Mid Priced

Midnight Bison- Artist Proof 1-Color Hand-Pulled Limited Edition Metallic Silkscreen Print on Black Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Watch Over Us. North American Ghost Buffalo

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Super Soup- Yellow Trip Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Denial. 2022 Signed & Numbered Limited Edition of 40 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Dalek Doctor Who Silkscreen Print by Andrew Ghrist Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 40 Artwork Size 18x24Silkscreen Print of Dalek Alien from Doctor Who Machine in Ruins & Destructions of a Town. From 50th Anniversary of Doctor Who Show. Dalek Doctor Who Silkscreen Print by Andrew Ghrist The Dalek Doctor Who silkscreen print by Andrew Ghrist is a stunning example of how street pop art & graffiti artwork can merge with science fiction to create a visually compelling narrative. This 2013 hand-pulled screenprint, produced in a limited edition of 40, presents a striking depiction of a Dalek surrounded by destruction and decay. The detailed linework, dramatic use of color, and intricate textures make this piece an exceptional blend of pop culture and urban art aesthetics. The silkscreen medium enhances the print’s tactile quality, reinforcing the raw energy and chaos of the ruined landscape. The Artistic Elements of the Screenprint Andrew Ghrist’s approach to this artwork showcases a high level of technical skill, using precise linework and meticulous shading to create depth and realism. The Dalek, a feared alien machine from Doctor Who, is the focal point of the piece, appearing damaged yet still exuding an ominous presence. Wrapped in swirling golden energy, the mechanical menace seems caught between destruction and resurgence, a visual metaphor for its relentless nature. The broken wooden structures and shattered debris that surround it amplify the sense of devastation, adding a layer of storytelling that speaks to conflict and resistance. The composition features dynamic contrasts between the muted, desaturated background tones and the striking metallic elements of the Dalek. The warm gold energy swirling around the machine further intensifies the dramatic effect, guiding the viewer’s eye through the chaotic setting. The typography used for the word Dalek integrates seamlessly into the design, appearing as a broken nameplate that reinforces the theme of destruction. The calculated placement of textures, mechanical details, and distressed elements aligns with techniques often seen in street pop art & graffiti artwork, making this piece feel like an urban mural translated onto fine art paper. The Influence of Science Fiction in Street Pop Art & Graffiti Artwork Science fiction themes have long been a source of inspiration for street pop art & graffiti artwork, allowing artists to reimagine iconic imagery through an urban lens. The Dalek, as a pop culture symbol, represents fear, dominance, and an unwavering pursuit of conquest. By placing this mechanical being in a decayed, almost post-apocalyptic environment, Andrew Ghrist transforms it into a symbol of destruction and resilience. This visual storytelling technique aligns with many graffiti and street art traditions, where large-scale murals often depict dystopian or futuristic narratives that critique societal issues. The ruined landscape in the artwork serves as a reflection of broader themes often explored in street pop art & graffiti artwork, such as rebellion, decay, and the passage of time. The incorporation of science fiction elements adds a layer of escapism, blending fantasy with reality to create an immersive visual experience. Much like how graffiti artists reclaim and repurpose urban spaces, this print takes a familiar sci-fi character and reconstructs it within a new, grittier context. The use of hand-pulled silkscreen printing further reinforces the authenticity of the piece, giving it a tactile, raw quality reminiscent of traditional graffiti techniques. The Significance of the Limited Edition Artwork This limited edition print, signed and numbered on the back by Andrew Ghrist, holds significant value for collectors of both pop culture and street pop art & graffiti artwork. The 18x24-inch format ensures that the intricate details and bold compositions remain impactful when displayed. With only 40 pieces in existence, this print is a rare and sought-after work that bridges the worlds of sci-fi fandom and contemporary urban art. The fusion of Doctor Who’s dystopian themes with the visual intensity of graffiti-style artwork makes this piece stand out as more than just a pop culture tribute. It represents the intersection of storytelling, street art, and traditional printmaking, capturing the energy of urban destruction in a way that resonates beyond the subject matter. Andrew Ghrist’s meticulous approach to composition, shading, and layered textures brings this vision to life, making the Dalek Doctor Who silkscreen print a compelling work of art that transcends its genre inspirations.

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Mental Milkshake Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Jayson Atienza pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Metallica in Bucharest 2019- Blue Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Zi Xu for band Metallica. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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Poo Fairy- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English- POPaganda. Comes with deck tape.

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Alonso Alcalde 123 Klan Blue Spray Paint Can Artwork by Montana MTN  Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 123 Klan Blue Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Alonso Alcalde x Montana MTN 123 Klan Blue Spray Paint Can in Street Pop Art & Graffiti Artwork In 2024, Chilean-born artist Alonso Alcalde collaborated with Montana Colors to release a limited edition spray can titled 123 Klan Blue. Known for his street-influenced abstract work and his presence in international graffiti culture, Alcalde brought his unique visual language to the cylindrical surface of a functioning spray paint can. The edition was capped at 500 units worldwide and came housed in a custom-engraved wooden box, cementing its status as both functional tool and collectible object. This release is part of Montana MTN’s broader initiative to highlight influential voices in the Street Pop Art & Graffiti Artwork movement by turning the tools of creation into platforms for visual storytelling. Measuring 3 inches in diameter and 8 inches in height, the piece blurs the boundary between utilitarian graffiti material and gallery-level sculpture. Design Approach and Symbolic Layers Alonso Alcalde’s can artwork features a dense collage of photography, painted marks, graphic fragments, and layered textures that mirror the aesthetic techniques he applies to his traditional works. The imagery wraps around the surface with intentional fragmentation, suggesting themes of motion, place, and memory—key elements in his ongoing artistic exploration. Dominant tones of orange, red, and yellow contrast against the branded 123 Klan Blue dome, merging chaos and control in the visual composition. The word Patiperro, one of Alcalde’s longtime monikers, appears subtly within the layout, linking the object to his graffiti identity. This mix of hand-rendered energy and print production reflects the wider evolution of graffiti from its ephemeral urban origins into institutional and collectible formats. It transforms the spray can from a disposable tool into an archival artifact with artistic weight. Montana MTN Artist Series and Cultural Relevance Montana Colors is known for curating collaborations with artists deeply rooted in the culture of graffiti and urban visual language. The 123 Klan Blue edition featuring Alonso Alcalde continues this tradition by selecting an artist who authentically represents both street credibility and experimental artistry. Unlike promotional collectibles, this can is filled with usable spray paint, maintaining its utility while operating as a sculptural object. This duality reinforces the power of Street Pop Art & Graffiti Artwork to inhabit spaces of both raw creation and refined presentation. The artist’s ability to integrate layered narrative with functional form resonates with collectors, writers, and fans of contemporary street-based culture. Limited Edition Status and Market Impact The release of only 500 units, each individually boxed and signed with custom design elements, elevates the can from graffiti supply to high-value object art. As part of a long-standing tradition where graffiti culture intersects with product design, the Alonso Alcalde 123 Klan Blue can embodies the move toward street artist-branded merchandise with integrity. Its rarity, packaging, and embedded artistic voice place it in the lineage of spray can collectibles that document not only creative aesthetics but also shifts in the art market’s view of graffiti. By participating in this Montana MTN collaboration, Alcalde reinforces his position as a contemporary force in Street Pop Art & Graffiti Artwork, producing work that both honors tradition and reshapes how it is experienced.

