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Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Bullet Holes Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Bullet Holes by RD-357 Painting- This original artist stretched canvas mixed media spray paint graffiti painting features the RD tag with bulletholes and concrete in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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KG Olive Limited Edition 2-Color Hand-Pulled Silkscreen Print on Chipboard Paper by Mike Giant x Dave Kinsey Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Skeleton and Roses- Airbrushed Embellished Limited Edition Hand-Embellished HPM 1-Color Silkscreen on Fine Art Paper by Stanley Mouse Low Brow Street Artist Modern Pop Art. 2021 Signed & Numbered Artwork Size 17x22 Original one-of-a-kind airbrushed skeleton with roses embellished HPM from Grateful Dead music fame.

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Listen You Fuckers- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

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New York City Subway Maps IV PP Printers Proof Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 17x24. New York City Subway Maps IV, Archival pigment print in colors with hand-embellishments on Moab Fine Art paper Cope2's Artistic Legacy in "New York City Subway Maps IV PP Printers Proof" The "New York City Subway Maps IV PP Printers Proof" by Cope2 represents a confluence of street authenticity and artistic innovation within modern Pop Art. The 2019 Printers Proof edition, signed and marked by the artist, is a limited series that pays homage to the raw spirit of New York's street culture. The artwork, measuring 17x24 inches, is a hand-embellished archival pigment print on Moab Fine Art paper, echoing the gritty essence of urban life through vibrant spray paint and bold tagging styles. As a seminal Graffiti Street Art movement figure, Cope2's work encapsulates the city's visual vibrancy and chaotic energy that never sleeps. His "New York City Subway Maps IV" represents the iconic transit system and a canvas showcasing the layered history of graffiti that has become synonymous with the city's subways. The hand-embellishments signify Cope2's personal touch, making each piece a unique fragment of New York's urban narrative. Blending Traditional Techniques with Urban Aesthetics Cope2's Printers Proof edition blurs the lines between traditional printmaking techniques and the urban aesthetics of graffiti. By incorporating hand-embellishments, each print transcends its status as a mere reproduction, becoming a standalone work of art. The series showcases Cope2's versatility as an artist capable of adapting street capable of adapting street art's spontaneous natureine art printing. The "New York City Subway Maps IV" series is a cultural artifact that reflects the evolution of street art from an act of rebellion to a recognized form of artistic expression. Cope2's work has transitioned from the fleeting surfaces of subway cars to the permanence of fine art paper, enabling the transient nature of street art to be captured, preserved, and appreciated as part of contemporary art's expansive canon. The limited edition Printers Proof series is a testament to the enduring appeal of street art and its significance within the larger context of pop culture. It underscores the importance of preserving the ephemeral nature of graffiti while providing an accessible medium for art collectors and enthusiasts to engage with street art in a new way. In essence, Cope2's "New York City Subway Maps IV PP Printers Proof" is a vibrant homage to the streets of New York, a tangible slice of the city's artistic soul. Through his work, Cope2 continues to play a pivotal role in shaping the narrative of Street Pop Art and Graffiti Artwork, ensuring that the voices of the streets are heard and celebrated in galleries and collections across the globe. His artwork remains a dynamic intersection of color, form, and urban storytelling, capturing the city's pulse in each spray-painted line and hand-drawn tag.

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I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 200 Artwork Size 17x11 Silkscreen Print of Lucy van Pelt & Pig Pen Thinking "I'm Sick Of That Fake Thug RNB Rap Scenario" Mark Drew's Street Pop Commentary through Peanuts and Dead Prez Mark Drew’s 2019 silkscreen print titled I'm Sick Of That Fake Thug serves as a sharp and insightful fusion of music culture and nostalgic cartoon imagery. Known for his signature remixing of Peanuts characters with classic hip-hop lyrics, Drew pulls from the revolutionary voice of Dead Prez to create a vivid commentary on authenticity and street culture within the music industry. This hand-pulled silkscreen edition, limited to 200 signed and numbered pieces, measures 17 by 11 inches and utilizes bold visual contrast to reinforce its message. The print features Lucy van Pelt and Pig Pen in a stark black outline against a warm yellow-and-white backdrop, where Drew captures a moment of critique from Dead Prez's lyricism, visually anchoring it within the innocence of Schulz’s comic strip. Stylistic Juxtaposition and Cultural Subversion The work thrives on juxtaposition. The childlike familiarity of Peanuts is set against one of the most politically charged and socially aware hip-hop acts of the 2000s. Pig Pen, known for his disheveled appearance, is placed as the unexpected mouthpiece of frustration with inauthentic portrayals in the RNB and rap industry. This contradiction enhances the viewer’s engagement, forcing a reconsideration of cultural consumption. Drew’s consistent technique of overlaying vintage cartoon simplicity with potent hip-hop text transforms his prints into vehicles of cultural dialogue. This particular work uses its clean, silkscreened forms and expressive typography to deliver a punch of truth masked in humor and nostalgia. Process and Limited Format in Street Pop Art Executed as a traditional hand-pulled silkscreen print, Drew’s method aligns with the tactile history of street pop art and graffiti artwork. Each copy in this edition of 200 reflects the artist’s direct involvement and commitment to authenticity—ironically reinforcing the very critique embedded in the print’s message. The controlled color palette of black, yellow, and white gives the piece a visual rhythm that supports its lyrical source material while maintaining accessibility through recognizable characters. Drew’s prints are not mass-reproduced digital pieces but collectible fine art that maintains the rebellious soul of graffiti. Mark Drew’s Ongoing Hip-Hop Narrative Based in Tokyo, Mark Drew continues to elevate conversations around hip-hop, nostalgia, and cultural commentary through his street pop art works. His recontextualization of familiar American pop icons with global hip-hop culture continues to resonate across generations. By pairing Dead Prez’s critique with characters like Lucy and Pig Pen, Drew not only pays homage to lyricism and activism but also highlights how visual art can amplify the emotional and social truths found in music. Each print in this series carries not just artistic value, but a reflection of the ongoing dialogue between art, resistance, and authenticity.

