Mid Priced

Minions 22 Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Adam Fujita. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Purgatory Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Chor Boogie Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new.

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Arkiv Camo UltraGiclée Print by Arkiv Vilmansa Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 22x22 Bape 30th Anniversary Collection Pop art, street art, and graffiti art have always celebrated the intersection of high art and popular culture. The Arkiv Camo UltraGiclée Print by Arkiv Vilmansa and the Bape x Ilizarbe Abc Camo Blue UltraGiclée Print by Alvaro Ilizarbe epitomize this blend. Arkiv Vilmansa's work is an embodiment of limited edition artistry, printed on the finest SIHL Ivory White Matt Paper. As with many street artists, the allure lies in the exclusivity, with the artwork being a limited edition of only 300 pieces. It's not just the rarity, but also the aesthetics that speak volumes about contemporary trends in pop and street art. On the other hand, the collaboration between BAPE, an iconic Japanese streetwear brand, and Alvaro Ilizarbe, a Miami-based artist, offers an insightful dive into how brands and artists coalesce to create art that resonates with a broad audience. BAPE's reputation, built over three decades, is intertwined with pop culture references and distinctive camouflage patterns, notably the "ABC Camo". Merging this with the prowess of Alvaro Ilizarbe, renowned for his abstract and intricate artwork, makes for a captivating piece. The "UltraGiclée" technique only adds to the allure, presenting artwork with unparalleled vibrancy and detail, truly reflecting the spirit of contemporary street art. These collaborations symbolize the ever-evolving nature of street art, where brands, artists, and cutting-edge technology come together, capturing the zeitgeist of the era and creating art pieces that are both reflective of contemporary culture and timeless in their appeal. The Bape x Ilizarbe Abc Camo Blue UltraGiclée Print by Alvaro Ilizarbe is a collaboration between the streetwear brand BAPE (A Bathing Ape) and artist Alvaro Ilizarbe. BAPE is a Japanese streetwear brand founded by Nigo in 1993. The brand is known for its distinctive camouflage patterns, known as "ABC Camo," which often appear on its clothing and accessories. BAPE has collaborated with various artists, brands, and musicians over the years. Alvaro Ilizarbe, also known as "Freegums," is a Miami-based artist known for his distinctive, abstract, and intricate style. His work spans various mediums, including murals, paintings, and illustrations. Collaborations with other artists and brands are not uncommon for Ilizarbe. "UltraGiclée" artwork is a high-quality Giclée printing method of producing art reproductions using high-resolution digital images and inkjet printers. This process allows for vibrant colors and accurate details, making the prints highly sought after by collectors and art enthusiasts. Assuming this collaboration exists, the Bape x Ilizarbe Abc Camo Blue UltraGiclée Print by Alvaro Ilizarbe would be a unique fusion of BAPE's signature camo pattern and Ilizarbe's intricate artistic style, resulting in a one-of-a-kind collectible art piece for fans of both the brand and the artist.

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42 Print Hand-Pulled 42-ScreenLimited Edition Silkscreen Print on Fine Art Paper by Sam Chivers Rare Street Art Famous Pop Artwork Artist. '42' hand-pulled screen print by Sam Chivers. Measures A2, 42cm x 59.4cm. Signed and numbered by the artist. Edition of 42.

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patRIOT- The Legacy Limited Edition Polystone Sculpture Artwork by graffiti street artist modern pop artist Abell Octovan. From the mind that brought us bold statement pieces such as Anti-Supremacy and The Beauty of Rebellion, comes patRIOT (The Legacy) by Abell Octovan. Inspired by classic Greek sculptures, patRIOT features perfect curls, contrapposto, and a buttery smooth marble-like effect. Crafted using premium polystone, the perennial patRIOT will leave you pondering about the state of the world. The word "PATRIOT" is graffitied across the sculpture's face and partially struck through.

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Riding Home Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by UFO907 pop culture LSD artwork. As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

