Mid Priced

The Fool Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Beau Stanton Graffiti Street Artist Modern Pop Art. "The Fool was the central piece from my Arcane Archetypes exhibition where all the paintings were based on images from the Major Arcana of the Tarot. My first intention with this body of work was to create a series of images that instill a lasting imprint into the viewer’s subconscious. As an initial point of departure I started to research one of the most recognizable and iconic sets of images, the Major Arcana of the Tarot. After studying several existing decks, I discovered that some of the images shared common ground visually and conceptually with several paintings I had created in the past.When I first thought about making a series of paintings based on images from the Tarot, I knew that I would have to include the Fool since it is the “zero” card and an extremely important archetype in the set. I started by researching all of the iconic tarot decks to see the ways the symbols had been interpreted in the past along with reading a few books by 19th Century occultists who were really into tarot. From there I applied some of my own symbols that I often use in my work that had common ground with the overall significance of The Fool to concoct a fresh take on an ancient iconic symbol." - Beau Stanton

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Drip Phase AP Artist Proof HPM Spray Paint Embellished Archival Print by Sket-One Fine Art Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2022 AP Artist Proof Spray Paint Hand Embellished Signed & Marked AP HPM Edition of 2HPM Artwork Size 16x24 Small Handling Tear to Right Let Margin, Artist Working Proof Drip Phase AP HPM Spray Paint Embellished Print by Sket-One Drip Phase is a 2022 Artist Proof hand-embellished archival pigment print by Sket-One, created as part of an extremely limited HPM (Hand Painted Multiple) release. This edition consists of only 2 Artist Proofs, each individually spray-paint embellished, signed, and marked AP by the artist. Printed on 290gsm Moab Entrada Rag Bright archival paper, the artwork measures 16 x 24 inches and blends fine art printing with graffiti-era aerosol techniques. The piece exemplifies Sket-One’s signature fusion of pop iconography, street culture, and meticulous studio craftsmanship, placing it firmly within contemporary Street Pop Art & Graffiti Artwork. Color, Form, and Hand-Embellished Detail The composition is dominated by a vibrant, melting smiley-face form rendered in saturated layers of neon pink, lime green, yellow, cyan, and orange. Thick, dripping shapes cascade down the surface, creating a sense of motion and playful excess while referencing classic graffiti paint drips and cartoon surrealism. The bold black facial elements anchor the image, providing contrast and structure amid the fluid color fields. Each HPM version features unique aerosol splatter and spray accents applied directly by Sket-One, ensuring that no two prints are identical. These hand-applied details add texture, depth, and spontaneity, reinforcing the physical presence of the artwork beyond its digital print base. Sket-One’s Pop Graffiti Language and Collectibility Drip Phase reflects Sket-One’s long-standing practice of reinterpreting familiar pop imagery through a street-art lens, transforming simple visual cues into layered commentaries on branding, joy, and excess. The exaggerated smile and candy-like color palette evoke nostalgia while simultaneously critiquing the hyper-saturated visual culture of advertising and consumer products. As an Artist Proof HPM with only two examples produced, this work occupies a rare tier within Sket-One’s catalog. Its combination of archival materials, hand-applied spray paint, and extreme scarcity makes Drip Phase a standout collectible, capturing the playful yet technically refined spirit that defines Sket-One’s contribution to modern pop and graffiti art.

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Top Elite Faschions 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, Signed and numbered by Shepard Fairey in pencil, this silkscreen art print is on medium weight off white colored paper.

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Speak To Me Dark Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 17x22 Silkscreen Print Cleon Peterson, an influential figure in the global art scene, has been pivotal in the evolution of pop art, street art, and graffiti art. Born and raised in Seattle, Peterson moved to Los Angeles to pursue his career as an artist, carving a distinct place for himself in the art world with his graphic style and provocative subject matter. He has painted a vivid tableau of a dystopian world, where violence and chaos are recurring motifs. His work, recognized for its stark, black and white contrasts, embodies a critique of the power dynamics that pervade contemporary society. Despite the seemingly dark themes, Peterson's work carries significant resonance within pop art and graffiti aesthetics, utilizing powerful visuals and sharp social commentary akin to the works of predecessors like Andy Warhol or Keith Haring. His art is often seen as a mirror, reflecting the underlying aspects of society that many may find uncomfortable, but can't ignore, much like street art's function as an urban commentary. Peterson's art has not only adorned gallery walls, but has also found a home in public spaces and street corners worldwide. This adds to his reputation as a street artist, while his technique and skill have been able to bridge the gap between street art and traditional fine art. His art encapsulates the spirit of resistance, a cornerstone of graffiti art, giving voice to discontent and dissent in a visually striking way. Cleon Peterson's work has undeniably redefined the boundaries of pop, graffiti, and street art. His unflinching portrayal of societal issues, paired with his aesthetically robust style, contributes to an ongoing conversation about art's role in challenging norms and sparking dialogue. It is this dialogue that continues to affirm Peterson's place as an innovator and provocateur in the global art scene.

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Media Press Test Sheet 2011 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. #1/7 This is a rare test print sent to the media for review by Dan Christofferson in 2011 including the artworks I'm Sorry, I'm on Fire, Girl with Greyhound and 2 others.

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Nathalie Lete Minette 100% 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Nathalie Lete is an artist from Paris who now has a 100% + 400% Bearbrick set to go along with the release of her Ours a la Cravete 400% Bearbrick. Minette embodies Nathalie Lete's art style and every detail on this Bearbrick will not go overlooked. From the blue eyes to the patterned dress all the way to the tail spread across the back of both the Bearbrick's legs. This Bearbrick set includes 2 figures that stand at 7cm and 28cm tall!