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Pattern Study- Blue Limited Edition LLeather Sneaker Shoe Sculpture Artwork by Street Artist Ceeze Fine Art. 2021 Signed Sculpture Wall Art Limited Edition #1 of 50 Artwork Size 17x20x1.2 Air Jordan 2 Pattern Study Blue HPM Shoe Object Art by Ceeze Framed Ready To Hang Paying homage to Don C's iconic “Blue” Air Jordan 2, Ceeze has remained this colorway in the form of a deconstructed Air Jordan 1 pattern. The artist has utilized full-grain suede and lamb napa leather, cutting and pinning pattern pieces with callouts into a framed canvas, each signed and numbered. Dimensions: 17x20x1.2.

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You Reaper You Sower- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition.

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Hollow Mickey Grey Resin Sculpture by Disney x Apportfolio x Daniel Arsham Limited Edition Pop Artwork Street Artist Fine Art. 2020 Stamped Resin Sculpture Limited Edition of 500 Artwork Size 17x16x17.25 of a Gray Mickey Mouse Ghost Like Stylized Daniel Arsham Hollow Mickey Grey Resin Sculpture. New in Box. The collaboration between Disney, Apportfolio, and celebrated contemporary artist Daniel Arsham has led to the creation of an extraordinary piece of collectible art: the Hollow Mickey Grey Resin Sculpture. This limited edition piece, which showcases Arsham's unique vision within pop and street art, is an emblematic reinterpretation of the iconic Disney character Mickey Mouse. Created in 2020, the sculpture is a profound statement that merges the playful essence of Mickey Mouse with the edgy and often ephemeral energy found in street art. This Hollow Mickey piece is not just a representation of the beloved character; it's a physical manifestation of the passage of time—a recurring theme in Arsham's work. The sculpture is skillfully cast in grey resin, encapsulating a ghost-like form that seems absent and present. It encapsulates the fleeting nature of pop culture, preserving the momentary in a form that feels as if it has been excavated from the distant future. With dimensions of 17x16x17.25 inches, the artwork has a commanding presence that captures attention and provokes contemplation. Limited to just 500 pieces, each sculpture is stamped, underscoring the authenticity and exclusivity of the artwork. Collectors of Arsham's work appreciate not just the aesthetic and emotional appeal but also the fine art aspect of this limited-edition series. It stands at the intersection of pop art and fine art, an accessible piece that is charged with the intellectual depth of contemporary art practices. Arsham's Hollow Mickey challenges the boundaries between traditional sculpture, street art, and pop culture iconography. It is a perfect example of how modern street artists can take ubiquitous symbols from popular media and infuse them with a sense of history, decay, and the sublime. This piece doesn't merely represent a character; it symbolizes the temporal relationship we have with cultural icons and our ever-changing engagement with art and nostalgia. As such, it holds a mirror to the viewer, inviting a personal interpretation that resonates with the fleeting nature of time and the enduring quality of a cultural phenomenon.

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New York City Subway Maps IV Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 15 Artwork Size 17x24. New York City Subway Maps IV, 2019 Archival pigment print in colors with hand-embellishments on Moab Fine Art paper 17x24 inches (43.2 cm x 61) (sheet) Ed. 10/15 Signed and numbered in pencil lower left. Work displays a .5-inch tear in the lower left border. Embracing Urban Narratives: Cope2's New York City Subway Maps IV Cope2's "New York City Subway Maps IV" is a dynamic fusion of graffiti's raw energy with the refined aesthetics of modern Pop Art, embodying the pulse of urban life on a tangible artifact of the city's daily motion. This 2019 limited edition series, with only 15 signed and numbered pieces, represents a significant contribution to the Street Pop Art and Graffiti Artwork movement. Each 17x24 inch piece is a hand-embellished archival pigment print on Moab Fine Art paper, offering a unique blend of street culture and high art. Cope2's signature authenticates the work, and its edition number is penciled on the lower left, with one particular piece displaying a minor .5-inch tear, adding to the authentic feel of the artwork. The piece serves as a visual archive of New York's graffiti history, immortalizing the spontaneous, often temporary, art gracing the city's subway maps. Cope2, a Bronx native, brings authenticity and street credibility to his work, with a reputation for over three decades in the graffiti scene. His "New York City Subway Maps IV" reflects urban street art's layered, complex nature, where tags and symbols intermingle to tell the stories of the city's diverse inhabitants. Cope2's Intersection of Street Art and Fine Art Cope2's artwork stands at the intersection of street art and fine art, capturing the essence of one medium within the form of the other. His pieces are more than mere representations of street graffiti; they are the confluence of the artist's lived experiences and interactions with the urban environment. The bold, saturated colors and aggressive brushstrokes hark back to the golden era of graffiti in the 1980s and 1990s when artists like Cope2 were not just decorating the city but also marking territories and expressing identities. The limited edition nature of "New York City Subway Maps IV" and the hand-embellishments by Cope2 himself ensure that each print is a unique piece of art, embodying both the spirit of the original street art and the artist's personal touch. The series encapsulates the rawness of the graffiti subculture while elevating it through fine art printmaking, challenging traditional notions of what constitutes art and who is deemed an artist. In essence, Cope2's work is a celebration of the visual language of the streets, presented within the context of fine art. It offers a narrative deeply rooted in New York City's cultural fabric, providing a snapshot of a movement that has evolved from the margins to the mainstream. The "New York City Subway Maps IV" series not only pays homage to the history of street art but also asserts its place within the continuum of contemporary art. Through his work, Cope2 continues to influence and shape the dialogue around Street Pop Art and Graffiti Artwork, ensuring that the vibrancy of street culture remains a vital part of the art world's discourse.

