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BunnyKitty Dream State- Teal 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Teal Variant Edition of 25 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Emotions- Green Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2020 Signed & Numbered Hand Stenciled Limited Edition of 5 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO "Emotions- Green Stencil" is a striking 2-color silkscreen limited edition print on fine art paper, created by the renowned artist AIKO. A masterful blend of contemporary pop artwork, the piece resonates deeply with the intense spectrum of human emotions, specifically diving into the dynamics between men and women. The artwork captures a moment, a feeling, and an expression that brings to light the ongoing discourse on gender equality and the challenges faced by women and minorities. AIKO's meticulous hand-stenciled technique is evident in this piece, emphasizing the rawness and authenticity of her message. Limited to just five signed and numbered pieces, this artwork measures 20x24, making each print exceptionally exclusive. The vibrant green hues combined with the contrasting elements create a visually captivating piece that's hard to look away from. The stencil technique adopted by AIKO, traditionally associated with street art and graffiti, infuses a sense of urgency and rebellion into the artwork, making it all the more compelling. Reflecting on the progression of gender equality and societal views, AIKO acknowledges the strides that have been made since our grandparents' era. Yet, she remains acutely aware of the existing challenges that women and minorities face in areas such as education, job opportunities, and health. Through "Emotions- Green Stencil", AIKO conveys her ardent hope for a future where every individual, regardless of gender or background, is presented with equal opportunities to thrive. The artwork serves as a reminder and a call to action, urging society to ensure a fair chance for everyone to seize the day. The piece, in its entirety, stands as a testament to AIKO's commitment to amplifying voices that often go unheard and her unwavering dedication to instigating change through art.

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Vote Keep Hope & Freedom Alive Red White Blue Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Silkscreen Print The Vote Keep Hope & Freedom Alive Red, White, and Blue silkscreen print by Cleon Peterson stands as a powerful piece of Street Pop Art and Graffiti Artwork. Created in 2024, this limited edition artwork captures a strong political and cultural message, emphasizing hope, freedom, and civic responsibility. This piece, printed on 290gsm Coventry Rag Fine Art Paper, features a hand-deckled edge, adding a tactile sense of authenticity and craft to its presentation. The edition is limited to 80 signed and numbered prints, measuring 18x24 inches, which reflects its exclusivity and appeal to collectors of contemporary political art. The Artistic Vision of Cleon Peterson Cleon Peterson, an American artist born in 1973, is renowned for his striking and often confrontational work. His art frequently portrays themes of conflict, power dynamics, and societal upheaval. Peterson’s background in graffiti and street art influences his bold aesthetic, characterized by stark contrasts and a palette of limited colors. The Vote Keep Hope & Freedom Alive print exemplifies these characteristics. The central figure—a woman riding a horse, holding a U.S. flag—symbolizes strength, perseverance, and patriotic ideals. The choice of red, white, and blue emphasizes its American identity, tying the artwork to the ideals of democracy and freedom. The Cultural Impact of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have long served as powerful tools for social commentary. This print embodies this tradition, using bold, graphic imagery to inspire action and reflection. The deliberate simplicity of the composition ensures that the message is clear and accessible, making it a quintessential example of political art with a populist edge. Peterson’s use of silkscreen techniques ties the work to the traditions of Pop Art pioneers like Andy Warhol, while the urban and gritty aesthetic links it to the raw energy of graffiti culture. Limited Editions as a Medium for Political Expression The exclusivity of limited edition artworks like this one enhances their value, both financially and culturally. The Vote Keep Hope & Freedom Alive print resonates with contemporary political movements, particularly those emphasizing civic engagement and the protection of democratic ideals. By incorporating a powerful visual narrative with the intimacy of hand-signed and numbered editions, Peterson bridges the personal and the political, creating a piece that feels both monumental and approachable. This artwork is a striking example of how modern Street Pop Art and Graffiti Artwork can encapsulate political sentiment while maintaining an aesthetic appeal. Through its bold imagery and symbolic elements, it stands as both a call to action and a celebration of the enduring values of hope and freedom.

