Mixed Media

Kent Hrbek/ OJ Simpson- Twins Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Kent Hrbek/ OJ Simpson- Twins

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Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Where The Hose M30 by OG Slick: Urban Commentary and Graffiti Wit in Street Pop Art & Graffiti Artwork Where The Hose M30 is a 2025 hand-embellished giclee print by OG Slick, presented in a limited edition of 25. Each 30x30 inch print is produced on 310gsm deckled fine art paper, signed and numbered by the artist, and uniquely hand-finished using spray paint and various graffiti techniques. The central subject is a fire hydrant—painted, stickered, and transformed—set against a stark background, with the hand-scrawled question Where the hose at? hovering above in playful red script. The image merges cheeky wordplay with street realism, combining slick visual execution and raw cultural irreverence. Every HPM version differs, each featuring its own variation of paint splatter, spray application, and embellishment marks, reinforcing the individuality and rebellious spontaneity embedded in Street Pop Art & Graffiti Artwork. Symbolism, Humor, and Street-Level Critique The fire hydrant in Where The Hose M30 is rendered with a gritty aesthetic, adorned in layers of graffiti, tags, and stickers including OG Slick’s signature Japanese text, cartoon gloves, and pop references. These decals give the hydrant the look of a public object long claimed by urban artists. The playful title scrawled above evokes both literal and slang meanings, inviting multiple interpretations—part street joke, part cultural commentary. Whether read as a nod to graffiti beefs, territorial markings, or masculine bravado, the question itself is as much a provocation as it is a punchline. Some variants in the edition feature bursting spray streams, others are overlaid with bold magenta or buffed whiteout gestures, each echoing the transient, ever-changing nature of city surfaces and graffiti culture. Within Street Pop Art & Graffiti Artwork, OG Slick uses this hydrant not only as a subject but as a symbol of pressure, release, and public infrastructure hijacked by personal voice. OG Slick’s Artistic Practice and Visual Language OG Slick, a fixture of Los Angeles graffiti culture since the 1980s, is renowned for remixing commercial and municipal iconography through a filter of street aesthetics and satirical wit. His work blends cartoon-based visual familiarity with hardcoded graffiti influence, often embedding commentary on fame, ownership, and identity. In Where The Hose M30, he recontextualizes the mundane—turning a utilitarian fire hydrant into a sculptural character that carries attitude, history, and street-coded meaning. By layering his personal motifs over a public object, Slick continues his career-long tradition of turning the overlooked into a bold visual narrative. His attention to detail in both form and wordplay makes this piece an extension of the graffiti wall, a flat surface alive with attitude, cultural shorthand, and layered contradiction. Edition Variation and Urban Artifact Value As with all HPM releases by OG Slick, each copy of Where The Hose M30 is one of a kind. While the base giclee ensures fidelity to the original digital layout, the embellishments disrupt that uniformity, introducing chaos, imperfection, and hand-executed energy. Some prints are saturated in pink or buffed out with white spray, while others are activated with directional burst marks and smudges of black ink. These choices give each collector a unique relationship to the piece, similar to how different graffiti tags evolve across the city depending on who sees them, alters them, or covers them. OG Slick captures that energy in a fixed format that still feels in flux. The deckled paper adds a tactile frame to the work, reinforcing its status as both high art and cultural subversion. In Street Pop Art & Graffiti Artwork, Where The Hose M30 stands as a sharply humorous yet technically refined work that reclaims public visual space and retools it with attitude, commentary, and urban soul.

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Prescient Original Modern Pop Art Gold Leaf & Graphite Pencil Drawing on Cradled Wood by Artist Craww. Signed 2014 Gold Leaf Mixed Media Pencil Drawing on Cradled Wood 12x16

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Blackjack HPM Hand-Embellished Mixed Media Silkscreen Art on Framed Canvas by Artist Steve Kaufman SAK Contemporary Pop Artwork. 2000 Signed & Numbered on Back HPM Hand Embellished Limited Edition of 25 Artwork Size 16x16

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El Halcon del Mar- Blue Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with freehand styles with a spray can." - Stinkfish Small dings or digs in the paper along top white margins that do not penetrate paper. Minimal. Affixed to Black Board, Unframed.