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Boudica Is Coming to HPM Embellished 6-Color Silkscreen Print by Jamie Reid Hand-Pulled on Distressed 400gsm Reverse Optimum Grey Card Limited Edition Artwork. 2018 Signed By Both Artists HPM Acrylic Hand Embellished Stencil & Numbered Limited Edition of 350 Artwork Size 17x25 Silkscreen Print of Queen Boudica on Horse Chariot Next To Skyscraper Building Art Car Boot Fair Edition Hand Distressed Boudica Is Coming: HPM Embellished Silkscreen Print by Jamie Reid and James Cauty The artwork Boudica Is Coming is an exemplary piece in the fusion of street pop art and graffiti-inspired visuals. Created by renowned British artists Jamie Reid and James Cauty, this work is an homage to rebellious iconography and the modern urban landscape. It is a limited edition of 350, hand-pulled on distressed 400gsm Reverse Optimum Grey Card, giving each piece a distinctive texture. Measuring 17x25 inches, the work captures the essence of street art culture while linking it to historical references, most notably through the imagery of Queen Boudica. The Iconography of Boudica in Street Pop Art Boudica, the ancient warrior queen of the Iceni tribe, is a recurring figure in British rebellious iconography. In this particular piece, Reid and Cauty draw a direct line between the defiant spirit of Boudica and the countercultural movements that define much of contemporary street art. She is depicted riding her iconic horse-drawn chariot, wielding strength and power. The juxtaposition of her figure against the backdrop of a modern skyscraper highlights the tension between history and the relentless progress of urbanization. This contrast is a central theme in street pop art, where historical and cultural symbols are frequently re-contextualized in contemporary urban environments. The use of Boudica in this context transforms her from a historical figure into a symbol of ongoing resistance. By placing her against a looming urban tower block, the artists are making a statement about the enduring relevance of rebellion in modern life. This ties into the broader themes of street pop art, where everyday environments, societal norms, and the tension between authority and individualism are challenged. Distressed Aesthetic and Graffiti Influences The aesthetic choices in Boudica Is Coming reflect the rough and gritty style often associated with graffiti artwork. The silkscreen is printed on distressed grey card stock, adding texture and uniqueness to each print. The distressed elements create a worn, almost decaying look, contrasting with the piece's vibrant neon colors. This distressing technique is particularly effective in replicating the look and feel of urban street walls, where posters and graffiti interact with the elements, slowly eroding into new forms. Jamie ReReid'sackground in graphic design and punk rock visuals plays a vital role in the pipiece'sverall composition. His work with the Sex Pistols and his distinctive collage style, which often includes defaced and altered political symbols, resonates throughout this silkscreen. The stencil-like appearance of Boudica and her chariot is reminiscent of street tagging, a nod to graffiti arart'soots. Meanwhile, James Cauty, known for his work with the KLF and as part of the art collective The Grey Organisation, brings a postmodern, dystopian sensibility to the piece. Combining these two artists creates a visual dialogue between rebellion, decay, and the ever-evolving cityscape. Hand-pulled and Hand-Embellished Elements A vital aspect of this edition is its hand-pulled silkscreen printing process. Each print is not just mechanically reproduced but crafted with care, resulting in slight variations between editions, making each piece unique. The silkscreen process, especially in the hands of Reid and Cauty, imbues the work with a tactile quality that draws the viewer in. The bold, almost fluorescent colors demand attention, creating a dynamic contrast between the monochrome tower block and the vibrancy of the lettering and Queen BoBoudica'silhouette. Further enhancing the print is the hand-embellished acrylic stenciling. Each print has been individually embellished by the artists, adding layers of paint extending beyond traditional prints' flatness. This manual intervention by the artists adds depth and texture, reinforcing the sense of the handmade, a cornerstone of street art and graffiti practices. These embellishments ensure that no two prints are exactly alike, adding to the value and collectability of the piece. Queen Boudica in the Urban Landscape The juxtaposition of Queen Boudica against a towering skyscraper is not merely a visual choice but a statement. It speaks to the encroachment of modernity on history, tradition, and natural landscapes. Skyscrapers, often symbols of corporate power and modernity, stand in stark contrast to the ancient, organic power represented by Boudica and her horse-drawn chariot. In this sense, Boudica Is Coming embodies the tension between the past and present, nature and industry, rebellion and order. The use of bold text in the piece, announcing Boudica Is Coming, adds a sense of immediacy and urgency. It speaks to the viewer in the way street art does, with its direct, almost confrontational messaging. The message itself hints at the idea of resurgence or the return of something powerful and transformative. Boudica becomes a stand-in for any number of modern resistances, whether political, social, or cultural. This is what makes the piece stand out in the world of street pop art and graffiti artwork. It engages the viewer visually and intellectually, prompting them to consider the implications of rebellion in the context of the modern city. It bridges history and contemporary street culture, creating a dialogue between the two. Boudica Is Coming by Jamie Reid and James Cauty is a powerful piece of street pop art that blends historical iconography with contemporary urban landscapes. Through its silkscreen process, hand-embellished elements, and the distressed aesthetic, it captures the raw energy of street art while commenting on the enduring relevance of rebellion and resistance. ItIt'sot just a print, but a visual and cultural statement that resonates within the framework of modern graffiti and pop art movements.