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Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

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Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Arches Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Bollywood Sugar In Blue- Mother of Pearl Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Promised Land Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Renowned for his striking and confrontational style, Cleon Peterson is an artist whose work brings to life the undercurrents of societal strife and conflict. Known for his vivid depictions of brutal scenes that reflect a world in chaos, Peterson is widely recognized as a significant figure in the realms of pop art, street art, and graffiti art. His work often provides a haunting mirror to societal tensions, rendering them visually captivating through the stark contrast between light and dark, order and chaos, violence and peace. One piece that exemplifies this distinctive style is his "Promised Land Night" silkscreen print. True to Peterson's style, the work explores the darker facets of human nature in a dichromatic palette - typically a stark contrast of black and white or, in this case, dark navy blue and white. It showcases figures engaged in what appears to be a chaotic, violent struggle, as a symbol of the perpetual conflict and power dynamics within societies. Despite its seemingly bleak narrative, the composition carries an undeniable magnetism, skillfully drawing the viewer in. The silkscreen print method, known for its bold, crisp lines and the ability to create vibrant, flat areas of color, serves Peterson's style perfectly. It underscores the harsh narrative of his work while simultaneously highlighting the meticulous detail of his composition. Each figure, while entangled in the wider chaos, holds its narrative, rendering the piece a compelling visual exploration of societal unrest. The "Promised Land Night" speaks volumes of Peterson's vision of the world – not shying away from harsh realities, but rather confronting and examining them through his artwork. With the ever-present contrast between the stark visual style and the dark themes, Peterson positions himself firmly in the continuum of pop and street art, challenging viewers to consider the depths of human nature and societal structures. It is through such bold pieces that Cleon Peterson cements his place in contemporary art, forever pushing boundaries and igniting necessary conversations about society and its structures.

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Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.

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Spread Love- XII Original One of a Kind Acrylic & Spray Paint Painting Artwork on Hand-Cut Fine Art Paper by Popular Street Graffiti Artist Snoeman. 2022 Original Signed Painting Acrylic and Aerosol on Hand-Cut Fine Art Paper Size: 19 x 24 Inches Release: April 01, 2022 Spread Love 12

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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My Love Is Vengeance White 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 75 Hand Deckled Artwork Size 18x24 "My Love Is Vengeance" is a compelling silkscreen print that exemplifies the masterful artistry of Cleon Peterson. Released in 2022, the piece is an evocative blend of pop, street, and graffiti art influences, capturing the dynamic evolution of modern visual narratives. With a powerful dichotomy of black and bone, the artwork explores profound themes of passion, conflict, and resilience, drawing viewers into its rich tapestry of emotion and symbolism. Printed meticulously on the premium 290gsm Coventry Rag paper, the artwork's quality is indisputably top-notch. The paper, known for its rich texture, amplifies the depth of the piece, allowing the intricate details to shine through. The choice of deckled edges adds an air of vintage charm, offering a stark contrast to the modern and contemporary essence of the depicted figures. With dimensions set at 18x24 inches, the expansive canvas becomes a window to a world where love and vengeance dance in an eternal embrace. The intertwined figures, rendered in fluid lines and sharp contrasts, echo tales of love and its multifaceted nature—both tender and fierce. Each curve, shadow, and hue speaks volumes, challenging viewers to introspect and interpret. And adding to the allure is the artwork's exclusivity. With each print being hand-pulled, a unique touch of authenticity is embedded. The signature of Cleon Peterson and the numbered mark further assert its rarity, making it a treasured addition for any art collector. In "My Love Is Vengeance", Cleon Peterson has, yet again, showcased his unparalleled ability to merge diverse artistic genres, creating a timeless piece that resonates deeply with today's art aficionados.