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Ritalin Scar Archival Pigment Fine Art Limited Edition Print on 310gsm Photo Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 12x12 Signed 2022 Edition of 50 ‘Ritalin Scar’ Archival Digital Print on Bauhaus 310gsm Photo Rag 100% Cotton Paper Embossed, signed and editioned by the artist 30cm x 30cm (12 x 12 inches) unframed. Ritalin Scar by Ben Frost: A Sharp Fusion of Pop Culture and Pharmaceuticals in Street Pop Art & Graffiti Artwork Ritalin Scar by Ben Frost is a powerful statement within the Street Pop Art & Graffiti Artwork movement. Released in 2022, this piece is an archival pigment fine art print created on Bauhaus 310gsm photo rag 100 percent cotton paper, a material known for its superior quality and durability. Measuring 30cm by 30cm, or 12 by 12 inches unframed, the artwork is part of a signed and numbered limited edition of only 50 pieces. Each print is individually embossed, signed, and editioned by Ben Frost, reinforcing its status as a highly collectible work. By placing the menacing figure of Scar from Disney's The Lion King onto a flattened Ritalin LA pharmaceutical box, Frost engages viewers in a provocative dialogue about societal perceptions of control, medication, and villainy through the visual language of pop culture. The Artistic Process and Provocative Themes of Ritalin Scar Ben Frost, an Australian artist widely recognized for his disruptive and confronting style, uses familiar characters and consumer brands to deliver bold social commentary. In Ritalin Scar, the artist strategically selects Scar, a character known for his cunning and treachery, and juxtaposes him against the backdrop of a pharmaceutical package designed for behavioral regulation. This combination invites critical reflection on how society views and manages perceived deviance, particularly in children. The use of archival digital print technology ensures that the vivid colors and sharp lines remain striking and durable over time, preserving the immediate impact of the work. By repurposing real-world packaging as his canvas, Frost magnifies the uneasy relationship between commercialism and personal identity, a theme that resonates deeply within the Street Pop Art & Graffiti Artwork tradition. Ben Frost’s Influence on Contemporary Street Pop Art & Graffiti Artwork Ben Frost has built an international reputation for his provocative visual language that challenges societal norms and consumer culture. His body of work often combines elements of advertising, pharmaceuticals, and beloved cartoon imagery, making his style instantly recognizable. Through pieces like Ritalin Scar, Frost asserts Street Pop Art & Graffiti Artwork as a critical platform for addressing controversial issues. His manipulation of pop culture imagery disrupts the traditional narratives associated with these characters and products, transforming them into symbols of larger social commentary. Frost’s work captures the spirit of rebellion and critique that defines Street Pop Art & Graffiti Artwork, proving its capacity to provoke thought and spark conversation in an era of increasing media saturation. The Importance of Limited Edition Prints like Ritalin Scar Owning a limited edition print like Ritalin Scar offers collectors a tangible piece of contemporary cultural critique. The combination of Bauhaus 310gsm photo rag paper with archival digital printing ensures a museum-quality finish that honors the original vision of the artist. With only 50 copies released, each embossed, signed, and numbered by Ben Frost, the scarcity enhances the value and significance of the artwork. Street Pop Art & Graffiti Artwork thrives on exclusivity and authenticity, traits that are embedded into every aspect of this piece. Ritalin Scar not only showcases Frost’s distinctive style but also captures the enduring tension between pop culture, pharmaceutical influence, and personal autonomy, making it a standout work within contemporary pop and street art collections.

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Untitled- Shark Creatures Running Original One of a Kind Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Street Art Pop Culture Artist El Pez. 2015 Signed Original Spray Paint & Silkscreen Marked 1/1 Painting Size 19.75x27.63 El PEZ (b. 1976) Untitled, early 21st-century Screenprint with spray paint hand-embellishments on paper 27-5/8 x 19-3/4 inches (70.1 x 50.2 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along lower edge

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Sole of the Artist: Bisco Smith Portrait Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist Bisco Smith x KJ Shows. Sole of the Artist: Bisco Smith Portrait • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed, dated, numbered and embossed by KJ Shows Additionally signed by Bisco Smith Limited edition of 25

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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OG Chicago Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Entrada Textured Bright Paper by Graffiti Street Art and Pop Culture Artist Adam J O'Day. OG Chicago • Autographed archival pigment print • Printed on Moab Entrada Textured 300 GSM archival paper • Custom hand-torn deckled edges • 16 x 20 inches Hand-signed and numbered by artist Adam J. O'day in a limited edition of 23

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Cat Goddess Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. "The "Cat Goddess" is part of a series of paintings looking at the life cycle of living things. I would say I'm "spiritual" but not very religious. We talked about it in my family, we talked about Jesus and God, but we did not practice a religion. I'm always questioning why we're here, and what it's all about, and the answers are never clear to me. I do like to think we have spirits or energy, and I wonder where that energy goes when we pass? I feel that, if humans possess this energy, then all living things must possess it as well. The Cat Goddess is some sort of passageway or portal to somewhere else. I envision the mouth opening and taking the soul to a beautiful and safe place. Maybe Heaven?" - Jeff Soto

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Train 6 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Dissecting "Train 6" by LushSux: A Miniature World of Graffiti Art "Train 6" is a fascinating piece in the collection of works by the graffiti street artist LushSux, known for his unapologetic and often contentious approach to modern pop art. This particular artwork is an original piece from 2014, featuring a vibrant graffiti tag applied to an HO-scale model train box car. The piece measures 14x3 inches, demanding meticulous attention to detail and a steady hand to maintain the integrity of the graffiti art style on such a small scale. This work is a signature example of street pop art, a genre that fuses the raw, energetic aesthetics of street art with the mass culture appeal of pop art. LushSux's Innovative Approach to Street Art on Model Trains LushSux, an Australian artist whose work has been lauded and criticized, operates within the global street art scene, bringing his work into the public eye and often sparking debate. His choice to utilize a model train as a canvas for "Train 6" is emblematic of his innovative approach to street art, as it encapsulates graffiti's ethos in a form traditionally associated with precision and nostalgia rather than the subversive nature of street art. The work showcases LushSux's dynamic style, characterized by bold lines and striking colors, which command attention despite the diminutive size of the canvas. Through this medium, LushSux challenges the viewer's perception of where street art can exist, suggesting that any object can become a vessel for artistic expression. The Cultural and Artistic Significance of "Train 6" "Train 6" is more than just a piece of art; it is a cultural artifact that bridges the gap between the underground world of street art and the more conventional hobby of model train collecting. LushSux's tag on the model train brings a piece of the street into a different context, inviting viewers to reconsider the boundaries of street pop art and graffiti artwork. By signing the piece, LushSux affirms the artwork's authenticity and value, positioning it as a collectible item within the art world and the subculture of model train enthusiasts. The painting represents a confluence of subcultures, serving as a testament to street art's versatility and expansive reach. Through pieces like "Train 6", LushSux continues to provoke, entertain, and elevate the status of street art in the contemporary art scene.