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John Lennon 02 Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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A Contemporary History of Chicago Printmaking HPM Signed Silkscreen by Chris Hefner 2-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2013 Signed & Numbered HPM Hand-Embellished Limited Edition of 48 Artwork Size 18x24 Signed By Hand In Person By Chicago Printmaker Artists: 1. Steve Walters (Screwball Press) 2. Bob Hartzell 3. Crosshair (Dan MacAdam) 4. Jay Ryan (The Bird Machine] 5. Dan Grzece 6. Mat Daly 7. Dan Black (Landland) 8. Erin Page Armstrong (Kill Hatsumomo) 9. Ethan D'Ercole 10. Josh Davis 11. Kathleen Judge 12 Lloyd Patterson Jr. 13. Zissou Tasseff Elenkoff (FugScreens Studios) 14. Delicious Design League (Billy Baumann & Jason Teagarden-Downs) 15. Johnny Sampson 16. Ryan Duggan 17. Sonnenzimmer (Nadine Nakanishi & Nick Butcher) 18. Kyle Baker 19. Justin Santora 20. Michael Lauriano 21. Nate Azark 22. Adam Hanson 23. Billy Craven 24. Chris Hefner 25. Andrew Ghrist A Contemporary History of Chicago Printmaking HPM Signed Silkscreen by Chris Hefner A Contemporary History of Chicago Printmaking is a striking 2-color screen print on fine art paper created by Chris Hefner in 2013. This limited edition print is an HPM-embellished work, with only 48 signed and numbered copies. The artwork measures 18x24 inches and serves as a historical visual record of the evolution of printmaking in Chicago. It features signatures from some of the most influential Chicago printmakers, including Steve Walters of Screwball Press, Jay Ryan of The Bird Machine, Dan MacAdam of Crosshair, and Zissou Tasseff Elenkoff of FugScreens Studios. The inclusion of these artists highlights the impact of Street Pop Art & Graffiti Artwork in shaping the printmaking landscape of Chicago. Visual Composition and Concept The print employs a structured timeline format, with bold red and blue ink creating a visually compelling piece that charts the progression of contemporary printmaking in Chicago. The design is both informational and artistic, making use of circular imagery to symbolize different milestones, artists, and studios that have contributed to the evolution of screen printing in the city. The typography and layout reflect influences from mid-century design aesthetics while maintaining an urban edge that aligns with the spirit of Street Pop Art & Graffiti Artwork. The organic branching structures within the composition evoke the interconnected nature of the printmaking community, illustrating how various artists and movements have influenced each other over time. Street Pop Art & Graffiti Artwork Influence Chicago has long been a hub for Street Pop Art & Graffiti Artwork, and this print acknowledges that history by featuring artists known for their work in screen printing, gig posters, and independent publishing. Many of the artists who signed this print have roots in underground art scenes, where screen printing has played a vital role in creating posters, street art, and commercial artwork that blends fine art with urban culture. The vibrant red and blue inks recall classic advertising and propaganda poster aesthetics, reinforcing the connection between printmaking and public art. The work of artists like Jay Ryan, Dan Grzeca, and Sonnenzimmer has left an undeniable mark on the scene, making this piece an essential artifact in understanding Chicago’s contribution to Street Pop Art & Graffiti Artwork. Significance of Hand-Signed Editions The print is signed in person by 25 artists, making it a rare collectible that bridges multiple generations of Chicago printmakers. The presence of signatures from influential figures in the industry adds to its historical and artistic value. Each signature represents an artist who has contributed to the expansion of screen printing as an art form, whether through gig posters, gallery prints, or street-inspired work. The handmade nature of screen printing ensures that each piece carries a unique quality, with subtle variations in ink application that make every print distinct. This work stands as both a piece of contemporary print history and a celebration of the artists who continue to push the boundaries of Street Pop Art & Graffiti Artwork in Chicago and beyond.

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Let Love In HPM Unique Collage Print by MCXT- Monica Canilao x Xara Thustra 8-Color Screen Print on Recycled Upcycled Paper & Fabric Textile Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Screen Print, Collage, Gouache, Cloth & Thread HPM Embellished Limited Edition of 30 Artwork Size 9.5x25 on Recycled Upcycled Paper, Mixed Media & Fabric Textile. The Essence of Mixed Media in Street Pop Art Monica Canilao and Xara Thustra, known for their vibrant contributions to street art and pop culture visuals, have embraced mixed media's eclecticism to its fullest. The artwork is a culmination of various recycled papers, thread, trim, fabric, pink vinyl, acrylic paint, silk screen ink, gouache, and other mixed media, all coming together to create a textural symphony that is as much about the medium as it is about the message. The "Let Love In HPM Unique Collage Print" by the collaborative artistic duo MCXT, which comprises Monica Canilao and Xara Thustra, is a riveting piece of art that stands at the intersection of pop art, street art, and graffiti artwork. This unique artwork is part of a limited edition series, with only 30 pieces created, each bearing its distinct characteristics due to the handcrafted nature of the prints. Exclusivity and Technique Each print in the series has been treated with an 8-color screen printing process, laying the foundation for the following intricate collage work. After the initial printing, the artists have taken to collaging, sewing, and hand painting on each print, ensuring that every print is unique. This technique not only underscores the exclusivity of each piece but also reflects the street art ethos of creating something unique and personal, a direct contrast to the mass-produced images that often characterize the consumer culture critiqued by pop art. Dimensions and Physicality The tangible aspect of the artwork is notable, with its dimensions stretching to 9.5x25 inches. Using recycled and upcycled materials is not just an artistic choice but also a statement on sustainability and the reusability of often discarded materials. The incorporation of cloth and thread adds a dimension of domesticity and handiwork, which contrasts with graffiti art's traditionally masculine and urban connotations, thus offering a commentary on gender roles within the art world and beyond. Collaborative Synergy The collaboration between Monica Canilao and Xara Thustra melds minds and styles, which is evident in the work. Canilao's background in creating detailed, intricate worlds full of personal symbolism complements Thustra's bold, graphic approach, which often includes textual elements and a clear, strong message. The synthesis of these two approaches results in a piece that is layered not just in its physical makeup but also in its conceptual depth. Cultural and Artistic Significance "Let Love In HPM Unique Collage Print" is a testament to the power of street pop art and graffiti artwork to comment on and interact with the broader cultural discourse. With its handcrafted individuality, the artwork challenges the notion of art as a commodity and reasserts it as a means of personal expression and social commentary. It's a celebration of the DIY ethos and the cultural significance of street art as a form of public dialogue and resistance. This limited edition artwork by MCXT is a powerful piece that captures the essence of street pop art and graffiti through its use of mixed media, its handcrafted nature, and collaborative spirit. The artwork serves as both a visual feast and a sociocultural commentary, bridging the worlds of fine art, street aesthetics, and environmental consciousness.