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Mona Lisa Grin- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English- POPaganda. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Kaboom Giclee Print by Scott Listfield Artwork Limited Edition Print on 290gsm Smooth Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 Kaboom Giclee Print by Scott Listfield – A Postmodern Reflection in Street Pop Art & Graffiti Artwork Scott Listfield’s 2023 giclee print Kaboom is a haunting and visually arresting piece that merges science fiction aesthetics with urban desolation and social commentary. Printed as a signed and numbered limited edition of 50, this 16 x 24 inch artwork is executed on 290gsm smooth cotton rag fine art paper. The quality of the material emphasizes every painted texture and hue, drawing attention to the vibrant interplay between light and shadow. At the center of the piece is Listfield’s iconic astronaut figure, isolated and contemplative, staring out over a sprawling city skyline just as a massive mushroom cloud dominates the horizon. The explosion itself is stylized in horizontal scan lines that echo digital screens and retro video signal interference, reinforcing the idea of disaster as spectacle and media-fed consumption. This imagery links the piece firmly to the growing lexicon of Street Pop Art & Graffiti Artwork, where traditional painting collides with dystopian futurism and mass culture anxiety. Scott Listfield and the Symbolism of the Solitary Astronaut Scott Listfield, an American contemporary artist born in the United States, is widely known for his astronaut series, where a lone space traveler becomes a recurring observer in landscapes filled with modern symbols, ruins, and surreal interventions. In Kaboom, this figure is rendered with atmospheric lighting and reflective textures, standing as a surrogate for the viewer—detached, passive, and contemplative in the face of cataclysm. The posture of the astronaut suggests resignation rather than action, a commentary on the paralysis many experience when faced with planetary crisis, cultural collapse, or digital saturation. Listfield’s astronaut functions not just as a protagonist but as a mirror, holding space for the disconnection of modern existence while surrounded by overwhelming visual stimuli and threats. Color, Composition, and Material in a Digital-Apocalyptic Landscape The print features an ominous but saturated palette, dominated by glowing purples, fiery oranges, and the city’s electric yellows. These tones contribute to the surreal beauty of the end-of-the-world scene. The RGB dots in the upper left corner recall the digital calibration marks of early television screens, suggesting that the viewer is not witnessing reality, but a mediated version of it. The precision of the giclee printing process on smooth cotton rag paper preserves the brushstroke-like quality of the digital painting, offering richness and depth rarely seen outside original canvas works. The format, vertical and cinematic, echoes movie posters from retro sci-fi classics while anchoring itself firmly in the aesthetics of contemporary Street Pop Art & Graffiti Artwork. Media, Spectacle, and Stillness in a Chaotic World Kaboom is more than a moment of fictional explosion—it is a cultural snapshot loaded with implications about violence, technology, and detachment. The silence of the image is its most deafening quality. No figures are fleeing, no alarm blares, only one astronaut stands watch while a city unknowingly or uncaringly exists under threat. Listfield uses this static composition to comment on how desensitized society has become to devastation, how explosions have become entertainment, and how observation has replaced action. In the lineage of Street Pop Art & Graffiti Artwork, this piece contributes to the evolving language of critique wrapped in glossy visuals, asking viewers to reflect not just on what they see, but how they see it. It is an artwork about aftermath, anticipation, and alienation—all rendered in tones too vivid to ignore.

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In The Nature of Daydreaming No 2 PP HPM Archival Print by Helice Wen Limited Edition Hand Painted Multiple on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Acrylic Paint Hand Embellished Print Limited Edition Artwork Size 17x24 Archival Pigment Fine Art. Exploring the Fusion of Street Pop Art and Graffiti in Helice Wen's "In The Nature of Daydreaming No 2" The art world has witnessed a captivating blend of styles and mediums in recent times, exemplified by Helice Wen's "In The Nature of Daydreaming No 2". This piece is a stellar example of how modern artists are intertwining elements of street pop art and graffiti to create innovative, visually striking artworks. Released in 2020, this limited edition hand-painted multiple (HPM) archival print showcases Wen's unique vision, merging traditional fine art techniques with the raw, expressive energy of street art. Helice Wen, an artist renowned for her emotional and evocative work, brings a fresh perspective to pop art. Her piece "In The Nature of Daydreaming No 2" is particularly notable for its use of acrylic paint on 290gsm fine art paper, a choice that speaks to the blend of durability and delicacy in her work. The artwork, measuring 17x24 inches, is a testament to her mastery of both scale and detail. The Significance of Printers Proof (PP) in Contemporary Art The PP, or Printers Proof, edition of this artwork holds a special place in the art community. Traditionally, printer's proofs were seen as a part of the printmaking process, reserved for the printer's use and not typically for sale. However, in contemporary art, these proofs have gained value as unique pieces, often more sought-after than standard editions due to their rarity and the direct involvement of the artist. Wen's decision to sign and mark this piece as a PP HPM further elevates its exclusivity and appeal to collectors. Hand Embellishment: A Bridge Between Fine Art and Street Aesthetics The hand-embellished nature of this artwork is a crucial aspect of its charm and value. Hand embellishments in art involve the artist adding individual touches to each print, making every piece in the edition unique. In the context of Wen's work, this practice blurs the line between traditional fine art prints and street art's spontaneity and individualism. The use of acrylic paint for hand embellishments in "In The Nature of Daydreaming No 2" not only adds texture and depth to the piece but also infuses it with the raw energy characteristic of graffiti. Archival Quality and Its Role in Modern Art Preservation The use of archival pigment in fine art is another aspect that sets Wen's work apart. Archival pigments are known for their long-lasting quality, ensuring that the artwork does not fade or deteriorate over time. This longevity is essential for collectors and art enthusiasts who view the purchase of such pieces as an investment. The 290gsm fine art paper used in this print further contributes to its durability, striking an optimal balance between weight and texture. In summary, Helice Wen's "In The Nature of Daydreaming No 2" is a fascinating example of how contemporary artists are melding the worlds of street pop art, graffiti, and fine art. Through her choice of medium, hand embellishments, and attention to archival quality, Wen has created a piece that not only stands out in the modern art landscape but also challenges and expands the boundaries of traditional art forms.

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Study 003- White Resin Limited Edition Resin Shoe Sculpture Artwork by graffiti street artist modern pop artist Matthew Senna. Study 003 White Resin A Classic Amongst Classics. Study 003 focuses on the progressive forms of its iconic design while keeping the grit of the cement that they lived on. These heavyweight deep bronze forms enhance every detail of study 003 to embody the core of this iconic release. Limited edition White Resin Cast comes in a custom box with foam insert and magnetic closure. each signed and numbered individually. Los Angeles-based mixed media artist, Matthew Senna, combines his everyday experiences and explores the narrative behind socio-cultural issues to create exceptional pieces of work that incites thought and sparks emotion through beauty, story-telling, and truth. Senna’s work tells the stories of everyday objects and the cultural impact they have on society, which has garnered both passionate fans and critics alike.

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Fat Tip Deck- Black Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and blacktop ply. Printed logo pattern on bottom with printed World Famous and box logo on top.