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Out Patient Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2021 Limited Edition of 75 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Steel Passion Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Made514 Graffiti Street Artist Modern Pop Art. "I really like the shape of the letters in this piece. They remind me of some kind of a bio/anatomical shape. This piece was originally on exhibit for the Artaq in Paris and sold at the Pierre Cardin space in Paris during an exhibition. It was part of a black and white series I had done on a metal plate and this piece is probably the best piece of the series. I think overall it is also one of my favorite works, I like the flow and the movement that it has. I painted this piece with water-based enamel for the background and fine acrylic for the styles. I also used fire to burn the metal to create different kinds of shadows which gave more depth to the artwork. The support is a metal plate recycled from an offset printing press.” - Made514

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Nyx No. 1 Artwork Giclee Limited Edition Print on Bright White 100 lb. Cougar Cover Paper by Pop Culture Graffiti Artist Handiedan. Nyx No.1 Handiedan 6 Color Screen Print Bright White 100 lb. Cougar Cover Signed and Numbered Size: 19.7 x 29.5 Inches Edition: 100

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DELUXE Stay Melty Book Hand Painted Rare Limited Edition Art Book With Graffiti Street Artist Buff Monster Modern Pop Artworks. 2022 Signed & Numbered Edition of 100. 256 pages, 6.75 x 8.75”, hardcover. Handpainted & HPM Silkscreen Cover, One of A Kind Original Art As Seen In Picture. This special version of the new book features a cover that has been hand-painted by me and then silkscreened by hand. The colors of the paint and the silkscreen vary widely, so each one is truly unique (and will be shipped randomly). It's signed and numbered (in an edition of 100) on the back. Also, each book has a thick durable protective plastic cover and is presented in an elegant black fabric slip-case with metallic silver foil stamp. The first version of the book was published in 2015 by Gingko Press. That book is packed full with over 600 photos of murals, paintings, toys and everything in between. Now over 6 years later, I’ve full updated the book. From the endpapers, to the section dividers, to the content in each section, I’d say it's mostly NEW. Of the existing pages, I consolidated and edited them to make room for 6 more years of paintings, murals and editions. We also added around 30 pages to the total page count. So it’s an even denser and larger overview of all of my various artistic endeavors, and still includes the awesome essay by the legendary Carlo McCormick. This new version also has more captions than before, and even comes with a small sheet of stickers! So whether or not you have the original version, this is one you’ll want to have!

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After The Storm Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2019 Signed & Numbered 24x30 Edition of 20

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Hiatus Kaiyote Feral Feelings Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Hiatus Kaiyote Feral Feelings by Lauren YS: Wild Psychedelia in Street Pop Art & Graffiti Artwork Hiatus Kaiyote Feral Feelings is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper created by American visual artist Lauren YS. Released on April 19, 2021, this limited edition was signed, numbered, and issued with a certificate of authenticity. Each sheet was hand-perforated by Zane Kesey, continuing the cultural tradition of using blotter paper not just as a medium for LSD but as a unique canvas for radical visual expression. With its vibrant color palette, exaggerated features, and chaotic emotional energy, Feral Feelings stands as a high-intensity contribution to the canon of Street Pop Art & Graffiti Artwork, channeling music, myth, and modern psychedelia through explosive design. At the center of the piece is a creature that merges human, animal, and alien features into a snarling, wildly expressive face. This character is framed by bold lettering that spells Hiatus Kaiyote, paying tribute to the experimental Australian music group known for genre-defying sounds and raw vocal presence. The character’s bulging eyes, forked tongue, and feral grin radiate untamed emotion and energy, while its teal and magenta skin tones clash and swirl against the trippy lime-yellow backdrop. The overall visual effect is an intentional overload — a full-spectrum flood of personality, power, and surreal transformation. Lauren YS and the Psychedelic Mutation of Identity Lauren YS is known for creating surreal characters that explore hybridity, gender play, and personal mythology. In Feral Feelings, they transform the human face into a multidimensional being that feels pulled from dreamspace and folklore. This creature seems to scream and laugh at once, with hands clutching its face in a pose that blurs ecstasy with instability. The styling reflects a visual language rooted in comic books, tattoo culture, and psych art, but refracted through a lens of queer symbolism and contemporary rebellion. The blotter format adds physical intimacy to the piece, encouraging tactile interaction and inviting contemplation of its connection to expanded perception and psychedelic experience. Feral Feelings captures a raw emotional state that aligns with the sonic aesthetic of Hiatus Kaiyote — urgent, layered, and genreless. Lauren YS translates that sound into form, using distortion and color not only for style but for psychological impact. The high-contrast design mimics the visual effects of hallucinogens, making the print feel alive in its chaotic motion. Every element — from the extended fangs to the hypnotic background — serves to amplify the creature’s volatility, creating a representation of unfiltered inner states. Blotter Paper as Medium and Message in Contemporary Psychedelic Art The choice of perforated blotter paper is foundational to the print’s conceptual depth. Historically used as the primary method for distributing LSD, blotter paper became an underground icon for free expression, spiritual risk, and visual experimentation. By using this format for an archival pigment print, Lauren YS taps into a lineage of rebellious creativity and spiritual inquiry. Zane Kesey’s hand-perforation of the sheets connects the piece to a direct family legacy of countercultural innovation, bridging generational movements through shared materials and symbolic intent. Feral Feelings does not imitate vintage blotter art — it redefines it. It embodies the spirit of Street Pop Art & Graffiti Artwork through aggressive color, mutant portraiture, and mythic typography. It belongs to walls and personal shrines alike. The idea that a traditionally disposable material can house high art further disrupts distinctions between commercial, spiritual, and fine art domains. That sense of disruption and transformation is central to both street art and psychedelic traditions. The Emotional Core of Mutation in Street Pop Art & Graffiti Artwork At its core, Feral Feelings is about emotional mutation. It visualizes that exact moment when internal intensity explodes into external reality. Through the use of hybrid characters, bold linework, and color saturation, Lauren YS gives form to instinctual emotion and psychic disarray. This theme runs deep in both graffiti and pop surrealism, where the human body and psyche are often bent, stretched, or mutated into new symbolic forms. The snarling face in Feral Feelings is not a monster, but a mirror — exaggerated to express what words cannot. Lauren YS’s work continues to reshape the boundaries of psychedelic street pop culture by reinterpreting traditional formats with fearless creativity and cultural fluency. Feral Feelings stands as a beacon of that energy — unfiltered, loud, irreverent, and transcendent. It represents what happens when sound, identity, and visual intensity collide on a sheet of perforated paper and erupt into full color.