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God Is Dead, But...#13 Archival Print by Hikari Shimoda Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Size 22x22 Archival Pigment Fine Art The Cultural Significance of Hikari Shimoda's "God Is Dead, But...#13" The visual narrative of Hikari Shimoda's "God Is Dead, But...#13" reflects a profound narrative through Street Pop Art and Graffiti Artwork. As a limited edition archival print on Moab Entrada fine art paper, this piece is a testament to Shimoda's prowess in melding pop culture aesthetics with a graffiti art ethos. The piece is part of a limited edition of 50, each signed and numbered by the artist, underscoring the exclusivity and collectibility of Shimoda's work. At 22x22 inches, the artwork commands attention with its size and the potency of its message. The Visual Language of "God Is Dead, But...#13" This artwork is a vibrant foray into the complex emotional and societal narratives Shimoda is renowned for. It features a childlike figure, a recurring motif in Shimoda's oeuvre, set against a backdrop that radiates a dreamlike yet unsettling energy. Large and filled with galaxies, the eyes suggest a universe of thought and feeling beyond the immediate visual impact. This symbolism is characteristic of Street Pop Art's intention to communicate deeper meanings beneath a visually accessible surface. The use of archival pigment in fine art print ensures that the depth of color and detail remains pristine, preserving the emotional intensity of the original work. Shimoda's Integration of Street Art Ideals in Modern Artwork In "God Is Dead, But...#13," Shimoda exemplifies how Street Pop Art can transcend the boundaries of traditional graffiti artwork to enter the realm of fine art. The piece is not just a representation of Shimoda's internal musings but also a cultural commentary that reflects the zeitgeist. The title itself, "God Is Dead," resonates with the philosophical musings of Friedrich Nietzsche, suggesting a society amid existential contemplation. This aligns with the ethos of street art, which often grapples with grand narratives of existence and identity within the urban landscape. The Emotional Resonance in Shimoda's Limited Edition Print The emotional resonance of this piece is palpable. The child's expression is ambiguous, caught between innocence and a knowing sadness that speaks to the loss of divine certainty implied by the title. The tears that seem to be galaxies suggest mourning this loss or perhaps crying out for a new form of divinity or hope within the void. The choice of fine art paper and the precision of the archival pigment technique adds a layer of durability to the transient nature of the subject, allowing the work to stand as a lasting icon of contemporary Street Pop Art and Graffiti Artwork. In crafting "God Is Dead, But...#13," Shimoda asserts her place in the modern art world, proving that Street Pop Art and Graffiti Artwork have a vital role in contemporary art discourse. Her limited edition print is not just a collector's item but a piece of cultural significance that encapsulates the spirit of our times.

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Dissected Bear Head- GID Kickstarter Limited Edition Vinyl Art Toy Collectible Glow in the Dark Artwork by street graffiti Luke Chueh. 2015 Limited Edition Luke Chueh's iconic bear head design with a quarter cut exposed, showing the human skull within. Produced in Glow in the Dark vinyl. No Box

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Long Distance Reality- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Nouveau Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Joe Mangrum pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Battle Damaged Qwiky Signed Gold & Black Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2020 Signed Autograph Gold & Black Battle Damaged Colorway Limited Edition of 200 New in Box Artwork Size 3x5.5 Canz Art Toy. Vast Majority Not Signed. The Intersection of Street Pop Art and Vinyl Collectibles: The Battle Damaged Qwiky Canbot Canz The street pop art and graffiti world has always been vibrant and constantly evolving, with artists seeking new mediums to express their unique visions and connect with audiences. Among these mediums, vinyl art toys have emerged as a powerful form of collectible artwork, seamlessly blending the ethos of street art with the culture of collectible memorabilia. A shining example of this fusion is the Battle Damaged Qwiky Signed Gold & Black Canbot Canz , a limited edition vinyl art toy collectible created by a collaboration between the renowned street graffiti artist Czee13 and the prolific creator QUICCS. This piece is not just a toy; it's a statement, a slice of the street brought into the collector's domain. The Battle Damaged Qwiky Canbot Canz stands out with its distinctive colorway—a stark, contrasting scheme of gold and black. It symbolizes the wear and tear of urban art, the marks of time and experience that give graffiti its character. Limited to an edition of 200, this Canbot Canz is a rare piece, with the vast majority of the collection not signed. Those that bear Czee13's autograph are thus highly sought after by collectors and fans of street pop art and graffiti artwork. The Essence of Collaboration in Street Art Translated into Vinyl The collaboration between Czee13 and QUICCS is a testament to the collaborative spirit inherent in street pop art. Their partnership for the Battle Damaged Qwiky Canbot Canz showcases a blend of their styles—QUICCS's love for mecha aesthetics and hip-hop influences converges with Czee13's organic and raw street art visuals. Each Canbot Canz reflects a narrative that speaks of resilience and survival in the urban jungle. Measuring 3x5.5 inches, this Canbot Canz is a compact powerhouse of artistic expression. It's important to note the significance of the toy's condition, dubbed 'battle damaged.' This term references the visual storytelling standard in street art, where every scratch and mismatched spray line tells a story of the artwork's life in the public sphere. This Canbot Canz 's design deliberately includes elements that mimic such 'damage,' turning what would traditionally be imperfections into badges of honor, much like in real-life street art that stands the test of time and the elements. The Cultural Impact of Limited Edition Art Toys The rarity of the Battle Damaged Qwiky Canbot Canz adds to its appeal and is a strategic move that mirrors the fleeting nature of street art—often here today, gone tomorrow. Limited to 200 pieces, this exclusivity creates a sense of urgency and a deeper appreciation for the artwork, much like the impermanent graffiti that may only exist briefly before being painted over or removed. This scarcity also reflects the underground roots of street art, where access and knowledge of certain pieces create a subcultural currency of cool. While most of these collectibles are not signed, those featuring Czee13's signature are elevated in status. They become a direct link to the artist, akin to having a piece of signed wall art in miniature form. This personalized touch is a nod to the tradition of graffiti artists leaving their mark and tag as a signature on their works, making each signed Canbot Canz a coveted piece for those who collect street pop art and graffiti artwork. The Canbot Canz as a Medium of Street Pop Art Expression The Battle Damaged Qwiky Signed Gold & Black Canbot Canz by Czee13 and QUICCS transcends being merely a collectible piece of contemporary street pop art that carries the essence of graffiti culture into a new form. It's a manifestation of street art's dynamism, a tangible piece that captures the spirit of the streets in a way that can be held, displayed, and treasured. For collectors, it's not just about owning a piece of vinyl; it's about holding a fragment of street art history, a moment of artistic collaboration, and a symbol of the culture they admire and want to preserve. This Canbot Canz is a statement, a conversation starter, and ultimately, a bridge between the tactile world of art collectors and the often ephemeral realm of street graffiti.