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Yogi on Xanax- Black 7-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 7-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 25, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Pop Culture Intervention in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 7-color hand-pulled silkscreen print by Australian-born artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover paper. Measuring 24 x 24 inches, this silkscreen print was produced in a signed and numbered edition of just 25, crafted under the direction of POP!NK Editions. Known for his subversive blending of pop culture icons with controversial subject matter, Frost delivers a provocative image that fuses the innocence of Yogi Bear with the cold design language of a pharmaceutical Xanax label. This juxtaposition forces a confrontation between humor and critique, childhood nostalgia and chemical dependency, all while maintaining the graphic vibrancy and clean execution that define his studio practice. The piece is bold, glossy, and ironic—designed to trigger recognition and unsettle the viewer simultaneously. Pharmaceutical Satire and Cartoon Familiarity Collide Ben Frost’s work routinely challenges the sanitized narratives of consumer branding and media imagery. In Yogi on Xanax, the use of Yogi Bear—an animated figure associated with carefree antics and childhood television—is purposefully misaligned with the clinical, regulated world of prescription medication. The cheerful cartoon smile and brightly saturated colors stand in contrast to the red-labeled warnings and dosage marks of Xanax packaging. The artwork explores themes of escapism, emotional suppression, and the commercialization of health, suggesting that even the most innocent symbols are not immune to societal pressures. Frost’s treatment of iconography reflects the strategies central to Street Pop Art & Graffiti Artwork, where visual language is repurposed to expose hidden truths and cultural contradictions. Printing Technique, Surface Quality, and Material Precision Executed with precision on Mohawk Superfine UltraWhite paper, the 7-color silkscreen process ensures that every layer of ink sits cleanly atop the surface, producing striking contrast and tonal balance. This heavy-weight paper enhances the density of color and preserves the integrity of each line and text detail. The silkscreen technique, a mainstay of pop art production since the era of Andy Warhol, allows Frost to replicate the flat commercial style of packaging design while embedding it with sharp conceptual tension. Each print is signed and hand-numbered, reinforcing its collectibility and placing it within the canon of fine-edition Street Pop Art & Graffiti Artwork. POP!NK Editions’ involvement in the production guarantees a gallery-level standard of finish, ensuring that each print is not only conceptually rich but also technically flawless. Ben Frost’s Cultural Commentary Through Brand Distortion Ben Frost continues to push the boundaries of what pop imagery can convey in a critical, ironic, and visually arresting format. Yogi on Xanax operates on multiple levels—as parody, as product, and as visual disruption. It pulls from the mass media archive and reintroduces familiar icons with new, unsettling associations. This is central to the strategy of Street Pop Art & Graffiti Artwork, where repetition, appropriation, and recontextualization are not just aesthetic choices but radical acts. By placing a figure like Yogi Bear in the frame of medical necessity and emotional regulation, Frost questions how society assigns meaning and value to images. His art reflects a world where cartoons sell pills and pills sell calm, a world where branding and identity collapse into one unified surface. Yogi on Xanax is not just pop art—it is a sharp and unapologetic reflection of contemporary visual culture.

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OG Slick Hand Alphabet- Standard Limited Edition 3-Color Letter Press on Hand-Deckled 250gsm Stonehenge Naturel Fine Art Paper by OG Slick pop art graffiti famous artist art. 2010 Signed Edition of 75

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.

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New Clear Power 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "New Clear Power, my first solo art show in Germany (@amuseum_Munich) addresses systems, forms, and notions of power that we must all carefully consider as we pursue our vision for an ideal personal and collective future. In my visual strategy, I choose colors, patterns, and icons that powerfully engage the viewer, and I write the text for my pieces using words that have the power of clear and concise communication. The concept of power is almost always present in my art. Forms of power addressed in the subject matter of New Clear Power include abuse of power, power concentrated under capitalism, renewable power, political power, the power of creativity, power over information, and the power of controlling narrative." -Shepard Fairey "New Clear Power Silkscreen Print" is a work of art by the renowned American street artist Shepard Fairey, also known by his moniker, OBEY. The "New Clear Power Silkscreen Print" is a limited edition artwork created with Fairey's signature silkscreen printing technique. Silkscreen printing, also known as screen printing, is a process that involves applying layers of ink through a mesh screen to create an image on various surfaces. Shepard Fairey frequently uses this method to create his distinctive, bold, and highly detailed artworks. Fairey's work often explores political and social themes, with powerful imagery and messages to provoke thought and discussion. The "New Clear Power Silkscreen Print" incorporates similar themes and is intended to raise awareness about a specific issue or idea. Since the title plays with the words "New Clear Power" (sounds like "Nuclear Power"), it may address topics such as the use of nuclear energy, its potential benefits, and its risks to society and the environment. The artwork probably features Fairey's recognizable style, which typically combines elements of graphic design, illustration, and street art. As with many of Fairey's limited edition prints, the "New Clear Power Silkscreen Print" is highly sought after by art collectors and fans of the artist's work.