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El Halcon del Mar- Black Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with free hand styles with a spray can." - Stinkfish

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The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

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Pop Bart- Hand-Painted Variant VI Limited Edition Hand-Embellished HPM Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: October 04, 2021 Run of: 1

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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Work Well Together- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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New Hebru Brantley Forum MID RT Shoe Size 6.5 Rare Limited Edition Sneaker Artwork Collectible by Hebru Brantley x Adidas. 2022 Limited Edition/Out of Print Hebru Brantley Forum MID RT- Size 6.5 Skate Sports Tennis Shoe Sneaker New In Box. Core Black / Tech Olive / Cloud White. New Never Worn with Box & Charm. "More than just leather & laces, these Adidas Originals x Hebru Brantley Forums are about legacy. Furthering our collective mission to create uplifting conversations around empowerment by championing Black heroes, creativity, and art, we are inspired to stand 'TEN TOES DOWN' for what we believe in. Every time you slip into these Adidas Originals x Hebru Brantley Forums, you'll be reminded to stay true to who you are and where you want to go. Hebru's characters (Frogboy and Rocket) help to tell the story while empowering us to be the best versions of ourselves. Popping from the outsole and hidden on the sock liner, a hand-drawn, custom interpretation of the Trefoil by Brantley signs it off." -Adidas x Hebru Brantley. Hebru Brantley x Adidas: A Confluence of Sneaker and Street Pop Art The Hebru Brantley Forum MID RT size 6.5 is a remarkable fusion of sneaker culture and street pop art. It is emblematic of a burgeoning era where footwear transcends its utilitarian purpose to become a canvas for artistic expression. Released in 2022, this rare limited edition sneaker is a collectible that embodies the spirit of collaboration between the acclaimed artist Hebru Brantley and the iconic sportswear brand Adidas. The sneaker, core black with tech olive and cloud white accents, is more than a fashion statement; it is a wearable piece of art that encapsulates Hebru Brantley's ethos and Adidas' innovative spirit. The collaboration goes beyond aesthetics, ingraining a narrative of empowerment and legacy within the shoe's design. Brantley's distinctive characters, Frogboy and Rocket, are not merely decorative elements but are integral to the story these shoes narrate—one of championing Black heroes, creativity, and art. The sneakers are imbued with the message to stand "TEN TOES DOWN" for one's beliefs, a call to remain unwavering in adversity. This message resonates deeply within the context of street pop art and graffiti artwork, which have long been mediums for social commentary and personal expression. Artistic Details and Symbolism in Hebru Brantley's Sneaker Design Each detail in the Hebru Brantley Forum MID RT size 6.5 is meticulously crafted, reflecting the artist's signature style that draws from various cultural influences, including comic books, Japanese anime, and the aesthetics of street art. The bold use of color and character design is a testament to Brantley's ability to tell stories through his art, engaging with broader themes that inspire and provoke thought. The sneakers feature a hand-drawn, custom interpretation of the Adidas Trefoil by Brantley, a unique signature that adds to the collectible value of the footwear. The sneaker becomes a statement piece that challenges the wearer to stay true to who they are and where they aspire to go, echoing the empowering narratives often found in Brantley's larger body of work. Including Brantley's art in a mainstream product like an Adidas sneaker is a nod to the growing recognition of street pop art and its ability to crossover into different aspects of consumer culture. The Collectibility and Cultural Impact of Hebru Brantley's Adidas Sneaker The limited edition nature of the Hebru Brantley Forum MID RT size 6.5 sneakers positions them as highly sought-after collectibles within the realms of sneakerheads and art collectors alike. The intersection of streetwear and art has given rise to a new dimension of collectibility, where the value is derived from both the artistic merit and the exclusivity of the product. These sneakers, new in the box and out of print, represent a moment in contemporary culture where the lines between fashion, art, and personal identity are increasingly blurred. The cultural impact of this collaboration is significant, signaling a shift in how art is consumed and appreciated. Street pop art and graffiti artwork, traditionally seen on walls and in galleries, find a new medium of expression that literally moves through the world. Hebru Brantley's collaboration with Adidas is a celebration of this movement, a tribute to the dynamism of street art and its enduring influence on contemporary culture. Legacy of Hebru Brantley's Forum MID RT Sneaker The legacy of Hebru Brantley's Forum MID RT sneaker with Adidas will be measured by its enduring appeal to those who seek meaning in what they wear. This sneaker stands as a beacon of artistic collaboration, inspiring future partnerships that bridge the gap between various creative industries. Brantley's involvement in this project exemplifies the potential of street pop art to transcend traditional boundaries, encouraging dialogue and expression through mediums that are part of our everyday lives. The Hebru Brantley Forum MID RT size 6.5 is not just footwear but a cultural artifact that encapsulates the vibrant intersection of street pop art, fashion, and social empowerment. Through this collaboration, Hebru Brantley and Adidas have crafted more than just a sneaker—they have created a platform for storytelling, empowerment, and artistic expression that resonates with the contemporary zeitgeist.

