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The White Dragon Limited Edition 4-Color Hand-Pulled Silkscreen Print on Heavy Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 300 Series VI Artwork Size 12x24. Silver Metallic Ink Rain. This print is a collaboration by Tim Doyle and Nick Derington. It is marked by hand with a VII and features white margins. Based on the movie Blade Runner. The White Dragon Silkscreen Print by Tim Doyle Tim Doyle’s The White Dragon is a visually stunning example of street pop art and graffiti artwork, blending cyberpunk influences with a meticulously detailed urban landscape. Created in 2013 as a four-color hand-pulled silkscreen print on heavy paper, this piece is part of a limited edition of 300. Marked by hand with a VII and featuring white margins, it incorporates silver metallic ink to create a shimmering rain effect that enhances the nocturnal cityscape. Produced in collaboration with artist Nick Derington, this work captures the electric atmosphere of a futuristic metropolis, drawing direct inspiration from the film Blade Runner. The Influence of Blade Runner on Urban Aesthetics This artwork immerses viewers in a dystopian city filled with neon signage, dark alleyways, and a layered mix of old-world commerce and futuristic technology. Inspired by the cinematic aesthetic of Blade Runner, Doyle’s composition reflects the film’s influential visual elements, including a fusion of Asian street markets, high-rise advertisements, and a constantly wet, illuminated landscape. The presence of the neon blue dragon, floating street signs, and figures huddled beneath umbrellas reinforces the cyberpunk mood. These elements establish a stark contrast between the glowing artificial lights and the dark silhouettes of the figures navigating the rain-soaked streets. The depth of the composition creates a multi-layered experience, guiding the viewer’s eye from the foreground figures to the towering structures in the background. The inclusion of recognizable brand logos, such as Atari and Koss, adds a layer of nostalgia while also emphasizing the consumer-driven nature of this futuristic world. This combination of commercial imagery and gritty urban realism is a signature aspect of street pop art and graffiti artwork, reflecting a broader commentary on technological evolution and cultural fusion. Tim Doyle’s Approach to Modern Pop Art Tim Doyle is known for his ability to translate cinematic atmospheres into screen-printed artwork that retains the raw energy of street pop art. His background in illustration and printmaking enables him to create pieces that feel both graphic and atmospheric. In The White Dragon, his use of silver metallic ink gives the rain an almost animated quality, making the urban setting feel alive. The careful balance of blue, red, and dark tones enhances the stark contrast between artificial and natural elements, reinforcing the tension between technology and human existence in an ever-evolving world. The hand-pulled silkscreen process gives this print a tangible, tactile quality that digital art cannot replicate. The layering of ink creates a sense of depth, with each stroke adding to the intricate details that define the composition. The white margins frame the artwork, making it feel like a preserved moment in time—capturing a city that never sleeps, constantly evolving yet trapped in a timeless aesthetic. The Legacy of The White Dragon in Graffiti and Street Pop Art As part of Doyle’s ongoing exploration of film-inspired urban landscapes, The White Dragon serves as a testament to the lasting impact of cyberpunk on modern art. This limited edition print, with its meticulous craftsmanship and immersive storytelling, bridges the gap between cinematic nostalgia and contemporary visual culture. The combination of hand-pulled silkscreen techniques, bold graphic lines, and neon-infused color palettes aligns with the aesthetics of street pop art and graffiti artwork, making it a standout piece in Doyle’s body of work. Through this print, Doyle and Derington successfully transport viewers into a world that feels both familiar and futuristic, where rain never stops falling, and neon lights never dim. The White Dragon is more than just a depiction of a dystopian city; it is a celebration of the visual language that has defined generations of urban dreamers, storytellers, and artists.

