Moab Entrada Fine Art Paper

Fenway Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art "Fenway Archival Print" by Scott Listfield is an art piece by the artist Scott Listfield, who is known for his distinct style of painting astronauts exploring landscapes filled with elements of pop culture and contemporary society. The title "Fenway Archival Print" is set in Fenway Park, the iconic baseball stadium in Boston, Massachusetts, home to the Boston Red Sox. Listfield has incorporated Fenway Park, the surrounding neighborhood, or some other related elements into the artwork, combined with his signature astronaut figure. Since this is an "archival print," the artwork is a high-quality reproduction of the original painting, using archival inks and paper to ensure long-lasting color and quality. These prints are often signed and numbered by the artist, making them valuable collector's items.

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Killer Season- CESpool Hand-Embellished Limited Edition Archival Pigment Print Art on 290gsm Moab Entrada Rag Bright Paper by Artist Ces One- Rob Provenzano Contemporary Pop Artwork. 2022 Signed & Numbered HPM Hand Embellished Limited Edition of 10 Artwork Size 18x24 Killer Season • Autographed archival pigment print • Additional hand-painted embellishments on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-embellished, signed and numbered by artist CES in a limited embellished edition of 10

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I Hate You More…… Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Urban Pop Artist Denial- Daniel Bombardier Modern Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 I Hate You More: A Bold Statement in Street Pop Art I Hate You More is a striking archival pigment fine art print created by urban pop artist Daniel Bombardier, known professionally as Denial. This 2022 limited edition artwork is a bold example of modern street pop art, featuring Denial's signature approach of blending vibrant visuals with sharp, provocative social commentary. Measuring 18 by 24 inches, the piece is printed on 290gsm Moab Entrada paper, a high-quality medium that enhances its visual intensity. Limited to only 25 signed and numbered prints, the work is both a collectible item and a powerful exploration of emotion and conflict in contemporary culture. The Visual and Emotional Impact of I Hate You More This artwork immediately draws the viewer in with its pop art-inspired aesthetic, reminiscent of mid-20th-century comic book styles. The bold use of primary colors and halftone patterns, paired with Denial's modern twist, creates a dynamic visual language that captures attention. The image depicts a couple in an intense embrace, with their speech bubbles conveying a raw and confrontational dialogue. The juxtaposition of romantic imagery and combative words delivers a jarring emotional impact, forcing the viewer to confront the complexities of relationships, love, and hate. The humor and irony embedded in the piece reflect Denial's ability to critique societal norms through street pop art. Denial’s Approach to Urban Pop Art Denial, born Daniel Bombardier in Canada, is a contemporary artist whose work often challenges consumer culture, politics, and societal expectations. His art merges the graphic energy of graffiti artwork with the cultural critique of pop art, creating pieces that are visually captivating and intellectually stimulating. I Hate You More exemplifies his approach, using familiar comic-style visuals to address deeper themes of human interaction and emotional conflict. By repurposing the visual language of mass media, Denial adds layers of meaning to his work, making it accessible yet thought-provoking. The limited edition nature of this print highlights its exclusivity, underscoring its value as a collector's item within the world of street pop art. The Modern Relevance of I Hate You More I Hate You More resonates in today's cultural landscape, where relationships and emotions are often amplified and complicated by modern communication. Denial’s ability to infuse humor and critique into his work makes this piece particularly impactful. The artwork invites the audience to reflect on their own experiences and the dualities of human connection. It also serves as a testament to the enduring influence of pop art and graffiti artwork in addressing contemporary issues. By combining visual appeal with meaningful commentary, Denial continues to solidify his place as a leading figure in modern street pop art.  

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Bollywood Sugar In Blue- Silver Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Couture Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Cotton Rag Paper by Artists Faile, Urban Pop Art Legends. 2022 Signed & Numbered Limited Edition of 300 Size 26x24 Signed, stamped, and embossed in the studio, Couture is an edition of 300. The print captures all the detail and painted texture right down to the drips. It's a luscious, vibrant archival pigment print on heavyweight matte art paper. Couture Print 26 x 24 inches Edition of 300 Archival Pigment Ink on Entrada 290gsm Cotton Rag Signed, Stamped, and Embossed 2022

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Idyllic Scene With 7 Train Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Ebtrada Rag Paper by Graffiti Street Art and Pop Culture Artist Lady Pink. LADY PINK- Titled “Idyllic Scene with 7 Train” Edition size 40 archival pigment prints. 5 artists' proofs and 5 Printers Proofs. Hand-signed and numbered by Lady Pink, along with the DirtyPilot emboss. Sheet Size a LARGE 31”x 24”(78 cm x 60 cm). Printed on Moab Ebtrada Rag, 300gms. A heavy-weight paper acid-free art. From a vintage 1985 painting.

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Luchando Por Mi Patria Archival Print by Don Rimx x Marka27 Limited Edition on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2022 Signed & Numbered Print Limited Edition of 50 Artwork Size 12x24 Archival Pigment Fine Art Over the years, Marka27 has gained a reputation for his ability to work across different mediums, his dedication to cultural representation, and his commitment to creating art that resonates with diverse audiences. His work continues to evolve, reflecting both his personal journey and the changing dynamics of the world around him. Don Rimx, whose real name is David Sepulveda, is a renowned street artist originally from Puerto Rico. Known for his intricate, large-scale murals, Don Rimx's work often showcases a blend of his Puerto Rican heritage and his deep interest in the human form.