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Neon Pink Black Widow Spider HPM Mixed Media Unique by Saber Hand-Painted Ink, Colored Pencils, Marker, Highlighter on Fine Art Paper Graffiti Street Artist Modern Pop Art.  2023 Signed & Numbered Mixed Unique Edition Original Series Edition of 25 HPM Hand-Drawn Pen Ink, Highlighter Marker, Marker, and Colored Pencils Artwork Size 3.5x3 Mini Drawing of the Pink Spiders & Black Widow Spider. Includes Hand Painted & Tagged Cardboard. Intersecting Nature and Urban Expression in Saber's Art The 'Neon Pink Black Widow Spider HPM Mixed Media Unique' series is a stunning representation of street pop art's versatility and depth, created by the renowned graffiti artist Saber. This 2023 collection, a numbered series of 25 unique hand-painted multiples (HPM), features miniature 3.5x3 inch drawings of black widow spiders rendered in a striking neon pink. These pieces are accompanied by hand-painted and tagged cardboard, combining natural motifs and urban art sensibilities. Saber's Mixed Media Mastery Saber, an artist whose works are embedded in the DNA of modern street art, utilizes a diverse range of materials such as pen ink, highlighter, marker, and colored pencils to bring these arachnids to life. The neon pink is arresting and symbolic, challenging the viewer's perceptions of danger and attraction. In the natural world, bright colors often serve as a warning, and in the urban landscape, they demand attention – a parallel that Saber skillfully draws upon in his artwork. The inclusion of hand-painted cardboard adds an element of raw authenticity to the series. Cardboard, a ubiquitous and often discarded material, is transformed into a valuable part of the art, questioning the hierarchy of materials and the value assigned to different mediums. This approach is emblematic of street pop art's capacity to elevate the mundane and to find beauty in the overlooked. Themes of Survival and Beauty Black widow spiders are creatures that evoke a mixture of fear and fascination. Saber taps into this duality, using the spiders as a metaphor for resilience and the delicate balance between beauty and danger. This narrative is particularly resonant within the context of street pop art and graffiti artwork, where the act of creation itself is often a form of survival and defiance. The spiders, set against Saber's signature tags backdrop, embody the tension inherent in street art – the push and pull between legality and expression, between the individual artist and the broader community. Through his neon pink black widows, Saber invites a dialogue about the interplay between instincts and urban environments and the instinctual drive to leave a mark through silk webs or spray paint.

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Ryon Healy/OLY Man- Athletics Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Ryon Healy/OLY Man- Athletics

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Statue of Liberty II Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Stamped On Verso HPM with Metallic Inks Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

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Statue Of Liberty I Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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The Professor Original Acrylic Spray Paint on Reclaimed MTA NYC Subway Panned Changes Notice Framed Painting by Dr Revolt One of a Kind Artwork by Street Art Pop Artist. 2022 Signed Acrylic & Spray Paint Painting Original Artwork Size 10.5x16.25 Reclaimed MTA New York Subway Train Notic Graffiti Artork by Dr Revolt. Framed Dimensions 20.25 X 14.25 Inches. The Professor by Dr Revolt – Spray-Painted Nostalgia on NYC Subway Ephemera in Street Pop Art & Graffiti Artwork The Professor is a 2022 original artwork by graffiti legend Dr Revolt, created using acrylic and spray paint on a reclaimed MTA New York City subway service changes notice. Measuring 10.5 x 16.25 inches and presented in a frame with dimensions of 20.25 x 14.25 inches, this piece exemplifies Dr Revolt’s iconic blend of graffiti heritage, comic illustration, and satirical urban commentary. Set atop an authentic F-line transit alert, the work brings together handstyle tags, wildstyle bursts, and a central cartoon character in a dynamic collision of color and street storytelling. The result is a one-of-a-kind fusion of lived infrastructure and pop narrative, transforming a routine public document into a canvas for visual mischief, rebellion, and style-driven identity. In the context of Street Pop Art & Graffiti Artwork, The Professor becomes both artifact and artwork, bridging functional signage with rebellious customization. Cartoon Authority and Urban Intelligence At the heart of The Professor is a blue-toned cartoon character rendered in Dr Revolt’s signature style, featuring thick outlines, oversized glasses, a scholarly cap, and dual spray cans. The character’s pose suggests both control and chaos, symbolizing the duality of graffiti culture—part scientific precision, part spontaneous eruption. The figure doesn’t just tag the wall; he commands it, studies it, and transforms it. This character can be read as a stand-in for the artist himself, or for the archetype of the graffiti writer as both outlaw and urban philosopher. The background retains legible fragments of the MTA’s bilingual text, timestamps, and service disruptions—markings of the everyday public rhythm now layered with an expressive intervention. Within Street Pop Art & Graffiti Artwork, the use of cartoon iconography as urban persona ties street visuals to mass culture and lowbrow illustration traditions. Handstyle, Wildstyle, and the Power of the Surface Spray fades in teal, violet, and neon yellow radiate across the surface, punctuated by splatters and black bubble forms. The word bubble motif becomes both graffiti cloud and comic exclamation. The handstyle tag in the lower left corner bears Dr Revolt’s recognizable moniker, with additional markings from RTW—Rolling Thunder Writers—paying homage to one of the most influential graffiti crews of the 1970s and 80s. These tags are not mere signatures; they are declarations of presence, lineage, and contribution to a culture built on walls and transit systems. The subway service notice beneath adds not just texture but meaning. It marks time and place. The repurposed paper substrate becomes a relic of New York’s transit ecosystem, layered with revolt, energy, and neon nostalgia. Dr Revolt and the Historic Legacy of Street-Based Disruption The Professor captures what makes Dr Revolt a defining force in the evolution of graffiti into Street Pop Art & Graffiti Artwork. He moves easily between character design, wildstyle legacy, comic influences, and social critique—all while remaining anchored in the core principles of graffiti: mark-making, disruption, authorship, and repetition. By using a reclaimed MTA service notice as his canvas, he links the rhythms of the city to the rhythms of art, echoing how writers hijacked infrastructure in the golden era of subway graffiti. This piece is not simply playful—it is historical. It is a reminder that graffiti is not just color or attitude but commentary, action, and remembrance. In The Professor, Dr Revolt delivers a witty, stylish, and layered love letter to New York, graffiti, and the endless possibilities of reimagining the surface.