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That Place AP Archival Pigment Fine Art Limited Edition Print on Museo Portfolio Rag Paper by Artist Nosego, Street Pop Art Graffiti Legend. Artist Proof AP 2015 Signed 18x24 Limited Regular Edition of 75 Within the dynamic domain of pop art, street art, and graffiti art, there are pieces that not only captivate with their beauty but also with their compelling narratives. "That Place AP" by the acclaimed street pop art graffiti legend Nosego is one such artwork that resonates deeply with art enthusiasts and collectors alike. Executed on Museo Portfolio Rag Paper, this limited edition archival pigment fine art print showcases the artist's unique ability to weave intricate details, vibrant colors, and symbolic imagery into a cohesive and mesmerizing composition. Nosego, renowned for blending reality with fantasy, presents a fantastical creature in "That Place AP" – a hybrid of nature's elements fused seamlessly with an organic landscape. The creature, decorated with ornate patterns and adorned with surrealistic features, cradles a serene waterfall within its jaws, symbolizing perhaps the delicate balance of nature or the power of creation. The vivid hues and meticulous details transport the viewer to an otherworldly realm, where imagination reigns supreme. Released as an Artist Proof in 2015, the piece measures 18x24 and is part of a limited regular edition of 75, each personally signed by Nosego. The exclusivity of this edition further elevates its value in the art community. As the lines between street art and mainstream art continue to blur, masterpieces like "That Place AP" stand as reminders of the innovative spirit and boundless creativity inherent in this ever-evolving genre.

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Be Still My Heart Icons Art Toy by Chris RWK- Robots Will Kill Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist x UVD Toys. 2023 Limited Edition of 50 Artwork Size 4x7.5 New In Box Stamped/Printed. RWK Robot in Yellow Stylized Homer Simpson from the TV & Movie Cartoon The Simpsons. The Artistic Crossover: Chris RWK's "Be Still My Heart" Vinyl Sculpture In street pop art, the intersection of familiar cultural icons with the distinctive styles of individual artists creates a unique space for commentary and reinterpretation. Chris RWK, a notable figure in this artistic domain, has done this with his "Be Still My Heart" art toy, a limited edition vinyl sculpture produced in collaboration with UVD Toys. The piece, which features a robot with a stylized resemblance to the iconic character Homer Simpson, extends the dialogue of pop art into the tangible realm of collectibles. Limited to a release of just 50 pieces in 2023, this artwork encapsulates the essence of Chris RWK's vision and adds a layer of street art credibility to the collectible toy market. Chris RWK and the Synthesis of Street Art with Pop Culture Chris RWK, recognized for his work with Robots Will Kill, an art collective, has long been blending street art's gritty, expressive language with the polished and often sanitized world of pop culture. His work is stamped with an indelible mark of authenticity, often physically on the pieces he produces, making each sculpture a piece of street art history. The "Be Still My Heart" figure is a testament to his ability to navigate these two worlds, marrying the subversive edge of street art with the widespread appeal of pop culture imagery. This particular piece speaks volumes through its silent vinyl form. With its yellow head and expressionless face, the character becomes a canvas onto which viewers can project their thoughts about the pervasive nature of pop culture in our daily lives. The robot's form challenges the onlooker to consider the mechanization of our consumption patterns, particularly concerning the entertainment we digest and the icons we elevate. Impact and Collectibility of Chris RWK's Limited Editions The collectibility of Chris RWK's "Be Still My Heart" sculpture extends beyond the appeal of owning a piece of limited edition art. It represents the evolving narrative of street pop art and its increasing embrace by the mainstream. The numbered editions, new in the box, represent the fleeting and often ephemeral nature of street art, capturing a moment in time where the artwork can be owned and held, as opposed to being a transient part of the urban landscape. Chris RWK's robot, with its printed features and the iconic "X" on its torso, carries the weight of street art's history and its future potential. Each piece, while identical in make, carries a different story, a different home, and a different meaning to each owner, much like street art touches each viewer in a unique way as they pass by. The limited run of these sculptures ensures that each one is a sought-after item, cherished for its aesthetic value and the cultural significance it holds as a piece of pop street art history. Chris RWK's "Be Still My Heart" is more than a vinyl sculpture; it is a statement about the convergence of street art and pop culture, the emotional connection we forge with the images we see, and the commodification of art in the modern world. Through his work, Chris RWK invites us to question, feel, and ponder art's role in an ever-changing landscape of visual stimuli.

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Mad World Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Josh Keyes Mad World Edition of 300 13x16 inches / 33x40.6cm Fine art print on 290gsm paper Signed and numbered by the artist Josh Keyes exists equally in the world of surrealism and realism. No matter how contradictory this may seem, his art manages to balance physiological accuracy and extreme photorealism with an eco-surrealistic scenery and interactions. The theoretical context of his work is connected to mythological and folklore themes –especially the legends and stories of Native Americans- and the imagery that exists between dreams and nightmares in order to express profound existential anxiety and uncertainty.

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Lost Original One of a Kind Mixed Media Spray Paint Painting Artwork on Canvas by Canbot Canz Street Art Pop Culture Artist Czee13. 2022 Signed Original Mixed Media Spray Paint Painting Size 24x20

