Mid Priced

Electric Eliminators- Come Out To Play Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Boneface. Come Out To Play- an illustrated tribute series to 1979 cult movie classic The Warriors!

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HR Giger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Supreme Nose- Multicolor Limited Edition Silkscreen Skateboard deck art by street pop culture artists Supreme.

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Southpaw 2006 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Luke Chueh. Signed 2006 giclee print on archival paper 12 x 16 inches signed and numbered edition of 100

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Until The End of Time- Yellow Uncut & Varnished AP 6-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Cept Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 4 Artwork Size 22x29.92 AP Only 4 ever made Artist Proof – Uncut & Varnished 56 x 76 cm 6 color screen print. printed on 300 gsm somerset paper. 2013 Until The End of Time Yellow Uncut Varnished AP Silkscreen Print by Cept

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Frontier I Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Josh Keyes, Street Pop Art Graffiti Legend. Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 19 Inches Release: July 26, 2019 Run of: 250 I think they are successful in that I accomplished what I set out to express. I would enjoy revisiting this theme in the future. I think the imagery is interesting and wacky, and when I look at the print, it transports me someplace far, far away. I like art that leaves me slightly confused and with unanswered questions. If you need another reason, the paper and printing quality are top notch." - Josh Keyes The theoretical context of his work is connected to mythological and folklore themes –especially the legends and stories of Native Americans- and the imagery that exists between dreams and nightmares in order to express a profound existential anxiety and uncertainty. In the dystopia of Keyes nature interacts with the urban life in an abstract and unsettling way, which aesthetically reminisces scientific textbook illustrations and anatomical diagrams.

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Cup of Beer PP Printer Proof Archival Print by Nicer- Hector Nazario Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x14 Archival Pigment Fine Art. The Creative Essence of "Cup of Beer" by Nicer - Hector Nazario "Cup of Beer" is a Printer's Proof (PP) archival print that captures the vibrant and dynamic essence of street pop art and graffiti artwork. Created by Nicer-Hector Nazario, a vital member of the legendary Tats Cru, this 2021 piece is an exemplar of his distinct style and artistic philosophy. The artwork, measuring 14x17 inches, is printed on 290gsm Moab Entrada Fine Art Paper. It is renowned for its ability to present colors with clarity and depth, enhancing the visual impact of the archival pigment fine art. Symbolism and Technique in Nicer's Work Nicer's "Cup of Beer" juxtaposes the playful image of a man enjoying a casual drink with the bold, stylized lettering typical of graffiti art. This print reflects the cultural nuances and street aesthetics that have been the hallmark of Nicer's work for decades. His use of caricature to portray the joyous and carefree moments of urban life is underscored by the meticulous craftsmanship and attention to detail that Nicer applies to his work. The choice of subject, coupled with the graffiti art form, reveals a celebration of the every day, a theme often explored in pop art. The print is not merely a static image; it is a dialogue with the viewer, offering a glimpse into the communal and accessible aspects of street culture. The lively colors and expressive illustration within "Cup of Beer" are characteristic of the street pop art movement, where the blend of graphical elements and urban motifs create a language that speaks to a diverse audience. Nicer's work encapsulates the spirit of graffiti as an art form that is inherently public and engaging, inviting interaction and reflection. Nicer's Influence on Street Art and Pop Culture Nicer's contribution to the world of street art extends beyond his technical skill. As an influencer in the graffiti art scene, his work has played a significant role in bringing the vibrancy of street art into the fine art domain. "Cup of Beer," like much of Nicer's oeuvre, showcases the urban environment's cultural richness and graffiti's potential for its origins as a subversive act to become a celebrated art form. By signing and marking each PP of "Cup of Beer," Nicer ensures the authenticity and collectibility of his work, a reflection of the growing appreciation for graffiti artwork in the art market. His legacy has helped pave the way for future generations of street artists, advocating for the recognition and respect of street pop art within the broader artistic community. Through works like "Cup of Beer," Nicer-Hector Nazario continues challenging perceptions, celebrating urban culture, and pushing the boundaries of street pop art and graffiti artwork. His dedication to his craft and ongoing contributions to the art world affirm his status as a pioneer and innovator in the street art movement.