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Mini Abstract Shadowbox 05_5a Original Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Paper Framed by Street Art Pop Artist. 2022 Signed Mixed Media Spray Paint Acrylic Colored Pencil Original Painting Size 7x5. Each box is hand sanded. Each piece is signed and titled, Each shadowbox comes ready to hang "These are little gems! This series was particularly interesting when my son shined a black light on them. I stumbled upon these shadow boxes, which inspired me to work on different series. The pieces are leftover paper tears from handpainted multiples from my past. I save the painted paper scraps that I like. Each one is an original piece, and I enjoyed spending time working with each miniature painting." -Saber

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Spider Andy- White Suit 5-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Andy Warhol x Spider Man Marvel Comics. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: April 14, 2021 Run of: 7. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

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Popcorn Bowie Mixed Media Sculpture by Yusuke Hanai x Netflix Limited Edition Modern Pop Graffiti Street Art Artwork. 2023 Stamped & Numbered Limited Edition of 500 Artwork Sculpture Figure Size 2x7.3 Bowl 8.27x8.27 New In Box. The Artistic Synthesis of Pop Culture and Street Art: Popcorn Bowie by Yusuke Hanai x Netflix In modern pop graffiti and street art, "Popcorn Bowie," a mixed media sculpture by Yusuke Hanai in collaboration with Netflix, emerges as a significant piece. This 2023 creation is a testament to the artist's skill and a cultural commentary bridging the world of entertainment and fine art. With its unique design, the figure is stamped and numbered as a limited edition of 500, ensuring its status as a collectible piece. The sculpture itself is compact, with the figure size at 2x7.3 inches, and is presented with an 8.27x8.27 inches bowl, new in the box. Yusuke Hanai, a Japanese artist known for his distinct style that draws from traditional Japanese aesthetics and the global surf culture, has infused "Popcorn Bowie" with a playful yet thoughtful character. This work is an ode to the era of street pop art, wherein elements of graffiti's spontaneity and pop art's fascination with mass culture converge. The sculpture is a nod to the iconic figure of David Bowie, a fitting subject for a piece that seeks to embody the spirit of pop art, with its constant dialogue with popular culture and celebrity. The relaxed posture of the figure, coupled with the inclusion of a popcorn bowl, suggests a moment of leisure and entertainment, themes frequently explored in Hanai's work. The artwork's title, "Popcorn Bowie," evokes a sense of casual enjoyment while referencing the legendary music icon known for his transformative and boundary-pushing persona. This duality is at the heart of street pop art — the everyday meeting of the extraordinary and the mundane interspersed with sparks of brilliance. Materiality and Meaning in Popcorn Bowie: A Contemporary Artifact Materially, "Popcorn Bowie" is a symphony of various media, indicative of the street pop art tradition of utilizing diverse materials to create multifaceted works. The sculpture's mixed media nature — likely including elements such as resin, paint, and possibly more unconventional substances — resonates with the principle of graffiti art, which uses whatever materials are available to communicate with the public. Each sculpture, part of a limited series, bears the mark of exclusivity and is a tangible piece of Hanai's vision, stamped and numbered to assert its authenticity and collectibility. The narrative that "Popcorn Bowie" encapsulates is reflective of the times — a modern piece that draws from various facets of contemporary life. The collaboration with Netflix, a giant in modern entertainment, highlights the intersection of street art's underground roots with mainstream cultural phenomena. This partnership is a testament to the evolving nature of street pop art and graffiti artwork, where countercultural movements now engage openly with corporate entities, signaling a new chapter in the art form's history. Cultural Implications of Yusuke Hanai's Collaboration with Netflix The cultural implications of such a collaboration are vast. Yusuke Hanai's "Popcorn Bowie" becomes an object of visual delight and a marker of the times. It signifies the breaking down of barriers between different artistic disciplines and the increasing recognition of street pop art within the broader context of cultural production. The sculpture's connection to Netflix — a platform that has revolutionized the way stories are told and consumed — adds a layer of contemporary relevance to the piece, making it a modern artifact that is both a work of art and a cultural commentary. In essence, "Popcorn Bowie" is more than a sculpture; it is a conversation piece that invites reflection on the nature of art, entertainment, and the spaces in between. As a limited edition work, it represents the artist's unique vision and captures the zeitgeist of the era in which it was created. Collectors and admirers of street pop art and graffiti artwork will find in "Popcorn Bowie" a convergence of playfulness and profundity, a hallmark of Yusuke Hanai's artistic journey and a vibrant example of the continuous evolution of street-inspired art.

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Defend Your Love Original One of a Kind Marilyn Monroe Mixed Media Collage Painting Artwork on Canvas by Popular Street Art Pop Culture Artist Indie184- Soraya Marquez. 2017 Signed Original Mixed Media Acrylic & Spraypaint Collage Painting Size 24x36 Indie184 (Soraya Marquez) (b. 1980) Defend Your Love, 2017 Mixed media collage on canvas 36 x 24 inches (91.4 x 61 cm) Signed and dated in ink on reverse