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Vandalism Print on Wood Panel Framed Ready to Hang by Nick Walker Street Art Modern Pop Artist. 2018 Vandalism Stencil Wood HPM Print by Nick Walker Framed 17 x 20 in. (43.18cm x 50.80cm) Vandalism by Nick Walker DCon exclusive limited edition of 50 fine art wood prints each hand-signed and numbered. Each print comes with a signed and numbered Certificate of Authenticity Fine art wood print on 1/2" sustainable Birch, Bright White finish

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In The Nature of Daydreaming No 2 PP HPM Archival Print by Helice Wen Limited Edition Hand Painted Multiple on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Acrylic Paint Hand Embellished Print Limited Edition Artwork Size 17x24 Archival Pigment Fine Art. Exploring the Fusion of Street Pop Art and Graffiti in Helice Wen's "In The Nature of Daydreaming No 2" The art world has witnessed a captivating blend of styles and mediums in recent times, exemplified by Helice Wen's "In The Nature of Daydreaming No 2". This piece is a stellar example of how modern artists are intertwining elements of street pop art and graffiti to create innovative, visually striking artworks. Released in 2020, this limited edition hand-painted multiple (HPM) archival print showcases Wen's unique vision, merging traditional fine art techniques with the raw, expressive energy of street art. Helice Wen, an artist renowned for her emotional and evocative work, brings a fresh perspective to pop art. Her piece "In The Nature of Daydreaming No 2" is particularly notable for its use of acrylic paint on 290gsm fine art paper, a choice that speaks to the blend of durability and delicacy in her work. The artwork, measuring 17x24 inches, is a testament to her mastery of both scale and detail. The Significance of Printers Proof (PP) in Contemporary Art The PP, or Printers Proof, edition of this artwork holds a special place in the art community. Traditionally, printer's proofs were seen as a part of the printmaking process, reserved for the printer's use and not typically for sale. However, in contemporary art, these proofs have gained value as unique pieces, often more sought-after than standard editions due to their rarity and the direct involvement of the artist. Wen's decision to sign and mark this piece as a PP HPM further elevates its exclusivity and appeal to collectors. Hand Embellishment: A Bridge Between Fine Art and Street Aesthetics The hand-embellished nature of this artwork is a crucial aspect of its charm and value. Hand embellishments in art involve the artist adding individual touches to each print, making every piece in the edition unique. In the context of Wen's work, this practice blurs the line between traditional fine art prints and street art's spontaneity and individualism. The use of acrylic paint for hand embellishments in "In The Nature of Daydreaming No 2" not only adds texture and depth to the piece but also infuses it with the raw energy characteristic of graffiti. Archival Quality and Its Role in Modern Art Preservation The use of archival pigment in fine art is another aspect that sets Wen's work apart. Archival pigments are known for their long-lasting quality, ensuring that the artwork does not fade or deteriorate over time. This longevity is essential for collectors and art enthusiasts who view the purchase of such pieces as an investment. The 290gsm fine art paper used in this print further contributes to its durability, striking an optimal balance between weight and texture. In summary, Helice Wen's "In The Nature of Daydreaming No 2" is a fascinating example of how contemporary artists are melding the worlds of street pop art, graffiti, and fine art. Through her choice of medium, hand embellishments, and attention to archival quality, Wen has created a piece that not only stands out in the modern art landscape but also challenges and expands the boundaries of traditional art forms.

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You Reaper You Sower- Red 1-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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Stubbed Toe- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Pop Culture Artist Cleon Peterson. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 100.

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Speak To Me Dark Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 17x22 Silkscreen Print Cleon Peterson, an influential figure in the global art scene, has been pivotal in the evolution of pop art, street art, and graffiti art. Born and raised in Seattle, Peterson moved to Los Angeles to pursue his career as an artist, carving a distinct place for himself in the art world with his graphic style and provocative subject matter. He has painted a vivid tableau of a dystopian world, where violence and chaos are recurring motifs. His work, recognized for its stark, black and white contrasts, embodies a critique of the power dynamics that pervade contemporary society. Despite the seemingly dark themes, Peterson's work carries significant resonance within pop art and graffiti aesthetics, utilizing powerful visuals and sharp social commentary akin to the works of predecessors like Andy Warhol or Keith Haring. His art is often seen as a mirror, reflecting the underlying aspects of society that many may find uncomfortable, but can't ignore, much like street art's function as an urban commentary. Peterson's art has not only adorned gallery walls, but has also found a home in public spaces and street corners worldwide. This adds to his reputation as a street artist, while his technique and skill have been able to bridge the gap between street art and traditional fine art. His art encapsulates the spirit of resistance, a cornerstone of graffiti art, giving voice to discontent and dissent in a visually striking way. Cleon Peterson's work has undeniably redefined the boundaries of pop, graffiti, and street art. His unflinching portrayal of societal issues, paired with his aesthetically robust style, contributes to an ongoing conversation about art's role in challenging norms and sparking dialogue. It is this dialogue that continues to affirm Peterson's place as an innovator and provocateur in the global art scene.