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Drip Phase HPM Spray Paint Embellished Archival Print by Sket-One Fine Art Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2022 Spray Paint Hand Embellished Signed & Numbered Limited HPM Edition of 2HPM Artwork Size 16x24 Drip Phase • Autographed archival pigment print • Additional aerosol embellishments on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 24 inches Hand-embellished, signed and numbered by artist SKET-ONE in a limited embellished Artis Proofs only 2 available.

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Groundhog Day 731 Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Denial, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 25 18x24. February 2 2020 Everyday Covid Lies With Bill Murray As A Reporter Based On The Movie. Groundhog Day 731: A Satirical Masterpiece by Denial Groundhog Day 731 is a provocative and visually striking archival pigment fine art print by Denial, the Canadian street pop art and graffiti artist Daniel Bombardier. This 2022 limited edition piece is part of Denial's ongoing exploration of societal themes, blending pop culture with critical commentary. Printed on 290gsm Moab Entrada paper, the artwork measures 18 by 24 inches and is limited to an edition of 25 signed and numbered prints, making it a highly sought-after collectible. The piece combines the absurdity of Bill Murray’s role as a weatherman in the iconic film Groundhog Day with the surreal and repetitive nature of modern life during the COVID-19 pandemic. A Pop Culture Twist on a Global Event Groundhog Day 731 uses the familiar face of Bill Murray as a satirical lens through which to examine the monotony and misinformation that characterized the early pandemic era. The calendar backdrop, repeating February 2, 2020, evokes a sense of unending repetition, much like the movie it references. Murray’s glazed expression and the altered title reinforce the themes of confusion, misinformation, and media distortion. By connecting this imagery to the repetitive cycles of misinformation and shifting narratives during the COVID-19 crisis, Denial critiques the societal impact of disinformation and how it shaped collective experiences of the pandemic. The Art of Social Commentary in Street Pop Art Denial is known for his ability to infuse humor and critique into his work, and Groundhog Day 731 is no exception. The use of Murray’s character as a metaphor highlights the surreal nature of modern media consumption, where each day often feels like a recycled version of the last. Denial’s work transcends mere visual appeal by embedding layers of meaning that address both personal and collective experiences. The vibrant red background and bold graphic elements draw from graffiti artwork, while the high-resolution pigment printing technique adds a refined edge. These elements create a piece that is both accessible and deeply thought-provoking, embodying the ethos of street pop art. Denial’s Impact on Contemporary Art Groundhog Day 731 exemplifies Denial’s unique approach to street pop art, where humor, nostalgia, and critique collide to form impactful social commentary. His work, rooted in the aesthetics of graffiti artwork and pop culture, offers a platform for examining contemporary issues with sharp wit and visual flair. This limited edition print is not only a commentary on a specific moment in time but also a broader reflection on the cyclical nature of human experience in a media-saturated world. By combining bold visuals with timely commentary, Denial continues to solidify his status as a leading voice in modern urban art.  

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First Class Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Paper by Graffiti Street Art and Pop Culture Artist Joshua Horkey. Joshua Horkey "First Class" - Archival Print, Limited Edition of 15 - 18 x 24" First Class • Autographed archival pigment print • Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Joshua Horkey in a limited edition of 15

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New York City Subway Maps IV PP Printers Proof Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 17x24. New York City Subway Maps IV, Archival pigment print in colors with hand-embellishments on Moab Fine Art paper Cope2's Artistic Legacy in "New York City Subway Maps IV PP Printers Proof" The "New York City Subway Maps IV PP Printers Proof" by Cope2 represents a confluence of street authenticity and artistic innovation within modern Pop Art. The 2019 Printers Proof edition, signed and marked by the artist, is a limited series that pays homage to the raw spirit of New York's street culture. The artwork, measuring 17x24 inches, is a hand-embellished archival pigment print on Moab Fine Art paper, echoing the gritty essence of urban life through vibrant spray paint and bold tagging styles. As a seminal Graffiti Street Art movement figure, Cope2's work encapsulates the city's visual vibrancy and chaotic energy that never sleeps. His "New York City Subway Maps IV" represents the iconic transit system and a canvas showcasing the layered history of graffiti that has become synonymous with the city's subways. The hand-embellishments signify Cope2's personal touch, making each piece a unique fragment of New York's urban narrative. Blending Traditional Techniques with Urban Aesthetics Cope2's Printers Proof edition blurs the lines between traditional printmaking techniques and the urban aesthetics of graffiti. By incorporating hand-embellishments, each print transcends its status as a mere reproduction, becoming a standalone work of art. The series showcases Cope2's versatility as an artist capable of adapting street capable of adapting street art's spontaneous natureine art printing. The "New York City Subway Maps IV" series is a cultural artifact that reflects the evolution of street art from an act of rebellion to a recognized form of artistic expression. Cope2's work has transitioned from the fleeting surfaces of subway cars to the permanence of fine art paper, enabling the transient nature of street art to be captured, preserved, and appreciated as part of contemporary art's expansive canon. The limited edition Printers Proof series is a testament to the enduring appeal of street art and its significance within the larger context of pop culture. It underscores the importance of preserving the ephemeral nature of graffiti while providing an accessible medium for art collectors and enthusiasts to engage with street art in a new way. In essence, Cope2's "New York City Subway Maps IV PP Printers Proof" is a vibrant homage to the streets of New York, a tangible slice of the city's artistic soul. Through his work, Cope2 continues to play a pivotal role in shaping the narrative of Street Pop Art and Graffiti Artwork, ensuring that the voices of the streets are heard and celebrated in galleries and collections across the globe. His artwork remains a dynamic intersection of color, form, and urban storytelling, capturing the city's pulse in each spray-painted line and hand-drawn tag.