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Ceci N'est Pas Une Peter Griffin Original Painting Acrylic & Aerosol on Canvas by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 27x19 "This new body of work is a blend of my graffiti roots, where I developed my unique voice. At the same time, there's also an aspect of this work that is " not taking yourself too seriously, vandalizing your icons," Shark Toof said while preparing in Detroit. "I like Detroit because it is very do-it-yourself, and I am a very do-it-yourself artist, so it is a great fit for me."-Shark Toof The Artistic Dialect of Shark Toof: Subverting Pop Culture Icons Shark Toof's "Ceci N'est Pas Une Peter Griffin" is a compelling piece that showcases the artist's deft blend of graffiti roots with the playful irreverence of modern pop art. Created in 2014, this original painting embodies Shark Toof's unique voice, a voice he has cultivated through his deep connections with the street art movement. This artwork, measuring 27x19 inches, is a striking example of his mixed media mastery, incorporating acrylic and aerosol on canvas. In this piece, Shark Toof engages with the familiar iconography of pop culture, specifically the well-known character Peter Griffin from the animated sitcom "Family Guy." However, in true street art fashion, Shark Toof takes this familiar image and subverts it, adding layers of meaning and challenging the viewer's perceptions. The title, a nod to René Magritte's famous work, plays with the idea of representation and reality, encouraging viewers to question what they see. The painting's mixed media approach is characteristic of street pop art, which combines various techniques and materials to create dynamic visuals. Shark Toof's use of bold colors and exaggerated features captures the essence of graffiti art's impact while paying homage to pop art's stylized aesthetics. His work does not shy away from humor or satire; instead, it embraces these elements to deliver a more profound commentary on the nature of celebrity, fandom, and the art world itself. In the context of street pop art and graffiti artwork, Shark Toof stands out as an artist who embodies the DIY spirit of the genre. His affinity for cities like Detroit, with their rich industrial pasts and vibrant street art scenes, speaks to his commitment to the grassroots nature of his craft. Shark Toof's work, including "Ceci N'est Pas Une Peter Griffin," is a visual feast and a testament to the transformative power of street art in the modern era. Through his art, Shark Toof continues to push the boundaries of street pop art, showcasing its potential to be both playful and piercingly insightful. His ability to navigate the intersection of street art and fine art while maintaining a sense of authenticity and approachability ensures that his work resonates with a broad spectrum of art enthusiasts and collectors alike.

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Inside Out in Shimmering Red/ Jerry B-Side HPM 2-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink and Spraypaint⁠ on 310 gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. A new hand-painted small edition print from the studio. This one featuring the "Inside Out" image. A classic studio edition, hand-painted and printed, each with its own touches. This paper is heavy, worked deep, and stained up. Inside Out in Shimmering Red / Jerry B-Side 38 x 25 Hand-Painted Varied Edition of 24 
Acrylic and Silkscreen Ink on Archival Paper Stamped, Embossed
 and Signed Faile 1986

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Lion Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Black Book Graffiti Original Personal Drawing Journal by Stay High 149- Wayne Roberts Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. STAYHIGH149 x  2003 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11. Good, Some Wear And Tear And Some Pages Seem To Be Missing. This one-of-a-kind black book once belonged to the legendary STAYHIGH149, a true icon in graffiti history. It's more than just a sketchbook—it's a cultural artifact worthy of a museum collection. Inside, you’ll find over 130 pages filled with raw, authentic tags and pieces not only by STAYHIGH149 but also by his close collaborator Dead Leg and influential figures like TRACY 168, among others. This Black Book is bursting with visual history. The back cover is also adorned, making this a full-spectrum look into the underground art of an era. Historic Black Book from Graffiti Legend STAYHIGH149 This original drawing journal is a profoundly rare and culturally significant piece directly tied to the late Wayne Roberts, better known as STAYHIGH149. A cornerstone figure in the early development of New York City graffiti, STAYHIGH149 left an indelible mark on the movement with his iconic “smoker” tag and elevated letterforms. The black book featured here is not just a collection of pages—it is a museum-worthy artifact that reveals the soul of 1970s and 1980s graffiti culture through the hands of its pioneers. It is signed and marked throughout, and was actively used in the early 2000s, serving as a visual time capsule of creativity, brotherhood, and raw street energy. Hand-Tagged Pages from Graffiti’s Original School The black book, measuring 8.5 by 11 inches, contains over 130 pages of unfiltered tags, throw-ups, characters, and sketches—each one layered with markers, spray paint, stickers, and mixed media. Some pages are crossed out or worn, showing the passage of time and the frequent use by the artist and his close circle. Inside, the presence of Dead Leg, STAYHIGH149’s trusted collaborator, is heavily featured, along with pieces and dedications from other legends such as TRACY 168. These works are not curated—they are raw, spontaneous, and packed with style, making them some of the most authentic surviving street pop art & graffiti artwork on paper. Some pages are fully saturated with color while others feature quick bursts of lettering and iconic character drawings. Physical Condition and Artistic Integrity This one-of-a-kind black book carries the physical evidence of its use: some pages are missing, many have edge wear, and a few feature ghosting from marker bleed. Yet this only enhances its credibility as an active tool and companion for one of graffiti’s most visionary figures. The outside covers are heavily adorned in ink and paint, with the back featuring phrases like “Voice of the Ghetto”—a message that aligns directly with the legacy of Wayne Roberts. Inside, the mixture of bubble letters, classic tags, and stylized drawings represents decades of urban art tradition transferred from subway cars and city walls onto a personal canvas. Legacy Captured in Street Pop Art & Graffiti Artwork This black book isn’t a reproduction or retrospective. It is a living archive of graffiti history, created by the hands of those who built the culture from the ground up. STAYHIGH149 remains a towering figure in the world of graffiti, and this book reflects the camaraderie, influence, and unrelenting drive that defined an entire era. It is a powerful example of how street pop art & graffiti artwork evolved beyond city streets to become a revered form of contemporary expression. This black book is a rare opportunity to witness the underground art world as it was—personal, unfiltered, and immortal.

