Monsters Creatures & Beasts

Supreme Chucky Doll Limited Edition Cloth Art Toy Collectible Artwork by street graffiti artist Supreme. The Supreme Chucky Doll, potentially the brand's spookiest accessory ever, dropped on December 17th, 2020, as a part of their FW20 Week 17 release. This Supreme doll marks the third cuddleable toy that the brand has released in the last few years. This Supreme Chucky Doll is as close to the real character as it gets and features the ability to talk as well as a plastic knife. With a branded pair of overalls and a t-shirt, your Supreme Chucky Doll can be just as fly as you are.

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Companion- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM KAWS' Companion-Brown: A Confluence of Street Pop Art & Graffiti Artwork KAWS' Companion-Brown Limited Edition Vinyl Art Toy Collectible holds a pivotal place in the narrative of contemporary art, particularly within the genres of Street Pop Art and graffiti Artwork. Released in 2016, this piece continues the KAWS' Companion series tradition, which is celebrated for its unique blend of artistic expression and commercial appeal. As with other pieces in the series, the Companion-Brown is preserved in an unopened package, signifying its status as a collectible item and keeping the anticipation of its tactile experience exclusive to its collector. This collectible stands 11 inches tall, is impactful, and encapsulates the essence of KAWS' artistic vision in a compact form that is both accessible and prestigious. The dimensions of the package, 10.5 x 4.5 x 2.5 inches, reflect the thoughtfulness with which the artist considers the display and preservation of his work. The Companion-Brown, in its limited open edition, holds a special allure, representing a coveted item for enthusiasts and collectors alike. KAWS' Companion-Brown and Its Cultural Resonance The Companion-Brown figure symbolizes KAWS's ability to straddle the line between mass appeal and niche artistic innovation. Its design, characterized by the signature crossed-out eyes and the abstracted, humanoid form, speaks to the heart of street art's ethos while being refined enough to be embraced by institutions like MoMA and the Modern Art Museum of Fort Worth. The release of this figure, alongside a series of companions in various states, from whole body to flayed, corresponds with a burgeoning demand for KAWS' work, reflecting a broader cultural trend of embracing street-inspired artistry in more traditional art spaces. The timing of the Companion-Brown's release was synchronized with KAWS's "Where The End Starts" exhibition, a significant event that marked a new chapter in the artist's career. The exhibition and the accompanying release of the Companion series cemented KAWS' stature in the art world. They highlighted the increasing interest in street art as a severe artistic endeavor. The Artistic Impact of KAWS' Companion-Brown The Companion-Brown's place in Street Pop Art and graffiti Artwork is significant. It represents the shift in the perception of street art from ephemeral urban expressions to revered collectibles. KAWS' work, mainly through the Companion series, has played a crucial role in redefining the boundaries and possibilities of what street art can be. With its subtle hue and recognizable form, this brown iteration of the Companion is more than a mere object; it is a piece of cultural commentary, encapsulating themes of identity, belonging, and the human condition that are often explored in graffiti artwork. The Companion-Brown, like its siblings in the series, was made available through KAWSONE and select institutions, which speaks to the merging worlds of high art and accessible collectibles. As an artifact of modern art, it stands as a testament to KAWS's influence and the evolving narrative of street art, embodying the complexities and contradictions that make street pop art and graffiti artwork an essential component of contemporary cultural discourse.

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Mr Dob A Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 400 Complexcon x BAITx Takashi Murakami 10 3/5 × 13 2/5 × 10 1/5 in New in Box.  Mr. Dob A Vinyl Sculpture by Takashi Murakami: Maximalist Expression in Street Pop Art & Graffiti Artwork Mr. Dob A is a 2017 limited edition vinyl art sculpture created by Takashi Murakami in collaboration with BAIT and released during ComplexCon. This collectible, limited to 400 pieces, measures approximately 10.6 x 13.4 x 10.2 inches and comes in its original box featuring custom illustrated artwork by Murakami. The sculpture captures the artist’s recurring character Mr. Dob, rendered in high-gloss vinyl with overwhelming detail, pattern, and color. With wild tentacles, spinning eyes, jagged rainbow teeth, and hypnotic surface design, Mr. Dob A functions as a physical embodiment of Murakami’s Superflat aesthetic and his exploration of modern pop culture excess. It represents a key convergence of Japanese fine art, consumer spectacle, and the bold visual energy of Street Pop Art & Graffiti Artwork. Design, Symbolism, and Sculptural Technique This sculpture of Mr. Dob A is both fantastical and threatening. The figure’s gaping mouth is a cavernous rainbow vortex surrounded by colorful triangular teeth, while octopus-like limbs coil outward, each covered in eye motifs and concentric patterns. With swirled ears and bulging eyeballs, the character plays between kawaii and kaiju, innocence and menace. The gloss finish reflects Murakami’s obsession with polished perfection, a nod to toy manufacturing and the clean surface of anime production. Every curve is intentional, exaggerated, and infused with chaos. The precision of the vinyl cast and paintwork transforms the piece into more than just a toy—it is a surreal object of fine art, produced with the exactness of a designer good but pulsing with visual anarchy. Mr. Dob is not simply a mascot but an ever-evolving figure that symbolizes the collision of mass media, mythology, and personal madness. Takashi Murakami’s Cultural Role and Street-Level Influence Takashi Murakami, born in Japan in 1962, is internationally recognized for his ability to unify high art and commercial culture into a single visual framework. His signature concept of Superflat compresses traditional Japanese painting with post-war consumerism, anime, and otaku culture. Mr. Dob is one of Murakami’s earliest and most significant characters—serving as both alter ego and critique of cultural saturation. The Mr. Dob A edition reflects Murakami’s connection to contemporary art fairs and urban collectibility, debuting at ComplexCon, a marketplace driven by fashion, art, and hype culture. In the world of Street Pop Art & Graffiti Artwork, Murakami’s work exists as a portal where tradition and disruption coexist, and where figures like Mr. Dob become both symbols and products of global visual identity. Limited Vinyl Edition as a Fine Art Collectible Object Each Mr. Dob A sculpture is housed in a custom display box that mirrors the character’s expression, rendered in bold vector style across every surface. The packaging and figure are inseparable in narrative—they work as one collectible unit. As a limited edition of 400, the work occupies a rarefied position between commercial object and cultural artifact. Unlike mass-produced vinyl figures, this release is anchored in Murakami’s conceptual art lineage and collectible strategy. Its presence in galleries, private collections, and museums places it in direct dialogue with the broader conversation around the function of toys in fine art. Within the expanding world of Street Pop Art & Graffiti Artwork, Mr. Dob A stands as a hybrid sculpture—unapologetically loud, self-referential, and reflective of a global audience hungry for art that merges spectacle, subversion, and surface.

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Death Adder Rug Limited Edition Designer Art Object Collectible Artwork by Punk Artists Mishka NYC- МИШКА. 2021 Brand New Limited Edition 33x35 Death Adder Rug Art Object by Mishka NYC- МИШКА. Death Adder Rug: An Intersection of Punk Artistry and Home Decor In 2021, the iconic streetwear brand Mishka NYC, also known as МИШКА, expanded its artistic reach into the realm of home decor with the release of the Death Adder Rug. This limited edition art object measures 33x35 inches and features the brand's signature Death Adder motif, a symbol that has become synonymous with Mishka's bold and rebellious spirit. Crafted with meticulous attention to detail, this rug not only stands as a practical home furnishing but also as a collectible piece of punk-inspired art. Mishka NYC: Blurring the Lines Between Fashion and Functional Art Mishka NYC has long been celebrated for its contribution to streetwear, seamlessly blending the aesthetic of punk rock, graffiti, and street pop art. With the creation of the Death Adder Rug, the brand has taken a step further, turning its distinctive graphic language into a designer art object. The rug's finished stitched edge ensures durability, while the soft and fluffy texture adds a tactile dimension that contrasts with the edgy visual design. This foray into home decor demonstrates Mishka NYC's commitment to pushing the boundaries of traditional art and design. By transforming a utilitarian item into a canvas for expression, the Death Adder Rug challenges the conventions of what is considered art, inviting punk ethos into everyday spaces. The Death Adder Rug: A Symbol of Subculture in Home Decor The Death Adder Rug embodies the spirit of street pop art and graffiti artwork, translating the raw energy of the streets into a form that is both accessible and functional. It serves as a statement piece, the perfect accent to any room, office, or dungeon, as the brand playfully suggests. It is here where the rebellious and often underground nature of punk art finds a home in the more domesticated environment, offering a stark juxtaposition that is both striking and intriguing. Mishka NYC's ability to craft art objects that maintain their subcultural credibility while becoming part of mainstream decor highlights the evolving nature of punk art and its place in contemporary culture. The Death Adder Rug, in its essence, is a celebration of this evolution, a testament to the enduring influence of punk aesthetics and the versatility of street art. The Death Adder Rug by Mishka NYC represents the continued expansion of street pop art into new domains. It is an example of how art can transcend traditional mediums, offering new ways to experience the rebellious and thought-provoking messages that punk art is known for. As a collectible artwork, the rug holds a place of honor among fans and collectors, a symbol of Mishka NYC's enduring legacy in the world of art and design.

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Mr Dob B Limited Edition Vinyl Art Sculpture Collectible Artwork by Japanese Pop Culture Artist Takashi Murakami TM/KK x BAIT. 2017 Limited Edition of 800 Complexcon x BAITx Takashi Murakami 9x12x8 Perfect Like New Displayed With Box. Mr. Dob B Vinyl Sculpture by Takashi Murakami: Multicolor Chaos in Street Pop Art & Graffiti Artwork Mr. Dob B is a 2017 limited edition vinyl art sculpture by Japanese artist Takashi Murakami, created in collaboration with BAIT and released during ComplexCon in a run of 800 pieces. Measuring approximately 9x12x8 inches, the piece features Murakami’s signature character Mr. Dob, a hybrid creation that combines mouse-like ears with a psychedelic, manic expression and vibrant color scheme. Presented in a sculptural format with a fully illustrated collector’s box, the figure exemplifies Murakami’s ability to translate two-dimensional visual chaos into tactile three-dimensional form. The piece embodies a convergence of Japanese superflat aesthetics, otaku subculture, and fine art sculpture, aligning closely with the language and impact of Street Pop Art & Graffiti Artwork. Design, Dimension, and Character Evolution Mr. Dob B is one of the most striking physical manifestations of Murakami’s universe, with the figure’s open jaw revealing an internal vortex of teeth, tongues, rainbows, and spikes. The swirling eyes, exaggerated facial features, and tentacle-like limbs transform the figure into an optical spectacle that defies traditional character design. Built in high-gloss vinyl with a candy-like finish, the sculpture holds presence and reflects light like a futuristic idol. Murakami’s layering of pop references, Japanese animation cues, and commercial color schemes results in a form that feels both celebratory and confrontational. This version of Mr. Dob functions as a physical distillation of the visual overload often seen in Murakami’s paintings and murals. It is a figure both familiar and terrifying, comical and aggressive, simultaneously referencing kawaii culture and subverting it. Takashi Murakami’s Influence on Pop-Driven Collectible Sculpture Takashi Murakami, born in Japan in 1962, is widely recognized as a central figure in contemporary pop-infused fine art. His work blurs distinctions between high culture and consumerism, integrating anime, fashion, and graffiti into museum-level exhibitions and commercial collaborations. Mr. Dob, introduced in the mid-1990s, has become one of Murakami’s most recognizable motifs—part mascot, part avatar, part marketing critique. In the context of Street Pop Art & Graffiti Artwork, Murakami’s vinyl sculptures function as icons of consumer subversion. They are designed to be collected, displayed, and celebrated, yet they contain within them the coded languages of branding, art history, and digital culture. With the release of Mr. Dob B at ComplexCon—a marketplace event known for its intersection of streetwear, art, and hype—Murakami further positioned the sculpture as an emblem of culture remix and high-art accessibility. Limited Edition Vinyl as a Pop-Cultural Time Capsule The 2017 Mr. Dob B edition is packaged in a large format, fully printed box that mirrors the chaotic aesthetic of the figure inside. Each sculpture is factory-finished to perfection, with clean paint applications and balanced form, echoing the commercial polish of designer toy culture. Yet unlike mass-market collectibles, this figure is part of a limited edition, marking its exclusivity and artistic integrity. Murakami’s presence at ComplexCon signaled a shift—where fine art not only entered the hype arena but became central to it. In Street Pop Art & Graffiti Artwork, this edition stands as a time capsule of visual culture—playful, precise, and entirely aware of its impact. Mr. Dob B is not merely a sculpture but a statement about saturation, spectacle, and the evolving definition of art in a media-drenched world.