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Obey Noir Flower Woman- Red 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (RED) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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S.T. Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. S.T. by Richey Beckett: Blotter Paper Art and the Evolution of Street Pop Art & Graffiti Artwork S.T. is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper created by Welsh artist Richey Beckett and released on April 19, 2021. This limited edition was signed, numbered, and issued with a certificate of authenticity. Each sheet was hand-perforated by Zane Kesey, a key figure in the continuation of psychedelic art culture. The print medium itself plays a central role in the work's identity, with blotter paper serving both as a physical connection to the LSD subculture of the 1960s and as a contemporary symbol of resistance, introspection, and altered consciousness. Beckett’s S.T. is not just an artwork but a piece of cultural memory rendered with the stylistic precision of pen and ink tradition and modern psychedelic visual philosophy. The artwork features the delicate portrait of a woman gazing upward, surrounded by radiating gold circles, fluid red backgrounds, and turquoise accents. Her face is rendered in Beckett’s iconic stippled technique, creating depth and emotional resonance through carefully controlled line density. Her upward glance suggests expansion, transformation, or communion with the unseen. Swirls of golden marbling and celestial glyphs punctuate the background, alluding to cosmic themes and altered perception. The vibrancy of the palette—particularly the bold reds and glowing cyan—evokes the optical distortions associated with psychedelic experiences. This connection is heightened by the use of perforated blotter paper, a material historically used to carry LSD doses and elevate visual storytelling into participatory ritual. Reimagining Counterculture Through Artistic Craft Richey Beckett’s S.T. serves as a visual and conceptual link between the original psychedelic art movement and the evolving discourse of Street Pop Art & Graffiti Artwork. By using blotter paper, Beckett embeds this print within a cultural framework that resists commodification while demanding meaningful engagement. The piece challenges the viewer to treat the print not just as a decorative object but as a psychological artifact. This connection to rebellion, altered states, and collective awakening parallels the principles behind modern street and graffiti art movements, where walls, objects, and surfaces become vessels for urgent messages and transformative experiences. S.T. belongs to a collection that recontextualizes traditional printmaking techniques for a modern audience by placing them on nontraditional surfaces tied to a history of dissent and enlightenment. The use of such media challenges conventional ideas of what fine art can be. Just as a mural can speak truth on a city wall or a sticker on a subway window can reflect cultural identity, Beckett’s blotter prints communicate powerfully through paper once thought disposable. His intricate, controlled mark-making mirrors the precision and passion found in stencil work, spray art, and hand-tagged scripts seen in urban environments. The Symbolic Power of the Gaze and the Print The central figure in S.T. offers more than just an aesthetic focus. Her contemplative expression and upward gaze symbolize a search for meaning, vision, or escape. This emotional motif, paired with the cosmically inspired design elements, encourages the viewer to consider the mental journey that the work represents. The print acts as a portal to inner space, a meditative surface that invites introspection and wonder. This personal resonance is a defining trait of Street Pop Art & Graffiti Artwork, which has always aimed to speak to individual and collective experience without institutional gatekeeping. Beckett’s ability to harmonize intricate detail with symbolic intensity makes S.T. a standout example of modern psych-inspired fine art. It exists at the intersection of ritual, nostalgia, and visual rebellion. Through careful technique and reverence for historical material, Beckett revitalizes the blotter format as more than novelty or drug culture reference. He transforms it into a contemplative surface where art, memory, and altered states converge. Richey Beckett’s Influence in Contemporary Pop Psychedelia Richey Beckett, born in Wales, continues to create pieces that redefine how classical illustration intersects with countercultural iconography. His blotter paper editions, including S.T., expand the boundaries of Street Pop Art & Graffiti Artwork by injecting psychedelic symbolism into materials that recall a rich legacy of creative dissent. Through Zane Kesey’s collaboration and the use of archival pigment printing, each piece carries both authenticity and symbolic weight. S.T. embodies how art can communicate across generations, movements, and sensory experiences. It connects the act of viewing to ritual and reflection, much like early street murals connected communities through shared visuals. Beckett’s work preserves the aesthetic of protest, mysticism, and beauty through a format that once served as a vessel for expanded perception. Through S.T., the viewer is not just looking at an image, but participating in a lineage of artistic awakening made tangible through craft and concept.

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Jackpot- Blue Limited Edition 4-Color Hand-Pulled Silkscreen Print on Die-Cut 290gsm Coventry Rag Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 20 Artwork Size 16x16 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my childhood which are utilized to express myself.

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Warhol 02 Red Purple Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin, a Famous Contemporary Artist. 2002 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Andy Warhol Friend Face Pruple Red & White. Intense Expressionism in Peter Keil's Warhol 02 Red Purple The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil, also known as The Wild Man of Berlin, is a captivating exploration of form and color through the lens of Neo-Expressionism. This one-of-a-kind artwork on a Masonite panel embodies the spirited energy of the artist, a famous contemporary figure known for his daring use of colors and profound representation of faces. The 2002 piece, signed and stamped with the year by Keil, is a square of emotion measuring 24x24 inches, where the thick application of paint forms an image of Andy Warhol, revealing the profound influence of pop art on Keil's work. Keil's artistic method is defined by a bold, impasto technique where the paint is layered on thickly, giving the artwork a three-dimensional texture that is both seen and felt. This technique results in some degree of flaking over time, which is considered an inherent characteristic of Keil's work, adding to its authenticity and historical value. The "Warhol 02 Red Purple" painting is a testament to this style, with its vibrant reds and deep purples merging to form the iconic visage of Warhol, set against a stark white background. Peter Keil's Contribution to Contemporary Art Peter Keil's contribution to street pop art and graffiti artwork is substantial, as he brings street art's raw, untamed essence into the gallery. His work eschews the conventional polish and restraint often associated with fine art, instead embracing a wild abandon more commonly found on the streets and in the alleys where graffiti thrives. The "Warhol 02 Red Purple" vividly illustrates this philosophy, with the painting's subject – a pop art pioneer – being depicted in Keil's uninhibited style, creating a bridge between the two artistic worlds. Each of Keil's paintings is an original narrative, a story told in the visual language of colors and shapes. Collectors and enthusiasts of Keil's work are attracted to his paintings' intense emotion and distinctive style. In the case of "Warhol 02 Red Purple," the allure is enhanced by the subject matter – the legendary Andy Warhol – which positions the painting at the intersection of pop art heritage and contemporary artistic innovation. Owning a piece by Peter Keil is more than an acquisition of art; it is an immersion into the vibrant life story of the painting itself. The flaking paint, the bold strokes, and the striking contrasts create an experience that is as evocative and complex as the artist himself. The "Warhol 02 Red Purple" is a vibrant symbol of Keil's enduring artistic vision and impact on the art world. The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil is a visual feast and an essential piece of contemporary art history. This work encapsulates the essence of street pop art and graffiti through the lens of a master painter whose unorthodox approach to art has captured the attention of the global art community. Keil's painting celebrates expressive freedom and the power of art to convey profound human emotion and thought.

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Sensation Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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The Bridge PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2017 Signed & Marked PP Artwork Size 16x16

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White Moon PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Hot Press Paper by Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

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Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

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Cushion Of Memory Limited Edition 4-Color Hand-Pulled Silkscreen Print on 275gsm Fine Art Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT Dave Kinsey | Cushion of Memory from Astra + Analog on Vimeo.

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Supreme MG 1/100 RX-78-2 GUNDAM Ver. 3.0 Action Figure Limited Edition Art Toy Model Collectible Artwork by Supreme. 2021 Limited New In Box. The Supreme MG 1/100 RX-78-2 Gundam action figure is a 1/100 scale model of the famous RX-78-2 from Mobile Suit Gundam. The figure is made from recycled plastic and features a red colorway throughout the entire silhouette. The shield of the RX-78-2 features a giant Supreme logo, and the logo is also found in a smaller font on the chest and kneecaps. The Supreme MG 1/100 RX-78-2 Gundam action figure was released during the Supreme fall/winter 2021 season.