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This Means War-Hol Variant II Archival Print by ABCNT Limited Edition Print on 290gsm Moab Fine Art Rag Paper Pop Artist Modern Artwork. 2018 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 Archival Pigment Fine Art

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2021 Signed & Marked AP Limited Edition Print Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Burn Your Wonder Bra: A Bold Statement in Street Pop Art by Denial Burn Your Wonder Bra is a striking limited edition archival pigment fine art print created in 2021 by Denial, a celebrated street art and modern pop culture artist. Known for pushing boundaries with his provocative and satirical art, Denial has established himself as an influential figure in the Street Pop Art and Graffiti Artwork movements. The piece was released as a limited artist proof edition, signed and marked AP by the artist, and printed on premium 290gsm MOAB fine art paper, highlighting its status as a sought-after collectible. Reimagining Iconic Imagery Through Pop Culture Burn Your Wonder Bra pays homage to the classic Wonder Woman figure, an enduring icon in both comic book history and contemporary popular culture. Denial reinterprets this symbol of strength and femininity with a rebellious and satirical twist. The bold, comic-style composition features Wonder Woman in her recognizable blue and red attire, but with a cheeky and unapologetic depiction that challenges traditional notions of beauty and female representation. This work reflects Denial’s signature style, combining elements of vintage comic book art with modern, socially charged commentary. The phrase Burn Your Wonder Bra emblazoned at the top of the piece adds another layer of meaning, referencing the feminist movement of the 1960s and 70s that rejected societal expectations imposed on women. By merging this historical context with a pop art aesthetic, Denial creates a provocative visual dialogue about empowerment, freedom, and gender roles in today’s society. The use of bright, primary colors, thick black outlines, and halftone shading techniques draws inspiration from the works of Roy Lichtenstein while infusing it with the grit and attitude of street art. Denial: A Voice in Modern Street Pop Art and Graffiti Artwork Denial, whose real name is Daniel Bombardier, is a Canadian artist who has made a significant impact on the international art scene. His work is recognized for its bold, colorful visuals and its biting commentary on consumerism, politics, and popular culture. By creating art that is both visually arresting and intellectually engaging, Denial challenges viewers to question societal norms and values. His art often draws from graffiti culture and pop art traditions, making his work resonate with urban audiences and collectors alike. Burn Your Wonder Bra exemplifies Denial’s ability to reinterpret familiar imagery through a critical lens. It showcases his skill in blending fine art techniques with street art influences, producing a work that is both rebellious and refined. The print’s limited artist proof edition further enhances its rarity and appeal to collectors of Street Pop Art and Graffiti Artwork. The Impact of Burn Your Wonder Bra in Contemporary Art Burn Your Wonder Bra stands as a powerful statement within the Street Pop Art movement, reflecting Denial’s unique ability to merge comic book nostalgia with modern themes of feminism, freedom, and resistance. By using Wonder Woman as a symbol, Denial transforms a classic pop culture figure into a representation of liberation and self-expression. The provocative title encourages viewers to reject outdated standards and embrace individuality, resonating deeply with contemporary social issues. The archival pigment print’s high-quality production on 290gsm MOAB fine art paper ensures its durability and richness, making it a lasting addition to any collection. This work highlights Denial’s ongoing contribution to the evolution of Street Pop Art and Graffiti Artwork, solidifying his role as an artist unafraid to challenge conventions while celebrating iconic imagery.

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Numbered, Signed, Stamped on Reverse, 2021 Edition of 100, 24x24, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Burn Your Wonder Bra by Denial: A Statement in Street Pop Art Burn Your Wonder Bra, created in 2021 by legendary modern pop culture and street art artist Denial, is a bold and provocative limited edition archival pigment print. This edition of 100 is meticulously produced on 290gsm MOAB fine art paper, measuring 24x24 inches, and is both numbered and signed by the artist with a stamped reverse. Known for his fusion of comic-inspired visuals and socially charged themes, Denial’s work challenges cultural norms while embracing the aesthetics of Street Pop Art and Graffiti Artwork. Burn Your Wonder Bra stands as an audacious representation of empowerment, rebellion, and freedom of expression. Wonder Woman Reimagined: Pop Art and Cultural Commentary Denial’s Burn Your Wonder Bra features a reimagined depiction of Wonder Woman, one of the most iconic symbols in DC Comics and popular culture. The piece combines nostalgia with a provocative twist, portraying the heroine in a daring, liberated pose. Using vibrant reds, blues, and black halftone patterns reminiscent of 1960s comic books, Denial masterfully channels the aesthetic of pop art pioneers while infusing it with the raw energy of graffiti culture. The bold text at the top, Burn Your Wonder Bra, serves as a satirical nod to the feminist movement of the late 1960s and 70s, when women symbolically rejected restrictive societal norms. By reinterpreting Wonder Woman in a nude and unfiltered form, Denial breaks conventional representations of female heroes, encouraging conversations about autonomy, gender expectations, and self-liberation. This combination of social critique and pop iconography demonstrates Denial’s ability to blend powerful messages with visually arresting compositions. Denial: A Leading Voice in Street Pop Art and Graffiti Artwork Canadian artist Denial, whose real name is Daniel Bombardier, is a globally recognized figure in contemporary art, known for his unapologetic and visually compelling works. His pieces often confront themes of consumerism, gender, politics, and pop culture with sharp wit and rebellious undertones. Denial’s work bridges the techniques of graffiti and street art with the polish of fine art, earning him a following among collectors and fans alike. Burn Your Wonder Bra reflects Denial’s unique artistic voice, where the nostalgia of comic book art collides with modern subversive themes. Through his bold use of color, line work, and carefully chosen text, Denial challenges viewers to question societal expectations while celebrating individuality and artistic freedom. A Limited Edition Collectible with Lasting Impact Burn Your Wonder Bra is part of a highly sought-after limited edition of 100 archival pigment prints, showcasing Denial’s commitment to quality and craftsmanship. Produced on 290gsm MOAB fine art paper, the print’s rich texture and color vibrancy elevate it beyond traditional pop art reproductions. Each piece is signed, numbered, and stamped on the reverse, adding to its authenticity and value as a collectible artwork. This piece is a standout example of modern Street Pop Art and Graffiti Artwork, resonating with audiences who appreciate art that challenges norms while remaining visually iconic. Burn Your Wonder Bra captures the intersection of art, culture, and rebellion, solidifying Denial’s status as a leading figure in contemporary street art. It remains a powerful commentary on liberation and expression, embodying the dynamic energy that defines Denial’s work.  

