a visual anchor. The background pulses with a swirl of red, white, blue, and black spray paint, applied in layered motions that evoke aerosol mist, light reflection, and the raw dust of a late-night wall hit. The contrast between the soft haze of paint and the rigid black ink form captures the duality at the heart of graffiti—chaotic energy and stylized control. Visual Identity and Iconic Character Work Optimo NYC’s signature character, often seen in his street work and fine art pieces, returns here in refined linework. The top hat, angled shoulders, and long silhouette are unmistakable and iconic, calling back to mid-1980s New York street iconography while asserting a timeless visual presence. This figure appears detached yet commanding, anonymous yet memorable—a marker of both style and persona. The handwritten Hardcore Energy across the figure's chest is not a title but a pulse, vibrating with the spirit of the street and the momentum of New York graffiti lineage. The small triangle below the lettering further suggests a coded mark, emblematic of the way graffiti often carries layered meanings hidden in plain sight. Spray Technique and Urban Abstraction The spray paint background carries a rough elegance, with cloudy fades and directional bursts that ground the figure in atmosphere. Red and purple undertones swirl behind soft powdery whites, while black and silver speckles anchor the composition at its base. This layering is more than decorative—it replicates the texture of the city, the grime of asphalt, and the paint overspray found on buffed walls and metal surfaces. Optimo NYC blends these textures into a tight format, allowing the viewer to engage with an entire world of movement and mood in a 7 x 9 inch space. The composition never stands still; it hums with residual motion and the memory of action. New York Attitude in Street Pop Art & Graffiti Artwork Hardcore Energy is not a slogan, it is an ethos, and in this artwork, it defines the tone, composition, and visual voice of Optimo NYC. As an original signed piece by an artist with deep roots in graffiti culture, this work exists at the intersection of raw gesture and stylized iconography. The tight paper format amplifies its intensity rather than limiting it, turning every inch into a field of tension between abstraction and symbolism. For collectors and followers of Street Pop Art & Graffiti Artwork, this piece offers not only an image but a flash of the culture’s speed, stance, and coded energy. It is an authentic visual object powered by the street’s unfiltered rhythm and the artist’s sharpened instinct.

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Abe Sapien Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Gold Tooth Skull Flower Original Pink Purple Marker Drawing by Tara McPherson on Card Stock Paper, Modern Street Pop Artwork. 2006 Signed Original Magic Marker Drawing Size 9x11.5 of a Skull Flower with Gold Tooth "Gold Tooth Skull Flower," an original marker drawing by Tara McPherson, is a striking example of modern street pop artwork that blends the macabre with the delightful. Created in 2006, this signed piece, measuring 9x11.5 inches, illustrates a skull flower characterized by a single gold tooth—a symbolic feature that offers a glimpse into McPherson's unique artistic universe. Rendered in pink and purple marker on card stock paper, the drawing exemplifies McPherson's approach to her subjects, which often intertwines themes of the surreal with human emotions. The skull, a symbol frequently associated with mortality and the transience of life, is given a new lease on life by transforming it into a flower—a representation of growth, beauty, and renewal. The gold tooth adds a playful twist to the otherwise sad symbol of the skull, injecting humor and lightness into the piece. This juxtaposition is a common thread in McPherson's work, where she seamlessly merges contrasting themes to create artwork that is both thought-provoking and accessible. This work stands out in street pop art for its distinctive style and the engaging way it invites viewers to reinterpret familiar symbols. McPherson's art often graces both the walls of city streets and the halls of galleries, reflecting the growing acceptance and appreciation of street art within the broader art community. In "Gold Tooth Skull Flower," McPherson continues to explore the endless possibilities of simple materials such as magic markers, proving that impactful art is not confined to traditional mediums or methods. Her work remains a celebrated part of the street pop art movement, known for its ability to challenge perceptions and delight audiences with its whimsical take on the everyday.

