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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Conceal N Bury- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run Made In 2021 8' Tall. With iconic guggi mask, ax, and a bag full of lavender-scented lye, this 8” psycho is the perfect accomplice to any crime of fashion

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Boundin AP Pop Modern Movie Artwork Limited Edition Giclee Print on Fine Art Paper by Pixar Graffiti Modern Artist Raid71. AP Artist Proof 2022 Official Pixar print Boundin 5x6 Short Print Giclee Signed Hand-numbered edition of 30

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Against All Odds- Pink Limited Edition 2-Color Silkscreen Print on Mint Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

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Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

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Deadly Angel Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Love Red SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Limited Run of 1111 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. The Love Red SuperKranky is an art toy designed by OG Slick in collaboration with SuperPlastic, a leading designer toy company known for producing high-quality vinyl toys in limited editions. OG Slick is an iconic graffiti artist from Los Angeles who has made a name for himself in the street art and urban vinyl toy scene. His distinctive style blends street culture and fine art, creating visually striking and memorable pieces. The Love Red SuperKranky is a vinyl toy featuring the signature character "SuperKranky," which takes inspiration from a spray paint can. This particular edition comes in a bright, bold red color with black and white accents, showcasing OG Slick's graffiti-style artwork. The toy features movable parts and usually comes with additional accessories like a removable cap and a "rattle" sound, emulating the sound of a real spray paint can. As with most art toys, the Love Red SuperKranky by OG Slick and SuperPlastic is produced in limited quantities, making it highly sought after by collectors and fans of the artist's work. Its unique design and connection to street art make it a popular item in the urban vinyl toy community.

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Goofy- Regular Beam 3-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm Fine Art Paper by Efdot Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 12x16 "GOOFY / REGULAR" is an ode to skateboarding culture and Efdot's roots. Don't be regular, be goofy. Screenprint Details: Edition of /50 signed and numbered by the artist 3 layer screenprint on 250GSM paper Dimensions: 12 x 16 inches Certificate of Authenticity included Designed and printed in Brooklyn

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No Place for Regrets Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Cotton Candy Machine Graffiti Street Artist Modern Pop Art. Art print version of the "National Poster Retrospecticus" print made for the Cotton Candy Machine show in August 2014. 18 x 24 inches. Three screens on French Speckletone stock. Signed and numbered edition of 200. Released 3 September 2014. The Cotton Candy Machine is an art studio and gallery owned and operated by artist Tara McPherson. She is a New York-based artist who is best known for her beautiful and thought-provoking illustrations, paintings, and toys. At the Cotton Candy Machine, Tara creates and sells her own artwork, as well as the work of other artists that she admires. The gallery features a variety of exhibitions throughout the year, showcasing different artists and styles. Tara's work often incorporates themes of nature, emotion, and fantasy, and her unique style has gained her a large following of fans and collectors. Her work has been featured in galleries and exhibitions all over the world, and she has worked with many notable clients, including Kidrobot, Dark Horse Comics, and The New York Times. Overall, the Cotton Candy Machine is a fantastic space for art lovers and collectors to explore and discover new and exciting pieces of art.

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Riding Home Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by UFO907 pop culture LSD artwork. As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

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Basel Castle 2013 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by L'Amour Supreme Graffiti Street Artist Modern Pop Art. Basel Castle, produced by the Overthrow Collective in association with Embrace and ABV, is an art-centric festival combining some of the worlds most influential contemporary artists & musicians, with uniquely interactive games, installations, exhibitions, and live performances. "The name L'Amour Supreme came about from me being such a big fan of Coltrane and his album, A Love Supreme. Supposedly he had this spiritual awakening while recording it. Not in the traditional Christian or Islamic sense, but more of an overall revelation of the connectedness of all beings. I definitely feel that listening to his music and that’s something I wanted people to feel when they view my art." - L'Amour Supreme

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What Party Figure- White Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7 New In Box Printed Foot. White Chum is wondering what happened to the parties in 2020?  What Party White Vinyl Figure by KAWS: Isolation, Identity, and Sculpture in Street Pop Art & Graffiti Artwork What Party White is a 2020 vinyl art sculpture by KAWS, released as part of an open edition during a moment of global lockdown and cultural pause. Standing at 11.3 inches tall with dimensions of 5.1 by 3.7 inches in width and depth, the figure is cast in glossy white vinyl and features the bloated, segmented silhouette of the Chum character, a recurring figure in the KAWS visual lexicon. Distributed in a minimalist box featuring a sketched outline of the figure, this edition was released during the COVID-19 pandemic and quickly became a symbolic artifact of the time. The character’s slouched posture, closed eyes, and introspective body language are universally understood without the need for text. It is an object of reflection, executed in the language of Street Pop Art & Graffiti Artwork, where consumer product, fine art sculpture, and cultural commentary converge. KAWS, Chum, and Character as Emotional Proxy The Chum figure, first introduced in earlier KAWS works, is a reinterpretation of the Michelin Man—reimagined with the artist’s trademark X-ed out eyes and cartoon glove hands. In What Party, Chum takes on a more exaggerated, balloon-like form. The arms hang low, the shoulders collapse inward, and the figure’s presence feels heavy despite the glossy finish. This is a sculpture that speaks through silence. In the white edition, all detail is erased except for shadow and form. The lack of color transforms Chum into a ghostly version of itself, evoking questions around presence, identity, and stillness. In Street Pop Art & Graffiti Artwork, these character-driven figures often channel the collective mood, and here, Chum embodies a moment of global stillness where parties, social engagement, and public gathering disappeared. Material Simplicity and Sculptural Impact The vinyl used for What Party White has a soft luster, offering a sense of touch that feels both familiar and clinical. The piece has no articulation, no face beyond the fixed eyes, and no detail beyond its bulging structure. Yet the physical presence is profound. KAWS understands form, balance, and spatial presence, giving even the simplest object emotional weight. The edition is marked by printed foot text that identifies the piece, and the box itself becomes part of the experience, featuring a monochrome drawing of the figure that feels both product schematic and visual obituary. The clean presentation elevates this vinyl figure into the territory of sculpture, forcing audiences to consider what defines emotion, memory, and representation in collectible form. Edition as Time Capsule in Street Pop Art & Graffiti Artwork Released in 2020, the What Party White edition instantly became a symbol of absence and adaptation. Though technically labeled as an open edition, its run was limited by the conditions of the year, making it out of print and highly sought after. The work functions as a time capsule—documenting not only a period in global history but also a shift in how art audiences collect, connect, and reflect. KAWS, born Brian Donnelly, remains one of the most influential artists working within Street Pop Art & Graffiti Artwork, building a bridge between street-influenced graphic minimalism and fine art sculpture. What Party White is a distillation of that legacy, combining vulnerability and design into one figure that stands alone, isolated, wondering where the noise, movement, and human contact went. The sculpture is not a call to party—it is the question of what’s left when the music stops.

