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Remio Study- 04 Original One of a Kind Mixed-Media Spray Paint, Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Remio. Mixed Media on Fine Art Paper Size: 54 x 50 Inches Release: January 31, 2020 Run of: 1 Massive

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

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Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

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L From Alphabet Series Original Acrylic Spray Paint Painting by Risk Rock One of a Kind Artwork on Framed Wood by Street Art Pop Artist. 2011 Signed Spray Paint & Acrylic Original Painting on Wood Size Framed 48.5x48.5 L, from Alphabet series, c. 2011 Acrylic and spray paint on wood 48-1/2 x 48-1/2 inches (123.2 x 123.2 cm) Stencil to front. Framed without glass. Framed Dimensions 56 X 56 Inches.

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print In 2008, the art world witnessed a unique collaboration between two titans of street and pop art – Shepard Fairey, renowned for his OBEY campaign, and Blek le Rat, often referred to as the "father of stencil graffiti." Both artists, distinct in their style and impact on the urban art scene, decided to come together for a limited edition release that drew attention from collectors and enthusiasts alike. This exceptional partnership resulted in the creation of the " David with Machine Gun" silkscreen print, an artwork that expertly fuses their individual artistic sensibilities. Hand-pulled on fine art paper, the artwork's exclusivity is highlighted by its limited edition – a mere 100 prints, each meticulously signed and numbered by the artists themselves. The piece measures 18x24 inches, making it a substantial representation of their combined artistry. What makes this collaboration even more intriguing is its connection to Blek le Rat's solo exhibition at Subliminal Projects titled "Art is Not Peace." The print is a visual interpretation of Sybille Prou’s photographs of Blek Le Rat's iconic street art. These photographs served as an inspiration, capturing the raw energy and aesthetic of urban art that both artists have dedicated their careers to championing. The blending of Shepard Fairey's graphic style with the subtlety and nuance of Blek le Rat’s stencil work is a testament to the transformative power of collaborative art. It not only speaks volumes about the evolution of street and pop art but also stands as a significant memento of a pivotal moment in contemporary art history.

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Hand Painted LA River AP 8 Limited Edition Spray Paint Hand-Embellished HPM Giclee Print on Fine Art Paper Custom Framed by Saber Graffiti Street Artist Modern Pop Art. AP Artist Proof Spray Paint Embellished Custom framed and metallic silver matted in a massive silver ornate frame, measuring 47x36

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My Shadows Got My Back Original One of a Kind Mixed Media Spray Paint &b Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist Chris RWK. 2022 Signed Original 24x30 Canvas Painting A child of the 80s, Chris’ world was often completely flooded with the imagery and ideas presented by his television, his comic books, and the music and movies of the time. Immersed in these various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”.

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Train 34 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. The Fusion of Model Trains and Street Art in LushSux's "Train 34" In the eclectic domain of street pop art and graffiti artwork, "Train 34" stands out as a testament to LushSux's innovative approach to the genre. This piece, a marriage of a classic HO scale model train box-car with the raw vibrancy of graffiti art, showcases the artist's signature style. Created in 2014, the original acrylic work is not confined to a traditional canvas; it explores form and space, blurring the lines between sculpture and painting. LushSux, an artist from Australia, is known for his often controversial and boundary-pushing works in public spaces. However, in "Train 34," he redirects his creative expression to the controlled confines of a model train, an object often associated with precision and collectibility, now transformed into a moving canvas that conveys the rebellious spirit of street art. LushSux: Bringing Graffiti into Unconventional Spaces LushSux's decision to tag a model train car symbolizes the ingenuity inherent in street art culture. LushSux challenges the expectations of where street art can exist and what it can adorn by choosing an HO-scale train, a beloved item among model train enthusiasts. The work features a graffiti tag or throw-up painting, a style characterized by quick execution and often used by graffiti artists to mark territory. Yet, when applied to a model train, the artwork transcends territorial claims and enters the realm of collectible art. The size of the piece, 14x3, is modest, yet it commands attention with its bright colors and bold design, echoing the larger-than-life presence of LushSux's full-scale works. Significance of "Train 34" in Contemporary Art Collectibles "Train 34" represents a convergence of subculture and hobbyist culture, reflecting the increasing acceptance and celebration of graffiti art within mainstream collectibles. This piece, hand-painted and signed by LushSux, is a one-off creation that captures the essence of street pop art—transient by nature yet immortalized through the permanence of model craftsmanship. The work's unique blend of a traditional pastime with the urban art form makes it a standout addition to the oeuvre of LushSux, whose reputation as both a male model and self-described "international graffiti asshole" underscores his multifaceted identity as an artist. Through works like "Train 34," LushSux continues to push the boundaries of street art, inviting us to reconsider the contexts in which art can be appreciated and challenging the preconceived notions of what constitutes a canvas.  

