Monsters Creatures & Beasts

The Joker Batman DC Comics Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr. Brainwash Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 79 Artwork Size 32x43 "Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, The Joker. A seven-color screen print on hand-torn archival art paper. Each print is signed and numbered, with a thumbprint on the back. The standard edition will be out of an edition of 79" -Mr Brainwash- Thierry Guetta (Team) Mr. Brainwash, a moniker used by the street artist Thierry Guetta, continues to influence the street pop art and graffiti art movement with his distinctive works that often blend pop culture references and an edgy street aesthetic. His latest foray into comic book art brings us a limited edition silkscreen print featuring The Joker, one of Batman's most infamous adversaries from DC Comics. This particular piece is a stunning representation of The Joker, encapsulating the character's chaotic energy and anarchic spirit. Crafted through a meticulous seven-color hand-pulled silkscreen process on fine art paper, the print exemplifies Mr. Brainwash's signature style that fuses street art and pop art elements. The artwork is a riot of color, with splashes and drips that suggest a raw, uncontained force, much like The Joker himself. This approach to the piece invokes graffiti art's spontaneity and rebellious nature, while the iconic comic imagery ties it firmly to pop art traditions. Each of the limited edition prints, sized at an impressive 32x43 inches, is not only signed and numbered but also carries the unique thumbprint of the artist on the back, serving as a hallmark of authenticity and a personal touch from Mr. Brainwash. With only 79 pieces, this artwork is a coveted item for collectors and enthusiasts of comic books and contemporary street pop art. The choice of The Joker is particularly resonant in today's culture, symbolizing the dual nature of chaos and intellect. Mr. Brainwash's portrayal taps into the zeitgeist, presenting The Joker as a comic character and an icon of modern-day societal contradictions. The artwork is a bold statement in Mr. Brainwash's oeuvre, continuing his exploration of popular culture and its icons through street and pop art.

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Mr Dob B Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 800 Complexcon x BAITx Takashi Murakami 9x12x8 Perfect Like New Displayed With Box. Mr. Dob B Vinyl Sculpture by Takashi Murakami: Multicolor Chaos in Street Pop Art & Graffiti Artwork Mr. Dob B is a 2017 limited edition vinyl art sculpture by Japanese artist Takashi Murakami, created in collaboration with BAIT and released during ComplexCon in a run of 800 pieces. Measuring approximately 9x12x8 inches, the piece features Murakami’s signature character Mr. Dob, a hybrid creation that combines mouse-like ears with a psychedelic, manic expression and vibrant color scheme. Presented in a sculptural format with a fully illustrated collector’s box, the figure exemplifies Murakami’s ability to translate two-dimensional visual chaos into tactile three-dimensional form. The piece embodies a convergence of Japanese superflat aesthetics, otaku subculture, and fine art sculpture, aligning closely with the language and impact of Street Pop Art & Graffiti Artwork. Design, Dimension, and Character Evolution Mr. Dob B is one of the most striking physical manifestations of Murakami’s universe, with the figure’s open jaw revealing an internal vortex of teeth, tongues, rainbows, and spikes. The swirling eyes, exaggerated facial features, and tentacle-like limbs transform the figure into an optical spectacle that defies traditional character design. Built in high-gloss vinyl with a candy-like finish, the sculpture holds presence and reflects light like a futuristic idol. Murakami’s layering of pop references, Japanese animation cues, and commercial color schemes results in a form that feels both celebratory and confrontational. This version of Mr. Dob functions as a physical distillation of the visual overload often seen in Murakami’s paintings and murals. It is a figure both familiar and terrifying, comical and aggressive, simultaneously referencing kawaii culture and subverting it. Takashi Murakami’s Influence on Pop-Driven Collectible Sculpture Takashi Murakami, born in Japan in 1962, is widely recognized as a central figure in contemporary pop-infused fine art. His work blurs distinctions between high culture and consumerism, integrating anime, fashion, and graffiti into museum-level exhibitions and commercial collaborations. Mr. Dob, introduced in the mid-1990s, has become one of Murakami’s most recognizable motifs—part mascot, part avatar, part marketing critique. In the context of Street Pop Art & Graffiti Artwork, Murakami’s vinyl sculptures function as icons of consumer subversion. They are designed to be collected, displayed, and celebrated, yet they contain within them the coded languages of branding, art history, and digital culture. With the release of Mr. Dob B at ComplexCon—a marketplace event known for its intersection of streetwear, art, and hype—Murakami further positioned the sculpture as an emblem of culture remix and high-art accessibility. Limited Edition Vinyl as a Pop-Cultural Time Capsule The 2017 Mr. Dob B edition is packaged in a large format, fully printed box that mirrors the chaotic aesthetic of the figure inside. Each sculpture is factory-finished to perfection, with clean paint applications and balanced form, echoing the commercial polish of designer toy culture. Yet unlike mass-market collectibles, this figure is part of a limited edition, marking its exclusivity and artistic integrity. Murakami’s presence at ComplexCon signaled a shift—where fine art not only entered the hype arena but became central to it. In Street Pop Art & Graffiti Artwork, this edition stands as a time capsule of visual culture—playful, precise, and entirely aware of its impact. Mr. Dob B is not merely a sculpture but a statement about saturation, spectacle, and the evolving definition of art in a media-drenched world.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Franken Fat- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English- POPaganda. Comes with deck tape.

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Aqua Apes Silkscreen Print by Ron English- POPaganda Hand-Pulled 5-Color on Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print "I made up a world called Delusionville that is populated by a hundred or so of my characters. This print introduces two of those new characters to the Ron English- POPaganda universe. This is a couple of Aquarium dwellers called The Aqua Apes. We have major infrastructure problems in this country, so, sounds like a good time for some tax breaks for the wealthy." - Ron English- POPaganda

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Untitled Squid Misfit Crew 3-Color Hand-Pulled Limited Edition Silkscreen Print on Wove Paper by Buff Monster Rare Street Art From Famous Pop Artwork Artist. AP Artist Proof. Screenprint in colors on wove paper 24-1/8 x 18-1/4 inches (61.3 x 46.4 cm) (sheet, each) A.P; A.P Each signed, numbered and dated in pencil lower right. Mild scuffs and scratches most prominent in the black ink. Very mild handling creases.

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Hercules- Pixel Hand-Pulled 5-Color Silkscreen Print on Cotton Rag Paper by Pop Graffiti Artist Buff Monster Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Pixel Variant Limited Edition of 25 Artwork Size 18X24 Buff Monster (b. 1979) Hercules (Pixel), 2019 Screenprint in colors on Cotton Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 25 Signed, numbered, and dated in pencil along lower edge Published by the artist The allegory of Hercules At The Crossroads is about the choice we make about the path we lead; will it be a virtuous life or a sinful life? Hercules is caught in the middle, trying to choose (though I always show him looking towards the light). In this version of the scene, the characters are rendered in pixelated lines. Each print is silkscreened with 5 screens featuring a variety of colors. Nice cotton rag paper, 18x24”, signed and numbered in an edition of only 25.