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Lines In The Slipstream #4 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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Lady Shiva Original One of a Kind Mixed Media Paint & Markers Drawing Artwork on Hand Deckled Handmade Art Paper by Popular Street Graffiti Artist Lady Pink. 2019 Signed & Dated Original Drawing Illustration Paint Markers, on Handmade Deckled Paper. 6 x 18 inches in size. Lady Pink’s Lady Shiva: Mythology Meets Resistance in Street Pop Art Lady Pink’s Lady Shiva, created in 2019 with mixed media and marker on hand-deckled handmade art paper, fuses Aztec-influenced mythology with graffiti symbolism and social resistance. Measuring 6 x 18 inches, this one-of-a-kind work exemplifies her ongoing commitment to female empowerment and cultural reclamation within the language of Street Pop Art & Graffiti Artwork. The central figure is a vibrant, deity-like woman with six arms, adorned with skulls, peace symbols, and bold facial markings. She holds spray cans and chains, a direct reference to the tools and struggles of the graffiti movement. The composition blends traditional iconography with cartoonish energy, channeling both Mesoamerican art and contemporary visual rebellion. The central goddess figure references the Hindu deity Shiva, a powerful symbol of destruction and transformation, but here she is reimagined through the lens of street culture. Her expression is fierce, defiant, and jubilant. Surrounding her are serpents, birds, and ornamental symbols drawn in a palette of saturated pinks, purples, and greens—an aesthetic choice that reflects Lady Pink’s history of challenging male-dominated narratives in graffiti by owning her space with unapologetic color and form. Visual Allegory of Power, Culture, and Resistance The narrative unfolds with sharp contrasts and rich symbolism. On one end, a grotesque pig-faced police officer stands handcuffed to the goddess, gripping a spray can as if confiscated or misunderstood. On the other, mythic figures—complete with skull necklaces and serpents—align themselves with the goddess’s cause. The character design is playful, but the message is pointed. Lady Pink uses humor and caricature to expose cycles of surveillance, cultural erasure, and systemic control. The shackles and clenched fists transform the piece into an allegory of empowerment—where art, identity, and heritage become instruments of resistance. This is not a passive depiction of rebellion—it is active, kinetic, and celebratory. The goddess wields graffiti like a weapon of reimagination. Her eyes are lined with thick lashes, crying stylized teardrops that recall both sorrow and power. Her smile, full of sharp teeth, confronts the viewer directly. This emotional hybridity—fierceness paired with joy—is central to Lady Pink’s style. She constructs a visual mythology where cultural memory and contemporary rebellion meet at the intersection of gender, history, and paint. Graffiti Iconography Reframed Through Feminist Vision Lady Pink, born Sandra Fabara in Ecuador and raised in New York, has been a pioneering voice in graffiti since the 1980s. Her work consistently merges street energy with personal and political storytelling, especially from a feminist perspective. Lady Shiva stands as a testament to her role in shaping graffiti into a space of inclusion and cultural critique. Rather than adhering to hyper-masculine conventions of tagging and bombing, she incorporates ancient motifs, character illustration, and symbolism to narrate deeper social commentary. In Lady Shiva, the combination of handmade paper, thick marker strokes, and mythological subject matter aligns with the tactile and ephemeral nature of graffiti. The unpolished edges, visible brush textures, and bright marker fills evoke the immediacy of street walls and sketchbooks. This physicality speaks to the roots of the medium—accessible, unfiltered, and deeply personal. The piece refuses polish in favor of presence, giving the goddess a raw, living quality. Through Lady Shiva, Lady Pink doesn’t just create a goddess—she creates a narrative weapon. The work becomes a mural-sized declaration in miniature form, bridging spiritual power, ancestral art, and the lived resistance of women artists claiming space in public view. It is a visual spell cast in spray paint and marker, summoning transformation in the language of Street Pop Art & Graffiti Artwork.

