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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Red Lotus Flower & Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Red AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Blue Mask PP Printers Proof HPM Archival Print by Mysterious Al Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2018 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 18x18 Archival Pigment Fine Art. Diving into 'Blue Mask': A Unique Creation by Mysterious Al Mysterious Al, a contemporary artist making waves in the pop art and street art scenes, has presented the world with 'Blue Mask,' a PP (Printer's Proof) HPM (Hand Painted Multiple) archival prints. This 2018 limited edition work, signed and marked as a Printer's Proof, is a vivid exemplar of the artist's unique style that converges the spontaneity of street art with the precision of fine art. Executed on 290gsm Moab Entrada fine art paper, each 18x18 inch print is hand-embellished, making every piece within this limited edition distinct and rich with individual character. 'Blue Mask' showcases Mysterious Al's exploration of cultural iconography, mysticism, and the human condition through a street pop art lens. The dynamic interplay of bold colors and abstract forms creates an arresting visual that is both primitive and avant-garde. His use of black to contour and segment the colors enhances the mask's enigmatic presence, inviting viewers to a deeper exploration of its meaning and the artist's intention. Mysterious Al's Technique and Artistic Process Creating an HPM, such as 'Blue Mask,' involves craftsmanship and creative input that sets these works apart from standard prints. Each PP edition piece is hand-embellished by Mysterious Al, infusing the series with a sense of originality typically associated with singular works of art. The PP designation adds another layer of exclusivity, traditionally denoting prints of superior quality retained for reference or the artist's personal use. Mysterious Al's signature on each print is a seal of authenticity and a bridge connecting the artist and collector. The 'Blue Mask' PP HPM archival print is a testament to Mysterious Al's commitment to pushing the boundaries of street pop art. By incorporating hand embellishments, the artist disrupts the mechanical reproduction process, introducing a human element that echoes the fluidity and expressiveness of street art. This fusion of handcrafted and printed elements exemplifies the evolving nature of contemporary art, where distinctions between different art forms are increasingly blurred. Cultural Resonance of 'Blue Mask' in Street Pop Art Mysterious Al's 'Blue Mask' occupies a unique space within street pop art and graffiti artwork. The piece is not only a visual feast but also a cultural artifact that delves into the psyche of modern society. The mask motif, a recurrent theme in Mysterious Al's work, serves as a metaphor for identity, transformation, and the various personas individuals do in public and private life. The cultural significance of 'Blue Mask' is further amplified by its medium—archival pigment on fine art paper ensures longevity, allowing the artwork to become a lasting part of the dialogue in street pop art. This durability contrasts with the traditionally ephemeral nature of street art, offering permanence to an art form characterized by its fleeting existence. 'Blue Mask' by Mysterious Al is a vibrant testament to the artist's innovative approach and skillful melding of street art techniques with acceptable art practices. As a PP HPM, it embodies the artist's vision in a tangible form that is both accessible and exclusive, inviting art lovers and collectors to engage with a piece of street pop art that is alive with a personal touch and cultural commentary.

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Mamba Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art NBA Basketball Sports Player Kobe Bryant Fast Break Dribbling Ball in Glitch Style The Dynamic Expression of Sports in Street Pop Art: Adam Lister's Mamba The Mamba Archival Print by Adam Lister stands as a modern tribute to Kobe Bryant, one of the greatest basketball players in history. Captured in a vibrant glitch-style aesthetic, this 2023 limited-edition artwork reflects Lister's signature approach to blending classical forms with the contemporary energy of Street Pop Art and Graffiti Artwork. Produced as a signed and numbered edition of only 50, the archival pigment print on 300gsm hot press matte fine art paper showcases Bryant mid-dribble, embodying the speed and precision that defined his career. Lister’s geometric abstraction distills the essence of movement, transforming a sports moment into a pixelated, modern visual narrative. Measuring 18 by 24 inches, this print combines the raw dynamism of street culture with the structured elegance of fine art. The choice of archival pigment ensures rich, enduring colors that enhance the graphic quality of the piece, while the textured matte paper lends a tactile depth to its presentation. Lister's interpretation of Bryant celebrates both the athlete and the cultural significance of basketball, creating an iconic representation of modern sports through art. Street Pop Art and Graffiti Artwork in Modern Sports Iconography Adam Lister’s work is a striking example of how Street Pop Art and Graffiti Artwork can reimagine iconic sports figures. By reinterpreting Kobe Bryant’s legendary career through a fragmented, glitch-style aesthetic, Lister transforms a familiar image into an artistic statement. The pixelated technique recalls the digital world, connecting the fast-paced nature of basketball with the immediacy of digital and urban culture. This blending of mediums speaks to the universality of sports as a cultural language, transcending borders and genres. Bryant’s depiction in a vibrant