Music

Tanco at B-Boy Battle B-Boys Archival Print by Ricky Flores Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 14x10 Archival Pigment Fine Art

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Lumineers Deer Guitar Pearlescent White 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 30 Artwork Size 18x24 White Pearlescent Metallic Paper

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Hum- Chicago 2011 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Hum. The Hideout Block Party / AV Fest, Chicago, 09/10/11 18 x 24 inches. Seven screens printed on French Speckletone "starch mint". Signed and numbered edition of 400.

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Daft Punk- Tron 2 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Electric Instrument Co- Dirty Black Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 64 Artwork Size 16x30 "Electric Instrument Co.- Dirty Black Edition" by artist Jacob Borshard. Print measures 16x30 inches. Signed and numbered in a limited edition of 64. Hand deckled edges on the left side of the print.

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Hendrix Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Rock music legend Jimmi Hendrix.

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Happy Bears Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Rollins Capitalism- Signed by Henry Rollins 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Henry Rollins, Signed & Numbered Screen Print ROLLINS CAPITALISM Screen Print 18 x 24 inches Edition of 1200 August 28, 2012 Henry Rollins has been a hero of mine since I got into Black Flag in 1984. Henry is a role model in his amazing taste and output in music, his political engagement, his monumental work ethic, and his social consciousness. Henry tours a ton and stays very aware of the world. Back before the 2008 recession started, Henry had an editorial segment on his TV show where he said “the president says the fundamentals of the economy are strong…I say start learning Chinese”. Henry’s new tour is called CAPITALISM and I’m sure he will have a lot of wise, funny, and maybe prophetic things to say. I was given the honor by Henry of illustrating his concept for the tour, him as a beaten-down Uncle Sam. I have a few of the prints available on my site signed by both me and Henry. The rest will be available on Henry’s tour which everyone should see. Pick a print up before the American brand of capitalism crumbles under the weight of its own ego. -Shepard Fairey Shepard Fairey Rollins Capitalism 2012 Screen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Rollins Capitalism screen print in 2012 as a collaboration with Henry Rollins, the American musician, writer, and former Black Flag frontman who joined the band in 1981. This 18 x 24 inch two-color hand-pulled silkscreen print on fine Speckletone art paper was released in a signed and numbered edition of 1200 on August 28, 2012, with select examples signed by both Fairey and Rollins. The work was produced to coincide with Rollins’ Capitalism tour and reflects Fairey’s long-standing engagement with political messaging through Street Pop Art & Graffiti Artwork. Known for his disciplined graphic approach and activist-driven themes, Fairey used this collaboration to merge Rollins’ outspoken social commentary with his own iconic visual strategies rooted in poster culture and urban art traditions. Visual Symbolism and Political Commentary in Street Pop Art & Graffiti Artwork The composition reinterprets the historic Uncle Sam recruitment poster, replacing the traditional patriotic figure with a stylized portrait of Henry Rollins rendered in a limited red, cream, and dark blue palette. Rollins points directly outward in a confrontational gesture, echoing early twentieth-century propaganda design while shifting the tone toward critique rather than recruitment. The cracked dollar symbol on the chest and the bold CAPITALISM text at the bottom reinforce the print’s focus on economic instability and cultural strain in the years following the 2008 financial crisis. Fairey’s use of sharp contrasts, heavy linework, and simplified color blocking reflects the graphic clarity that defines much of his Street Pop Art & Graffiti Artwork, drawing from constructivist influences, punk aesthetics, and wheatpaste poster traditions that have shaped urban visual culture for decades. Cultural Significance of the Henry Rollins Collaboration Henry Rollins has long been recognized for his rigorous touring schedule, political engagement, and outspoken commentary on social and economic issues, and this print visually amplifies those attributes through the language of Street Pop Art & Graffiti Artwork. Fairey publicly expressed admiration for Rollins’ work ethic and social consciousness, noting that the image depicts Rollins as a worn and battle-tested Uncle Sam figure, symbolizing a critical examination of American capitalism rather than blind allegiance to it. As a signed and numbered limited edition, the Rollins Capitalism screen print holds importance not only as a collectible work but also as documentation of a moment when music, activism, and graphic art converged in a sharply focused political statement.