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MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

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I Love Graffiti Original Painting Acrylic on Linen Canvas by LushSux Graffiti Street Artist Modern Pop Art. 2014 Signed Original Acrylic Graffiti Painting on Stretched Canvas Artwork Size 15.75x19.6 Text Type Art Reading "I Love Graffiti." The Essence of "I Love Graffiti" by LushSux "I Love Graffiti," a striking acrylic on linen canvas by LushSux, captures the heart of street pop art and graffiti artwork with a bold simplicity that speaks volumes. Created in 2014, this signed original measures 15.75x19.6 inches and presents a text type art reading the declarative sentence "I Love Graffiti." LushSux, an Australian street artist known for his controversial and often humorous work, uses this piece to make a direct statement about his passion for graffiti, a sentiment shared by many within and outside the graffiti community. The straightforward message, underscored by the artist's choice to render the text in a style reminiscent of graffiti lettering, conveys a candid appreciation for the art form while also alluding to the complex relationship society has with graffiti. Stylistic Elements and Cultural Commentary in LushSux's Work The artwork's design, characterized by thick black outlines filled with a sky blue, reflects the quintessential graffiti aesthetic—bold, readable from a distance, and unabashed in its existence. This visual approach is not just an artistic choice but also a nod to the origins of graffiti as a form of street-level communication, often used to convey messages or mark territory. LushSux's use of a stretched linen canvas as the substrate for this piece elevates the traditionally illicit act of graffiti into the realm of fine art, challenging viewers to reevaluate the distinctions between vandalism and art. The inclusion of a sardonic footnote, "as long as it's not on my property," adds a layer of self-aware commentary, acknowledging the contentious nature of graffiti as both celebrated art and criticized public nuisance. LushSux's Contribution to the Dialogue on Street Art With "I Love Graffiti," LushSux contributes to the ongoing dialogue about the place of street art in contemporary culture. By bringing a declaration of love for graffiti into the gallery space, the artist bridges the gap between the raw, often unsanctioned expressions found on city walls and the sanitized, curated experience of viewing art in conventional settings. This piece serves as a reminder of the roots of street pop art, grounded in a love for bold expression and the desire to make a mark on the world. As a modern pop artist, LushSux navigates the fine line between irreverence and homage, using his platform to both celebrate and critically examine the art form to which he has dedicated his career. "I Love Graffiti" stands as a testament to the enduring appeal of graffiti and its ability to provoke, inspire, and resonate with a wide audience.

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Love is the Answer Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 16x21. Famous Theoretical Physicist Albert Einstein Holding a Sign Reading "Love is the Answer" with Tons of Colorful Spray Paint & Paint Hand-Embellished. Love is the Answer: A Portrayal of Genius in Street Pop Art In the eclectic and vibrant contemporary art world, "Love is the Answer" emerges as a profound statement piece crafted by the renowned street artist Mr. Brainwash, known off the canvas as Thierry Guetta. This mixed media screen print on deckled fine art paper is a limited edition piece that seamlessly melds the realms of pop and street art with the iconic image of Albert Einstein. Crafted in 2015, "Love is the Answer" is a unique original hand-painted multiple (HPM) with a silkscreen print foundation, over which Mr. Brainwash has applied spray paint and acrylic paint by hand. This hand-embellishment process ensures that each piece within the series is a one-of-a-kind work of art imbued with its individuality and character. The artwork dimensions are a substantial 16x21 inches, giving the piece a presence that captivates the viewer and invites contemplation. The subject of the artwork is the famous theoretical physicist Albert Einstein, who is depicted holding a sign that reads "Love is the Answer." This message, combined with the visual cacophony of vibrant spray paint, creates a juxtaposition that is at once striking and thought-provoking. The image of Einstein, synonymous with intelligence and insight, coupled with a simplistic yet universal message about love, prompts a dialogue about the complexities of the human condition and the simplicity of its resolution through love. Signature Style of Mr. Brainwash Mr. Brainwash is pivotal in bringing the street art aesthetic into the gallery space. His work often incorporates figures of historical and cultural significance, placing them within a contemporary context that is both accessible and critically engaging. In "Love is the Answer," the artist's signature style is evident: a base of monochromatic tones accentuated with explosions of color, symbolizing the chaos and vibrancy of life. Like much of Mr. Brainwash's work, this piece is more than a simple depiction; it is an interactive experience. The splatters and drips of paint do not merely adorn the paper; they disrupt and engage with the image of Einstein, suggesting that even amidst the calculated precision of science, there is room for the spontaneity and passion of art. Love is the Answer Unique HPM  Cultural Impact and Collectibility As a collectible artwork, "Love is the Answer" holds a special allure. Mr. Brainwash signs it, and it comes with a Certificate of Authenticity, which adds to its desirability as a piece of art history. The mixed media elements and the limited edition nature of the work make it a sought-after item for collectors and enthusiasts of street pop art and graffiti artwork. The cultural impact of the piece is significant as well. It represents a bridge between various forms of expression, from the cerebral world of theoretical physics to the dynamic realm of street art. By placing Einstein in such a colorful and unexpected context, Mr. Brainwash invites viewers to reconsider the figure as a scientist and a messenger of peace and love. Mr. Brainwash's "Love is the Answer" is a powerful example of how street pop art and graffiti can transcend the streets and enter the pantheon of high art. The piece does more than depict a famous figure; it imbues the image with new meaning and relevance. It is a declaration that amidst the complexities and challenges of life, the simplest of truths can resonate the loudest. For collectors and admirers, owning "Love is the Answer" is not just an investment in a piece of art but an endorsement of its message and the conversation it continues to inspire.