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Casa Grande Limited Edition Archival Pigment Prints on Somerset Enhanced Velvet 100% Cotton Paper 330gsm by Dave Kinsey Graffiti Street Artist Modern Pop Art. Archival Digital Print on Somerset Enhanced Velvet 100% cotton paper 330gsm Printed with Fade-Resistant HDX Ultrachrome Inks Signed: KINSEY / Numbered Limited Edition Edition: 100 Size: 16 x 20 inches / 40.6 x 50.8 cm Year: 2012

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The Animal In Me Artwork Giclee Limited Edition Print on Thick Fine Art Paper by Pop Culture Graffiti Artist Edith Lebeau.

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Mr Twisty Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Jason Freeny. 2021 9” Vinyl Art Toy Limited Edition of 300 New In Box Jason Freeny returns with a new original design, Mr. Twisty! Originally hand-sculpted by the artist using epoxy clay, this fun piece is reminiscent of the kiddie rides that filled many of our childhoods. Referencing life-size kiddie rides, Mr. Twisty has every detail accounted for; from coin box to saddle, seams, and fasteners, it’s all here! Now made into a limited edition collectible, go on endless imaginative rides with Mr. Twisty!

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Into The Madness Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2020 Limited Edition of 50 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 20, 2020 In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Untitled Simulator Interface III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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In Patient Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2021 Limited Edition of 75 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Kitty Kitty Party Party Archival Print by Casey Weldon Limited Edition on 235gsm Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 13x13 Archival Pigment Fine Art  The Distinctive Charm of Casey Weldon's Kitty Kitty Party Party The world of contemporary street pop art & graffiti artwork is a canvas for the dynamic and the unconventional, a space where the Kitty Kitty Party Party archival print by Casey Weldon finds its perfect home. Weldon, an artist renowned for his distinctive approach to modern art, brings to life a limited-edition piece that merges pop art's whimsy with street art's rebellious spirit. This 2023 signed and numbered print is a collector's dream, limited to a mere 50 editions, making each piece a treasure in its rarity. Printed on 235gsm fine art paper, the Kitty Kitty Party Party archival print speaks volumes of quality and longevity, characteristics befitting the nature of the work it represents. The choice of archival pigment for the fine art print underscores the artist's commitment to excellence, ensuring that the vibrancy of the colors and the sharpness of the details endure the test of time. Casey Weldon's Artistic Vision in Street Pop Art & Graffiti Artwork Casey Weldon's work stands out for its ability to resonate with a broad audience, drawing on universal and unique elements. The Kitty Kitty Party Party print is an embodiment of this, showcasing an array of feline faces, each with its distinct personality and charm. The convergence of these myriad cat portraits against a seamless backdrop signifies street pop art's eclectic and multifaceted nature, where diversity and individuality are celebrated. Weldon's choice to keep this collection to a limited edition run is a nod to the exclusivity often accompanying street art pieces. By doing so, he not only heightens the work's allure but also pays homage to the graffiti art tradition where pieces, by their very nature, are transient and scarce. The technique employed in creating the Kitty Kitty Party Party archival print indicates Weldon's meticulous attention to detail. Fine art paper as a medium allows for a depth and texture that would be lost in standard reproductions. The archival pigment ensures that each print retains the original's clarity and color fidelity, essential in translating Weldon's vision to a tangible form. The impact of such a work is multifaceted. It stretches beyond the aesthetic pleasure it provides, delving into social commentary. The anthropomorphic expressions of the cats in the print serve as a playful yet profound exploration of human emotions and societal roles. This is where the print crosses over from being a mere piece of art to becoming a conversation starter, a trait often associated with the most impactful street pop art & graffiti artworks. The Significance of the Artwork's Limited Edition Nature In the art world, the significance of a limited edition is manifold. For the Kitty Kitty Party Party print by Casey Weldon, this limitation to 50 editions elevates its status from a mere reproduction to an artifact of cultural significance. Each signed and numbered print represents a piece of the artist's soul, a fragment of their creative essence shared with the collector. It is this intimate exchange that imbues the artwork with its actual value. Moreover, the scarcity of the print aligns with the ethos of graffiti artwork, where the impermanent nature of the art form often makes each piece a fleeting gem. Collectors of Weldon's print can revel in the knowledge that they are among a select few to own a snapshot of the artist's more extensive commentary on contemporary society. Casey Weldon's Kitty Kitty Party Party archival print is more than just a visual delight; it is a celebration of the individuality and expression that define street pop art & graffiti artwork. Its limited edition status and the artist's signature mark it as a sought-after piece for fans and collectors alike. It offers a slice of Weldon's unique artistic universe to those who appreciate the nuanced intersection of pop culture and fine art.

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Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”

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Faces- NYCC Exclusive Limited Edition Mixed Media, Silicone Sculpture Artwork by graffiti street artist modern pop artist Jake Waldron. The amazing Jake Waldron will bring you a 2014 New York Comic Con exclusive run of his "faces" line. Limited to an edition of just 10, each framed silicone-based mixed media sculptural face is signed and numbered.