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Street Shatter Art Epoxy Wood Mixed Media on Street Signed Framed Sculpture/Painting Artwork by street pop culture artist Sechor. 2021 Signed Artwork Size 20x20 Ready To Hang Framed Original Mixed Media Wall Art Sculpture made of epoxy mixed with wood chips on a real "Do Not Enter" street sign in a handmade frame, ready to hang.

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Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Ken Dayley/Retro Farmer- Cardinals Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Ken Dayley/Retro Farmer- Cardinals

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Temple Dancer Collectors Edition HPM Hand Embellished Silkscreen by Marwan Shahin 4-Color Print Acrylic Diamond Dust on Soy-Stained Egyptian Papyrus Paper. 2022 Signed & Numbered Acrylic Diamond HPM Embellished Limited Edition of 15 Artwork Size 14x17.5 Marwan Shahin Temple Dancer Collectors Edition HPM Silkscreen Temple Dancer Collectors Edition by Marwan Shahin is a 2022 hand embellished silkscreen that merges sacred architectural ornamentation with contemporary surface experimentation, positioned within Street Pop Art & Graffiti Artwork. The composition presents a central female dancer framed within an elaborate temple-like structure rendered in rich gold tones. The dancer moves across a black and white checkered floor set against a cosmic night sky, creating a layered contrast between ritual, geometry, and infinite space. The ornate frame is densely detailed with symmetrical motifs, winged forms, and intricate patterns that echo ancient Egyptian design language while maintaining a bold graphic clarity associated with modern street-influenced aesthetics. Ritual Movement and Architectural Symbolism Marwan Shahin is an Egyptian contemporary artist who remains active and is recognized for integrating Pharaonic ornamentation with modern visual culture. In Temple Dancer, the figure appears poised in mid-motion, embodying rhythm and ceremony within a meticulously constructed shrine setting. The temple frame functions not only as decoration but as a symbolic portal, separating earthly performance from celestial backdrop. The checkered floor introduces a geometric element that contrasts with the organic papyrus texture, reinforcing themes of balance between structure and spontaneity. Within Street Pop Art & Graffiti Artwork, this fusion of ancient ritual imagery and contemporary graphic execution reflects a broader practice of reinterpreting heritage through a modern lens. Hand Embellishment, Materials, and Edition Rarity This collectors edition is a four-color silkscreen print enhanced with acrylic and diamond dust embellishments, making each example unique within the edition. The artwork is printed on soy stained Egyptian papyrus paper, a historically significant surface that introduces natural fiber texture and tonal variation. Measuring approximately 14 by 17.5 inches, the piece is signed and numbered in a limited edition of 15, underscoring its exclusivity. The hand applied acrylic and diamond dust accents add dimensional highlights that interact dynamically with light, intensifying the gold architectural details and celestial elements. As a work aligned with Street Pop Art & Graffiti Artwork, Temple Dancer Collectors Edition stands as a refined fusion of ritual iconography, material experimentation, and limited edition craftsmanship.

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Storm Trooper Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Billie is Beautiful- Magenta Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Detroit Series 25 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x16 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 The Evolution of Cope2 in Street Pop Art and Graffiti Artwork Within the pantheon of street pop art and graffiti artwork, Cope2 stands as a figure of significant importance, a name synonymous with the gritty roots and dynamic evolution of the genre. The "Detroit Series 25 Original Painting" is a testament to the artist's journey through the ever-changing landscape of urban art. This 2010 signed and titled original piece, measuring 24x16 inches, fuses spray paint, acrylic paint, and mixed media on a cradled wood panel, embodying the essence of what Cope2 has termed as 'hardcore graffiti.' Yet, it does more than that. It showcases a readiness to hang graffiti artwork that pulsates with the energy of bubble letters, a signature style that has made Cope2 a celebrated figure in modern pop art. This piece is not simply a static work of art; it narrates the story of Cope2's artistic evolution. Having spent over three decades dedicated to the craft of graffiti, Cope2 has earned recognition not just for his adherence to the raw foundations of graffiti but also for his adaptability and his embrace of mixed media approaches. The "Detroit Series 25" reflects this transition, showcasing how the artist has progressed from the streets to the studio, from the brief to the enduring. Cope2's Artistic Journey and Influence on Modern Art In the artist's words, Cope2 has described his artistic journey as one marked by versatility and evolution. The shift from exclusively employing spray paint to a multifaceted array of mediums signals a broader trend within street art's integration into the fine art world. The "Detroit Series 25" is emblematic of this shift, combining traditional graffiti techniques with the tactile nature of acrylics and the solidity of wood as a canvas. This fusion reflects a sophisticated approach to street-inspired art, blurring the boundaries between an underground subculture and the polished gallery scene. Cope2's work, particularly in the "Detroit Series," can be seen as a cultural chronicle, documenting the rise of street art from subversive beginnings to mainstream acclaim. His pieces are imbued with the spirit of New York's urban landscape, the birthplace of contemporary graffiti, yet they speak to audiences far beyond the city's confines. Through his work, Cope2 has captured the visceral thrill of graffiti, the bold colors, the daring contours, and the unapologetic self-expression, all while translating it into a format that commands respect within the contemporary art sphere. Reflecting Social Narratives through Graffiti Artwork Cope2's "Detroit Series 25" is more than an aesthetic endeavor; it is a social statement, capturing the zeitgeist of its era. His art does not exist in a vacuum but as a vibrant commentary on the environment from which it springs. The artwork tells the story of transition, not just for the artist but for the medium of graffiti itself. Once relegated to the fringes of the art world, considered an act of vandalism, graffiti has been recontextualized through works like those of Cope2. These pieces reflect the changing narratives around street art, elevating it to a form of street pop art that mirrors society's evolving attitudes towards public space, ownership, and artistic liberty. The legacy of Cope2's "Detroit Series 25" lies in its ability to capture the imagination of a diverse audience, bringing the raw, unfiltered voice of the streets into the sanctified spaces of art galleries. It embodies the spirit of resilience and adaptability, allowing graffiti to endure and flourish despite often hostile societal perceptions. The artwork stands as a vibrant testament to the power of street pop art and graffiti artwork to transcend their origins, influencing and reshaping the modern art scene in profound ways. In contemplating the impact of the "Detroit Series 25," it becomes clear that Cope2's influence extends beyond the visual. His work, with its vivid imagery and poignant use of mixed media, underscores the potential of graffiti to act as a catalyst for dialogue and reflection. It is a powerful demonstration of the artist's ability to evolve while remaining true to the core tenets of his craft, ensuring that his work remains relevant and resonant in the fast-paced world of modern art. Through his creations, Cope2 has shown where he came from and what he is doing now, marking his indelible imprint on the fabric of street pop art and graffiti artwork.