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The Provocateurs- Chicago 2014- Blue Limited Edition Event Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Shepard Fairey for The Provocateurs Chicago Art Show. The Provocateurs (Chicago) Shepard Fairey Gold Version Screen Print 18 x 24 inches Signed and Numbered Edition of 450

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Sea Also Rises- The Frog Prince Limited Edition Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Series II Limited Edition of 150 Artwork Size 24x36 "The Sea Also Rises- Incident 28: The Frog Prince Commands His Homunculus." This hand-printed silkscreen poster measures 24x36

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Billie is Beautiful- Magenta Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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George Harrison Beatles British Super Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell Counter-Culture Street Artist. 2013 Signed & Numbered on Back Limited edition of 100 Artwork Size 4x6 Giclee Print by Mike Mitchell of Superman Clark Kent Pose Stylized with George Harrison of England Music Rock N Roll Band The Beatles Fame. George Harrison in Street Pop Art & Graffiti Artwork George Harrison, a member of one of the most influential rock bands in history, The Beatles, has become an iconic figure in street pop art and graffiti artwork. His presence in visual culture extends beyond music, as his distinctive style, spirituality, and contributions to counterculture movements make him a compelling subject for modern artists. His time with The Beatles, solo career, and philosophical pursuits have led to his imagery appearing in a variety of graffiti murals, pop art prints, and stylized illustrations. The Beatles Influence on Street Pop Art The Beatles revolutionized music, fashion, and visual expression, making them a frequent subject in street pop art and graffiti artwork. Harrison, in particular, stood out due to his fusion of Western rock with Eastern influences, inspiring artists who seek to blend traditional and modern styles in their work. The Sgt. Pepper’s Lonely Hearts Club Band era, with its bold, psychedelic imagery and elaborate costumes, provides an endless source of inspiration for contemporary artists. In pop art and graffiti murals, Harrison’s distinctive mustache, long hair, and flamboyant attire from the late 1960s serve as an instantly recognizable silhouette. His explorations into Hindu spirituality, transcendental meditation, and mysticism also make him a symbol of alternative thought and artistic rebellion, aligning him perfectly with the ethos of street art. George Harrison’s Counterculture Legacy in Visual Art As one of the driving forces behind The Beatles' psychedelic phase, Harrison’s impact on street pop art and graffiti artwork is particularly evident in pieces that explore themes of consciousness, enlightenment, and surrealism. Many artists depict him surrounded by kaleidoscopic patterns, Indian motifs, and cosmic elements, reflecting his spiritual journey. Modern graffiti artists often use stencil techniques and bold outlines to capture his likeness, emphasizing his stoic yet contemplative expression. Some reinterpret Harrison’s Sgt. Pepper’s regalia, infusing it with vibrant neon hues and surreal distortions to create a fresh, contemporary take on his image. The Continuing Presence of Harrison in Urban Art Harrison’s timeless influence on music, spirituality, and artistic expression keeps him alive in street pop art and graffiti artwork. His ability to evolve beyond just a rock musician into a symbol of peace, introspection, and alternative culture cements his place in counterculture art. Whether portrayed in psychedelic murals, pop art prints, or street art collages, George Harrison remains a powerful visual subject that continues to inspire generations of artists.

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Captain Cool Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 135 Artwork Size 7.5x7.5 "Captain Cool Blotter Paper" is a limited edition work by the renowned artist Stanley Mouse, whose contributions to pop culture and psychedelic art are well-documented. This piece, signed and numbered as part of a limited run of 135, was released in 2021 and is a prime example of archival pigment print art on perforated blotter paper, a medium with deep roots in the countercultural movements of the 1960s and 70s. The artwork, measuring 7.5x7.5 inches, portrays a hauntingly beautiful skull adorned with vibrant red roses, invoking themes of mortality and beauty reminiscent of the Mexican Day of the Dead iconography. The skull, a motif often explored in Mouse's work, is not just a symbol of death but also of life's vibrancy, contrasting the ephemeral existence with the timeless allure of art. Mouse, recognized for his role in shaping the visual language of the psychedelic movement through concert posters and album covers, brings his distinctive style to the realm of street pop art and graffiti. "Captain Cool" continues this legacy, blending classic iconography with modern techniques to produce a piece that resonates with historical significance and contemporary appeal. This artwork is not merely a decorative piece; it is steeped in the tradition of blotter art, which has often served as both a canvas for artistic expression and a medium for psychedelic compounds. The collectible nature of such prints, combined with the cultural weight they carry, makes them a significant addition to the world of street pop art and graffiti, symbolizing the crossover between underground artistry and mainstream recognition. Stanley Mouse's "Captain Cool Blotter Paper" is a testament to the enduring influence of psychedelic art in contemporary culture and its ability to comment on deeper themes through street pop art and graffiti. His work captures the essence of a genre that continues to challenge, inspire, and provoke thought through its bold visuals and subversive undertones.