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Smiley Face Balloon- Yellow Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Smiley Face Balloon: Yellow • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Smiley Face Balloon: Yellow" - Unique Hand-Painted Print - 24 x 24"

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Sad Girl HPM Archival Print by Marka27 Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Spray Paint Hand Embellished Print Limited Edition of 15 Artwork Size 24x24 Archival Pigment Fine Art In addition to his work on walls and in galleries, Marka27 has made a significant impact in the world of designer toys. His Minigods series, which started in 2007, was particularly notable for integrating functional speakers into the vinyl toys, creating a unique blend of art and technology. These pieces, inspired by Aztec and Mayan art, brought a new level of innovation and cultural commentary to the designer toy market.

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Wall Flower Pop Street Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Pop Artist Casey Weldon. 2022 Hand Deckled Signed 420 Holiday Marijuana Tribute 16x24 Limited Edition Giclee print on Moab Entrada 290gsm paper 16 x 24 inches / 40.6 x 60.9 cm Signed and numbered by the artist Printed by Static Medium

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Tickle Me Anarchy! Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 #1 of 25 Tickle Me Anarchy!: A Satirical Statement in Street Pop Art Tickle Me Anarchy! is a bold and humorous archival pigment fine art print by Daniel Bombardier, known as Denial. This limited-edition work from 2022 showcases Denial’s ability to blend iconic pop culture imagery with sharp political and social critique. Printed on 290gsm MOAB fine art paper, the piece measures 18 by 24 inches and is part of a signed and numbered edition of only 25 prints, making it a highly collectible artwork. The vibrant colors and playful yet subversive composition highlight Denial’s mastery of street pop art and graffiti artwork, creating a visual commentary that is as engaging as it is thought-provoking. Subverting Icons Through Street Pop Art Tickle Me Anarchy! takes a beloved cultural figure and infuses it with anarchistic rebellion, transforming it into a symbol of critique against societal norms. The familiar red character is depicted holding a Molotov cocktail, a striking juxtaposition that merges innocence with chaos. This subversive imagery creates a dialogue about the role of entertainment, media, and consumer culture in shaping societal behaviors and ideologies. The playful design, paired with an unmistakable sense of rebellion, reflects the core elements of street pop art, where accessible imagery is used to deliver powerful messages. Denial’s Artistic Vision Daniel Bombardier, based in Canada, is celebrated for his ability to deconstruct and reimagine cultural symbols through his work. His unique style combines the aesthetic of graffiti artwork with the thematic depth of pop art, resulting in pieces that challenge societal norms and provoke thought. Tickle Me Anarchy! encapsulates this approach, turning a nostalgic character into a commentary on political dissent and societal discontent. Denial’s use of archival pigment printing on fine art paper ensures that the artwork is both visually striking and durable, preserving the intensity of his colors and the precision of his details. The Cultural Impact of Tickle Me Anarchy! Tickle Me Anarchy! is a prime example of how street pop art can use humor and irony to address serious themes. By merging playful visuals with provocative imagery, Denial invites viewers to question the systems and structures that govern modern life. This artwork resonates with audiences by blending nostalgia with rebellion, creating a piece that is as entertaining as it is meaningful. As a limited-edition print, it not only holds artistic and cultural significance but also stands as a coveted item for collectors who appreciate the intersection of graffiti artwork and pop culture critique. Denial continues to redefine the boundaries of urban art with works like Tickle Me Anarchy!, cementing his influence in contemporary street pop art.  

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Caged HPM Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Nicole Gordon, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Limited Edition of 10-HPM Each Unique 18x24

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Realize HPM Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Reen Barrera, Street Pop Art Graffiti Legend. The artwork I have says "LOLA..." 2022 Edition of 50 Hand-embellished giclee print Each print includes a hand-painted word bubble (in white or black) with an exclusive phrase/message painted on each print by Reen Fine art print on Moab Entrada 290gsm paper Hand deckled edges 24 x 24 inches / 61 x 61 cm Hand-signed and numbered by the artist Printed by Static Medium (Los Angeles) The team at Static Medium photoshopped out the original word bubble in 'Realize' and then we shipped them off to Reen in the Philippines for him to add his personal touch to each and we are thrilled with how they have come out. Reen painted a white or black word/speech bubble onto each print (an example of each is shared above and below). Each bubble was painted in a different shape and Reen then went through and hand-painted a unique phrase onto each print.