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Together Black Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Black Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and his distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, with its portrayal of two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it's a reflection of street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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FL-001 Marc Jacobs Pointman Monogram 40th Anniversary Vinyl by Futura 2000- Leonard McGurr Vinyl Figure Art Toy Sculpture Collectible Artwork by Pop Street Artist. 2024 Marc Jacobs New in Box Limited Edition of 300 Pointman Monogram 40th Anniversary Artwork Size 3.75x12 New In Box Black & White Graffiti Marc Jacobs Fashion Branding 5 Points of Movement. 24A124FUVF "FUTURA (also known as FUTURA2000) is a globally-recognized artist, respected not only for his present-day creations across painting, sculpture, and drawing, but also for his pioneering role in NEW YORK's "SUBWAY SCHOOL" of graffiti in the 1980s. FUTURA and MARC recently synced up as part of a project and scholarship benefitting FREE ARTS NYC in 2022. MARC and FUTURA share a deep, mutual love for art and creative expression, and they are both dedicated to promoting the spirit and ethos of downtown NEW YORK -- the world over. This capsule collection represents MARCs design - expressed through the lens of FUTURAs universe of characters, icons, and kinetic gestures. This is the first collectible vinyl figure collaboration between artist FUTURA and fashion icon MARC JACOBS. This limited special-edition FL-001 "Pointman" was crafted to celebrate the 40th Anniversary of MARC JACOBS’ eponymous fashion house, featuring FUTURA's hand stylized monogram." -Marc Jacobs FL-001 Marc Jacobs Pointman Monogram 40th Anniversary Vinyl Figure by Futura 2000 The FL-001 Marc Jacobs Pointman Monogram 40th Anniversary Vinyl Figure by Futura 2000 is a groundbreaking collaboration between the legendary graffiti artist Leonard McGurr, known as Futura 2000, and iconic fashion designer Marc Jacobs. Released in 2024 to commemorate the 40th anniversary of Marc Jacobs' eponymous fashion house, this limited-edition vinyl figure is a true celebration of art, fashion, and street pop culture. With only 300 pieces available, the black-and-white Pointman sculpture features Futura's signature graffiti-inspired monogram and Marc Jacobs’ bold branding, making it a must-have for collectors and enthusiasts alike. A Fusion of Graffiti Art and High Fashion This special-edition Pointman embodies the seamless blend of street pop art and high fashion. Standing at 12 inches tall, with a base size of 3.75 inches, the figure is adorned in an intricate black-and-white monogram pattern that represents the kinetic energy of Futura's artistic style. The graffiti lettering, applied with meticulous detail, creates a dynamic interplay between fine art and the bold branding of Marc Jacobs. The five points of movement add a sculptural, interactive element to the piece, reinforcing its versatility as both an art object and a collectible design figure. The Vision of Futura 2000 Futura 2000, a pioneer of New York City's graffiti movement, has been celebrated globally for his innovative approach to abstract art and urban expression. Known for transcending traditional graffiti norms, Futura's work often merges bold, futuristic designs with organic, free-flowing shapes. The FL-001 Pointman Monogram figure reflects his ability to adapt his artistry to new mediums while maintaining his distinct style. By collaborating with Marc Jacobs, Futura continues to expand the reach of graffiti artwork, solidifying its place within contemporary art and design. A Monument to Marc Jacobs’ Legacy The Pointman Monogram figure also pays homage to the legacy of Marc Jacobs, who has consistently pushed the boundaries of fashion and design. This collaboration with Futura reflects Jacobs' dedication to blending creative disciplines, celebrating the energy and ethos of downtown New York. The figure not only marks the 40th anniversary of his fashion house but also reinforces his commitment to supporting art and cultural expression, as evidenced by past projects like the Free Arts NYC initiative. A Collector’s Dream Limited to just 300 pieces, the FL-001 Marc Jacobs Pointman Monogram 40th Anniversary Vinyl Figure is a highly coveted collectible. Packaged new in a custom-designed box, the figure’s exclusivity and striking design make it a centerpiece for art and fashion enthusiasts. Its timeless black-and-white palette ensures it stands out in any setting, while its cultural significance adds to its allure as an iconic collectible that bridges graffiti, pop art, and high fashion. This collaboration between Futura 2000 and Marc Jacobs represents a perfect fusion of urban culture and luxury design, making the FL-001 Pointman Monogram figure a true masterpiece of modern art.

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Dark as a Dungeon Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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Chum 22 Yellow Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2022 Out of Print Limited Edition Artwork Size 7.7x11.6x3.5 New In Box Stamped/Printed Foot Depicting Yellow KAWS Chum Close Friend Standing with Hands on Hips by Artist Kaws- Brian Donnelly. New In Box. Bridging the gap between contemporary art and the streets is the remarkable "Chum 22 Art Toy," conceived by the illustrious Kaws, also known as Brian Donnelly. This unique vinyl sculpture, released in 2022, showcases the intricate details and iconic motifs synonymous with the artist's oeuvre. Imbued with vibrant colors and a design reminiscent of urban aesthetics, this piece stands at an impressive 7.7x11.6x3.5 inches, proving that art can be compact and impactful. Kaws, with a background rooted in street art and graffiti, has always been adept at transcending the traditional boundaries of art. His "Chum 22 Art Toy" is no exception. It manifests the essence of his artistry, characterized by a figure known as "Chum" – a close friend of the artist, confidently posed with hands resting on hips. This stance embodies a defiant spirit, a nod to the countercultural ethos that street art champions. Furthermore, the attention to detail is evident, especially in the stamped or printed foot of the figure, which serves as a testament to Kaws' commitment to authenticity and originality. Fresh from the studio and still encased in its original packaging, this limited edition artwork, already out of print, is a prized possession for collectors and enthusiasts alike. It exemplifies how street art, often seen as temporary and transient, can be immortalized and celebrated in tangible forms. Through such creations, Kaws continues to challenge perceptions, urging society to recognize and appreciate the artistic merit inherent in street culture.

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Bad Bunny- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run of 14444 Made IN 2021 8' Tall

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Companion Flayed- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM The Companion Flayed: An Icon of KAWS' Street Pop Art Legacy The Companion Flayed Black Limited Edition Vinyl Art Toy embodies the pinnacle of KAWS' influence in modern pop and street pop art. Unveiled in 2016, this piece is a profound iteration of the most recognizable figure in KAWS' artistic arsenal, the Companion. The artist has reimagined the Companion multiple times, each version laying bare a new facet of its symbolic resonance. The flayed version, particularly in its stark black form, invites viewers to peer beneath the surface, literally and metaphorically, into the layers composing this contemporary icon. Measuring 10.5 x 4.5 x 2.5 inches, the Companion Flayed stands as a testament to KAWS' ability to manipulate form and content to produce artworks that speak to a generation conversant in the visual language of design, pop culture, and street aesthetics. This series, including full-bodied and flayed versions of the classic character, was released in conjunction with KAWS's exhibition "Where The End Starts" in Fort Worth, Texas. Standing 11 inches tall, the figures were made available through KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, marking a significant moment in the intersection of street art and institutional recognition. Companion Flayed's Role in the Dialogue of Street Pop Art KAWS' Companion Flayed is more than a collectible; it's a conversation piece that delves into the dialogue of what Street Pop Art and Graffiti Artwork can be. It's a manifestation of KAWS' unique ability to traverse the spectrum of visual art, from anonymous street tags to globally recognized sculptures. The flayed version, with its exposed internal vibrancy, can be seen as a deconstruction of the character itself and the culture from which it originates. The black color of the figure contrasts with the colorful internal details, creating a visual dialogue between the seen and unseen, the external persona, and the internal complexity. The release of this series through prominent art institutions and KAWS' platform, KAWSONE, reflects the evolving landscape where street-inspired art is as much at home in the museum as on the urban wall. It underscores the fluidity of KAWS' art, capable of eliciting a sense of familiarity while challenging perceptions with its dissected form. This feature has become a recurrent theme in his work. KAWS' Impact on the Art Toy Movement and Beyond The Companion Flayed Black Limited Edition Vinyl Art Toy is emblematic of KAWS' impact on the burgeoning art toy movement. This movement sees the toy as a canvas for artistic expression, a medium that allows the artist to explore form, concept, and accessibility in new ways. Through figures like the Companion Flayed, KAWS has been pivotal in pushing the boundaries of this movement, garnering attention not only from the realms of Street Pop Art and Graffiti Artwork but also from the wider art community and popular culture. The release of this collectible in a limited open edition signifies the democratizing vision KAWS has for art. While each piece holds the allure of exclusivity, the forthcoming edition format ensures it remains within reach for a diverse audience, aligning with the ethos of street art's accessibility. With its distinctive cross-eyed face and x-ed-out eyes, the Companion Flayed has transcended its role as mere merchandise to become an essential touchstone in contemporary art, embodying the interplay between mass culture and high art that defines KAWS' oeuvre.

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Seven Deadly Sins 6-Color Hand-Pulled Limited Edition Risograph Print on Fine Art Paper by Buff Monster Rare Street Art Famous Pop Artwork Artist.