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The Residue Of Arrogance PP Printers Proof Archival Print by Eddie Colla Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 14x24 Archival Pigment Fine Art Eddie Colla's 'The Residue Of Arrogance': A Commentary in Print Eddie Colla's 'The Residue Of Arrogance' PP (Printer's Proof) archival print is a limited edition piece that communicates a powerful narrative through street pop art. Signed and marked by the artist in 2019, this print on fine art paper, 14x24 inches, uses archival pigment for longevity. The artwork explores themes such as identity, resistance, and societal structures, which are central to Colla's work. His art often reflects on the impact of commercialism and the intrusion of public spaces, creating dialogues around the power dynamics of visual culture. This piece is yet another example of Colla's ability to blend fine art with street art's energy and social consciousness.

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage, an illustrious piece by globally acclaimed artist Shepard Fairey, demonstrates the compelling interplay of iconography and symbolism. Created in 2023, this limited edition artwork is a captivating fusion of pop art and street art aesthetics, meticulously hand-pulled on Speckletone Fine Art Paper. The exquisite detail of this silkscreen print, underscored by Fairey's signature technique, is a testament to his artistic proficiency. Emblematic of Fairey's work under his well-known OBEY brand, the Barb Wire Dove Collage commands attention through its layered narrative and striking visuals. Limited to a series of 450, each piece is signed and numbered by the artist, thereby underlining its exclusivity. The artwork, measuring 18x24, carries an impactful presence, with every inch filled with intricate design and thoughtful imagery. At the heart of this artistic expression lies a symbolic dove, ensnared in barbed wire, a potent metaphor often associated with peace trapped within the confines of societal or political unrest. The vivid pop-art colors utilized by Fairey further enhance the visual appeal of the artwork, making it a noteworthy addition to any collection. Shepard Fairey's reputation as a stalwart in the street and graffiti art domain lends further prestige to the Barb Wire Dove Collage. His work consistently challenges viewers, prompting introspection and dialogue around sociopolitical themes. As an emblem of his artistic journey and his continuing influence in the world of pop and street art, this piece is an emblematic representation of Fairey's distinct visual language and innovative approach to creating resonant imagery.

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The Greatest of All Time 4 (Damaged) Muhammad Ali x Leon Spinks Pop Street Artwork Limited Edition Giclee Print on Heavy Watercolor Paper by Modern Artist Alec Monopoly Brand. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 36x24 Tear to mid-right section, about 3 inches.

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No Posts, No Bills- 24x36 Paper Limited Edition 4-Color Hand-Pulled Silkscreen Print on Archival Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 70 Artwork Size 36x26 Mr Brainwash- Thierry Guetta 2021 NO POST, NO BILLS Paper Edition 24 X 36” print S/N of 75