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Healer Veiled Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adrian Cox, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 100- 13x24

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Expert Supervision Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Bask Graffiti Street Artist Modern Pop Art. Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

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New York City Subway Maps IV Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 15 Artwork Size 17x24. New York City Subway Maps IV, 2019 Archival pigment print in colors with hand-embellishments on Moab Fine Art paper 17x24 inches (43.2 cm x 61) (sheet) Ed. 10/15 Signed and numbered in pencil lower left. Work displays a .5-inch tear in the lower left border. Embracing Urban Narratives: Cope2's New York City Subway Maps IV Cope2's "New York City Subway Maps IV" is a dynamic fusion of graffiti's raw energy with the refined aesthetics of modern Pop Art, embodying the pulse of urban life on a tangible artifact of the city's daily motion. This 2019 limited edition series, with only 15 signed and numbered pieces, represents a significant contribution to the Street Pop Art and Graffiti Artwork movement. Each 17x24 inch piece is a hand-embellished archival pigment print on Moab Fine Art paper, offering a unique blend of street culture and high art. Cope2's signature authenticates the work, and its edition number is penciled on the lower left, with one particular piece displaying a minor .5-inch tear, adding to the authentic feel of the artwork. The piece serves as a visual archive of New York's graffiti history, immortalizing the spontaneous, often temporary, art gracing the city's subway maps. Cope2, a Bronx native, brings authenticity and street credibility to his work, with a reputation for over three decades in the graffiti scene. His "New York City Subway Maps IV" reflects urban street art's layered, complex nature, where tags and symbols intermingle to tell the stories of the city's diverse inhabitants. Cope2's Intersection of Street Art and Fine Art Cope2's artwork stands at the intersection of street art and fine art, capturing the essence of one medium within the form of the other. His pieces are more than mere representations of street graffiti; they are the confluence of the artist's lived experiences and interactions with the urban environment. The bold, saturated colors and aggressive brushstrokes hark back to the golden era of graffiti in the 1980s and 1990s when artists like Cope2 were not just decorating the city but also marking territories and expressing identities. The limited edition nature of "New York City Subway Maps IV" and the hand-embellishments by Cope2 himself ensure that each print is a unique piece of art, embodying both the spirit of the original street art and the artist's personal touch. The series encapsulates the rawness of the graffiti subculture while elevating it through fine art printmaking, challenging traditional notions of what constitutes art and who is deemed an artist. In essence, Cope2's work is a celebration of the visual language of the streets, presented within the context of fine art. It offers a narrative deeply rooted in New York City's cultural fabric, providing a snapshot of a movement that has evolved from the margins to the mainstream. The "New York City Subway Maps IV" series not only pays homage to the history of street art but also asserts its place within the continuum of contemporary art. Through his work, Cope2 continues to influence and shape the dialogue around Street Pop Art and Graffiti Artwork, ensuring that the vibrancy of street culture remains a vital part of the art world's discourse.

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Bollywood Sugar In Blue- Mother of Pearl Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Juane Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Juane Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Latinx-AF Archival Print by Marka27 Limited Edition on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art by Marka27 Marka27, whose real name is Victor Quinonez, has been recognized for his "Neo Indigenous" style that blends cultural iconography, street art, and pop culture into a unique and vibrant aesthetic. His work is deeply influenced by his bicultural experiences, having grown up in both Mexico and the United States.

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Detroit Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jim Darling, Street Pop Art Graffiti Legend. 2022 Signed Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 18 x 24 Inches Release: February 03, 2022 Run of: 45

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The Sacrifice of Color... Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adrian Cox, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 100- 13x24 Adrian Cox is a contemporary artist known for his paintings that often incorporate themes of mythology, surrealism, and the interconnectedness of beings and nature. "The Sacrifice of Color," is a piece that also exhibit elements of Cox's signature style. An archival print is a high-quality reproduction of an original work of art, created using advanced printing technology to ensure that the colors and details of the original piece are accurately captured. These prints are made using acid-free, archival-grade materials, which ensure that they will not fade or degrade over time, preserving the artwork's beauty for future generations.

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Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Disco Ball- Red Blobs Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Disco Ball: Red Blobs • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Disco Ball: Red Blobs" - Unique Hand-Painted Print - 24 x 24"

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Ting- Embellished Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Sket One, Street Pop Art Graffiti Legend. 2022 HPM Hand Embellished Signed & Numbered Edition of 15 Size 18x24 Ting Embellished HPM Archival Print by Sket-One, a designer toy movement pioneer, merges his love of graffiti, graphic design, and toy culture to create pieces that stand out in the urban vinyl toy world. His works often satirize pop culture and consumerism, using familiar logos or characters as a canvas for his art. Collectors appreciate Sket-One's work for its originality, creativity, and clever social commentary often accompanying it.