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Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster Screen Print on Card Stock Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 9x12 With Heavy Drips of Hand Painted Areas. Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster The Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster is a dynamic expression of Street Pop Art & Graffiti Artwork. Created in 2023 as part of a signed and numbered limited edition of 50, this piece is a vibrant testament to Buff Monster’s signature visual language. At 9x12 inches, it may appear compact, but it radiates an oversized impact with its combination of hand-painted energy and silkscreen clarity. The Mister Melty character—a one-eyed melting creature—serves as both mascot and metaphor, embodying themes of transformation, absurdity, and surreal joy through explosive color and iconic simplicity. Visual Design and Layered Techniques This particular version features a fiery orange and yellow background with hints of magenta and red, layered beneath a carefully rendered silkscreen outline of Mister Melty. Dominated by a single, centered eye ringed in pink and grey, the character floats in a warped box frame that offers structure to the otherwise chaotic drips and paint splashes. Buff Monster used heavy acrylic embellishments to add texture and visual chaos, with paint layered thickly across the surface in a way that emphasizes spontaneity and kinetic motion. The background reveals halftone patterns and splatter marks, blending graffiti textures with pop art flatness. The Importance of HPM in Buff Monster’s Process HPM, or Hand-Painted Multiple, is key to the collectible nature of this print. Each version within the edition features unique hand-done elements added after the initial silkscreen pass. This not only makes every print one-of-a-kind but also injects a raw, painterly quality into what would otherwise be a tightly controlled print run. In this Orange Mister Melty variant, those embellishments take the form of vivid drips, erratic brushwork, and unexpected overlays, offering a visual punch that resonates with both street art authenticity and studio craftsmanship. Buff Monster’s Influence on Modern Street Pop Art Buff Monster, born in the United States, has long stood at the intersection of collectible toy culture, street graffiti, and psychedelic pop art. His work incorporates recurring motifs such as ice cream, goo, eyeballs, and drips, and reflects a fascination with Japanese pop aesthetics and underground comics. Mister Melty is one of his most recognized characters and functions as a canvas for creative experimentation. The Orange Mister Melty HPM print reflects Buff Monster’s continued push into handcrafted detail while maintaining the reproducible aesthetics of printmaking. It represents a collision of factory polish and street-level freedom, crafted for collectors who value unique, emotionally charged design. This print exists not just as a collectible, but as an energetic piece of the modern visual narrative that defines Street Pop Art & Graffiti Artwork today.

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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1969 Super Sport Camaro 8-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Lady Pink Rare Street Art Famous Pop Artwork Artist. 1969 Super Sport Camaro, 2021 8-Color Screen Print on Coventry Rag 290gsm Paper Deckled Edge 24 x 26 in (61 x 64.7 cm) Edition of 100 Signed and numbered by LADY PINK BEYOND THE STREETS Embossed This piece was inspired by the scene on the Lower East Side, before it was cleaned up and gentrified. PINK would travel to Jenny Holzer’s, right off of Houston Street, and would be witness to all the colorful people who came out at night. "It wasn’t pleasant. It was full of hookers and drug addicts. It was the stuff you heard about but to see it was pretty shocking.” -Lady Pink

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Mao Money 8 Limited Edition Giclee Print on 330gsm archival cotton paper by David Foox counter-culture street artist art. AP Artist Proof 2013 Signed & Marked AP Limited Edition Artwork Size 5.5x12.5. Mao Money 8 is part of a series of ongoing series of currency that FOOX has been creating over the years. This print is double the size of previous currency prints FOOX has released. (they are typically the dimensions of an American bill). During the 2011 New York Comic Con.

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Scooter Rage XII 1998 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1998 Signed by Kozik & Numbered Limited Edition of VERIFY Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Helium Angel, In-Citers, The Hi-Fives Jan 2 3 4 1998 SSC/SF Frank Kozik Scooter Rage XII 1998 Silkscreen Print SSC SF Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, played a defining role in shaping the 1990s gig poster movement within Street Pop Art & Graffiti Artwork. The Scooter Rage XII silkscreen print from January 2, 3, and 4, 1998 was created to promote a multi-day San Francisco scooter and music event associated with SSC SF. This hand-pulled silkscreen on fine art paper measures approximately 22.5 x 35 inches and was issued as a signed and numbered limited edition. By the late 1990s, Kozik had already elevated the concert poster format into a collectible art object, and this print reflects his ability to move fluidly between aggressive rock graphics and more streamlined modernist compositions while maintaining the authenticity of Street Pop Art & Graffiti Artwork. Modernist Typography and Subcultural Identity Unlike many of Kozik’s heavier, flame-driven compositions, Scooter Rage XII employs a cleaner, design-forward layout dominated by bold numerals announcing 1998 and a vivid green and blue color palette. The central image features a stylized rider seated on a scooter rendered in high-contrast black and white, creating a photographic stencil effect that aligns with the visual strategies of Street Pop Art & Graffiti Artwork. The typography is sleek and contemporary, with rounded letterforms and structured spacing that emphasize event details including Helium Angel, In-Citers, and The Hi-Fives. This balance of modern graphic design and underground event culture demonstrates Kozik’s versatility, showing that his influence extended beyond raw punk imagery into broader lifestyle and subcultural branding aesthetics. Gig Posters as Collectible Street Pop Art & Graffiti Artwork Scooter Rage XII exemplifies how 1990s event posters became enduring artifacts rather than temporary advertisements. Kozik’s disciplined silkscreen process ensured saturated color fields and crisp separations, reinforcing the print’s longevity and collectibility. By signing and numbering the edition, he further cemented the legitimacy of gig posters within the fine art market. Events such as Scooter Rage XII reflected the blending of music, scooter culture, and urban lifestyle communities, and Kozik’s visual documentation of these gatherings now serves as a historical record within Street Pop Art & Graffiti Artwork. This print captures a specific cultural moment in San Francisco while demonstrating how graphic innovation and subcultural energy combined to shape late twentieth-century poster art.