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Childs Face 84 Original One of a Kind Oil Mixed Media Painting Artwork on Cardboard by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 12x16 Original Peter Keil Painting of a large child boy's face. Some paint chipped on the cheek, as is common with Peter Keil originals. Peter Keil's Child's Face '84: A Fusion of Expressionism and Street Pop Art The "Child's Face '84" by Peter Keil stands as a vibrant example of how modern impressionist techniques can intersect with the ethos of Street Pop Art and Graffiti Artwork. Measuring 12x16 inches, this original oil mixed media painting on cardboard brings forth the distinct style of Keil, often recognized for his spontaneous, bold approach to modern art. The painting, which presents a giant boy's face, encapsulates the innocence and expressiveness associated with children, rendered through the lens of Keil's vivid, impressionistic style. Characteristic of Peter Keil's original works, this piece exhibits some paint chipping on the cheek, a natural consequence of the artist's heavy impasto technique and the delicate nature of cardboard as a medium. The chips do not detract from the artwork's impact; instead, they add to the piece's narrative, reflecting the passage of time and the tactile history of Keil's artistic process. This textural element, common in Keil's originals, underscores the raw, unfiltered emotion he seeks to capture in his subjects. Interpreting Keil's Artistic Language in Child's Face '84 Interpreting Keil's "Child's Face '84" requires an appreciation of his artistic language, which merges the abstracted forms of impressionism with street art's vibrant colors and emotional immediacy. Keil's portrayal goes beyond simply representing a child's features; it explores character and emotion conveyed through exaggerated forms and a rich color palette. The large, luminous eyes dominate the composition, serving as windows to the child's soul and echoing the depth of human experience that Keil aims to explore through his art. The choice of cardboard as a substrate for this piece mainly tells of Keil's intention to bridge the gap between conventional fine art and the more accessible, everyday materials often used in Street Pop Art and Graffiti Artwork. This unconventional choice reflects a democratization of art, a key theme in street art, where the emphasis is on making art available and relatable to a broad audience. By utilizing cardboard, Keil challenges traditional art norms and aligns himself with a form of artistic expression grounded in the realities of urban life. The Lasting Influence of Keil's Approach to Portraiture The lasting influence of Peter Keil's approach to portraiture is evident in "Child's Face '84." His work, often categorized under the umbrella of modern impressionism, resonates with a broader range of art forms, including Street Pop Art and Graffiti Artwork. Keil's contribution to these genres lies in his ability to infuse traditional portrait painting with a sense of immediacy and street-wise rawness often found in urban art. This painting, with its bold contours and striking colors, is a testament to Keil's innovative spirit and impact on contemporary art. Furthermore, the painting's vibrant quality, a defining characteristic of Keil's work, underscores the expressive potential of Street Pop Art and Graffiti Artwork. "Child's Face '84" exemplifies how these genres can convey complex emotional narratives, challenging the perception that street art is solely concerned with public commentary or social critique. Keil's portrait is a celebration of individuality and the human spirit, encapsulated within the gaze of a child and articulated through the medium of paint. Peter Keil's "Child's Face '84" is a significant piece that captures the intersection of modern impressionism with the dynamic world of Street Pop Art and Graffiti Artwork. The painting's spontaneous execution, vibrant colors, and textural nuances contribute to its enduring appeal and status as a meaningful representation of Keil's artistic vision. As a piece that bears the marks of its creation, it continues to engage and inspire, offering a window into the depth and diversity of Keil's oeuvre.

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Hercules- Pixel Hand-Pulled 5-Color Silkscreen Print on Cotton Rag Paper by Pop Graffiti Artist Buff Monster Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Pixel Variant Limited Edition of 25 Artwork Size 18X24 Buff Monster (b. 1979) Hercules (Pixel), 2019 Screenprint in colors on Cotton Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 25 Signed, numbered, and dated in pencil along lower edge Published by the artist The allegory of Hercules At The Crossroads is about the choice we make about the path we lead; will it be a virtuous life or a sinful life? Hercules is caught in the middle, trying to choose (though I always show him looking towards the light). In this version of the scene, the characters are rendered in pixelated lines. Each print is silkscreened with 5 screens featuring a variety of colors. Nice cotton rag paper, 18x24”, signed and numbered in an edition of only 25.

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Charles Manson Everything Charlie Silkscreen Print by Frank Kozik Hand-Pulled 2-Color on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed & Numbered Limited Edition of 666 Artwork Size 22.5x29.5 Silkscreen Print Frank Kozik's "Charles Manson Everything Charlie" is a provocative silkscreen print that embodies the raw and often controversial energy of pop and street art. Released in 1992, this artwork reflects Kozik's edgy aesthetic, a bold confrontation of cultural icons and societal motifs that challenge the viewer. The print features a repeated portrait of Charles Manson, infamously known for leading the Manson Family and orchestrating a series of gruesome murders in the late 1960s. With a limited run of 666 pieces, a number playfully nodding to the subject's notoriety, each 22.5x29.5 inch print is signed and numbered by Kozik, asserting its authenticity and rarity. Crafted through a hand-pulled process, the 2-color print starkly contrasts the vibrant orange of Manson's face against a deep blue background, surrounded by what appears to be radiating lines or aura. This choice of color and repetition creates a visual echo chamber, amplifying the unsettling impact of Manson's gaze multiplied across the paper. The artwork encapsulates the spirit of the early '90s alternative scene and the burgeoning interest in street art as social commentary. Kozik's decision to immortalize Manson in this way taps into the vein of pop art tradition, reminiscent of Warhol's depictions of Marilyn Monroe. Yet, it subverts the norm by focusing on a figure associated with darkness and infamy rather than glamour or pop culture innocence. "Everything Charlie" is a stark example of how street art and pop art can converge in a single piece, bringing the outsider ethos and inflammatory messages to the fore. This is street art not confined to the alleys or hidden corners of the city but elevated to fine art, meant to hang on a wall, confront, and provoke. As with much of Kozik's work, the piece is not just a visual stimulus but a conversation starter, a powerful reminder of art's ability to encapsulate complex narratives within simple imagery. It's a window into the era it was produced, a snapshot of the zeitgeist, and a reflection on the culture's fascination with figures like Manson.