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TGIF V 20 Archival Print by Dave Pollot Limited Edition on PH Neutral 17mil Canvas Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 57 Artwork Size 16x20 Archival Pigment Fine Art on Canvas of the Jason from Horror Movie Friday the 13th in a Swamp TGIF V 20: Archival Print by Dave Pollot The TGIF V 20 archival print by Dave Pollot, released in 2023, represents a unique fusion of pop culture references, fine art techniques, and street pop art sensibilities. This limited edition artwork, signed and numbered by Pollot, is part of a series of just 57 prints. It is a 16x20 inch archival pigment print on pH-neutral 17mil canvas, which ensures its longevity and resistance to fading over time. The piece features the iconic character Jason Voorhees from the Friday the 13th horror movie franchise, depicted in a serene, almost pastoral swamp scene, blending the worlds of horror cinema and classical landscape painting. Pop Culture Meets Fine Art in TGIF V 20 Dave Pollot is known for his clever reimagining of traditional art, often incorporating pop culture icons and elements of contemporary media into classical or idyllic settings. TGIF V 20 is a prime example of this approach, as Pollot combines the menacing figure of Jason Voorhees with a tranquil countryside landscape. In this print, Jason stands ominously in a swamp, his iconic hockey mask reflecting the light of a distant sunset, as a small cottage nestles in the background, seemingly oblivious to the terror lurking nearby. Pollot's ability to juxtapose these two worlds — the horror of Friday the 13th and the peace of an idyllic countryside — creates a sense of unease and dark humor. The viewer is left to contemplate the absurdity of Jason, a figure of violence and fear, calmly existing in such a serene environment. This playful contradiction is a hallmark of street pop art, where familiar symbols are recontextualized in surprising and often ironic ways. By placing Jason in this unexpected setting, Pollot challenges our perceptions of the character and the setting, encouraging us to see them in a new light. The Influence of Graffiti and Street Pop Art Pollot's work, while rooted in traditional fine art techniques, is heavily influenced by the aesthetics and ethos of street pop art and graffiti. Street pop art is known for its bold use of color, incorporation of popular culture, and ability to challenge the boundaries between high and low art. In TGIF V 20, Pollot brings these elements together, using Jason as a mass culture symbol to disrupt classical landscape painting conventions. The texture and richness of the canvas, along with the vibrant yet balanced color palette, add to the visual impact of the piece. The scene, which might otherwise resemble a typical 19th-century landscape, is transformed by Jason's presence. The influence of graffiti and street art can be seen in how Pollot brings a sense of the urban and contemporary into the traditional. Jason, a figure from 1980s horror, becomes a modern-day interloper in a timeless setting, much like graffiti often disrupts the urban environment's aesthetic by introducing new, frequently controversial elements. Moreover, this print's hand-numbered, limited edition nature emphasizes the individuality and exclusivity often associated with street art, much like graffiti artists who mark their work with a signature or tag, Pollot signs, and numbers each print, ensuring that no two pieces are identical. This also ties into the street art philosophy of art being both public and personal, accessible yet unique. The Contrast of Horror and Pastoral Beauty At the heart of TGIF V 20 is the stark contrast between the horror genre and the peacefulness of the natural landscape. Jason, typically seen stalking victims through dark forests or deserted campsites, is instead placed in a setting that evokes warmth and nostalgia. The cottage in the background, illuminated by the soft glow of the setting sun, creates a comforting atmosphere that directly opposes the violent imagery often associated with Jason. This juxtaposition heightens the sense of unease as the viewer wonders how such a figure could belong in such a tranquil place. The piece's title, TGIF V 20, also plays into this contrast. While Friday the 13th is synonymous with bad luck and horror, the phrase "TGIF" typically conveys a sense of relief and the anticipation of a relaxing weekend. Pollot uses this duality to blur further the lines between fear and comfort, humor and horror. This layering of meaning is characteristic of street pop art, where multiple interpretations can coexist, and the viewer is encouraged to engage with the work on different levels. Pollot's decision to depict Jason in a swamp, as opposed to a more conventional horror setting, adds another layer of complexity to the piece. Swamps are often associated with decay, mystery, and hidden dangers, making them an ideal setting for Jason's brooding figure. At the same time, the way Pollot renders the scene — with soft brushstrokes, warm tones, and an overall sense of calm — makes the swamp appear almost inviting. This tension between beauty and menace is central to the appeal of the artwork, as it invites the viewer to question what lies beneath the surface. Dave Pollot's Modern Approach to Art and Pop Culture Dave Pollot's approach to art is rooted in the blending of high art and pop culture, a technique that has become a defining feature of modern street pop art. Pollot's background in classical painting techniques allows him to execute his works with precision. At the same time, his incorporation of familiar cultural icons adds a layer of accessibility and relevance to contemporary audiences. TGIF V 20 continues this tradition, as Pollot brings the world of horror movies into the refined setting of landscape painting. As a symbol of fear and violence, Jason Voorhees becomes a part of the natural world in Pollot's hands, suggesting that even the most terrifying aspects of our imagination have a place in the broader cultural landscape. By placing Jason in such a serene and picturesque setting, Pollot forces us to reconsider what we find beautiful and frightening. This merging of worlds is central to street pop art, where the familiar and the unexpected come together to create something entirely new. TGIF V 20 by Dave Pollot is a powerful example of how modern street pop art can challenge and expand our understanding of art and popular culture. Through his use of humor, contrast, and finely honed artistic technique, Pollot creates a visually striking and thought-provoking work, offering a fresh perspective on a familiar figure from horror cinema.

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Emo's Austin Fifth Anniversary 1997 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Lord High Fixers, Mudhoney, Prima Donnas, Emo's, Austin TX 06-21-1997

