Music

Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Flatstock 33 2012 Event Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Yellow Fine Art Paper by Jeremy Wheeler. Number 71 of 71. SXSW American Poster Institute March 14-17 2012 Austin Convention Center Texas

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They're Coming to Get You Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Paul Hanley Graffiti Street Artist Modern Pop Art. They're Coming to Get You Artist: Paul Hanley Format: Screen Print Dimensions: 18" x 24" Markings: Signed & Numbered Edition Size: 60 "This is a special screenprint I made for "Something Spooky", a rather incredible Halloween-themed art show curated by the great Steve Niles and horror art legend (and one of my personal heroes) Bernie Wrightson." -Paul Hanley

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Designer Con 2019 Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by time Doyle. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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Chicago Bulls Opening Night 2019 Basketball Sport Limited Edition Gig Poster 6-Color Hand-Pulled Silkscreen Print Artwork on 100 lb. Cougar White Cover Paper by time Doyle. AP Artist Proof. Bulls, Basketball, 2019, Sport, Adidas, NBA, Opening Day, Chicago, Illinois

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All Set Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 190. Released 28 November 2014.

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Together Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 180. Released 28 November 2014.

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434344 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 175. Released 28 November 2014.

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Musica De Los Muertos 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Daft Punk- Tron Metallic Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Perroquet Limited Edition 4-Color Hand-Pulled Silkscreen Print on 275gsm Fine Art Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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311- Philadelphia 2021 Limited Edition Music Gig Poster 5-Color Silkscreen Split Fountain Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Posters measure 36" x 24" each and are 5 color screen prints with special split fountain (orange to blue) inks for 311's July 19th show at The Met in Philadelphia, PA

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Chicago Bulls 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Fugscreens Rare Street Art Famous Pop Artwork Artist. AP Artist Proof

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NØISE/SSI Resurrectionem Ex-Mortuis Remix 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 18 inches Edition of 400 March 30, 2021 About I have been friends with John Goff for 25 years. He was a fan of my art and used to generously help me print. We often bonded over music from the Melvins, to Kraftwerk, to RUN-DMC. John has been a musician most of his life, playing in several different music projects over the years, including SSI which is a collaboration between John and his brother Will. When I started DJ’ing John would help me with the production of remixes. Eventually, we started producing some music together, and with the valuable addition of Merritt Lear and Joe Cassidy, we formed Nøise. -Shepard Fairey

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Sex Bob-omb 2010 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Music group Sex Bob-omb from the movie Scott Pilgrim vs. the World. Sex Bobomb, Rock It, Crash & The Boys, August 10th 2010 Toronto Canada

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Curt Wild 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Curt Wild from the movie Velvet Goldmine.

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Brian Slade 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Brian Slade from the movie Velvet Goldmine.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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New Old Stock Vans x David Bowie Sk8-Hi Bowie Check Black & White- Size 12 Shoe Rare Shoes Limited Edition Sneaker Artwork Collectible. New In Box. Celebrate a legend and one of the best albums of all time, in the Slip-On 47 V Hunky Dory Skate Shoes from Vans and David Bowie. Part of the Vans and David Bowie Archive collection, the Slip-On 47 V Hunky Dory Skate Shoes feature black, grey, and white checkered faux-fur panels at the vamp and heel, matching the fur jacket that Bowie wears on his 1971 album, "Hunky Dory." Yellow-gold suede panels are added to the collar and sidewall, along with hook and loop fastener straps, for a pop of color. The design is complete with David's name embossed on the top strap, and Hunky Dory embossed at the outsole, for a look that pays homage to a great musical talent.

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Writing on the Wall- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2010 Signed & Numbered Screen Print Writing on the Wall (Red), 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles The illustration(minus spray can) is based on a photo by my friend Jim Jocoy who did a great book of late 70’s punk photos called “We’re Desperate”. Pick the book up if you can. -Shepard

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Bowie Cat- AP Artist Proof Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 5x7

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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Rise Above Rose Geometric 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 12 inches by 24 inches Edition of 550 July 21, 2022 "The Rise Above Rose Geometric print contains several recurrent symbols in my work. The rose represents the archetype of an individual or a society who has endured oppression but perseveres to rise above conflict. Rise above also references the song “Rise Above” by Black Flag, one of my favorite punk bands. In creating art that encourages people to rise above adversity, I hope that it also motivates people to fight against injustice even when the fight is difficult." –Shepard Fairey