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Holiday United Kingdom UK- Grey Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2021 Vinyl Fine Art Sculpture Holiday: United Kingdom (Grey), Painted cast vinyl 10-1/8 x 5-1/8 x 3-1/2 inches (25.7 x 13.0 x 8.9 cm) Stamped to the underside of the feet Produced by AllRightsReserved, Hong Kong New In Box Exploring the Nuances of KAWS' Holiday United Kingdom UK-Grey The 2021 Holiday United Kingdom UK-Grey by KAWS is a testament to the artist's ability to blend street art's raw expressiveness with the refinement of contemporary sculpture. Crafted from painted cast vinyl and standing at 10-1/8 x 5-1/8 x 3-1/2 inches, this fine art piece is a sophisticated addition to KAWS' expansive portfolio of vinyl art toy collectibles. Each sculpture bears a unique stamp on the underside of its feet, a mark of authenticity from the production house AllRightsReserved, based in Hong Kong. This new-in-box artwork reflects the intersection of street culture with fine art, housed within a transparent casing that accentuates its sleek grey form. While minimalist in color, the Holiday United Kingdom UK-Grey conveys a depth of emotion characteristic of KAWS' street graffiti roots. The grey tone imparts a contemporary edge, symbolizing the concrete and steel of urban landscapes. As a part of KAWS' Holiday series, this edition highlights the artist's global reach and the universal language of street pop art and graffiti artwork. KAWS' Impact on the Collectible Art Scene KAWS has revolutionized the collectible art scene by infusing its street art sensibilities with the collectibility of limited-edition toys. The Holiday United Kingdom UK-Grey piece emulates this trend, offering accessibility to the masses and exclusivity through its limited release. Produced by the renowned AllRightsReserved, the sculpture is more than a toy; it's a microcosm of the artist's world, encapsulating his iconic style and street art ethos within a tangible form. With its understated grey palette, this particular piece presents a universal appeal, resonating with a broad spectrum of collectors who appreciate the blend of pop culture and nuanced artistry. The figure's posture, covering its eyes, evokes a sense of introspection or perhaps a playful shyness, inviting multiple interpretations that are a hallmark of KAWS' work and street pop art's layered messaging. The Holiday United Kingdom UK-Grey: A Cultural Artifact The Holiday United Kingdom UK-Grey sculpture by KAWS is not merely an object of aesthetic appreciation but a cultural artifact within the landscape of modern art. It stands as a symbol of the evolution of street art from urban environments to the polished galleries and private collections of art connoisseurs. The vinyl figure, new and boxed, represents the intersection of art's past and present, a bridge between the ephemeral nature of graffiti and the permanence sought by collectors. As a piece produced by AllRightsReserved, the Holiday United Kingdom UK-Grey is imbued with a sense of cultural significance, connecting the dots between street art's heritage and its current status as a revered component of the art market. KAWS continues to challenge the boundaries of what street pop art and graffiti artwork can be, solidifying his role as a visionary who sees beyond the wall and into the world of fine art collectibles.

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Together Brown Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Brown Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, portraying two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it reflects street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Cosmic Eyes Silkscreen Print by Jason Abraham Smith Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 40 Artwork Size 18x24 Silkscreen Print Cosmic Eyes Silkscreen Print by Jason Abraham Smith Cosmic Eyes is a limited edition silkscreen print created by Jason Abraham Smith in 2013. This highly detailed hand-pulled artwork, measuring 18x24 inches, is signed and numbered on the back, with only 40 prints produced. The piece exemplifies the artist’s signature style, merging elements of Street Pop Art & Graffiti Artwork with intricate linework, surrealist horror, and an otherworldly aesthetic. The organic yet mechanical forms within the composition evoke a dreamlike fusion of science fiction, mythology, and street-inspired chaos, making it a standout example of print-based contemporary art. Visual Complexity and Symbolism The composition of Cosmic Eyes is dense and highly structured, featuring a hybrid of monstrous organic forms and intricate mechanical details. The dominant imagery presents an almost deity-like cosmic entity with piercing eyes, radiating energy in all directions. Tentacle-like appendages twist and weave throughout the scene, intertwined with technological elements, skeletal figures, and surreal textures. The symmetry of the artwork creates a hypnotic effect, drawing the viewer into a seemingly infinite pattern of repeating motifs. The use of detailed stippling and fine cross-hatching adds depth and texture, reminiscent of both traditional etching techniques and the raw aesthetics of graffiti-style illustration. The color palette, dominated by muted greens, browns, and bone-like whites, enhances the eerie and otherworldly atmosphere, reinforcing the theme of cosmic horror and transcendental vision. Street Pop Art & Graffiti Artwork Influence Jason Abraham Smith’s work is deeply connected to the visual language of Street Pop Art & Graffiti Artwork. His bold, intricate linework reflects the precision of mural-based street art, while his surreal themes and chaotic compositions are reminiscent of underground comic book aesthetics and lowbrow art movements. The layered complexity of Cosmic Eyes echoes the detailed layering techniques found in wheatpaste posters and large-scale graffiti murals. His fusion of psychedelic horror and mechanical precision captures the raw, energetic feel of urban art, making this print a piece that could just as easily exist on a city wall as in a fine art print collection. The aggressive textures and fluid movement within the piece give it an almost animated quality, reinforcing its place within contemporary print-based street art. Collectibility and Cultural Impact As a signed and numbered edition of only 40, Cosmic Eyes is a highly sought-after print among collectors of Street Pop Art & Graffiti Artwork. The meticulous craftsmanship behind the hand-pulled silkscreen process ensures that each print carries subtle variations, making every copy unique. The connection to horror, mythology, and futuristic themes expands its appeal beyond traditional street art enthusiasts, attracting fans of surrealist and fantasy-driven visual art. Jason Abraham Smith’s ability to merge printmaking traditions with the raw energy of urban-inspired artwork makes this piece a defining example of contemporary silkscreen-based Street Pop Art & Graffiti Artwork. The scarcity of the edition, combined with the immersive nature of the composition, ensures that Cosmic Eyes remains a valued and influential piece within the growing world of independent screenprint artwork.

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LA Blue SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Stamped OG Slick Limited Run of 444 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. LA Blue SuperKranky SuperPlastic Art Toy by OG Slick The LA Blue SuperKranky SuperPlastic Art Toy by OG Slick is a vibrant and dynamic collectible that captures the essence of street pop art and graffiti culture. Released in 2023, this limited edition vinyl art toy was produced in a run of only 444 pieces, making it a highly sought-after item for collectors and art enthusiasts. Standing at 6x8 inches, this SuperKranky figure is a collaborative masterpiece featuring the bold creative vision of OG Slick, Sket-One, and Big Dicks Hardware. It is inspired by OG Slick's iconic BDH Bukkake Spray Paint design, blending humor, street art aesthetics, and modern design in a singular art object. A Bold Homage to Graffiti Culture This SuperKranky toy pays tribute to the spirit of graffiti artwork with its unique design. The figure resembles a spray paint can, complete with a removable cap and a rattling feature that mimics the sound of a real spray can. The LA Blue colorway, accented with black and white detailing, creates a visually striking composition that stands out as both playful and edgy. The figure’s mischievous gloves and bold typography evoke the rebellious and creative energy synonymous with graffiti and street art culture, while the “Big Dicks Hardware” branding adds a touch of humor and satire. The Vision of OG Slick and Collaborators OG Slick, a pioneering street artist known for his graffiti roots and influence in contemporary art, is the creative force behind this piece. Born and raised in Los Angeles, OG Slick has been a major contributor to the evolution of graffiti and street pop art, blending traditional graffiti elements with innovative design concepts. This collaboration also features Sket-One, another influential street artist, and Big Dicks Hardware, whose bold branding concept adds an industrial and gritty flair to the toy’s aesthetic. Together, they bring a distinctive blend of creativity and cultural commentary to this art toy. A Rare and Desirable Collectible The LA Blue SuperKranky is a standout piece in the world of vinyl art toys. With only 444 pieces in this limited run, each stamped by OG Slick, it is a prized collectible for fans of street pop art and graffiti artwork. Packaged new in a custom-designed box, the toy is not just a display piece but a tactile representation of modern street art culture. Its interactive features, such as the rattling spray can sound, elevate it beyond a static collectible, making it a celebration of graffiti’s tools and spirit. The LA Blue SuperKranky SuperPlastic Art Toy by OG Slick is a perfect embodiment of street art’s transition into the collectible art world. Combining humor, craftsmanship, and cultural significance, this limited-edition figure offers a bold and modern take on the intersection of art, design, and urban culture. It is a must-have for collectors and enthusiasts of graffiti artwork and vinyl art toys.

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Robert Lazzarini Companion- Brown Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Kaws. 2010 Companion (Brown), 2010 Painted cast vinyl 7 x 5-1/4 x 2-1/2 inches (17.8 x 13.3 x 6.4 cm) Stamped to the underside of the feet Produced by Medicom Toy and OriginalFake, Tokyo Displayed With Box. The Intersection of Artistic Mediums: Robert Lazzarini Companion by KAWS The Robert Lazzarini Companion in brown is a pivotal example of how the art toy movement has become a significant part of street pop and graffiti artwork. Released in 2010, this limited edition collectible is a collaboration between KAWS and the artist Robert Lazzarini. It stands out for its distorted dimensions and altered geometries, which challenge traditional representations and perceptions of art. Created by Medicom Toy and OriginalFake, this painted cast vinyl sculpture measures 7 x 5-1/4 x 2-1/2 inches, with the stamp on the underside of the feet attesting to its authenticity. It is displayed with its original box, featuring a sketched version of the figure that mirrors the three-dimensional form within. This collectible intersects the playful form of a toy with the gravitas of a sculpture, a characteristic approach by KAWS to merge various aspects of pop culture and fine art. OriginalFake and Medicom Toy: Crafting Iconic Collectibles The partnership between OriginalFake and Medicom Toy for the production of the Robert Lazzarini Companion highlights the importance of collaboration in creating street pop art. OriginalFake, the official store and brand of KAWS, and Medicom Toy, a leader in collectible figures, bring a high level of craftsmanship and artistry that elevates the Companion series beyond mere toys into the realm of art. This collectible's association with Tokyo, a city known for its dynamic art scene and innovative subcultures, further solidifies its status as a cultural artifact within the street art movement. Collectors of these pieces are often drawn to the intersection of contemporary art and urban culture that KAWS embodies and the meticulous attention to detail and quality that Medicom Toy provides. KAWS: A Modern Visionary in Street Pop Art KAWS, whose real name is Brian Donnelly, is widely celebrated as a modern visionary in street pop art. His works, which often feature motifs like crossed-out eyes and exaggerated body parts, resonate deeply within the urban art scene and beyond. With its distinct brown hue and unique perspective warping, the Robert Lazzarini Companion represents KAWS's continuous exploration of form and space. The collectible's design is a testament to KAWS's ability to transcend the traditional borders of street graffiti art, positioning it within the collector's sphere as a coveted piece. His works not only adorn the walls of cityscapes but also inhabit the shelves of art enthusiasts who appreciate the blend of accessible art and high-end collectibility. Cultural Significance of the Lazzarini Companion The cultural significance of the Lazzarini Companion lies in its ability to encapsulate the ethos of street pop art within a tangible form. It is a physical manifestation of the dialogue between street art's accessibility and the exclusivity of the art collector's world. By owning a piece like the Lazzarini Companion, collectors are not just acquiring a physical object but a piece of contemporary culture that carries the narrative of street art's evolution and its ongoing conversation with the broader art world. In the context of graffiti artwork, the Companion series challenges the ephemeral nature of street art, providing permanence and collectibility to a form of art that was once fleeting. As such, the Lazzarini Companion by KAWS becomes not just a collectible but an important cultural marker within the street pop art movement.