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Freedom For Humanity- Chrome Limited Edition Serigraph Print with Chrome Foil on Hand-Deckled 290gsm Coventry Rag Fine Art Paper by Mear One Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 20 Artwork Size 20x27 "This piece, 'Freedom For Humanity,' symbolizes the attitude we should be taking regarding our rights as human beings. It's a play on George Orwell's 'Newspeak' from his novel 1984, where he combines and condenses words to create a new language. Language is so important for understanding what it means to be truly free. Yet, it is constantly being eroded, redefined, and replaced to suit the corporations and superficial consumer pop-culture trends for profit. People need translation out of our current language based on greed towards a more meaningful and insightful existence, using language based on our humanity, sharing, and cooperation. I want to inspire critical thought on the implementation of 'Newspeak' in our current Orwellian, media-blitzed reality." - Mear One. Dissecting' Freedom For Humanity' by Mear One Mear One has established himself as a consequential artist in street pop art and graffiti artwork, with "Freedom For Humanity" being one of his most compelling works. This Chrome Limited Edition Serigraph Print is more than a mere aesthetic indulgence; it is a testament to the artist's impassioned plea for linguistic and intellectual freedom. Limited to a series of just twenty signed and numbered pieces, the 2016 artwork, sized 20x27 inches, is printed on hand-deckled 290gsm Coventry Rag Fine Art Paper. This choice underscores the premium quality and the exclusiveness of the print. The Semantic Revolution Embodied in Art Mear One's creation is an interplay of visual and verbal languages, a critical response to the perversion of words in our contemporary society. This piece reflects not just Orwell's concept of 'Newspeak' but a broader commentary on the state of language and its role in human freedom. The artist's use of chromatic intensity and stark contrasts on the fine art paper is an eye-catching element of modern pop art and serves as a metaphor for the clarity and vibrancy that should accompany human communication. The central figure, a striking representation of defiance, holds a sign that boldly demands "Freedom for Humanity," symbolizing the fight against the manipulation of language by corporate and political forces. Mear One's message is clear: the erosion of language and the commodification of words for profit and power threaten the very fabric of our society. The artist seeks to inspire a reevaluation of how language is wielded and perceived in the modern age. His work implores us to transcend a lexicon rooted in greed and forge one grounded in our collective humanity. The message is a rallying cry for cooperation, sharing, and a reassessment of our values as a civilization. Embracing a New Lexicon for Human Empowerment The artwork bridges street art's raw expressiveness and the sophisticated discourse on human liberties. "Freedom For Humanity" is not merely Mear One's call to action; it is an invitation to introspect on the corporatization of our language and, by extension, our thoughts and freedoms. Through his serigraph, Mear One channels the power of Street Pop Art and graffiti Artwork to ignite conversation and drive change. The piece doesn't just hang on a wall; it stands on the front lines of cultural discourse, challenging the viewer to break free from the Orwellian shackles of modern-day 'Newspeak.' Ultimately, "Freedom For Humanity" is a symbolic manifesto in art form. It is a reminder of the potency of words and the significance of their liberation. Mear One has contributed a visually stunning piece to the realm of Street Pop Art and graffiti Artwork and embedded a profound message of liberation and unity within it. His work stands as a beacon for those who seek to understand the true meaning of freedom in a world where language is continually at risk of being co-opted by those in power.

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Collateral Damage Original Painting Mixed-Media Spray Paint, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Glossy White Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embleshied with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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MBW Collage Basketball Sports Ball Object Art by Mr Brainwash- Thierry Guetta Limited Edition Designer Collectible Pop Artist Artwork. 2023 Signed Limited Edition of 200 Rare Basketball Sports Ball Object Art Size 27x27

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Untitled Canvas III Original One of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 John Matos' "Untitled Canvas III": A Symphony of Color and Form "Untitled Canvas III," an original mixed media piece by the renowned street graffiti artist Crash, whose real name is John Matos, exemplifies his role as a critical figure in the evolution of street pop and graffiti art. Known for his vibrant use of acrylic and spray paint, Crash continues to capture the dynamic energy of urban life on gallery-wrapped canvases. This piece, completed in 2022, is a 12x12 inch square canvas that vibrates with the intensity and controlled chaos Crash is celebrated for. Crash's Mastery in Street Pop Art and Graffiti In "Untitled Canvas III," Crash's expertise in manipulating acrylics and spray paints to create textured, layered works is evident. The piece features an array of geometric shapes and vivid colors that interlock and overlap, making a sense of depth and movement. His signature bold lines and sharp angles reflect the influence of graffiti art while incorporating various forms and colors, which is reminiscent of the pop art movement. Each element in this artwork is carefully crafted to maintain a visual balance, echoing the rhythm and beat of street life. A Closer Look at "Untitled Canvas III" Crash's "Untitled Canvas III" showcases his artistic skills and his ability to communicate through visual language. When viewed in totality, The seemingly abstract forms suggest a narrative left to the viewer's interpretation. This enigmatic quality is a hallmark of Crash's work, inviting audiences to delve into the painting and discover personal connections with the imagery. The piece's size adds an intimate dimension, allowing for a unique interaction between the artwork and its beholder. The Influence of Crash's Work on Contemporary Art John Matos' impact on the art world through his persona Crash has been profound, particularly in the street pop art and graffiti art scenes. "Untitled Canvas III" is a testament to his enduring relevance and innovation as an artist. His work has been instrumental in challenging traditional boundaries and perceptions of fine art, bringing the authentic voice of the streets into the refined atmosphere of galleries. As a signed original, this piece holds a special allure, offering collectors a tangible connection to the energy and spirit of contemporary urban art. In summary, Crash's "Untitled Canvas III" vibrant represents street pop art and graffiti artwork. It encapsulates the essence of Matos' artistic journey, showcasing his distinctive style that has both defined and transcended the genres he works within. The piece stands as a colorful narrative of urban life and a significant addition to the discourse of modern art.