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Tomorrow's Another Night Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. 2021 Signed & Numbered Red Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Shepard Fairey's Collaboration with Niagara: 'Tomorrow's Another Night' 'Tomorrow's Another Night' is a testament to the dynamic collaboration between Shepard Fairey and Niagara, two pivotal figures in modern street pop art and graffiti artwork. This limited edition silkscreen print, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, showcases Fairey's masterful screen printing technique alongside Niagara's provocative artistic vision. Released on July 2, 2021, each print in the series is meticulously signed and numbered, indicating the exclusive nature of this artwork. The 18 x 24 inches dimensions make it ideal for collectors who appreciate the nuanced intersection of pop culture and fine art. The artwork features iconic imagery that reflects the rebellious spirit of the punk rock movement, imbued with a sense of in-your-face aggression and subtle manipulation. Ron's direct gaze and clenched fist are juxtaposed with Niagara's calculated and serene posture, a duality that Fairey emphasizes with the strategic placement of a switchblade. This element augments Niagara's allure nod to Fairey's original concept of the duo as a modern-day Bonnie and Clyde, suggesting a narrative of power and seduction that belies their outward appearance. Exploring the Visual Narrative and Artistic Merit of 'Tomorrow's Another Night' Shepard Fairey's decision to work with Niagara on 'Tomorrow's Another Night births a rich visual narrative of contrast and complexity. The stark black-and-white imagery is accented by the thoughtful use of three colors, which adds depth and draws the viewer into the story unfolding within the print. The art piece resonates with the energy of the street, where graffiti art traditionally challenges societal norms and provokes thought through visual storytelling. The screen print is a visual exploration of the dichotomy between appearance and reality, power dynamics, and the role of women as unseen orchestrators in a male-dominated society. Fairey's description of Niagara as someone who appears demure yet is 'pulling the strings' is a powerful commentary on the multifaceted nature of female strength and agency. Thus, the artwork becomes a platform for aesthetic appreciation and engagement with broader themes of gender and control. The Cultural Impact of Fairey and Niagara's Artistic Fusion 'Tomorrow's Another Night' represents a cultural milestone in street pop art and graffiti artwork. The collaboration between Shepard Fairey and Niagara bridges generations and artistic styles, creating a piece that is both a tribute to the past and a relevant commentary on contemporary issues. The limited edition nature of the print adds to its cultural significance, offering a snapshot of a moment when two artists from different backgrounds and with distinct voices came together to create something unique and impactful. Moreover, the piece contributes to the ongoing discourse about the place of street art within the broader context of art history. By bringing street art aesthetics into fine art through silkscreen printing, Fairey and Niagara challenge traditional boundaries and invite a reevaluation of what constitutes art in the modern era. 'Tomorrow's Another Night' is an artwork to be enjoyed for its visual appeal and a conversation starter that encourages viewers to delve deeper into the stories behind the images. In essence, 'Tomorrow's Another Night' is a vibrant embodiment of the collaborative spirit that defines street pop art. Through this print, Shepard Fairey and Niagara offer a piece steeped in the ethos of street culture while maintaining a polished finesse that appeals to the fine art collector. The artwork is a testament to the power of artistic collaboration and the enduring allure of street-inspired art.

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Blondie on Bowery Large Format Silkscreen Print by Shepard Fairey- OBEY 3-Color Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 42x28.75 Shepard Fairey's "Blondie on Bowery" is a striking example of Street Pop Art, capturing the intersection of music and urban visual culture. This large-format silkscreen print is part of a limited edition series, with only 199 signed and numbered prints available. It is a rare collectible for art enthusiasts and fans of the punk rock era. The artwork measures 42 by 28.75 inches, allowing bold graphic qualities and intricate details to command attention and engage viewers. Crafted in 2021, the print pays homage to the iconic punk band Blondie and their connection to the legendary music venue CBGB in New York City. Fairey, known globally for his OBEY campaign and his iconic Barack Obama "Hope" poster, brings his distinctive style to this piece, merging graffiti artwork's aesthetic with pop art's polished finish. The work is screen-printed on 320gsm Coventry Rag Paper, a high-quality substrate that ensures the print's depth of color and durability. The paper's hand-deckled edges add to the bespoke nature of each print, emphasizing the hands-on, street-level ethos of Fairey's artistry. This particular piece reflects a historical moment, channeling the spirit of rebellion and innovation that defined the Bowery's music scene in the 1970s and 1980s. Fairey's choice of subject matter and his stylized portrayal of Debbie Harry, Blondie's frontwoman, underscore the lasting influence of the band and the punk movement. The inclusion of song titles like "Rapture" and "Atomic" in the print's design directly links to Blondie's legacy. At the same time, the motifs and typography are reminiscent of the era's concert posters and album covers. "Blondie on Bowery" was printed by Gary Lichtenstein Editions and published by WCC Editions. The collaborative nature of the piece, with its roots in street art and formal screen printing techniques, showcases Fairey's ability to navigate different artistic realms. Each print is accompanied by a Certificate of Authenticity, assuring its provenance and authenticity within the art market. The mural from which this print takes inspiration was created by Fairey in 2017, further cementing the relationship between his street-level murals and gallery-oriented prints. The transition from a public mural to a limited edition print allows the artwork to be appreciated in personal collections while retaining the raw, expressive quality of street art. Shepard Fairey's work, particularly "Blondie on Bowery," embodies street pop art's rebellious heart and soul, serving as a physical manifestation of the music, fashion, and attitudes that continue to influence contemporary culture.