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Bad Bunny- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run of 14444 Made IN 2021 8' Tall

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Hello There Orange Original Spray Paint Art Can by Atomik Sculpture Drawing Artwork by Iconic Pop Culture Modern Artist.  2025 Signed Original Magic Marker Atomik Orange Smiling Face Reclaimed Spray Paint Can Painting Artwork Size 3x8 Hello There, Orange Original Spray Paint Art Can by Atomik The Hello There Orange Original Spray Paint Art Can by Atomik is a distinct piece of Street Pop Art & Graffiti Artwork that exemplifies the artist’s commitment to transforming ordinary objects into personalized statements of identity and expression. Created in 2025 and signed by the artist, this artwork is drawn directly on a reclaimed spray paint can using a magic marker. The work features the iconic grinning orange face that has become synonymous with Atomik’s visual language. With bold black linework over a used Montana spray can, the piece merges the raw energy of graffiti materials with the intimate immediacy of a hand-drawn illustration. Atomik’s instantly recognizable orange face peeks forward with oversized, cartoonish eyes and a mischievous smile, encapsulating the spirit of his Miami-based street art heritage. Reclaiming the Tools of Expression as Art Objects Spray paint cans are a staple in graffiti and street art culture. They are tools of resistance, freedom, and self-expression. Atomik’s decision to turn a spray can into the canvas itself reflects a deeper ethos in Street Pop Art & Graffiti Artwork. Rather than discarding the medium once emptied, he reclaims it—transforming the functional into the collectible. The resulting artwork stands as both an homage to graffiti’s tactile process and a rebellion against traditional notions of fine art. Every dent, scratch, and warning label on the can becomes part of the finished aesthetic, grounding the orange character in the lived reality of street-level artmaking. This practice not only preserves a piece of graffiti history but recasts it as a standalone object worthy of admiration and discourse. The Smiling Orange and the Miami Identity The smiling orange has its roots in Atomik’s personal response to the demolition of Miami’s beloved Orange Bowl stadium, a landmark of civic pride. Atomik reimagined the orange as a graffiti character that pays tribute while asserting a uniquely Floridian flavor. Over the years, it has appeared on freight trains, abandoned buildings, and murals, becoming one of the most widely recognized characters in contemporary graffiti. On this specific spray paint can, the orange floats in contrast against a sea of fine print, warnings, and hazard symbols. This juxtaposition of regulatory text and unruly character speaks to the tension between control and freedom, legality and expression. It also reflects the artist’s ongoing commentary on reclaiming space and materials for cultural storytelling. Graffiti as Sculpture and Collectible Commentary This hand-drawn reclaimed can is not only a visual piece but a sculptural one. The cylindrical form allows the artwork to live in three dimensions, giving viewers the opportunity to see how street art evolves when it enters a more permanent and collectible format. Unlike traditional canvas or digital prints, the use of the spray can physically and conceptually connects the viewer to the graffiti process. Atomik’s signature on the base further authenticates the piece, anchoring it in his artistic lineage and practice. As Street Pop Art & Graffiti Artwork continues to push boundaries, works like the Hello There Orange Spray Can stand at the forefront, showing that even a once-discarded object can become a celebrated artifact when touched by the right artist’s hand.

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The Take Over PP Archival Print by Wane One Cod Limited Edition Print on 310gsm Natural Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x17 Archival Pigment Fine Art Wane One Cod's 'The Take Over': A Statement in Street Pop Art 'The Take Over,' a PP (Printer's Proof) archival print by Wane One Cod, encapsulates the essence of street pop art through its vibrant depiction of graffiti on a moving canvas—a delivery truck in an urban setting. This 2016 limited edition print, crafted on 310gsm natural museum fine art paper and sized at 24x17 inches, is a collector's piece, each meticulously signed and marked as a Printer's Proof. The artwork reflects Wane One Cod's roots in the early New York graffiti movement and his transition into a pop artist whose works are revered in the contemporary art scene. With 'The Take Over,' Wane One conveys graffiti art's raw energy and commanding presence as it moves beyond static walls to become an integral part of the city's dynamic landscape. The print stands as a testament to the enduring influence of street art and its ability to transform everyday objects into vehicles of artistic expression.

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Target Practice Giclee Print by Dave Pollot Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 20x16 Star Wars May the 4th Special Edition Print on Rolled Canvas. Target Practice Giclee Print by Dave Pollot: Sci-Fi Clashes with American Pastoral Target Practice by Dave Pollot is a 2025 limited edition giclee print on canvas measuring 20x16 inches. Released as part of a special May the 4th celebration of Star Wars, this signed and numbered artwork captures the artist’s signature approach to remixing classical Americana with iconic science fiction imagery. The composition sets imperial stormtroopers mid-blaster battle within a tranquil forest scene, as if plucked from a forgotten cabin painting or vintage thrift store canvas. This juxtaposition of hypermodern conflict against a nostalgic natural backdrop establishes the work as a prime example of Street Pop Art & Graffiti Artwork. Classical Aesthetic Interrupted by Galactic Warfare Dave Pollot's Target Practice paints a quiet wooded creek framed by white birch trees, calm waters, and a distant waterfall. At first glance, it might be mistaken for an unassuming landscape painting. But upon closer inspection, stormtroopers emerge from behind the trees, caught in an intense laser exchange with cardboard cutouts of iconic Star Wars characters. Darth Vader stands stiffly behind a cutout of a blaster-wielding Ewok, both seemingly being used for weapons practice. The absurdity of this scenario is further amplified by the pristine natural setting, highlighting the artificiality of conflict and myth when placed into the raw context of earthbound scenery. The scene captures the tension between fantasy violence and natural peace, drawing laughter and reflection at once. Dave Pollot and the Remix Tradition in Pop Surrealism Dave Pollot is a New York-based contemporary artist known for repurposing vintage paintings by inserting figures and elements from video games, movies, and TV. By placing pop culture icons into works once relegated to thrift store shelves, Pollot reinvents their meaning and challenges their cultural shelf life. In Target Practice, the comedic staging of stormtroopers treating fictional cutouts as real targets reveals a deeper commentary on training, conditioning, and simulation. It’s a playful yet sharp observation about how fiction saturates daily consciousness and how entertainment narratives often eclipse real-world depth. Through this technique, Pollot doesn’t destroy the original mood of the painting—he repurposes it to provoke new meaning. Modern Art Commentary Meets Fan Culture Collectibility This limited edition canvas print stands at the intersection of fandom and critique, operating on multiple levels as art object, social observation, and collectible merchandise. Its release as part of a Star Wars celebration grounds it in pop culture festivity, while its giclee print technique on canvas lends it permanence and fine art quality. The artwork’s layered commentary, combined with its technical craftsmanship, places it firmly within the domain of Street Pop Art & Graffiti Artwork. Target Practice succeeds not only as a decorative piece but as a conceptual one—where war, fiction, nostalgia, and humor meet in the woods under the shadow of a galaxy far away.

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Prey Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hueman Graffiti Street Artist Modern Pop Art. Hueman grew up drawing and painting in Northern California and received her degree in Design | Media Arts from UCLA in 2008. Whether she is painting delicate visions on canvas, or crushing massive walls with a spray can, she often draws on the human condition to create freestyle mash-ups of the abstract and figurative, and the beautiful and grotesque. She is interested in creating ethereal motion and dimension on otherwise flat, two-dimensional surfaces.