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Pikachu Pokémon Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 8x6 Archival Pigment Fine Art Pikachu Pokémon Dancing Happy in Glitch Style. The Pixelated Charm of Pikachu: Adam Lister's Fusion of Art and Pop Culture Adam Lister's foray into the world of pop culture art is a vibrant intersection where nostalgia meets a modernist aesthetic. His Pikachu Pokémon archival print is a testament to this unique blend, a limited edition piece that marries the playful spirit of Pokémon with the edginess of street pop art and graffiti artwork. This 2023 signed and numbered print is a collector's delight, limited to a mere 50 pieces, each one an embodiment of both rarity and the wide-reaching embrace of street art sensibilities. Lister's work is characterized by its glitch-like, pixelated style, a visual technique that harkens back to the early days of digital graphics. The image of Pikachu, Pokémon's most recognizable figure, is deconstructed into geometric shapes and forms, creating an artwork that is at once familiar and refreshingly novel. The choice of the 300gsm Hot Press Matte Fine Art Paper for the print ensures that each color and shape is rendered with clarity and precision, much like the meticulous detail found in fine graffiti artwork. Pop Graffiti Artistry: Adam Lister's Signature Style In the world of street pop art and graffiti, the approach to subject matter can be as significant as the artwork itself. Adam Lister takes the globally beloved character of Pikachu and reimagines it through a lens that is distinctly reminiscent of 8-bit video game art. The result is a playful yet sophisticated piece that resonates with a wide audience, bridging the gap between the world of street art, typically found on urban landscapes, and the domesticated space of personal art collections. The limited edition nature of Lister's Pikachu print adds an element of exclusivity that is often sought after in the graffiti art community. The print's size, a modest 6x8, speaks to the intimacy of the piece — it is meant to be viewed up close, where the viewer can appreciate the intricacies of Lister's geometric dissections. This careful attention to form and structure is a nod to the precision and skill found in the most revered graffiti artwork, where every line and color is intentional and full of meaning. Adam Lister: A Modern Art Maestro's Dance with Pokémon Adam Lister, hailing from the United States, has positioned himself as a modern maestro of pop graffiti artwork. His archival pigment fine art pieces like the Pikachu Pokémon print are vibrant explorations of pop culture icons through the medium of watercolor-like pixelation. The artwork, described as 'dancing happy in glitch style,' captures the essence of Pikachu's playful nature, while also providing commentary on the digitization of culture and the pixel as a fundamental unit of digital art. Lister's work is a celebration of the digital age, and yet it is deeply rooted in the physicality of street pop art. The archival quality of the print ensures that, unlike street art which may fade or be painted over, this piece will endure as a lasting tribute to both the character of Pikachu and the enduring impact of Pokémon on multiple generations. Adam Lister's Pikachu print is a microcosm of the broader dialogue between popular culture and art. It is a reflection of how street pop art and graffiti can transcend their urban origins and find new expressions and audiences. Lister's unique vision and artistry ensure that this limited edition piece will be treasured not only as a work of art but also as a piece of cultural history, encapsulating the joyous spirit of one of the world's most beloved Pokémon.

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Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

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Pakalolo Green 420 Marijuana Cannabis Special SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Limited Run of 888 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. The Pakalolo Green SuperKranky is an art toy designed by OG Slick in collaboration with SuperPlastic, a leading designer toy company known for producing high-quality vinyl toys in limited editions. OG Slick is an iconic graffiti artist from Los Angeles who has made a name for himself in the street art and urban vinyl toy scene. His distinctive style blends street culture, the 420 marijuana cannabis holiday, and fine art, creating visually striking and memorable pieces. The Pakalolo Green SuperKranky is a vinyl toy featuring the signature character "SuperKranky," which takes inspiration from a spray paint can. This edition comes in a bright, bold green color with black and white accents, showcasing OG Slick's graffiti-style artwork. The toy features movable parts and usually comes with additional accessories like a removable cap and a "rattle" sound, emulating the sound of a real spray paint can. As with most art toys, the Pakalolo Green SuperKranky by OG Slick and SuperPlastic is produced in limited quantities, making it highly sought after by collectors and fans of the artist's work. Its unique design and connection to street art make it popular in the urban vinyl toy community.

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Companion- Grey Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM The Companion-Grey by KAWS: A Modern Emblem of Street Pop Art & Graffiti Artwork The Companion-Grey Limited Edition Vinyl Art Toy Collectible, created by the modern pop artist KAWS, encapsulates a significant movement within Street Pop Art and graffiti Artwork. Launched in 2016, this collectible represents the zenith of KAWS' exploration of form and cultural commentary, manifested through his most recognizable figure, the Companion. This particular iteration of the Companion series maintains the artist's distinctive approach to pop art, while its grey hue imparts a classic and timeless quality. Sealed within its unopened package, the Companion-Grey stands 11 inches tall—a deliberate choice that offers an intimate yet substantial presence. Its dimensions of 10.5 x 4.5 x 2.5 inches are designed to fit into the private collections of art lovers and discerning institutions' displays. The limited open edition nature of the Companion-Grey has made it an object of desire for collectors, capturing the intersection of art and commodity that KAWS navigates with deftness. The intersection of Artistic Expression and Consumer Culture in KAWS' Companion-Grey The Companion-Grey is not merely a collectible; it's a bold statement in the narrative of contemporary art. With this creation, KAWS continues challenging the boundaries between high art and commercialism. The figure's release through select channels such as KAWSONE, MoMA, and the Modern Art Museum of Fort Worth exemplifies the merging of the art world with consumer culture, a trend that KAWS has been instrumental in forwarding. Positioned as part of the more extensive series released in conjunction with KAWS' "Where The End Starts" exhibit, the Companion-Grey shared the limelight with both whole body and flayed versions of the character, showcasing the versatility and depth of the artist's vision. The collection's drop in November 2016 met with widespread anticipation and acclaim, highlighting the growing demand for art pieces that transcend traditional mediums and embrace the ethos of street art. Cultural Significance and Artistic Impact of KAWS' Companion-Grey As a significant figure within Street Pop Art and graffiti Artwork, the Companion-Grey is a testament to the enduring appeal of KAWS' artistry. It is a piece that resonates with the themes of identity and existential contemplation, often found in graffiti artwork, while its commercial success underscores its relevance in pop culture. The Companion-Grey, through its muted color and iconic design, speaks to the universality of the human experience—a central theme in both street art and KAWS' broader oeuvre. The presence of the Companion-Grey in art discussions and collections worldwide highlights the shifting paradigms in how street-inspired art is perceived and valued. It exemplifies the evolution of graffiti art from its underground beginnings to a celebrated form within the art market, bridging the gap between ephemeral street expressions and lasting collectible art. Through the Companion-Grey, KAWS continues to play a pivotal role in the narrative of modern art, cementing his position as a visionary artist who has reshaped the landscape of Street Pop Art and graffiti Artwork.

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They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

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Signed RISK-OLEUM Red Dawn of The Canmans Artist Edition 213 Vinyl Art Toy by Risk Rock x Comikaze Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2013 Signed on Box Limited Edition of 200 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Riskoleum Figure Sculpture. Mad Society Kings, Art Work Rebels, Angels Will Rise, West Coast Artists (AWR/MSK/TSL/WCA) Graffiti Street Artist  Risk Rock. Vinyl Figure with Moveable Arms and a Detachable Top that Pops Off to Reveal Hollow Storage Inside.  Signed RISK-OLEUM Red Canman 213 by Risk Rock in Street Pop Art & Graffiti Artwork The Signed RISK-OLEUM Red Canman 213 Artist Edition is a limited vinyl art figure created in 2013 by Los Angeles graffiti artist Kelly Graval, known as Risk Rock. Released in partnership with Comikaze, this collectible piece was part of a limited run of only 200 units and features Risk’s signature on the box, making it a rare item for collectors of graffiti-influenced art toys. Designed to resemble a classic aerosol spray can brought to life with arms, feet, and a removable top, the figure merges sculptural function with the visual language of graffiti culture. Standing approximately 7 inches tall and constructed from vinyl, the RISK-OLEUM figure pays homage to the tools of graffiti while acting as a stylized character with distinct urban identity. This particular edition, labeled 213 Risk Rock Red, not only references Risk’s area code but solidifies the artwork as a physical representation of his legacy in Street Pop Art & Graffiti Artwork. Design Language, Functionality, and Packaging This vinyl figure draws directly from the aesthetic of traditional spray paint brands while layering in iconography from Risk’s personal visual vocabulary. The figure features a red plaid pattern wrapped around the midsection, mimicking product branding while referencing punk influences and West Coast graffiti styling. The blood-red gloves, paint-splattered feet, and mischievous devil icon on the front give the figure a defiant presence. Its moveable arms and detachable cap reveal a hollow interior, allowing it to double as both sculpture and storage piece. The edition’s packaging further elevates its status, with the figure displayed in a custom-printed box labeled Dawn of The Canmans, and Risk’s bold tag scrawled across the exterior, transforming the box into part of the art. These design elements highlight how form, message, and collectibility come together in the Street Pop Art & Graffiti Artwork genre. Graffiti Crew Affiliations and Cultural Significance Risk Rock is a long-standing figure in the Los Angeles graffiti movement and a founding member of several of the region’s most respected crews, including AWR (Art Work Rebels), MSK (Mad Society Kings), WCA (West Coast Artists), and TSL (The Seventh Letter). His contribution to graffiti culture spans decades and has included freeway takeovers, large-scale murals, fine art exhibitions, and designer collaborations. This figure embodies that history, with references to Risk’s crews prominently displayed on the back of the piece. The inclusion of multiple crew names solidifies the Canman as not just a toy, but a miniature archive of West Coast graffiti history. Each detail reflects Risk’s role as both an innovator and historian within the movement. Limited Edition Status and Collector Relevance As a signed and numbered edition of only 200 units, the RISK-OLEUM Red Canman 213 holds significant value in the collectible art market. The combination of artist-authenticated packaging, functional design, and deep cultural references makes this piece a highly sought-after item among collectors of graffiti memorabilia, vinyl figures, and pop-influenced sculpture. It stands as a physical artifact that merges the legacy of spray can art with the expanding universe of Street Pop Art & Graffiti Artwork. With its signature, interactive design, and cultural roots, the figure continues to represent the fusion of street tradition and contemporary art form. Risk’s ability to move fluidly between the street, the gallery, and the art toy world is perfectly captured in this edition, offering collectors an authentic and highly stylized piece of graffiti history.