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Warning: Addictive- Orange Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. Signed on Front With Marker. Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard

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Companion Model Drawing Original Graphite Drawing by Robert Lazzarini on Fine Art Paper Modern Street Pop Artwork. 2010 Signed Original Graphite Pencil Drawing Size 11.5x14.5. Robert Lazzarini (b. 1965) Companion Model Drawing, c. 2010 Graphite on paper 14-1/2 x 11-1/2 inches (36.8 x 29.2 cm) (sheet) Signed in pencil to lower right. Exploring Robert Lazzarini's Companion Model Drawing in the Context of Street Pop and Graffiti Art American contemporary artist Robert Lazzarini was born in 1965 and is renowned for his mind-bending sculptures that manipulate everyday items such as guns, chairs, and skulls. These pieces challenge our understanding of reality, incorporating a mix of computer-aided design and traditional sculpting methods. Lazzarini completed his studies at the School of Visual Arts in New York City, earning his BFA in 1990. His artwork has been showcased in numerous galleries and museums across the globe, with some of his most notable exhibitions being held at the Virginia Museum of Fine Arts, the Hirshhorn Museum, and the Whitney Museum of American Art. Lazzarini's sculptures are famous for their ability to distort and alter our spatial perception. His creations' unconventional shapes and dimensions make the viewer question the objects themselves and the reality they occupy. Lazzarini's artwork challenges us to reconsider our assumptions and preconceptions about the world around us by presenting familiar objects in unfamiliar ways. The art world is an ever-evolving landscape, and within its broad spectrum lies the fusion genre of Street Pop Art, a style that embodies the rebellious spirit of street art with the mass appeal of pop art. It's within this creative milieu that Robert Lazzarini's "Companion Model Drawing," a graphite-on-paper creation, finds its place. This artwork, dating back to circa 2010, represents a significant contribution to the genre, offering a unique blend of street art's grit and pop art's accessible imagery. Born in 1965, Lazzarini has been a prominent figure in the contemporary art scene, known for his distortion of familiar objects and icons, effectively challenging viewers' perceptions and expectations. The "Companion Model Drawing" is a testament to his distinctive approach, as it presents the viewer with a sketch that appears to be simple at first glance but reveals complex undercurrents upon closer inspection. The piece size, 14-1/2 x 11-1/2 inches, is intimate, inviting personal engagement, and the graphite medium gives it a raw, unfinished quality that resonates with the ethos of street art. Interpreting Lazzarini's Artistic Technique and Street Pop Art Aesthetic Lazzarini's work is often characterized by a meticulous technique that belies the chaotic impression it leaves. This is evident in the "Companion Model Drawing," where the lines are deliberate and precise, yet the overall effect is disorientation and altered reality. Though rendered in graphite, this drawing carries the visual weight and immediacy often associated with graffiti artwork. The boldness of the lines and the shading techniques contribute to a three-dimensional effect, making the drawing leap off the fine art paper. While not a traditional example of graffiti art, the artwork embodies the movement's spirit through its engagement with popular culture and subversive elements. The subject of the drawing, which can be described as a deconstructed character, resonates with the iconography typical in street and pop art. Lazzarini's signature in pencil at the bottom right corner adds a personal touch to the piece, anchoring it firmly within the artist's body of work. The Cultural Relevance of Lazzarini's Work in Modern Art Discourse Street Pop Art is not merely an aesthetic; it's a cultural phenomenon that speaks to societal narratives, often acting as a visual language for urban experiences. Lazzarini's "Companion Model Drawing" engages with this dialogue through its subject matter and execution. The choice of a companion model, a figure that could be interpreted as a guide or an alter ego, reflects the personal yet universal themes that street art explores. The artwork blurs the lines between high art and the more democratically accessible street art, embodying the inclusive nature of modern art movements. Moreover, Lazzarini's drawing bridges the immediacy of street art and the enduring nature of fine art. While graffiti is ephemeral, often painted over or washed away, the permanence of graphite on paper allows this piece to become a lasting record of artistic expression. It captures a moment in time within the street pop art movement, preserving it for future generations to appreciate and study. Conclusion: The Impact of Lazzarini's Companion Model Drawing In conclusion, Robert Lazzarini's "Companion Model Drawing" is a significant piece at the intersection of Street Pop Art and Graffiti Artwork. Its execution in graphite on fine art paper transcends the temporary nature of street art, allowing it to be appreciated as a long-lasting artifact. The piece showcases Lazzarini's technical prowess and embodies the essence of street pop art—a blend of subcultural depth and pop culture iconography. As a signed original graphite pencil drawing from 2010, it carries the hallmarks of Lazzarini's style: a thought-provoking distortion of reality that challenges and engages the viewer. This artwork remains a crucial reference point for those interested in the evolution of street-inspired art within contemporary art discourse.