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Interpol NYC Calling Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "Interpol is one of my favorite bands, and I’ve been lucky enough to collaborate with them throughout the years. My first introduction to them was when I stalked them backstage at Coachella and offered to create art for them if they ever needed it… to my surprise, they knew my work already and decided to take me up on my offer. My first project with Interpol was in 2004, when I created art to follow up their debut album, “Antics.” Ten years later, in 2014, I was approached with another opportunity to create a print and paint a mural for their fifth studio album, “El Pintor.” I’m excited to announce that I’ll be releasing a new print that I created in honor of their upcoming show in New York at Madison Square Garden" -Shepard Fairey- OBEY Shepard Fairey's "Interpol NYC Calling" is a silkscreen print that pays homage to the band Interpol, an act close to the artist's heart. Hand-pulled on white speckletone fine art paper, this 2019 limited edition artwork expresses the symbiotic relationship between street pop art and contemporary music culture. Limited to a series of 550 signed and numbered prints, each piece measures 18x24 inches, echoing the vibrancy of both Fairey's visual language and Interpol's sonic identity. Fairey's connection to Interpol began with a backstage meeting at Coachella, and this piece marks a continuity of collaboration that spans over a decade. His admiration for the band's work translated into the creation of art for their 2004 album "Antics" and their fifth studio album "El Pintor" in 2014. The print captures the energy and atmosphere of their anticipated show at Madison Square Garden, encapsulating the essence of the live music experience within the static medium of print. The print is an example of how street pop art and graffiti artwork intersect with other cultural phenomena, bridging the gap between visual art and music. Fairey's iconic style, characterized by bold lines, a striking color palette, and politically charged imagery, is evident in this print. The central image of the broadcasting tower, surrounded by hypnotic swirls, conveys a sense of communication and dissemination, themes that are recurrent in both Fairey's artwork and Interpol's music. This piece is not just a collectible for fans but a visual dialogue that extends Fairey's exploration of art as a tool for engagement and influence within the urban landscape.

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

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Habibi- Dammed HPM Pop Street Artwork Limited Edition Giclee Print With Acrylic & Diamond Dust on Photographique Rag Paper by Urban Graffiti Modern Artist Marwan Shahin. 2022 Signed & Numbered Limited Edition of 33 Marwan Shahin's "HABIBI" series an iconic portrait of Lebanese singer Fairuz interpreted throughout different stages of experiencing love, This very limited edition of 33, which each print is intricately arranged with a filigree of Diamond Dust to produce visually intoxicating kaleidoscope-like effects.

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Halloween At The Roxie 1989 San Francisco CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The iconic Roxy Theatre in San Francisco, CA, famous for its eclectic mix of independent, international, and classic cinema, is joining forces with Frank Kozik, renowned rock poster artist and the visual mastermind behind some of the most memorable music and pop culture imagery of the last three decades. This collaboration is anticipated to introduce a fusion of art and film like never before, reflecting Kozik's bold aesthetic and the Roxy's indomitable spirit. Stay tuned for unique film events, exclusive artwork, and a fresh, vibrant energy emanating from this legendary venue.

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Lucy Georges Guitar Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 150 Artwork Size 9x24 Metallic Ink "LUCY (in the sky of diamonds). This print is the first of a “famous guitar series” that I am working on. It depicts George Harrison’s famous ’57 Les Paul, “Lucy.” -Nate Duval