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Choking Hazard Artwork Giclee Limited Edition Print on 310gsm Canson Aquarelle Paper by Pop Culture Graffiti Artist Leon Keer. 18 x 24 Inches Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 50 Signed + Numbered

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Water Fall Brick Wall Tats Cru Original Spray Paint Painting by BG183 One of a Kind Artwork on Gallery Wrapped Canvas by Street Art Pop Artist. 2017 Spray Paint Painting Original Ready to Hang Artwork Size 12x12 Water Fall Brick Wall by BG183 of Tats Cru – Original Spray Paint Artwork in Street Pop Art & Graffiti Artwork Water Fall Brick Wall is a 2017 original spray paint painting on a 12 x 12 inch gallery wrapped canvas by BG183, a founding member of the legendary graffiti collective Tats Cru. This one-of-a-kind piece is a visual embodiment of New York’s graffiti legacy, blending illustrative mastery with the texture and iconography of urban decay. The title references both a literal cascade of water and the rhythmic flow of paint across a weathered surface, evoking the layered history of graffiti walls where years of tags, buff marks, and new burners converge into visual sediment. BG183 channels that history through a meticulously controlled aerosol technique, using soft gradients, bold shapes, and textured overlays to mimic the depth and permanence of a brick wall weathered by time, spray, and spirit. BG183 and the Tats Cru Tradition As one of the core members of Tats Cru, BG183 has played a key role in redefining what graffiti can be both on the street and in gallery spaces. Known for his technical range, from wildstyle burners to hyper-detailed characters, BG183’s work always maintains the energy of the street even when translated to canvas. Water Fall Brick Wall reflects that ability to carry raw graffiti aesthetics into the language of fine art without diluting its power. The composition is bold and balanced, structured with layers that feel both spontaneous and composed, a characteristic mark of a writer with decades of experience navigating walls, trains, and community murals. Tats Cru’s influence on hip hop visual culture, public art, and muralism flows directly into this piece, grounding it in authenticity and authority. Spray Paint Texture and Surface Depth The surface of Water Fall Brick Wall is alive with texture—misty edges, hardline fades, and drip formations that simulate the stratification of layered graffiti over time. BG183 uses the canvas not as a flat background but as a sculptural element, giving visual weight to each spray layer. The color palette leans into cool blues and warm earth tones, referencing water movement against brick decay, while still maintaining vibrancy. The edges of the piece echo the softness of aerosol dispersal, blending into the gallery-wrapped sides in a way that allows the work to exist without a frame. This ready-to-hang presentation reinforces the idea of street art entering fine art space without losing its connection to outdoor surfaces and uncurated expression. Urban Energy in Street Pop Art & Graffiti Artwork Water Fall Brick Wall stands as a concentrated burst of graffiti’s raw language reassembled for interior contemplation. It is a homage to the layers of city infrastructure—walls that hold names, messages, and identities built up over time. BG183 does not attempt to replicate graffiti; he reinterprets its essence, offering a piece that is both a portrait of a wall and a standalone visual narrative. In the broader conversation of Street Pop Art & Graffiti Artwork, this painting represents the bridge between street-coded authenticity and studio execution. It holds graffiti’s visual rhythm, spatial awareness, and cultural reverence in every layer of paint and in every inch of surface tension. It is not just an artwork—it is a declaration from a writer who has earned his mark, signed in spray and built from brick and motion.

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Neon MC Supersized Grin Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Neon MC Supersized Grin' by Ron English- POPaganda, 2020 Collab. with toymaker Made by Monsters. 10 x 7" x 5" Inches Collectible soft vinyl art figure. Limited Edition NTWRK Exclusive colorway.