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Instagram Pill Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. 2019 Limited Edition of 50 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Cosmic Cat- Blue Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dabs Myla x Beyond The Streets. 2022 Limited Edition of 150 Artwork Size 7x12 New In Box Cosmic Cat (Blue), 2022 Limited Edition 12" Vinyl Toy 12 x 7 x 5 in (30.5 x 17.8 x 12.7 cm) Figure 13.2 x 9.5 in (33.5 x 24.1 cm) Cylindrical Box Edition of 150 3rd color-way of the Cosmic Cat vinyl toy from DABSMYLA, featuring one of their iconic and most recognizable characters! Cosmic Cat Blue Art Toy Print is a fascinating piece of work from Dabs Myla, a dynamic duo known for their distinctive contribution to the realms of pop art, street art, and graffiti. Initially hailing from Melbourne, Australia, this power couple has made a name for themselves by blending elements of fantasy, color, and charm to create a style that's distinctly their own. Their creation, the Cosmic Cat Blue Art Toy Print, marries both their love for cartoonish designs and their keen sense for adding a vibrant touch of color to the world. It's a dazzling testament to their belief that art should be fun, and their dedication to spreading positivity through their work. This print showcases a cat character, distinguished by its bright blue color, set against a backdrop of cosmic themes. It incorporates playful imagery with a degree of complexity, which is a clear hallmark of their work. Notably, Dabs Myla's style of art evokes a sense of nostalgia, harking back to the golden era of cartoons, while also integrating a modern, street-art influence. The Cosmic Cat Blue Art Toy Print demonstrates this intricate interplay perfectly, proving a shining example of their unique style. This print, with its distinctive blue cat character, is an imaginative journey into a universe of their creation, combining influences from pop and graffiti art to make a piece that is engaging, cheerful, and visually intriguing. Dabs Myla's work, including the Cosmic Cat Blue Art Toy Print, is indicative of the growing popularity and acceptance of street and graffiti art in the broader art world. Their innovative art toy print contributes significantly to the landscape of pop culture art, setting new trends, and inspiring countless artists globally. This piece is more than just a creation; it's an embodiment of the duo's passion, humor, and an invitation to viewers to see the world through a colorful and whimsical lens.

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GPC NIV Bible Art Book by Eric Haze x Good Publishing Company Rare Limited Edition Modern Pop Graffiti Urban Culture Artworks Reference. 2021 Signed Limited Edition Hardcover Book Size 14x17 Don't Be Afraid Dust Cover New in Box. ISBN-10: 1736517805 ISBN-13: 9781736517802 Crafted in collaboration with legendary New York artist Eric Haze, this modern Bible merges timeless scripture with bold, urban creativity. Known for shaping the visual language of a generation—designing album art for The Beastie Boys and campaigns for cultural giants like Nike, Stüssy, and Hurley—Haze brings his unmistakable signature to this limited edition release. Produced by Good Publishing Company with an unwavering focus on sustainability and design integrity, each Bible features a vivid crimson Soft Touch cover that commands presence. Inside, the Old and New Testaments are printed on two distinct shades of ethically sourced, recycled paper—carefully selected from global partners. Hand-pressed end pages, created with bespoke brass tools, give weight to every opening. Dual grosgrain ribbons, custom-dyed in Italy, add both function and elegance. Each volume is housed in a meticulously designed boxing system—and personally hand-signed by Haze in New York City. His signature lettering style graces the pages, making this Bible a collectible fusion of faith, artistry, and streetwise soul. GPC NIV Bible Art Book by Eric Haze x Good Publishing Company The GPC NIV Bible Art Book is a striking collaboration between legendary New York artist Eric Haze and the independent studio Good Publishing Company. Released in 2021 as a signed limited edition, this 14 x 17 inch hardcover merges sacred text with street-rooted visual culture. Known for his prolific contributions to graffiti, graphic design, and fashion, Haze brings a fresh interpretation to one of history’s most printed books. Each edition is personally signed by Haze and reflects his signature graffiti-informed lettering, elevating the work into a unique reference point in Street Pop Art & Graffiti Artwork. The vivid red Soft Touch cover features the gold-stamped words Holy Bible in Haze’s unmistakable typographic voice, while the inside pages preserve the full text of both the Old and New Testaments. Design Meets Devotion in Contemporary Urban Form Crafted with care for both content and form, the GPC NIV Bible Art Book is not just a restyling of scripture—it is a full reimagining. Inside, the paper selection is carefully divided between two tones: one for the Old Testament and another for the New, printed on ethically sourced recycled stock from global partners. Hand-pressed end pages created using brass tools introduce each section with a tactile sense of gravity, while dual grosgrain ribbon bookmarks, dyed in Italy, add a functional yet refined finish. The box design itself unfolds dramatically, revealing the words Don’t Be Afraid printed in stark white. The presentation echoes Haze’s history of bold messaging in public spaces, now brought into a deeply personal, meditative context. Eric Haze and the Influence of Graffiti in Modern Publishing Eric Haze emerged in the 1970s as part of New York’s pioneering graffiti scene. Alongside contemporaries such as Futura 2000 and Keith Haring, Haze pushed graffiti beyond walls and trains into the design world. His visual identity influenced album covers for the Beastie Boys and LL Cool J, branding campaigns for Nike and Stüssy, and logos that became street culture icons. In this Bible project, Haze applies the same graffiti ethos—clarity, gesture, energy—into a sacred format. Each signed copy becomes a piece of living artwork, merging spiritual study with the visual language of the streets. His custom lettering for chapter headers like Matthew is not just design—it’s a continuation of graffiti’s influence across mediums. Collectible Significance in Street Pop Art & Graffiti Artwork This edition sits at the intersection of faith and artistic rebellion, making it one of the most conceptually layered releases in recent Street Pop Art & Graffiti Artwork history. While traditional art books often showcase reproductions, this project transforms the book itself into a complete artwork. With its rare mix of religious content, luxurious materials, and street design legacy, the GPC NIV Bible Art Book commands attention across audiences—from collectors of urban contemporary art to design-forward spiritual readers. It represents a cultural shift where the sacred and the subversive no longer oppose each other, but coexist. This is not just a book—it is a sacred object reimagined through the eyes of a graffiti icon.