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Third Rail PP Printers Proof Limited Edition Hand Pulled 7-Color Serigraph Print on 320gsm Fine Art Paper by Graffiti Pop Artist Risk Rock. PP Printers Proof 2015 Signed Limited Edition Artwork Size 24x24 Third Rail, 2015 Serigraph in colors on Coventry Rag Fine Art paper 24 x 24 inches (61 x 61 cm) (sheet) P.P. (aside from an edition of 50) Signed, numbered, and dated in pencil along lower edge. 7-Color Serigraph on 320gsm Fine Art Paper Size: 24 x 24 Inches Release: May 10, 2015 Run of: 50. This edition was originally sold with Risk's monograph Old Habits Die Hard. The book narrates Risk’s role as one of the pioneers of graffiti in Los Angeles and his aim to not only push the boundaries of his own art but also help elevate the graffiti movement to worldwide recognition. "Third Rail" by the celebrated graffiti pop artist Risk Rock is a striking embodiment of the vibrancy and subversive energy that define street art. Released on May 10, 2015, as a limited edition hand-pulled serigraph print, it encapsulates the artist's reputation for pushing visual boundaries. Each of the prints from this exclusive release is presented on premium 320gsm Coventry Rag Fine Art paper, with the dimensions of each sheet measuring 24 x 24 inches. This specific print, marked as a Printer's Proof (P.P.), stands apart from the main edition limited to 50, making it even more unique and sought after by collectors. Emphasized by a vivid seven-color palette, the serigraph method employed by Risk enhances the piece's textural depth and chromatic intensity, celebrating the graffiti art form's intrinsic link to urban culture. The artwork is not only signed by the artist but also numbered and dated along its lower edge, verifying its authenticity and connecting it directly to its creator's storied career. The image itself, a devilish, grinning face set against a backdrop of psychedelic colors and shapes, exudes the rebellious spirit inherent to the graffiti movement. This edition holds special significance as it was originally sold with Risk's monograph, "Old Habits Die Hard." The publication dives into Risk's influential role as one of the progenitors of the Los Angeles graffiti scene. His work and leadership helped catapult street art from its underground roots to a significant movement recognized worldwide. The monograph details Risk’s journey as an artist and his dedication to advancing not only his artistic expressions but also to contributing to the broader acceptance and appreciation of graffiti as a legitimate and powerful art form. Risk Rock's "Third Rail" stands as a potent representation of this transformative era in art, symbolizing the transition of graffiti from street corners to fine art galleries, and securing Risk’s legacy within the cultural tapestry of pop art, street art, and graffiti.

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Duality Fox Mulder X FIles Silkscreen Print by Jeremy VanCleef Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 25 Artwork Size 18x24 Silkscreen Print of Fox Mulder X FIles. Duality Fox Mulder X-Files Silkscreen Print by Jeremy VanCleef Duality Fox Mulder is a limited edition silkscreen print created by Jeremy VanCleef in 2013, featuring a haunting interpretation of the iconic character from The X-Files. This hand-pulled screenprint, measuring 18x24 inches, was produced in a signed and numbered edition of only 25, making it a rare and highly collectible piece. The artwork captures the psychological complexity of Fox Mulder, using a bold, minimalist composition combined with high-contrast halftone textures and neon green accents. The print reflects VanCleef’s signature fusion of Street Pop Art & Graffiti Artwork, where pop culture subjects are reimagined through an urban, contemporary lens. Concept and Visual Symbolism The composition of Duality Fox Mulder plays with the themes of truth, paranoia, and perception, central to The X-Files narrative. Mulder’s portrait is partially fragmented, with sections of his face missing, replaced by stark, negative space. This deconstruction reinforces the character’s struggle between belief and skepticism, reality and illusion. The hollowed-out eyes add a ghostly effect, suggesting his relentless search for answers has made him both enlightened and consumed by obsession. The surrounding typography includes phrases like Trust No One and The Truth Is Out There, iconic to the series, enhancing the sense of mystery and intrigue. The grainy, distressed background texture mimics photocopied conspiracy files, further reinforcing the idea of secrecy and government cover-ups. The limited color palette, dominated by green and black, directly references the eerie glow often associated with extraterrestrial themes in science fiction, making the print feel both vintage and futuristic. Street Pop Art & Graffiti Artwork Influence Jeremy VanCleef’s work often draws from the aesthetics of Street Pop Art & Graffiti Artwork, and this print is no exception. The use of halftone printing techniques, stencil-inspired portraiture, and distressed text elements are reminiscent of the wheatpaste posters seen in urban environments. The neon green accents give the piece a cyberpunk, underground zine quality, reinforcing the DIY ethos of street art culture. The layering of text and imagery, as well as the calculated use of negative space, allows for an interplay between structured design and raw, unfiltered expression. This technique mirrors how graffiti artists use walls as their canvas, layering different visual elements to create an evolving narrative. The deliberate imperfections in the ink application further connect the piece to the handcrafted, analog processes that define the screenprinting movement within street art. Collectibility and Cultural Impact With only 25 prints in existence, Duality Fox Mulder stands as an exclusive collectible within the world of Street Pop Art & Graffiti Artwork. Jeremy VanCleef’s ability to reinterpret pop culture figures through a subversive, street-inspired approach makes this print highly sought after by collectors of both contemporary printmaking and science fiction memorabilia. The X-Files continues to be a cultural touchstone, with themes of government secrecy, alien life, and truth-seeking remaining relevant in modern discourse. This print captures that ongoing relevance, using street art techniques to elevate Mulder’s character into an iconic visual statement. The meticulous craftsmanship of the hand-pulled silkscreen process ensures that each print retains a unique quality, reinforcing its place as a significant piece in the fusion of urban art and cult television mythology.