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Day Dream PP Printer Proof Archival Print by Sarah Joncas Limited Edition Print on 290gsm Moab Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 17x12 Archival Pigment Fine Art Sarah Joncas' "Day Dream" and the Fusion of Street Pop Art "Day Dream" by Sarah Joncas is a compelling example of Street Pop Art, where the intimate subject matter often seen in pop art converges with the bold visual language of street art. This Printer's Proof (PP) archival print from 2020 is part of a limited edition, signed and marked by the artist, signifying its rarity and collectibility. Printed on 290gsm Moab fine art paper, this piece utilizes archival pigment, ensuring that the vivid colors and delicate shading remain as intended for years. Technical Brilliance in Modern Artwork The choice of Moab fine art paper tells of Joncas' commitment to quality. Known for its substantial feel and ability to render sharp, accurate colors, the paper is the perfect medium for "Day Dream," which relies heavily on subtle gradations of tone and color to achieve its dream-like quality. The use of archival pigment further adds to this print's allure, providing a level of detail and longevity essential for high-end Street Pop and Graffiti Artwork. Measuring 17x12 inches, the artwork offers a sizeable canvas that allows viewers to immerse themselves in the serene world Joncas has created. The Narrative Power of Joncas' Art The "Day Dream" narrative is as striking as its visual composition. The image of a woman in repose, intertwined with vibrant red poppies, suggests a narrative of escapism and serenity. Her peaceful expression allows viewers to project their longing or contentment onto the scene. This personal connection is a fundamental aspect of Street Pop Art, where public accessibility and emotional engagement with the artwork are paramount. Joncas captures this spirit by creating a visual story that is both unique and universal. Limited Editions as Cultural Statements The PP designation of "Day Dream" is significant within the art-collecting community. Printer's Proofs are often printed in tiny quantities and are used as a quality check before the complete edition is run. These proofs can differ slightly from the final edition, often making them more coveted by collectors for their uniqueness. Joncas' signature on the print confirms its authenticity and her direct involvement in its creation, adding a level of intimacy between the artist and collector highly prized in the Street Pop and Graffiti Artwork scene. Embracing the Essence of Pop Art "Day Dream" embodies the essence of pop art through its explicit, powerful imagery and the use of everyday iconography—in this case, the poppies—to elicit an emotional response. However, Joncas elevates this concept by infusing it with tranquility and introspection, often associated with fine art. This blurring of lines between pop culture and high art is a defining characteristic of Joncas' work and speaks to the versatility of Street Pop Art as a genre. In the landscape of contemporary art, Sarah Joncas's "Day Dream PP Printer Proof" holds a special place. It is an artwork that encapsulates pop art's evolving nature, embracing its roots in mass culture and its potential for profound personal expression. The archival quality of the print ensures that it will endure, allowing future generations to continue engaging with its timeless narrative and impeccable craftsmanship.

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You Reaper You Sower- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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Brew Collection Original Painting Acrylic on Wood by Jesse Kassel Graffiti Street Artist Modern Pop Art. Brew Collection Original Wood Acrylic Painting by Jesse Kassel "I created this body of work this past summer (2013) for the Red Bull House of Art. Which is an Artist Residency that provides studio space and exhibit space for Detroit artists. This body of work was inspired by the after-hours environment as well as the landscape here in Detroit. This city is a gold mine for aging liquor store signs, and other hand-painted signs. There is a folk-art quality to the entire city and I wanted to bring that into a more specific subject. This piece is a collection of vintage beer cans that I like." - Jesse Kassel

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Stubbed Toe- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Pop Culture Artist Cleon Peterson. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 100.