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Sitting Seven Limited Edition 3-Color Hand-Pulled Silkscreen Print on 140 lb. French Muscletone White Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. "Many of my paintings, especially the figurative works featuring models and women, are frequently named after planets or they reference the universe – "Galaxy", "Miss Mars", "Mercury", "Luna" and so forth. I've tried over the years to keep that consistent, to touch upon the notion of "space" and limitless freedom. Zero Gravity is the point when you escape gravity's pull, you leave the atmosphere and everything floats. " - Camilo Pardo

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Figment- Pink On Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Ron English- POPaganda Rare Pop Art Famous Pop Artwork Artist. Signed 2013 Screenprint in colors on 335 gsm Coventry Rag paper 24 × 24 in 61 × 61 cm Edition of 10. English | Figment: Pink on Black Two-colour screenprint on Coventry Rag 335gsm paper Edition of 10 signed and numbered by Ron English- POPaganda

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Widow's Kiss Artwork 3-Color Silkscreen Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister. AP Artist Proof

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Smile Portrait- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Be Faithful Original Painting Spray Paint Aerosol & Acrylic Paint on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 16.25x22 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” -Shark Toof

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Valerian Fever Dream Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Camille Rose Garcia pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Valerian Fever Dream by Camille Rose Garcia – Street Pop Art & Graffiti Artwork on Blotter Paper Valerian Fever Dream is a hallucinatory exploration of fantasy and surrealism by Camille Rose Garcia, created as a signed and numbered archival pigment print on hand-perforated blotter paper. Released on April 19, 2021, in a limited edition measuring 7.5 x 7.5 inches, this work fuses psychedelic nostalgia with sharp pop culture critique and is authenticated with a Certificate of Authenticity. The blotter format, historically linked to LSD culture, is not only a nod to countercultural aesthetics but becomes a physical metaphor for the fragmented, dreamlike nature of Garcia’s visual universe. The hand-perforation by Zane Kesey adds historical and symbolic weight, transforming each print into a tangible artifact of underground art history. Visual Surrealism and Symbolic Density in Garcia’s Work Camille Rose Garcia’s Valerian Fever Dream plunges viewers into a feverish, chromatic fairytale populated by mutated flora, ghostly equines, and an almost-doll-like female figure. Rendered in blistering fluorescents—hot pinks, acidic purples, cyan blues, and emerald greens—the composition conjures both visual disorientation and visceral intrigue. Organic shapes melt into one another as though pulled from a kaleidoscopic subconscious, with references to botanical overgrowth, animated storytelling, and apocalyptic fables. Garcia’s painting style employs controlled drips, fluid lines, and layering techniques that align with both graffiti’s urgency and the formal precision of studio pop surrealism. Camille Rose Garcia and the Evolution of Pop Psychedelia Born in California in 1970, Camille Rose Garcia emerged as a central figure in the lowbrow and pop surrealist movement, aligning with West Coast artists like Mark Ryden and Robert Williams. Drawing from punk music, Disney animation, and historical illustration, her work critiques environmental decay and capitalist exploitation while maintaining a visually seductive, storybook-like atmosphere. Valerian Fever Dream illustrates her signature approach—highly rendered chaos that remains tethered to narrative figuration. In the realm of street pop art & graffiti artwork, Garcia has carved a unique lane where fairytale meets ferocity, often merging gallery craft with streetwise rebellion. Blotter Art as Countercultural Canvas The choice of blotter paper for this piece is deeply significant. Historically used as a medium for distributing LSD, blotter sheets have become a revered canvas within psychedelic and underground art circles. Valerian Fever Dream transcends mere decorative object—it is a collectible rooted in countercultural storytelling. Hand-perforated by Zane Kesey, son of One Flew Over the Cuckoo's Nest author Ken Kesey, the piece stands at the intersection of acid wave iconography and modern surrealist expression. Garcia’s dreamworld, encoded onto this intimate scale, allows collectors to hold a slice of modern myth in their hands—a saturated snapshot of rebellion, symbolism, and illusion transformed into fine art.