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The Artist's Unconscious Mind(Self-Portrait Digital Ultrachrome Giclee Print by Turf One- Jean LaBourdette Artwork Limited Edition Print on Photo Rag Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2010 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 The Artist's Unconscious Mind: A Glimpse into Turf One's Psyche "The Artist's Unconscious Mind (Self-Portrait)" is a digital ultra-chrome giclée print by Jean LaBourdette, known in the art world as Turf One. This limited edition print, released in 2010 with only 50 signed and numbered copies, is a quintessential example of his foray into street pop art and graffiti artwork. The artwork size of 16x24 inches, printed on Photo Rag Hahnemühle fine art paper, is a testament to Turf One's commitment to quality and his respect for the craft of fine art printing. Symbolism and Technique in Turf One's Giclée Print The piece stands out for its symbolic complexity and meticulous detail, common threads in Turf One's artwork. The choice of a chimpanzee wearing a fez and contemplating a human skull is evocative of the classical theme of 'vanitas,' touching upon the transient nature of life and the pursuit of knowledge. This recurring motif in art history, most famously depicted in Holbein's "The Ambassadors," is given new life and meaning in Turf One's contemporary interpretation. The use of ultra-chrome, a modern printing technique known for its color accuracy and longevity, bridges the gap between traditional fine art mediums and the digital age. This method allows the depth and nuance of Turf One's original paintings to be captured with high fidelity, making the prints true to the artist's vision. Intersecting Street Art and Traditional Imagery Turf One's work often intersects the gritty reality of street art with the intricate and symbolic nature of traditional imagery. "The Artist's Unconscious Mind" is no exception. It offers a commentary on the artist's internal dialogue and the intersection of animalistic instincts with the intellectual pursuit of self-awareness. By juxtaposing the primitive with the enlightened, Turf One presents a tableau ripe for interpretation and reflection. The fez, often associated with Eastern mysticism and philosophy, suggests a connection between wisdom and the primal aspects of our nature. The chimpanzee's human-like pose and contemplative gaze bring forth a sense of kinship with the animal kingdom, a subtle nod to the evolutionary aspects of human consciousness and artistry. The Influence of Street Pop Art on Turf One's Expression In "The Artist's Unconscious Mind," Turf One incorporates the immediacy and rawness often associated with street pop art and graffiti artwork. The fine art paper chosen for the print adds a tactile quality that echoes the texture of walls that serve as canvases in the street art world. Even as a print, the artwork carries the weight and presence of a piece that could adorn an urban landscape, bringing the reflective nature of fine art to the public sphere. Turf One's approach to street art is not about vandalism or territory marking but a deeper exploration of personal and collective identity. His work transcends the typical boundaries of street art, challenging viewers to consider the profound questions of existence and self, all while maintaining a connection to the urban roots of his medium. Collectibility and Impact of Turf One's Limited Edition Prints The collectibility of "The Artist's Unconscious Mind" is heightened by its limited run, making each print a coveted piece for collectors and admirers of Turf One's work. The scarcity of the prints ensures that each piece remains a treasured artifact of the artist's exploration into the depths of the unconscious mind. Like many limited editions, this artwork is more than just a representation of Turf One's artistic talent; it is a vessel for the ideas and themes that permeate his body of work. The print is a physical manifestation of the dialogue between the artist and the audience, a dialogue that continues evolving with each viewing. Reflecting on Turf One's Artistic Journey "The Artist's Unconscious Mind (Self-Portrait)" encapsulates Turf One's journey through street pop art and fine art printing. The print is a mirror reflecting the dual nature of the artist's world - one foot in the raw, expressive world of graffiti and the other in the contemplative, reflective world of fine art. This piece is a testament to the enduring power of art to convey complex ideas and emotions, regardless of the medium. As such, it is a significant work within Turf One's oeuvre, embodying the essence of his artistic spirit and the transformative potential of street pop art.

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The Return Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Gold Silkscreen Print: Cleon Peterson’s Vision of Conflict and Power The Return Gold Silkscreen Print by Cleon Peterson is a powerful representation of human conflict and resilience, expressed through the language of Street Pop Art and Graffiti Artwork. This limited-edition piece, released in January 2025, is crafted on hand-deckled 290gsm Coventry Rag fine art paper, offering a tactile richness that complements its striking visual impact. Measuring 20x20 inches, the artwork features a solitary warrior astride a horse, brandishing a bloody sword. Rendered entirely in gold ink against the paper’s stark white background, the piece exudes an aura of regality and violence, encapsulating the duality of triumph and destruction. Cleon Peterson and His Iconic Style Cleon Peterson is celebrated for his graphic, minimalist approach to storytelling, often exploring themes of violence, power, and survival. His work is deeply rooted in the tension between chaos and order, with stark compositions that evoke raw emotion. The Return Gold exemplifies this style, presenting a scene that is at once elegant and unsettling. Peterson’s use of simplified forms and bold silhouettes allows viewers to focus on the narrative elements of the piece, while the use of gold adds a layer of symbolism tied to wealth, power, and legacy. Released during the California fires of 2025, this artwork gains additional relevance as it parallels themes of destruction and endurance. Symbolism and Visual Impact in The Return Gold The central figure in The Return Gold is a commanding warrior on horseback, raising a sword still dripping with blood. This imagery speaks to themes of conquest, survival, and the cyclical nature of violence. The horse, a timeless symbol of power and freedom, adds to the piece’s dramatic intensity. The monochromatic gold palette amplifies the artwork’s impact, creating a luminous quality that contrasts with the grim subject matter. The hand-deckled edges of the paper emphasize the rawness of the work, grounding its polished aesthetic in the tactile authenticity of street-inspired art. Collectibility and Context of The Return Gold Printed on premium Coventry Rag fine art paper, The Return Gold is a testament to Cleon Peterson’s dedication to craftsmanship and narrative depth. Each print is signed and numbered, ensuring its exclusivity within an unspecified but highly anticipated edition size. The timing of its release during the California fires adds an additional layer of significance, drawing connections between the artwork’s themes and real-world events. As both a fine art print and a piece of Street Pop Art, The Return Gold blurs the lines between traditional and contemporary, offering collectors a meaningful and visually captivating addition to their collections. It stands as a reflection of Peterson’s mastery in distilling complex human experiences into bold, minimalist forms.

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It's You I’m Dreaming Of AP Archival Pigment Fine Art Limited Edition Print on Hot Press Paper by Artist Chris Austin. AP Artist Proof 2021 Signed Size 16x16 Edition of 10. Printed on Archival, Hot Press Paper, Signed and Numbered

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Decolonize- Red/Gold Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 175 Size 8x10

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What Lies Beneath Original One of a Kind Colored Pencil Painting Artwork on Tinted Fine Art Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Signed What Lies Beneath Original Colored Pencil Drawing by Brandon Sopinsky

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Orange Umber #2 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she wont give it up!The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Lost Highway Artwork 12-Color Silkscreen Limited Edition Print on 300gsm Somerset Satin Paper by Pop Culture Graffiti Artist Handiedan x Ramon Meidan. 2022 Signed 12 color screen print With Augmented Reality 300 gsm Somerset satin paper 25" x 32.6” / 65 x 83 cm Signed By Both Artists Logo Embossed Edition: 75 AR Augmented Reality: https://vimeo.com/710845162 Uses the Artivive App

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Bollywood Sugar In Blue- Mother of Pearl Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Window No 2 Silkscreen Print by Joshua Vides Hand-Pulled 3-Color Screen on UV Gloss Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Hand Deckled Artwork Size ???