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Train 39 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole.  "Train 39" by LushSux: A Model of Street Art Innovation "Train 39" is a captivating work by the contemporary street and pop artist LushSux, who has carved a unique niche in the urban art scene. This original piece, created in 2014, is a prime example of how LushSux transposes the essence of graffiti onto an HO-scale model train box-car, measuring a mere 14x3 inches. Through this work, LushSux continues challenging the conventional perceptions of graffiti by taking the once exclusively urban art form into new and unexpected domains. The signature of LushSux not only authenticates the piece but also denotes his dual identity as both a street artist and a self-proclaimed "international graffiti asshole," a testament to his tongue-in-cheek approach to his public persona. Exploring the Dichotomy of "Train 39" In "Train 39," LushSux juxtaposes the orderly world of model train collecting with graffiti art's often chaotic and free-spirited nature. The artwork features a vibrant tag or "throw-up," characterized by its bubbly letters and bold, outlined edges—a hallmark of LushSux's style. The interplay of colors and the strategic placement of the tag disrupt the traditional aesthetics of the model train, infusing it with a contemporary edge that is both striking and thought-provoking. This piece exemplifies how street pop art can extend beyond the walls of city buildings and into the more intimate spaces of personal collections, retaining its power to engage and challenge viewers. The Cultural Resonance of LushSux's "Train 39" The creation of "Train 39" and its subsequent release into the art market underscores the evolving nature of street pop art as a cultural expression. The piece reflects a broader trend in contemporary art, where the lines between high art and subcultural expressions continue to blur. LushSux's work on this model train encapsulated a moment in the street art movement when artists began seeking new frontiers and mediums. As a collectible, "Train 39" represents the intersection of various enthusiast communities, from graffiti aficionados to model train collectors, showcasing the universal appeal of LushSux's artistry. Through his innovative use of unconventional canvases, LushSux expands the reach of graffiti artwork, ensuring its presence is felt across diverse cultural landscapes.  

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C/S III 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P3 Unveiling the Essence of C/S III by OG Slick and Chaz Bojorquez C/S III emerges as a distinct piece in the collaborative series by OG Slick and Chaz Bojorquez, two luminaries in street pop art and graffiti artwork. This 9-color hand-pulled limited edition silkscreen print, set on a 250gsm Stonehenge White Fine Art Paper, embodies the spirit of Los Angeles' street art scene. 2016 marked the inception of this rare artwork, with each piece meticulously signed by OG Slick and Chaz Bojorquez and numbered P3 in a series limited to 150 editions. The painting serves as a visual spectacle and a narrative vessel, carrying the legacy of street art's evolution within its layers. OG Slick's hand in the collaboration is evident in the playful yet assertive cartoonish hands and the spray can that dominates the foreground of C/S III. This imagery, often associated with the rebellious nature of street art, becomes a symbol of the artist's roots in the graffiti movement and his adeptness at capturing the urban landscape's pulse. Slick's approach to street art embraces the pop culture influences of his time, reflecting a deep connection with the younger demographics and street art lovers who find familiarity in his visual language. Chaz Bojorquez's Contribution to the Visual Dialogue of C/S III Chaz Bojorquez contributes to C/S III with his iconic calligraphic touch, a feature that has become synonymous with his name. His style, deeply influenced by the Cholo graffiti culture, brings an intricate and flowing contrast to the stark boldness of Slick's figures. The backdrop of the print is a canvas of Bojorquez's signature lettering, which creates a visual depth and speaks to the historical roots of graffiti as a form of street-level communication. Bojorquez's work transcends the aesthetic, engaging with themes of cultural identity and social commentary and celebrating the often-underrepresented communities that form the backbone of urban street culture. The distressed pearl white finish of the print adds a layer of complexity, introducing a sense of age and resilience that mirrors the often-temporal nature of street art. This finish, combined with the premium Stonehenge White Fine Art Paper, imbues the piece with a sense of permanence and sophistication, allowing it to occupy a space that bridges the gap between ephemeral street expressions and enduring art collectibles. The Cultural Relevance of C/S III in Street and Pop Art C/S III holds a place of cultural relevance in street and pop art. As a limited edition piece, it reflects a moment in time when the raw energy of graffiti and the boldness of pop art converged through the hands of OG Slick and Chaz Bojorquez. The collaboration is a testament to the transformative power of street art, showcasing its ability to evolve while honoring its roots. Collectors and enthusiasts of the genre cherish the piece for its artistic merit and its representation of the dialogue between different eras and styles within street art. The impact of C/S III extends beyond its visual appeal, challenging traditional perceptions of art and its place within society. Through their joint efforts, OG Slick and Chaz Bojorquez invite audiences to explore the narratives embedded within urban landscapes, using the language of street pop art to communicate stories that are often overlooked. The limited edition nature of the print, its meticulous craftsmanship, and the prestige of the artists' signatures come together to cement C/S III as a significant work within contemporary art history. Legacy of C/S III and Its Artists The legacy of C/S III lies in its representation of a dynamic and ever-changing art form that remains intrinsically linked to the streets from which it originates. The collaboration between OG Slick and Chaz Bojorquez is a powerful reminder of street art's potential to influence and inspire. As a piece of rare street art, C/S III carries with it the stories, struggles, and triumphs of the communities that have shaped the genre, ensuring that the voices of the streets continue to echo within the halls of fine art.

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Anarchy Rat Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Wall series 9.5" wall, 6.5" rat by Brandalised. Anarchy Rat stands on its hind legs, crowbar in hand, standing in front of an obvious anarchy sign. It's fighting for the absolute freedom of the individual. Add Anarchy Rat to your Brandalised Rat Series and connect the walls together to form an expansive display set.