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Lowbrow- And Still The Loser Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Artist Luke Chueh. 2011 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 "Lowbrow - And Still The Loser" by Luke Chueh is a distinctive piece within the pop art genre, where every day is imbued with layers of deeper meaning. This artwork, a giclee print on 290gsm Moab Entrada paper, holds its own in the discourse of street art and graffiti art through its evocative representation of common sentiments. Created in 2011, the piece was offered as a signed and numbered limited edition, with only 50 prints available, each measuring 18x24 inches, signifying its exclusivity and collectibility. The artwork features Chueh's trademark character, a bear, depicted in monochrome against a stark background. The figure's action is central to the artwork's narrative: a loser's salute, which, in the context of Chueh's oeuvre, could be interpreted as a commentary on self-acceptance in the face of defeat or societal judgment. The term "lowbrow" boldly interrupts the visual, acting as a self-referential nod to the lowbrow art movement and an ironic statement about the bear's self-deprecation. This print continues Luke Chueh's exploration of the juxtaposition between the innocence of cartoon characters and the complexity of human emotions, a theme prevalent in street art's storytelling. Chueh's work is often recognized for its emotional rawness, encapsulated within the accessible form of animated figures. "Lowbrow - And Still The Loser" is particularly resonant in its straightforwardness, reflecting the artist's capacity to communicate profound experiences through simple, relatable imagery. The choice of Moab Entrada paper, known for its archival quality, suggests a purposeful intention to preserve the depth of the black and white tones, ensuring that each collector receives a piece that remains true to the visual impact of the original artwork. The limited edition nature of this print elevates its value among collectors and enthusiasts, who view Chueh's work as a bridge between the often disparate worlds of pop art and street art. Here, the emotional language of graffiti, the visual punch of pop art, and the introspection of the lowbrow movement merge to form a statement piece that challenges viewers to find meaning in the guise of simplicity.

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First Light Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 "First Light Archival Print" by Adrian Cox is an art piece by the contemporary artist Adrian Cox. Adrian is known for his highly detailed and imaginative paintings, which often depict fantastical worlds, mythical creatures, and surreal landscapes. Archival prints are high-quality reproductions of original artwork that are made to last for a long time without any significant deterioration in color and quality. They are often printed on acid-free paper using pigment-based inks, which are resistant to fading and provide excellent color depth and sharpness. These prints are a popular choice among art collectors and enthusiasts who wish to enjoy and preserve the artwork without the expense of purchasing an original piece.

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Aquarian Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Aquarian Jimmi Hendrix archival pigment print Printed on Moab Entrada Rag Bright 290 GSM archival paper 18 x 24 inches Hand-signed and numbered by artist Robert Mars

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Without Excuse PP Printers Proof HPM Hand Embellished Print Archival Print by Eddie Colla Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Embellished Limited Edition Artwork Size 18x24 Archival Pigment Fine Art Eddie Colla's 'Without Excuse': A Fusion of Artistic Rebellion and Technique Eddie Colla's 'Without Excuse' epitomizes the rebellious spirit of street pop art and graffiti artwork, merging traditional artistic methods with the defiance of street art culture. This PP (Printer's Proof) HPM (Hand Painted Multiple) archival print from 2020, signed and marked by the artist, is a limited edition creation, reflecting Colla's distinctive approach to modern art. Sized at 18x24 inches and printed on 290gsm Moab Entrada fine art paper, the artwork is a hand-embellished masterpiece, showcasing Colla's commitment to challenging the commercialization of public spaces. 'Without Excuse' exemplifies Colla's mastery in blending fine art with the raw expressiveness of street art, making a bold statement in both content and style.

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Unrequited Love- Oversized Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Denial, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Valentines Day Special Edition of 15 Oversized 36x24. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 36 Inches Release: February 14, 2022 Edition of: 15

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New York City Subway Map II PP Printers Proof HPM Archival Print by Cope2- Fernando Carlo Limited Edition Hand Painted Multiple on Moab Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2017 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 17x24 Archival Pigment Fine Art. Cope2's Vision in "New York City Subway Map II PP Printers Proof" "New York City Subway Map II PP Printers Proof" by Cope2, also known as Fernando Carlo, is a striking representation of the energy and vibrancy of street art culture, as captured on the very symbol of urban movement—the New York City subway map. This limited edition print from 2017 is a hand-painted multiple (HPM) on Moab Rag Fine Art Paper, each piece hand-signed and marked as a printer's proof by Cope2. The artwork, sized at 17x24 inches, showcases a blend of archival pigment fine art with the raw, spontaneous energy of street art through Cope2's iconic hand embellishments. Cope2's work in this series transcends the simple geographic representation of a map, transforming it into a canvas that narrates the pulse of the city's underground culture. Each Printer's Proof is a unique conversation piece, a segment of a more extensive dialogue that Cope2 has led in the street art scene for decades. His signature throw-ups and wildstyle tags are not just mere markings but are symbolic of the streets' language, speaking to urban artists' identity, struggle, and voice. The Intersection of Urban Landscape and Artistic Expression The "New York City Subway Map II" series is more than a navigational tool; it's a storied journey through the streets of New York, a visual exploration of the city's graffiti history. The map serves as the groundwork for Cope2's artistic exploration, where he layers his distinctive tags and colorful abstractions. This interplay of structured lines and wild graffiti is a metaphor for juxtaposing the city's order with the chaos of its subcultures. As a Printer's Proof, this artwork holds a special place in the production process, being one of the first prints off the press, reviewed by the artist for quality and detail. Cope2's decision to hand-embellish each piece underscores the importance of the artist's touch, ensuring that each print carries a piece of the street's soul. The HPM technique furthers this connection, bridging the gap between one-of-a-kind street art pieces and reproducible fine art prints. In essence, Cope2's "New York City Subway Map II PP Printers Proof" is a testament to the enduring legacy of graffiti as a form of Street Pop Art and Graffiti Artwork. It captures the essence of New York's urban spirit, with each print serving as a historical artifact of the city's rich street art culture. Through his work, Cope2 continues influencing the dialogue around street art, ensuring that its raw, unfiltered voice remains a vibrant part of the contemporary art world.