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Eye of the Serpent 4-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster x Brian Ewing Rare Street Art Famous Pop Artwork Artist. 18"x24" Coventry Rag 335 gsm Signed & Numbered (by both artists) in an edition of 200 with Metallic Ink

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Forlorn Unicorn- Rainbow Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artist Ron English- POPaganda. 2021 6.5" New In Box Forlorn Unicron vinyl art toy by Ron English- POPaganda. OG Blue edition which features pink details. Forlorn Unicron OG Blue edition vinyl art toy (6.5″)

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Holiday Changbai Mountain- Black Figure Vinyl Art Toy Sculpture Collectible Artwork by Modern Popular Artist Kaws. 2022 Open Edition Out of Print Sold Out Size 8.5" Stamped/Printed. Displayed With Box, Holiday Changbai Mountain features a Black companion figure sitting down with a smaller companion in its lap. The KAWS Holiday Changbai Mountain figure measures 8.5 inches tall. KAWS' Holiday Changbai Mountain-Black: A Study in Contemporary Street Pop Art The "Holiday Changbai Mountain-Black" figure by KAWS is a vinyl art toy sculpture that captures the essence of modern pop art through its minimalist aesthetic and emotional resonance. Released as an open edition in 2022, this sought-after piece quickly went out of print and is now considered a sold-out collectible. Standing 8.5 inches tall, the sculpture features the iconic KAWS Black companion seated, cradling a smaller companion, conveying a sense of protection and tenderness. This collectible sculpture is a quintessential representation of KAWS's unique ability to convey human emotion through the simplified, stylized forms characteristic of street pop art and graffiti artwork. The monochromatic black finish enhances the contours and shadows of the figures, emphasizing their volumetric presence. Each figure is stamped or printed, asserting its authenticity and connection to KAWS's expansive work. Cultural Significance of KAWS' Holiday Changbai Mountain-Black in Art Discourse The cultural significance of KAWS' "Holiday Changbai Mountain-Black" goes beyond its status as a collectible; it is a poignant commentary on the nature of relationships and care. The artwork's design resonates with the urban roots of street art, where figures and characters often serve as proxies for the artist's voice or societal reflections. In this piece, the interaction between the two companions is a silent narrative, open to interpretation but suggestive of familial or communal bonds, which are frequent themes in street and pop art. The collectible is also a testament to the growing trend of incorporating street art aesthetics into everyday life, bridging the gap between art galleries and personal spaces. Displayed with its box, the "Holiday Changbai Mountain-Black" figure is not just a sculpture but a piece of home décor, a physical manifestation of the crossover between art and lifestyle that KAWS has mastered. Its release and subsequent popularity underscore the high demand for art objects that combine collectibility with artistic expression. Impact of KAWS' Work on the Perception of Street Pop Art KAWS' "Holiday Changbai Mountain-Black" sculpture is symbolic of street art's impact on the perception of contemporary art. By transforming the visual language of graffiti and street art into three-dimensional forms, KAWS has contributed to the elevation of street-inspired art to global recognition and acclaim. The sculpture is more than a figure; it reflects the nuanced evolution of street art, which has grown from subversive beginnings to become a celebrated and influential art form. With their crossed-out eyes, the seated companions are instantly recognizable symbols within the street pop art movement, representing the anonymity and universality of urban experience. As an open edition that quickly sold out, the "Holiday Changbai Mountain-Black" figure demonstrates the convergence of art, commerce, and culture. It illustrates how street art's accessibility does not diminish its value or significance in the art world. KAWS's work, particularly this sculpture, continues to challenge and expand the boundaries of street pop art and graffiti artwork, solidifying its place in the contemporary artistic canon.

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Looking Forward Gray Pink HPM Unique Round Silkscreen by Buff Monster Embleshed Hand-Pulled 3-Color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered HPM Hand Embellished Painted Limited Edition of 100 Artwork Size 12 Round "This edition features a happy melty head looking up; a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster

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Not Again Blotter Paper Archival Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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The Triumphant Warrior Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Buff Monster. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 24x24 "The Triumphant Warrior" is a testament to Buff Monster's distinctive style within pop and street art, brought to life through a limited edition giclee print on fine art paper. This 2012 piece is set against a stark and stylized landscape, featuring a one-eyed pink character reminiscent of soft-serve ice cream, triumphantly standing over a vanquished dragon. The print measures 24x24 inches and is part of a limited edition series, with only 50 signed and numbered pieces, adding to its value and collectability. Buff Monster's work is often characterized by its bright, vibrant colors and whimsical themes. It draws heavily from various cultural influences, including Japanese Kawaii—a style emphasizing cuteness, graffiti art, and classic American cartoon imagery. In "The Triumphant Warrior," these elements are on full display; the pink hue of the central character pops against the muted background, drawing the eye directly to the subject. The scene humorously subverts the classic trope of a brave knight slaying a dragon by replacing the knight with a playful, almost childlike creature wielding a spear with a cherry on top. This artwork not only captures Buff Monster's iconic use of the color pink but also incorporates his recurring eye motif, which together provide a signature look that is instantly recognizable. Giclée printing technology ensures that each detail, from the glossy shine of the creature's head to the intricate patterns on the fallen dragon, is reproduced with high fidelity. The fine art paper serves as an ideal canvas, ensuring that each print retains the visual impact of the original work. By releasing "The Triumphant Warrior" as a limited edition, Buff Monster creates a sense of urgency and exclusivity around the artwork, principles often seen in street art, where the impermanent nature of the medium is part of its charm. Collectors of this piece not only obtain a slice of Buff Monster's world but also engage with the dialogue between street art's transient nature and the enduring form of fine art prints. This piece encapsulates the playful defiance at the heart of Buff Monster's artistic expression, embodying a triumphant spirit that is both whimsical and heroic in its own right.