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The Joker Comic Book Cover #3 Limited Edition 1-Color Watercolor Paint Embellished HPM Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 34x46 Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, the Batman comic book cover featuring The Joker. A one-color screen print on hand-torn archival art paper, hand-finished with watercolor. Each print from the edition will be unique, and colors will vary from print to print. Print Size: 34 x 46 Inches Edition of 25

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Hollow Mickey Grey Resin Sculpture by Disney x Apportfolio x Daniel Arsham Limited Edition Pop Artwork Street Artist Fine Art. 2020 Stamped Resin Sculpture Limited Edition of 500 Artwork Size 17x16x17.25 of a Gray Mickey Mouse Ghost Like Stylized Daniel Arsham Hollow Mickey Grey Resin Sculpture. New in Box. The collaboration between Disney, Apportfolio, and celebrated contemporary artist Daniel Arsham has led to the creation of an extraordinary piece of collectible art: the Hollow Mickey Grey Resin Sculpture. This limited edition piece, which showcases Arsham's unique vision within pop and street art, is an emblematic reinterpretation of the iconic Disney character Mickey Mouse. Created in 2020, the sculpture is a profound statement that merges the playful essence of Mickey Mouse with the edgy and often ephemeral energy found in street art. This Hollow Mickey piece is not just a representation of the beloved character; it's a physical manifestation of the passage of time—a recurring theme in Arsham's work. The sculpture is skillfully cast in grey resin, encapsulating a ghost-like form that seems absent and present. It encapsulates the fleeting nature of pop culture, preserving the momentary in a form that feels as if it has been excavated from the distant future. With dimensions of 17x16x17.25 inches, the artwork has a commanding presence that captures attention and provokes contemplation. Limited to just 500 pieces, each sculpture is stamped, underscoring the authenticity and exclusivity of the artwork. Collectors of Arsham's work appreciate not just the aesthetic and emotional appeal but also the fine art aspect of this limited-edition series. It stands at the intersection of pop art and fine art, an accessible piece that is charged with the intellectual depth of contemporary art practices. Arsham's Hollow Mickey challenges the boundaries between traditional sculpture, street art, and pop culture iconography. It is a perfect example of how modern street artists can take ubiquitous symbols from popular media and infuse them with a sense of history, decay, and the sublime. This piece doesn't merely represent a character; it symbolizes the temporal relationship we have with cultural icons and our ever-changing engagement with art and nostalgia. As such, it holds a mirror to the viewer, inviting a personal interpretation that resonates with the fleeting nature of time and the enduring quality of a cultural phenomenon.

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City Cryptid Blind Box Dunny Vinyl Kidrobot Art Toy Sealed Unopened Limited Edition Rabbit Collectible Pop Artwork. 2018 Limited Edition Size 3inch Rabbit Animal Art Toy.  Single Unopened New in Box. Cryptids are taking over the city in style! This limited-edition City Cryptid Dunny Art Figure Series, curated by Disney designer and award-winning artist Scott Tolleson, features original 3" vinyl figures crafted by an all-star lineup of visionary creators. The series showcases unique designs from Greg “Craola” Simkins, Chris Ryniak, Alex Pardee, Charlie Immer, Amanda Louise Spayd, Chris Lee, Candie Bolton, Skinner, Tara McPherson, and Scott Tolleson himself. City Cryptid Blind Box Dunny Vinyl Art Toy by Kidrobot – Sealed Limited Edition Pop Culture Collectible The City Cryptid Blind Box Dunny Art Toy from Kidrobot is a landmark piece in the evolution of designer toys that combine urban mythology with high-end collectible culture. Released in 2018 as a limited edition, this 3-inch vinyl rabbit figure is part of a blind box series that brings a lineup of legendary cryptid creatures into the heart of modern pop art. Featuring an ensemble of interpretations from acclaimed street pop artists and illustrators, the City Cryptid Dunny collection reflects the convergence of mythology, fantasy, and urban life. The figures are housed in sealed, unopened boxes that retain their full collectible value, ensuring each buyer experiences the thrill of discovering which mysterious creature lies within. Scott Tolleson and the Curation of a Modern Vinyl Mythos Curated by the award-winning artist and Disney designer Scott Tolleson, the City Cryptid Dunny series invites collectors into a surreal narrative that merges folklore with bold graphic art. Tolleson’s aesthetic direction creates a cohesive yet varied universe where every cryptid takes on new life in Dunny form. This isn’t just a random set of characters—it’s a mythological menagerie sculpted through the lens of street pop art and underground vinyl culture. Tolleson’s ability to tie together a cohesive series from such a diverse group of artists speaks to his deep understanding of visual storytelling and collectible culture. Street Pop Art Meets Urban Legend Through Designer Vinyl What makes this series uniquely collectible is the incredible talent roster behind it. The lineup includes pop surrealist icons such as Greg “Craola” Simkins, monster master Alex Pardee, whimsical sculptor Amanda Louise Spayd, psychedelic visionary Skinner, Japanese folk horror stylist Candie Bolton, and many more. Each 3-inch figure interprets a different cryptid from folklore—like the Jersey Devil, Mothman, or Chupacabra—reimagined with the vibrant textures, patterns, and symbolism that characterize the artists' work. The Dunny platform itself, an iconic rabbit-eared blank canvas, elevates the series by bringing consistency to otherwise wildly diverse aesthetics, transforming each figure into a wearable mascot of myth and mystery. Blind Boxes and the Culture of Urban Collectibility The sealed blind box format brings suspense and exclusivity to the collecting experience, adding a performance element to the act of acquisition. It taps into the thrill of discovery while highlighting the value of artistic scarcity. Whether purchased individually or in a full box, collectors are engaging in a ritual of surprise that mirrors the way graffiti art interacts with the urban landscape—appearing unexpectedly, holding symbolic meaning, and disappearing or transforming over time. This 2018 edition serves as a living archive of street pop art & graffiti artwork, embedded in collectible culture and bound by a shared reverence for monsters, myths, and imaginative rebellion.

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Kachamukku- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2022 Out of Production Open Edition 12.6 X 8 X 6 IN / 32 X 20.3 X 15.2 CM New in Box KAWS' Kachamukku-Black: A Convergence of Pop Culture and Art The Kachamukku-Black figure by KAWS represents a unique intersection of pop culture and contemporary art, becoming a significant addition to the landscape of vinyl art toys. Released initially in Japan on October 9th, 2021, and subsequently on KAWSONE on April 5th, 2022, this piece showcases KAWS' fifth figure release of 2021. Measuring 12.6 x 8 x 6 inches, the figure is a creative amalgamation inspired by the famous Japanese television series Hirake! Ponkikki. The Kachamukku figure is a hybrid of two characters from the show, Gachapin and Mukku, known for their playful battles in children's competitions. Dressed in an all-black colorway, this collectible is marked by KAWS's signature X-marked eyes and cross-boned ears, blending the artist's iconic style with the whimsical form of the television characters. As an out-of-production open edition, the Kachamukku-Black figure is a testament to the versatility and global influence of street pop art and graffiti artwork. KAWS' Artistic Exploration in the Kachamukku-Black Figure KAWS' work has consistently pushed the boundaries of street pop art, often incorporating elements from popular media to create art that resonates with a broad audience. The Kachamukku-Black figure is a manifestation of this approach, drawing from a beloved children's show to craft a nostalgic and avant-garde piece. The figure's sleek black finish gives it a contemporary edge. At the same time, the playful pose and fusion of Gachapin and Mukku's characteristics offer a nod to the innocence and fun of children's television. The collectible's release through KAWSONE allowed a broader audience to engage with KAWS' work, emphasizing the artist's commitment to making street pop art accessible to all. The figure's association with Hirake! Ponkikki pays homage to the cultural staple and signifies the artist's respect for the storytelling and character creation inherent in children's programming. The Kachamukku-Black figure, with its intricate details and fusion of forms, is a prime example of how street art can transcend traditional canvases and become a part of the collective cultural consciousness. Cultural Impact of the Kachamukku-Black in Street Art The release of the Kachamukku-Black figure by KAWS has contributed significantly to the dialogue surrounding the cultural impact of street art within the art toy collectible market. By appropriating characters from a Japanese children's show and infusing them with his distinct artistic language, KAWS bridges the gap between East and West, childhood entertainment, and adult collectibility. This figure not only showcases the artist's adeptness in blending different cultural elements but also highlights the universal appeal of his art. In the realm of Street Pop Art and graffiti Artwork, the Kachamukku-Black figure stands as a cultural artifact, a representation of the fluidity and adaptability of street art. It is a piece that carries the spirit of graffiti's subversive nature and pop art's mass appeal, culminating in a work that is both a tribute to a cherished television series and a standalone piece of modern art. As street art continues to evolve, KAWS' Kachamukku-Black figure exemplifies the genre's potential to intersect with various facets of pop culture, creating meaningful and widely appreciated art.

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Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Brown Art Toy by KAWS – Brian Donnelly The Holiday Thailand Brown Art Toy is a standout limited edition vinyl sculpture by Brian Donnelly, an American artist known globally as KAWS. Released in 2025 and now out of print, this collectible piece represents a key moment in the evolution of Street Pop Art & Graffiti Artwork. Standing approximately 7 x 11 inches, the artwork features the artist’s signature Companion characters—recognizable by their cartoonish gloves, soft forms, and crossed-out eyes. In this edition, a large Companion figure sits on a brightly painted globe, holding a smaller child-like figure while both cradle a textured, glow-in-the-dark moon. The earth beneath them is rendered in bold blue and green, grounding the piece in a clear environmental and humanistic message. A Symbol of Care, Connection, and Responsibility This artwork differs from many of KAWS’ earlier works by emphasizing intimacy and quiet reflection over commercial parody. The large Companion, positioned as either a mother, father, or protector, gently supports the child figure in its lap. The shared moon held between them glows in the dark, adding a symbolic gesture of shared light, guidance, and imagination. The planetary imagery reinforces the sense of global connectedness and personal responsibility—an increasingly relevant theme in Street Pop Art & Graffiti Artwork. Rather than existing as a critique, this edition feels more like an offering of comfort and unity, a sentiment that has resonated widely with collectors and fans of Donnelly’s work. KAWS and the Expansion of Street Pop Art Brian Donnelly began his career tagging walls and subverting advertisements in New York City, later evolving into one of the most commercially and critically successful figures in contemporary Street Pop Art & Graffiti Artwork. His Companion character has appeared in sculptures, paintings, large-scale installations, and collectible toys. Each iteration of Companion holds a different emotional register, and the Holiday Thailand edition marks one of the most sincere. Donnelly’s decision to have the figure seated on Earth holding a celestial body is a continuation of his visual storytelling, often involving themes of isolation, care, and shared vulnerability. The X-ed eyes, once associated with irony or detachment, become here a symbol of a quiet inner world. Collector Significance and Artistic Detail This edition was part of the ongoing Holiday series that placed Companion figures in culturally symbolic locations around the world. For Thailand, the sculpture’s gentle posture and universal themes reflect a more spiritual tone. The glow-in-the-dark moon is made with detailed surface textures to mimic the actual lunar surface, enhancing its realism and tactile appeal. The foot of the figure is stamped and printed, certifying authenticity and aligning it with previous limited editions. Like many KAWS pieces, this edition sold out quickly and is now highly sought after. Its rarity, craftsmanship, and emotional resonance have made it a landmark example of collectible vinyl art within the context of Street Pop Art & Graffiti Artwork. Collectors and cultural institutions have increasingly embraced works like this for their ability to communicate complex feelings through simple forms. The Holiday Thailand Brown Art Toy stands as a powerful visual story about nurturing, fragility, and global consciousness, rendered in the familiar yet ever-evolving language of KAWS. This sculpture is not just a toy, but a meditation in vinyl—one that continues to influence the trajectory of Street Pop Art & Graffiti Artwork worldwide.