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Stussypuss Archival Print by Casey Weldon Archival Pigment Fine Art Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 15x22. Number 1 of 75! The "Stussypuss" archival print by Casey Weldon is a striking example of contemporary pop art's playful engagement with visual culture. This fine art limited edition print, released in 2022, showcases Weldon's signature style and often marries the surreal with the familiar, creating an intriguing dialogue within the modern artwork landscape. Signed and numbered by the artist, this piece is part of an exclusive run of only 75 prints, with this particular print being the first in the series, further elevating its collectibility and significance. Measuring 15x22 inches, "Stussypuss" is printed using archival pigment on fine art paper, a method chosen for its ability to produce images with vivid colors and sharp details that stand the test of time. Weldon's work is characterized by his ability to twist the conventional, and "Stussypuss" is no exception. The artwork features a creature that is at once domestic and alien, an unbelievable rendition of a familiar feline companion. It's a visual pun that expresses the artist's interest in transforming everyday subjects into sources of wonder and curiosity. This print embodies the intersection of street pop art and graffiti artwork's ethos with the refined techniques of fine art printmaking. While it may not be found on the side of a train or the wall of a building, the piece carries the spirit of street art through its boldness and unconventional subject matter. "Stussypuss" by Casey Weldon is a testament to the ongoing evolution of pop art, standing as a beacon of modern pop culture's ability to adapt and grow. It reflects a world where art is as much about personal expression as it is about collective experience and where the viewer is invited to find their meaning within the layers of the image.

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Search For Harmony Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. Meggs cooperative practices have led to collaborations with various artists and brands from cultures worldwide. His commercial work with companies such as Nike, Stussy, Addict, New Balance, Burton, and Endeavor Snowboards has contributed to the constant evolution of his talent and furthering his range of designs and ideas.

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Jackpot- Red Limited Edition 4-Color Hand-Pulled Silkscreen Print on Die-Cut 290gsm Coventry Rag Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my childhood which are utilized to express myself.

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Deep Ocean, Vast Hell Limited Edition Hand-Embellished Aerosol and Silkscreen on Deckled 250gsm Somerset Archival Paper by Artist Dee Dee Modern Pop art. 2020 Signed & Numbered Limited Edition of 5 Artwork Size 43-7/8 x 30-1/2 inches Dee Dee is a New York City-based street artist who uses collage, paint, and silkscreen to bring surreal and cinematic daydreams and nightmares to life. It is in that world – between sleep and dream, between the surface and subconscious – where the viewer is invited to enter. The work encapsulates themes of the seen and unseen, the hidden and the revealed, the masks we wear, and the ones we choose to remove.

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Valerian Fever Dream Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Camille Rose Garcia pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Valerian Fever Dream by Camille Rose Garcia – Street Pop Art & Graffiti Artwork on Blotter Paper Valerian Fever Dream is a hallucinatory exploration of fantasy and surrealism by Camille Rose Garcia, created as a signed and numbered archival pigment print on hand-perforated blotter paper. Released on April 19, 2021, in a limited edition measuring 7.5 x 7.5 inches, this work fuses psychedelic nostalgia with sharp pop culture critique and is authenticated with a Certificate of Authenticity. The blotter format, historically linked to LSD culture, is not only a nod to countercultural aesthetics but becomes a physical metaphor for the fragmented, dreamlike nature of Garcia’s visual universe. The hand-perforation by Zane Kesey adds historical and symbolic weight, transforming each print into a tangible artifact of underground art history. Visual Surrealism and Symbolic Density in Garcia’s Work Camille Rose Garcia’s Valerian Fever Dream plunges viewers into a feverish, chromatic fairytale populated by mutated flora, ghostly equines, and an almost-doll-like female figure. Rendered in blistering fluorescents—hot pinks, acidic purples, cyan blues, and emerald greens—the composition conjures both visual disorientation and visceral intrigue. Organic shapes melt into one another as though pulled from a kaleidoscopic subconscious, with references to botanical overgrowth, animated storytelling, and apocalyptic fables. Garcia’s painting style employs controlled drips, fluid lines, and layering techniques that align with both graffiti’s urgency and the formal precision of studio pop surrealism. Camille Rose Garcia and the Evolution of Pop Psychedelia Born in California in 1970, Camille Rose Garcia emerged as a central figure in the lowbrow and pop surrealist movement, aligning with West Coast artists like Mark Ryden and Robert Williams. Drawing from punk music, Disney animation, and historical illustration, her work critiques environmental decay and capitalist exploitation while maintaining a visually seductive, storybook-like atmosphere. Valerian Fever Dream illustrates her signature approach—highly rendered chaos that remains tethered to narrative figuration. In the realm of street pop art & graffiti artwork, Garcia has carved a unique lane where fairytale meets ferocity, often merging gallery craft with streetwise rebellion. Blotter Art as Countercultural Canvas The choice of blotter paper for this piece is deeply significant. Historically used as a medium for distributing LSD, blotter sheets have become a revered canvas within psychedelic and underground art circles. Valerian Fever Dream transcends mere decorative object—it is a collectible rooted in countercultural storytelling. Hand-perforated by Zane Kesey, son of One Flew Over the Cuckoo's Nest author Ken Kesey, the piece stands at the intersection of acid wave iconography and modern surrealist expression. Garcia’s dreamworld, encoded onto this intimate scale, allows collectors to hold a slice of modern myth in their hands—a saturated snapshot of rebellion, symbolism, and illusion transformed into fine art.

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Multiform Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Joshua Vides X Unfinished Business Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. This artwork, skillfully created by Joshua Vides, aims to support important causes. The proceeds from its sale will be directed towards One Hundred Black Men, the Hispanic Federation, and the Asian American Business Development Center. This initiative, known as Unfinished Business, was launched by Hennessy to provide grants to small businesses owned by individuals from Black, Latinx, and Asian American communities. By offering financial assistance and essential resources, Unfinished Business seeks to empower these business owners who play a crucial role in strengthening our communities. Joshua Vides' artistic oeuvre is defined by his unique interpretation of Pop Art, a seamless merger with Street Art elements, and a deep-rooted respect for Graffiti Art. One of his most notable works that encapsulates this triadic fusion is the "Unfinished Business Cone Art Object Sculpture". A fascinating assemblage, the sculpture is a thought-provoking exploration of space and dimension, challenging traditional norms of visual perception through its use of stark, black outlines and an almost unfinished aesthetic, reminiscent of sketch-like visuals. This piece is a stellar embodiment of Vides’ ability to transform everyday objects into extraordinary works of art, truly underlining his position as a contemporary trailblazer in the realm of visual art. As with his other works, the "Unfinished Business Cone Art Object Sculpture" utilizes a unique monochromatic palette, a signature aspect of Vides' style that stems from his background in graffiti. This unconventional application of color, or lack thereof, disrupts viewers' expectations, encouraging them to engage with the work in a more meaningful way. Vides invites the observer to question the traditional boundary between the two-dimensional and three-dimensional worlds. The sculpture is not merely an object; it's an exercise in optical illusion and a commentary on our perception of reality, a testament to Vides’ innovative blend of pop, street, and graffiti art. The "Unfinished Business Cone Art Object Sculpture", in essence, showcases Vides' unconventional approach, his audacious experimentation with the commonplace, and his subversion of our visual expectations. It stands as a brilliant exemplification of the harmonious integration of different art genres and redefines the realm of pop art and graffiti. Reflecting Vides' distinctive style, it is a magnificent contribution to the ongoing dialogues in contemporary art, cementing his position as a noteworthy figure in the art world.