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Hiatus Kaiyote Tigercorn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Hiatus Kaiyote Tigercorn by Lauren YS: Psychedelic Iconography in Street Pop Art & Graffiti Artwork Hiatus Kaiyote Tigercorn is a vivid, limited edition archival pigment print created by Lauren YS, an American visual artist known for her neon-infused surrealism and work rooted in street art and lowbrow pop culture. Released on April 19, 2021, this 7.5 x 7.5 inch print was produced on perforated blotter paper and signed, numbered, and accompanied by a certificate of authenticity. Each edition was hand-perforated by Zane Kesey, reinforcing its connection to the rich visual history of blotter art and the psychedelic movement. The artwork’s unmistakable visual force and playfully aggressive imagery make it a standout within contemporary Street Pop Art & Graffiti Artwork, combining musical tribute, personal mythology, and psychotropic aesthetics in one explosive design. The central figure, a tiger-unicorn hybrid bursting with saturated green and blue tones against a radiant pink vortex backdrop, is both fantastical and confrontational. The creature's striped body cleverly incorporates the name Hiatus Kaiyote, celebrating the boundary-pushing Australian music group known for their fusion of soul, jazz, and electronic sound. The print radiates energy through its swirling background and exaggerated character design, with bold outlines and psychedelic patterns creating the visual equivalent of an electric current. The hand-drawn look and use of saturated, fluorescent color reflect Lauren YS’s signature approach, which bridges studio illustration and mural work while engaging with themes of transformation, empowerment, and altered perception. Lauren YS and the Language of Neo-Psychedelia Lauren YS has made a name through a body of work that embraces fantasy, mutation, and cultural remix. Their art often merges human and animal forms with dreamlike elements, pulling inspiration from science fiction, mythology, and subcultural symbology. With Hiatus Kaiyote Tigercorn, the choice of blotter paper as a medium is a deliberate nod to psychedelic visual traditions, and its scale and format mimic the exact dimensions of traditional LSD blotters. This connection is not just aesthetic but historical. Psychedelic blotter sheets were often canvases for visual experimentation, carrying illustrations that paralleled or enhanced the psychedelic experience. By using this format to immortalize a psychedelic feline hybrid, Lauren YS both honors and modernizes the lineage of this artform. As with all street-infused works, immediacy and impact are key. Hiatus Kaiyote Tigercorn achieves this with its chaotic energy and saturated palette, which would feel equally at home on a gallery wall or the side of a building. The animal's surreal form and hyperexpressive features suggest both humor and intensity, making it impossible to ignore. This aligns with Street Pop Art & Graffiti Artwork’s emphasis on creating emotional impact through image and color, particularly within public or alternative formats. Symbolism, Identity, and Surrealism in the Psychedelic Format The hybrid creature at the center of Hiatus Kaiyote Tigercorn is more than a decorative concept. Its features—striped body, unicorn horn, bared teeth—convey tension and duality. It is simultaneously fierce and whimsical, graceful and dangerous. These contradictions reflect the dual nature of many psychedelic experiences, which oscillate between beauty and chaos. The typography integrated into the tiger's stripes highlights the influence of sound and rhythm, visually representing the impact of Hiatus Kaiyote’s music. This combination of auditory and visual stimulation mirrors the synesthetic experiences often reported under psychedelics, reinforcing the relevance of this format in contemporary psych-pop culture. Lauren YS’s use of street art influences, comic surrealism, and layered visual metaphors adds depth to what may initially seem like a playful design. The exaggerated style and mythical creature format evoke dream states and imagined worlds. Their artistic language finds common ground with graffiti and pop surrealism, both of which champion distorted figures, bright palettes, and social resistance through fantasy. The use of perforated blotter paper brings this rebellious spirit to a tactile surface historically associated with radical freedom and mind expansion. Blotter Paper as Canvas in Contemporary Street Pop Art Hiatus Kaiyote Tigercorn exemplifies how contemporary artists are reclaiming blotter paper not merely as nostalgic reference but as a legitimate platform for art. When Zane Kesey hand-perforates each print, he embeds a cultural and material authenticity that connects these works to an underground tradition of chemically-induced exploration and revolutionary aesthetics. Lauren YS’s contribution stands out for its immediacy, symbolic boldness, and high-octane color scheme, transforming each sheet into a portal of visual and conceptual intensity. As part of the broader revival of blotter art within Street Pop Art & Graffiti Artwork, this print operates at the crossroads of music, psychedelia, and visual storytelling. Lauren YS continues to redefine how street-influenced art can engage with legacy formats while expanding its boundaries into new mythologies and imaginative terrains. Through their bold characters and kaleidoscopic visuals, they offer not just an image, but an invitation to perceive, question, and celebrate altered ways of seeing.

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Fauna Janky SuperPlastic x Julie West Limited Edition Vinyl Artwork Street Art Toy Collectable Figure American artist Julie West’s Fauna SuperJanky is the unforgiving goddess of the haunted forest. This demonic monarch is ready to sick her legion of serpents on any kingdom that threatens her. Adorned in gothic royal typography, aesthetically sharp antlers and eyes that will make any mortal crumble in her presence. 8-inches tall, soft vinyl. Just 666 made.

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Cannibal Holocaust- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jock Graffiti Street Artist Modern Pop Art. Screen print. Hand-numbered.

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Chris Tillman/Frankenstein- Orioles Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Chris Tillman/Frankenstein- Orioles

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Chum 22 Yellow Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2022 Out of Print Limited Edition Artwork Size 7.7x11.6x3.5 New In Box Stamped/Printed Foot Depicting Yellow KAWS Chum Close Friend Standing with Hands on Hips by Artist Kaws- Brian Donnelly. New In Box. Bridging the gap between contemporary art and the streets is the remarkable "Chum 22 Art Toy," conceived by the illustrious Kaws, also known as Brian Donnelly. This unique vinyl sculpture, released in 2022, showcases the intricate details and iconic motifs synonymous with the artist's oeuvre. Imbued with vibrant colors and a design reminiscent of urban aesthetics, this piece stands at an impressive 7.7x11.6x3.5 inches, proving that art can be compact and impactful. Kaws, with a background rooted in street art and graffiti, has always been adept at transcending the traditional boundaries of art. His "Chum 22 Art Toy" is no exception. It manifests the essence of his artistry, characterized by a figure known as "Chum" – a close friend of the artist, confidently posed with hands resting on hips. This stance embodies a defiant spirit, a nod to the countercultural ethos that street art champions. Furthermore, the attention to detail is evident, especially in the stamped or printed foot of the figure, which serves as a testament to Kaws' commitment to authenticity and originality. Fresh from the studio and still encased in its original packaging, this limited edition artwork, already out of print, is a prized possession for collectors and enthusiasts alike. It exemplifies how street art, often seen as temporary and transient, can be immortalized and celebrated in tangible forms. Through such creations, Kaws continues to challenge perceptions, urging society to recognize and appreciate the artistic merit inherent in street culture.

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Sounds and Skulls, It is Enough Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos.

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Brella Pop Street Artwork Limited Edition Giclee Print on Fine Art Print by Urban Graffiti Modern Artist Alex Pardee. 2018 Signed giclee print on archival paper 17 x 22 inches signed and numbered edition of 50