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Graff Head Slick 6 HPM Unique Spray Paint Silkscreen Print by OG Slick Embleshed 1 of 1 Hand-Pulled 11-Color on Untrimmed 250gsm Stonehenge Fine Art Paper Artwork. 2022 Signed Unique 1/1 HPM Spray Paint Artwork Size 40x26 Silkscreen Print of Mickey Mouse Cartoon Guan Yin Throwing Hand Signs With Upper Body and Face Covered in Adstract Spray Paint Graffiti & Words Graffiti, street art, and pop art have always been powerful mediums to convey social, political, and cultural commentary. Within this realm, artists often amalgamate iconic symbols from various spheres to create striking visual stories. A testament to this fusion is the "Graff Head Slick 6 HPM Unique" spray paint silkscreen print by renowned graffiti artist OG Slick. This hand-pulled 11-color masterpiece stands out, not just for its intricate detailing but also for its commentary and interplay of traditional and modern iconography. This art piece is meticulously crafted on 250gsm Stonehenge fine art paper, preserving its vivid colors and sharp lines. The 40x26 artwork showcases Mickey Mouse, an emblematic character synonymous with American pop culture, represented as the Guan Yin, the Chinese Goddess of Compassion. This portrayal of Mickey Mouse, donning the avatar of Guan Yin and striking hand signs, intertwines two cultures while highlighting the universality of certain messages. The upper body and face of Mickey, concealed under a layer of abstract spray paint graffiti and words, further amalgamates traditional art forms with modern graffiti styles. OG Slick's motivation behind this series traces back to his younger days, during his visits to Chinatown. He recalls the presence of small figurines placed near store registers, believed to bring prosperity to the shopkeepers and blessings to those who offered them money. Drawing parallels, the artwork visualizes the same Guan Yin figurine, now juxtaposed in the digital age, where she is showered with digital currency, symbolizing the evolving nature of blessings and prosperity in contemporary times. Through this mesmerizing piece, OG Slick delves into the intricate dance of tradition and modernity, reminding viewers of the transient nature of cultural values and the enduring essence of art.

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Graffiti Crime Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Contemporary Pop Art Fame. 2021 Limited Edition Pop Art Sculpture 10 Inches Tall. Displayed With Box Fuelled by their youth and a sense of rebellion, the detailed 10” polystone art collectible depicts two mischievous boys, one atop the other, pulling a spray can out of a “Graffiti is a Crime” sign. Featuring the stencil-like paintwork you’ve come to love with our Brandalised collaborations, Graffiti Crime also features incredible detailing - from every crack to every brick. Even the spray can is popping out and restrained by the sign that imprisons it.

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

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MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Bubbles 9015 Original Spray Painting by Seen UA, a One-of-a-kind Artwork on Canvas by a Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Artwork Size 30x34 "Bubbles 9015" is a vivid and engaging piece of art by the acclaimed street artist Seen UA, who is widely recognized as one of the pioneering figures of the graffiti movement. Originating from New York in the late 70s and early 80s, Seen UA's work quickly gained popularity, resonating with its energetic and dynamic expression of urban life. "Bubbles 9015" is a significant representation of Seen's mastery over spray paint, directly connecting to his graffiti origins and situating him firmly within pop art. Executed with a bold and vibrant palette, the painting captures the viewer's attention with its intricate detailing of bubbles, serving as a metaphor for transience and fragility. The artwork also encapsulates Seen's idiosyncratic pop sensibility, wherein everyday objects have new layers of meaning and interpretations. While "Bubbles 9015" draws from the aesthetics of street art, it is a testament to Seen's adaptability and evolution as an artist, transcending the confines of its graffiti roots to find a place in fine art galleries worldwide. The artwork challenges conventional boundaries and, in doing so, epitomizes the evolution of street art into an accepted and celebrated form of contemporary art. Through this piece, Seen UA reaffirms his place as a trailblazer in the evolution of graffiti and street art, reshaping and redefining its significance in the art world.

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Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

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Union Jacked HPM Hand-Embellished Limited Edition 17-Color Skilscreen Print & Gold Leaf on 410gsm Somerset Tub Sized Paper by Artist Saber Contemporary Pop Artwork. 2014 Signed & Numbered HPM Hand Embellished Limited Edition of 75 Artwork Size 35.5x17.75 23-carat Gold Leaf on Somerset paper 17-3/4 x 35-1/2 inches (45.1 x 90.2 cm) (sheet) Ed. 19/75 Signed and numbered along lower edge Published by Lazarides Gallery, London. "Union Jacked HPM" is a compelling limited edition artwork by the artist Saber, recognized for his contribution to contemporary pop art through the lens of street and graffiti art. This piece is a complex 17-color silkscreen print embellished with hand-applied 23-carat gold leaf, each meticulously placed on a sturdy 410gsm Somerset Tub-sized paper. It's part of an exclusive series, with only 75 editions available, making each print a coveted piece for collectors and admirers of Saber's work. The dimensions of the artwork, 35.5x17.75 inches, give it a commanding presence, with the gold leaf's shine adding a luxurious texture that contrasts with the urban grit of the silkscreen. Crafted in 2014 and signed and numbered by the artist, this print holds the 19th position in its limited series. The iconic Union Jack is reinterpreted and 'jacked' through Saber's transformative style, where traditional symbols are dissected and reconstructed to challenge viewers' perceptions. Saber's reputation for pushing the boundaries of conventional street art into the gallery space is evident in this work, where he marries the rebellious energy of street art with the gravitas of fine art through his use of gold leaf. Published by Lazarides Gallery in London, a space known for showcasing avant-garde artists who blur the lines between street and high art, "Union Jacked HPM" is a statement piece that comments on cultural identity, national pride, and the subversive power of street art. The print's layered imagery and tactile quality invite close inspection and reflection on the viewer's part, serving as a testament to Saber's innovative approach to contemporary art. The artwork is indicative of a period in art where the cross-pollination of street ethos and traditional art practices has given rise to pieces that are both accessible and complex. Saber, as an artist, has mastered the ability to speak to a diverse audience, drawing in those who are steeped in the history of pop art and those who are entranced by the raw authenticity of graffiti. "Union Jacked HPM" is not just a print but an artifact of cultural dialogue, embodying the evolving narrative of what art is and can be in the fabric of contemporary society.