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Queen In Blood Diamonds Negative Silkscreen Print by Jamie Reid Hand-Pulled on Wove Fine Art Paper Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 250 Artwork Size 17x24.5 Silkscreen Print of Elizabeth II Queen of England In Demonic Style With Words "God Save Great Britain" Art Car Boot Fair Edition Queen In Blood Diamonds: Negative Silkscreen Print by Jamie Reid The Queen In Blood Diamonds silkscreen print by Jamie Reid, produced in 2020, is a provocative and thought-provoking example of street pop art. Measuring 17x24.5 inches, this limited edition artwork features a bold depiction of Queen Elizabeth II with demonic undertones and the message God Save Great Britain superimposed on her image. Reid, a British artist known for contributing to the punk movement, notably through his work with the Sex Pistols, continues his tradition of rebellious and politically charged artwork with this striking print. Limited to 250 signed and numbered editions, this piece exemplifies the blending of iconic symbols and social commentary defining street pop and graffiti art. The Queen and the Iconography of Power in Street Pop Art In this particular silkscreen, Reid aims at one of the most iconic figures of modern British history: Queen Elizabeth II. The queen has long symbolized British power, empire, and tradition. However, Reid's depiction is far from a respectful portrait. Instead, the queen's face is rendered in an almost demonic, grotesque style, with dark red and black tones accentuating the sinister undertones of the piece. The term Blood Diamonds in the title invokes the historical controversy surrounding the British Empire's involvement in exploiting colonial resources, often at the cost of human lives. Reid's work here critiques the monarchy's complicity in these injustices. The phrase God Save Great Britain in this context starkly contrasts the typical reverence shown toward the British monarchy. It evokes the infamous slogan God Save the Queen, which Jamie Reid first subverted in his earlier work with the Sex Pistols. His use of cut-out, ransom-note-style letters in this print creates an atmosphere of disruption, a common technique in street pop art and graffiti artwork. This approach challenges the viewer to question established narratives of national identity, power, and loyalty to the crown. Hand-Pulled Silkscreen: A Process of Rebellion The process of creating this limited edition piece further aligns with the ethos of street pop art and graffiti. Each print in this series is hand-pulled on fine art wove paper, meaning no two prints are identical. This manual technique adds a layer of authenticity and rawness to the artwork. In a world increasingly dominated by mass production, hand-pulled prints maintain a sense of individuality and craftsmanship, much like the street murals and graffiti tags found in urban environments. Reid's background in graphic design and political activism informs the aesthetic choices in this print. The silkscreen technique allows for bold, flat areas of color, which are characteristic of pop art. At the same time, the rough texture of the print, with its distressed quality, echoes the ephemeral nature of graffiti. The dark red splatters in the background evoke blood, reinforcing the message of imperial exploitation and violence. The contrast between the smooth, almost glossy appearance of the queen's face and the chaotic, gritty background symbolizes the disparity between the polished image of royalty and the harsh realities of history. Punk, Pop, and Political Street Art Jamie Reid's involvement with the punk movement is essential to understanding this piece's political and rebellious nature. In the late 1970s, his designs for the Sex Pistols, including the iconic God Save the Queen cover, used collage techniques, ransom-note typography, and defaced images of British symbols to protest against the establishment. The Queen In Blood Diamonds continues this legacy of punk subversion, where art serves as a form of resistance and provocation. This print also embodies the characteristics of street pop art and graffiti's confronaggressiveand use of public, recognizable symbols. As a figurehead of the establishment, the queen becomes a target for critique. Much like street art and graffiti, which often reclaim public spaces for the people, this print seeks to reclaim cultural symbols to question and dismantle the status quo. Reid's use of the queen in this manner invites viewers to rethink their assumptions about authority and tradition, much like graffiti artists challenge the sanitized spaces of the modern city. The demonic style in which Reid renders the queen's face can also be linked to the tradition of grotesque satire in British art, which dates back to artists like William Hogarth. By distorting the features of one of the most recognizable faces in the world, Reid transforms her from a symbol of stability and continuity into a symbol of corruption and complicconspiracytorical violence. The bright red splashes evoke the violence of bloodshed, while the grinning expression adds a layer of unsettling irony to the piece. Limited Edition and the Significance of the 2020 Release This limited edition of 250 prints was produced in 2020, a year marked by significant social and political upheaval worldwide. In the context of the global pandemic, rising protests against systemic racism, and increased scrutiny of historical injustices, Queen In Blood Diamonds becomes a powerful statement about the need to confront uncomfortable truths about history and power. The year 2020 also saw renewed debates over the legacy of colonialism, with many calling for greater accountability and reparations for the crimes committed in the name of empire. Reid's decision to produce this piece during such a turbulent time adds another layer of urgency to its message. By releasing this print in 2020, Reid ensures that the themes of exploitation, power, and resistance remain as relevant as ever. In this context, the queen is not just a historical figure but a symbol of the enduring structures of authority that continue to shape our world today. As with much of Reid's work, this piece is not merely a work of art but a call to action, a visual protest that demands a response from its audience. Queen In Blood Diamonds by Jamie Reid is a powerful example of street pop and graffiti artwork. It blends the iconic with the grotesque, using the figure of Queen Elizabeth II to critique the legacy of British imperialism and the ongoing injustices that stem from it. Through its hand-pulled silkscreen process, bold use of color, and politically charged imagery, the print stands as both a piece of art and a statement of defiance.

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New York City Subway Map II PP Printers Proof HPM Archival Print by Cope2- Fernando Carlo Limited Edition Hand Painted Multiple on Moab Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2017 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 17x24 Archival Pigment Fine Art. Cope2's Vision in "New York City Subway Map II PP Printers Proof" "New York City Subway Map II PP Printers Proof" by Cope2, also known as Fernando Carlo, is a striking representation of the energy and vibrancy of street art culture, as captured on the very symbol of urban movement—the New York City subway map. This limited edition print from 2017 is a hand-painted multiple (HPM) on Moab Rag Fine Art Paper, each piece hand-signed and marked as a printer's proof by Cope2. The artwork, sized at 17x24 inches, showcases a blend of archival pigment fine art with the raw, spontaneous energy of street art through Cope2's iconic hand embellishments. Cope2's work in this series transcends the simple geographic representation of a map, transforming it into a canvas that narrates the pulse of the city's underground culture. Each Printer's Proof is a unique conversation piece, a segment of a more extensive dialogue that Cope2 has led in the street art scene for decades. His signature throw-ups and wildstyle tags are not just mere markings but are symbolic of the streets' language, speaking to urban artists' identity, struggle, and voice. The Intersection of Urban Landscape and Artistic Expression The "New York City Subway Map II" series is more than a navigational tool; it's a storied journey through the streets of New York, a visual exploration of the city's graffiti history. The map serves as the groundwork for Cope2's artistic exploration, where he layers his distinctive tags and colorful abstractions. This interplay of structured lines and wild graffiti is a metaphor for juxtaposing the city's order with the chaos of its subcultures. As a Printer's Proof, this artwork holds a special place in the production process, being one of the first prints off the press, reviewed by the artist for quality and detail. Cope2's decision to hand-embellish each piece underscores the importance of the artist's touch, ensuring that each print carries a piece of the street's soul. The HPM technique furthers this connection, bridging the gap between one-of-a-kind street art pieces and reproducible fine art prints. In essence, Cope2's "New York City Subway Map II PP Printers Proof" is a testament to the enduring legacy of graffiti as a form of Street Pop Art and Graffiti Artwork. It captures the essence of New York's urban spirit, with each print serving as a historical artifact of the city's rich street art culture. Through his work, Cope2 continues influencing the dialogue around street art, ensuring that its raw, unfiltered voice remains a vibrant part of the contemporary art world.