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White Paper Series No.2 Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Ben Tour Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Gelato Pique Mint White 400% Be@rbrick Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 400% New In Box The Gelato Pique Mint White, 400% Be@rbrick, is a fascinating piece that epitomizes the fusion of street art, pop culture, and contemporary design. Produced by Medicom Toy in 2022, this limited edition collectible is a testament to the brand's ongoing commitment to intertwining art with urban aesthetics. Bearbricks, commonly referred to as Be@rbricks, have, over the years, secured a special place in the hearts of art collectors and urban culture enthusiasts alike. This specific piece, distinguished by its mint white hue and plush-like texture, carries with it an aura of sophistication, paired beautifully with a touch of whimsy that's inherent to the Bearbrick line. Its size, scaled at 400%, gives it a commanding presence, making it an instant centerpiece in any art collection. Presented in its pristine, original packaging, the Gelato Pique Mint White edition further emphasizes its exclusivity and the attention to detail that Medicom Toy pours into every release. Street art, once seen as a rebellious act, has been embraced in recent years as a legitimate and powerful form of expression. The emergence of vinyl art toys, like the Be@rbricks, captures this evolution, blending the raw emotion of street art with the craftsmanship of traditional artistry. Such pieces don't just represent a character or a design; they represent an entire movement, a culture, and an era. The Gelato Pique Mint White, 400% Be@rbrick, is more than just a collectible; it's a symbol of the ever-evolving landscape of art in our modern age. Embracing this piece means acknowledging the power of street art and its transformative influence on contemporary culture.

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Blue Girl Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. Camilo's paintings and drawings speak to both his love for linear perfection and his fascination for the manner in which those lines deliver aesthetic satisfaction to the viewer. His works genuinely seem to move and they are energized by what is obviously a rich understanding and respect for popular culture and traditional disciplines.

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Maul Speeder Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adam Fujita, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 15 Size 24x12 Adams recent neon-style work has been an exploration of protest and resistance through the use of the medium of street art and the internet.

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Icky Mouse Original One of a Kind Colored Pencil Painting Artwork on Reclaimed Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Icky Mouse Original Colored Pencil Drawing by Brandon Sopinsky

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BunnyKitty Dream State- Teal 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Teal Variant Edition of 25 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

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Know Your Product Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. 2020 Signed & Numbered Limited Edition of 100 Blotter Paper Print 7.5x7.5 Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable take on pop culture twists up everyday iconography from the world’s biggest brands. Subverting meaning and messages from the mainstream media, Frost’s scything commentary on advertising, entertainment, and politics is both confronting and controversial. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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The Pursuit AP Silkscreen Print by Lee Eelus Hand-Pulled 9-Color Screen Print on Deckled 410gsm Somerset Satin White Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & Marked AP Limited Edition Artwork Size 24.01x30.70 Lee Eelus is a contemporary British artist, known for creating thought-provoking and visually engaging street and stencil art. His work often combines dark humor with striking visuals, and he has gained a dedicated following for his innovative style and approach. "The Pursuit" is a silkscreen print by Lee Eelus. It showcases his signature style, using a limited color palette and intricate stenciling techniques to create depth and contrast. The artwork often carries themes of conflict, struggle, or journey, reflecting the pursuit of something or someone. While I do not have a specific description of this particular piece since it is possible that it is a unique or lesser-known work by the artist, Eelus' other works generally feature images of people or animals caught in a moment of tension or action. They often have a sense of movement and urgency to them, as the title "The Pursuit" suggests.

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Solidarity- Yellow Limited Edition Hand-Embellished Hand-Stenciled Spray Paint and Acrylic on Coventry Fine Art Paper by Praxis Graffiti Street Artist Modern Pop Art. "Solidarity, this feeling of mutual support present not only in us humans but identifiable all around the animal kingdom, is what has brought us to overcome, as a society, and as individuals, obstacles and situations that otherwise, many groups, human and non-human, in history, wouldn’t have been able to overcome. "To these days where the worlds duality is part fire and part flooding waters is time to reconsider the way we coexist with it and those living in it. Nature gives us all we need to exist, but we need to protect it, take action and be aware of its importance. I want you to embrace that feeling, I want you to make a better world for all." –Praxis

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Don't Stop The Rock Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Rag Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ckaweeks. Ckaweeks is one part of the ingredients that make up this melting pot called Hawai’i. His art depicts playful and sometimes humorous images influenced by day-to-day life. It is a mash-up of life experiences from the past, present, and future.

