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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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Sirens Of The Night White Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Printed on 290gsm Coventry Rag paper with deckled edges. Sirens Of The Night White by Cleon Peterson – 1-Color Silkscreen in Street Pop Art & Graffiti Artwork Sirens Of The Night White is a 2022 hand-pulled silkscreen print by American artist Cleon Peterson, known for his graphic depictions of violence, power, and resistance. This limited edition artwork measures 24 x 18 inches and is printed on 290gsm Coventry rag paper with deckled edges, combining street-level symbolism with fine art craftsmanship. Limited to 100 signed and numbered prints, the piece features a dynamic white silhouette of a nude woman on horseback, swinging a golden sword amidst a storm of jagged, electrified forms. The figure, both elegant and commanding, charges forward against a pitch-black backdrop, surrounded by lightning-like patterns that suggest chaos, rage, and transformation. The striking use of white and gold on black intensifies the impact of the composition, transforming a classical equestrian pose into a modern mythology of power and defiance. Feminine Force and Symbolic Weaponry In Sirens Of The Night White, Peterson reimagines the female form not as a passive muse but as an active embodiment of disruption. The central figure rides bareback, sword raised, poised in a moment of deliberate motion. Her nudity does not imply vulnerability but instead emphasizes fearlessness and purity of purpose. The minimal linework allows the viewer to focus on the rhythm and energy of the pose, while the controlled use of gold in the sword and lightning accents infuses the piece with spiritual and revolutionary undertones. The storm that surrounds her is not one of destruction but of awakening, a visual metaphor for resistance in the face of oppressive structures. Her presence becomes a call to arms, confronting viewers with a raw form of feminine agency rarely seen in such stylized modern iconography. Cleon Peterson’s Allegorical Combat in Street Pop Art & Graffiti Artwork Cleon Peterson is a Los Angeles-based artist whose work addresses themes of brutality, lawlessness, and the collapse of social order. Through minimalist, silhouette-based figures often caught in ritualistic violence, he creates a visual world where power is always contested and morality is ambiguous. Sirens Of The Night White continues his exploration of domination and rebellion but through a more mythic lens. Within the tradition of Street Pop Art & Graffiti Artwork, Peterson’s aesthetic pulls from ancient reliefs, propaganda posters, and graphic design, reconfiguring them into stark allegories for the modern psyche. His visual narratives reject the sanitized optimism of traditional pop art, instead embracing the darker currents that shape contemporary life. This print stands as a meditation on both destruction and rebirth—told not through words, but through form, color, and motion. Print Quality and Collector Value This silkscreen edition is meticulously printed on heavyweight 290gsm Coventry rag paper, a premium surface known for its durability and rich texture. The deckled edges give each print a handmade, archival quality that reinforces its position as fine art. As a limited edition of 100, each print is signed and numbered by Cleon Peterson, ensuring its authenticity and collectibility. The monochromatic palette, accented by gold, ensures that the piece can hold visual presence in any setting while carrying deep conceptual weight. For collectors of Street Pop Art & Graffiti Artwork, Sirens Of The Night White represents not just a work of visual power, but a statement of urgency, resistance, and unapologetic force—etched in stark contrast and timeless symbolism.