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Stay Melty Promo 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Dissection of Stitch- Anatomy Sheet No 30 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Seeing Bronze Figure Sculpture 20th Anniversary by Kaws- Brian Donnelly Limited Edition Pop Artwork Street Artist Fine Art. 2022 Signed/Stamped Foot Limited Edition of 250 Artwork Size 3.5" x 3.3" x 4.3" Kaws AllRightsReserved 20th Anniversary Series BFF Bronze Metal Sculpture Figure. The Visionary Art of KAWS: "Seeing Bronze Figure Sculpture" The "Seeing Bronze Figure Sculpture" by KAWS, real name Brian Donnelly, unveils a profound synthesis of street pop and fine art. Commemorating the 20th anniversary of KAWS's partnership with AllRightsReserved (ARR), this sculpture epitomizes the artist's ascent from subversive street art origins to the pinnacles of the contemporary art world. Cast in bronze, a medium rich with historical connotations, the figure is a limited edition piece standing 3.5" x 3.3" x 4.3", marking a significant point in the artist's career and the timeline of pop art and graffiti artwork. This collectible piece intertwines the playful nature of KAWS's BFF series with the gravitas of fine sculpture. It possesses a duality, embodying the accessible aesthetics of street art while simultaneously exuding the exclusivity of high art through its limited edition release. Each sculpture, signed and stamped on the foot, signifies a tangible piece of the artist's legacy, a keepsake for those wishing to own a fragment of art history. KAWS: Blurring Lines Between Art Forms Brian Donnelly, hailing from the United States, has made an indelible impact on the art world as KAWS. His journey from graffiti tags to globally recognized artworks is a narrative of cultural shift and acceptance. With roots firmly planted in the subcultures of New York City, KAWS has elevated street art to new heights, utilizing it as a conduit to explore, challenge, and redefine notions of value and permanence in art. The "Seeing Bronze Figure Sculpture" reflects this challenge by bringing street pop art into the realm of fine art collectibles. In adopting bronze, KAWS elevates the status of his BFF character from the transient world of street art to that of enduring art, reserved throughout history for the most esteemed subjects. This sculpture thus becomes a commentary on the democratization of art, making KAWS a central figure in the conversation about the blurring lines between different artistic disciplines. Legacy of KAWS and ARR's Collaboration The alliance between KAWS and AllRightsReserved is a testament to the power of collaborative spirit in the evolution of art. Since their initial union in 2010, ARR has been pivotal in amplifying KAWS's vision, crafting his characters into sculptures that resonate with a global audience, and forging a legacy within street pop art and the broader art market. This 20th-anniversary bronze figure symbolizes the longevity and success of their partnership and the growth of graffiti artwork from urban environments to prestigious collections. Each limited edition of the series stands as a landmark of this progressive journey, blending street culture with artistic heritage and expanding the reach of street pop art into the future. KAWS's Sculpture: A Cultural Beacon The influence of KAWS on the trajectory of street pop art and graffiti artwork is undeniable. His work has been pivotal in elevating the perception of street art, granting it a voice and stature on par with traditional art forms. The "Seeing Bronze Figure Sculpture" is a cultural beacon, illuminating KAWS's unique position as a bridge between communities, cultures, and art forms. As each sculpture from the 20th Anniversary Series sits poised between street art and fine art, they collectively celebrate KAWS's role as an innovator and iconoclast. These pieces mark a personal milestone for the artist and represent the ongoing dialogue and fusion between street pop art and the established art world. Through the hands of Brian Donnelly, street pop art has found a new form of expression that continues to challenge, engage, and inspire.

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Mr Dob A Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 400 Complexcon x BAITx Takashi Murakami 10 3/5 × 13 2/5 × 10 1/5 in New in Box.  Mr. Dob A Vinyl Sculpture by Takashi Murakami: Maximalist Expression in Street Pop Art & Graffiti Artwork Mr. Dob A is a 2017 limited edition vinyl art sculpture created by Takashi Murakami in collaboration with BAIT and released during ComplexCon. This collectible, limited to 400 pieces, measures approximately 10.6 x 13.4 x 10.2 inches and comes in its original box featuring custom illustrated artwork by Murakami. The sculpture captures the artist’s recurring character Mr. Dob, rendered in high-gloss vinyl with overwhelming detail, pattern, and color. With wild tentacles, spinning eyes, jagged rainbow teeth, and hypnotic surface design, Mr. Dob A functions as a physical embodiment of Murakami’s Superflat aesthetic and his exploration of modern pop culture excess. It represents a key convergence of Japanese fine art, consumer spectacle, and the bold visual energy of Street Pop Art & Graffiti Artwork. Design, Symbolism, and Sculptural Technique This sculpture of Mr. Dob A is both fantastical and threatening. The figure’s gaping mouth is a cavernous rainbow vortex surrounded by colorful triangular teeth, while octopus-like limbs coil outward, each covered in eye motifs and concentric patterns. With swirled ears and bulging eyeballs, the character plays between kawaii and kaiju, innocence and menace. The gloss finish reflects Murakami’s obsession with polished perfection, a nod to toy manufacturing and the clean surface of anime production. Every curve is intentional, exaggerated, and infused with chaos. The precision of the vinyl cast and paintwork transforms the piece into more than just a toy—it is a surreal object of fine art, produced with the exactness of a designer good but pulsing with visual anarchy. Mr. Dob is not simply a mascot but an ever-evolving figure that symbolizes the collision of mass media, mythology, and personal madness. Takashi Murakami’s Cultural Role and Street-Level Influence Takashi Murakami, born in Japan in 1962, is internationally recognized for his ability to unify high art and commercial culture into a single visual framework. His signature concept of Superflat compresses traditional Japanese painting with post-war consumerism, anime, and otaku culture. Mr. Dob is one of Murakami’s earliest and most significant characters—serving as both alter ego and critique of cultural saturation. The Mr. Dob A edition reflects Murakami’s connection to contemporary art fairs and urban collectibility, debuting at ComplexCon, a marketplace driven by fashion, art, and hype culture. In the world of Street Pop Art & Graffiti Artwork, Murakami’s work exists as a portal where tradition and disruption coexist, and where figures like Mr. Dob become both symbols and products of global visual identity. Limited Vinyl Edition as a Fine Art Collectible Object Each Mr. Dob A sculpture is housed in a custom display box that mirrors the character’s expression, rendered in bold vector style across every surface. The packaging and figure are inseparable in narrative—they work as one collectible unit. As a limited edition of 400, the work occupies a rarefied position between commercial object and cultural artifact. Unlike mass-produced vinyl figures, this release is anchored in Murakami’s conceptual art lineage and collectible strategy. Its presence in galleries, private collections, and museums places it in direct dialogue with the broader conversation around the function of toys in fine art. Within the expanding world of Street Pop Art & Graffiti Artwork, Mr. Dob A stands as a hybrid sculpture—unapologetically loud, self-referential, and reflective of a global audience hungry for art that merges spectacle, subversion, and surface.