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Father John Misty- St Louis MO 2013 Music Limited Edition Gig Poster 1-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. The Firebird Saint Louis Mo with Pure Bathing Culture June 14th 2013

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Soul Sister Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 Metallic Gold Ink "That is one funky momma’… Show your love for vinyl (after all, it does sound better) with this 2-color print (black and metallic gold!)18” x 24”, signed, limited edition of 75 posters." -Nate Duval

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Summer MCA G Spot Paul's Boutique LA Los Angeles 1988 Archival Print by Ricky Powell x Kristin Farr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed by Powell with COA & Numbered Print Limited Edition of 50 Artwork Size 13x9 Archival Pigment Fine Art of Beastie Boy Music Artist Hnagin Out at the Beach Sleeping Under a Stylized Sun. Ricky Powell's Mutual Respect is a Beautiful Thing Series. Summer MCA G Spot Paul's Boutique LA 1988 Archival Print by Ricky Powell x Kristin Farr The Summer MCA G Spot Paul's Boutique LA 1988 archival print by Ricky Powell and Kristin Farr is a visually striking piece that captures the essence of laid-back creativity and the cultural energy of the late 1980s. This limited-edition print, produced on 290gsm Moab Entrada Fine Art Paper, features a candid moment of Beastie Boys member Adam Yauch, also known as MCA, relaxing at the beach under a stylized sun. Signed by Ricky Powell and numbered as part of a 2019 release, this artwork is part of Powell's Mutual Respect is a Beautiful Thing series. With only 50 prints, this 13x9 archival pigment piece merges music, art, and Street Pop Art sensibilities. Ricky Powell: Chronicler of Urban Culture Ricky Powell, born and raised in New York City, was a celebrated street photographer whose lens captured the essence of 1980s and 1990s urban culture. Powell was known as the fourth Beastie Boy for his close relationship with the group and was present for some of the most iconic moments in their career. His photography documented not just the members of the Beastie Boys but also the broader cultural revolution they represented, including music, art, and street fashion. In collaboration with Kristin Farr, an artist known for her colorful geometric patterns, this piece combines Powell's knack for candid photography with Farr's bold artistic style. The stylized sun in the artwork adds a pop of vibrant color, contrasting with the black-and-white photograph and emphasizing the relaxed atmosphere of the scene. The Cultural Context of Paul's Boutique and Los Angeles The late 1980s marked a significant period for the Beastie Boys, particularly with the release of their album Paul's Boutique in 1989. Recorded in Los Angeles, the album reflected a departure from their earlier sound and embraced a more experimental, sample-heavy approach. The photo of MCA lounging on the beach is emblematic of this time, capturing the creative and carefree spirit that defined their work and lifestyle in Los Angeles. Including this moment in Powell's Mutual Respect is a Beautiful Thing series highlights the mutual admiration between Powell and the Beastie Boys. It also emphasizes the interconnectedness of music, art, and Street Pop Art during this era. The image is not just a portrait of a musician but a snapshot of a cultural movement that bridged East Coast hip-hop sensibilities with the laid-back vibes of the West Coast. Artistic and Collectible Appeal The Summer MCA G Spot Paul's Boutique LA 1988 print is a testament to the power of collaboration in contemporary art. The archival-quality materials ensure that the intricate details of the photograph and the vibrant colors of the geometric sun are preserved for years to come. The 13x9 size makes it an intimate yet impactful piece, perfect for collectors of Beastie Boys memorabilia, Ricky Powell's photography, or modern Street Pop Art. By combining Ricky Powell's and Kristin Farr's talents, this print stands as a unique representation of cultural history and artistic innovation. It celebrates the spirit of creativity that transcends mediums and highlights the enduring influence of the Beastie Boys and their creative circle. This piece is both a nostalgic reminder of a transformative era in music and a vibrant work of modern art that continues to resonate.