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Trip Benzos Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Trip Benzos by Ben Frost: Video Game Iconography Meets Street Pop Art & Graffiti Artwork Trip Benzos, the 2025 limited edition blotter paper print by Australian artist Ben Frost, captures the jarring collision of nostalgic culture and contemporary pharmaceutical critique through the lens of Street Pop Art & Graffiti Artwork. Presented as a 7.5 x 7.5 inch archival pigment print on hand-perforated blotter paper by Zane Kesey, the piece is a psychedelic reimagination of a familiar video game character altered into an anxious, grinning avatar of consumer intoxication. The warped exuberance in the expression and the bold palette reflect Frost’s trademark interrogation of media, medicine, and mind states. Pharma Satire and Pop Subversion Frost is globally recognized for repurposing icons of commercial entertainment into biting social commentary. In Trip Benzos, he adapts a beloved gaming mascot and outfits him in his raccoon-suited glory, only this time wired on hyperreality. With swirling rainbow eyes and exaggerated limbs, the figure becomes a metaphor for the synthetic highs and cartoon-fueled escapism of modern life. The word BENZOS, boldly emblazoned above, anchors the viewer in the pharmacological theme. As with Frost’s broader body of work, this piece questions the ethics of consumer culture and the thin line between fun and sedation. Visual Culture on Blotter Paper The use of perforated blotter paper is integral to the piece’s conceptual gravity. This medium, traditionally associated with LSD distribution, is reclaimed here as a legitimate fine art format. Frost’s execution is precise, colorful, and layered with irony. The print’s hallucinogenic vibrancy and the flattened graphic styling make the imagery pulse with comic intensity. Clouds and green fields provide a friendly background that contrasts starkly with the print’s title, challenging viewers to reconcile innocence with artificial euphoria. The medium becomes more than a surface—it becomes a statement on altered perception, branding, and identity. Ben Frost and the Contemporary Urban Narrative Ben Frost, based in Sydney, has cultivated an international following through works that blend corporate iconography with pop satire and graffiti aesthetics. His work often plays in public space, galleries, and now on unique substrates like blotter paper, creating dialogues between street legality, fine art, and social critique. Trip Benzos stands as an extension of Frost’s focus on pharmaceutical dependency and the cartoonification of mental health. It is a snapshot of a culture high on itself, addicted to entertainment, and medicated into smiles. This limited edition speaks with the voice of the underground while using the tools of mass marketing, a formula that defines the power and provocation of Street Pop Art & Graffiti Artwork.

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Green Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster Screen Print on Card Stock Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 9x12 With Heavy Drips of Hand Painted Areas. Green Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster The Green Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster captures the energetic essence of modern Street Pop Art & Graffiti Artwork. Released in 2023 as part of a numbered limited edition of only 50 prints, this piece stands out not only for its vivid design but also for its hybrid execution that merges silkscreen precision with raw hand-painted embellishments. Buff Monster’s approach continues to blur the boundaries between collectible design and fine art by infusing accessible formats with labor-intensive customizations. Each 9x12 inch print is individually touched by the artist, turning every edition into a unique object of visual delight. A Character Icon Evolved Into Canvas The print features Buff Monster’s iconic Mister Melty character reimagined with a bold, central composition. A single oversized eye commands attention from the middle of the page, framed inside thick black borders that give the impression of an expressive digital emoji turned physical. The character’s gooey surface is amplified with streaks, splatters, and thick drips of white and green acrylic paint, resulting in an effect that is part horror cartoon and part sticky psychedelic dream. The hand-painted marks on every print add motion, variance, and human imperfection to a template grounded in graphic repetition, making each print feel spontaneous and unfiltered despite its uniform base. Fusion of Screen Print and Acrylic Hand Detailing Created on card stock fine art paper, the silkscreen foundation provides a bold, flat application of colors with dense blacks that define Mister Melty’s signature contour. Over this structured design, Buff Monster applied heavy hand-painted drips and splashes in a fluorescent palette, giving the artwork a tactile and almost sculptural quality. This hand-painted modification, known as HPM or Hand-Painted Multiple, elevates the piece beyond traditional screen printing and into the realm of individualized contemporary art. No two versions of the edition are identical, which reinforces the street art ethos of impermanence and expression over replication. Buff Monster’s Artistic Universe and Urban Influence Buff Monster, based in the United States, is widely recognized for building a visual language that merges 1980s pop aesthetics with street art strategies. His world is filled with melting monsters, neon colors, ice cream motifs, and playful grotesquery. Mister Melty, a recurring figure in his works, encapsulates his approach to character-driven design with a twist of surrealism. This particular green edition reinforces Buff Monster’s tendency to explore new colorways and contexts for familiar icons, ensuring his work remains both cohesive and experimental. As part of his 2023 body of work, this Green Mister Melty HPM print carries forward his exploration of character iconography while enhancing its artistic value through hand-executed texture and spontaneous drips that echo graffiti’s raw sensibility. For collectors of Street Pop Art & Graffiti Artwork, this print is both a celebration of Buff Monster’s visual identity and a rare opportunity to own a one-of-a-kind painting disguised as a print.

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Looking Forward Green Pink HPM Unique Round Silkscreen by Buff Monster Embleshed Hand-Pulled 3-Color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered HPM Hand Embellished Painted Limited Edition of 100 Artwork Size 12 Round "This edition features a happy melty head looking up; a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster

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Melty Misfit Eye Drip- Purple/Blue HPM Embellished Spray Paint Can Sculpture Artwork by Iconic Pop Culture Modern Artist Buff Monster. 22022 Signed Limited Edition of 75 HPM Silkscreen & Spray Paint Hand-Embellished HPM Each Unique In Silkscreened Box, Displayed With Box. Buff Monster's Creative Process The "Melty Misfit Eye Drip" purple/blue HPM embellished spray paint can sculpture is a vibrant and thought-provoking piece by the iconic modern pop culture artist Buff Monster. Known for his signature style that encompasses a pastel-hued palette and a unique blend of influences from street pop art, graffiti artwork, and Japanese culture, Buff Monster's works are instantly recognizable. This particular creation, part of a signed limited edition of 75, is a testament to the artist's creative vision and the innovative spirit of street art. Buff Monster's "Melty Misfit Eye Drip" in purple and blue is a hand-embellished work that defies the traditional boundaries of street art. Each can is meticulously spray-painted and silkscreened by hand, ensuring every piece in the series is unique. The artist's dedication to his craft is evident in the intricate detailing and precision of the silkscreen prints. His choice of purple and blue hues for this series evokes a sense of the mystical and the fantastical, two elements often found in his work. Symbolism in "Melty Misfit Eye Drip" The imagery of the melting eye is a recurrent theme in Buff Monster's work, symbolizing the fluid and ever-changing nature of life and perception. The dripping motif is reminiscent of the melting clocks in Salvador Dalí's surrealist paintings, suggesting a distortion of time and reality. In graffiti artwork, this motif resonates with the temporary nature of the urban landscape, where art is constantly being created and recreated. Cultural Resonance and Collectability The "Melty Misfit Eye Drip" series resonates with the DIY ethos of street art culture, where artists take control of the means of production and distribution. Including a silkscreened box with each spray paint can sculpture underscores Buff Monster's comprehensive approach to his art, considering the piece itself and its presentation and preservation. The box serves both a practical and aesthetic purpose, enhancing the collectability of the piece and reaffirming its status as a piece of high art within the domain of street pop art. Buff Monster's Impact on Modern Art Buff Monster has significantly impacted the contemporary art scene, particularly within the genres of street pop art and graffiti artwork. His works are characterized by their bold use of color, playful yet provocative themes, and seamless blend of street art techniques with acceptable art practices. The "Melty Misfit Eye Drip" purple/blue HPM is a prime example of how Buff Monster continues to innovate within his medium, pushing the boundaries of what is possible within art collectibles. Buff Monster's "Melty Misfit Eye Drip" purple/blue HPM spray paint can sculpture is a collectible that captures the heart of street pop art and graffiti artwork. Each hand-embellished piece uniquely expresses Buff Monster's artistic vision, embodying the transformative power of art and its ability to challenge and redefine cultural norms. This series reflects the artist's mastery of his medium and his role as a significant influence in the evolving narrative of modern art.