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The Shape Of Capitalism Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 Featuring works from Denial’s nearly decade-long career, his often satirical approach works to combat mass media, consumerism, and advertising by taking familiar imagery and objects and re-contextualizing them into unique artistic statements that drive the viewer to question the worth and difference (if any) between art and advertising. Building on a long line of pop-driven work, Enjoy Denial finds Denial harnessing the negative corporate energies spewed upon society and turns them back against the established power structures that control our everyday lives. With this exhibition, Denial peels back layers of overloaded advertising and logos to shine a not-so-subtle light on the deceptions society combats daily from corporations. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Landmarks PP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition 1/1 Artwork Size 19x24 Archival Pigment Fine Art Graffiti Tags & Throw Ups on a Vintage Mountain Landscape Small Bumps To Right Extreme White Margin, Working Artist Proof Dave Pollot's groundbreaking artwork "Landmarks PP" takes a unique and influential position within the evolving fields of pop art, street art, and graffiti art. As a testament to the artist's creative prowess, the piece ingeniously repurposes a vintage mountain landscape, over which Pollot superimposes graffiti tags and throw-ups, adding a distinctive contemporary edge to an otherwise traditional scene. The "Landmarks PP" is a limited edition print, produced on Matte Velvet Rag Fine Art Paper, an exquisite material chosen for its ability to capture the vibrancy of Pollot's vivid color palette. Marked as 'PP' and signed by the artist himself, the Printers Proof 2021 stamp further confirms its exclusivity. Significantly, the edition is marked 1/1, which underlines that this print is a singular instance in its edition, thus significantly enhancing its desirability and collectability for art aficionados worldwide. The artwork, measuring 17x22 inches, is not only captivating in its visual content but also, notably, in its application of the archival pigment. This process, favored for its longevity and color fidelity, ensures that the print will retain its original brilliance for years to come, providing the collector with an enduring piece of pop art history. Pollot's "Landmarks PP" represents a seamless fusion of traditional landscape art and modern graffiti aesthetics. It is an intriguing exploration of the intersection between these two art worlds, and a clear example of how artists are pushing boundaries to redefine the traditional limits of art. This archival print is an unmistakable icon of Pollot's work, reflecting his ability to incorporate diverse elements into a unified, powerful visual experience that captivates and challenges audiences, urging them to contemplate the possibilities of creative expression.

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Warhol 02 Red Purple Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 2002 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Andy Warhol Friend Face Pruple Red & White. Intense Expressionism in Peter Keil's Warhol 02 Red Purple The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil, also known as The Wild Man of Berlin, is a captivating exploration of form and color through the lens of Neo-Expressionism. This one-of-a-kind artwork on a Masonite panel embodies the spirited energy of the artist, a famous contemporary figure known for his daring use of colors and profound representation of faces. The 2002 piece, signed and stamped with the year by Keil, is a square of emotion measuring 24x24 inches, where the thick application of paint forms an image of Andy Warhol, revealing the profound influence of pop art on Keil's work. Keil's artistic method is defined by a bold, impasto technique where the paint is layered on thickly, giving the artwork a three-dimensional texture that is both seen and felt. This technique results in some degree of flaking over time, which is considered an inherent characteristic of Keil's work, adding to its authenticity and historical value. The "Warhol 02 Red Purple" painting is a testament to this style, with its vibrant reds and deep purples merging to form the iconic visage of Warhol, set against a stark white background. Peter Keil's Contribution to Contemporary Art Peter Keil's contribution to street pop art and graffiti artwork is substantial, as he brings street art's raw, untamed essence into the gallery. His work eschews the conventional polish and restraint often associated with fine art, instead embracing a wild abandon more commonly found on the streets and in the alleys where graffiti thrives. The "Warhol 02 Red Purple" vividly illustrates this philosophy, with the painting's subject – a pop art pioneer – being depicted in Keil's uninhibited style, creating a bridge between the two artistic worlds. Each of Keil's paintings is an original narrative, a story told in the visual language of colors and shapes. Collectors and enthusiasts of Keil's work are attracted to his paintings' intense emotion and distinctive style. In the case of "Warhol 02 Red Purple," the allure is enhanced by the subject matter – the legendary Andy Warhol – which positions the painting at the intersection of pop art heritage and contemporary artistic innovation. Owning a piece by Peter Keil is more than an acquisition of art; it is an immersion into the vibrant life story of the painting itself. The flaking paint, the bold strokes, and the striking contrasts create an experience that is as evocative and complex as the artist himself. The "Warhol 02 Red Purple" is a vibrant symbol of Keil's enduring artistic vision and impact on the art world. The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil is a visual feast and an essential piece of contemporary art history. This work encapsulates the essence of street pop art and graffiti through the lens of a master painter whose unorthodox approach to art has captured the attention of the global art community. Keil's painting celebrates expressive freedom and the power of art to convey profound human emotion and thought.