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The West Coast Migration Road Tour 2014 Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Danny Miller. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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They Say Raps Changed Dr. Dre Snoop Dog A.P. Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2019 Signed & A.P. Marked Limited Edition Run Artwork Size 17.01x10.98 Mark Drew They Say Rap’s Changed Dr. Dre Snoop Dogg AP Silkscreen Print They Say Rap’s Changed by Mark Drew is a hand-pulled silkscreen print that merges classic comic strip imagery with foundational hip hop lyricism, positioning it firmly within Street Pop Art & Graffiti Artwork. The composition features the familiar Peanuts character Snoopy standing in front of a newsstand, holding a newspaper beneath a caption that reads They say rap’s changed. The phrase references the Dr. Dre and Snoop Dogg track Still D.R.E., a pivotal release that reaffirmed West Coast hip hop identity at the end of the 1990s. By inserting iconic rap lyrics into the visual language of mid-century American comics, Drew constructs a layered dialogue between nostalgia, cultural evolution, and musical legacy. Mark Drew is an Australian artist known for recontextualizing vintage comic imagery with hip hop text, creating works that explore memory, cultural shifts, and generational identity. He remains active and continues to produce limited edition prints and original works. His practice is built on the collision of seemingly innocent cartoon scenes with lyrical excerpts drawn from rap history, often selecting lines that address authenticity, change, and perseverance. Within Street Pop Art & Graffiti Artwork, this method functions as both homage and commentary, emphasizing how hip hop culture has matured while retaining its foundational voice. The specific lyrical reference to Dr. Dre and Snoop Dogg underscores a moment when critics questioned the direction of rap music. Rather than rejecting evolution, the original song reasserted consistency and influence. Drew’s visual pairing amplifies that tension through irony, placing a globally recognized cartoon dog within a conversation about cultural credibility and artistic longevity. The clean black line work and selective color application mirror the simplicity of traditional comic printing, while the screen-printed format reinforces the connection to street poster culture and DIY production methods. This 2019 artist proof edition, signed and marked AP, holds particular appeal for collectors. Artist proofs are produced in limited quantities separate from the main numbered run, often retained by the artist, and are valued for their scarcity. The 17.01 by 10.98 inch format provides ample white space around the central panel, framing the image in a way that echoes gallery presentation while preserving its graphic punch. As a piece of Street Pop Art & Graffiti Artwork, They Say Rap’s Changed captures the dialogue between past and present, comics and hip hop, innocence and commentary, making it a culturally resonant and collectible print rooted in both music history and visual subculture.

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Yo Gabba Gabba! Muno Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 1st Edition

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Muppet Music Box Variant Giclee Print by Glen Brogan Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2023 Hand-Numbered Limited Edition of 40 Artwork Size 16x20 Glen Brogan Muppet Music Box Variant Giclee Print The Muppet Music Box Variant by Glen Brogan is a playful yet intricately composed tribute to classic puppet-show nostalgia, reimagined through Brogan’s sharp pop-surrealist lens. Designed as a theatrical, hand-cranked music box, the artwork transforms beloved Muppet-inspired characters into performers inside an ornate mechanical stage. The result feels equal parts vintage toy, vaudeville theater, and contemporary pop art collectible. This 2023 hand-numbered limited edition of only 40 measures 16 x 20 inches and is printed as a fine art giclée, emphasizing Brogan’s crisp linework, layered shading, and carefully controlled color palette. Vintage Theater Meets Pop Surrealism Brogan frames the composition like an antique automaton cabinet, complete with decorative trim, draped curtains, and a visible hand crank on the side. Inside the stage, a banjo-playing frog, stylized drummer, and horn player perform in mid-song, while behind them hangs a playful nod to classic variety-show portraiture. Below the stage, the cabinet doors open to reveal the mechanical inner workings—gears, drums, and hidden character details—adding depth and storytelling to the piece. The variant colorway leans into warm oranges, muted greens, and deep browns, giving the print a slightly aged, storybook quality while maintaining Brogan’s clean, graphic punch. Strong outlines and flat color blocks echo comic and animation aesthetics, but the dimensional rendering and mechanical detail elevate it beyond simple nostalgia. Edition Details and Collectibility Printed as a fine art giclée on high-quality paper, the Muppet Music Box Variant captures the texture and tonal balance of Brogan’s original artwork. Each print is hand-numbered in a limited edition of just 40, making it a tightly held release for collectors of Glen Brogan’s work and fans of pop culture reinterpretation. Blending humor, craftsmanship, and retro stage-show charm, this piece sits comfortably at the intersection of pop art, animation homage, and modern street-inspired illustration—an imaginative mechanical spectacle frozen mid-performance.

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Butthole Surfers Concert Handbill 1991 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik. April 12th, 1991 The Unicorn The Butthole Surfers and Frank Kozik collaboration is an electrifying fusion of psychedelic punk and iconic design. The Surfers, known for their chaotic, surreal sounds, paired their unconventional musical ethos with Kozik, an artist revered for his vibrant rock poster art and vinyl toy designs. The result? An immersive sensory experience that intertwines the Surfers' audio mayhem with Kozik's visual pandemonium. This collaboration is a must-experience for fans of both, promising an unpredictable journey through the edgy fringes of music and art.

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NØISE/SSI Resurrectionem Ex-Mortuis Remix 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 18 inches Edition of 400 March 30, 2021 About I have been friends with John Goff for 25 years. He was a fan of my art and used to generously help me print. We often bonded over music from the Melvins, to Kraftwerk, to RUN-DMC. John has been a musician most of his life, playing in several different music projects over the years, including SSI which is a collaboration between John and his brother Will. When I started DJ’ing John would help me with the production of remixes. Eventually, we started producing some music together, and with the valuable addition of Merritt Lear and Joe Cassidy, we formed Nøise. -Shepard Fairey

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Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

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Subway Train B-Boys Archival Print by Ricky Flores Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 14x10 Archival Pigment Fine Art