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Listen You Fuckers- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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Another New York Classic PP Printer Proof Archival Print by Tats Cru x BIO- Wilfredo Feliciano Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x17 Archival Pigment Fine Art "Another New York Classic" by Tats Cru x BIO: A Tapestry of Urban Artistry "Another New York Classic" by Tats Cru and BIO, also known as Wilfredo Feliciano, is a Printer's Proof (PP) archival print that captures the essence of New York's graffiti heritage, remastered through the lens of modern pop art. Released in 2021, this limited edition artwork is a signature piece that showcases the intricate and bold style that has become synonymous with Tats Cru, a pioneer graffiti collective born on the streets of the Bronx. The 17x17 inch print is crafted on 290gsm Moab Entrada fine art paper, chosen for its ability to hold the dense archival pigment, ensuring that each line, curve, and hue retains its intended vibrancy and detail. Signed and marked as a PP by BIO, this print is part of a limited edition series that has been created with the discerning collector in mind. Each piece is a celebration of the rich graffiti culture that Tats Cru has been instrumental in shaping. As street artists who have transitioned from the transient surfaces of city walls to the permanence of fine art paper, Tats Cru and BIO have redefined the boundaries between street art and gallery art, infusing their work with a level of sophistication without losing the raw energy that defines the genre. Tats Cru and BIO: Guardians of Graffiti's Legacy In "Another New York Classic," the complexity of graffiti art is distilled into a single frame. The work is emblematic of Tats Cru's role as both guardians of graffiti's legacy and innovators within the art form. BIO's contribution as a founding member of Tats Cru is evident in the mastery over line and form, bringing a dynamism to the piece that is both nostalgic and forward-thinking. The print is not just a representation of street pop art; it's a dialogue with the history of graffiti art, a statement piece that speaks to the evolution of urban expression. The use of archival pigment in the creation of this print ensures that the artwork stands the test of time, a quality that is particularly significant in the context of graffiti art, which is often ephemeral. The decision to create a PP edition reflects a dedication to excellence and exclusivity, with each print serving as a testament to Tats Cru's and BIO's commitment to their craft. Cultural Significance and Collectibility of "Another New York Classic" "Another New York Classic" is more than a fine art print; it's a cultural artifact that embodies the spirit of New York City's street art movement. It is a piece that resonates with those who have witnessed the transformation of graffiti from underground phenomenon to a respected artistic practice. For collectors, owning a PP edition of this work means engaging with a piece of history, a narrative of street art's journey as told by some of its most influential figures. "Another New York Classic" PP archival print by Tats Cru and BIO stands as a monument to the impact of street art on modern pop culture. It is a testament to the power of graffiti as a form of artistic expression and its enduring influence on the landscape of contemporary art. Through their work, Tats Cru and BIO continue to inspire a new generation of artists and art lovers, bridging the gap between the streets and the fine art world, and ensuring that the legacy of street pop art and graffiti artwork continues to thrive.

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Stubbed Toe- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Pop Culture Artist Cleon Peterson. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 100.

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Naga Biru Purple Archival Print by Mateo Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 50 Artwork Size 17x24 Archival Pigment Fine Art  Naga Biru Purple Archival Print by Mateo Mateo, the French-born artist also known as Mathieu Bories, creates commanding Street Pop Art & Graffiti Artwork that engages cultural identity, symbolism, and historical textile patterning with arresting contemporary portraiture. The 2025 print titled Naga Biru Purple exemplifies Mateo's celebrated technique of blending hyperrealistic faces with ornamental Persian rug motifs to produce rich and complex visuals layered with meaning. This limited edition archival pigment print, signed and numbered by the artist, is printed on 290gsm Moab Entrada fine art paper and is sized at 17 x 24 inches. It is part of a rare edition of just 50. Cultural Tapestry and Portraiture Collide Naga Biru Purple centers a dignified female figure, her skin rendered in deep purples that evoke mystery, strength, and elegance. Mateo overlays her face and the entire composition with golden filigree patterns inspired by Indo-Persian textiles and sacred geometry. The symmetry of these patterns acts not only as decorative overlays but also as symbolic armor—protection through heritage, beauty, and belief. The subject’s eyes are intense and still, contrasting the intricate motion of motifs that ripple across her face and body, and ultimately blending her with the elaborate textile background. Mateo’s portraits do not simply place the subject against ornate backdrops—they absorb and exalt them within them. Technique and Symbolism in Street Pop Art Mateo’s approach pulls from both street graffiti traditions and fine art disciplines. His work lives at the intersection of muralism, urban intervention, and fine printmaking. With Naga Biru Purple, he showcases the same refined control and graphic precision that is often visible in his public murals across Europe, North Africa, and Asia. By using archival pigment on Moab Entrada, Mateo elevates the print into a museum-grade art object while retaining the rebellious voice of the streets. The richly colored purples and golds of the piece speak to royalty and spirituality in various traditions, invoking a dialogue about heritage, diaspora, and representation. A Modern Icon Through Global Patterns Naga Biru Purple is more than a portrait—it is a visual synthesis of power, ancestry, and pattern. Mateo channels his subjects into icons that transcend the individual, making them vessels of collective identity and resilience. His work is at once deeply contemporary and timeless, merging street sensibility with ornamental reverence. The result is a Street Pop Art & Graffiti Artwork piece that resonates globally, speaking to issues of femininity, cultural visibility, and the richness of ornamental language as a form of storytelling. With this edition limited to 50, Naga Biru Purple is a powerful collectible for collectors of modern narrative-driven urban art.