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No Sleep Till Brooklyn 6- Red 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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I Love Cake Archival Pigment Fine Art Limited Edition Print on 310gsm Cotton Textured Rag Paper by Pop Modern Artist Micca Young. 2022 Signed & Numbered Edition of 50 Artwork Size 23.62x15.75 Decoding "I Love Cake" by Micca Young The "I Love Cake" archival pigment fine art limited edition print by Micca Young is a vivid foray into the realm of pop modern art, encapsulating the frenetic energy and unapologetic vibrancy that characterizes the artist's reflection of experiences within the unique context of a strip club. Signed and numbered in an edition of 50, with an artwork size of 23.62x15.75 inches, this piece offers a gateway into a world that juxtaposes the allure and spectacle of nightlife with the nuanced realities of those within it. Produced in Western Australia by Fox Lab Fine Art, the "I Love Cake" prints are the epitome of museum-grade quality. Created on 100% cotton textured rag paper, they are devoid of optical brighteners, ensuring the longevity and preservation of the artwork’s original colors and textures. This choice of material reflects a dedication to archival standards, guaranteeing that the vivid tableau of Young's work will endure. The prints are color-matched with precision, capturing the essence of the original piece’s intent and emotional resonance. The Visual Narrative of "I Love Cake" "I Love Cake" is steeped in the visual narrative that street pop art and graffiti artwork often employ, where the surreal and the real collide. Micca Young's portrayal of the strip club's chaotic environment through a lens that is both critical and celebratory demonstrates a command of pop art sensibilities. The print invites onlookers to dissect the layered imagery, which oscillates between the playful and the grotesque, the beautiful and the bizarre. It is a tableau that demands contemplation, teasing out the viewer's prejudices and preconceptions about the world it represents. In the context of street pop art and graffiti artwork, "I Love Cake" carries the torch of cultural commentary that has been a staple of the genres. The artwork serves as a visual anecdote, a slice of life that melds fantasy with the starkness of reality, wrapped in a presentation that is both accessible and enigmatic. Through this limited edition print, Micca Young contributes to the ongoing conversation about art’s place in reflecting and shaping societal narratives.

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Flakpanzer Limited Edition Hand Pulled 5-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "A Flakpanzer is a German mobile anti-aircraft gun. I thought this appropriate with British Spitfires flying above the figures head." - Derek Hess Hand Deckled

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SECHOR train #2 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Sechor. 2021 Signed, 7x2 inches, Custom painted Vintage ho scale train with acrylic paint.

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Paranoia #3- Neon Rainbow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. Tribute to actress Anita Ekberg Edition Size: 36 prints (all unique) Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 36 prints in this variant edition are unique with a split fountain background, and will never be reproduced.

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Chaz Bojorquez Matte Black Spray Paint Can Artwork by Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2025 Stamped Matte Black  Color Limited Edition of 1000 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Chaz Bojorquez Matte Black Montana MTN Spray Paint Can Object Artwork The Chaz Bojorquez Matte Black Spray Paint Can by Montana MTN is a 2025 limited edition object artwork that celebrates the connection between graffiti culture, collectible design, and functional artist materials. Produced in a limited edition of 1000, this special release features a Montana MTN spray paint can wrapped in vivid custom artwork and packaged inside a branded wooden display box. Measuring approximately 3 x 8 inches, the piece transforms a traditional graffiti tool into collectible Street Pop Art & Graffiti Artwork. Unlike standard commercial paint products, this edition was designed as a crossover between studio practice and contemporary object art, while still remaining filled with usable Matte Black paint. Chaz Bojorquez and Los Angeles Graffiti History Chaz Bojorquez is an American graffiti artist recognized as one of the foundational figures in West Coast graffiti culture. Emerging from Los Angeles during the 1970s, Bojorquez became known for blending Cholo-style lettering traditions with influences from calligraphy, urban signage, and contemporary street expression. His iconic handstyle helped define a distinctly Californian graffiti aesthetic separate from the subway-based lettering systems developing in New York during the same era. The stylized signature featured prominently on this Montana MTN can reflects Bojorquez’s instantly recognizable script approach, which remains influential across modern Street Pop Art & Graffiti Artwork. His work has been exhibited internationally and continues to bridge underground graffiti culture with gallery and museum recognition. Spray Paint as Functional Sculpture and Collectible Art The spray paint can has become one of the most important visual symbols within graffiti culture. Artists rely on it not only as a tool but also as a representation of freedom, rebellion, identity, and public expression. This Montana MTN edition elevates the spray can into sculptural object artwork through detailed printed imagery featuring a flaming skull motif rendered with vibrant gradients and layered color effects. The addition of the custom wooden presentation box reinforces the collectible nature of the release while maintaining direct ties to graffiti authenticity. Within Street Pop Art & Graffiti Artwork, artist-designed spray cans have evolved into highly sought-after crossover pieces that merge industrial design, packaging, and fine art aesthetics. Montana MTN Collaborations and Graffiti Collectible Culture Montana MTN has established itself as one of the leading spray paint brands associated with international graffiti culture. Through collaborations with influential artists, the company has helped preserve the visual language and history of street art within collectible editions like this release. The Chaz Bojorquez Matte Black edition demonstrates how functional materials from graffiti practice continue gaining recognition as legitimate contemporary art objects. Collectors are drawn to these works because they preserve the authenticity of graffiti culture while presenting it in a format suitable for display. The combination of the stamped edition, artist collaboration, custom packaging, and functional paint contents gives this release significance beyond traditional merchandise, placing it firmly within the expanding world of Street Pop Art & Graffiti Artwork.