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Assassination Silver Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Assassination Silver Silkscreen Print by Dave Kinsey Assassination Silver is a 2007 silkscreen print by Dave Kinsey, hand-pulled in four colors on off-white archival fine art paper. Measuring 18 x 24 inches, this work was released as a signed and numbered limited edition of 150. Drawing directly from Auguste Rodin’s iconic sculpture The Thinker, Kinsey reinterprets the classical pose through a contemporary Pop Street Art lens, transforming a symbol of contemplation into a stark political and cultural statement. Education, Violence, and the Erosion of Thought The composition presents The Thinker in a somber, high-contrast palette dominated by black, gray, and silver tones, punctuated by a thin, visceral streak of red running from the figure’s head. This single, deliberate accent functions as both a wound and a warning. Kinsey frames the act not as physical violence, but as an ideological one: the “assassination” of education, critical thinking, and intellectual nourishment. The rough textures and distressed background amplify the sense of decay, suggesting systems under strain and values being quietly dismantled rather than overtly destroyed. Conceptual Depth and Cultural Relevance Kinsey has stated that Assassination Silver is a commentary on the slow degradation of the American education system, positioning schools and universities as essential catalysts for societal progress that must be protected at all costs. By referencing Rodin’s The Thinker, a universal emblem of reason and reflection, Kinsey underscores what is at stake when education is neglected or undermined. The print stands as a powerful intersection of classical art history and modern street-informed critique, making it a significant and enduring work within Kinsey’s oeuvre and the broader conversation around culture, power, and intellectual freedom.

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Snoopy & Woodstock Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 6x8 Archival Pigment Fine Art Peanuts Snoopy Dog & Woodstock Bird on Dog House Cloud Watching in Glitch Style. Adam Lister's Interpretation of Classic Imagery Adam Lister's "Snoopy & Woodstock Archival Print" represents a confluence of pop culture and fine art through the lens of a modern street pop artist. This limited edition piece, part of a 50 print run for 2023, presents the iconic Peanuts characters in a striking glitch style, transforming a familiar scene into something that challenges and delights the viewer. Rendered on 300gsm hot press matte fine art paper, the artwork is a testament to Lister's ability to blend traditional themes with a contemporary digital aesthetic. The Signature Style of Adam Lister Lister is known for his unique approach to visual art, which combines the digital pixelation effect reminiscent of early video games with the fluidity and expressiveness of watercolors. His "Snoopy & Woodstock" piece is no exception, offering a fresh take on Charles Schulz's beloved characters. Each 6x8 print is signed and numbered by the artist, ensuring its authenticity and connection to Lister's vision. Collectors and enthusiasts of street art and pop culture cherish Lister's work for its innovative fusion of styles and its homage to iconic figures. Collectibility and Cultural Impact The collectibility of Adam Lister's prints lies not only in their limited availability but also in their cultural resonance. The depiction of Snoopy and Woodstock, characters deeply ingrained in the public consciousness, through Lister's pixelated style, invites contemplation on the intersection of nostalgia and modernity. It's a visual narrative that speaks to the enduring legacy of pop icons while firmly rooting itself in the aesthetics of street pop art and graffiti artwork. The "Snoopy & Woodstock Archival Print" is a modern artwork that encapsulates the spirit of its time while honoring the past.

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Alien Bride Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Glenn Barr. 2020 Signed COA Limited Edition of 50 Artwork Size 8x31.875 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 22, 2020

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End Of Season Archival Print by Dulk- Antonio Segura Donat Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2018 Signed & Numbered Print Limited Edition of 50 Artwork Size 20x20 Archival Pigment Fine Art of a Stylistic Bird Comprised of Colorful Flowers in a Surreal Fantasy Setting. The Artistic Essence of "End Of Season" by Dulk - Antonio Segura Donat "End Of Season" is a striking archival print by the artist Dulk, the moniker of Antonio Segura Donat, who is acclaimed for his forays into pop art, street art, and graffiti art. This 2018 limited edition work is distinctive, with only 50 signed and numbered prints, each measuring 20x20 inches. Crafted on fine art paper, the piece showcases Dulk's capacity for blending natural elements with surrealistic overtones, presenting a stylistic bird that is an amalgamation of colorful flowers set against a fantasy backdrop. The artwork stands as a testament to Dulk's vision, where flora and fauna merge to create a bird that does not exist in reality but is vivid in the imagination. This bird is comprised of a diverse palette of flowers, each petal and color carefully selected to contribute to the overall harmony of the piece. The surreal landscape in which the bird resides further accentuates the fantastical theme, inviting viewers into a world where the end of a season brings about a literal and metaphorical transformation. Technical Brilliance and Symbolism in Dulk's Work In creating "End Of Season," Dulk employs archival pigment fine art printing, a method renowned for its long-lasting quality and ability to reproduce artworks' original colors and details faithfully. This technique ensures that each print retains the vibrancy and depth of the artist's original painting, allowing the artwork to stand the test of time. Fine art paper adds a tactile dimension to the prints, giving them a presence that resonates with the weight of a gallery piece. The symbolism in "End Of Season" is multilayered, reflecting the artist's commentary on the cycle of life and the transient beauty of nature. The bird, a creature often associated with freedom and the changing of seasons, is depicted in a state of splendid decay, as its body of flowers is both blooming and wilting, signifying the inevitable passage from life to death, from vibrancy to dormancy. Street Pop Art & Graffiti Artwork: Dulk's Contribution to Contemporary Art Dulk is an artist who straddles the lines between street art, pop art, and fine art, with "End Of Season" being a prime example of his ability to create works that are as much at home on the walls of a city as in a collector's private gallery. The piece's limited edition status adds to its desirability, marking it as a unique treasure in the landscape of modern art. The artist's influence on Street Pop Art and graffiti Artwork is considerable. His vibrant colors and fantastical themes capture the essence of graffiti's boldness and pop art's mass appeal. Dulk's work resonates with a broad audience, appealing to those captivated by the beauty and complexity of nature and those drawn to the fantastical and surreal elements of street art. "End Of Season" contributes significantly to the dialogue of what constitutes modern artwork in the street art genre. It transcends traditional boundaries, challenging viewers to find brief beauty and appreciate the artistry that can turn a season's end into a visual celebration of life's cyclical nature. Dulk's artistic narrative speaks to the transformative power of art, whether on the canvas of the natural world or the concrete surfaces of urban environments.