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Ting Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Sket One, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 35 Size 18x24 Sket-One is a pioneer in the designer toy movement, merging his love of graffiti, graphic design, and toy culture to create pieces that stand out in the urban vinyl toy world. His works often satirize pop culture and consumerism, using familiar logos or characters as a canvas for his art. Collectors appreciate Sket-One's work for its originality, creativity, and the clever social commentary that often accompanies it.

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Night Song Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Exploring the Essence of Adrian Cox's Night Song Archival Print Adrian Cox's "Night Song" is a compelling piece within the Street Pop Art and graffiti Artwork movement. This archival pigment fine art limited edition print is a testament to the fusion of contemporary pop influences with street art's raw, expressive energy. The artwork, rendered on 290gsm bright white Moab Entrada Rag Paper, speaks to the modern collector's desire for pieces that are accessible and profound, grounded in modern techniques yet flirting with the ephemeral nature of graffiti. The print, sized 18x24 inches, offers a visual narrative that balances the line between fantasy and reality, a joint thematic exploration of Street Pop Art and graffiti Artwork. Limited to a run of just 50, "Night Song" exclusivity is part of its allure, each piece signed and numbered by Cox himself in 2023. This practice harkens back to the personalized touch often found in street art, where each piece is unique to its environment and moment. The Visual Dynamics of Night Song At first glance, "Night Song" captures the viewer with its bold use of color and form. The print boasts a vibrant juxtaposition of a night sky brimming with stars encased in a fiery outline, which can be interpreted as a portal or a boundary between different realms. This imagery is particularly resonant within Street Pop Art and graffiti Artwork, where the conversation between the artwork and its environment is pivotal. Here, the boundary could represent the often contested space of street art within the public domain, a place where beauty meets resistance, where the night sky can be engulfed in the flames of public scrutiny or policy. The figures within the piece – spectral and otherworldly – carry their narrative weight. They are at once part of the landscape and distinctly separate from it, much like graffiti artists who leave their mark on the urban canvas. Using rag paper for the print underscores the textural qualities of street art, where the medium interacts with the message, and the tactile experience is as essential as the visual one. Cultural Significance and Collectibility "Night Song" holds its ground in the realm of collectible art. The limited edition nature of the print ensures that each piece is a slice of history, a fixed point in the ever-evolving story of Street Pop Art and graffiti Artwork. This type of artwork appeals to the modern collector for its vibrancy, its edge, and its capacity to communicate complex themes through the lens of pop culture and street aesthetics. The choice of Moab Entrada Rag Paper is a conscious nod to quality and longevity, countering the transient nature of traditional street art. Entrada Rag Paper is renowned for its color reproduction, a crucial aspect for preserving the vivid hues and deep contrasts that make "Night Song" stand out. By translating street art's immediacy and vibrancy onto a medium designed to endure, Cox bridges the gap between graffiti's fleeting nature and the permanence collectors seek. Adrian Cox's Contribution to Modern Art Adrian Cox's "Night Song" is a significant contribution to the broader conversation about modern artwork. It reflects the ongoing dialogue about the place of Street Pop Art and graffiti Artwork within the art world. Like many others within the genre, this piece challenges traditional notions of what fine art can be. It pushes boundaries, literally and metaphorically, and invites the viewer to reconsider preconceived notions about value, permanence, and the space art occupies in our lives. As a piece that defies easy categorization, "Night Song" symbolizes how modern artists blend styles and philosophies. Cox's work stands at the intersection of street art's rebellious spirit and the pop artist's embrace of mass culture and iconography. It is at once a celebration of individual expression and a collective experience, much like the best of street art, which speaks to communities and individuals alike. The artistry of Adrian Cox's "Night Song" is a testament to the fusion of pop culture and street-inspired artistry, a blend that continues to captivate and provoke. It is a print that encapsulates the zeitgeist of our times, where the lines between high art and accessible art are increasingly blurred and where the voice of the street is as powerful and as poignant as any established gallery.

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Mioras Cup Artist Proof Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Amy Sol Modern Artwork. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Mioras Cup: A Modern Street Pop Art Masterpiece by Amy Sol Mioras Cup Artist Proof is an enchanting artwork created by Amy Sol, an American artist recognized for her soft, surrealist style that often incorporates nature and dream-like themes. Known for her contemporary aesthetic, Sol’s work resonates with those who appreciate Street Pop Art and elements of graffiti artwork, mainly due to its modern sensibilities and connection to the themes of nature and humanity. The Mioras Cup print, produced as an artist-proof in 2016, stands out as a significant piece in her portfolio, offering a limited-edition creation that holds value and intrigue. This print was produced on 290gsm Moab Entrada paper, known for its high quality and archival characteristics, which help maintain the vibrancy and detail of the original artwork. Amy Sol’s Unique Artistic Approach Amy Sol’s approach to her art is notable for its dream-like quality, emphasizing a gentle, pastel color palette and organic forms. Her works are often filled with nature-inspired elements like flowers, birds, and leaves, interwoven with female figures who convey a sense of introspection and connection to the environment. Mioras Cup exemplifies this style, featuring a central female figure surrounded by lush, ethereal foliage and birds that emerge organically from her surroundings. This visual harmony between humans and nature is a recurring motif in Sol’s art, giving her work an emotional depth that resonates with viewers. The 18x24-inch artist-proof edition of the Mioras Cup is carefully crafted to capture every detail of Sol’s technique. Moab Entrada paper, a premium choice in fine art printing, enhances the soft textures and muted colors, maintaining the fidelity of the original artwork and allowing collectors to experience the piece as the artist intended. This paper is favored for its archival quality, ensuring that the artwork’s subtle hues and intricate details remain intact over time. The Modern Appeal of Street Pop Art in Sol’s Work Though Amy Sol’s work is not graffiti art in the traditional sense, her approach to limited-edition prints aligns with the ethos of Street Pop Art, which seeks to bring high-quality, collectible pieces into the fine art realm. In Street Pop Art and graffiti artwork, the artist’s connection to the audience is crucial, often relying on limited releases to preserve authenticity and exclusivity. By creating the Mioras Cup as a signed and marked artist proof, Sol preserves this sense of rarity, making each piece in the edition a collector’s item. This approach reflects the influence of street art’s transition from the public domain into the private spaces of art collectors, blending accessibility with exclusivity. In Mioras Cup, combining human and natural forms can be seen as a modern reflection on the themes of identity and environment. Her ability to communicate these themes through soft, surreal visuals places Sol within a contemporary movement that appreciates fine art craftsmanship and the urban-inspired accessibility of Street Pop Art. Amy Sol’s Mioras Cup continues to captivate viewers and collectors, making it a valued part of any modern art collection.