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Serpents PP Printer Proof Letterpress Print by Gats- Graffiti Against The System Limited Edition 3-Color on Hand Deckled 250gsm Lenox Art Paper Graffiti Street Pop Artwork. PP Printer Proof 2016 Signed & Marked PP Limited Edition Artwork Size 12x18 Letterpress Print Gats- Graffiti Against The System' "Serpents": A Letterpress Legacy in Street Pop Art The "Serpents" by Gats- Graffiti Against The System, an acronym for Graffiti Against The System, is a symbolic work that encapsulates the raw essence and socio-political underpinnings of street pop art and graffiti. As a Printer's Proof (PP) letterpress print from 2016, this artwork showcases the distinct visual language for which Gats- Graffiti Against The Systemby has become renowned. It is a limited edition, three-color print on hand deckled 250gsm Lenox art paper, meticulously signed and marked by the artist, signifying its importance within the edition. The 12x18-inch size allows the intricate details and the stark contrasts of the letterpress technique to shine, emphasizing the artistry and message conveyed by the piece. Gats- Graffiti Against The Systemby is known for his iconic mask imagery, which is prevalent throughout his work and serves as a symbol of anonymity and universality. The "Serpents" print continues this thematic exploration, with the mask motif taking center stage, surrounded by serpentine forms that could be interpreted as literal and metaphorical representations. Letterpress printing adds a tactile depth to the work, harking back to a time when print was both a craft and a form of communication for the masses. Letterpress Printing and Its Resonance in Gats- Graffiti Against The System' Work The choice of letterpress for "Serpents" is particularly significant in the context of Gats- Graffiti Against The Systemby's oeuvre. Letterpress printing, with its origins in traditional craftsmanship, brings a historical weight to the work, juxtaposing the transience of graffiti with the permanence of printed art. The hand-deckled edges of the Lenox art paper contribute a delicate, almost antique quality to the print, suggesting that its message is timeless and enduring. Gats- Graffiti Against The Systemby's work is often laden with social commentary, and "Serpents" is no exception. The piece reflects Gats- Graffiti Against The Systemby's engagement with the urban environment, his critique of societal systems, and his contemplation of the individual's place within the larger context. The layered meaning within the print, combined with the striking aesthetic, indicates the power of street pop art to capture the viewer's gaze and provoke thought and discourse. The Cultural Impact of Gats- Graffiti Against The System' "Serpents" In street pop art and graffiti artwork, Gats- Graffiti Against The Systemby is a figure who bridges various artistic worlds. His work "Serpents" is not merely a static image but a dynamic interaction of historical printmaking techniques and contemporary street art sensibilities. As a limited edition PP print, it occupies a unique niche within the art market, appealing to collectors of fine art prints and fans of street art. In summary, "Serpents" by Gats- Graffiti Against The Systemby exemplifies the artist's dedication to a form of expression rooted in the history of printmaking while being deeply entrenched in the discourse of modern street art. His utilization of letterpress printing on high-quality Lenox paper underscores a commitment to craft in an age of mass production. Through works like "Serpents," Gats- Graffiti Against The Systemby continues to contribute to the narrative of street pop art, offering visually captivating and intellectually stimulating pieces. The print stands as a testament to the potential of street art to transcend its temporary nature and establish itself as a significant and lasting form of cultural expression.

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Big Head Todd & The Monsters- Red Rock 2006 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof, 12 x 34 – 3 color silkscreen (metallic copper) – S/N edition of 200. Big Head Todd at Red Rocks Amphitheater in Morrison Colorado on June 10th 2006

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Home Sick Copper HPM Collage Silkscreen Print by MCXT- Monica Canilao x Xara Thustra Screen Print on 290gsm Hand-Stained Coventry Rag Fine Art Paper & Metallic Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Screen Print, Collage & Thread HPM Embellished Limited Edition of #1 First in the Series of 30 Artwork Size 12x24 on 290gsm Hand-Stained Coventry Rag Paper Heavyweight metallic paper is sewn to the bottom section of each print. Small Bump To Lower Left Facing Extreme Margin. #1 "Home Sick Copper HPM Collage Silkscreen Print" by MCXT, a collaboration between Monica Canilao and Xara Thustra, is a testament to the rich, multilayered dialogue of Street Pop Art and graffiti Artwork. This limited edition artwork, meticulously crafted on hand-stained Coventry Rag fine art paper with metallic paper sewn onto the bottom, showcases the convergence of various artistic disciplines that define the work of these contemporary artists. Craftsmanship in 'Home Sick Copper HPM' The craftsmanship in "Home Sick Copper HPM" is immediately evident. Choosing 290gsm Coventry Rag paper as the foundation speaks to the artists' dedication to quality and durability. This heavyweight paper, known for its ability to absorb ink and preserve the richness of color, provides a luxurious backdrop for the screen print and collage elements that adorn its surface. The hand-staining of the paper adds a unique, tactile quality to each print, ensuring that no two pieces in the edition are precisely alike. Adding heavyweight metallic paper, sewn rather than glued, is a nod to traditional crafts and the handmade. This technique of sewing paper into the artwork is a physical manifestation of the themes of home and connectivity central to the piece. The thread becomes a metaphor for the bonds that tie us to places and people, while sewing is a deeply personal, almost intimate gesture that imbues the work with a sense of care and attention. Aesthetic and Symbolism Aesthetically, "Home Sick Copper HPM" is a visual symphony of symbols and forms that dance across the paper. The architectural elements, reminiscent of fantastical structures, rise from the print as monuments to imagination and memory. Including eyes, stars, and other iconography lends a mystical air to the composition, suggesting a personal and archetypal narrative. The symbolic language employed by Canilao and Thustra invites interpretation, encouraging the viewer to reflect on notions of home—what it means to be rooted, what it means to be disconnected, and the universal longing for belonging. In this sense, the artwork transcends its material form to become a vessel for shared human experiences, much like the best of Street Pop Art and graffiti Artwork, which often serves as a mirror reflecting the viewer's thoughts and feelings. Reflection of Street Pop Art & Graffiti Artwork "Home Sick Copper HPM" reflects the ethos of Street Pop Art and graffiti Artwork in its accessibility and blend of high and low art techniques. The limited edition nature of the print does not detract from its approachability; instead, it enhances the value of each piece as a collector's item while still embodying the democratic spirit of street art. The work intersects acceptable art practices and street art's rebellious, DIY culture, bridging the gallery and the urban landscape. The collaboration between Monica Canilao and Xara Thustra celebrates the collaborative spirit often found in street art culture. By joining forces, the artists combine their unique visions and skills to create something neither could achieve alone. This partnership and the resulting artwork are a powerful reminder of the collaborative potential within the art world, echoing the community-driven nature of street art projects. "Home Sick Copper HPM Collage Silkscreen Print" by MCXT is a standout piece that captures the imagination and speaks to the heart. It is a testament to the power of collaboration and the enduring appeal of art that bridges the personal with the universal. As an object of art, it is a conversation starter, a statement piece, and a lovingly crafted work that bears the unmistakable mark of artists deeply engaged with their craft and message.

