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Pop Tart- Yellow Hand-Pulled 7-Color Framed Silkscreen Print on 410gsm Somerset Satin White Paper by Artist D*Face- Dean Stockton Limited Edition Fine Art Artwork. 2007 Signed & Numbered Framed Limited Edition of 125 Artwork Size 30x29 Framed With a Large Custom Frame & Mat. Pop Tart (Yellow), 2007 Screenprint in colors on paper 30 x 29 inches (76.2 x 73.7 cm) (sheet) Ed. 125 Signed and numbered in pencil along the lower edge. Published by Black Rat Press   Blending Street Edge with Fine Art: D*Face's "Pop Tart- Yellow" "Pop Tart- Yellow" by DFace, the pseudonym of Dean Stockton, is a remarkable piece in pop art, street art, and graffiti. This 2007 hand-pulled 7-color silkscreen print on Somerset Satin White Paper represents a fusion of street edge with delicate art sensibility, a hallmark of DFace's work. The print, signed and numbered by the artist, is part of a limited edition series of 125, each framed with a large custom frame and mat, measuring 30x29 inches. DFace's work often confronts the viewer with vibrant colors and a juxtaposition of images that challenge pop culture norms. "Pop Tart- Yellow" showcases this with a striking visual pun that layers celebrity imagery with graphic elements of decay, questioning the immortalization of icons in pop culture. The silkscreen technique DFace uses allows for crisp, vivid colors that pop against the paper, a testament to the artist's skill and attention to detail. In the vein of pop art tradition, D*Face's work comments on consumerism and the commodification of fame, with "Pop Tart- Yellow" as a perfect example. This artwork embodies the transformation of a cultural icon into a visual discourse, engaging with the viewer's understanding of fame and mortality. It's a piece that resonates with the ethos of street art, where the public space is a canvas for social and political commentary. The legacy of "Pop Tart- Yellow" in the art community is significant as it exemplifies the blurred lines between street art's rawness and the refined nature of limited edition prints. The artwork's presence in a gallery or a private collection continues to carry the spirit of the streets, where D*Face's artistry first found its voice. As street pop art and graffiti continue to influence the contemporary art scene, works like "Pop Tart- Yellow" remain pivotal, showcasing this genre's vibrant and transformative power.

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A Night On The Town Original One of a Kind Acrylic Painting Artwork on 270gsm Acrylic Canvas Stock by Popular Street Graffiti Artist Aaron Craig- Pop Mash. 2021 Signed Original Acrylic Painting Artwork Size 21x29 Artwork Specifications Artwork dimensions: 54cm x 74cm (21” x 29”) Medium: Acrylic paint on 270gsm acrylic canvas stock Signed and blind stamped by Aaron Craig

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Pop Tart Yellow Unique HPM Original Collage Silkscreen Print by D*Face- Dean Stockton Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Collage HPM Embellished Unique Original Artwork Size 30x29 Framed Exploring the Vibrant Convergence of Street Pop Art & Graffiti Artwork The fusion of street pop art and graffiti artwork often creates a vivid tableau that not only captures the eye but also provokes thought and commentary on societal issues. The "Pop Tart Yellow Unique HPM Original Collage Silkscreen Print" by the renowned British artist D*Face, whose real name is Dean Stockton, exemplifies this dynamic. Produced in 2007, this limited-edition work is an engaging piece that is visually arresting and thematically complex. Dean Stockton and the Allure of Screen Printing Dean Stockton, better known as D*Face, has become a standout figure in contemporary street art. His work often critiques the consumerist culture, the mechanization of modern life, and the omnipresent media that shape our realities. Born in London, Stockton is alive as of my last update, and his work continues to influence the trajectory of street art globally. The "Pop Tart Yellow" work showcases"his distinctive approach to street pop art, infusing elements of graffiti with traditional pop art aesthetics. The silkscreen process, a hallmark of pop art since its popularization by figures like Andy Warhol, is central to the visual impact of "Pop Tart Yellow." "t allows Stockto" to layer colors and images, creating an almost tangible texture. This method, which entails pushing ink through a screen to transfer an image onto a substrate, adds to the uniqueness of each piece, especially when hand embellishments are involved. The Cultural Commentary of "Pop Tart Yellow" U" on observing" "Pop Tart Yellow" p" int, one is str"ck by its bold use of color and the juxtaposition of a skeletal figure adorned with cartoon-like features. The artwork is a veritable cornucopia of social commentary, steeped in the visual language of both street and pop art. The yellow backdrop serves as an eye-catching element and a symbol of caution, mirroring the cautionary tales often told by street artists about the world around us. The elements of collage and the hand-finished touches, indicated by "HPM" (Hand Painted Multiple), point" to "the unique nature of each print within the limited series. Stockon's choice to hand-embellish tStockon's underscores the street art ethos of originality and direct engagement with the artwork. The skeletal figure, a recurring motif in D*Face's work, invokes the temporaliD*Face'sman existence and the often superficial layering of societal expectations and norms. The imagery in "Pop Tart Yellow" reflects a disenchantment with the"police state and the perpetual cycle of violence, as suggested by the text fragments accompanying the visual elements. Stockton's work is rarely without a Stockton'sedge, and this piece continues in that vein, challenging the viewer to reflect on the structures of power and authority that govern everyday life. The artwork’s dimensions, 30x29 inches, make it a commanding presence in any space. As with many street art pieces, the scale contributes to the impact, and even when confined within a frame, "Pop Tart Yellow" retains the raw energy typically found in Stockton’s more enormous murals. The act of Stockton Street art, a form traditionally found in the brief space of the urban landscape, further blurs the lines between high art and accessible street culture. Legacy and Influence in Modern Street Art The legacy of street pop art and graffiti artwork like "Pop Tart Yellow" lies in its ability" to remain relevant over the years. Though created in 2007, the thematic concerns of the piece resonate strongly in today's social and political climate. Today's art has long been a medium for marginalized voices and a platform for alternative narratives in the public sphere. As a limited edition work, "Pop Tart Yellow" allows collectors "to hold a piece "of that conversation, a moment of that dialogue immortalized through the artist's lens. D*Face’s body of artwork D*Face's "Pop Tart Yellow" provides a critical"l lens through which to view our contemporary world. Stockton's art compels us to confront Stockton's mundane and the political in one fell swoop. His influence extends beyond the streets and into the galleries, bridging the gap between what art can be and what it has the potential to communicate. The vibrant interplay between color, text, and imagery in "Pop Tart Yellow" is a testament to "Tockton’s skill" in harnessing Stockton's pop art to open conversations and challenge perceptions. Much like the rest of his oeuvre, this piece will continue to captivate and inspire, inviting onlookers to partake in a visual feast that is both a reflection and a critique of the world we navigate.