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Origin of Species Evolution Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Supreme Chucky Doll Limited Edition Cloth Art Toy Collectible Artwork by street graffiti artist Supreme. The Supreme Chucky Doll, potentially the brand's spookiest accessory ever, dropped on December 17th, 2020, as a part of their FW20 Week 17 release. This Supreme doll marks the third cuddleable toy that the brand has released in the last few years. This Supreme Chucky Doll is as close to the real character as it gets and features the ability to talk as well as a plastic knife. With a branded pair of overalls and a t-shirt, your Supreme Chucky Doll can be just as fly as you are.

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Noche Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Mr Dob A Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 400 Complexcon x BAITx Takashi Murakami 10 3/5 × 13 2/5 × 10 1/5 in New in Box.  Mr. Dob A Vinyl Sculpture by Takashi Murakami: Maximalist Expression in Street Pop Art & Graffiti Artwork Mr. Dob A is a 2017 limited edition vinyl art sculpture created by Takashi Murakami in collaboration with BAIT and released during ComplexCon. This collectible, limited to 400 pieces, measures approximately 10.6 x 13.4 x 10.2 inches and comes in its original box featuring custom illustrated artwork by Murakami. The sculpture captures the artist’s recurring character Mr. Dob, rendered in high-gloss vinyl with overwhelming detail, pattern, and color. With wild tentacles, spinning eyes, jagged rainbow teeth, and hypnotic surface design, Mr. Dob A functions as a physical embodiment of Murakami’s Superflat aesthetic and his exploration of modern pop culture excess. It represents a key convergence of Japanese fine art, consumer spectacle, and the bold visual energy of Street Pop Art & Graffiti Artwork. Design, Symbolism, and Sculptural Technique This sculpture of Mr. Dob A is both fantastical and threatening. The figure’s gaping mouth is a cavernous rainbow vortex surrounded by colorful triangular teeth, while octopus-like limbs coil outward, each covered in eye motifs and concentric patterns. With swirled ears and bulging eyeballs, the character plays between kawaii and kaiju, innocence and menace. The gloss finish reflects Murakami’s obsession with polished perfection, a nod to toy manufacturing and the clean surface of anime production. Every curve is intentional, exaggerated, and infused with chaos. The precision of the vinyl cast and paintwork transforms the piece into more than just a toy—it is a surreal object of fine art, produced with the exactness of a designer good but pulsing with visual anarchy. Mr. Dob is not simply a mascot but an ever-evolving figure that symbolizes the collision of mass media, mythology, and personal madness. Takashi Murakami’s Cultural Role and Street-Level Influence Takashi Murakami, born in Japan in 1962, is internationally recognized for his ability to unify high art and commercial culture into a single visual framework. His signature concept of Superflat compresses traditional Japanese painting with post-war consumerism, anime, and otaku culture. Mr. Dob is one of Murakami’s earliest and most significant characters—serving as both alter ego and critique of cultural saturation. The Mr. Dob A edition reflects Murakami’s connection to contemporary art fairs and urban collectibility, debuting at ComplexCon, a marketplace driven by fashion, art, and hype culture. In the world of Street Pop Art & Graffiti Artwork, Murakami’s work exists as a portal where tradition and disruption coexist, and where figures like Mr. Dob become both symbols and products of global visual identity. Limited Vinyl Edition as a Fine Art Collectible Object Each Mr. Dob A sculpture is housed in a custom display box that mirrors the character’s expression, rendered in bold vector style across every surface. The packaging and figure are inseparable in narrative—they work as one collectible unit. As a limited edition of 400, the work occupies a rarefied position between commercial object and cultural artifact. Unlike mass-produced vinyl figures, this release is anchored in Murakami’s conceptual art lineage and collectible strategy. Its presence in galleries, private collections, and museums places it in direct dialogue with the broader conversation around the function of toys in fine art. Within the expanding world of Street Pop Art & Graffiti Artwork, Mr. Dob A stands as a hybrid sculpture—unapologetically loud, self-referential, and reflective of a global audience hungry for art that merges spectacle, subversion, and surface.

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Lizard Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Welcome To Paradise Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print The "Welcome to Paradise" silkscreen print by Buff Monster stands as a vibrant example of Street Pop Art and Graffiti Artwork, blending street art's energy with pop art's playful vibrancy. Created in 2008, this piece is part of a limited edition series, with only 100 signed and numbered prints available, making it a collectible item among enthusiasts. The artwork measures 18x24 inches, a size that is substantial enough to impact any wall it adorns. Buff Monster has been a notable figure in the street art scene, with his work often characterized by bright colors, bold lines, and whimsical characters, all evident in this print. His signature style often incorporates influences from various sources, including Japanese culture and classic graffiti art. This has earned him a dedicated following and places his work in a unique position within contemporary art. Hand-pulling silkscreen prints are traditional and meticulous, ensuring each piece is unique with slight variations that add to its character and authenticity. This print on fine art paper captures the essence of Buff Monster's artistic vision, with its meticulously layered colors and textures providing depth and a tactile quality that machine-made reproductions cannot replicate. As a work of Street Pop Art and Graffiti Artwork, "Welcome to Paradise" embodies the spirit of urban creativity and the blurring of boundaries between high and low art. It is a testament to the artist's ability to translate the spontaneity and rebelliousness of street art into a fine art context, preserving the raw appeal of graffiti while elevating it through a more formalized art-making process. For collectors and enthusiasts, acquiring a piece like this offers a visual delight and a slice of the dynamic and ever-evolving story of street art's influence on contemporary culture.