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The Double Neck Bros Archival Print by Dr Revolt Limited Edition on 300gsm Moab Entrada Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.5x24 Archival Pigment Fine Art  The Double Neck Bros by Dr. Revolt The Double Neck Bros is a 2025 limited edition archival pigment print by Dr. Revolt, released as a signed and numbered edition of just 50. Printed on 300gsm Moab Entrada fine art paper, the artwork measures 17.5 x 24 inches and showcases Dr. Revolt’s unmistakable fusion of graffiti culture, music iconography, and layered urban storytelling. The piece features two spray-can-headed figures sharing a double-neck electric guitar, set against a richly detailed New York City subway map background. Graffiti, Music, and the Language of the City At the center of the composition, the double-neck guitar acts as both a visual anchor and a metaphor for collaboration, excess, and creative ambition. The figures’ raised hands echo the energy of live performance, while the aerosol can heads root the piece firmly in graffiti culture. The subway map beneath the figures functions as a living grid of movement, influence, and connection, reinforcing the idea of the city as both instrument and stage. Dr. Revolt’s bold color palette, sharp outlines, and layered textures give the print a sense of motion and volume that feels loud, electric, and unapologetically urban. Limited Edition Street Art with Rock-and-Roll Attitude The Double Neck Bros captures the spirit of modern graffiti as a multidisciplinary art form, where street art, music, and city infrastructure collide. With its small edition size, hand signature, and detailed execution, the print stands as a collectible statement piece that reflects Dr. Revolt’s deep roots in graffiti while celebrating the raw, rebellious energy of rock culture. It’s a vivid tribute to creative partnership, amplified expression, and the soundtrack of the streets.

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Obey Noir Flower Woman- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (BLUE) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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Miles Davis- Pink/Green Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 30x22.5 Miles Davis (Pink/Green), 2015 Screenprint in colors on paper 22-1/2 x 30 inches (57.2 x 76.2 cm) (sheet) Ed. 50 Signed and numbered in pencil along edges, with artist's thumbprint and date verso Published by the artist

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Ship Rigging Trey Anastasio Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Artwork the Trey Anastasio poster was based on.

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Metallica Helping Hands Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2024 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Featuring a Skull Flower For the Mega Rock bands Metallica, Sammy Hagar & Sistastrings "Metallica recently asked me to create the poster for their Helping Hands concert. Of course, I said yes because Metallica is one of my favorite bands and the tightest live band I have ever seen! Plus, the concert benefits some great causes. This print celebrates triumph over adversity while acknowledging that life is fragile and it’s in our hands to build the world we want for ourselves and our brothers and sisters." -Shepard Fairey- OBEY Metallica Helping Hands Silkscreen Print by Shepard Fairey - OBEY Shepard Fairey’s Metallica Helping Hands silkscreen print fuses raw rock iconography with the sharply tuned visual philosophy of Street Pop Art & Graffiti Artwork. Created for Metallica’s December 13th, 2024 concert at the YouTube Theater in Los Angeles, the artwork stands as both a promotional and cultural artifact—one that reinforces Fairey’s unique position at the nexus of music, politics, and visual rebellion. This limited edition, hand-pulled silkscreen print on 18x24 inch cream Speckletone paper is not only signed and numbered by Fairey himself, but also issued in a strict run of 500 copies, elevating its stature as both a collectible and a testament to contemporary poster art. Design Symbolism and Visual Impact The composition centers around a stark white hand clutching a stylized flower whose petals subtly morph into a skull motif, with the flower’s stem winding in a way that evokes both delicacy and defiance. This emblem, rendered in bold reds, blacks, and whites, signals duality—life and death, fragility and force, compassion and rebellion. The deliberate contrast between the flower’s soft curves and the jagged lines of the skull mirrors the complex ethos of Metallica’s music, where heavy riffs often meet introspective lyrics. Fairey’s hallmark typography and symmetrical layout deliver the immediacy and intensity familiar in his most iconic works, extending the print’s resonance far beyond mere merchandise. Metallica and the Culture of Amplified Resistance Metallica’s presence in pop culture transcends heavy metal. Their brand of amplified resistance, sharpened through decades of visual, sonic, and lyrical output, fits naturally into the framework of Street Pop Art. Fairey’s poster positions the band not just as musicians, but as cultural avatars whose artistic collaborations hold weight in the visual conversation around social change. By visually contextualizing the concert’s philanthropic mission—benefiting Metallica’s All Within My Hands Foundation—Fairey presents rock music not just as expression but as action, and art as an extension of that impact. Shepard Fairey’s Role in Street Pop Art & Graffiti Artwork Fairey’s artistic lineage is defined by disruption, clarity of message, and the subversive use of commercial aesthetics to question power structures. In this print, he leverages those core traits while paying homage to a band whose legacy aligns with his own. The print maintains the stylistic elements synonymous with Fairey’s OBEY imprint—sharp silhouettes, geometric precision, and symbolic weight—while also introducing a warmth and sentimentality not always seen in his politically charged works. The image of the skull flower, set against the backdrop of a performance by Metallica, Sammy Hagar, and Sistastrings, becomes a modern-day reliquary—a symbol of unity through sound, protest, and design. This piece not only enshrines a single event but expands its reach into the broader discourse of art activism, making it a defining example of what happens when two cultural juggernauts—Shepard Fairey and Metallica—merge on canvas within the framework of Street Pop Art & Graffiti Artwork.