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What Party Figure- Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7. New In Box Printed Foot. Pink Chum is wondering what happened to the parties in 2020? The What Party Figure in Pink emerges as a poignant symbol in the oeuvre of Kaws, the influential modern artist whose works have continuously blurred the boundaries between commercial and fine art. This limited edition vinyl art toy sculpture stands at 5.1x11.3x3.7 inches, a size that is intimate yet substantial, allowing it to make a statement in any collection. Released in 2020, a year marked globally by the COVID-19 pandemic, this collectible piece adds resonance as its title, "What Party," echoes the year's isolation and the sudden absence of communal gatherings and celebrations. Crafted in bright Pink, the figure is instantly recognizable as a Kaws creation, with its characteristic crossed-out eyes and exaggerated hands, elements that have become synonymous with the artist’s unique visual language. The toy is not merely a playful item; it is a legitimate and impactful piece of art that comments on the human condition. Its vivid color can be interpreted as a beacon of hope or a siren call to attention, forcing viewers to ponder on the changes our society faced, especially during a time when the world came to an abrupt pause. Each sculpture comes brand new in its original box, indicating that it has never been displayed or handled. The printed foot of the figure ensures authenticity, an essential aspect for collectors and admirers of Kaws' work. While this piece was categorized as an open edition, its availability became scarce as the demand outpaced supply, and it swiftly transitioned out of print, turning it into a sought-after artifact. The What Party Figure stands not just as a testament to Kaws' enduring influence in the intersection of pop art, street art, and graffiti art but also as a cultural commentary encapsulated in vinyl. It captures the essence of a unique moment in history, symbolizing the collective yearning for connection in a time of global upheaval and the enduring power of art to reflect and resonate with the zeitgeist.

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Holiday Indonesia Accomplice Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2023 Out of Print Edition Size 11.5x3 Printed Foot New In Box Vinyl Art Toy Kaws Companion Accomplice in Bunny Rabbit Suit With Hands over Face & Eyes.  The landscape of pop art has been one of dynamic change and evolution. A paramount exemplification of this ever-evolving genre is the "Holiday Indonesia Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork" by the legendary modern artist, Kaws. Having roots in street art and graffiti, Kaws has risen as a transformative figure in the contemporary art scene, deftly bridging the gap between high art and popular culture. Diving deeper into the intricacies of the piece, the 2023 out-of-print edition stands as a testament to the artist’s craftsmanship and attention to detail. Sized at 11.5x3, the print on the foot of the art toy adds a unique touch, further signifying its limited-edition status. The choice of the figure, a Kaws Companion Accomplice dressed in a bunny rabbit suit, evokes a sense of nostalgia while also pushing the boundaries of modern design. The pose, with hands covering its face and eyes, adds a layer of depth and intrigue, sparking myriad interpretations and inviting viewers to ponder the figure's emotional state. Such artworks, especially in the medium of vinyl toys, have surged in popularity and value, with enthusiasts and collectors alike seeking them out as treasured pieces. Their blend of whimsy with a deeper artistic narrative, akin to traditional pop art, makes them compelling, engaging, and undeniably iconic. Kaws’ prowess in seamlessly merging street art elements with mainstream aesthetics positions him, and pieces like the " Holiday Indonesia Pink Limited Edition", at the forefront of the modern pop art movement. This art toy sculpture stands not just as a collectible but as a beacon of the ever-shifting nature of pop and street art, embodying its vibrant spirit and transformative potential.  

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Flight of an Eagle Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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Sesame Street Uniqlo Plush Toy Box Set Object Art by Kaws- Brian Donnelly Limited Edition Designer Collectible Pop Artist Artwork. 2018 Limited Edition of Unknown Rare Stuffed Animal Plush Object Art Size 12x19.5 ish Each of Cookie Monster, Bert, Ernie, Elmo & Bid Bird in a Kaws Sesame Street Box. Never Displayed, Opened To Verify Contents. Pop art, street art, and graffiti, contemporary artists often venture into unprecedented mediums, shaping dialogues that resonate with the global urban audience. One such mastermind is Brian Donnelly, popularly known as KAWS, whose unique artistic pursuits have consistently challenged the conventional boundaries of these genres. A striking example of his creative genius is the "Sesame Street Uniqlo Plush Toy Box Set," a limited edition masterpiece that intertwines nostalgia with modern artistic flair. Launched in collaboration with Uniqlo in 2018, this collection garnered instant acclaim, not just for its impeccable design but also for the sheer audacity of reinventing children's toys into coveted art pieces. Drawing inspiration from Sesame Street's iconic characters – Cookie Monster, Bert, Ernie, Elmo, and Big Bird – KAWS infused his distinct touch, morphing these symbols of childhood innocence into art objects that spoke of larger cultural contexts. The plushes, roughly 12x19.5 inches each, exude an inimitable charm, nestling within a specially designed Sesame Street box branded with KAWS' signature. Beyond the obvious appeal to Sesame Street fans, KAWS' collection is a testament to pop art's evolving narrative. It encapsulates the artist's penchant for repurposing popular imagery and transcending traditional art mediums. This seamless blend of commercialism and artistic expression, a hallmark of KAWS' oeuvre, reflects the dynamism of contemporary art. The decision to have this collection released globally through Uniqlo stores and its web store further underscores the democratizing spirit of modern-day art, making it accessible and relatable to a broad audience. As collectors and enthusiasts strive to acquire these limited edition plushes, it is evident that KAWS has once again reaffirmed the potency of pop art, sculpting conversations that are as endearing as they are profound.

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Holiday Changbai Mountain- Snowy White Figure Vinyl Art Toy Sculpture Collectible Artwork by Modern Popular Artist Kaws. 2022 Open Edition Out of Print Sold Out Size 8.5" Stamped/Printed. Displayed With Box, Holiday Changbai Mountain features a white companion figure sitting down with a smaller companion in its lap. The KAWS Holiday Changbai Mountain figure measures 8.5 inches tall. KAWS' Holiday Changbai Mountain-Snowy White: A Contemporary Icon The Holiday Changbai Mountain-Snowy White figure by KAWS is a remarkable piece that stands at the intersection of Street Pop Art, graffiti Artwork, and contemporary collectible design. Released as an open edition in 2022, this art toy sculpture quickly became a sought-after collector's item, now out of print and sold out. The figure, measuring 8.5 inches in height, depicts a serene tableau of a white companion figure seated with a smaller counterpart in its lap. Crafted with the artist's quintessential attention to detail, each piece is stamped or printed, ensuring its authenticity as an original KAWS artwork. This vinyl sculpture is more than a figure; it's a narrative expressed through the silent language of form and color. The pristine snowy white finish gives the figure a tranquil and pure quality, resonating with the calmness of Changbai Mountain's snowy landscape for which it is named. Displayed with its box, the figure is not only preserved in its mint condition but is also presented as a complete work of art, symbolic of KAWS' seamless blend of art and product design. Exploring the Emotional Depth in KAWS' Snowy White Companion KAWS' Holiday Changbai Mountain-Snowy White figure delves deep into the emotional spectrum, presenting themes of care, guardianship, and companionship central to the human experience. The intimate pose of the more prominent figure holding the smaller one is a powerful expression of nurturing and protection, transcending the simplicity of the vinyl art toy form to evoke deeper connections. This piece exemplifies how KAWS continues to push the boundaries of street pop art, infusing his work with a poignant sensitivity that challenges and enriches the graffiti art narrative. The universal appeal of this collectible lies in its ability to communicate beyond words, a characteristic feature of KAWS' artistic oeuvre. The crossed-out eyes, a signature element of KAWS's characters, underscore the anonymity and collective identity that street art often conveys while imparting a sense of individuality to each sculpture. Through its monochromatic simplicity, the Snowy White Companion becomes a canvas for the viewer's interpretations, embodying the inclusive and accessible spirit that street pop art and graffiti artwork champion. The Collectible as a Cultural Artifact in Modern Art The sold-out status of the Holiday Changbai Mountain-Snowy White figure is a testament to the cultural impact and desirability of KAWS' creations. The artist has adeptly navigated the art world to produce works that are both accessible and highly coveted, reflecting the evolving landscape of street art as it intersects with popular culture and the collectibles market. As a modern pop artist, KAWS has redefined what street-inspired art can be, blending graffiti's edge with a polished aesthetic that has earned him a place in the pantheon of contemporary art. With its elegant snowy white finish, this sculpture encapsulates the essence of KAWS' approach to art-making: it is a playful toy and a sophisticated sculpture, a piece of urban culture and a refined collectible. The Holiday Changbai Mountain-Snowy White figure is a cultural artifact. It is a snapshot of the moment when street pop art transcended its roots to command a presence in the global art conversation, solidifying KAWS' role as a leading figure in modern popular art.

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Companion Flayed- Grey Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM Exploring the Companion Flayed Grey by KAWS The Companion Flayed Grey by KAWS is a significant piece in the trajectory of street-inspired art. As a modern pop artist, KAWS has redefined the boundaries of street pop and graffiti artwork, bringing it into high art and collectible design. This 2016 limited open edition piece is a prime example of his artistry. It is encapsulated in a 10.5 x 4.5 x 2.5-inch figure that has remained in its pristine, unopened package, catering to art collectors and enthusiasts alike. KAWS' Companion has become a hallmark within his expansive portfolio, showcasing the character in various forms and mediums. The flayed version strips the character to its skeletal essence and speaks to the vulnerability and underlying complexity that street art often seeks to convey. Released with his "Where The End Starts" exhibit in Fort Worth, Texas, the Companion Flayed Grey has been distributed through KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, standing tall at 11 inches. Significance of the Flayed Companion in Street Pop Art The Grey Flayed Companion is a testament to the evolving narrative of street pop art. By presenting a figure that is traditionally whimsical and playful in a dissected form, KAWS invites viewers to ponder the intersection of life's fragility and the often robust, vibrant nature of street art. The grey hue of this particular figure adds a somber tone to the piece, possibly reflecting the concrete jungle that street art often inhabits. Yet, it stands not as a mere representation of street art but as an artifact that bridges the gap between collectible toys and meaningful art. This figure is significant for its aesthetic and role in the more extensive dialogue of what constitutes art in the public realm. By elevating the Companion to a museum-worthy piece while maintaining its roots in street culture, KAWS challenges and expands the definition of street pop art. Through its release in prestigious venues, the Companion Flayed Grey underscores the permeable lines between commercial art and the fine art sector. KAWS' Companion Series: A Reflection on Modern Collectibles The Companion series, especially the Flayed Grey edition, reflects the burgeoning interest in art toys as legitimate collectibles. KAWS' ability to capture the collective imagination with his Companion figures has elevated the status of art toys, placing them on the same pedestal as traditional artworks. The meticulous design and production of the Flayed Companion Grey, with its detailed anatomy visible beneath a translucent exterior, showcase KAWS' dedication to craftsmanship and conceptual depth. Released in an open edition, the Companion Flayed Grey makes KAWS' work accessible to a broader audience, aligning with the democratic nature of street art. It embodies a fusion of street pop art aesthetics with the collectibility and desirability of limited edition pieces. As such, the Companion Flayed Grey is not jus a cultural icon that captures the essence of KAWS' impact on the art world and his pioneering role in the street art movement.