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Black Sabbath Standard PP Printer Proof Silkscreen Print by Jim Houser Hand-Pulled 8-Color Screen Print on 290gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 12x12 The Convergence of Music and Visual Art in Jim Houser's "Black Sabbath Standard PP" Jim Houser's "Black Sabbath Standard PP Printer Proof" is a striking representation of Street Pop Art and Graffiti, where the energetic pulse of music and the visual dynamism of art collide. This hand-pulled silkscreen print, created in 2019, encapsulates the spirit of the iconic band Black Sabbath through an 8-color process on 290gsm Stonehenge art paper, renowned for its smooth surface and resilience. Each piece in the limited edition run is uniquely signed and marked with 'PP' by Houser, indicating its status as a Printer's Proof—an exclusive subset of prints typically reserved for the artist's approval. Jim Houser's Artistic Signature in Pop Street Artwork Houser's artistry is palpable in the vivid colors and bold geometric shapes that animate the print, reflecting street art's raw, expressive nature and the rebellious undertones of Black Sabbath's music. The artwork size, a square 12x12 inches, mirrors the classic format of a vinyl record cover, creating a tangible connection between the auditory and the visual. This piece is not merely a print; it is a synthesis of pop culture iconography and the contemporary aesthetic of graffiti art, infusing the viewer's space with the essence of a musical era and the edginess of street art. Collecting the Culture: Limited Edition Street Pop Art The Printer's Proof designation of "Black Sabbath Standard PP" elevates its value within the collectors' market, as such proofs are rare and often differ subtly from the main edition. Houser's decision to sign and mark the print signifies a direct connection from the artist to the collector, which adds personal value and historical significance to the piece. The limited edition nature of the print positions it as a desirable object for enthusiasts of pop street artwork and graffiti, as well as fans of Black Sabbath, bringing together diverse audiences in their appreciation for crossover art forms. In the landscape of contemporary art, Jim Houser's "Black Sabbath Standard PP" is a powerful example of how the visual and the musical can interplay to create a new narrative form. The print is an homage to the enduring impact of Black Sabbath's music while showcasing Houser's mastery of the silkscreen technique and his innovative approach to street pop art. It is a piece that captures the zeitgeist of its time and continues to resonate with the pulsating energy of street art's visual storytelling.

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Butthole Surfers Concert Handbill 1991 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik. April 12th, 1991 The Unicorn The Butthole Surfers and Frank Kozik collaboration is an electrifying fusion of psychedelic punk and iconic design. The Surfers, known for their chaotic, surreal sounds, paired their unconventional musical ethos with Kozik, an artist revered for his vibrant rock poster art and vinyl toy designs. The result? An immersive sensory experience that intertwines the Surfers' audio mayhem with Kozik's visual pandemonium. This collaboration is a must-experience for fans of both, promising an unpredictable journey through the edgy fringes of music and art.

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Led Zeppelin IV 40 Misty Mountain Hop 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 25 Artwork Size 18x24 Silver Metallic Ink “I have always been drawn to the lyrics “So I’m packing my bags for the Misty Mountains where the spirits go now, over the hills where the spirits fly. “ They not only paint a picture of what was going on in the park that famed day in the song, but touch on the oft-mentioned middle-earth interests the guys seem to have had throughout their illustrious career. I wanted to let my mind run wild and send myself off to the misty mountains where I was greeted by this very flying spirit. I modeled our flying friend after the serpents and Dragons Jimmy has been known to adorn on-stage.” Nate Duval

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Melvins Colossus 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Shepard Fairey (b. 1970) Melvins Colossus, 2017 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 240/300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. The Colossus of Destiny “I always thought it was strange that people didn’t know more about The Melvins and I felt their story needed to be told. The band members told me that a few people had talked the talk but had never followed up on their threats to make a film about them, so a little over two years ago things really fell into place and now the end product is finished for all to see, ” explained Director and Producer Bob Hannam, who worked in tandem with Ryan Sutherby to bring the film to fruition. “It has been a long labor of love for the both of us and we are excited for people to see the film and understand the workings of a truly great band.” -Shepard Fairey A couple of creases to lower right corner. Sheet is loose. Unframed.

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Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 450 Artwork Size 18.5x31 Silkscreen Print Band Gig Poster by Frank Kozik

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Habibi- Demon HPM Pop Street Artwork Limited Edition Giclee Print With Acrylic & Diamond Dust on Photographique Rag Paper by Urban Graffiti Modern Artist Marwan Shahin. 2022 Signed & Numbered Limited Edition of 33 Marwan Shahin's "HABIBI" series an iconic portrait of Lebanese singer Fairuz interpreted throughout different stages of experiencing love, This very limited edition of 33, which each print is intricately arranged with a filigree of Diamond Dust to produce visually intoxicating kaleidoscope-like effects.

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Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Limited Edition of AP Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Nuke Tank Biohazard Military-Themed Gig Poster. Moore Theater November 18th 1994 Seattle Washington. Frank Kozik is an internationally recognized artist, best known for revitalizing the concert poster scene in the 1990s with his distinctive, edgy designs. Born in Madrid, Spain in 1962, Kozik emigrated to the United States at the age of 14, where his love for punk rock and counter-culture aesthetics began to shape his artistic vision. In the 1980s, he moved to San Francisco, CA, where he began creating concert posters for alternative bands, ultimately designing artwork for major acts such as Nirvana, Pearl Jam, and The Red Hot Chili Peppers. His work, characterized by saturated colors, cartoonish figures, and a subversive, often dark humor, became emblematic of the grunge era. In addition to poster art, Kozik has also made significant contributions to the world of designer toys, most notably with his creation of the Labbit character for Kidrobot. His work across various mediums has earned him a global following, making him a key figure in contemporary pop culture and art.

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