yellow and purple Los Angeles Lakers jersey evokes the visual intensity of street art, where bold colors and dynamic compositions are central. Lister’s deliberate abstraction strips the figure to its essential movements and forms, emphasizing Bryant’s iconic fast break and dribbling style. The work captures not only the player’s physical skill but also the cultural reverence he commands, making it a perfect fusion of sports and Street Pop Art. The Technique Behind the Mamba Print The Mamba archival print is a testament to Adam Lister’s meticulous artistic process. The use of archival pigment printing ensures unparalleled color fidelity and longevity, making it suitable for collectors and art enthusiasts. The 300gsm hot press matte fine art paper enhances the geometric texture of the print, allowing each pixelated detail to stand out. Lister’s decision to limit the edition to 50 pieces underscores the exclusivity of this work, with each print bearing the artist’s signature and number for authenticity. This artistic process elevates the depiction of Kobe Bryant beyond a mere sports portrait, transforming it into a piece of modern art that resonates across audiences. The archival medium not only preserves the artwork’s vibrancy but also aligns with contemporary standards of museum-quality art production, further solidifying its status as a valuable collectible. Adam Lister’s Impact on Street Pop Art and Sports Representation Adam Lister, based in the United States, continues to redefine the intersection of cultural icons and modern art through his distinct glitch-style approach. The Mamba print exemplifies his ability to channel the energy of basketball into an accessible yet thought-provoking artwork. By connecting sports with the aesthetics of Street Pop Art and Graffiti Artwork, Lister creates pieces that celebrate not just individual figures but also the cultural phenomena they represent. The Mamba print encapsulates Kobe Bryant’s legacy while offering a fresh perspective on how sports can inspire contemporary art. Lister’s work serves as a bridge between different realms of expression, showcasing the power of art to encapsulate motion, emotion, and the enduring impact of a global icon.

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Mobius White PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 Lauren YS and the 'Mobius White PP' Silkscreen Print The 'Mobius White PP' is a striking silkscreen print by the artist Lauren YS, part of a limited edition series that showcases a blend of pop art vibrancy and the edgy undercurrents of street art and graffiti. This hand-pulled 4-color screen print on 290gsm Coventry Rag fine art paper, released as a Printer's Proof (PP) in 2019, vividly represents the artist's unique style. Signed and marked PP, the artwork measures 18x14 inches and features an intricate depiction of interlocking octopuses, a motif often explored by Lauren YS in their work. Visual Complexity and Symbolism Lauren YS, also known as Squid.licker, is recognized for their bold, intricate designs and a penchant for surreal, dream-like subject matter that defies traditional narrative. The 'Mobius White PP' is no exception, presenting the viewer with a mesmerizing tableau of cephalopods entangled in an infinite loop. The use of the Mobius strip, a one-sided nonorientable surface, adds a layer of complexity, suggesting infinity, continuity, and the cyclical nature of existence. The choice of octopuses as the focal point is rich with symbolism. These creatures are often associated with mystery and flexibility, characteristics that resonate with street pop art's fluid and dynamic nature. Incorporating vibrant pink and blue hues against the stark white paper creates a visual pop, emphasizing the fluidity and movement within the static image. Artistic Process and Technique Lauren YS's approach to this print, utilizing the screen printing technique, indicates a hands-on process that is both artisanal and precise. The screen printing technique, particularly revered in street and pop art for its ability to produce vivid, textured layers of color, lends this work a tactile quality that belies its two-dimensional medium. Each color in the 'Mobius White PP' is applied one at a time, requiring exact alignment to achieve the final image's detail and depth. The choice of Coventry Rag paper underscores the artist's commitment to quality and longevity. This particular type of paper is favored by fine artists for its durability and ability to hold color without degradation, making it an ideal choice for a print intended to stand the test of time. Lauren YS's Place in Contemporary Art In the contemporary art scene, Lauren YS has carved out a space that transcends easy categorization, melding influences from comic books, muralism, and traditional Japanese and Chinese aesthetics. The 'Mobius White PP' exemplifies their ability to navigate and merge these diverse visual languages into a cohesive whole that speaks to a global audience. As a limited edition Printer's Proof, 'Mobius White PP' holds a special place in Lauren YS's works collection. The printers typically retain printer's Proofs as a reference and are often seen as a more intimate version of a print edition, carrying the marks of the printing process itself. The PP designation on this print signifies its status not only as part of a limited run but also as a piece that bears the direct touch of the artist. In the broader context of street pop and graffiti artwork, 'Mobius White PP' is a testament to the genre's evolving nature. Lauren YS's work continues to push the boundaries of how street art is perceived and experienced in public spaces and the collectors market. This print, with its interplay of street art sensibilities and fine art execution, captures the essence of this dynamic and continues to inspire dialogue within the art community.