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Mr Dob B Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 800 Complexcon x BAITx Takashi Murakami 9x12x8 Perfect Like New Displayed With Box. Mr. Dob B Vinyl Sculpture by Takashi Murakami: Multicolor Chaos in Street Pop Art & Graffiti Artwork Mr. Dob B is a 2017 limited edition vinyl art sculpture by Japanese artist Takashi Murakami, created in collaboration with BAIT and released during ComplexCon in a run of 800 pieces. Measuring approximately 9x12x8 inches, the piece features Murakami’s signature character Mr. Dob, a hybrid creation that combines mouse-like ears with a psychedelic, manic expression and vibrant color scheme. Presented in a sculptural format with a fully illustrated collector’s box, the figure exemplifies Murakami’s ability to translate two-dimensional visual chaos into tactile three-dimensional form. The piece embodies a convergence of Japanese superflat aesthetics, otaku subculture, and fine art sculpture, aligning closely with the language and impact of Street Pop Art & Graffiti Artwork. Design, Dimension, and Character Evolution Mr. Dob B is one of the most striking physical manifestations of Murakami’s universe, with the figure’s open jaw revealing an internal vortex of teeth, tongues, rainbows, and spikes. The swirling eyes, exaggerated facial features, and tentacle-like limbs transform the figure into an optical spectacle that defies traditional character design. Built in high-gloss vinyl with a candy-like finish, the sculpture holds presence and reflects light like a futuristic idol. Murakami’s layering of pop references, Japanese animation cues, and commercial color schemes results in a form that feels both celebratory and confrontational. This version of Mr. Dob functions as a physical distillation of the visual overload often seen in Murakami’s paintings and murals. It is a figure both familiar and terrifying, comical and aggressive, simultaneously referencing kawaii culture and subverting it. Takashi Murakami’s Influence on Pop-Driven Collectible Sculpture Takashi Murakami, born in Japan in 1962, is widely recognized as a central figure in contemporary pop-infused fine art. His work blurs distinctions between high culture and consumerism, integrating anime, fashion, and graffiti into museum-level exhibitions and commercial collaborations. Mr. Dob, introduced in the mid-1990s, has become one of Murakami’s most recognizable motifs—part mascot, part avatar, part marketing critique. In the context of Street Pop Art & Graffiti Artwork, Murakami’s vinyl sculptures function as icons of consumer subversion. They are designed to be collected, displayed, and celebrated, yet they contain within them the coded languages of branding, art history, and digital culture. With the release of Mr. Dob B at ComplexCon—a marketplace event known for its intersection of streetwear, art, and hype—Murakami further positioned the sculpture as an emblem of culture remix and high-art accessibility. Limited Edition Vinyl as a Pop-Cultural Time Capsule The 2017 Mr. Dob B edition is packaged in a large format, fully printed box that mirrors the chaotic aesthetic of the figure inside. Each sculpture is factory-finished to perfection, with clean paint applications and balanced form, echoing the commercial polish of designer toy culture. Yet unlike mass-market collectibles, this figure is part of a limited edition, marking its exclusivity and artistic integrity. Murakami’s presence at ComplexCon signaled a shift—where fine art not only entered the hype arena but became central to it. In Street Pop Art & Graffiti Artwork, this edition stands as a time capsule of visual culture—playful, precise, and entirely aware of its impact. Mr. Dob B is not merely a sculpture but a statement about saturation, spectacle, and the evolving definition of art in a media-drenched world.

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FL-001 Pointman Black Vinyl Figure Art Toy by Futura 2000- Leonard McGurr Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2019 Limited Edition of 500 Artwork Size 3.75x12 New In Box Black 5 Points of Movement FL-001 Pointman Black Vinyl Figure by Futura 2000 The FL-001 Pointman Black Vinyl Figure is a striking collectible designed by Leonard McGurr, famously known as Futura 2000, a pioneer in graffiti artwork and street pop art. Released in 2019, this figure is part of a limited edition of 500, standing at an impressive 12 inches tall with a sleek black finish. Featuring five points of movement, this vinyl sculpture exemplifies Futura 2000's signature style, blending futuristic aesthetics with urban culture. Packaged new in a custom-designed box, this figure is both a work of art and a testament to the artist's lasting impact on the art world. A Futuristic Vision in Vinyl The FL-001 Pointman is instantly recognizable as an extension of Futura 2000's abstract and avant-garde design language. The figure’s elongated limbs, angular features, and minimalist black finish evoke a sense of otherworldly sophistication. The inclusion of five points of articulation ensures that this figure is not just a static sculpture but also an interactive art piece. The monochromatic palette enhances its futuristic aesthetic, allowing the viewer to focus on the intricate sculptural details and dynamic form that characterize Futura 2000’s Pointman series. The Genius of Futura 2000 Leonard McGurr, widely known as Futura 2000, is a legendary artist who rose to prominence in the 1980s graffiti scene. Renowned for his abstract approach to graffiti and his innovative use of space and form, Futura 2000 has left an indelible mark on both street art and contemporary art. His Pointman character has become a recurring motif in his work, symbolizing a blend of human and mechanical elements, bridging the gap between the organic and the futuristic. The FL-001 Pointman Vinyl Figure is a continuation of this legacy, bringing his vision to life in three dimensions. A Coveted Collector’s Piece With only 500 pieces in existence, the FL-001 Pointman Black Vinyl Figure is a rare and valuable addition to any collection of street pop art or designer toys. Its impressive 12-inch height and impeccable craftsmanship make it a standout piece for display, whether in a home, gallery, or office. The figure’s sleek black finish adds an element of sophistication, while the five points of articulation offer versatility for posing and presentation. Packaged in a custom-designed box, it arrives as a complete collectible ready to be admired and preserved. The FL-001 Pointman Black Vinyl Figure by Futura 2000 is more than just a collectible—it is a representation of the artist’s innovative approach to design and his ability to merge graffiti culture with fine art. Its limited-edition status, combined with its striking design and cultural significance, makes it a must-have for enthusiasts and collectors of modern art and street pop culture. This figure stands as a tribute to Futura 2000's enduring influence on contemporary art.

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Untitled Squid Misfit Crew 3-Color Hand-Pulled Limited Edition Silkscreen Print on Wove Paper by Buff Monster Rare Street Art From Famous Pop Artwork Artist. AP Artist Proof. Screenprint in colors on wove paper 24-1/8 x 18-1/4 inches (61.3 x 46.4 cm) (sheet, each) A.P; A.P Each signed, numbered and dated in pencil lower right. Mild scuffs and scratches most prominent in the black ink. Very mild handling creases.

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Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Chum 22 Black Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2022 Out of Print Limited Edition Artwork Size 7.7x11.6x3.5 New In Box Stamped/Printed Foot Depicting Black KAWS Chum Close Friend Standing with Hands on Hips by Artist Kaws- Brian Donnelly. New In Box. Bridging the gap between contemporary art and the streets is the remarkable "Chum 22 Art Toy," conceived by the illustrious Kaws, also known as Brian Donnelly. This unique vinyl sculpture, released in 2022, showcases the intricate details and iconic motifs synonymous with the artist's oeuvre. Imbued with vibrant colors and a design reminiscent of urban aesthetics, this piece stands at an impressive 7.7x11.6x3.5 inches, proving that art can be compact and impactful. Kaws, with a background rooted in street art and graffiti, has always been adept at transcending the traditional boundaries of art. His "Chum 22 Art Toy" is no exception. It manifests the essence of his artistry, characterized by a figure known as "Chum" – a close friend of the artist, confidently posed with hands resting on hips. This stance embodies a defiant spirit, a nod to the countercultural ethos that street art champions. Furthermore, the attention to detail is evident, especially in the stamped or printed foot of the figure, which serves as a testament to Kaws' commitment to authenticity and originality. Fresh from the studio and still encased in its original packaging, this limited edition artwork, already out of print, is a prized possession for collectors and enthusiasts alike. It exemplifies how street art, often seen as temporary and transient, can be immortalized and celebrated in tangible forms. Through such creations, Kaws continues to challenge perceptions, urging society to recognize and appreciate the artistic merit inherent in street culture.