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Blue Mask PP Printers Proof HPM Archival Print by Mysterious Al Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2018 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 18x18 Archival Pigment Fine Art. Diving into 'Blue Mask': A Unique Creation by Mysterious Al Mysterious Al, a contemporary artist making waves in the pop art and street art scenes, has presented the world with 'Blue Mask,' a PP (Printer's Proof) HPM (Hand Painted Multiple) archival prints. This 2018 limited edition work, signed and marked as a Printer's Proof, is a vivid exemplar of the artist's unique style that converges the spontaneity of street art with the precision of fine art. Executed on 290gsm Moab Entrada fine art paper, each 18x18 inch print is hand-embellished, making every piece within this limited edition distinct and rich with individual character. 'Blue Mask' showcases Mysterious Al's exploration of cultural iconography, mysticism, and the human condition through a street pop art lens. The dynamic interplay of bold colors and abstract forms creates an arresting visual that is both primitive and avant-garde. His use of black to contour and segment the colors enhances the mask's enigmatic presence, inviting viewers to a deeper exploration of its meaning and the artist's intention. Mysterious Al's Technique and Artistic Process Creating an HPM, such as 'Blue Mask,' involves craftsmanship and creative input that sets these works apart from standard prints. Each PP edition piece is hand-embellished by Mysterious Al, infusing the series with a sense of originality typically associated with singular works of art. The PP designation adds another layer of exclusivity, traditionally denoting prints of superior quality retained for reference or the artist's personal use. Mysterious Al's signature on each print is a seal of authenticity and a bridge connecting the artist and collector. The 'Blue Mask' PP HPM archival print is a testament to Mysterious Al's commitment to pushing the boundaries of street pop art. By incorporating hand embellishments, the artist disrupts the mechanical reproduction process, introducing a human element that echoes the fluidity and expressiveness of street art. This fusion of handcrafted and printed elements exemplifies the evolving nature of contemporary art, where distinctions between different art forms are increasingly blurred. Cultural Resonance of 'Blue Mask' in Street Pop Art Mysterious Al's 'Blue Mask' occupies a unique space within street pop art and graffiti artwork. The piece is not only a visual feast but also a cultural artifact that delves into the psyche of modern society. The mask motif, a recurrent theme in Mysterious Al's work, serves as a metaphor for identity, transformation, and the various personas individuals do in public and private life. The cultural significance of 'Blue Mask' is further amplified by its medium—archival pigment on fine art paper ensures longevity, allowing the artwork to become a lasting part of the dialogue in street pop art. This durability contrasts with the traditionally ephemeral nature of street art, offering permanence to an art form characterized by its fleeting existence. 'Blue Mask' by Mysterious Al is a vibrant testament to the artist's innovative approach and skillful melding of street art techniques with acceptable art practices. As a PP HPM, it embodies the artist's vision in a tangible form that is both accessible and exclusive, inviting art lovers and collectors to engage with a piece of street pop art that is alive with a personal touch and cultural commentary.

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Landfall Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Edition of 175 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Bunny Boy- Dreams 11-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Faile Rare Street Art Famous Pop Artwork Artist. FAILE (b. 1975) Bunny Boy (Dreams), 2019 Screenprint in colors on Coventry Rag paper 18 x 12 inches (45.7 x 30.5 cm) (sheet) Ed. 216/350 Signed in pencil along lower edge; dated and numbered to reverse Published by the artist

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Reading Club AP Artist Proof Pop Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Pop Artist Cinta Vidal. AP Artist Proof 2016 Signed & Marked AP 18x18 Limited Edition of People Reading Books On Flying Furniture In the realm of contemporary pop art, few works captivate with as much intrigue and whimsy as "Reading Club" by Cinta Vidal. With this limited edition giclee print, Vidal takes viewers on a surreal journey, defying the laws of physics and convention, as individuals immerse themselves in the world of literature, suspended on flying furniture. The piece, beautifully rendered on 290gsm Moab Entrada Paper, is not merely a visual spectacle but also an ode to the transformative power of reading and the universality of this experience across different cultures and contexts. Spanning an 18x18 canvas, the artwork is both intimate in its portrayal of individual readers and grand in its conceptual scope. Vidal's meticulous attention to detail, coupled with her penchant for creating multi-dimensional spaces, lends depth and dynamism to the composition. Chairs, sofas, and books float, topple, and twirl, seemingly untethered by gravity, yet each reader remains engrossed, unperturbed by the surrounding chaos. The juxtaposition of the ordinary act of reading with the extraordinary setting speaks to the escapism that literature offers. Released as an Artist Proof in 2016, this creation is part of an exclusive series, elevating its significance for collectors and art enthusiasts. Cinta Vidal, a luminary in the spheres of pop art, street art, and graffiti art, continues to push boundaries, challenging perceptions while celebrating the simple pleasures of life. "Reading Club" stands testament to her unique vision and unparalleled artistic prowess.

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Nuestros Exitos Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano x Arlene Mejorado Graffiti Street Artist Modern Pop Art. 2015 Signed Edition of 150 “Nuestros Éxitos” translation “Our success are the efforts of our parents” collaboration between Ernesto Yerena & Arlene Mejorado 18”x24” 6 color Screenprint

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SlapTag Urban Decay Original One of a Kind Montana Gold Spray Paint and Acrylic Painting Artwork on Wood by Popular Street Graffiti Artist Lyric One. Signed Original 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021

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Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Stairway To Heaven PP Printers Proof Archival Print by Josh Keyes Archival Pigment Fine Limited Edition Print on 290gsm Fine Art Paper Artwork. PP Printers Proof 2022 Signed & Marked AP Limited Edition of 175 Artwork Size 26x18 Printers Proof Edition of 175 26 x 18 inches / 66 x 45.72 cm Fine art print on 290gsm paper Hand signed and numbered by the artist

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Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Parties & Gossip 10 Original Mixed Media Painting HPM Silkscreen Ink, Acrylic & Spray Paint on 250gsm Fine Art Paper by Greg Gossel Graffiti Street Artist Modern Pop Art. "This is a series of 24 varied-edition works on paper and 6 original wood panels based off a large 8x8ft canvas I created this past December at the Heineken House live painting event at SCOPE Miami Beach.Each piece is in the series is different from the next. The process began with a variety of spontaneous screen printed layers followed by more planned elements, which created a really interesting juxtaposition of structure and chaos throughout the series." - Greg Gossel

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Get Home Safely Limited Edition Hand-Embellished Acrylic, Spray Paint and Ink on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 8 Artwork Size 18x18 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my a childhood that is utilized to express me.