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Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

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Face Invader- Pork Chop Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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From The Ground Up Round 2- #22 Original Hand-Painted Multiple 2-Color Screen Print on Reclaimed Wood ready to hang by Meggs Graffiti Street Artist Modern Pop Art. 2015 From The Ground Up Round 2 #22 Original HPM Painting Print by Meggs Ready To Hang Meggs Adapting his street art and graffiti to fine art has granted Meggs extensive opportunities to travel, professionally exhibit his work, and participate in mural festivals around the globe. His street art and gallery works are recognized nationally and internationally in cities such as Melbourne, Sydney, London, San Francisco, Paris, Tokyo, Hawai‘i, Mexico, Los Angeles, and Hong Kong. Meggs’ artworks are included in the permanent paper collections of the National Gallery of Australia and the Victoria & Albert Museum of London.

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Hirst Dots- Yellow Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and art master Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Minksy Original One of a Kind Mixed Media Painting Artwork Hand-painted 7-color Spray Paint, Stencil on Fine Art Paper by Popular Pop Artist Jeff Gillette. 2018 Signed Original Painting Size 8.5x11 Jeff Gillette (b. 1959) Minksy, 2018 Mixed media on paper 11 x 8-1/2 inches (27.9 x 21.6 cm) (sheet) Signed and titled along the lower edge

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Cubs Leaders- WW2 Troop Motorcycle Cop- Cubs Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Cubs Leaders- WW2 Troop Motorcycle Cop- Cubs

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Colby Lewis/ Astronaut- Rangers Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Colby Lewis/ Astronaut- Rangers

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Word Original Mixed Media Wood & Construction Fencing Sculpture Artwork by graffiti street artist modern pop artist Skewville. Word, early 21st century Wood and plastic 80 x 27 x 3-3/4 inches (203.2 x 68.6 x 9.5 cm) Signed in ink to reverse. 2007 Mild surface soiling; a bit of organic debris in a few corners.

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Malt & Mark 02 Original Painting Mixed Media, Acrylic, Spray Paint on Fine Art Paper by Malt x Mark Penxa Graffiti Street Artist Modern Pop Art. Custom Red Frame “We started this series in July of last year. I think that’s when we first met and talked about collaborating together. It wasn’t until last month that we finished the sculpture pieces. Even after the public showing this idea just kept on growing.” - Mark Penxa“The first go, we both poured in all our energy into creating the work and by the deadline we both felt like we had many more ideas to explore. So enter the “Endangered Species” series.” - Malt

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Bob Tewksbury/ Bald Man- Yankees Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Bob Tewksbury/ Bald Man- Yankees

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Stacked MTA Subway Map 11 Original Spray Painting by Cope2- Fernando Carlo One of a Kind Artwork on Real New York Train Map by Street Art Pop Artist. 2011 Signed Spray Paint Painting Original Artwork Size 22.8x28.9 Custom Framed Subway Map from New York City.

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Diamond FAILEdoodle- Red/Black 2-Color Hand-Pulled Limited Edition Silkscreen, Acrylic, Spraypaint, Silkscreen Ink and Glitter Print on Archival Lenox Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2022 Diamond FAILEdoodle: Red/Black 19 x 25 Inches Each variant an edition of 25 Acrylic, Spraypaint, Silkscreen Ink and Glitter on Archival Lenox 100 Signed, Stamped and Embossed A new breed of Faile Dog was born last year. First found on the streets of New York this pup found its way into the studio and really came to life. We've been pushing our shimmering print process lately and this felt like the perfect print to introduce this into our practice. Four different editions, two in red glitter and two in black glitter. All stained, sprayed, painted and printed; it's all the hallmarks of a studio print now with a lot more shine. Using the words of the artists themselves, the artwork “gives a person the sense that it is there just for them. That they've stumbled across this great little gem amidst the chaos of daily life that can really speak to them. We try to build in a certain ambiguity that leaves the door open for the viewer to find themselves within the story.” This relational character of the FAILE’s art corresponds and becomes amplified by their consistent travel and lack of a permanent studio until the mid-2000s. This resulted in the duo’s embracement and utilization of urban streets and, naturally, gave the produced work a “site-specific” character since public art inevitably adjusts itself to the location of the display.

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Tom Fruin Water Tower, Brooklyn, NYC Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Stamped On Verso HPM with Metallic Inks Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

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