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Police Shooting Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Cleon Peterson Limited Edition of 150 Artwork Size 14x18 Silkscreen Print. Cleon Peterson's 2015 Silkscreen Print “Police Shooting Black” – A Stark Voice in Street Pop Art & Graffiti Artwork Cleon Peterson’s 2015 limited edition silkscreen print titled Police Shooting Black is a powerful example of politically charged Street Pop Art & Graffiti Artwork that holds nothing back. Printed on hand-deckled 290gsm Coventry Rag fine art paper, this 14 x 18 inch piece was released in a signed and numbered edition of 150. The print is rendered in stark black silhouette, showing a faceless police officer mid-strike over a defenseless figure on the ground. Peterson employs a style that is instantly recognizable—clean, aggressive, and intentionally stripped of detail to focus entirely on the narrative of power, submission, and societal conflict. It is more than a commentary. It is a visual confrontation. Cleon Peterson: American Artist With a Vision Rooted in Violence and Power Dynamics Cleon Peterson was born in 1973 in the United States and continues to create work that deeply engages with themes of chaos, institutional abuse, and systemic violence. A former street artist who has also worked in illustration and fashion, Peterson often centers his practice around the representation of violent struggle. His works are filled with archetypal figures that reenact the brutal power plays of modern society. Police Shooting Black stands out in his body of work not only for its limited edition fine art format but for its focused depiction of racialized police violence. It is not an ambiguous image. The figures speak with immediacy, channeling real-world incidents into high-contrast allegory. The facelessness of both the oppressor and the oppressed creates a disturbing universality, implicating systems rather than individuals. The Visual Economy of Violence in Street Pop Art & Graffiti Artwork This print carries forward the street-level urgency found in graffiti while leveraging the formal control of screenprinting and gallery presentation. Street Pop Art & Graffiti Artwork often borrows visual language from commercial signage, propaganda, and rebellion, and Peterson’s work is no exception. The figures are iconographic, each line intentional, each silhouette loaded with symbolic weight. Peterson reduces the image to its emotional and psychological core, amplifying the sense of dehumanization and systemic brutality. The use of black-and-white further enforces the emotional starkness while refusing to distract with color. Every inch of the composition is confrontational and calculated to provoke response, conversation, and discomfort. Coventry Rag Paper and Silkscreen Technique as Mediums of Resistance The use of 290gsm Coventry Rag paper—known for its archival quality and textured surface—adds gravity and permanence to what might otherwise feel like a transitory protest image. Silkscreen printing, traditionally used in mass production, is elevated here as a fine art method, offering precision and boldness while still invoking its underground and street origins. Peterson’s choice of material and medium serves to highlight the duality in Street Pop Art & Graffiti Artwork: existing between gallery walls and political walls, between collectability and dissent. Each print is hand-deckled, giving it an edge—literally and figuratively—that speaks to the raw emotion and crafted message embedded in the work. Would you like write-ups for any of Peterson’s other prints or projects?

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Wave Jumpers Archival Pigment Fine Art Limited Edition Print on 310gsm Canson Aquarelle Paper by Modern Pop Street Graffiti Artist Kilian Eng. 18 x 24 Inches Full-bleed Printed on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 250 Numbered.

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Jim Morrison's Doors, an Original Mixed Media Acrylic Painting by Bobby Hill, a Kind of Artwork on Fine Art Paper by a Street Art Pop Artist. 2010 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 14x22 Matted on Board 20.5x29 Artwork Size 14x22 Capturing the spirit of the legendary frontman of The Doors, Jim Morrison, artist Bobby Hill delivers a powerful mixed-media acrylic painting street art's raw intensity with the vibrant poppaletteettep art. Created in 2010, this original piecombinesher acrylic and spray paint techniques onto fine art paper, resulting in a visual experience as enigmatic as Morrison's persona. The artwork is 14x22 inches and matted on board to 20.5x29 inches, the piece is a substantial tribute that harmoniously fits within the collector's space and the gallery wall. Hill's portrayal of Morrison is not just a link but is an echo of the singer's influence, with every brushstroke and spray of paint adding to a narrative as layered as the music Morrison left behind. The vivid colors and the way they overlay and interact with each other reflect the complexity of Morrison's character and his legacy, resonating with fans and art lovers alike. Signed by the artist, this one-of-a-kind artwork carries the authentic flair that one would expect from a piece inspired by one of rock's most iconic figures. In this creation, Bobby Hill has successfully married the spontaneity and defiance of street art with the iconic, bold imagery characteristic of pop art. This piece does not merely showcase Jim Morrison's image but instead communicates a larger story about the impact of a cultural icon. It is a manifestation of how street art and pop art can cross paths to produce something that is not only visually striking but also emotionally stirring. The legacy of Morrison is thus perpetuated through this contemporary artistic lens, inviting viewers to explore the depths beneath the celebrity's surface. This painting by Bobby Hill serves as a testament to the enduring nature of Jim Morrison's influence, capturing the essence of his spirit in a way that continues to speak to the rebellious, the dreamers, and those who find beauty in the unconventional. It's a piece that, much like Morrison's own life, challenges the norm and invites more profound contemplation, mirroring the complexities of the human experience through street and pop art.