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Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print In the world of street art, there are few names as iconic as Shepard Fairey and Blek le Rat. In 2008, these two titans of the genre came together in an extraordinary collaboration, leveraging the compelling photographs of Sybille Prou, which captured the essence of Blek Le Rat’s street art installations. This synergy resulted in a limited edition silkscreen print that encapsulated the spirit and innovation of both artists. Released as a part of Blek le Rat’s solo exhibition at Subliminal Projects titled "Art is Not Peace," this hand-pulled piece on fine art paper is a testament to the enduring power and influence of street art in the broader art world. The artwork, meticulously measured at 18x24, boasts the signatures of both Shepard Fairey and Blek le Rat, emphasizing its authenticity and importance in contemporary art. It's not just a simple artwork, but a synthesis of two powerful artistic voices, unified in their shared vision and passion for street art. Limited to a mere 100 copies, the print becomes an emblem of exclusivity, a cherished piece for collectors and aficionados alike. Each print is numbered, ensuring that every owner has a unique piece of history. The detailed silkscreen technique, combined with the aesthetic elements of pop and street art, makes this artwork not only visually stunning but also culturally significant. It represents a moment in time when two artists, both legends in their own right, came together to create something truly memorable. For those fortunate enough to procure one, it serves as a tangible representation of the dynamism and innovation inherent in street art.

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Fame City Pop Street Artwork Limited Edition Giclee Print on 310gsm Canson Infinity Rag Photographique Paper by Urban Graffiti Modern Artist Ces One- Rob Provenzano x Doves x Mast x Yes2. 2020 Signed & Numbered By All 4 Artists Limited Edition of 100 Artwork Size 36x12 "Fame City,” depicts a mural painted in Wynwood.

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Ramona Red Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embellished with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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Multi Tags Series 7912 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 30x42 Multi Tags Series 7912" is an original graffiti painting by Seen UA, an influential artist. Seen UA, also known as Richard Mirando, is a pioneer in graffiti with a career spanning over four decades. He started in the late 1970s, tagging New York City's subway trains and streets with his iconic, dynamic lettering style. As the name suggests, "Multi Tags Series 7912" is likely part of a series of works featuring multiple graffiti tags in different styles and colors. The series might showcase Seen UA's diverse graffiti techniques and the evolution of his style over the years. UA's work has gained international recognition, and he has transitioned from the streets to the fine art world. His art has been exhibited in galleries and museums globally, earning him a place among history's most respected graffiti artists. Collectors appreciate Seen's work for its vibrant colors, bold lettering, and intricate designs, reflecting the energy and spirit of the urban landscape.

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Orange Umber #2 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she wont give it up!The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Ink Head Slick Yellow Silkscreen Print by OG Slick Hand-Pulled 14-Color on 298gsm Stonehenge Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 55 Artwork Size 24x24 Silkscreen Print of Mickey Mouse Cartoon Guan Yin Throwing Hand Signs With Upper Body and Face Blacked Out With Black. "Ink Head Slick Yellow" is a mesmerizing silkscreen print crafted by the renowned graffiti artist, OG Slick. Exemplifying a seamless blend of pop art, street art, and graffiti art, this hand-pulled 14-color silkscreen print has been meticulously set on a 298gsm Stonehenge Fine Art Paper, emphasizing the precision and attention to detail that the artist is known for. With a limited edition count of only 55, each piece is authenticated with OG Slick's signature and bears a unique edition number, elevating its exclusivity. At the heart of the artwork is a provocative representation of the beloved Mickey Mouse cartoon character, reimagined as Guan Yin, the Goddess of Compassion. This depiction intriguingly showcases Guan Yin, traditionally seen as a symbol of mercy and compassion, throwing hand signs, a gesture frequently seen in street art. The upper body and face of Mickey Mouse are cloaked in black, offering an intense contrast against the vibrant backdrop and evoking a sense of mystery. The inspiration behind this distinctive portrayal stems from OG Slick's childhood memories of Chinatown. There, small figurines placed at store registers were believed to bestow good fortune upon the shop owner and those who offered money. This traditional practice is cleverly juxtaposed with a modern twist in the artwork, where Guan Yin is illustrated being showered with digital currency, hinting at the evolving dynamics of value, faith, and the digital age. Through "Ink Head Slick Yellow", OG Slick has once again demonstrated his unique ability to amalgamate cultural symbols, childhood memories, and urban influences, creating an art piece that resonates deeply with both traditional and contemporary sentiments.