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Untitled 6 Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. UNTITLED 6 20 x 24 inches (50.8 x 61 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 50

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Russian Mare Silkscreen Print by Mare139 Carlos Rodriguez Hand-Pulled 3-Color on 250gsm Rives BFK Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 25.6x19.7 Silkscreen Print Mare139's Silkscreen Mastery in "Russian Mare" "Russian Mare," a silkscreen print by renowned artist Mare139, also known as Carlos Rodriguez, is a vibrant representation of street pop art and graffiti artwork. Created in 2022, this limited edition print reflects Mare139's deep roots in the street art movement and his seamless transition into the refined art gallery space. Each print in the edition of 150 is hand-pulled, featuring a bold three-color palette on 250gsm Rives BFK fine art paper, known for its smooth texture and durability. The artwork, sized at 25.6x19.7 inches, offers a substantial visual statement that is both impactful and intricate. Innovative Aesthetics in Limited Edition Artwork Rodriguez's "Russian Mare" showcases the distinctive aesthetics that define his work within the graffiti art landscape. The print's dynamic composition, characterized by sharp geometric shapes and a striking contrast of black, white, and orange, captures the movement and energy synonymous with graffiti. The artist's signature, coupled with the numbering of the print, assures collectors of its authenticity and the limited nature of this particular work. The hand-pulled silkscreen process, a meticulous and traditional printmaking technique, further underscores the uniqueness of each piece in the series. Street Pop Art: A Cultural Evolution The term "Street Pop Art," applied to Mare139's "Russian Mare," underscores the fusion of street art's raw, expressive power with the mass appeal and accessibility of pop art. Rodriguez's work is emblematic of this hybrid genre, which honors the rebellious spirit of graffiti while embracing the broader cultural dialogue facilitated by pop art. "Russian Mare," with its abstract representation and vibrant hues, invites viewers to interpret the piece through the lens of contemporary urban culture while appreciating the fine art craftsmanship of silkscreen printing. Collectibility and the Art Market The collectibility of "Russian Mare" is significant in the art market, particularly within Street Pop Art and Graffiti Artwork. The limited edition of 150 makes each print a coveted item for enthusiasts and collectors alike, who value the work's aesthetic, cultural aspects, andestment potential. The choice of Rives BFK fine art paper speaks to a dedication to quality and longevity, ensuring the artwork maintains its visual impact over time. Collectors of Mare139's work can appreciate the depth of his artistic practice, exemplified by the careful selection of materials and the precision of the silkscreen technique. In the narrative of modern art, "Russian Mare" by Mare139 stands as a compelling intersection of street credibility and refined art prestige. The artwork embodies the spirit of the streets while holding a place of distinction in the gallery setting. Rodriguez's ability to translate the vitality of graffiti into a silkscreen print demonstrates the evolving nature of Street Pop Art as a form that bridges disparate artistic worlds. "Russian Mare" is not just a print; it is a statement about the transformative power of art and its ability to resonate across different audiences and environments.

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Conqueror- Green Hand-Pulled 5-Color Silkscreen Print on 300gsm Bristol Fine Art Paper by Pop Graffiti Artist MAD Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 15 Artwork Size 15.69x15.75

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Two Coming In PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Artwork Size 16x20

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The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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Helping Hands Archival Print by Dalek- James Marshall Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 33 Off the Press Show Series Artwork Size 18x24 Archival Pigment Fine Art. Space Monkey Heads, Weapons & Trippy Shapes. Exploring the Psychedelic Geometry: Dalek's "Helping Hands" Dalek, also known as James Marshall, has emerged as a seminal figure in the transformation of street pop art into a form that fuses graffiti's raw, dynamic energy with the meticulous precision of fine art. His 2023 creation, "Helping Hands," is a limited edition archival print encapsulating this hybrid aesthetic. Limited to 33 signed and numbered pieces, the series is part of the "Off the Press Show Series," each print measuring 18x24 inches and printed on fine art paper. This artwork is a vibrant symphony of Marshall's iconic Space Monkey characters, a series of weapons, and a collection of shapes that defy the conventional perception of space and form. In "Helping Hands," the striking color palette and the array of trippy, psychedelic shapes invite the viewer into a world that is both familiar and alien. The Space Monkey heads, a recurrent motif in Dalek's work, are depicted with a visual language that speaks to the heart of street pop art and graffiti artwork. Each head, armed with an arsenal of whimsical weapons and surrounded by abstract forms, conveys a sense of playful aggression, a hallmark of Marshall's style. The Space Monkey Phenomenon in Modern Art The Space Monkey is more than just a character; it has become an emblem of Dalek's artistic journey and a symbol within the larger context of pop graffiti and street art. Initially a vehicle for Marshall to explore his style and identity, the Space Monkeys have evolved into a complex commentary on society, individuality, and the nature of conflict. With "Helping Hands," these characters are not passive but are actively engaging with the environment around them, which is a chaotic yet structured universe of shapes and colors. This archival pigment fine art print is a vibrant example of how street art motifs can transition into collectible fine art. The limited edition nature of "Helping Hands" elevates the Space Monkeys from urban walls to the sanctified space of galleries and private collections while still maintaining the accessibility and populist spirit that is intrinsic to street art. James Marshall's Visionary Contribution to Art James Marshall's contributions to the art world are characterized by a fearless blending of genres and a willingness to experiment with form and color. In works like "Helping Hands," he has distilled the essence of graffiti artwork into a format that challenges and expands the boundaries of pop art. His use of archival pigment on fine art paper signifies respect for the durability of art, contrasting with the ephemeral nature of traditional street art, which is often at the mercy of the elements and city ordinances. The complexity of "Helping Hands" lies in its visual impact and the layers of meaning each component represents. The Space Monkeys, armed and yet seemingly at ease, juxtaposed with the mind-bending geometric backdrop, create a tension that is both thought-provoking and visually arresting. Marshall's work is a dialogue between the viewer and the canvas, a conversation that delves into themes of existence, resistance, and the interplay between harmony and discord. James Marshall, who hails from the United States, has left an indelible mark on the contemporary art scene through his art. "Helping Hands" is a testament to his skill as an artist and his vision as a creator who seamlessly melds the street with the studio. As a piece of modern artwork, it not only represents a moment in time but also serves as a bridge to the future of art where the lines between street pop art, graffiti artwork, and fine art continue to blur and converge.