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Finally Some Alone Time Archival Print by Hebru Brantley Limited Edition on 330gsm Cotton Museum Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 155 Artwork Size 32x29 Archival Pigment Fine Art  Exploring "Finally Some Alone Time" by Hebru Brantley The art scene has been electrified by the remarkable creations of Hebru Brantley, whose work "Finally Some Alone Time" stands as a beacon of contemporary pop graffiti street art. The piece is a symphony of color and emotion, encapsulated in the fine strokes on 330gsm cotton museum fine art paper, and reflects Brantley's unique lens on urban culture and Afrofuturism. Hebru Brantley's Artistic Vision Brantley's work is a visual narrative that transcends the ordinary, inviting viewers into a world where the dichotomies of urban life meet the boundless possibilities of the imagination. His artistic language speaks through vibrant hues and figures that are both a nod to the past and a leap toward the future. "Finally Some Alone Time" captures the essence of introspection within the collective memory and experiences of urban existence. A Modern Take on Street Art With this archival print, Brantley pushes the boundaries of traditional street art. The artwork encapsulates the serene moment of solitude amidst the chaos of life, depicted through the symbolic imagery of two characters in repose on an otherworldly vehicle. Each element of the composition is meticulously crafted, revealing Brantley's profound understanding of the power of visual storytelling. Hebru Brantley's Cultural Influence As a prominent figure in modern street art, Brantley's influence can be felt far beyond the galleries and city walls. His pieces, including "Finally Some Alone Time," serve as cultural touchstones that celebrate African American history's richness and the diaspora's future. Brantley's ability to weave complex narratives through his art has earned him critical acclaim and a dedicated following, making each limited edition release, like this archival print, highly anticipated and celebrated. In exploring Hebru Brantley's work, one does not simply observe; one is invited to partake in a dialogue that delves deep into the human spirit. Through pieces like "Finally Some Alone Time," Brantley continues to cement his legacy as an artist who not only captures the zeitgeist of street pop art and graffiti artwork but elevates it to new heights. Each signed and numbered print is not just a visual delight but a piece of contemporary history that speaks volumes of the world we inhabit and the worlds we dream of creating.

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Bamba. 7-Color Hand-Pulled Limited Edition Gold Foil Silkscreen Print on 300gsm Canson Cotton Paper by Violeta Hernandez Rare Street Art Famous Pop Artwork Artist. 2022 Signed Gold Foil 29x29 Limited Edition of 35 This piece goes through two different manual production processes, the first is a six-color silkscreen printing, the second is a hot stamping finishing that works under pressure and heat, all 300 grams, acid free, 100% cotton, Canson paper. · All pieces are signed and numbered by me under a very limited edition of 35 copies. · Being a manual production process, the pieces may present very slight variations among one another. · Print size: 74x74cm (29x29in)

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Nebula. 11-Color Hand-Pulled Limited Edition Silkscreen Print on Guarro Cotton Paper by Violeta Hernandez Street Art Pop Artwork Artist. 2022 Signed Gold Foil 29x29 Limited Edition of 35 Eleven-ink manual silkscreen printing, 60% cotton, Guarro paper Print size: 74x74cm (29x29in) · Printed by Taller 75 grados (México City) · All pieces are signed and numbered by V under a very limited edition of 30 copies. · Being a manual production process, the pieces may present very slight variations among one another.

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