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Da Street Corner Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Angel Gonzalez Graffiti Street Artist Modern Pop Art. Angel Gonzalez's debut silkscreen print, titled 'Da Street Corner' is one color (metallic gold) 18 x 24-inch screenprint. The screens were shot in the sun using a hand-cut rubylith with an edition size of 26.

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Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

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Chicano Batman- Los Angeles 2015 Limited Edition Band Signed 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 100 Size 18x24 Signed by Entire Band Chicano Batman Along the Bottom. 2015 Music Gig Poster 18x24 Limited Edition Signed of 100- En Vivo Los Angeles El Rey Theatre August 28th 2015

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Open Minds 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OPEN MINDS 36 inches by 24 inches Edition of 675 February 3, 2022 Handling Creases to Bottom Left & Right Margins. This “Open Minds” print references the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon impact of the gas itself, contaminates groundwater, pollutes the air, and creates strains on water resources because of the high volume of water required for the fracking process. Open-mindedness about any of those detrimental impacts of fracking and other fossil fuel extraction is absurd if one cares about the environment, air and water quality, and global warming. Powerful corporations and their lobbyists spend exorbitant sums to distract from and discredit the science-based conversation about the environment. I’m all for open minds and open eyes when it comes to putting science and the welfare of the planet before corporate profits. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change. – Shepard

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Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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Prince Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The Prince Giclee Print by Adam Lister serves as a testament to the artist's innovative perspective in the world of pop art, merging elements of street and graffiti art. Lister's print, a homage to the iconic musician Prince, is imbued with the spirit of the legendary pop star. The 8-bit art style for which Lister is renowned has revolutionized the contemporary art scene, turning classic figures into intricate pixel-like compositions. His unique style is inspired by the early graphic aesthetics of computer and video game culture, thus tapping into an element of nostalgia for viewers. A remarkable facet of the Prince Giclee Print lies in its multi-dimensionality that captures the essence of graffiti and street art. The piece retains the spontaneity and vibrancy inherent to these art forms. Even though his work is meticulously planned and executed, the final output mirrors the raw energy and liveliness found on the streets. Lister's usage of watercolor to execute his geometric representations introduces an element of unpredictability, something graffiti art shares. The watercolor bleeds and diffuses, its organic unpredictability contrasting the sharp, calculated angles of his 8-bit renditions, adding depth to the otherwise flat digital aesthetic. Adam Lister's Prince Giclee Print is therefore a visual melting pot of pop, street, and graffiti art. It showcases an amalgamation of pop culture icons, nostalgic pixelated imagery, and elements of street art, ultimately contributing a unique dimension to the contemporary art scene. This work continues to resonate with enthusiasts of pop, street, and graffiti art, reinforcing Lister's position as a pivotal figure within these artistic movements.

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Ganas Vaquero- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2010 Signed & Marked Limited Edition Artwork Size 18x24 Ganas Vaquero is an emblematic work of art by the esteemed Latino artist Ernesto Yerena Montejano. This piece is not merely a testament to Montejano's creative prowess but also offers a nuanced commentary on the wider cultural milieu. Evident from its title which translates to "Cowboy Desire", this hand-pulled silkscreen print encapsulates a compelling juxtaposition between traditionalism and modernity, inherent within Latino culture. Crafted meticulously on fine art paper, the print mirrors the tactile and aesthetic quality that Montejano's oeuvre is celebrated for. As part of the "Hecho Con Ganas" series, this artwork is a shining example of Limited Edition Art, created with a sense of purpose and passion. The fact that it’s an AP (Artist Proof) from 2010 makes it especially rare and sought after among art collectors and enthusiasts. An artist proof, historically, refers to a print made from a plate during the process to check the quality. They hold a special place in the heart of printmaking and are often more valuable than regular prints because of their limited numbers and the artist's direct involvement in their creation. Positioned at the crossroads of pop art, street art, and graffiti, Ganas Vaquero exemplifies Montejano's unique ability to intertwine varied art forms while staying rooted in his cultural identity. The size of the artwork, 18x24 inches, ensures it captures attention while also being adaptable to diverse display settings. The signature of the artist affirms its authenticity, and the marking as a limited edition piece solidifies its exclusive status. Montejano's work thus doesn’t just serve as a representation of Latino heritage, but as a dialogue between global art forms, cultural identities, and individual creativity.

