Movie

61 artworks

  • Sewer Shreddin Giclee Print by Brandon Sopinsky

    Brandon Sopinsky Sewer Shreddin Giclee Print by Brandon Sopinsky

    Sewer Shreddin Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

    $134.00

  • The Hunters Quarry Archival Print by Jed Henry

    Jed Henry The Hunters Quarry Archival Print by Jed Henry

    The Hunters Quarry Archival Pigment Fine Art Limited Edition Print on Hand-Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "I've crossed the galaxy, and crossed again, I've seen strange things, and seen strange things again, But I've never seen a singular Force, My life is mine"

    $134.00

  • Phone Home Silkscreen Print by DKNG

    DKNG Phone Home Silkscreen Print by DKNG

    Phone Home Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. ET Phone Home Communications System From The Famous Movie About Friendly Aliens. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • Little Shop of Plumbers Giclee Print by Brandon Sopinsky

    Brandon Sopinsky Little Shop of Plumbers Giclee Print by Brandon Sopinsky

    Little Shop of Plumbers Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

    $134.00

  • You Vil Lose Silkscreen Print by Jon Smith

    Jon Smith You Vil Lose Silkscreen Print by Jon Smith

    You Vil Lose Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Litied Edition of 200 Artwork Size 12x18 You Vil Lose Silkscreen Print by Jon Smith Jon Smith’s You Vil Lose silkscreen print is a dynamic fusion of street pop art and graffiti artwork, blending nostalgia, satire, and bold artistic execution. Released in 2012 as a signed and numbered limited edition of 200, this 12x18-inch hand-pulled silkscreen print embodies a retro gaming aesthetic with a strong cultural and political undertone. Utilizing four colors on fine art paper, the print draws inspiration from classic 8-bit video game visuals while injecting modern commentary through exaggerated design and composition. The Visual Impact and Gaming Nostalgia The artwork immediately strikes with its bold, pixelated style reminiscent of vintage 1980s video games. The composition mirrors the aesthetics of Punch-Out!!, an iconic boxing video game that defined a generation of gamers. The image portrays a victorious, towering figure in red boxing trunks, flexing triumphantly over a fallen opponent in American flag-themed attire. The referee, designed in a cartoonish 8-bit style, stands beside them, adding to the authentic video game aesthetic. Smith’s use of silkscreen techniques enhances the vibrancy and sharpness of each color, reinforcing the nostalgic feel of retro gaming. The limited palette ensures a clean, high-contrast finish, making the characters pop against the background. The exaggerated proportions of the victorious boxer heighten the intensity, placing emphasis on power dynamics and thematic tension. The defeated fighter’s expressive posture and the addition of blood splatter further dramatize the moment, capturing the raw energy of video game knockouts. Cultural Commentary and Symbolism Beneath the playful, pixelated surface, You Vil Lose carries a deeper cultural narrative. The visual themes, particularly the color choices and character designs, evoke Cold War-era rivalries between the United States and the Soviet Union. The victorious figure bears a striking resemblance to the archetypal Eastern European boxing villains seen in popular media, drawing immediate parallels to characters like Ivan Drago from Rocky IV. The fallen fighter’s American flag trunks reinforce the competitive tension between opposing ideologies, a theme often explored in both sports and pop culture. By presenting this imagery in a pixelated video game format, Smith cleverly blends digital nostalgia with historical and political themes, making the piece both entertaining and thought-provoking. The title You Vil Lose reinforces the exaggerated villainous persona, playing on Cold War-era caricatures that were often used in Western media. The Influence of Street Pop Art and Graffiti Artwork Jon Smith’s approach to You Vil Lose aligns seamlessly with the ethos of street pop art and graffiti artwork. His ability to take digital culture and reinterpret it through the physical medium of silkscreen printing showcases the crossover between gaming culture and contemporary art. The fusion of recognizable video game aesthetics with bold social commentary makes this piece stand out as a clever and striking example of modern pop art. Smith’s work is widely celebrated for its ability to merge pop culture with visual storytelling, and You Vil Lose is a testament to his signature style. By taking inspiration from classic gaming, he taps into the collective memory of an entire generation while simultaneously offering a fresh, stylized reinterpretation. This print holds value not just for fans of retro video games, but also for collectors who appreciate the intersection of nostalgia, satire, and artistic craftsmanship.