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Train 21 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Lush. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Exploring "Train 21" by Lush: A Convergence of Model Hobbyism and Graffiti Art The street artist Lush's artwork "Train 21" represents a unique intersection of model train hobbyism and street art, infusing the meticulous world of HO-scale trains with graffiti's vibrant, spontaneous energy. Created in 2014, this piece stands out as an original acrylic work on a model train box-car, representing a form of street pop art rarely seen within the confines of a graffiti artist's usual urban environment. Lush, an artist whose candid self-description as an "international graffiti asshole" hints at his irreverent approach to both his craft and public perception, brings his flair for the unconventional to the rather conservative domain of model railroading with "Train 21." Lush's Graffiti Artistry on a Miniature Scale The art piece "Train 21" is a testament to Lush's ability to adapt the scale and finesse of his street art to the tiny proportions of a model train car. Measuring just 14x3 inches, this work encapsulates the essence of graffiti artwork—traditionally associated with large, expansive spaces—into the compact and controlled form of a model train, a famous collector's item. This fusion of a traditionally urban art form with a suburban pastime challenges preconceived notions of what mediums street art can occupy. Lush's signature style, characterized by bold tags and vivid, throw-up paintings, finds a new canvas on the sides of the model train car, bringing the rebellious spirit of street art into the precise and often pristine world of model train enthusiasts. Collectibility and Cultural Significance of "Train 21" As an original work signed by Lush, "Train 21" holds a place of significance within the street art community and among collectors of unique art pieces. The graffiti tag painted onto the HO model train car transforms the piece from a mere collectible into a statement, a narrative about the fusion of disparate worlds. Through such works, Lush has carved out a reputation for himself—not just as a street artist but as a modern pop artist who dares to redefine the boundaries of his genre. Signing the piece solidifies its status as a work of art, granting it a sense of authenticity and value in the eyes of art collectors and enthusiasts. "Train 21" is more than a model; it is a microcosm of Lush's artistic journey, encapsulating his bold approach to street pop art and graffiti artwork within the miniature confines of a model train car.  

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Most Wanted- PP Printers Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Cope2 Rare Street Art Limited Edition Artwork. PP Printers Proof 2010 Signed & Numbered Framed Limited Edition Artwork Size 22x17 Framed under glass. Not examined outside of the frame. Framed Dimensions 19 X 24 Inches

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Detroit Tag Series- 6 Original Painting Aerosol & Krink Marker on Canvas by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Original Aerosol & Krink on Stretched Canvas Size: 20 x 12 x 1.5 Inches Release: November 16, 2010 Run of 1 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," -Cope2 Exploring Cope2's 'Detroit Tag Series- 6' Cope2, born Fernando Carlo, is a name that resonates with authority in graffiti and street art. His 'Detroit Tag Series- 6' is a powerful original painting that combines the raw energy of aerosol art with the precision of Krink markers on canvas. This piece, created in 2010, is a testament to his versatility and evolution as an artist who has been influential in the scene for over three decades. The Evolutionary Path of Cope2's Artistry Cope2's journey as an artist has seen him transition from the streets of the Bronx, where he earned his stripes as a graffiti writer, to the galleries that now house his canvas work. 'Detroit Tag Series- 6' reflects this journey, showcasing a mature style without losing the spontaneity and vigor of his early work. The piece, with dimensions of 20 x 12 x 1.5 inches, is a singular expression within a limited run, emphasizing Cope2's commitment to creating unique works that are personal and reflect his roots in street culture. Cope2 captures the essence of Detroit's urban landscape in this series through his iconic tag style. The bold, sweeping curves and sharp lines rendered in black against a striking red background indicate his confident hand, honed by years of practice. The use of Krink markers, known for their vibrant ink and durability, allows Cope2 to bring the immediacy and authenticity of street tagging to the canvas. Cope2's 'Versatile' Exhibition: A Display of Artistic Range The 'Detroit Tag Series- 6' was a highlight of Cope2's exhibition titled 'Versatile,' which showcased the breadth of his artistic repertoire. In his own words, the show was an opportunity to present the evolution of his style and his progression as an artist. Cope2's ability to navigate between the street and the studio, to exhibit the rawness of graffiti alongside the refinement of mixed media paintings, speaks to his adaptive approach to art-making. His work not only captures the essence of street pop art but also pushes its boundaries, inviting viewers to experience the dynamic nature of graffiti in new contexts. The exhibition was a narrative of growth, a visual documentation of Cope2's transition from street legend to a respected figure in contemporary art. 'Detroit Tag Series- 6' stands as a proud testament to the original spirit of street art while signaling Cope2's ongoing exploration of form, color, and medium. The Enduring Legacy of Cope2 in Street Art Cope2's impact on street pop art and graffiti artwork is indelible. 'Detroit Tag Series- 6' is a canvas and a chronicle of an artist's life-long dedication to his craft. Through this work and others like it, Cope2 demonstrates that graffiti is not a static art form but a living, evolving practice that continues to challenge and redefine artistic expression. As a pivotal figure in the graffiti world, Cope2's contributions extend beyond his artworks. He has inspired generations of artists to pick up the can and the marker, to make their mark on the world, and to express their voices in bold and unapologetic ways. Cope2 remains a vital presence in the art community; his work bridges the past and future of street art. His legacy is one of transformation, a reminder that art is constantly in motion, seeking new surfaces to conquer and stories to tell.

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Popsicle Orange Artist Proof SuperKranky Set Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Sket- One AP Artist Proof 2022 Signed & Numbered Edition of Only 10 Jankey Superplastic Custom Super Kranky Hand Made Parts by Sket One. Comes Hand Embleshied with Paint Pool Underlayment 7 Mini Spray Can Element. These pieces come with: Custom paint splatter (Each one will be unique) 3d Resin Puddle Place Matt Resin Kranky Spraycan Signed and Numbered on Cap

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WCA MSK Billboard Limited Edition Plastic & Ink Sculpture Artwork by Street Artist Risk Rock Fine Art. 2022 Sculpture Limited Edition of 50 Artwork Size 9.5 x 13.5 x 2.5 RISK tag billboard collectible, featuring RISK, WCA and MSK in the details. Replica of one of Risk's first LA Billboards 9.5 x 13.5 x 2.5 inches. Edition of 50