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Railroad in the Sky Original Spray Paint Acrylic Painting by Lyric One Artwork on Cradled Wood Panel by Street Art Pop Artist. 2022 Signed Spray Paint & Acrylic Original Painting Size 18x18

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Rowhouse Hand-Pulled 24-Color Oval Silkscreen Print Art on Mohawk Superfine UltraWhite Paper by Pop Street Artist Pose- Jordan Nickel Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x30 Oval Hand Deckled Edge "Rowhouse," an intricately detailed piece of art by the renowned pop street artist Pose, whose real name is Jordan Nickel, stands as a testament to the intricate blend of pop art, street art, and graffiti. The art piece is not just a mere visual delight but a culmination of meticulous craftsmanship. Utilizing a hand-pulled 24-color oval silkscreen printing method, the vibrancy and depth of each hue come to life on the Mohawk Superfine UltraWhite Paper. This choice of paper is not arbitrary; Mohawk Superfine is known for its ability to capture the rich details, making it the perfect canvas for the riot of colors and details Pose is famous for. Diving deeper into the piece, one cannot help but notice the rich tapestry of urban elements, juxtaposed with colorful abstract patterns and designs that are synonymous with street and pop art. Every nook and cranny of the "Rowhouse" tells a story, making it a window to urban life, its chaos, beauty, and raw energy. The artwork's oval shape is unique, further accentuated by a hand deckled edge, giving it a rustic, yet contemporary appeal. Released in 2022, "Rowhouse" is not just another artwork; it is a limited edition masterpiece. With only 75 pieces available, each signed and numbered by Pose himself, it has become a sought-after collectible for art enthusiasts and collectors. The size, an 18x30 oval, is large enough to command attention yet versatile enough to fit various spaces. Pose's "Rowhouse" is an exemplary representation of the evolution of street and pop art, blending traditional techniques with modern aesthetics, making it a must-have for those who appreciate the fine balance between the old and new in art.

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Lowbrow- And Still The Loser Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Artist Luke Chueh. 2011 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 "Lowbrow - And Still The Loser" by Luke Chueh is a distinctive piece within the pop art genre, where every day is imbued with layers of deeper meaning. This artwork, a giclee print on 290gsm Moab Entrada paper, holds its own in the discourse of street art and graffiti art through its evocative representation of common sentiments. Created in 2011, the piece was offered as a signed and numbered limited edition, with only 50 prints available, each measuring 18x24 inches, signifying its exclusivity and collectibility. The artwork features Chueh's trademark character, a bear, depicted in monochrome against a stark background. The figure's action is central to the artwork's narrative: a loser's salute, which, in the context of Chueh's oeuvre, could be interpreted as a commentary on self-acceptance in the face of defeat or societal judgment. The term "lowbrow" boldly interrupts the visual, acting as a self-referential nod to the lowbrow art movement and an ironic statement about the bear's self-deprecation. This print continues Luke Chueh's exploration of the juxtaposition between the innocence of cartoon characters and the complexity of human emotions, a theme prevalent in street art's storytelling. Chueh's work is often recognized for its emotional rawness, encapsulated within the accessible form of animated figures. "Lowbrow - And Still The Loser" is particularly resonant in its straightforwardness, reflecting the artist's capacity to communicate profound experiences through simple, relatable imagery. The choice of Moab Entrada paper, known for its archival quality, suggests a purposeful intention to preserve the depth of the black and white tones, ensuring that each collector receives a piece that remains true to the visual impact of the original artwork. The limited edition nature of this print elevates its value among collectors and enthusiasts, who view Chueh's work as a bridge between the often disparate worlds of pop art and street art. Here, the emotional language of graffiti, the visual punch of pop art, and the introspection of the lowbrow movement merge to form a statement piece that challenges viewers to find meaning in the guise of simplicity.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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Relics of Youth- II Limited Edition Hand-Embellished HPM Stenciled Montana Gold Spray Paint and Acrylic on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed Original Painting Artwork Size 18x18 Signed 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021 Run of: 1