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Roya HPM Hand Embellished Archival Print by Mateo Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2025 Signed & Numbered HPM Hand Embellished Print Limited Edition of 10 HPM Uniques Artwork Size 17x24 Archival Pigment Fine Art Roya HPM by Mateo: Sacred Identity Rendered Through Street Pop Art & Graffiti Artwork Roya HPM is a 2025 hand-embellished archival pigment print by French artist Mateo, produced in a limited edition of only 10 hand-painted multiples. Each edition within this exclusive HPM series is individually enhanced, transforming the fine art print into a one-of-a-kind mixed media statement. Printed on 290gsm Moab Entrada Fine Art Paper, the artwork measures 17x24 inches and carries the physical presence of a richly layered and deeply symbolic Street Pop Art & Graffiti Artwork. Mateo’s combination of sacred geometry, cultural portraiture, and lavish visual language is fully realized in this exquisite piece. Symbolism, Ornamentation, and Personal Identity In Roya, the central portrait emerges from a tapestry of intricately detailed motifs, gold embellishments, and sacred ornamental patterns that frame and fill the subject’s face and body. The woman’s features are composed with sharp photorealistic clarity, yet Mateo overlays her identity with a reverent layering of design—a nod to heritage, divinity, and beauty. The use of golden motifs radiating from the subject’s cheeks echoes Islamic and Persian architectural elements, honoring spiritual aesthetics while grounding the figure in cultural specificity. The artwork suggests not just a face, but a monument to memory, ancestry, and pride. Mateo’s masterful stencil work and embellishment with hand-painted elements makes each HPM in the edition a singular interpretation of the larger concept. No two prints are the same, as the artist deliberately injects variations in pattern, gilded detail, and color saturation. The result is an artwork that feels both universally symbolic and personally devotional. Luxury Techniques with Urban Grit The tactile brilliance of Roya HPM stems from its hybrid creation process—archival pigment printing ensures sharp fidelity to Mateo’s original design, while the Moab Entrada paper provides a lush, heavyweight surface for further hand embellishment. Each embellishment is a conscious act of layering history and meaning, blending graffiti-adjacent aerosol energy with fine art methodologies. Mateo’s work straddles public and private space, from murals to gallery walls, and this piece captures the tension between those two domains. This HPM print reflects Mateo’s ability to turn the language of street art into sacred visual storytelling. Gold-painted filigree evokes spiritual icons while celebrating global cultural traditions often excluded from western fine art narratives. Roya becomes not only a portrait but a tribute—a face carrying generations of stories, both visible and veiled. Street Pop Art that Honors Culture and Memory Mateo’s Roya HPM is a rare convergence of craft, message, and material. It speaks to the essence of Street Pop Art & Graffiti Artwork: the elevation of marginalized voices through visual spectacle and emotional resonance. The work feels regal and revolutionary, sacred and defiant. In Mateo’s hands, portraiture becomes a canvas for cultural restoration, not through nostalgia but through transformation. Roya is not merely seen—it is experienced, celebrated, and remembered.

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Speak To Me Light Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 17x22 Silkscreen Print Cleon Peterson is an artist whose work blends the aesthetics of pop art with the rawness of street art and graffiti, to create captivating pieces that address themes of violence, chaos, and social unrest. His art is characterized by an undeniable graphical potency, with stark figures often depicted in tumultuous or sinister settings, reflecting the more sinister aspects of society. His monochromatic or highly contrasting color palettes often lend an additional edge to his imagery, reminiscent of the urban grit and unconventional spirit characteristic of street art. His background in skateboarding culture and his time spent as a street artist in Los Angeles has significantly influenced his artistic style, blending elements of pop art's attention-grabbing graphics with the anti-establishment undercurrents of street art. What's more, Cleon’s works often exhibit the use of repeated patterns and figures, a technique that can be seen as a nod to the mass-produced style of classic pop art. However, it is crucial to note that his focus on dark subjects and narrative-driven scenes diverges from traditional pop art, which often features more lighthearted or commercial imagery. Cleon Peterson’s works are not only visually striking but also function as social commentaries, addressing topics such as power struggles and human savagery, and establishing him as an important figure in contemporary art that straddles the domains of pop, street, and graffiti art.

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