    $201.00

  • Back To The Future AP Giclee Print by Andy Fairhurst

    Andy Fairhurst Back To The Future AP Giclee Print by Andy Fairhurst

    Back To The Future Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. AP Artist Proof Signed & Marked AP Limited Edition Artwork Size 12x24 Officially licensed ‘Back To The Future’ AP Artist Proof prints done for Bottleneck Gallery and Vice Press. Hand-numbered and signed by the artist. 12x24 inches.

    $112.00

  • The Empire Silkscreen Print by DKNG

    DKNG The Empire Silkscreen Print by DKNG

    The Empire Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. The Galactic Empire Death Star Destroyer Weapon From The Sci-Fi Movie Star Wars. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • Let's Play Silkscreen Print by DKNG

    DKNG Let's Play Silkscreen Print by DKNG

    Let's Play Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Desperado Assisan Weapons Guitar Box Movie Reference. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • Dance With The Devil Silkscreen Print by DKNG

    DKNG Dance With The Devil Silkscreen Print by DKNG

    Dance With The Devil Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Batman Batmobile Movie Reference "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • We're Gonna Need a Bigger Bus Giclee Print by Graham Curran

    Graham Curran We're Gonna Need a Bigger Bus Giclee Print by Graham Curran

    Mad World Artwork Giclee Limited Edition Print on Archival Smooth Fine Art Paper by Pop Culture Graffiti Artist Graham Curran. "We're Gonna Need a Bigger Bus" Print Inspired by My Neighbor Totoro & Jaws 12 x 12 inches Printed on certified archival, Smooth Fine Art Paper hand-signed and numbered by the artist Regular Edition of 30

    $159.00

  • X1 Silkscreen Print by DKNG

    DKNG X1 Silkscreen Print by DKNG

    X1 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Darth Vader's X1 Space Ship From Sci-Fi Movie Star Wars. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • NRVOUS Silkscreen Print by DKNG

    DKNG NRVOUS Silkscreen Print by DKNG

    NRVOUS Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. The 1961 Ferrari GT car from Ferris Bueller’s Day Off retro movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • Vader Grin Archival Print by Ron English

    Ron English- POPaganda Vader Grin Archival Print by Ron English- POPaganda

    Vader Grin Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered #2 (Originally Reserved As PP Printers Proof) Limited Edition of 100 Artwork Size 12x12 Star Wars Darth Vader Skeleton Grin Smiley. Ron English's Vader Grin and the Warped Language of Iconography Ron English’s Vader Grin fuses dystopian sci-fi symbolism with the subversive vocabulary of Street Pop Art & Graffiti Artwork. Released in 2020 as a limited edition archival pigment print, the piece measures 12x12 inches and was produced on 290gsm Moab fine art paper. This particular edition, originally held as Printer’s Proof #2, forms part of a 100-print run, each signed and numbered by the artist. The work reimagines the helmeted visage of Darth Vader—one of cinema’s most recognizable figures—by seamlessly embedding English’s trademark skeletal grin beneath the mask. The result is a jarring yet alluring hybrid that simultaneously honors and mocks the power of cultural icons. The work relies on visual contradiction. The hyper-glossy black helmet, reflecting cool blues and menacing reds, feels ominous and theatrical. Yet the grin beneath it introduces grotesque levity. It is not merely a skull, but a warped, cartoonish smile that undermines the mythic power typically associated with the character. English uses this visual tension to create discomfort, inviting viewers to question what lies beneath their cultural obsessions. By merging a corporate media character with his skeletal smile, English distills themes of decay, commodification, and spectacle. Visual Tactics Rooted in Street Pop and Graffiti Art Ron English built his career on hijacking visual systems. His approach combines photorealism with absurdity, blending polished fine art techniques with aesthetics borrowed from street murals and graffiti culture. Vader Grin sits at the intersection of these traditions. Though the print is created with archival precision, the electric glow surrounding the helmet mimics the energy of neon street lighting or aerosol fades. The blue halo contrasts sharply with the blood-red reflections on one side of the mask, giving the image a radioactive aura that feels both synthetic and urgent. English’s background in billboard takeovers and illegal mural work informs every detail of the piece. His choice to deface an archetype of cinematic villainy with a smile nods to graffiti’s function as cultural resistance. It reflects the artist’s long-standing interest in how images dominate urban space and public imagination. Street Pop Art & Graffiti Artwork often collapses the barrier between fine art and mass media, and Vader Grin thrives in that collapse. It operates as both parody and portrait, critique and celebration. Skeletal Symbols and the Politics of Satire The skeletal grin, a recurring motif throughout Ron English’s body of work, serves as more than a visual joke. It operates as a critique of power, often layered over figures who symbolize authority, consumer manipulation, or mythologized violence. In Vader Grin, the deathly smile strips the character of gravitas, revealing a hollowed-out husk beneath layers of narrative and merchandising. The mask is no longer a tool of intimidation—it becomes a vessel of emptiness, the face of a brand designed for mass appeal but drained of human substance. The work fits into a broader history of Street Pop Art where artists interrogate the allure of media-generated heroes and villains. English’s satire does not merely poke fun at pop culture—it exposes how symbols are consumed without critical engagement. The skeletal transformation represents the erosion of meaning beneath constant reproduction. In Vader Grin, the viewer is left to contend with a familiar face turned alien, a symbol of evil turned into a smirking relic, smiling through the collapse of its own mythology.