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I Can See the Music Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Skel pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Deadbotz Canbot Canz - Pink Limited Edition Hand Painted Vinyl Art Toy Collectible Artwork by Pop Culture Artists 5thTurtle x Czee13. 2022 Hand Painted Limited Edition of 20 New, Did Not Come With Retail Packaging.  This 5oz canbot has a double-cast, Glow-in-the-dark, Dead Dreamer head on vinyl canbot body. Hand-painted by Czee13 with UV reactive plaint. Limited run of 20

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2021 Signed & Marked AP Limited Edition Print Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Burn Your Wonder Bra: A Bold Statement in Street Pop Art by Denial Burn Your Wonder Bra is a striking limited edition archival pigment fine art print created in 2021 by Denial, a celebrated street art and modern pop culture artist. Known for pushing boundaries with his provocative and satirical art, Denial has established himself as an influential figure in the Street Pop Art and Graffiti Artwork movements. The piece was released as a limited artist proof edition, signed and marked AP by the artist, and printed on premium 290gsm MOAB fine art paper, highlighting its status as a sought-after collectible. Reimagining Iconic Imagery Through Pop Culture Burn Your Wonder Bra pays homage to the classic Wonder Woman figure, an enduring icon in both comic book history and contemporary popular culture. Denial reinterprets this symbol of strength and femininity with a rebellious and satirical twist. The bold, comic-style composition features Wonder Woman in her recognizable blue and red attire, but with a cheeky and unapologetic depiction that challenges traditional notions of beauty and female representation. This work reflects Denial’s signature style, combining elements of vintage comic book art with modern, socially charged commentary. The phrase Burn Your Wonder Bra emblazoned at the top of the piece adds another layer of meaning, referencing the feminist movement of the 1960s and 70s that rejected societal expectations imposed on women. By merging this historical context with a pop art aesthetic, Denial creates a provocative visual dialogue about empowerment, freedom, and gender roles in today’s society. The use of bright, primary colors, thick black outlines, and halftone shading techniques draws inspiration from the works of Roy Lichtenstein while infusing it with the grit and attitude of street art. Denial: A Voice in Modern Street Pop Art and Graffiti Artwork Denial, whose real name is Daniel Bombardier, is a Canadian artist who has made a significant impact on the international art scene. His work is recognized for its bold, colorful visuals and its biting commentary on consumerism, politics, and popular culture. By creating art that is both visually arresting and intellectually engaging, Denial challenges viewers to question societal norms and values. His art often draws from graffiti culture and pop art traditions, making his work resonate with urban audiences and collectors alike. Burn Your Wonder Bra exemplifies Denial’s ability to reinterpret familiar imagery through a critical lens. It showcases his skill in blending fine art techniques with street art influences, producing a work that is both rebellious and refined. The print’s limited artist proof edition further enhances its rarity and appeal to collectors of Street Pop Art and Graffiti Artwork. The Impact of Burn Your Wonder Bra in Contemporary Art Burn Your Wonder Bra stands as a powerful statement within the Street Pop Art movement, reflecting Denial’s unique ability to merge comic book nostalgia with modern themes of feminism, freedom, and resistance. By using Wonder Woman as a symbol, Denial transforms a classic pop culture figure into a representation of liberation and self-expression. The provocative title encourages viewers to reject outdated standards and embrace individuality, resonating deeply with contemporary social issues. The archival pigment print’s high-quality production on 290gsm MOAB fine art paper ensures its durability and richness, making it a lasting addition to any collection. This work highlights Denial’s ongoing contribution to the evolution of Street Pop Art and Graffiti Artwork, solidifying his role as an artist unafraid to challenge conventions while celebrating iconic imagery.

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Stormtrooper Grin PP Printer Proof Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 12x12 Dissecting "Stormtrooper Grin" by Ron English- POPaganda "Stormtrooper Grin" is a provocative work by Ron English- POPaganda, a revered name in modern pop art, street art, and graffiti art. This Printer's Proof (PP) limited edition archival pigment print from 2020, signed and marked in English, is a testament to his signature fusion of high art and street culture. Presented on 290gsm Moab Fine Art Paper, this print, measuring 12x12 inches, captures the essence of English's impactful aesthetic. Known for his use of color and distortion, English transforms familiar imagery from popular culture into something new, often with a subversive twist. Ron English- POPaganda's Vision in Pop Art and Street Culture English's "Stormtrooper Grin" reimagines the iconic helmet of the Stormtrooper from the Star Wars franchise, overlaying it with a human skull. This juxtaposition is emblematic of English's style, often combining a bright, almost cartoonish palette with darker themes. His work is recognized for its critical commentary on consumerism, corporate strategies, and idolizing popular culture icons. By placing a skeletal grin within the context of a symbol associated with conformity and the loss of individuality, English invites viewers to reflect on the nature of identity and mortality within the seemingly benign trappings of entertainment. Impact of Ron English- POPaganda's Work on Street Pop Art Ron English- POPaganda is credited with the proliferation of "culture jamming," a practice where familiar visual symbols are altered to challenge the status quo. His "Stormtrooper Grin" directly reflects this, taking a ubiquitous symbol from science fiction and turning it into a conversation piece that questions the narratives we consume and the ideologies they perpetuate. The print embodies the transformative potential of street pop art and graffiti artwork, where the lines between commercial and countercultural are blurred, creating a space for dialogue and dissent. The meticulous craftsmanship in "Stormtrooper Grin" is evident in the precision of the archival pigment print, a method chosen for its fidelity to the artist's original vision. This technique allows for a wide range of vibrant colors and deep blacks, ensuring that the work is a piece of street pop art and a fine art collectible. English's choice of fine art paper and archival pigments serves to solidify the permanence of a piece that, in another context, might have been a temporary fixture on a city wall. Through "Stormtrooper Grin," Ron English- POPaganda continues to challenge perceptions, using his art to provoke thought and encourage a deeper examination of the symbols that permeate our culture. His ability to bring street art sensibilities into the realm of fine art printmaking has established him as a pivotal figure in the street pop art movement. Like much of English's oeuvre, this artwork serves as a stark reminder of the power of visual language in articulating, critiquing, and redefining the narratives fed to society by mass media and entertainment conglomerates.