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LA Marathon Silkscreen Print by Cleon Peterson Hand-Pulled Color on Fine Art Paper Limited Edition Pop Street Art Artwork. 2010 Signed & Numbered Limited Edition of 1050 Artwork Size 20x29 Silkscreen Print The LA Marathon, one of the most renowned athletic events globally, draws not just runners but also artists who want to encapsulate its essence. One such striking representation is the LA Marathon Silkscreen Print, a piece masterfully created by Cleon Peterson. This artwork is not merely a commemorative print but an embodiment of the spirit and energy of the race. Rendered with meticulous attention to detail, this hand-pulled color print sits elegantly on fine art paper. Peterson's approach marries the ethos of pop street art with the precision of silkscreen printing. The result? An artwork that resonates with vibrancy, capturing the movement and dynamism of marathon runners. What sets this print apart is its limited availability. Only 1050 pieces were crafted in this 2010 signed & numbered limited edition, each one sized 20x29 inches. Such exclusivity ensures that every owner possesses a unique memento of a significant event. Peterson’s choice of elements to feature in the artwork speaks volumes about its thematic depth. Three distinct LA icons find themselves immortalized, harmoniously blending with the marathon's beginning and its participants. A particularly poignant touch is the homage to the 2009 women’s champion, Tatiana Petrova of Russia. Her inclusion serves as a testament to individual excellence within the context of a communal event. Through this silkscreen print, Cleon Peterson has not only depicted an athletic spectacle but also celebrates perseverance, dedication, and the human spirit's triumph.

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Skelecan Pink Glow Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti American Gross. 2021 Limited Edition of 30 Solid 5oz, double-cast Canbot Canz ! Hand-sculpted by artist American Gross, the Skelecan is cast in a gossamer SUPER GLOW-IN-THE-DARK resin, with an external pink skin! Each of these pieces is lovingly hand-created in New York by Clutter Studios!! This is a limited edition run of 30 pieces.

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Search For Harmony Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. Meggs cooperative practices have led to collaborations with various artists and brands from cultures worldwide. His commercial work with companies such as Nike, Stussy, Addict, New Balance, Burton, and Endeavor Snowboards has contributed to the constant evolution of his talent and furthering his range of designs and ideas.

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Au-Dream Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ellen Gobeille. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 14 x 14 Inches Release: May 07, 2021 Run of: 25

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Complexcon Dragon76 Mad Spraycan Mutant Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Dragon76 x Jeremy MadL x Martian Toys. Complexcon 2021 Vinyl Figure Designed by Dragon76 @dragon76art 8” Tall 6 points of articulation 2 sets of shoes, Eraser and Vans Really RATTLES!! Ed. of 150

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Saboteur Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey, Graffiti Street Artist Modern Pop Art. AP Artist Proof 2010 Signed & Marked AP Limited Edition Artwork Size 24x18  The Essence of Rebellion in Kinsey's Saboteur Dave Kinsey, a street artist who has made significant waves in modern pop art, presents a compelling piece in the form of the 'Saboteur' limited edition print. This three-color hand-pulled silkscreen print on 100% cotton rag archival paper reflects the essence of what street pop art and graffiti artwork stand for - a blend of aesthetic appeal and a strong message. Created in 2010, the 'Saboteur' is not only a visually striking piece but also one laden with symbolism and meaning. The 'Saboteur' showcases Kinsey's skill in using limited color palettes to create depth and narrative. The stark contrast of the orange background against the black-and-white imagery of the Statue of Liberty immediately captures the viewer's attention. The choice of the Statue of Liberty as the central figure is remarkably evocative, symbolizing freedom and the American spirit. However, Kinsey's portrayal is not one of patriotic triumph but rather a nuanced critique, perhaps a comment on the state of liberty in contemporary society. A Limited Edition Piece with a Timeless Message This artwork, marked as an Artist Proof (AP), signifies its status as part of a unique subset of prints often kept by the artist for personal use or sold as precious pieces to collectors. The print, sized at 24x18 inches, is significant not just for its size but for its exclusivity and the personal touch of the artist's signature. Collectors and admirers of Kinsey's work recognize the value of such a piece in terms of its aesthetic quality and its potential as an investment and a historical artifact. The 'Saboteur' is a testament to Kinsey's mastery of silkscreen printing, which requires precision and skill. The hand-pulled method employed by Kinsey ensures that each print is unique, with slight variations that make each piece one-of-a-kind. The use of 100% cotton rag archival paper speaks to the quality and durability of the print, designed to withstand the test of time without losing its color and integrity. The Impact of 'Saboteur' in Street Pop Art and Graffiti Artwork In the broader context of street pop art and graffiti artwork, the 'Saboteur' stands out as a beacon of Kinsey's style and the political edge often found in this genre. Street art, known for its transient nature, is painted on walls and surfaces of the public domain. By transforming such a piece into a silkscreen print, Kinsey bridges the gap between street art's ephemeral nature and fine art's longevity. This piece allows the rebellious spirit of street art to enter homes and galleries, preserving its message and aesthetic for future generations. The 'Saboteur' is not just a piece of art; it's a conversation starter, a statement, and history. It encapsulates the turbulent emotions and the critical discourse of the time it was created, yet its message remains timeless. As a work of modern pop art, it embodies the cultural and political atmosphere of the early 21st century, reflecting the artist's perception of liberty and the societal structures that govern it. Dave Kinsey's Ongoing Legacy and 'Saboteur's' Place Within It The continuing legacy of Dave Kinsey as an influential figure in street pop art and graffiti artwork is further cemented by works like 'Saboteur.' He has consistently demonstrated an ability to convey powerful messages through his art; this print is no exception. As with many great works of street pop art, the 'Saboteur' challenges its viewers to think critically about the symbols and institutions they may otherwise take for granted. For collectors, enthusiasts, and students of street pop art and graffiti artwork, 'Saboteur' represents a pinnacle of Kinsey's artistic endeavors, encapsulating his message, medium, and method. Pieces like this ensure Kinsey's place in the annals of modern art is secure and revered. As time progresses, 'Saboteur' will continue to resonate and inspire, much like the enduring spirit of the street art movement from which it was born.