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Companion- Blush Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM KAWS' Companion-Blush: A Symbol of Modern Street Pop Art & Graffiti Artwork In the vibrant spectrum of modern pop art, KAWS stands out as an artist who seamlessly blends commercial design with fine art. His Companion series, especially the "Companion- Blush Limited Edition Vinyl Art Toy Collectible," has become a cultural landmark within street pop art and graffiti Art. The Companion-Blush, with its distinctive color and the classic KAWS motif, was released as a limited open edition collectible in 2016, encapsulating the artist's iconic design in a tangible form. Like its counterparts, this piece measures 10.5 x 4.5 x 2.5 inches, striking a balance between being conspicuous yet compact enough for personal display. Each figure in this series stands 11 inches tall, allowing for detailed appreciation without overwhelming the space it inhabits. The unopened package of the Companion-Blush edition signifies its mint condition, preserving the artwork's integrity and the excitement of a first-hand reveal by a collector. Relevance and Reception of KAWS' Companion-Blush in Artistic Circles The Companion-Blush is more than a collectible; it's a narrative piece that has evolved from KAWS' graffiti roots to a celebrated icon in the street pop art movement. With its crossed-out eyes and abstracted features, the character carries the emotional depth and commentary often found in graffiti art. Its release through renowned channels such as KAWSONE, MoMA, and the Modern Art Museum of Fort Worth underscores the blurring lines between mainstream and subculture, a testament to the Companion's universal appeal. The timing of this release, coinciding with KAWS's "Where The End Starts" exhibit, was pivotal, marking a period of high demand and intense interest in KAWS's work. The decision to release a series of six different Companions, including both entire body and flayed versions, catered to a broad audience spectrum, from art connoisseurs to pop culture enthusiasts, further cementing the Companion's status in the art world. The Impact of KAWS' Companion-Blush on the Evolution of Street Art The Companion-Blush exemplifies the evolution of street art into a refined form celebrated for its artistic value and cultural significance. Through his Companion series, KAWS has challenged traditional notions of graffiti artwork, transforming it into a high-demand collectible. With its vibrant hue and meticulous design, the Companion-Blush is a beacon of street pop art's transformative power, showcasing how street art's raw energy can be encapsulated in a form that resonates with a broader public audience. This collectible is a piece of KAWS' artistic journey and a fragment of the larger narrative of street art's integration into the global art market. It symbolizes when street-inspired artwork began to command the attention and respect previously reserved for more conventional art forms. The Companion-Blush, therefore, is not just an object of art; it is a cultural artifact that represents the dynamic and ever-changing landscape of modern Street Pop Art and graffiti Artwork.

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Together Grey Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Grey Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and his distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, with its portrayal of two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it's a reflection of street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Pez Dispenser Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The "Pez Dispenser (Jean-Michel Basquiat)" giclee print by Adam Lister is a contemporary art piece inspired by the iconic American artist Jean-Michel Basquiat. Basquiat was known for his bold and expressive style, which often incorporated text and imagery from popular culture and street art. The print features Basquiat's signature crown motif and the familiar shape of a T-Rex. The use of pixelated blocks of color gives the print a modern and digital feel, while still referencing Basquiat's raw and emotive style. Giclee printing is a high-quality reproduction technique that uses fine art printers to produce prints with exceptional color accuracy and detail. The resulting print is a vibrant and durable work of art that captures the energy and spirit of the original painting. Overall, the "Pez Dispenser (Jean-Michel Basquiat)" giclee print is a unique and engaging tribute to one of the most influential artists of the 20th century, and a great addition to any contemporary art collection.

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Rising Off-Set Lithograph Print Limited Edition Artwork on 80lbs Patina Matte Fine Art Paper by Jeff Soto, an urban graffiti pop street artist. Jeff Soto is an artist, illustrator, and muralist who has exhibited in galleries and museums around the world. The artist’s distinct color palette, subject matter, and technique resonate with a growing audience and bridge the gap between Pop Surrealism and graffiti. Inspired by youthful nostalgia, nature, graffiti, hip-hop, and popular culture, his bold, representational work is simultaneously accessible and stimulating.

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Chomp- Phase 1 Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Modern Artist Sket- One x Abominable Toys. 2022 Limited Edition of 1000 Artwork Size 6x5 New In Box Stamped/Printed "Using over 30 paint masks for production and years of development, this is the most complicated figure we've made to date." -Abominable Toys

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Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster Screen Print on Card Stock Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 9x12 With Heavy Drips of Hand Painted Areas. Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster The Orange Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster is a dynamic expression of Street Pop Art & Graffiti Artwork. Created in 2023 as part of a signed and numbered limited edition of 50, this piece is a vibrant testament to Buff Monster’s signature visual language. At 9x12 inches, it may appear compact, but it radiates an oversized impact with its combination of hand-painted energy and silkscreen clarity. The Mister Melty character—a one-eyed melting creature—serves as both mascot and metaphor, embodying themes of transformation, absurdity, and surreal joy through explosive color and iconic simplicity. Visual Design and Layered Techniques This particular version features a fiery orange and yellow background with hints of magenta and red, layered beneath a carefully rendered silkscreen outline of Mister Melty. Dominated by a single, centered eye ringed in pink and grey, the character floats in a warped box frame that offers structure to the otherwise chaotic drips and paint splashes. Buff Monster used heavy acrylic embellishments to add texture and visual chaos, with paint layered thickly across the surface in a way that emphasizes spontaneity and kinetic motion. The background reveals halftone patterns and splatter marks, blending graffiti textures with pop art flatness. The Importance of HPM in Buff Monster’s Process HPM, or Hand-Painted Multiple, is key to the collectible nature of this print. Each version within the edition features unique hand-done elements added after the initial silkscreen pass. This not only makes every print one-of-a-kind but also injects a raw, painterly quality into what would otherwise be a tightly controlled print run. In this Orange Mister Melty variant, those embellishments take the form of vivid drips, erratic brushwork, and unexpected overlays, offering a visual punch that resonates with both street art authenticity and studio craftsmanship. Buff Monster’s Influence on Modern Street Pop Art Buff Monster, born in the United States, has long stood at the intersection of collectible toy culture, street graffiti, and psychedelic pop art. His work incorporates recurring motifs such as ice cream, goo, eyeballs, and drips, and reflects a fascination with Japanese pop aesthetics and underground comics. Mister Melty is one of his most recognized characters and functions as a canvas for creative experimentation. The Orange Mister Melty HPM print reflects Buff Monster’s continued push into handcrafted detail while maintaining the reproducible aesthetics of printmaking. It represents a collision of factory polish and street-level freedom, crafted for collectors who value unique, emotionally charged design. This print exists not just as a collectible, but as an energetic piece of the modern visual narrative that defines Street Pop Art & Graffiti Artwork today.

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What Party 7- Yellow Hand-Pulled 3-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Pop Graffiti Artist Kaws Rare Street Art Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 Framed With Large Custom Frame & Mat. KAWS (b. 1974) What Party (Yellow), 2020 Screenprint in colors on Saunders Waterford HP Hi-White paper 22 x 22 inches (55.9 x 55.9 cm) (sheet) Ed. 41/100 Signed, numbered, and dated in pencil along the lower edge. Published by the artist KAWS' What Party 7- Yellow: A Masterpiece in Street Pop Art & Graffiti Artwork KAWS, born Brian Donnelly in 1974, has become a symbolic figure in the intersection of high art and popular culture, blending elements of street art, graffiti, and pop art into his dynamic oeuvre. One of his standout creations is "What Party 7- Yellow," a hand-pulled, 3-color silkscreen print showcasing his distinctive art-making approach. Produced in 2020, this piece is rendered on Saunders Waterford Hi-White paper, a high-quality paper known for its durability and exceptional surface, which allows for the vibrant application of inks and intricate details for which KAWS is renowned. Craftsmanship and Exclusivity of What Party 7- Yellow The "What Party 7- Yellow" artwork is a testament to the meticulous craftsmanship of silkscreen printing, which requires precision and patience. The layering of three colors to create the final image is a complex task that reflects the artist's dedication to his craft. This print, a limited edition of only 100, is a rarity and exemplifies the exclusivity that KAWS pieces command. Each print is signed, numbered, and dated along the lower edge, confirming its authenticity and the artist's direct involvement in its creation. The Visual Language of KAWS in What Party 7- Yellow The visual language of KAWS is instantly recognizable in "What Party 7- Yellow" with its bold, graphic lines and the use of his iconic characters that convey a range of emotions despite their simplistic facial expressions. Yellow in this piece is striking, creating a sense of energy and vitality often associated with the color. The size of the artwork, 22x22 inches, offers a generous canvas for KAWS to convey his vision, striking a balance between accessibility and grandeur. The Framing of What Party 7- Yellow The presentation of "What Party 7- Yellow" is enhanced by the large custom frame and matting accompanying the print. The choice of framing is critical to how the artwork is perceived and experienced. It not only protects the piece but also serves to highlight the artwork's features and reinforce its thematic elements. The frame and matting choices are integral to the overall aesthetic and are often considered by collectors as part of the artwork itself. The Impact of What Party 7- Yellow on Street Pop Art "What Party 7- Yellow" is a compelling example of Street Pop Art and graffiti Artwork. KAWS manages to transcend the traditional boundaries of street art and graffiti, situating his work within a broader art historical context while maintaining the energy and authenticity that characterize street culture. Like much of his work, this piece bridges the gap between the subversive and the mainstream, introducing elements of street art into the refined art gallery space and challenging preconceived notions about the value and potential of graffiti art. In summary, KAWS' "What Party 7- Yellow" is a luminous example of Street Pop Art and graffiti Artwork. Its hand-pulled, silkscreen technique, limited edition nature, signature by the artist, and distinctive framing all contribute to its significance as a work of art. As a collectible, it represents a pivotal moment in the evolution of street art, serving as a bridge between underground art movements and the polished world of fine art galleries. For enthusiasts and collectors alike, "What Party 7- Yellow" is not merely a piece to be owned; it is an artifact of cultural significance that embodies the spirit and transformation of contemporary art.

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Holiday United Kingdom UK- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2021 Vinyl Fine Art Sculpture Holiday: United Kingdom (Brown), Painted cast vinyl 10-1/8 x 5-1/8 x 3-1/2 inches (25.7 x 13.0 x 8.9 cm) Stamped to the underside of the feet Produced by AllRightsReserved, Hong Kong. KAWS' Holiday United Kingdom UK-Brown: A Contemporary Collectible The Holiday United Kingdom UK-Brown edition is a celebrated piece by renowned street graffiti artist KAWS, released in 2021. As a vinyl fine art sculpture, this painted cast vinyl work stands at 10-1/8 x 5-1/8 x 3-1/2 inches, embodying the synthesis of street culture vibrancy and delicate art sophistication. This limited edition piece, marked by the artist's stamp on the underside of its feet, was produced by AllRightsReserved, based in Hong Kong. It comes new in its original packaging, enhancing its collectibility and appeal. The figure's rich brown hue conveys a warmth often associated with KAWS' works, inviting a sense of familiarity and nostalgia. It is a color that grounds the figure in the earthiness of the material world, even as it captures the imagination of collectors and art enthusiasts. The Holiday United Kingdom edition is a testament to KAWS's enduring influence on the street pop art and graffiti artwork scene, bridging the gap between an underground movement and the polished realm of high-end collectibles. Artistic Influence and Cultural Significance of KAWS' Work KAWS, a pivotal figure in the contemporary art scene, has a unique ability to elevate street art into coveted fine art collectibles. The Holiday United Kingdom UK-Brown edition reflects this talent, bringing together the raw edge of graffiti with the meticulous craftsmanship of sculpture. Like much of KAWS' work, this piece is not just a toy but an artifact that represents the artist's commentary on society, culture, and the art world. With one hand over its face, the sculpture's stance could be interpreted as a playful gesture or a deeper reflection on the nature of visibility in art and life. This dual interpretation is often a hallmark of street art's layered meanings. Produced by AllRightsReserved, a collaborator known for bringing innovative art to the public, this KAWS edition celebrates the unifying power of art across geographies and cultures, resonating with the essence of the United Kingdom's diverse and storied heritage. The Evolution of Street Art in KAWS' Holiday UK-Brown Sculpture KAWS' Holiday United Kingdom UK-Brown edition symbolizes the evolution of street art from ephemeral urban expressions to enduring collectible items. It is a physical testament to the shifting boundaries of street pop art, encompassing both the immediacy of graffiti and the permanence of fine art. KAWS' ability to navigate these realms has rendered his works among the most recognizable and sought-after pieces in the art toy collectible market. The intricacy of this figure, from its form to its finish, reveals the depth and complexity achievable in the medium of vinyl sculpture. The Holiday United Kingdom edition, with its accompanying packaging, is not just a product but a narrative piece that speaks to KAWS' journey as an artist and the journey of street art into mainstream consciousness. It stands as a notable piece within the continuum of Street Pop Art and graffiti Artwork, capturing the attention and admiration of a global audience.