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Flatstock 33 2012 Event Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Yellow Fine Art Paper by Jeremy Wheeler. Number 71 of 71. SXSW American Poster Institute March 14-17 2012 Austin Convention Center Texas

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Sea Also Rises, King of Crabs Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Tim Doyle. 2009 Signed & Numbered Limited Edition of 150 Series VI Artwork Size 18x24

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Dark as a Dungeon Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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This Horror Never Undone Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Missing Peace Psyche B Deck Fine Art Limited Edition Mixed Media Archival Pigment Transfer & Screen Print on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Pushead. 2021 Large Signed & Dated Across Front Lip 10x32 Transfer Bottom & Screen Printed 2 Headed Frog

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Little Shop of Plumbers Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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Nosferatu Limited Edition 1-Color Hand-Pulled Glow-In-The-Dark Silkscreen Print on Fine Art Paper by Pop Artist Jacob Borshard. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Nosferatu is 18×24, Glow-In-The-Dark, hand-printed, and is signed and numbered in an edition of 100.

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Sleep Paralysis 1.0 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Meagan Magpie Rodgers. 100 signed and numbered 11x17” giclee prints on fine art paper.

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Onward, Illinois! Silkscreen Print by Jay Ryan Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 230 Artwork Size 18x24 Silkscreen Print Onward, Illinois! Silkscreen Print by Jay Ryan Jay Ryan’s Onward, Illinois! silkscreen print is a celebration of movement, community, and artistic storytelling, blending his signature playful creatures with a uniquely structured composition. Created in 2013, this limited edition, hand-pulled screenprint captures the essence of street pop art & graffiti artwork, where vibrant characters symbolize the energy and resilience of Illinois. With its 18x24-inch format, the piece uses bold muted color tones and fluid linework, a hallmark of Jay Ryan’s artistic approach. Symbolism and Artistic Style This artwork presents a stylized map of Illinois, bursting with expressive animal characters that appear to be in motion, charging forward together. The dynamic arrangement of creatures, including rabbits, dogs, and abstract figures, conveys a collective sense of progress and unity. A notable feature in the composition is a single yellow flag held high, reinforcing themes of leadership, movement, and perseverance. Ryan’s signature hand-drawn textures and organic lines enhance the visual depth, while the limited color palette of blues and greens adds a distinct character to the piece. The use of subtle shading and layered screenprinting techniques gives the print a sense of motion, creating an engaging and almost animated effect. Street Pop Art & Graffiti Artwork Influence Jay Ryan’s work has been an integral part of street pop art & graffiti artwork, blending DIY aesthetics with contemporary printmaking techniques. His bold linework, narrative-driven visuals, and use of animals as symbolic figures align with many of the themes found in modern street art. While his work is often associated with gig posters and independent art scenes, it also shares a common visual language with urban graffiti artists, who use symbolism and repetition to tell stories in public spaces. This print exemplifies the crossover between fine art screenprinting and the raw energy of street art, making it a standout in contemporary poster design. Its hand-pulled nature and limited edition status add to its authenticity, reinforcing the importance of tactile, handcrafted art in an increasingly digital world. Legacy and Cultural Impact As a piece rooted in Illinois culture and artistic heritage, Onward, Illinois! serves as both a tribute to the state and a broader reflection on unity and perseverance. The print’s narrative of progress and shared journey resonates with collectors and street art enthusiasts alike, making it a sought-after addition for those who appreciate handmade, narrative-driven art. Jay Ryan continues to influence modern screenprinting, independent poster art, and street pop aesthetics, ensuring that works like Onward, Illinois! remain highly regarded representations of contemporary visual storytelling.

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Enamored Die-Cut Wood- Pink Limited Multiple on Laser Cut Wood Panel ready to hang by Buff Monster Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 45 Pink Colorway Artwork Size 14.5 x 13.5 inches (37 x 34 cm) "I've wanted to do a silkscreened die-cut wood print for years! Finally, I have done it! They are all painted by me, too; the light pink background and the black on the sides have all been painted by me. The colors on a silkscreen edition are always much brighter." -Buff Monster Buff Monster, a New York-based street artist renowned for his vibrant and whimsical work in modern pop art and graffiti, presents "Enamored Die-Cut Wood- Pink." This limited edition artwork, part of a series of 45, is a testament to Buff Monster's commitment to innovation and craftsmanship in street pop art. Each piece, sized 14.5 x 13.5 inches, is meticulously crafted on laser-cut wood panels, primed for display without additional framing. The artwork features Buff Monster's signature motif: the melting Mister Melty character, often associated with joy, love, and the steadfast passage of time. The character's singular eye and the heart motif are done in a striking pink colorway, a hue recurrent in Buff Monster's work, symbolizing optimism and vitality. This particular edition is further enhanced by Buff Monster's hand, with the light pink background and the black sides personally painted by the artist, adding a layer of intimacy and authenticity to each print. As with traditional silkscreen prints, "Enamored Die-Cut Wood- Pink" colors are vivid and saturated, displaying Buff Monster's preference for bright, eye-catching palettes that bring his characters to life. The die-cut wood medium adds a sculptural dimension to the piece, offering a tactile experience that differs from two-dimensional prints. This multi-dimensional quality reflects the dynamism of street pop art, which often interacts with its environment unexpectedly. Buff Monster's creation is more than a mere decorative piece; it's a slice of street culture, a manifestation of the artist's influences drawn from Japanese culture, classic graffiti, and American cartoon aesthetics. The "Enamored Die-Cut Wood- Pink" edition represents a marriage of these inspirations, encapsulating the playful and irreverent spirit that defines Buff Monster's artistic practice and the broader street pop art movement. This work is a colorful ode to the melting wonders of life, love, and the enduring power of art to evoke emotion and provoke thought.

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Yin Yang 1-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Rich People Shit Original Spray Paint Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Massive Artwork Size 80x100 Small Cute To Right Area "Rich People Shit," an original spray paint painting by Atomik, represents an explosive convergence of pop art, street art, and graffiti art. Atomik, a Miami-based artist known for his vibrant orange, bold visuals and irreverent approach to societal norms, has once again pushed the boundaries with this work. Distinguished by its unflinching commentary on wealth disparity and consumer culture, the painting is awash with Atomik's characteristic bright colors, which serve to highlight its potent message. The title of the work, "Rich People Shit," directly conveys its subject matter. It teases apart the excesses and indulgences of the upper crust, showcasing Atomik's biting satire and his knack for stirring dialogue through his art. The narrative embedded within the painting brings to life the often surreal experiences and commodities associated with immense wealth, boldly questioning the societal structures that uphold such a lifestyle. As an amalgamation of pop art, street art, and graffiti art, "Rich People Shit" exhibits all the crucial elements of these genres. From the populist appeal and familiar imagery of pop art, the gritty spontaneity and defiance of street art, to the unconventional canvas and daring statements of graffiti art - Atomik deftly blends these into a powerful commentary. The artist's prolific use of spray paint not only anchors the piece firmly within the graffiti art tradition but also infuses it with a raw energy that lends an immediacy to its critique. This painting, through its vivid imagery and incisive commentary, has managed to spark a broad conversation about the societal implications of wealth and its distribution. Atomik's "Rich People Shit" remains a significant piece in the contemporary art scene, serving as a bright beacon of subversive thought in the crossroads of pop, street, and graffiti art.