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Gris Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Dwarves Big Chief Sub Pop NMS Showcase 1992 New York Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik Dwarves Big Chief Green Magnet School Supersuckers Rein Sanction Pond DJ Larry T and Love Machine Xenon New York City NY

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Seven Deadly Sins 6-Color Hand-Pulled Limited Edition Risograph Print on Fine Art Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Sesame Street Uniqlo Plush Toy Box Set Object Art by Kaws- Brian Donnelly Limited Edition Designer Collectible Pop Artist Artwork. 2018 Limited Edition of Unknown Rare Stuffed Animal Plush Object Art Size 12x19.5 ish Each of Cookie Monster, Bert, Ernie, Elmo & Bid Bird in a Kaws Sesame Street Box. Never Displayed, Opened To Verify Contents. Pop art, street art, and graffiti, contemporary artists often venture into unprecedented mediums, shaping dialogues that resonate with the global urban audience. One such mastermind is Brian Donnelly, popularly known as KAWS, whose unique artistic pursuits have consistently challenged the conventional boundaries of these genres. A striking example of his creative genius is the "Sesame Street Uniqlo Plush Toy Box Set," a limited edition masterpiece that intertwines nostalgia with modern artistic flair. Launched in collaboration with Uniqlo in 2018, this collection garnered instant acclaim, not just for its impeccable design but also for the sheer audacity of reinventing children's toys into coveted art pieces. Drawing inspiration from Sesame Street's iconic characters – Cookie Monster, Bert, Ernie, Elmo, and Big Bird – KAWS infused his distinct touch, morphing these symbols of childhood innocence into art objects that spoke of larger cultural contexts. The plushes, roughly 12x19.5 inches each, exude an inimitable charm, nestling within a specially designed Sesame Street box branded with KAWS' signature. Beyond the obvious appeal to Sesame Street fans, KAWS' collection is a testament to pop art's evolving narrative. It encapsulates the artist's penchant for repurposing popular imagery and transcending traditional art mediums. This seamless blend of commercialism and artistic expression, a hallmark of KAWS' oeuvre, reflects the dynamism of contemporary art. The decision to have this collection released globally through Uniqlo stores and its web store further underscores the democratizing spirit of modern-day art, making it accessible and relatable to a broad audience. As collectors and enthusiasts strive to acquire these limited edition plushes, it is evident that KAWS has once again reaffirmed the potency of pop art, sculpting conversations that are as endearing as they are profound.

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Poupelle of Chimney Town 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. From the movie, Poupelle in Chimney Town comes the Trashman monster, Poupelle, who came to life when a delivery man dropped a beating heart into Chimney town. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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The Lizard- Large Glow Limited Edition 4-Color Glow in the Dark Hand-Pulled Silkscreen Print on Fine Art Paper by Nick Derington Graffiti Street Artist Modern Pop Art. If you’re not familiar with Nick Derington art, he’s done work for DC Comics, Marvel, Mondo, and even was the lead animator for the “Scanner, Darkly” movie .

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Mister Melty Vinyl Figure Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Buff Monster. 2022 SIgned Limited Edition New In Box The iconic Mister Melty is back in glorious designer vinyl! This second colorway features various grays and black (and a custom Buff Monster pink for the iris!). Sweet! Stands 10” tall (25 cm) and is articulated. Packaged in a protective cardboard box. Every box will be signed!

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Strange Romance Blotter Paper Archival Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Hold Your Tongue Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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Pixel How To Be A Melty Misfit 5-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Hulk Boy Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2007 Digital print in colors on wove paper 20 x 20 inches (50.8 x 50.8 cm). 100 Signed and numbered in pencil along the lower edge

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Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster Screen Print on Card Stock Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 9x12 With Heavy Drips of Hand Painted Areas. Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster The Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster is a dynamic expression of Street Pop Art & Graffiti Artwork. Created in 2023 as part of a signed and numbered limited edition of 50, this piece is a vibrant testament to Buff Monster’s signature visual language. At 9x12 inches, it may appear compact, but it radiates an oversized impact with its combination of hand-painted energy and silkscreen clarity. The Mister Melty character—a one-eyed melting creature—serves as both mascot and metaphor, embodying themes of transformation, absurdity, and surreal joy through explosive color and iconic simplicity. Visual Design and Layered Techniques This particular version features a fiery orange and yellow background with hints of magenta and red, layered beneath a carefully rendered silkscreen outline of Mister Melty. Dominated by a single, centered eye ringed in pink and grey, the character floats in a warped box frame that offers structure to the otherwise chaotic drips and paint splashes. Buff Monster used heavy acrylic embellishments to add texture and visual chaos, with paint layered thickly across the surface in a way that emphasizes spontaneity and kinetic motion. The background reveals halftone patterns and splatter marks, blending graffiti textures with pop art flatness. The Importance of HPM in Buff Monster’s Process HPM, or Hand-Painted Multiple, is key to the collectible nature of this print. Each version within the edition features unique hand-done elements added after the initial silkscreen pass. This not only makes every print one-of-a-kind but also injects a raw, painterly quality into what would otherwise be a tightly controlled print run. In this Orange Mister Melty variant, those embellishments take the form of vivid drips, erratic brushwork, and unexpected overlays, offering a visual punch that resonates with both street art authenticity and studio craftsmanship. Buff Monster’s Influence on Modern Street Pop Art Buff Monster, born in the United States, has long stood at the intersection of collectible toy culture, street graffiti, and psychedelic pop art. His work incorporates recurring motifs such as ice cream, goo, eyeballs, and drips, and reflects a fascination with Japanese pop aesthetics and underground comics. Mister Melty is one of his most recognized characters and functions as a canvas for creative experimentation. The Orange Mister Melty HPM print reflects Buff Monster’s continued push into handcrafted detail while maintaining the reproducible aesthetics of printmaking. It represents a collision of factory polish and street-level freedom, crafted for collectors who value unique, emotionally charged design. This print exists not just as a collectible, but as an energetic piece of the modern visual narrative that defines Street Pop Art & Graffiti Artwork today.

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Forlorn Unicorn- Goth Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artist Ron English- POPaganda. 2020 Limited Edition of 100 New In Box Delusionville Goth Emo Punk Black Colorway Variant. 8.5 inches with horn.