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Leppard Shirt Original Mixed Media Drawing by RAE BK on Cardstock Paper Modern Street Pop Artwork. 2022 Signed Original Markers & Permanent Markers, Graphite & Colored Pencils, Ink, Mixed Media Drawing Size 5x8 Leppard Shirt by RAE BK – Fragmented Form and Emotional Texture in Street Pop Art & Graffiti Artwork Leppard Shirt is a 2022 original mixed media drawing by Brooklyn-based artist RAE BK, executed on 5 x 8 inch cardstock using markers, permanent markers, graphite, colored pencils, and ink, along with additional collage-like material accents. This one-of-a-kind piece showcases RAE BK’s spontaneous, layered, and emotionally coded visual language. Dominated by a bold abstract figure drawn in thick black linework with uneven features, the composition plays with portraiture in an intentionally fractured and expressive way. Facial elements are repeated, distorted, or echoed, while the shirt’s spotted pattern—a nod to the title—is rendered in blotched marks that drift between representation and symbolic texture. This work exists as both a drawing and an artifact, operating in the aesthetic chaos that defines Street Pop Art & Graffiti Artwork. Expressionist Energy in Character and Surface RAE BK’s figures are never clean or symmetrical—they are built from scratch, corrected in real-time, and imbued with raw, unfiltered emotion. In Leppard Shirt, the central face feels unstable, yet confident in its presence. The oversized nose, simplified eyes, and curved mouth are layered over washes of smudged material, creating a portrait that feels emotional rather than literal. The repetition of the face motif in miniature—like echoes or iterations—suggests memory or commentary. The artwork does not offer a resolved figure but rather a psychological imprint, drawn with urgency and spontaneity. This sense of emotional immediacy is what places RAE BK’s character work firmly within the tradition of Street Pop Art & Graffiti Artwork, where lines are as much about rhythm and response as they are about control. Collage Elements and Material Disruption The presence of mixed materials—including glitter, adhered objects, and what appears to be a barcode label—transforms the surface into a textural conversation between image and object. The artist uses the tools of the street—found fragments, improvised layers, raw media—and compresses them into a work on paper that feels sculptural and alive. These tactile additions don’t just decorate the page—they rupture it. They serve as interruption, symbol, and critique all at once. Glitter becomes a distortion. Tape becomes a gesture. The result is a drawing that functions like a wall paste-up or found tag—a message delivered in parts, open to interpretation but packed with presence. The layering and mark-making fuse into a visual field of controlled chaos, echoing the layered reality of urban experience and artistic survival. RAE BK and the Language of Urban Artifact RAE BK’s Leppard Shirt is a miniature yet complete embodiment of his larger practice—an intuitive blend of emotional abstraction, coded symbols, and reclaimed visual language. The piece doesn’t ask to be understood in a linear way. It exists as a document of feeling, a collision of internal narrative and found reality. His approach embraces imperfection, trusting the materials and their placement to speak louder than polished composition. As part of Street Pop Art & Graffiti Artwork, this drawing is a reminder that small-scale work can carry the same intensity and commentary as a mural or installation. RAE BK continues to create not from a need for explanation but from a place of urgency, rhythm, and resistance—giving paper, like city walls, the power to carry voices that refuse to be ignored.