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Storm On The Horizon Giclee Print by Curiot Tlalpazotl Artwork Limited Edition Print on Moab Entrada Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 20x16 Mexican Indian Latin Themed Stylized Tribal Folk Lore. Storm On The Horizon Giclee Print by Curiot Tlalpazotl: Mythic Reverberations in Street Pop Art & Graffiti Artwork Storm On The Horizon is a limited edition giclee print created in 2014 by the renowned Mexican street pop art and graffiti artist Curiot Tlalpazotl. Printed on Moab Entrada fine art paper, this 20 x 16 inch signed and numbered work is part of a rare edition of only 30. The piece embodies the artist's signature synthesis of folkloric symbolism, futuristic mythologies, and visual storytelling rooted in pre-Hispanic culture. Curiot’s art is known for its balance of vibrancy and mystique, a fusion that transforms ancient cultural references into visual narratives accessible to contemporary viewers. Mesoamerican Spirituality Rendered Through Modern Techniques Storm On The Horizon depicts a surreal being woven from animal parts, ceremonial regalia, and neon-hued energies. The creature, haloed in pink tones and iridescent beams, appears in motion—arms outstretched and limbs spiraling—suspended in a timeless void. This hybrid entity channels elements from Mesoamerican iconography, but is rendered through a lens of post-digital surrealism. The concentric arrangement and flowing fur-like textures evoke the ceremonial attire worn in indigenous rituals, while the faceted, mask-like visage suggests an otherworldly spirit or deity. The soft gradients and fluid forms are enhanced by the high-fidelity giclee process, allowing each layer of color and detail to be captured with nuance and precision. Curiot Tlalpazotl’s Vision and Cultural Resonance Curiot, whose real name is Favio Martínez, is a Mexican-born artist recognized for his murals, prints, and gallery works that navigate themes of lost traditions, urban disconnection, and spiritual reawakening. His adopted surname, Tlalpazotl, reflects a re-rooting in indigenous language and identity, honoring the cultural legacies of Mexico’s past while confronting the fragmentation caused by colonization and modern consumer culture. Storm On The Horizon is emblematic of this vision—neither nostalgic nor didactic, it builds new symbols that are equally spiritual and psychedelic, anchored in Mexican folklore yet radically forward-looking. The palette’s warmth draws viewers in, only to reveal a deeper meditation on memory, loss, and the cyclical nature of history. Myth Reimagined as Street Pop and Fine Art Fusion The power of Storm On The Horizon lies in its ability to blend tribal aesthetics with contemporary techniques without diminishing either. As Street Pop Art & Graffiti Artwork, it operates in multiple spaces—public murals, fine art collections, and underground zines—while retaining its cultural pulse. Curiot's use of soft pastels, radiant geometries, and hybrid figures reinvents the language of street art, infusing it with ritualistic depth. This print, although a static object, hums with movement and metaphysical energy, suggesting both a literal and symbolic storm gathering force. It serves not only as a visual spectacle but as a portal into a cosmology that exists between ancestors and androids, gods and avatars, tradition and transcendence.

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Neo Raigō-zu 2023 Archival Print by Hikari Shimoda Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Size 20x24 Archival Pigment Fine Art Neo Raigō-zu 2023 Archival Print by Hikari Shimoda Hikari Shimoda's "Neo Raigō-zu 2023" offers a vibrant tapestry of colors and figures that resonate deeply with the themes prevalent in pop art, street art, and graffiti. This limited edition archival print, restricted to 50 signed and numbered pieces, showcases Shimoda's Lowbrow-Irasuto style, inspired by anime and manga, which she has honed since her career began after studying at Kyoto Saga University of Art. The 20x24 inch artwork, printed on premium Moab Entrada fine art paper, employs a striking pigment that captures the fantastical nature of Shimoda's subjects — celestial beings and magical children who explore the paradoxes of modern society and the quest for spiritual meaning. Her characters, often seen in heroic costumes or as magical Shojo girls, are not just whimsical; they embody a critique of contemporary issues and the ideological projections placed upon the younger generation. Shimoda's work, while enchanting, is a profound commentary on the state of the world, offering a unique blend of fantasy and reality that is characteristic of the most thought-provoking street pop art and graffiti artwork.

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