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Hi-Fi AP by Shepard Fairey: A Tribute to Punk and Graffiti Pop Street Art The Hi-Fi Artist Proof silkscreen print by Shepard Fairey is a bold exploration of the intersection between music, rebellion, and Street Pop Art. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and was hand-pulled as a one-color silkscreen print on fine art paper. Signed and marked as an Artist Proof by Fairey, this piece is a rare collector’s item that pays homage to the aesthetic and cultural impact of punk music and album art. The design features a figure with a sharp, stylized jacket adorned with music-inspired elements. The phrases Burn It Down, Lost Souls, The Enemy, F.S.U., and Movin On cascade down the image like a punk rock playlist, evoking the raw energy of the punk scene. A leopard-print border adds texture and contrast, reflecting the bold, unapologetic attitude associated with punk culture. Fairey’s meticulous use of line work and negative space emphasizes the dynamic interplay between the central figure and the surrounding design elements, creating a visually arresting composition. The Influence of Music on Shepard Fairey’s Art Shepard Fairey has often credited music as one of the most significant influences in his artistic journey. Hi-Fi AP exemplifies his ability to channel the spirit and energy of music into visual form. The design draws heavily on the DIY ethos of punk rock, where album covers and merchandise served as canvases for artistic expression. Fairey’s work reflects this connection by incorporating elements that evoke the tactile and immediate qualities of vinyl records, zines, and handmade posters. The leopard-print motif and gritty typography reinforce the rebellious aesthetic of punk, while the inclusion of track titles creates a narrative that connects music to the emotions and experiences it represents. Fairey’s ability to encapsulate the cultural significance of music in his work highlights his deep understanding of its role as a unifying force. Hi-Fi AP is not just a piece of art; it is a visual celebration of the energy, individuality, and community that music fosters. The Craft of Silkscreen Printing The silkscreen printing process used for Hi-Fi AP is a testament to Shepard Fairey’s dedication to his craft. Each print is meticulously hand-pulled, allowing for a high level of precision and detail. The one-color design emphasizes the bold contrasts and sharp lines that define Fairey’s style. Printed on fine art paper, the piece achieves a refined finish that enhances its visual and tactile appeal. As an Artist Proof, this print holds a special significance within the edition, often representing the artist’s experimentation and refinement of the design. The choice of silkscreen printing aligns with Fairey’s roots in graffiti and street art, where stencils and hand-pulled prints are integral to the medium. This traditional approach, combined with modern graphic sensibilities, makes Hi-Fi AP a compelling example of contemporary Street Pop Art. Shepard Fairey: Elevating Graffiti Pop Street Art Shepard Fairey has become a pivotal figure in the evolution of Street Pop Art and Graffiti Artwork. His ability to blend bold graphic elements with cultural commentary has established him as a voice for individuality and social awareness. Hi-Fi AP reflects his commitment to exploring the intersections of music, art, and activism, creating pieces that resonate with audiences on multiple levels. Through works like Hi-Fi AP, Fairey demonstrates the enduring influence of punk culture and its ability to inspire new forms of artistic expression. This piece is a celebration of the raw energy and democratic spirit that define both music and art, making it a significant addition to Fairey’s body of work and a must-have for collectors and fans of contemporary Street Pop Art.

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Inferno Welcome to Hell 2000 Wild Brain Event Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 22x36 Silkscreen Print Band Gig Poster by Frank Kozik. WildBrain.com Event Promo September 8th 2000, Pig with gun in hell surrounded by fire.  Frank Kozik Inferno Welcome to Hell 2000 Wild Brain Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was a defining force in modern gig poster design and Street Pop Art & Graffiti Artwork. The Inferno Welcome to Hell silkscreen print from September 8, 2000 was created as promotional artwork for a WildBrain.com event and reflects Kozik’s unmistakable fusion of underground comic aggression and graphic precision. This hand-pulled silkscreen on fine art paper measures 22 x 36 inches and was issued as a signed and numbered limited edition of 300. By the year 2000, Kozik had already solidified his reputation for transforming concert and event posters into collectible fine art prints, using bold color separations and confrontational imagery to elevate promotional materials beyond their commercial purpose. Graphic Provocation and Iconography in Street Pop Art & Graffiti Artwork The Inferno Welcome to Hell composition centers on a pig wielding a gun while engulfed in a fiery hellscape, a visual scenario that aligns with Kozik’s recurring use of satirical and politically charged symbolism. The pig motif, often associated with authority or corruption in countercultural language, becomes amplified within an infernal setting filled with flames and exaggerated intensity. Kozik’s mastery of silkscreen printing is evident in the saturated reds, yellows, and blacks that dominate the image, creating a high-impact poster readable from a distance while maintaining intricate linework upon closer inspection. The aggressive headline typography and dramatic scene construction demonstrate how Street Pop Art & Graffiti Artwork frequently borrows from pulp illustration, underground comics, and punk aesthetics to critique power structures while maintaining a sharp graphic appeal. Frank Kozik’s Role in the Evolution of Limited Edition Gig Posters By 2000, Frank Kozik had helped establish the limited edition gig poster as a respected collectible format within Street Pop Art & Graffiti Artwork, shifting perception from disposable advertising to archival printmaking. The signed edition of 300 for Inferno Welcome to Hell reflects the controlled scarcity model that defined much of the late 1990s and early 2000s poster movement. Each hand-pulled print represents a direct connection between artist, event, and audience, reinforcing the cultural exchange between live performance and visual art. Works such as this WildBrain promotional poster highlight Kozik’s ability to combine satire, technical discipline, and bold imagery into a format that remains historically significant within contemporary print culture.