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Dobermann Anatomy Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered 24 x 24 inch / 61 x 61 cm Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos, an iconic figure in the world of street pop art and graffiti, presents a striking depiction of the Dobermann breed in his artwork titled "Dobermann Anatomy." Renowned for his unique anatomical explorations, Nychos delivers a layered perspective that delves deep into the physical structure of the canine, unravelling the layers from skeletal to muscular and finally the full-bodied representation of the Dobermann. The result is a captivating piece that marries scientific precision with artistic flair. Set against a muted teal backdrop, the sequential progression of the Dobermann from bone to flesh provides a detailed insight into the intricate anatomy of the dog. The vivid colors used to distinguish between the muscles, organs, and bones capture the viewer's attention, offering a visual treat that blurs the lines between educational illustration and pop art. The meticulously crafted details are a testament to Nychos's dedication to his craft, further establishing him as a master of his genre. Crafted in 2021, this fine art print stands as a testament to the evolution of street art, pushing the boundaries of what is traditionally expected from the medium. Measuring 24 x 24 inches, the artwork is printed on velvet fine art cotton fiber paper, ensuring longevity and a rich texture that complements the depth of the piece. As a limited edition release, there are only 111 pieces available, each of which is hand-signed and numbered by Nychos himself. For enthusiasts of street art, graffiti, or simply those fascinated by anatomy, this artwork offers a unique fusion of all, making it a valuable addition to any collection.

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Quiccs xSneakerHereos- Jumpman Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 QUICCS x SneakerHereos - Jumpman by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Ali Canvas 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Ali Canvas, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 227/450 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Beyond LA 2-Color Hand-Pulled Limited Edition Silkscreen Print on 298 GSM Classic Crest Solar White Paper by Pop Artist OG Slick x Beyond The Streets. 2018 Signed & Numbered Limited Edition of 250 Artwork Size 24x24. Scattered creases on the left side of the print. OG Slick (b. 1967) Beyond LA, 2018 Screenprint in colors on Classic Crest Solar White paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 59/250 Signed, numbered, and dated in pencil along lower edge Published by Beyond the Streets, Los Angeles

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Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print The Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print by Cleon Peterson represents a striking piece of Street Pop Art and Graffiti Artwork with a clear political message. Created in 2024, this artwork captures the spirit of civic responsibility and the enduring fight for democracy. This piece is printed on hand-deckled 290gsm Coventry Rag Fine Art Paper, highlighting its handcrafted quality and tactile appeal. The print is part of a limited edition of only 80 signed and numbered works, measuring 18x24 inches. Its exclusivity and powerful message make it highly sought after by collectors and art enthusiasts alike. The Bold Visual Style of Cleon Peterson Cleon Peterson, an American artist born in 1973, is renowned for his bold and minimalist visual language. His work often explores themes of power, resistance, and societal conflict, utilizing stark compositions and contrasting colors to amplify the intensity of his message. The Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print showcases a central figure of a woman on horseback holding the U.S. flag, symbolizing resilience, hope, and the continuous fight for freedom. The muted fatigue-inspired palette offers a unique take on traditional patriotic colors, reinforcing the sense of endurance and the weight of civic responsibility. Street Pop Art and Graffiti Artwork as Political Commentary Street Pop Art and Graffiti Artwork have long been used to express political and social messages, and this print is no exception. By combining the raw energy of street art with the polished techniques of silkscreen printing, Peterson creates a piece that resonates with contemporary audiences while honoring the traditions of activist art. The imagery of the woman and horse evokes strength and determination, while the flag and dynamic composition emphasize a call to action. The fatigue-inspired design also serves as a subtle nod to the struggles and sacrifices inherent in the fight to preserve democratic values. Limited Editions and Their Cultural Significance The limited-edition nature of this artwork enhances its appeal and underscores its importance as a piece of cultural commentary. By signing and numbering each of the 80 prints, Peterson personalizes the artwork, creating a tangible connection between the artist and the viewer. The use of fine art materials such as Coventry Rag Paper elevates the piece, blending the accessible ethos of street art with the refined craftsmanship of traditional printmaking. This combination of aesthetic excellence and political relevance ensures that the Vote Keep Hope & Freedom Alive Fatigue Silkscreen Print will remain a powerful symbol of hope and freedom in contemporary art.