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They are looking Up a Round Silkscreen by Buff Monster Hand-Pulled 3-color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 200 Artwork Size 12 Round "This edition features a happy melty head looking up, a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster. Signature Elements in Buff Monster's Artwork Buff Monster's "Looking Up Round Silkscreen" vividly represents the artist's iconic aesthetic, a harmonious blend of Street Pop Art and graffiti Artwork that has become instantly recognizable to fans and collectors alike. Known for his bright, optimistic color palette and characters that exude a sense of joy, Buff Monster's work is a staple in modern pop and street art. The limited edition hand-pulled screen print is a testament to Buff Monster's mastery over color and form. Featuring a "happy melty head" that gazes upwards, the artwork encapsulates a sense of hope and upward aspiration. This character, set against a backdrop of pixilated spray paint splatter, showcases Buff Monster's unique ability to blend digital and traditional techniques. The pixelation effect adds a contemporary touch and nods to the artist's roots in street art, where the urban environment often serves as a canvas and inspiration. The limited run of 200 pieces signifies the exclusivity and collectibility of Buff Monster's work. Each piece, numbered and signed by the artist, is a slice of the larger narrative that Buff Monster weaves through his career. The artist's commitment to street pop art and graffiti Art is evident in how he maintains a consistent theme across his body of work while still pushing the boundaries of the medium. His work is not merely a visual treat but also a commentary on the joyful aspects of life, inviting viewers to interpret the world through a lens of playful optimism. Cultural Relevance and Collectibility With the year 2022 marking its creation, the "Looking Up Round Silkscreen" stands as a cultural marker, reflecting the artistic zeitgeist of the time. Collectors and enthusiasts of Buff Monster's work recognize the intrinsic value of such pieces, which go beyond their aesthetic appeal to embody a moment in the timeline of street art's evolution. With its round format and bold color scheme, this artwork challenges the conventional rectangular canvases, further cementing Buff Monster's reputation as an innovator within the art community. Buff Monster's choice of materials and techniques is deliberate, with the circle of fine art paper serving as a non-traditional canvas that complements the unconventional nature of his subjects. His three-color screen print process is both an homage to traditional printmaking and a showcase of his technical skill. By hand-pulling each print, Buff Monster ensures that every piece is imbued with a human touch, a stark contrast to the often impersonal nature of mass-produced art. Artist's Vision and Expression Buff Monster's vision is clearly articulated through this edition. His work does not shy away from expressing blatant optimism, an increasingly valuable characteristic in contemporary art discourse. The happy, melty head, looking up, serves as a beacon of positivity, a visual metaphor for looking towards brighter days. The artist's signature color scheme, dominated by vibrant shades of pink, is not merely a stylistic choice but also a brand identifier that has garnered him a global following. The "Looking Up Round Silkscreen" by Buff Monster is more than just a piece of art; it celebrates the intersection of joy, color, and urban culture. It is a vibrant example of how Street Pop Art and graffiti Artwork can challenge the status quo, engage viewers, and leave an indelible mark on the canvas of contemporary art.

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Happy 3D Die-Cut Wood UV Archival Print on Laser Cut Wood Panel ready to hang by Buff Monster Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 205 Happy 3D UV Colorway Artwork Size 14.5 x 13.5 inches (37 x 34 cm) "I painted a similar (and smaller) painting on wood for my show last year, and it sold immediately. So I've redrawn the line work for this new print, which measures approximately 14.5" x 13.5". The art is UV printed on wood, the sides are painted by hand, and the back is signed and numbered.." -Buff Monster. Happy 3D by Buff Monster: Playful Psychotropia in Laser-Cut Form Happy 3D is a standout die-cut wood UV archival print created by the New York-based artist Buff Monster in 2020. This hand-finished limited edition of 205 pieces measures approximately 14.5 x 13.5 inches and features his signature aesthetic: one-eyed monsters dripping with joy, eccentricity, and visual sugar overload. Laser-cut into a custom silhouette and UV printed on wood, the piece fuses high-gloss production with raw material texture. The surfaces are inked with a 3D anaglyph color palette of red and blue hues, lending an electric illusion of motion and dimension. Each print is signed and numbered on the back, with hand-painted edges adding a personal and tactile layer to the fabrication. The finished piece is ready to hang, fusing collectible art toy sensibilities with gallery-ready Street Pop Art & Graffiti Artwork presentation. Buff Monster and the Visual Language of Joy Buff Monster, born in the United States as Herschel Baltrotsky, is widely known for his candy-coated world filled with melting eyeballs, ice cream monsters, and playful cosmic abstractions. Emerging from the Los Angeles street art scene and later relocating to New York City, he became a dominant force in Street Pop Art & Graffiti Artwork. His work regularly blends Japanese pop culture, graffiti influences, punk music, and 1980s aesthetics into pieces that celebrate color, texture, and exaggerated emotion. Happy 3D builds on these themes with its hallucinogenic palette and glossy finish, continuing Buff Monster’s exploration of tactile forms and dimensional storytelling. With a career rooted in murals, stickers, and collectible vinyl figures, his shift to wood panels and UV technology shows his embrace of new formats while maintaining the irreverent visual DNA of street culture. Materiality, Technique, and Street Pop Identity Happy 3D is not a traditional flat print—it is a sculptural expression of digital and manual craftsmanship. The UV archival process enables full-color printing with vibrant precision directly onto wood, giving the illustration a textured permanence. Laser cutting gives the outline a dynamic silhouette, enhancing the monster’s bulbous shape and playful presence. Buff Monster’s choice to hand-paint the edges affirms the artist’s commitment to the handmade within a technologically assisted process. These material decisions speak to the ethos of Street Pop Art & Graffiti Artwork, where production methods are as critical as imagery. Here, the cheerful grotesqueness of the subject—a single eye creature made of cloudlike ooze—becomes more than character design. It becomes a tactile object, an emblem of visual fantasy grounded in punk DIY traditions. A Collectible of Controlled Chaos Limited to 205 editions, Happy 3D is part sculpture, part print, and part wall-mounted artifact. It blends humor and horror with contemporary pop execution. The subject matter evokes Buff Monster’s recurring themes of ephemeral delight and surreal emotion. Its eye gazes directly outward, commanding attention, while its melting body suggests instability beneath the surface charm. This piece sits comfortably between a street art relic and a collectible design object. It captures the bold optimism and visual indulgence at the heart of Buff Monster’s practice, proving that Street Pop Art & Graffiti Artwork continues to evolve with new tools and formats without losing its loud, weird, and joyful core.

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They're Coming to Get You Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Paul Hanley Graffiti Street Artist Modern Pop Art. They're Coming to Get You Artist: Paul Hanley Format: Screen Print Dimensions: 18" x 24" Markings: Signed & Numbered Edition Size: 60 "This is a special screenprint I made for "Something Spooky", a rather incredible Halloween-themed art show curated by the great Steve Niles and horror art legend (and one of my personal heroes) Bernie Wrightson." -Paul Hanley