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To The Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed RekOne NSA & RekOne WB Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Demon Jellyfish Original Marker Drawing by Buff Monster on Card Stock Paper, Modern Street Pop Artwork. 2007 Signed Original Magic Marker Drawing Size 10x6 of a Flying Demon JellyFish "Demon Jellyfish," a striking piece by Buff Monster, encapsulates the spirited essence of street pop art. Crafted in 2007, this original magic marker drawing on card stock paper bears the dimensions of 10x6 inches and presents an intriguing subject—a flying demon jellyfish. As a signed original, it is a tangible connection to Buff Monster's creative spirit and street art's broader narrative. The artwork features a whimsical creature, a hallmark of Buff Monster's style, which often combines the cute with the grotesque and the playful with the demonic. This juxtaposition is emblematic of street pop art's power to blend disparate elements to provoke thought and evoke emotion. The jellyfish, with its dangling tentacles and angelic wings, invites a dialogue about the nature of duality—sinister yet benign, floating yet directed. Buff Monster's use of stark black ink against the plain background exemplifies the potency of contrast—a technique frequently employed in street art to convey explicit, powerful imagery even from a distance. The decision to represent a demon jellyfish suggests a narrative where mythological creatures and urban legends converge, creating a tapestry of modern folklore. The inclusion of Buff Monster's signature and the year of creation anchors the piece in time, offering authenticity and a snapshot of the artist's evolution. As street pop art continues to gain recognition, works like "Demon Jellyfish" are pivotal in chronicling the movement's history and the diversity of its artistic expressions. In the broader context of street pop art and graffiti, the "Demon Jellyfish" stands as a testament to the unbounded creativity of artists who draw inspiration from their urban environments. Buff Monster's work challenges viewers to find beauty and meaning in unexpected forms, proving that even the most fantastical creatures have a place on the streets and in the hearts of those who encounter them.

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RD Bold Tag Marker Original Drawing by RD-357 Real Deal on Cardboard Modern Street Pop Artwork. 2012 Signed Original Marker Cardboard Upcycled Graffiti Tag Drawing Size 16.5x7.5. Tape and Natural Creases Exist. RD-357: The Bold Lines of Street Identity RD-357, known by the moniker 'Real Deal,' is an artist whose bold tags have become a symbol of authenticity and raw expression in the street art community. His 2012 work, a signed original marker on cardboard, sized at a striking 16.5x7.5 inches, is a testament to the artist's direct approach to art-making. This piece, known simply as "RD Bold Tag," is a quintessential example of how street art conveys identity and presence. The Tag as a Signature of Existence In graffiti and street art, the tag represents more than just a name; it is the artist's signature and, often, their alter ego. It's a stamp of existence, a claim of a moment in time and space. RD-357's "RD Bold Tag" is a declaration of being, rendered in stark contrast on the humble medium of upcycled cardboard. Using discarded materials as a canvas speaks to the ethos of street art's ingenuity and resourcefulness, echoing the movement's roots in making the most out of the urban landscape.  Street Pop Art: A Dialogue with the Mainstream Street pop art, an offshoot of the broader pop art movement, takes everyday imagery and objects, recontextualizing them within the art world. RD-357's work fits snugly within this definition, as it elevates a simple tag to the status of high art by its execution and intention. Signing 'RD' across any surface is a form of pop art—taking a common element from the streets and imbuing it with a unique artistic quality. The nature of RD-357's work—its simplicity, directness, and refusal to be ignored—reflects the undercurrents that drive much of pop and street art. It is a reminder that art doesn't need to be complex to be powerful. Sometimes, a tag and a piece of cardboard are enough to make a lasting statement. "RD Bold Tag" by RD-357 encapsulates the spirit of street art in its most elemental form. It doesn't just mark a physical space; it marks a point in the artist's journey, a dot on the map of street art history. This piece serves as an example of RD-357's work and as a symbol of the street art movement's enduring legacy. This legacy continues to evolve and influence new generations of artists worldwide.

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Hello My Name Is Montana Cans Original Permanent Marker Slap-Up Label Drawing Art on Montana Spray Paint Label by Graffiti Artist Lyric One Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 5x3.75 Marker Tagged on Montana Spray Paint Company Hello My Name Is Label. Crease Along Right Facing Side.