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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Polka Dot Portrait Holographic 14-Color Limited Edition Silkscreen Print on 10pt Lava Holographic Board by Sheefy McFly- Tashif Turner. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 14-Color Screen Print on 10pt Lava Holographic Board Size: 18 x 24 Inches Release: September 30, 2021 Run of: 30

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Power Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Power, 2020 Screenprint in colors on Arches Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 94/100 Signed, numbered, and dated in pencil along lower edge Published by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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Late Night Study II Original Ink Hand Drawing on Fine Art Paper by modern trending street art artist Sheefy McFly. 2020 Signed Original Marker Drawing Artwork Size 18x24 Framed Late Night Study II, 2020 Ink on paper 24 x 18 inches (61 x 45.7 cm) (sheet) Signed and dated along right edge. Framed Dimensions 27.5 X 21.5 Inches

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Mark Lanegan 60 Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Meaningful Tribute to a Resonant Voice Cleon Peterson, an American artist known for arresting imagery and commentary on human conflict, created this limited edition silkscreen print as a personal homage to Mark William Lanegan. Lanegan, an American singer, passed away on February 22, 2022, leaving a profound influence on those who knew him and admired his work. Peterson sought to honor the singer’s 60th birthday through this piece, reflecting the shared journeys and the spirit of discovery that bound them together. The artwork presents a striking composition in red, black, and white, symbolizing both shadowy introspection and bright revelation. Each element in the design conveys tension and release, echoing the emotional depth of Lanegan’s music and the keen observations that define Peterson’s artistic approach. This 15x24-inch print on hand deckled 290gsm Coventry Rag Fine Art Paper captures a powerful exchange between two figures. One figure, rendered in vivid red, suggests an otherworldly presence, while the central human form stands in stark black. Their poses and gestures imply a push and pull of darkness and light, a motif that resonates with Lanegan’s creative path. The swirling shapes around the figures evoke fire, passion, and potential tumult, reinforcing Peterson’s signature use of bold silhouettes and purposeful negative space. By blending minimal details with high-contrast colors, the composition maintains a sharp intensity that draws the observer into its emotional core. Symbolism and Visual Expressions The interplay of color in this silkscreen print reflects the way Lanegan’s music often inhabited spaces of introspection and fervor. The red figure hints at the force of temptation or struggle, while the black figure appears poised between surrender and resistance. These themes connect to Peterson’s broader body of work, which frequently portrays dramatic confrontations between contrasting elements. The text at the top and bottom references Lanegan’s 60th birthday and a notable venue, grounding the imagery in a celebratory yet reflective context. Observers are invited to consider how memory, friendship, and creative expression intertwine, shaping a narrative that transcends a mere birthday commemoration. Street Pop Art & Graffiti Artwork Connections Followers of Street Pop Art & Graffiti Artwork will recognize Peterson’s distinctive style, which employs flat color fields and intense outlines to deliver profound statements. This approach, reminiscent of bold murals and graphic interventions, has a directness that resonates in urban spaces as well as gallery settings. The oversized figures, emphasized by bright red and deep black, maintain the immediacy often associated with graffiti and street-based practices. Peterson’s technique interlaces pop culture influence with raw, street-inspired energy, reflecting a shared heritage of challenging conventional aesthetics. The overall arrangement echoes a modern approach to iconic visuals, where a few simplified shapes transmit a wealth of emotional content. Production Details and Collectibility Created in 2024 as a signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print stands as a carefully crafted testament to the artist’s dedication. Each piece is printed on luxurious 290gsm Coventry Rag Fine Art Paper, hand deckled for a subtle, artisanal feel. The tactile edges offer a nod to the handmade aspect of screen printing, merging contemporary design with time-honored techniques. Collectors value the exclusive nature of this run and the emotional resonance behind the subject matter, as Peterson’s personal connection to Lanegan adds depth to the composition. This artwork embodies the potent blend of reverence, friendship, and Street Pop Art & Graffiti Artwork influences that characterizes Peterson’s portfolio, reminding viewers of the enduring power that creative voices hold, even when they have departed.