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Let Us Prey- Black Matte Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2021 Limited Edition Artwork 10" Tall Displayed With Box Trapped in a gruesome world where paper is the source of revenue and happiness, we have redesigned any “exchange” to be nothing close to a smile from a stranger. Our whispers in prayer have become those of being blessed with wealth and materials to ensure longevity and to watch over our bank accounts instead of our friends.

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Skeleton Heart Blotter Paper Archival Print by Tara McPherson Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper artwork prints are a unique form of art that involves transferring ink onto specially treated blotter paper. The resulting prints are often abstract and colorful, and can be used for a variety of decorative and artistic purposes. To create a blotter paper artwork print, the artist first prepares the blotter paper by treating it with chemicals that will enhance its absorbency and ability to hold ink or dye. Then, ink or dye is applied to the paper using various techniques, such as dripping, pouring, or spraying. The paper is left to dry, and the resulting print is then carefully removed from the blotter paper. Archival printing techniques are used to produce high-quality prints of the original artwork. This involves using high-quality inks and paper that are designed to last for a long time without fading or deteriorating. Archival prints are also resistant to moisture and sunlight, which helps to preserve the artwork for years to come. Blotter paper artwork prints can be a great addition to any home or office decor, and they are often used as a unique form of wall art. They are also popular among collectors and art enthusiasts, as each print is one-of-a-kind and can never be replicated exactly.

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Scott Pilgrim vs The World Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. AP Artist Proof. Based on the cult classic movie. Ron Guyatt‘s Poster for Fan Expo Canada, Scott Pilgrim vs The World. 3 colour 18″ x 24″ screen print.

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JP the Money Bear 20x30 Archival Pigment Fine Art Limited Edition Print on 310gsm Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: JP the Money Bear 20x30 Size: 20 x 30 in. Edition of 427 Signed and numbered by King Saladeen

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Phantom Surfers - Jan. 24th, 1997 at The Trocadero Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. Phantom Surfers Jan 24th 1997 The Trocadero Silkscreen Print by Coop Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste". His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.

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Hirst Dots- Yellow Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and art master Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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SSUR Varsity 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by SSUR Ruslan Karablin Russian Karablin's label, SSUR gets another Bearbrick makeover on the 400% sized motif. The Bearbrick features SSUR Graphics printed on the front, back and arms of the Bearbrick, resembling the iconic SSUR NY Dog Varsity Jacket. This 400% Bearbrick stands at 28cm / 11 inches tall.

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Pretty Broken Flower PP Printer Proof Archival Print by Sarah Joncas Limited Edition Print on 290gsm Moab Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 16x19 Archival Pigment Fine Art Sarah Joncas' "Pretty Broken Flower PP Printer Proof" is a testament to blending traditional pop art aesthetics with the raw, passionate edge of street and graffiti artwork. This limited edition piece showcases Joncas' ability to capture deep emotion and a sense of storytelling within a single frame. The artwork is printed on 290gsm Moab fine art paper, a choice that speaks to the durability and quality of the print, ensuring that the colors and details remain vibrant over time. The Essence of Street Pop Art in Sarah Joncas' Work Joncas's work embodies the essence of street pop art by integrating popular culture elements with an urban, street-inspired edge. In "Pretty Broken Flower," the artist employs a bold and expressive palette reminiscent of classic pop art. However, Joncas' approach is nuanced, incorporating a modern sensibility that resonates with graffiti art's grittier, more spontaneous aspects. The butterflies and the heart-shaped lollipop intermingle with the subject's melancholic expression, creating a juxtaposition central to the piece's impact. Archival Pigment and Its Role in Modern Artwork The archival pigment in "Pretty Broken Flower" signifies a commitment to longevity and the highest printmaking standards. This technique ensures that the print will resist fading and degradation, which is critical for collectors who invest in limited edition prints like Joncas' work. The archival pigment is a nod to the importance of preservation in art, especially in the context of Street Pop and Graffiti Artwork, where the transient nature of the medium—often seen on walls and in urban spaces—is counterbalanced by the enduring quality of the print. Limited Editions and the Culture of Collecting This particular print, marked as a Printer's Proof (PP), is part of a unique subset of limited edition artworks that collectors highly sought after. The PP designation indicates that the print was part of a remarkable run to verify the quality before printing the complete edition. The artist or printer often retains these proofs, making them rarer than the edition prints and, therefore, more desirable. Joncas' decision to sign and mark the piece as PP adds a layer of exclusivity and personal touch, which is highly valued in modern Street Pop and Graffiti Artwork. The Emotional Depth in Joncas' Pop Art "Pretty Broken Flower" conveys an emotional depth characteristic of Joncas' style. The subject's gaze is introspective, suggesting an inner turmoil or a reflective state that viewers can relate to or interpret in various ways. This emotional connection is a hallmark of Street Pop Art, where the rawness and authenticity of street art meet the more polished, gallery-worthy aspects of pop art. Joncas masterfully balances these two worlds, creating a piece that is both accessible and profound. The Size and Impact of the Artwork Measuring 16x19 inches, "Pretty Broken Flower" is an intimate size that draws the viewer into closely interacting with the artwork. The dimensions are significant in that they allow for a detailed appreciation of Joncas' technique, from the fine lines of the subject's hair to the delicate patterns on the butterflies. The size also makes it an ideal piece for personal collections, as it can be displayed in various settings without overwhelming the space. In modern art, Sarah Joncas' "Pretty Broken Flower PP Printer Proof" is a striking example of how the lines between pop art, street art, and graffiti can be blurred to create something new and emotionally resonant. The piece not only reflects the technical prowess of Joncas but also her ability to evoke storytelling and connection through her art.