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Chomp- Phase 1 AP Artist Proof Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Modern Artist Sket- One x Abominable Toys. AP Artist Proof 2022 Signed & Numbered Box/Figure Limited Edition of 100AP Artwork Size 6x5 New In Box. Includes Handmade Custom AP Base.  "Using over 30 paint masks for production and years of development, this is the most complicated figure we've made to date." -Abominable Toys

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Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Grey Art Toy by KAWS – Brian Donnelly The Holiday Thailand Grey Art Toy by KAWS, the artistic alias of American creator Brian Donnelly, stands out as a rare and powerful work in the field of Street Pop Art & Graffiti Artwork. Released as a 2025 limited edition and now out of print, this collectible sculpture measures approximately 7 x 11 inches and arrives new in box with a printed stamp on the foot. Rendered in a muted grey palette, the artwork features the beloved Companion characters—an adult figure seated atop a vividly painted Earth while gently embracing a smaller child figure. Both characters hold a glow-in-the-dark fluorescent moon with a detailed textured surface, symbolizing both innocence and cosmic wonder in a world that increasingly values emotional narrative in contemporary vinyl art. Emotional Expression Through Form and Symbol Unlike the bright tones often used in earlier Companion works, the grey edition of the Holiday Thailand Art Toy emphasizes subtlety and seriousness. The seated figure may be interpreted as a mother, father, or guiding friend, creating a moment of quiet connection with the child nestled in their lap. The Earth below them is shown in bold blue and green, visually rooting this piece in themes of global care and responsibility. The glowing moon cradled between them becomes a shared point of light, a guiding symbol in the literal and figurative darkness. This interaction between figures and the celestial object elevates the sculpture from a collectible toy to a visual meditation on care, protection, and environmental consciousness. Brian Donnelly’s Continued Impact on Street Pop Art & Graffiti Artwork Brian Donnelly, born in Jersey City, USA, started his career tagging walls and bus stop advertisements, blending cartoon iconography with sharp social commentary. His rise from graffiti artist to global contemporary art figure is marked by his ability to blend street language with emotional depth. The Companion figure, instantly recognizable with its X-ed out eyes and Mickey Mouse-inspired gloves, has become an international symbol for vulnerability, connection, and modern alienation. In the Thailand Grey edition, Donnelly strips the form of bright color and instead uses the soft grey tones to focus attention on the body language and the emotional intimacy of the piece. The positioning of the child figure leaning into the adult’s chest creates a tender pause, often missing in the more satirical or energetic works of Street Pop Art & Graffiti Artwork. A Coveted Collectible in the Vinyl Art Toy Movement Each Holiday edition by KAWS ties the Companion character to a geographic or thematic location, and the Thailand release is no exception. While the colorful brown variant captures warmth, this grey version offers a more introspective aesthetic. The bright, hand-painted globe beneath the seated figure ensures that the sculpture’s message remains worldly and expansive, even as the figures themselves remain personal and inward-looking. The glow-in-the-dark moon feature enhances the sculpture’s interactive and ambient qualities, transforming under different lighting to reveal its full emotive power. Collectors and museums alike consider this edition a benchmark for contemporary vinyl-based Street Pop Art & Graffiti Artwork. Its scarcity, strong narrative, and signature KAWS execution make it a vital piece for those who seek work that blends simplicity with depth. The Holiday Thailand Grey Art Toy is not just a decorative figure—it is a sculptural story about human connection and cosmic hope.

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Flower 8.0 Pink Skateboard Art Deck by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2017 Limited Edition Skateboard Artwork Size Approximately 8x31 Skateboard Art Deck Brand New Perfect Condition Skateboard decks are made from layers of wood veneer that are glued together to create a strong and flexible board. The Flower 8.0 Pink Skateboard Art Deck is made from high-quality Canadian maple wood, which is known for its durability and resilience. The deck measures 31 inches in length and 8 inches in width, making it suitable for a variety of skating styles. Takashi Murakami is known for his colorful and playful artworks that blend traditional Japanese techniques with contemporary pop culture. His iconic smiling flower motif has become a signature element of his work and has been featured in numerous exhibitions and collaborations with fashion and lifestyle brands. The Flower 8.0 Pink Skateboard Art Deck by Takashi Murakami TM/KK is a unique and collectible piece of art that combines skateboarding culture with contemporary art.

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Companion Flayed- Blush Red Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM KAWS' Companion Flayed in Blush Red: A Vibrant Expression in Street Pop Art The Companion Flayed in Blush Red is a vibrant beacon in the expansive body of work by KAWS, the renowned modern pop artist. As part of a comprehensive series launched in 2016, this limited open edition piece captivates with its striking color and intricate design. Enclosed in its original, unopened packaging, the figure measures 10.5 x 4.5 x 2.5 inches and profoundly expresses the interplay between street art sensibilities and the collectible art toy market. KAWS, real name Brian Donnelly, has established a legacy of creating figures that resonate deeply with Street Pop Art and Graffiti Artwork motifs. The Companion, perhaps his most famous creation, has been reimagined in various forms, each revealing a different aspect of its character and the artist's philosophy. The flayed versions, such as this one in blush red, lay bare the internal workings of the figure, offering a literal and figurative dissection of its form. The Cultural Resonance of KAWS' Companion Series The Companion Flayed Blush Red Edition embodies a significant cultural moment for KAWS and the broader art world, coinciding with his acclaimed "Where The End Starts" exhibition in Fort Worth, Texas. Like its counterparts, this figure stands at 11 inches tall, embodying a commanding and intimate presence. Released through platforms such as KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, the Companion series signifies the acceptance and celebration of street-influenced art within prestigious art spaces. The Companion Flayed series, with its exposed and vibrant innards, is a powerful commentary on the nature of emotional and physical exposure. The blush red colorway adds a dimension of warmth and connectivity, contrasting with street art's often cold and impersonal perception. KAWS plays with the dichotomy of the inner self versus the outer persona, inviting contemplation on the complexities of identity and the facades we maintain. Impact and Collectibility of KAWS' Flayed Companions The Companion Flayed Blush Red edition is not only a visually striking piece but also one of high collectible value. The decision to release the figure in an open edition format reflects KAWS' desire to democratize art ownership, allowing more enthusiasts to possess a piece of his vision. This approach aligns with the ethos of street art, which traditionally emphasizes accessibility and community engagement. With its unopened packaging and pristine condition, this particular edition is a coveted item for collectors of modern art toys and followers of KAWS alike. The piece's aesthetic appeal and significance in the trajectory of street pop art and graffiti artwork make it a multifaceted artwork that is both a cultural artifact and a testament to KAWS's enduring impact on contemporary art. The Companion Flayed in Blush Red is a bold statement on the permeable boundaries between commercial art, street culture, and fine art, a boundary that KAWS navigates with unparalleled finesse.

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Separated- Grey Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Kaws. 2021 Separated (Grey) Vinyl 7 87/100 × 6 3/10 × 7 9/100 in 20 × 16 × 18 cm Displayed with Box KAWS and the Ascendance of Street Pop Art The "Separated" vinyl art toy by KAWS is a remarkable piece that stands as a testament to the fusion of street art sensibilities with the collectible art toy market. KAWS, initially known for his provocative approach to street art, which involved reworking ads in bus shelters and phone booths with his iconic characters, has become a significant figure in the contemporary art world. His work often includes a series of characters that have become instantly recognizable and highly sought after by collectors and the general public alike. The artist known as KAWS, whose real name is Brian Donnelly, is a graduate of the School of Visual Arts in New York. He began his career as a graffiti artist on the streets of Jersey City and quickly gained notoriety for his provocative and humorous adaptations of popular advertisements. Over time, KAWS' work evolved from spray-painted murals to large-scale sculptures and collectible toys, bridging the gap between the underground graffiti world and fine art galleries' elite realm. KAWS' contributions to the world of art have been significant in merging commercialism with street culture, reflecting a unique blend termed "Street Pop Art." The Significance of 'Separated' The "Separated" collectible, released in 2021, continues KAWS' exploration of emotion and isolation. It features one of his central characters in a pose that suggests contemplation or sorrow, embodying the loneliness and separation prevalent in modern society. The character is presented in a monochromatic greyscale, a choice that enhances the sad theme of the piece. With this work, KAWS is selling a product and expressing contemporary sentiments, which has always been a cornerstone of Graffiti Artwork. The dimensions of "Separated" are 7 87/100 × 6 3/10 × 7 9/100 inches (approximately 20 × 16 × 18 cm), and the figure is often displayed alongside its box, which itself bears the artwork of KAWS, making the packaging an integral part of the art piece. The item was marketed as an open edition, meaning that rather than being released in a limited quantity, it was produced to meet demand, making KAWS' art more accessible to a broader audience. Collectibility and Impact on Pop Culture The collectibility of KAWS' work lies not only in the aesthetic appeal of his designs but also in the way they resonate with contemporary themes of connection and disconnection. As such, KAWS figures like "Separated" serve as art pieces and cultural artifacts that encapsulate the mood of an era. This particular piece is part of a broader trend in which street art has moved from the fringes into the center of popular culture, often carrying poignant social commentary. KAWS' vinyl art toys have become hot commodities in the collectibles market, with some editions selling out within minutes of release. The value of these pieces can be appreciated over time, making them not only a piece of art for display but also an investment. This trend has helped elevate the status of toys and street art, increasing their recognition as legitimate forms of art. KAWS in the Artistic Pantheon In terms of his place within the art world, KAWS occupies a unique position where his work is at the intersection of commercial and fine art. His crossover appeal is evident in his collaborations with major brands, musicians, and fashion lines, which have helped to disseminate his work far beyond traditional art spaces. Yet, he maintains a strong presence in art, with exhibitions in major museums and galleries worldwide. The "Separated" figure, especially, encapsulates KAWS' ability to communicate complex emotional states through simplified forms and gestures. The piece reflects the contemporary zeitgeist, addressing themes of isolation and vulnerability that are universal in the human experience. This universality, combined with a distinctive aesthetic, has allowed KAWS to transcend the world of Graffiti Artwork and Street Pop Art to become a globally recognized artist. KAWS' "Separated" is a vinyl art toy that represents much more than its physical form; it stands as a cultural symbol of the times, a commentary on the human condition, and an object of desire for art collectors and enthusiasts. Its release has further solidified KAWS' position as an artist who deftly navigates between various artistic spheres, profoundly impacting each.

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