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Duality Dana Scully X FIles Silkscreen Print by Jeremy VanCleef Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 25 Artwork Size 18x24 Silkscreen Print of Dana Scully X FIles. Duality Dana Scully X-Files Silkscreen Print by Jeremy VanCleef Duality Dana Scully is a limited edition silkscreen print created by Jeremy VanCleef in 2013, presenting a visually striking interpretation of the iconic character from The X-Files. This hand-pulled screenprint, sized at 18x24 inches, is part of a signed and numbered edition of only 25, making it a rare and sought-after piece. The artwork captures the essence of Dana Scully through a minimalist yet haunting composition, incorporating fragmented portraiture, high-contrast halftone textures, and bold typography. The use of a red and black palette intensifies the psychological depth of the piece, aligning with the visual aesthetics commonly found in Street Pop Art & Graffiti Artwork. Concept and Visual Symbolism Duality Dana Scully explores the tension between logic and belief, a core theme in The X-Files. Her face is partially removed, leaving an open void that suggests the struggle between science and the unknown. The stark white cutout interrupts her form, reinforcing the duality between skepticism and faith that defines her character. Her hollowed-out eyes, a recurring motif in VanCleef’s work, add an eerie, almost supernatural quality, mirroring the unsettling mysteries she investigates. The background features distressed textures and muted grain, reminiscent of aged documents and conspiracy files, further reinforcing the secretive undertones of the composition. Text elements such as Logic, Reason, and Skeptic punctuate the artwork, emphasizing the defining attributes of her character. The inclusion of a small, floating cross necklace subtly acknowledges her spiritual dilemma, adding an additional layer of complexity to the piece. Street Pop Art & Graffiti Artwork Influence Jeremy VanCleef employs techniques rooted in Street Pop Art & Graffiti Artwork, incorporating stencil-like portraiture, distressed typography, and layered textures that evoke urban wheatpaste posters. The rough, unpolished aesthetic, combined with sharp-edged design elements, mimics the feel of underground zine culture and guerrilla street art. The limited color scheme of deep reds and monochrome tones creates a high-impact visual statement, much like the bold graphics found in stencil graffiti. The interplay between printmaking traditions and digital deconstruction gives the artwork a sense of immediacy and rawness, qualities often seen in modern street murals. VanCleef’s ability to distort familiar imagery while maintaining strong cultural references aligns with the core principles of urban artistic expression, where themes of rebellion, questioning authority, and challenging perception play a central role. Collectibility and Cultural Impact As a signed and numbered edition of 25, Duality Dana Scully holds significant value within the world of Street Pop Art & Graffiti Artwork. The scarcity of this print makes it highly desirable among collectors, especially those who appreciate the intersection of science fiction and contemporary urban aesthetics. The X-Files remains a cultural touchstone, and this artwork encapsulates the enduring mystery and intellectual depth of the series. Jeremy VanCleef’s reinterpretation of Dana Scully transforms her from a television character into an abstract symbol of truth-seeking and existential inquiry. His handcrafted silkscreen process ensures that each print maintains a unique, tactile quality, reinforcing the authenticity and artistic integrity of the work. The continued relevance of conspiracy theories, government secrecy, and scientific skepticism makes this piece a powerful visual representation of the ongoing dialogue between fact and belief, securing its place as a defining example of pop culture-inspired street art.

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Mark Lanegan 60 Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Meaningful Tribute to a Resonant Voice Cleon Peterson, an American artist known for arresting imagery and commentary on human conflict, created this limited edition silkscreen print as a personal homage to Mark William Lanegan. Lanegan, an American singer, passed away on February 22, 2022, leaving a profound influence on those who knew him and admired his work. Peterson sought to honor the singer’s 60th birthday through this piece, reflecting the shared journeys and the spirit of discovery that bound them together. The artwork presents a striking composition in red, black, and white, symbolizing both shadowy introspection and bright revelation. Each element in the design conveys tension and release, echoing the emotional depth of Lanegan’s music and the keen observations that define Peterson’s artistic approach. This 15x24-inch print on hand deckled 290gsm Coventry Rag Fine Art Paper captures a powerful exchange between two figures. One figure, rendered in vivid red, suggests an otherworldly presence, while the central human form stands in stark black. Their poses and gestures imply a push and pull of darkness and light, a motif that resonates with Lanegan’s creative path. The swirling shapes around the figures evoke fire, passion, and potential tumult, reinforcing Peterson’s signature use of bold silhouettes and purposeful negative space. By blending minimal details with high-contrast colors, the composition maintains a sharp intensity that draws the observer into its emotional core. Symbolism and Visual Expressions The interplay of color in this silkscreen print reflects the way Lanegan’s music often inhabited spaces of introspection and fervor. The red figure hints at the force of temptation or struggle, while the black figure appears poised between surrender and resistance. These themes connect to Peterson’s broader body of work, which frequently portrays dramatic confrontations between contrasting elements. The text at the top and bottom references Lanegan’s 60th birthday and a notable venue, grounding the imagery in a celebratory yet reflective context. Observers are invited to consider how memory, friendship, and creative expression intertwine, shaping a narrative that transcends a mere birthday commemoration. Street Pop Art & Graffiti Artwork Connections Followers of Street Pop Art & Graffiti Artwork will recognize Peterson’s distinctive style, which employs flat color fields and intense outlines to deliver profound statements. This approach, reminiscent of bold murals and graphic interventions, has a directness that resonates in urban spaces as well as gallery settings. The oversized figures, emphasized by bright red and deep black, maintain the immediacy often associated with graffiti and street-based practices. Peterson’s technique interlaces pop culture influence with raw, street-inspired energy, reflecting a shared heritage of challenging conventional aesthetics. The overall arrangement echoes a modern approach to iconic visuals, where a few simplified shapes transmit a wealth of emotional content. Production Details and Collectibility Created in 2024 as a signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print stands as a carefully crafted testament to the artist’s dedication. Each piece is printed on luxurious 290gsm Coventry Rag Fine Art Paper, hand deckled for a subtle, artisanal feel. The tactile edges offer a nod to the handmade aspect of screen printing, merging contemporary design with time-honored techniques. Collectors value the exclusive nature of this run and the emotional resonance behind the subject matter, as Peterson’s personal connection to Lanegan adds depth to the composition. This artwork embodies the potent blend of reverence, friendship, and Street Pop Art & Graffiti Artwork influences that characterizes Peterson’s portfolio, reminding viewers of the enduring power that creative voices hold, even when they have departed.

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