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Embrace Limited Edition Hand-Embellished Archival Pigment Print with Foil Embellishments on 300gsm Fine Art Paper by Craww Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition HPM of 25 Artwork Size 12x18 Craww - "Embrace" hand embellished with gold leaf by the artist fine art giclee print signed and numbered edition of 25 12" x 18"

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Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night I by Cleon Peterson Orientations of the Night I is a 2025 silkscreen print created by contemporary American artist Cleon Peterson. Produced as a signed and numbered limited edition of 50 on hand-deckled 290gsm Coventry Rag fine art paper, this artwork measures 12 by 16 inches. With a stark contrast of black and white figures on a shimmering gold background, the piece speaks to Peterson’s longstanding exploration of dominance, submission, and the conflict between order and chaos. Known for his unsettling yet elegant style, Peterson crafts a visual language that feels both timeless and urgent, aligning with the tradition of Street Pop Art & Graffiti Artwork that pushes political and psychological boundaries. Visual Style and Symbolic Structure The print features Peterson’s signature figures rendered in flat silhouettes with smooth yet aggressive curves. In Orientations of the Night I, a black figure and a white figure are locked in a visually intense and ambiguous pose, emphasizing power dynamics and emotional tension. The golden backdrop contrasts sharply with the monochromatic bodies, heightening the theatricality and symbolic charge of the scene. The composition captures a sense of fluid motion and struggle while maintaining a rigid, almost classical structure. Peterson’s use of minimalism, symmetry, and stark abstraction invites viewers to question what they see and how they interpret conflict and vulnerability. Medium and Production Created using a traditional silkscreen process, this print reflects Peterson’s meticulous control over production. The gold background, layered beneath matte black and bright white inks, is printed on Coventry Rag paper, which is known for its archival quality and soft, deckled edges. This choice of materials not only enhances the visual impact but also reinforces the historical connection between fine art and street culture, where silk screening has long served as a vehicle for political posters, zines, and graffiti-based messages. The limited edition nature of the piece heightens its status within the Street Pop Art & Graffiti Artwork world, transforming a graphic aesthetic into a collectible fine art object. Cleon Peterson’s Role in Street Pop Art & Graffiti Artwork Cleon Peterson, born in the United States, has built a distinct and confrontational visual voice in contemporary art. His work draws from both classical composition and raw, urban immediacy. While not traditionally a graffiti writer, his practice is rooted in the spirit of street art, using visual boldness and social critique to question power, justice, and societal control. His figures are often seen in dystopian scenarios where authority and resistance clash violently. Orientations of the Night I embodies this duality, depicting a struggle that feels psychological, mythological, and institutional all at once. The piece is a reflection of Peterson’s ongoing interest in exploring systems of dominance and the thin line between protection and oppression within modern life. Through his precise technique and symbolic storytelling, Peterson continues to contribute to the evolving discourse of Street Pop Art & Graffiti Artwork with uncompromising force.

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