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Soul Rider The Welcomer Limited Edition Polyresin Sculpture Artwork by Legendary Fine Art Artist Dulk- Antonio Segura Donat. 2023 Limited Edition of 100 Artwork Size Painted cast resin 14 5/8 × 9 × 9 in | 37.1 × 22.9 × 22.9 cm  A limited edition of 100 pieces, they all come numbered with COA (Certificate of Authenticity) in a wooden box. New in Box. The Welcomer Soul Rider by Dulk: Whimsy and Symbolism in Street Pop Art & Graffiti Artwork The Welcomer Soul Rider is a surreal polyresin sculpture created by Antonio Segura Donat, the Spanish fine art and street pop artist known globally as Dulk. Part of his Soul Rider series, this piece channels Dulk’s signature mythology through playful forms and symbolic characters rooted in fantasy, ecology, and layered storytelling. Perched atop a polka-dotted mushroom pedestal, a candy-colored creature combining features of a rabbit, unicorn, and fantasy familiar stands poised, while another character, masked and horned, rides upon its back with a trumpet raised in mid-call. This imaginative and theatrical composition fuses theatricality and allegory in a format that merges narrative depth with toy-like precision, making it a striking example of Street Pop Art & Graffiti Artwork in three-dimensional form. The main figure wears a twisted unicorn horn, oversized spiraled eyes, and a jester-like collar, blending animal innocence with ceremonial significance. Its expression is frozen in blissful confusion, a hallmark of Dulk’s emotional ambiguity. Its pink body contrasts with the cool tones of the mushroom base, which includes hidden characters and details such as a small caterpillar clinging to its edge. The rear rider, with elongated ears and acorn-shaped headwear, wears a black mask and raises a musical instrument as if announcing an arrival. This dynamic scene evokes ritual, procession, and a sense of surreal celebration, offering a playful yet haunting narrative about identity, transformation, and observation. Symbolic Storytelling and Playful Dissonance in Dulk’s Visual World Dulk’s work often explores duality: light and shadow, celebration and extinction, innocence and decay. In The Welcomer Soul Rider, the characters feel as if summoned from a forgotten folklore or alternate realm, their features exaggerated yet precise. The pastel palette softens their eccentricity, giving them an approachable presence while maintaining mystery. The visual language combines influences from street art, classic fairytales, and ecological allegory. Like many of Dulk’s works, this sculpture poses more questions than it answers, inviting viewers to decipher its meanings through emotion and imagination. The mushroom base plays an important role as a symbol of regeneration and hidden ecosystems. It functions as both throne and stage. The oversized lock at the bottom of the mushroom base suggests something magical or secret beneath the surface. Dulk often uses such visual cues to suggest that there is more to the world than meets the eye. The mask worn by the trumpet bearer hints at themes of identity and voice, possibly symbolizing guardianship, ceremony, or disguise. These objects and forms speak to the layered complexity often found in Street Pop Art & Graffiti Artwork, where surface whimsy conceals subtextual urgency. Dulk’s Role in Sculptural Storytelling within Street Pop Art Antonio Segura Donat has emerged as a defining voice in the contemporary scene, merging his roots in muralism with a sculptural practice that transforms flat wall narratives into tangible objects. The Welcomer Soul Rider exemplifies how his storytelling transcends media, maintaining the emotional clarity and visual humor of his murals while exploring texture, volume, and space. The piece feels like a paused scene in an unwritten fable, both frozen in time and full of momentum. The sculpture aligns with the ethos of Street Pop Art & Graffiti Artwork by maintaining accessibility and visual immediacy while challenging conventions of fine art through character design, symbolic layering, and satirical edge. Dulk’s aesthetic borrows from animated films, street iconography, and folklore, resulting in a style that is deeply personal yet universally engaging. His work encourages reflection on environmentalism, empathy, and the fantastical narratives we carry within. The Welcomer Soul Rider as Collectible Myth and Emotional Totem The Welcomer Soul Rider is more than decorative sculpture—it functions as an emotional totem, a modern myth encased in resin. Dulk’s attention to posture, color, and prop placement ensures that the viewer is engaged from every angle, discovering new meanings and hidden figures with each turn. This piece joins the growing trend of character-based fine art sculptures that draw influence from the street while evolving into gallery-caliber works. Whether experienced as a standalone figure or part of the wider Soul Rider series, The Welcomer carries a distinct voice. It calls softly but persistently, echoing Dulk’s artistic message: protect imagination, embrace duality, and celebrate those who carry stories through the chaos of our modern world. Through characters that are strange yet familiar, Dulk builds a universe that speaks fluently in the language of Street Pop Art & Graffiti Artwork while remaining unmistakably his own.

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Jellyfish Eyes Black 1 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75 Jellyfish Eyes Black 1 by Takashi Murakami – A Psychedelic Icon of Street Pop Art & Graffiti Artwork Jellyfish Eyes Black 1 is a 2004 signed and numbered limited edition lithograph by renowned Japanese contemporary artist Takashi Murakami, measuring 19.75 x 19.75 inches. Issued in an edition of 300, the print features a cluster of floating, stylized eyes with jellyfish-like appendages, hovering across a black background with vibrant, pulsating color. The concentric orbs and whimsical lashes form an enigmatic composition that is both playful and surreal, drawing viewers into Murakami’s immersive visual universe. This work exemplifies Murakami’s ability to merge traditional Japanese aesthetics with global pop culture, injecting high-energy iconography into the realms of Street Pop Art & Graffiti Artwork. Neo-Pop Formalism Meets Subcultural Visual Language The hypnotic design of Jellyfish Eyes Black 1 showcases Murakami’s deep engagement with visual repetition and pop surrealism. Each eye radiates concentric bands of neon pink, electric blue, acid green, and gold—colors more commonly associated with commercial animation, toy design, and graffiti murals than traditional lithography. The black background intensifies the floating sensation of these biomorphic forms, transforming the space into a dreamlike field of suspended consciousness. Murakami’s roots in Nihonga painting and Edo-period compositions are evident in the fluid arrangement and balance, while the synthetic palette and digital smoothness embrace the commercialized intensity of pop iconography. In Street Pop Art & Graffiti Artwork, this blend of classical order with radical form asserts Murakami’s place as both historian and provocateur. Eyes, Surveillance, and the Otaku Psyche The eyes that populate Jellyfish Eyes Black 1 are not passive. They gaze back with unsettling presence, creating a dynamic tension between observer and observed. The motif reflects Murakami’s frequent exploration of otaku culture, surveillance capitalism, and the consumer gaze. These eyes are playful, even cute, but also obsessive, invasive, and endlessly watching. Some appear innocent; others twitch with layered concentric pupils and pupil-like satellites. This multiplicity mirrors the fragmentation of identity in digital and urban life. As seen across the broader scope of Street Pop Art & Graffiti Artwork, these eyes function as pop sigils—icons that entertain, disturb, and invite deeper inspection. Takashi Murakami and the Legacy of Superflat in Street Art Takashi Murakami’s impact on both fine art and street culture cannot be overstated. Through his Superflat theory, he developed a framework for collapsing the boundaries between high and low, ancient and hyper-modern, traditional painting and graffiti-inspired visual immediacy. Jellyfish Eyes Black 1 exists within that lineage as a work that is collectible, cultural, and subversively simple. The lithograph form nods to limited edition printmaking history while its aesthetic remains grounded in the saturated language of mass media and youth culture. As Street Pop Art & Graffiti Artwork continues to evolve globally, Murakami’s work offers a lens into how Japanese visual codes, anime motifs, and psychedelic surface treatments can coexist with the raw expressiveness of street-born art forms. Jellyfish Eyes Black 1 does not demand translation—it simply stares back, glowing in the dark, inviting you to feel.