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Naga Biru Purple Archival Print by Mateo Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 50 Artwork Size 17x24 Archival Pigment Fine Art  Naga Biru Purple Archival Print by Mateo Mateo, the French-born artist also known as Mathieu Bories, creates commanding Street Pop Art & Graffiti Artwork that engages cultural identity, symbolism, and historical textile patterning with arresting contemporary portraiture. The 2025 print titled Naga Biru Purple exemplifies Mateo's celebrated technique of blending hyperrealistic faces with ornamental Persian rug motifs to produce rich and complex visuals layered with meaning. This limited edition archival pigment print, signed and numbered by the artist, is printed on 290gsm Moab Entrada fine art paper and is sized at 17 x 24 inches. It is part of a rare edition of just 50. Cultural Tapestry and Portraiture Collide Naga Biru Purple centers a dignified female figure, her skin rendered in deep purples that evoke mystery, strength, and elegance. Mateo overlays her face and the entire composition with golden filigree patterns inspired by Indo-Persian textiles and sacred geometry. The symmetry of these patterns acts not only as decorative overlays but also as symbolic armor—protection through heritage, beauty, and belief. The subject’s eyes are intense and still, contrasting the intricate motion of motifs that ripple across her face and body, and ultimately blending her with the elaborate textile background. Mateo’s portraits do not simply place the subject against ornate backdrops—they absorb and exalt them within them. Technique and Symbolism in Street Pop Art Mateo’s approach pulls from both street graffiti traditions and fine art disciplines. His work lives at the intersection of muralism, urban intervention, and fine printmaking. With Naga Biru Purple, he showcases the same refined control and graphic precision that is often visible in his public murals across Europe, North Africa, and Asia. By using archival pigment on Moab Entrada, Mateo elevates the print into a museum-grade art object while retaining the rebellious voice of the streets. The richly colored purples and golds of the piece speak to royalty and spirituality in various traditions, invoking a dialogue about heritage, diaspora, and representation. A Modern Icon Through Global Patterns Naga Biru Purple is more than a portrait—it is a visual synthesis of power, ancestry, and pattern. Mateo channels his subjects into icons that transcend the individual, making them vessels of collective identity and resilience. His work is at once deeply contemporary and timeless, merging street sensibility with ornamental reverence. The result is a Street Pop Art & Graffiti Artwork piece that resonates globally, speaking to issues of femininity, cultural visibility, and the richness of ornamental language as a form of storytelling. With this edition limited to 50, Naga Biru Purple is a powerful collectible for collectors of modern narrative-driven urban art.

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Dondi East Coast Legends Canbot Canz by Dondi White (After Death/Estate) x Czee13 Limited Edition Spray Paint Can Figure Robot Artwork. 2023 Limited Edition of 200 New in Box Size 3x5.5 Dondi White Graffiti Robot 5oz Canz Canbot Spray Paint Can Art Toy with Trow Ups & Tags in Yellow Blue Coloring. Dondi White's Enduring Legacy in Art Toy Culture Dondi White, an iconic figure in street art, continues to inspire long after passing in 1998. His estate has collaborated with artist Czee13 to release a limited edition Canbot, a testament to Dondi's lasting impact on the graffiti scene. The Dondi East Coast Legends Canbot Canz, launched in 2023, features a striking design based on Dondi White's original works, complete with his signature throw-ups and tags in a vivid yellow and blue color scheme. The Canbot series has turned the classic spray paint can into a collector's canvas, giving tangible form to the works of legendary street artists. Dondi's Canbot is particularly significant, capturing the essence of his dynamic style in a 3x5.5-inch figure. Each Canbot in the edition of 200 is not just a representation of Dondi White's art; it's an embodiment of his spirit and a continuation of his dialogue with the urban landscape. Street Pop Art's Homage to a Graffiti Pioneer The collaboration between Dondi White's estate and Czee13 bridges the gap between street pop art's raw beginnings and its current status as a collectible genre. This special edition Canbot is a homage to Dondi, ensuring new generations can appreciate his contributions to graffiti art. Dondi White's groundbreaking aesthetics are celebrated through this art toy, keeping his memory and influence alive in street art and beyond.

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The LA Fill Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face LA Hands. The LA Fill: A Bold Collaboration in Street Pop Art The LA Fill by OG Slick in collaboration with The Beautiful Losers is a striking silkscreen print that captures the bold energy of Street Pop Art and Graffiti Artwork. Created as a 30-inch circular print on hand-deckled fine art paper, this 2024 release is a signed and numbered limited edition of 99. The artwork showcases OG Slick’s iconic Smiley Face LA Hands design, blending bold graphic elements with vibrant yellow and black tones. This hand-pulled silkscreen print stands as a testament to the enduring appeal of graffiti aesthetics merged with pop culture symbolism. OG Slick and the Influence of Graffiti Culture OG Slick, a renowned artist originally from Hawaii, now based in Los Angeles, is known for his contributions to graffiti culture and his unique ability to infuse street aesthetics with pop art motifs. His Smiley Face LA Hands motif has become an iconic symbol of Los Angeles, representing a playful yet powerful nod to the city’s culture and history. In The LA Fill, Slick collaborates with The Beautiful Losers, a collective celebrated for its focus on street-inspired art and urban narratives, amplifying the cultural resonance of the piece. The juxtaposition of the smiling face and hand gestures encapsulates the essence of graffiti art as a medium for bold self-expression. Symbolism and Design in The LA Fill The circular design of The LA Fill reflects the cohesive nature of the piece, drawing viewers into its vibrant and dynamic composition. The smiling face, a universal symbol of positivity, is reimagined with OG Slick’s signature LA Hands, which spell out the letters L and A in a graffiti-style gesture. This dual symbolism celebrates both Los Angeles as a cultural hub and the universality of street art’s playful rebellion. The surrounding graphic elements, including bold lettering and contrasting black and white details, create a layered effect that invites deeper engagement with the artwork. The vibrant yellow backdrop adds an element of joy and energy, reinforcing the optimistic tone of the piece. Hand-Pulled Craftsmanship and Collectibility The LA Fill exemplifies the meticulous craftsmanship that goes into high-quality Street Pop Art. Each print is hand-pulled using a silkscreen process, ensuring rich colors and sharp details that cannot be replicated digitally. The use of hand-deckled fine art paper adds a tactile quality, enhancing the artwork’s authenticity and appeal. Limited to only 99 editions, each signed and numbered by OG Slick, this piece holds significant value for collectors and enthusiasts of graffiti and pop art. As a collaborative effort with The Beautiful Losers, The LA Fill is both a celebration of urban culture and a testament to the enduring impact of graffiti-inspired art in contemporary society.

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Red Cream by Shepard Fairey Floral Takeover 2017 Red Cream is a hand-pulled silkscreen print by Shepard Fairey, released in 2017 as part of a limited edition of 200. Printed in two colors on cream Speckletone fine art paper, the artwork measures 18 x 24 inches and is signed and numbered by the artist. The composition features an all-over floral pattern rendered in Fairey’s signature red, drawing inspiration from ornamental wallpaper, textile design, and historic decorative motifs. Pattern, Power, and Subversion At first glance, Floral Takeover appears purely decorative, but the repetition and scale transform the pattern into something more assertive. Fairey has long used pattern as a form of visual occupation, echoing his street practice of wheatpasting and large-scale installations. The floral imagery references traditional wallpaper and domestic design, yet its bold color and dense layout give it a confrontational presence. By elevating a repeat pattern into a standalone fine art print, Fairey challenges the boundary between decoration and statement, turning ornament into a vehicle for cultural takeover. Place Within the OBEY Body of Work This print belongs to a broader series in which Shepard Fairey explores pattern-making as both a design exercise and a conceptual tool. Originally developed for street installs, these patterns evolved into collectible fine art works that reflect his interest in propaganda aesthetics, repetition, and visual saturation. Floral Takeover 2017 Red Cream stands out for its balance of elegance and intensity, offering a quieter yet still commanding example of Fairey’s practice. As part of a four-version release, it has become a sought-after piece for collectors who appreciate the graphic and ornamental side of the OBEY canon.

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