    $550.00

Movie Graffiti Street Pop Artwork

Movies in Street Pop Art and Graffiti

Movies can be a great source of inspiration for graffiti street art. Films often feature iconic characters, settings, and images that can be recreated on walls and other urban surfaces using graffiti techniques. Some examples of movies that have been the subject of graffiti street art include Star Wars: The Star Wars franchise, which is a popular choice for graffiti artists. Characters such as Darth Vader, Yoda, and Stormtroopers are frequently depicted in graffiti art. The Godfather: The Godfather is another movie that has inspired graffiti artists—the iconic image of Marlon Brando as Vito Corleone has been recreated in graffiti art. The Avengers: The Marvel Cinematic Universe has become a massive cultural phenomenon, and graffiti artists have taken notice. Characters such as Iron Man, Captain America, and the Hulk have all been depicted in graffiti street art. Pulp Fiction: Quentin Tarantino's films are known for their distinctive style, and Pulp Fiction is no exception. The iconic image of John Travolta and Samuel L. Jackson pointing guns at each other has been recreated in graffiti street art. The Shawshank Redemption: The famous scene from The Shawshank Redemption in which Andy Dufresne crawls through a sewage tunnel has been depicted in graffiti street art. These are just a few examples of the many movies that have inspired graffiti street art. Graffiti artists often use movies to communicate their ideas and express their creativity publicly. 

Cinematic Influence on Street Pop Art and Graffiti

The intersection of movies and street pop art, along with graffiti artwork, is an exhilarating nexus that showcases the profound impact of cinema on visual culture. With its vast narrative power and iconic imagery, the film has long been a rich source of inspiration for artists operating in urban landscapes. The influence of movies can be seen in the vibrant murals that decorate city walls, the intricate stencils that appear overnight on public surfaces, and the bold tags that claim spaces with references to cinematic history. Movies serve as a universal language that resonates across diverse populations, and street pop art has harnessed this communicative power to engage with audiences on a grand scale. Artists have often used iconic characters, famous movie scenes, and well-known film quotes within their work, creating a dialogue that is both familiar and fresh. This convergence of film and street art forms a visual shorthand that speaks volumes, conveying complex themes through the marriage of these two dynamic mediums. Street artists often channel the same creative energy and storytelling prowess filmmakers use, translating it into art that can be experienced as one moves through the urban environment. The relationship between these two art forms is symbiotic; street art can amplify the themes and aesthetics of cinema, while movies can provide street art with a narrative depth and a richness of visual language that is instantly recognizable. In essence, the homage to movies in street pop art and graffiti celebrates the storytelling tradition. Through their work, artists comment on society, politics, and culture, using the imagery of films to anchor their messages in a shared cultural consciousness. This art becomes a part of the urban fabric, as integral to the cityscape as the theaters and billboards that first introduced those films to the public eye.
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