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Messenger Archival Print by Woes Martin Limited Edition Print on 310gsm Natural White Fine Art Paper Pop Artist Modern Artwork. 2015 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Archival Pigment Fine Art

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Faith- Steel Limited Edition Hand-Embellished Acid-Etched Metal Print on Steel by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 23.5x11.5 "Each piece in the exhibit was to represent each line of text, 'Faith' being the third line. Oddly enough, 1xRUN and I began production of this edition well before the current state of affairs. The world is funny sometimes. I can't think of a more appropriate time to release a piece about faith." "Faith means a lot of different things to a lot of different people. I personally am not a religious person at all, so this is not about religion. It’s really about the things that we strongly believe in, which guide us in times when the outcome is in no way guaranteed." – Eddie Colla

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Listen You Fuckers- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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The Divine Smile Original Mixed Media Painting by Phil Simpson One of a Kind Artwork on Wood by Street Art Pop Artist. 2021 Signed Spray Paint Mixed Media Acrylic Painting Original Artwork Wood Craddled Size 16x16 The Divine Smile by Phil Simpson – Emotional Simplicity in Street Pop Art & Graffiti Artwork The Divine Smile is a 2021 original mixed media painting by American artist Phil Simpson, executed on a 16 x 16 inch cradled wood panel. Using a combination of spray paint and acrylic, Simpson presents his iconic smiling face motif rendered in bold color blocks, thick black outlines, and a radiant gradient backdrop. This one-of-a-kind piece captures the artist’s signature style—simple, saturated, emotionally direct, and universally approachable. Simpson’s aesthetic lives in the space where graffiti sensibility meets the graphic clarity of pop design, offering a symbol of joy that functions both as visual affirmation and cultural commentary. With its crisp lines and expressive facial geometry, the artwork becomes a statement of emotional presence through formal restraint, aligned perfectly within the evolving language of Street Pop Art & Graffiti Artwork. Symbolism of the Smile as Visual Healing Phil Simpson’s smiling face is more than a repeated motif—it is a philosophy embedded in form. In The Divine Smile, the expression is wide, symmetrical, and balanced by blush-like dots on both cheeks and oversized eyes that reflect light with cartoon purity. The simplicity of the face contrasts with the complexity of its emotional impact. The smile radiates calm, reassurance, and sincerity, reminding the viewer of the power of optimism in an urban world often defined by cynicism and noise. The use of vibrant purples, electric blues, and sharp white further amplifies this positivity. The smile does not mock or hide—it invites. Within the context of Street Pop Art & Graffiti Artwork, the smile becomes both a tag and a message, a symbol placed across walls, canvases, and communities with consistent visual and emotional clarity. Medium, Surface, and Street Precision on Wood Panel The use of wood as a surface provides a textured, stable base that enhances the contrast of spray paint gradients and acrylic detail. The edges of the piece are crisp, but the transitions in background color suggest the mist of aerosol—soft clouds of purple that glow behind the character’s blue face. Simpson’s linework is thick and assertive, shaped to define rather than complicate. The work’s 16 x 16 inch square format reinforces its graphic symmetry, creating a sense of intentional balance that resonates with the theme of emotional equilibrium. Every mark is placed with confidence, transforming minimal components into a maximal visual experience. The Divine Smile’s execution speaks to Simpson’s roots in street-based art practices while also elevating the work into a fine art object with permanence and intimacy. Phil Simpson and the Joy of Repetition as Resistance Phil Simpson’s work exists as a visual meditation on happiness, rendered again and again with sincerity and clarity. His practice does not rely on shock or irony but instead leans into joy, repetition, and design logic to offer a different kind of power. In The Divine Smile, Simpson does not create a portrait—he creates an emotional icon, one that speaks across language, age, and geography. As part of Street Pop Art & Graffiti Artwork, this piece reflects a belief in accessibility, honesty, and the possibility of shared connection through form. The smile becomes not just a face but a flag—a symbol for optimism painted loudly enough to be heard in a world that often forgets to look up. Through his work, Simpson builds a universe where positivity is visual, repetition is radical, and the message is always simple: the smile is the art, and the art is alive.

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El Halcon del Mar- Pink Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with freehand styles with a spray can." - Stinkfish

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Good Morning Starshine Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Skel pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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