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Death Perception Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. 'Death Perception' Edition of 50 16x20 inches (40.6x50.8cm) Fine art print on 290gsm paper Signed and numbered by the artist Printed by Static Medium

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Life Silkscreen by Hijack Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 22x22

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Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print The Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson represents a compelling example of Street Pop Art and Graffiti Artwork, merging political activism with striking visual design. Created in 2024, this piece is a limited edition, with only 80 signed and numbered prints, making it a coveted item for collectors. The print measures 18x24 inches and is produced on 290gsm Coventry Rag Fine Art Paper with hand-deckled edges, showcasing exceptional craftsmanship. The gold and black color scheme elevates its bold design, adding a sense of elegance and prominence to the artwork’s powerful message of hope and freedom. The Signature Style of Cleon Peterson Cleon Peterson, born in 1973 in the United States, is an artist known for his stark and impactful visual language. His art explores themes of conflict, resistance, and social power, often depicted through bold compositions and limited palettes. The Vote Keep Hope & Freedom Alive Black & Gold print features a central figure of a woman riding a horse, holding the American flag high, symbolizing resilience and determination. The use of gold in the design represents triumph and glory, while the black provides a grounding, dramatic contrast. This dynamic composition exemplifies Peterson’s ability to merge political commentary with aesthetically striking imagery. The Role of Street Pop Art and Graffiti Artwork in Political Activism Street Pop Art and Graffiti Artwork have historically served as vehicles for political expression, making them highly relevant in today’s cultural and social landscape. This print captures the spirit of democratic engagement, urging viewers to reflect on their roles as active participants in shaping the future. The woman on horseback, a recurring symbol of power and leadership, is rendered with clean lines and minimal details, ensuring the focus remains on the symbolism of action and movement. The gold accents bring an air of celebration, reinforcing the idea that voting is both a privilege and a responsibility. Craftsmanship and Limited Editions The hand-deckled 290gsm Coventry Rag Fine Art Paper adds a tangible sense of quality to the print, underscoring its status as a collector’s item. Limited to only 80 signed and numbered pieces, this artwork carries a sense of exclusivity while amplifying its political message. By blending the aesthetics of fine art with the accessibility of street and pop culture influences, Peterson bridges artistic worlds. His use of silkscreen techniques recalls the traditions of Pop Art while embracing the raw, urban energy associated with graffiti and street art, ensuring this piece resonates with contemporary audiences. This limited edition serves as both a visual statement and a call to action, embodying hope and freedom through the lens of modern art.

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Before The Dawn Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Alexis Price, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 12 14x17 #1 out of 12

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Unsinkable Consumption AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed & Marked AP Artwork Size 18x24 Silkscreen Print. Sinking Titanic Style Cruise Liner Ship Sinking Cause of "Oil." Shepard Fairey Danger No Smoking AP 2016 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created Danger No Smoking in 2016 as part of his long running engagement with environmental and public health themes within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, identifying it as part of a smaller subset outside the standard numbered run and closely tied to the artist’s archive. The hand pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a textured stock frequently used in Obey releases for its archival durability and vintage tone. Fairey has stated that the image is inspired by a screen print he created in 1990, the first work in which he directly addressed the environmental and health hazards of gasoline, making this 2016 edition both a continuation and a reflection on decades of thematic exploration. Environmental Symbolism and Vintage Industrial Aesthetic The composition depicts a vintage lead fuel gas pump rendered in a cool blue monochromatic palette, with bold signage reading Contains Lead and Danger No Smoking. The peeling paint on the pump forms a skull like shape, a detail Fairey observed in a photograph taken in Providence, Rhode Island near a graveyard, reinforcing themes of mortality and toxicity. The strong vertical structure of the pump, combined with the stark typography and high contrast shadows, evokes early industrial warning signage while aligning with the graphic clarity associated with Street Pop Art & Graffiti Artwork. The restrained color scheme intensifies the mood, allowing the skull imagery and cautionary text to dominate without distraction. Artist Proof Editions and Environmental Commentary in Street Pop Art & Graffiti Artwork Artist Proof prints are traditionally produced in limited quantities separate from the main edition and often represent impressions reserved for the artist. Within Street Pop Art & Graffiti Artwork, AP markings underscore authenticity, scarcity, and direct artist involvement in the printmaking process. Danger No Smoking demonstrates how Fairey merges documentary photography, graphic reduction, and propaganda influenced layout to communicate urgent environmental concerns. By transforming a weathered gas pump into a symbolic warning, this 2016 silkscreen reinforces Fairey’s consistent commitment to ecological awareness through bold visual storytelling grounded in the traditions of contemporary Street Pop Art & Graffiti Artwork.

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Chum 22 White Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2022 Out of Print Limited Edition Artwork Size 7.7x11.6x3.5 New In Box Stamped/Printed Foot Depicting White KAWS Chum Close Friend Standing with Hands on Hips by Artist Kaws- Brian Donnelly. New In Box. Bridging the gap between contemporary art and the streets is the remarkable "Chum 22 Art Toy," conceived by the illustrious Kaws, also known as Brian Donnelly. This unique vinyl sculpture, released in 2022, showcases the intricate details and iconic motifs synonymous with the artist's oeuvre. Imbued with vibrant colors and a design reminiscent of urban aesthetics, this piece stands at an impressive 7.7x11.6x3.5 inches, proving that art can be compact and impactful. Kaws, with a background rooted in street art and graffiti, has always been adept at transcending the traditional boundaries of art. His "Chum 22 Art Toy" is no exception. It manifests the essence of his artistry, characterized by a figure known as "Chum" – a close friend of the artist, confidently posed with hands resting on hips. This stance embodies a defiant spirit, a nod to the countercultural ethos that street art champions. Furthermore, the attention to detail is evident, especially in the stamped or printed foot of the figure, which serves as a testament to Kaws' commitment to authenticity and originality. Fresh from the studio and still encased in its original packaging, this limited edition artwork, already out of print, is a prized possession for collectors and enthusiasts alike. It exemplifies how street art, often seen as temporary and transient, can be immortalized and celebrated in tangible forms. Through such creations, Kaws continues to challenge perceptions, urging society to recognize and appreciate the artistic merit inherent in street culture.

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Studio Session 611 #58 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #611, Limited Edition of 60 prints, print #58. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with deckled edges.

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Something Special From Detroit 3-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Fine Art Paper by Kelly Golden Rare Street Art Famous Pop Artwork Artist.

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Shrug HPM #3 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art. Hand-Painted Multiple Bear with Hand-Painted WTF Face and Other Elements.