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Full Force Silkscreen Print by Indie184- Soraya Marquez Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 35x20 Hand Deckled "Full Force" by Indie184, the creative alias of Soraya Marquez, stands as a vibrant embodiment of Street Pop Art and Graffiti Artwork. This 2021 silkscreen print on 320-gram Coventry Rag paper captures the dynamic energy and bright colors that are hallmarks of Marquez's style. As a limited edition piece, with only 199 prints complemented by artists and foundation proofs, it represents a tangible slice of the urban contemporary art scene. Indie184's work is characterized by a fusion of classic graffiti elements with the visual punch of pop art. The hand-deckled edges of "Full Force" add an organic touch to the piece, contrasting with the precise and vibrant hand-pulled screen print technique. Measuring 20 by 35 inches, the artwork is a statement piece that conveys movement and expressive emotion through its explosive color palette and layered imagery. Each print in the series is signed and numbered by the artist, directly connecting to the creator's Hand. These details are not just marks of authenticity but also enhance the collectible nature of the print. The Certificate of Authenticity accompanying each piece further assures collectors of its provenance and adds to the artwork's value as a collectible. Printed by Gary Lichtenstein Editions and published by WCC Editions, "Full Force" is produced by a team well-respected for their quality in fine art prints. This collaboration speaks to the cross-pollination between street art's raw, immediate energy and the careful curation of limited-edition prints. The mural from which this print is derived was created in 2014, and its translation into a silkscreen print allows for the work to be disseminated beyond the transient nature of street murals, preserving the ephemeral art form in a more permanent state. Indie184's "Full Force" is more than a piece of art; it is a bridge between the temporary nature of street art and the longevity of fine art, a vibrant force that captures the essence of the streets and crystallizes it into a form that can be held, collected, and treasured.

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Island Of Aladdin Sane PP Printer Proof Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 15x12 Archival Pigment Fine Art Scott Listfield's "Island Of Aladdin Sane" "Island Of Aladdin Sane" by Scott Listfield is a limited edition archival print that interweaves pop culture imagery with the enigmatic presence of his astronaut subject. As a Printer's Proof from 2019, signed and distinctly marked, this artwork captures a moment of contemplation, featuring the astronaut gazing upon the iconic visage of David Bowie's Aladdin Sane character etched into a solitary island. Printed on 290gsm Moab Entrada fine art paper, the piece measures 15x12 inches, and its limited availability adds to its collectibility and significance as a modern artwork within pop, street, and graffiti art.

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Arizona- Artist Proof AP Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Crash- John Matos Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2000 Hand Signed Edition of Only 20 APs Ever Man, No Regular Edition, Artist Collection. Massive Size 44x32.5 "Arizona" by John Matos, better known as Crash in the street art community, is a prime example of contemporary pop art's intersection with the raw energy of street aesthetics. This artist-proof (AP) is a limited edition, hand-pulled silkscreen print on fine art paper, showcasing Crash's ability to blend high art techniques with the immediacy and vibrancy of street art. Released in the year 2000, this AP edition is hand-signed and restricted to only 20 artist proofs worldwide, with no regular edition prints available, making it a highly exclusive piece for collectors and enthusiasts of the genre. Crash's work is characterized by a dynamic use of color and shape, and "Arizona" is no exception. It exhibits an explosive array of visuals referencing the urban environment and iconic elements of consumer culture, typical of pop art tradition. The massive size of the piece, measuring 44x32.5 inches, amplifies its visual impact and embodies the larger-than-life presence often associated with street art murals. The artist's background in graffiti is evident in the bold lines and the juxtaposition of text and imagery, which reflect the visual language of the streets. The rarity of this artist's proof adds a layer of desirability. APs are typically reserved for the artist's collection and are often more valuable than the regular editions due to their limited number. This exclusivity is further highlighted by the hand-signing by Crash himself, a mark of authenticity and a personal touch from the artist. Crash has been a pivotal figure in the transition of graffiti art from subway trains into galleries, and "Arizona" exemplifies the maturation of this art form. The piece serves not only as a statement of pop culture but also as a historical snapshot of the turn of the millennium, capturing the era's zeitgeist within its composition. It stands as a testament to the evolution of street art and its established place within the broader context of contemporary art.

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50th Anniversary BTS HPM Spray Paint Print by Beyond The Streets x TAKI 183 2-Color Screen Print MEDIA on Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork. 2019 Signed & Numbered SPray Paint HPM Embellished Limited Edition of 183 Artwork Size 18x24 Hand Deckled he 50th Anniversary BTS HPM Spray Paint Print is a collaboration between Beyond The Streets and TAKI 183 to celebrate the 50th anniversary of the iconic graffiti artist TAKI 183's emergence on the New York City street art scene. Beyond The Streets, known for its exhibitions and events showcasing street art and graffiti, has teamed up with TAKI 183 to create a limited edition series of hand-painted multiple (HPM) spray paint prints. TAKI 183, a Greek-American artist, is considered a pioneer of modern graffiti and was one of the first to gain widespread recognition for his work. He began tagging in the late 1960s and early 1970s in New York City, using his name (short for Demetrius) and the street number where he lived (183rd Street) as his signature. His bold, simple style became a blueprint for many graffiti artists to follow, and his influence has been felt throughout the street art world ever since. This special edition print showcases TAKI 183's signature style and pays homage to the history of graffiti art. Each piece is unique and hand-painted by the artist, making it a valuable collectible for street art enthusiasts and art collectors alike. The collaboration between Beyond The Streets and TAKI 183 is a testament to the lasting impact of his work and a celebration of his contributions to the world of graffiti and street art.

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