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The Passions 1 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Shell PP Printers Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Cey Adams Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP Limited Edition Artwork Size 18x18 Shell Archival Print by Cey Adams "The whole idea behind my Trusted Brands series was that I wanted to revisit many of the iconic logos of my youth to reconnect to familiar things. These pieces are mostly made of handmade fiber papers from India and Nepal. I wanted to do something rivaling my friends who used spray paint and connected with my graffiti roots, but I didn't want to do what everybody else did. I thought it would be interesting to challenge myself to use a medium I have never used before, and collage spoke to me." - Cey Adams. Cey Adams' "Shell" - A Convergence of Branding and Art Cey Adams, a foundational figure in graffiti and street pop art, presents a compelling piece in his "Shell PP Printers Proof Limited Edition." This work is part of Adams' "Trusted Brands" series, where he revisits the emblematic logos that marked his youth. The print, an 18x18 archival pigment on fine art paper, showcases his exploration into collage, setting him apart from his contemporaries who favored spray paint. This piece is a Printer's Proof, signed and marked by Adams, adding a layer of exclusivity and collectibility. Adams' choice to use handmade fiber papers from India and Nepal lends an organic texture that contrasts with the commercial sharpness of the Shell logo. His work is a nod to nostalgia and a dialogue between past and present, consumerism and craftsmanship. The "Shell" piece stands out as a testament to Adams' ability to innovate within his graffiti roots while pushing the boundaries of his artistic expression. In Adams' own words, his college journey was challenging to escape the graffiti norm. His "Trusted Brands" series, including the "Shell" print, reflects this personal and artistic quest to connect with familiar symbols uniquely, embodying the essence of modern pop art within the urban landscape.

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Culling 3-Color Hand-Pulled Mixed Media HPM Limited Edition Silkscreen Print & Iron Oxidizing Paint on Cradled Birch Wood Panel by Eddie Colla Rare Street Art Famous Pop Artwork Artist. 2016 Signed By Wood Burnt Stamp On Back & Custom Metal Plate on Side. Mixed Media HPM 3-Color Screen Print, Screws w/ Iron Oxidizing Paint on Cradled Birch Wood Panel Size: 18 x 24 x 1.75 Inches Release: March 17, 2016 Run of: 5

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Cathedral AP Artist Proof Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. AP Artist Proof 2017 Signed & Marked AP Limited Edition Giclee Artwork Size 18x18 Kari-Lise Alexander’s Cathedral: The Fluidity of Identity in Contemporary Pop-Inspired Surrealism Kari-Lise Alexander’s Cathedral, released as an 18 x 18 inch signed Artist Proof in 2017, presents a hypnotic portrait that blends photorealistic precision with elements of surreal distortion. This giclée print on 290gsm fine art paper captures a figure partially obscured by cascading water, flowers, and organic abstraction. The subject, a pale-skinned woman draped in vibrant blossoms, is simultaneously present and vanishing, her body dissolving into fluid motion. The transparency of water acts as a veil, distorting reality and transforming the portrait into a meditation on impermanence, transformation, and self-concealment. Alexander, known for her figurative surrealism, often incorporates themes of water, femininity, and nature into her work. In Cathedral, she positions the viewer as both witness and intruder, observing a moment of private reflection through a barrier of falling water. The water does not merely frame the composition—it reshapes it. Faces blur. Petals smear. The painting becomes an active space where emotion is filtered through liquid movement. This dynamic use of transparency offers more than visual interest; it becomes a metaphor for the slippery, ever-shifting boundaries of personal identity. Hyperreal Texture Meets Atmospheric Abstraction The interplay between realism and abstraction in Cathedral is deliberate and poetic. The figure’s facial expression is rendered with lifelike accuracy—delicate shadows, tightly painted features, and emotional weight. Yet her body, partially hidden by wet streaks and botanical textures, seems to dissolve into the background. This creates a tension between what is defined and what is disappearing. Kari-Lise Alexander utilizes oil-like effects in a digital print medium to mimic the unpredictability of nature and the complexity of inner life. The circular framing device behind the figure may evoke the architectural structure implied by the title. A cathedral, often associated with spiritual sanctuary and towering form, contrasts with the vulnerability of the exposed body and the ephemeral texture of water. The contrast suggests that the true place of worship in this work is not stone or space, but the internal landscape of emotion and memory. The circle becomes both halo and lens—focusing the viewer’s attention while abstracting the context. Symbolism of Nature and the Female Form In Cathedral, floral imagery serves as more than decorative flourish. The dense crown of peonies, berries, and green vines placed on the figure’s shoulders connects her to cycles of life and growth. The flowers are not merely worn—they appear to grow from her, reinforcing a fusion between the natural world and the self. Water, often a recurring motif in Kari-Lise Alexander’s paintings, amplifies this symbolism. It signifies renewal, decay, and emotional release all at once. In combination, these elements create a visual language where the feminine body becomes both the temple and the terrain. Though not strictly situated within traditional Street Pop Art & Graffiti Artwork, Cathedral echoes contemporary movements that challenge the line between classical portraiture and cultural commentary. The work’s ethereal energy, paired with its striking surface distortion, aligns it with a broader pop-influenced aesthetic that merges beauty with introspection, and figuration with experimentation. Kari-Lise Alexander's work expands the vocabulary of modern surrealism by using tactile realism to explore the unseen interior—turning emotion, memory, and transformation into arresting visual experiences.