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Iconic HPM Giclee Print by EASY Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered HPM Hand Embellished Print Limited Edition of 30 Artwork Size 17x11 Number 30 of 30

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Paint Mug With Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size 4x7 Matte Black & White Mug With Magic Marker Pencil & Pen Statue. Paint Mug With Brushes by Joshua Vides: Sculptural Illusion in Street Pop Art & Graffiti Artwork Paint Mug With Brushes is a 2023 original hand-painted ceramic sculpture by graffiti artist and visual innovator Joshua Vides. Created as part of his Shattered Dreams series, this one-of-a-kind artwork measures 4 x 7 inches and is composed of ceramic and acrylic paint. The piece depicts a white coffee mug rendered in Vides’ signature graphic black-and-white cartoon style, filled with hyper-stylized tools of creation: a yellow pencil, a magic marker, and a black pen. The sculpture captures a studio scene in physical form, using handcrafted materials to simulate objects that are typically disposable, immediate, and overlooked. What makes this piece stand out is not only its visual precision but its conceptual subversion—turning something utilitarian into a sculptural emblem of artistic practice and cultural parody within the context of Street Pop Art & Graffiti Artwork. The mug is marked by a bold comic-style halftone pattern and a speech bubble reading MATTE BLACK, stylized in block lettering that references print-era pop art and advertising aesthetics. The black drips along the rim of the mug are meticulously painted to resemble real ink overflow, but they are frozen in glaze. Each tool within the mug is permanently affixed, not removable, turning everyday drawing instruments into elements of a crafted illusion. The surfaces are covered with splatters and wear marks, evoking the raw energy of a working studio while being entirely sculpted and sealed in ceramic. Vides plays with texture, contrast, and cultural association, creating a sculpture that is both playful and disruptive. Material Transformation and Static Gesture Joshua Vides is best known for transforming real-world objects and environments into bold black-and-white renderings that mimic sketches or early animation cels. Paint Mug With Brushes continues this practice, but in a compact and highly intimate scale. The mug and its contents simulate the artifacts of creative labor, yet they are recontextualized as permanent objects. This transformation from ephemeral to collectible underscores the tension between process and presentation, central themes in Vides’ sculptural work. The halftone pattern and comic elements nod to pop art traditions while being reinterpreted through a graffiti-informed lens. The tools inside the mug are exaggerated in size and form, creating a slight distortion that brings humor and stylization to the piece. While each item appears familiar, the collective presentation turns them into a visual statement about repetition, effort, and value in the creative process. Joshua Vides and the Language of Urban Object Culture Vides has become a leading figure in the dialogue between fine art, fashion, and graffiti culture, known for his crisp aesthetic and thematic consistency. His Shattered Dreams series extends his exploration of artistic labor and commercial identity, embedding critique within deceptively simple forms. Paint Mug With Brushes brings this inquiry to a domestic and personal scale. The ceramic surface, usually associated with functional craft, is retooled here as a sculptural medium for visual metaphor. This sculpture is not about function—it is about meaning, about what it means to create and the tools we use to do it. The speech bubble containing the phrase MATTE BLACK also functions as a cultural code—referring to both the literal aesthetic of the sculpture and the contemporary obsession with branding and limited-edition polish. In Vides’ hands, the cup is not just a vessel but a commentary on taste, trend, and artistic voice. It reflects a blend of comic book irony, street practice, and pop conceptualism that defines Street Pop Art & Graffiti Artwork at its sharpest. Paint Mug With Brushes as Icon of Process and Personal Symbol This sculpture is more than an object—it is a symbol of the artist's internal and external world, where tools become trophies and marks of use become style elements. Paint Mug With Brushes is a visual celebration of imperfection, process, and persistence. It captures a quiet, familiar scene—the artist’s cup of pens—and renders it permanent, elevated, and infused with satire. Joshua Vides transforms the mundane into iconography, pulling from the same instinct that fuels street art: mark your tools, leave a trace, tell a story in bold lines. Within the broader world of Street Pop Art & Graffiti Artwork, Paint Mug With Brushes operates as a miniature altar to creativity itself. It is clean yet messy, playful yet loaded, sculpted yet sketched. In freezing the moment when art begins—the reach for the pen, the dip of the brush—Vides delivers a static performance of creative energy. It is both studio relic and cultural artifact, and its message is simple but powerful: even the smallest tools can carry the loudest voice.

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