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Frenzy- Untitled Hand-Pulled 1-Color Silkscreen Print on Black Fine Art Paper by Graffiti Artist Saber Rare Street Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x24

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Dark as a Dungeon Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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American Daydream- Foil PP Printer Proof Limited Edition 9-Color Hand-Pulled Silkscreen Print on 10pt Lava Foil Holographic Fine Art Paper by Artist Denial. PP Printers Prood 2021 Signed & Marked PP Limited Edition 9-Color Screen Print on 10pt Lava Foil Holographic Fine Art Paper Size: 18 x 24 Inches Release March 09, 2021 Denial's "American Daydream-Foil" in the Landscape of Street Pop Art & Graffiti Artwork "American Daydream-Foil" by the artist Denial, also known as Daniel Bombardier, is a thought-provoking piece encapsulating the spirit of street pop art and graffiti artwork. As a Printer's Proof (PP) limited edition, this 9-color hand-pulled silkscreen print is a rare and collectible piece of art, released on March 09, 2021. The use of 10pt lava foil holographic fine art paper gives the artwork a mesmerizing quality, with its reflective surface creating a sense of depth and movement that enhances the visual impact of the piece. The artwork's size, 18 x 24 inches, is substantial and ideal for capturing the intricate details and vibrant colors that Denial employs. Each print in this limited edition is signed and marked PP by the artist, denoting its exclusivity and the artist's direct involvement in the creation and approval process. The holographic effects of the lava foil paper interact with the silkscreen ink, resulting in a dynamic piece that changes with the viewer's perspective and the surrounding light. Denial's work often comments on consumerism, politics, and the media, and "American Daydream-Foil" is no exception. The image of a woman's face, reminiscent of the classic pop art style made famous by artists like Roy Lichtenstein, is overlaid with a dazzling pattern that reveals and conceals her features. This interplay suggests the tension between reality and the manufactured dreams sold to society, a recurring theme in Denial's oeuvre and a poignant critique that resonates deeply in street pop art and graffiti. Reflective Surfaces and Societal Reflections in Denial's Art The reflective surface of "American Daydream-Foil" is a literal and figurative mirror, inviting viewers to reflect on their perceptions and the societal constructs that shape them. Denial’s use of foil is remarkably evocative, as it not only catches the eye but also suggests the allure and superficiality of the American Dream. The way the artwork's appearance changes with light and angle can be seen as a metaphor for the shifting nature of this dream and the elusive pursuit of happiness within modern American culture. The piece's limited release and its Printer's Proof status elevate its value in the art market, making it a sought-after item for collectors of street pop art, graffiti artwork, and modern pop art. The PP mark signifies that this particular edition was used to check the quality before the final run, often kept by the artist for personal reasons or sold to discerning collectors who appreciate the rarity and authenticity of such proofs. Denial's "American Daydream-Foil" is a powerful addition to the narrative of street pop art and graffiti artwork. It bridges the gap between the rebellious origins of street art and the refined techniques of fine art printing, creating a piece that is both a statement and a spectacle. As with much of Denial's work, the piece is imbued with layers of meaning, challenging viewers to look beyond the surface and consider the more profound commentary on the culture surrounding them. In contemporary art, "American Daydream-Foil" stands as a vibrant example of how traditional pop art motifs and modern techniques can come together to create something that reflects and reacts to the society from which it springs.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Lines In The Slipstream #14 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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