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Nature Of Yin Versus Yang Gold Leaf Fluorescent Red Artwork Full Bleed Hand-Embellished Spray Paint Gold Leaf HPM Archival Limited Edition Print on 300gsm Archival Rag Paper by Urban Artist Shark Toof. 2017 Signed & Numbered Limited Edition of 15 Artwork Size 18x18 Gold Foil

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Cascade Silkscreen Print by Lefty Out There Hand-Pulled 1-Color on Hand Deckled Black Stonehenge Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 80 Artwork Size 18x18 Silkscreen Print Lefty Out There’s Cascade: A Linear Labyrinth in Motion Cascade by Lefty Out There is a 2017 limited edition hand-pulled silkscreen print that encapsulates the artist’s ongoing exploration of form, repetition, and flow within the Street Pop Art & Graffiti Artwork landscape. Produced in a signed and numbered run of only 80 prints, this 18x18 inch piece is silkscreened in a single color on hand deckled black Stonehenge fine art paper, creating a striking visual impact that draws the viewer into a hypnotic field of structured chaos. Organic Entanglement and Digital Precision Cascade serves as a pure expression of Lefty Out There’s signature aesthetic—his meticulous linework forms a tangle of organic curves and hard-edge repetition that feels simultaneously analog and algorithmic. The artwork pulses with tension as fluid hand-drawn strokes collide with a tighter, rhythmically patterned grid. The left half of the composition features a dense and almost biological cluster of meandering shapes, reminiscent of neurons or circuitry. In contrast, the right half transforms into a cascading repetition of these forms, creating the illusion of flow and movement as the lines taper off in calculated waves. The juxtaposition highlights the artist’s mastery over composition and scale, turning a seemingly minimal palette into a maximalist visual statement. Monochrome Dynamics and Material Strength Executed in black and white, the one-color silkscreen process elevates the interplay of light and shadow across the print’s surface. The use of black Stonehenge paper anchors the composition with weight, while the white ink provides a dimensional contrast that mimics relief. The fine art paper’s hand deckled edges give each print a raw tactile finish that resonates with the underground authenticity of street culture. This bold yet minimalist technique aligns seamlessly with the ethos of Street Pop Art & Graffiti Artwork, where process and materiality carry as much meaning as the final image itself. Symbolic Movement and Lefty’s Cultural Voice Cascade stands as a conceptual continuation of Lefty Out There’s focus on containment and expansion, both visually and ideologically. The visual tension in the piece mirrors broader themes in urban existence—control versus chaos, conformity versus self-expression. With roots in street tagging and public installations, Lefty’s artistic language pushes these motifs into the gallery space without abandoning their rebellious origins. The repetitive forms, reminiscent of biomorphic graffiti and digital echo waves, speak to a generation fluent in both street culture and digital code. As a limited edition work, Cascade exists as a static snapshot of motion—one that crystallizes the frenetic pulse of modern visual noise into a meditative design, equally suitable for fine art collectors and street culture devotees.

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Social Distortion Diptych Artist Proof AP Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Desirable Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2007 Signed & AP Marked Original Run Limited Edition of 125 Artwork Size 24x18 Diptych Set of 2 Prints 3 color screen print Printed on 100% Off-White Archival Acid-Free Paper Signed AP: KINSEY / Stamped From the Original Edition 125 Size: 24 x 18 inches ea. / 60.9 x 45.7 cm ea. Year: 2007

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