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Luna Fox Nighttime Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2015 Signed 4 Color Screen Print Size: 18 x 24 inches *Limited Edition of 300

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Hellacopters 1998 AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size VERIFY Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Hellacopters 1998 Artist Proof Silkscreen Print Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a major force in elevating gig posters into respected examples of Street Pop Art & Graffiti Artwork. The Hellacopters 1998 Artist Proof silkscreen print was created to promote the Swedish rock band’s North American release and reflects Kozik’s unmistakable graphic intensity during the late 1990s. This hand-pulled silkscreen on fine art paper was issued as a signed and numbered Artist Proof edition of 50, a smaller subset separate from the standard run and traditionally reserved for the artist. Artist Proof prints are especially valued within Street Pop Art & Graffiti Artwork due to their rarity and their direct connection to the printmaking process, reinforcing the poster’s status as a collectible fine art object rather than disposable promotional material. Skull Iconography and High-Impact Graphic Design The composition centers on a skull framed by crossed mechanical pistons, flanked by bold numerals and engulfed in stylized flames, creating a visual fusion of hot rod culture, heavy rock symbolism, and underground comic aesthetics. The dramatic Hellacopters masthead dominates the upper portion in sharp, flame-like typography, while the phrase Supershitty to the Max anchors the design with aggressive humor characteristic of the band’s identity. Kozik’s use of saturated reds, yellows, blacks, and purples produces a high-contrast layout that commands attention from a distance, a hallmark of effective Street Pop Art & Graffiti Artwork. The clean separations and flat color fields demonstrate disciplined silkscreen craftsmanship, ensuring durability and vibrancy decades after production. Additional promotional text such as Ask for it by name and 100 percent pure rock reinforces the energy of late 1990s rock marketing while remaining visually cohesive within the overall composition. 1990s Gig Poster Movement and Street Pop Art & Graffiti Artwork Legacy By 1998, Frank Kozik had firmly established the limited edition silkscreen gig poster as an important collectible within Street Pop Art & Graffiti Artwork. His work for bands such as The Hellacopters bridged underground music scenes with fine art print culture, helping to legitimize posters as archival works worthy of preservation. The Artist Proof designation further enhances this example’s significance, as such editions typically reflect early pulls from the print run and closer oversight by the artist. Posters like this document a period when rock music, bold graphic experimentation, and hand-crafted silkscreen production converged, shaping the visual identity of alternative culture at the close of the twentieth century.

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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My friend Andy Warhol's 73 Original Oil Painting by Peter Keil is a one-of-a-kind artwork on framed foam board by The Wild Man of Berlin, a famous contemporary artist. 1973 Signed by Peter Keil, Titled & Dated Oil Painting on Foam Core Panel Vintage Framed Original Framed Artwork Size 18.25x22.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Stylized Andy Warhol. Embracing the Vibrancy of Neo-Expressionism in Peter Keil's Portraiture "My Friend Andy Warhol 73," an original oil painting by Peter Keil, manifests the vibrant energy and bold coloration that are hallmarks of his distinctive artistry. Renowned as The Wild Man of Berlin, Peter Keil has etched his name in the annals of contemporary art with his dynamic approach to creation. This 1973 signed, titled, and dated masterpiece is a one-of-a-kind artwork on foam board, framed with precision to enhance its striking presence. The framed artwork, sized 18.25x22.5 inches, is a testament to Keil's enduring fascination with the iconic pop artist Andy Warhol, rendered in an unmistakably Keil's style. The painting is a stylistic nod to the street pop art and graffiti artwork movements, which Keil has both been influenced by and helped shape. His thick, impasto paint results in a textured, almost sculptural surface where the medium's physicality is as expressive as the subject. Using foam board, an unconventional canvas, signifies Keil's willingness to experiment with materials, reinforcing the painting's unique character. It's not uncommon to find some paint flaking in Keil's works; these are not flaws but rather historical whispers that speak of the artwork's journey through time. Peter Keil's Impact on the Evolution of Pop Art Peter Keil's oeuvre is a fusion of graffiti's raw spontaneity and pop art's calculated boldness. In "My Friend Andy Warhol 73," Keil pays homage to Warhol by capturing his likeness in an exaggerated and profoundly personal manner. The stylized portrayal is a dialogue between the two artists, bridging the gap between Warhol's commercial art background and Keil's expressionist roots. This piece serves as a narrative that extends beyond the visual, touching upon the profound relationship between the artists and the era they helped to define. Keil's contribution to the street pop art genre is reinforced by how he captures his subjects' spirit. His portraits are not mere representations; they are emotional landscapes, mapping the terrain of human complexity through the lens of his exuberant palette. The choice to depict Warhol, a leading figure in the pop art movement, through Keil's expressionist strokes is a celebration of art's ability to cross-pollinate, influence, and be reinvented. The collectability of Keil's work, especially pieces like "My Friend Andy Warhol 73," lies in their capacity to stand the test of time. Keil's art is cherished for its aesthetic appeal and its place within the continuum of art history. His paintings are coveted by collectors who seek to own a fragment of the enthusiasm and the freedom that Keil's paintings so vividly express. "My Friend Andy Warhol 73" is a vibrant example of Peter Keil's significant contributions to contemporary art. The painting is an invitation to explore the dynamic intersection of street pop art and graffiti with traditional portraiture and to appreciate the enduring power of an artist's touch. Through his work, Keil continues to captivate, challenge, and celebrate the boundless possibilities of paint and canvas.

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Laststop Black Light Giclee Print by Saber Artwork Limited Edition Print on Hand Deckled Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 23x17.5. Natural Yellowing to Margins. "This is one of my favorite paintings I created years back. Bringing it back to life over 10 years later with these new materials has been a lot of fun. I almost feel like a kid again playing with these neon sharpies florescent paint pens and shining the black light on the print as I work. Once the light is off, these tags hide in plain sight. It's a little silly, but it does feel a bit magical. Each print is unique and one of a kind. I spent time with each one of these, enjoying the process." -Saber This particular piece, the "Last stop Black Light Giclee Print," is described as a favorite of Saber, revived with the employment of new materials. This process seems to have given the artist a rejuvenating, almost childlike joy. Saber’s approach, integrating neon sharpies and fluorescent paint pens, infuses the work with a playful yet elusive quality, where the artfully reveals itself only under the glow of a black light. This feature adds an interactive dimension to the piece. The prints' unique characteristic of hiding 'tags' in plain sight when not illuminated speaks to the clandestine nature of graffiti culture. Limited to a series of 35, each print has been signed and numbered, indicating a high level of exclusivity and collectibility. The detail of natural yellowing around the margins of the hand-deckled fine art paper contributes to the authenticity of each piece, suggesting a deliberate embrace of the natural aging process and reflecting the often ephemeral nature of street art. The size of the artwork, 23x17.5 inches, provides a generous canvas for Saber’s vibrant work, allowing the intricate details and the contrast between the fluorescent and the dark elements to stand out. The production of the piece in 2023 marks it as a contemporary artifact of street art's ongoing evolution, encapsulating both the history and the current state of the movement. Saber’s connection and time spent on each print ensures that while the edition is limited, no two pieces are exactly alike, each bearing the unique touch of the artist’s hand.

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