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Birdcage Girl Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Che No Vive- Pink Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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Heart and Soul Original Pen Ink Drawing Art on 320gsm Handmade South Indian Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Ballpoint pen drawing on 320 gsm handmade South Indian paper Size: 62cm x 43cm Unframed Drawing is protected by an archival UV protective matt varnish spray 16.9x24.4 Mark Powell – Heart and Soul in Street Pop Art & Graffiti Artwork Heart and Soul by British artist Mark Powell is a striking original pen-and-ink drawing executed in 2021 on 320gsm handmade South Indian paper. Measuring 62 x 43 cm (16.9 x 24.4 inches), this piece features a meticulously rendered dead hare and pheasant, hung upside down by string in a composition that instantly evokes classical still life yet pulses with contemporary subtext. Drawn entirely with a ballpoint pen and sealed with archival UV-protective varnish, Powell’s rendering elevates this modest medium to a tool of expressive clarity. Though absent of color or overt graffiti marks, the work stands firmly within the lineage of Street Pop Art & Graffiti Artwork through its subversive detail, its interrogation of mortality, and its commitment to technical excellence layered with conceptual weight. Powell is known for using found paper, vintage documents, and aged materials in his broader practice, though in Heart and Soul, he opts for clean, handmade paper—still retaining the rawness of imperfection in texture. The subject matter draws upon the tradition of vanitas and memento mori, while also referencing the vernacular of field sport culture in a way that challenges sentimentality. This visual honesty—showing death with beauty but no spectacle—is a gesture that resonates deeply with the ethos of street and pop-inflected art. It’s a confrontation with finality, with heritage, and with consumption. The Ballpoint Pen as a Tool of Dissent and Precision What separates Powell from traditional fine draftsmen is his unorthodox use of the ballpoint pen—a tool associated more with classroom doodles or blue-collar notebooks than high art. In the context of Street Pop Art & Graffiti Artwork, this choice mirrors the use of spray cans or permanent markers: democratic, accessible, and unpretentious. Every feather, fur strand, and shadow in Heart and Soul is executed with surgical precision using this common tool, elevating it to something sacred. Like a tag scratched into a subway door or a throw-up on a crumbling brick wall, Powell’s marks assert permanence against fragility. The imagery is clean yet jarring—animals that once lived now suspended, motionless. The vertical tension of the ropes holding them reflects themes of control and helplessness, drawing a subtle parallel to how bodies—whether in life or in art—are often manipulated, positioned, and consumed. These symbolic references are aligned with urban artistic movements that seek to expose the hidden systems beneath culture, whether through abstraction, realism, or text-based intervention. Contemporary Still Life in the Street Pop Art Narrative Still life traditionally served as a showcase of abundance, fragility, and temporal beauty. In Powell’s hands, that tradition is disrupted, made raw. The careful rendering of animals is not a romantic homage—it is a meditation on stillness, loss, and what it means to hold onto something after it has passed. By choosing subject matter often glorified in upper-class sporting culture and presenting it without drama or glorification, Powell reclaims the narrative. This reclamation mirrors the objectives of many street artists who challenge dominant visual histories by injecting alternate perspectives. There is a quiet radicalism in Heart and Soul—a refusal to decorate or dilute. The honesty of the composition, the weight of the medium, and the choice of paper all work together to create an artwork that is as much about process and material as it is about meaning. This approach reflects Street Pop Art & Graffiti Artwork’s core value: that beauty, rebellion, and reflection can emerge from the simplest of materials, when handled with vision. Mark Powell’s Position in Modern Pop Draftsmanship Though not a graffiti artist in the traditional sense, Mark Powell’s aesthetic and thematic sensibilities place him in close proximity to the conceptual edge of street art. His commitment to drawing as an act of observation and confrontation, along with his use of humble materials and deadpan subject matter, places his work within the wider umbrella of street-conscious fine art. Heart and Soul does not shout, but it never looks away. It is an elegy rendered in ink—a ballpoint requiem that speaks with the same depth as murals, stencils, and protest posters inked on alley walls.

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