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Billie is Beautiful- White Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Fab 5 Colorado Red Spray Paint Can Artwork by Fab 5 Freddy- Fred Brathwaite x Montana MTN Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 Fab 5 Colorado Red Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Wildstyle Rapper Musician Artist Fab 5 Freddy African American Man Vintage Style Photo Stylized Graffiti Spray Paint Can Art. Fab 5 Freddy and Montana MTN: A Spray Can Revolution The collaboration between Fab 5 Freddy, born Fred Brathwaite, and Montana MTN in 2024 produced a unique artifact that fuses the energy of street art with the essence of collectible design. The "Fab 5 Colorado Red" spray paint can is not just a tool for creating graffiti but a standalone piece of art. With only 500 made, each can is a limited edition work that captures the spirit of Fab 5 Freddy's influence on graffiti and hip-hop culture. The custom wood box packaging elevates the can from a simple container of paint to an object of art, underscoring the importance of presentation in the world of art collectibles. Each can, sized at a modest 3x8 inches, is filled with the vibrant "Colorado Red" hue of paint, a nod to the bold and impactful color choices often made by graffiti artists. The design of the can features a vintage-style photo of an African American man, representing Fab 5 Freddy himself, stylized in a way that marries graffiti's wildstyle lettering with a classic portrait. This design encapsulates Fab 5 Freddy's legacy within the worlds of street pop art and graffiti artwork, bridging the divide between the street and the gallery. Legacy of Wildstyle: Fab 5 Freddy's Impact on Graffiti Art Fab 5 Freddy's contributions to the culture of graffiti are monumental. He was among the first to bring graffiti and hip-hop from the streets of New York to a global audience, transforming the perceptions of graffiti from acts of vandalism to recognized forms of art. His wildstyle graffiti, characterized by intricate, interlocking letters and symbols, was revolutionary, influencing countless artists and cementing his place in street art history. The "Fab 5 Colorado Red" spray paint can artwork continues this legacy, serving as a tribute to the style and influence of Fab 5 Freddy. The can’s artwork tells a story of the streets, of the evolution of graffiti as an art form, and of the man who helped propel it into the cultural mainstream. Each limited edition can is a celebration of the history and progression of street pop art, embodying the creative spirit that Fab 5 Freddy represented. The Art Object Phenomenon: From Utility to Icon The phenomenon of transforming utilitarian objects like spray paint cans into icons of art has become increasingly prevalent in the world of pop graffiti and street art. These objects, once solely seen as the tools of the trade for street artists, have become canvases in their own right, offering artists a new medium to express their vision. The "Fab 5 Colorado Red" spray paint can by Montana MTN is a prime example of this trend, where the object itself becomes a piece of art, coveted by collectors and enthusiasts alike. The collaboration between Fab 5 Freddy and Montana MTN is more than a business venture; it's a symbolic convergence of art and utility, of the street and the establishment. Each can, with its vibrant color and striking design, is a testament to the power of street art to innovate and inspire, to transcend its roots and become an integral part of the art world’s lexicon. These limited edition cans are not only vessels of paint but vessels of history, carrying the legacy of street pop art and graffiti artwork forward for new generations to discover and appreciate. In the art community, collaborations like the "Fab 5 Colorado Red" are reminders of the transformative power of art, of its ability to reshape objects and perceptions. They stand as monuments to the artists like Fab 5 Freddy who have paved the way for the recognition and celebration of street art, ensuring that the essence of the streets—the bold, unapologetic voice of the graffiti artist—continues to be a vital part of the conversation in the world of art.

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Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

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God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

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