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Carpe Diem Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Buff Monster Graffiti Street Artist Pop Art. Signed HPM 2022 Limited Edition of 70 Unique 9x12 At the core of Mister Melty's identity is that like us, he isn't going to be around forever. Much like the contemplative vanitas paintings of the Renaissance, the skull is a symbol of the certainty of death and a reminder to enjoy today. But we, like Mister Melty, are unwavering in our happiness and optimism despite our unavoidable fate. As I've done a few times before, I've taken some old sold-out prints and cut them down, spray painted them, and silkscreened them. There is so much variation in them; so they're all unique! Each one is 9 x 12" and will be signed and numbered.

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Not Again Blotter Paper Archival Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Looking Forward Purple Pink HPM Unique Round Silkscreen by Buff Monster Embleshed Hand-Pulled 3-Color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered HPM Hand Embellished Painted Limited Edition of 100 Artwork Size 12 Round "This edition features a happy melty head looking up; a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster

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Protect What You Love Limited Edition Polyresin Sculpture Artwork by Legendary Fine Art Artist Dulk- Antonio Segura Donat. 2022 "PROTECT WHAT YOU LOVE" 8" /6" (H/W) 20 cm /15 cm (H/W) Limited Edition of 50 Polyresin COA numbered &signed by Dulk- Antonio Segura Donat Packaged in a wooden box. Protect What You Love, the latest member by Antonio Segura Donat (Dulk- Antonio Segura Donat). Box is sealed & never opened, use caution when opening it as the artwork is delicate. Protect What You Love by Dulk: Sculptural Allegory in Street Pop Art & Graffiti Artwork Protect What You Love is a limited edition polyresin sculpture released in 2022 by Spanish street artist and fine art visionary Antonio Segura Donat, known as Dulk. Measuring 8 inches high and 6 inches wide (20 cm x 15 cm), this collectible edition of 50 pieces is hand-signed and numbered, sealed in a wooden presentation box with a certificate of authenticity. The sculpture is a highly detailed, fantastical representation of one of Dulk’s most enduring visual themes—our relationship with the environment, the fragility of nature, and the sacred duty of guardianship. It captures the spirit of Street Pop Art & Graffiti Artwork through bold symbolism, surreal storytelling, and vibrant sculptural form. The centerpiece of the sculpture is an arctic bear outfitted like a nomadic carrier, its fur melting as though made of wax, standing firmly on a base shaped like translucent ice. Atop its back is a fantastical array of objects: a large twisted tree sprouting from a painted ceramic pot, a red phoenix-like bird in mid-perch, woven fabrics, and trinkets such as hourglasses and horns. Dulk blends natural and fabricated elements with ritualistic precision. The bear wears ornamental straps adorned with patterns echoing indigenous textile motifs, and its antler-like horns and candle flame atop its head serve as beacons of sentience and sacred duty. Each component appears intentionally placed, functioning as a metaphor for stewardship, culture, and biodiversity. Symbolism and Environmental Urgency in Dulk’s Sculptural Work Protect What You Love embodies Dulk’s unique fusion of environmental advocacy and imaginative form. The bear, typically a symbol of strength and endurance, is presented as both burdened and purposeful. It carries a microcosm of a world—trees, objects, and animals—on its back, suggesting the interconnectedness of life and the responsibility to protect fragile ecosystems. The title of the work is not merely decorative but serves as the central thesis of the composition. The visual language Dulk employs translates directly from his large-scale street murals into this intimate, tactile format, demonstrating the adaptability of his narrative-driven style within Street Pop Art & Graffiti Artwork. The melting bear references the reality of climate change and habitat erosion, while the detailed accessories function as cultural and ecological totems. Dulk is known for using allegory to provoke emotional connection, and this piece continues that tradition. The detailed layers reward close inspection, much like the dense storytelling in urban mural art. What might first appear whimsical quickly reveals itself to be urgent and emotive, a hallmark of Dulk’s approach. Art Object as Conservation Narrative and Urban Myth The polyresin medium allows for remarkable fidelity in sculptural detail, from the texture of the bear’s fur to the etched patterns of the ceramic pot and fabric fringe. Every element carries symbolic weight, converging in a sculpture that reads like a mobile shrine to nature’s resilience. By incorporating surreal forms and traditional decorative patterns, Dulk aligns this work with the philosophy of Street Pop Art & Graffiti Artwork—where symbols evolve into cultural artifacts and commentary is embedded in style. Packaged carefully in a wooden box, this edition reinforces its status as both collectible artwork and spiritual offering. The instruction to open the box with caution is not only about the physical fragility of the sculpture but also a poetic acknowledgment of its thematic fragility—the world it represents is real, delicate, and in need of attention. The use of carefully chosen color, structure, and composition ensures the sculpture functions not just as a decorative piece, but as a narrative vessel. Dulk’s Expanding Influence in Contemporary Street Pop Storytelling Antonio Segura Donat continues to bridge ecological awareness and visual poetry through his multifaceted artistic output. From large-scale murals across Europe and North America to fine art sculptures like Protect What You Love, his work always centers nature as a subject of reverence and defense. This piece encapsulates the balance of reverie and realism that defines his visual storytelling. In the language of Street Pop Art & Graffiti Artwork, this sculpture becomes a mobile monument, carrying meaning beyond its dimensions. Protect What You Love stands as a sculptural reminder of interdependence, sacred responsibility, and the quiet power of visual myth. Dulk transforms fantasy into function, inviting audiences to care not just with thought, but with presence, collection, and contemplation. This is not only art—it is a call to act through admiration.

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Mister Melty Vinyl Figure Pink Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Buff Monster. 2022 Limited Edition New In Box "This is the first non-sofubi vinyl toy that I’ve produced myself. I wanted to make a unique version of Mister Melty. A figure that was large, iconic and articulated (unlike any previous versions). At 10” tall, it stands around twice the size of most of the resin figures, and over 3 times the height of the old sofubi versions. Hands, arms, body, legs and shoes all had to be resculpted. The pinks for this first colorway are all custom Buff Monster pinks. No standard colors here! I painted squares of various pinks on a piece of paper and mailed it to the factory in China so that they knew exactly what I wanted. The box is a standard cardboard box, with a custom clam shell inside, designed primarily to protect the figure." Buff Monster

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I Am a Hawk Artwork Giclee Limited Edition Print on Watercolor Textured Fine Art Paper by Pop Culture Graffiti Artist Shark Toof. 2018 Signed & Numbered Limited Edition of 100 Artwork Size 16x16 Signed and numbered edition of just 100 prints. 16x16 inches (22x22 inches framed). Watercolor texture 245 gsm fine art paper.

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