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Lady Shiva Original One of a Kind Mixed Media Paint & Markers Drawing Artwork on Hand Deckled Handmade Art Paper by Popular Street Graffiti Artist Lady Pink. 2019 Signed & Dated Original Drawing Illustration Paint Markers, on Handmade Deckled Paper. 6 x 18 inches in size. Lady Pink’s Lady Shiva: Mythology Meets Resistance in Street Pop Art Lady Pink’s Lady Shiva, created in 2019 with mixed media and marker on hand-deckled handmade art paper, fuses Aztec-influenced mythology with graffiti symbolism and social resistance. Measuring 6 x 18 inches, this one-of-a-kind work exemplifies her ongoing commitment to female empowerment and cultural reclamation within the language of Street Pop Art & Graffiti Artwork. The central figure is a vibrant, deity-like woman with six arms, adorned with skulls, peace symbols, and bold facial markings. She holds spray cans and chains, a direct reference to the tools and struggles of the graffiti movement. The composition blends traditional iconography with cartoonish energy, channeling both Mesoamerican art and contemporary visual rebellion. The central goddess figure references the Hindu deity Shiva, a powerful symbol of destruction and transformation, but here she is reimagined through the lens of street culture. Her expression is fierce, defiant, and jubilant. Surrounding her are serpents, birds, and ornamental symbols drawn in a palette of saturated pinks, purples, and greens—an aesthetic choice that reflects Lady Pink’s history of challenging male-dominated narratives in graffiti by owning her space with unapologetic color and form. Visual Allegory of Power, Culture, and Resistance The narrative unfolds with sharp contrasts and rich symbolism. On one end, a grotesque pig-faced police officer stands handcuffed to the goddess, gripping a spray can as if confiscated or misunderstood. On the other, mythic figures—complete with skull necklaces and serpents—align themselves with the goddess’s cause. The character design is playful, but the message is pointed. Lady Pink uses humor and caricature to expose cycles of surveillance, cultural erasure, and systemic control. The shackles and clenched fists transform the piece into an allegory of empowerment—where art, identity, and heritage become instruments of resistance. This is not a passive depiction of rebellion—it is active, kinetic, and celebratory. The goddess wields graffiti like a weapon of reimagination. Her eyes are lined with thick lashes, crying stylized teardrops that recall both sorrow and power. Her smile, full of sharp teeth, confronts the viewer directly. This emotional hybridity—fierceness paired with joy—is central to Lady Pink’s style. She constructs a visual mythology where cultural memory and contemporary rebellion meet at the intersection of gender, history, and paint. Graffiti Iconography Reframed Through Feminist Vision Lady Pink, born Sandra Fabara in Ecuador and raised in New York, has been a pioneering voice in graffiti since the 1980s. Her work consistently merges street energy with personal and political storytelling, especially from a feminist perspective. Lady Shiva stands as a testament to her role in shaping graffiti into a space of inclusion and cultural critique. Rather than adhering to hyper-masculine conventions of tagging and bombing, she incorporates ancient motifs, character illustration, and symbolism to narrate deeper social commentary. In Lady Shiva, the combination of handmade paper, thick marker strokes, and mythological subject matter aligns with the tactile and ephemeral nature of graffiti. The unpolished edges, visible brush textures, and bright marker fills evoke the immediacy of street walls and sketchbooks. This physicality speaks to the roots of the medium—accessible, unfiltered, and deeply personal. The piece refuses polish in favor of presence, giving the goddess a raw, living quality. Through Lady Shiva, Lady Pink doesn’t just create a goddess—she creates a narrative weapon. The work becomes a mural-sized declaration in miniature form, bridging spiritual power, ancestral art, and the lived resistance of women artists claiming space in public view. It is a visual spell cast in spray paint and marker, summoning transformation in the language of Street Pop Art & Graffiti Artwork.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat David with Machine Gun Silkscreen Print 2008 The 2008 David with Machine Gun silkscreen print is a collaborative edition created by Shepard Fairey, known as OBEY, and French stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and produced in a signed and numbered edition of 100, this 18 x 24 inch print merges the strengths of two iconic street artists across generations. Both signatures on each print elevate it to an important collector’s piece within Street Pop Art & Graffiti Artwork, highlighting not only a striking image but also the historical significance of the collaboration itself. Imagery and Commentary The print features a reinterpretation of Michelangelo’s classical sculpture David, here transformed into a provocative figure holding a machine gun. The juxtaposition of the Renaissance ideal of human beauty and form with the stark brutality of a modern weapon serves as a sharp critique of war, violence, and the distortion of cultural ideals. By placing David in a gritty, graffiti-covered urban environment, the work questions how art and society repurpose historic symbols to address contemporary anxieties. This powerful reimagining reflects both Blek le Rat’s tradition of stencil interventions in public spaces and Shepard Fairey’s skill at repurposing cultural icons into tools for social commentary. Collaborative Significance Blek le Rat, born Xavier Prou in France in 1951, is celebrated as one of the earliest and most influential stencil graffiti artists. Shepard Fairey, born in Charleston, South Carolina in 1970, became internationally known for his OBEY campaign and his later political works, including the Barack Obama Hope poster. Together, they bridge the early roots of European stencil art with the graphic and politically driven evolution of American street pop art. Their joint works, such as David with Machine Gun, serve as cultural dialogues between two eras, reinforcing the continuity of street art as a platform for protest and public discourse. Political Resonance and Collector Value David with Machine Gun functions as a visual protest, reworking an image of purity, youth, and beauty into a statement about the corruption of ideals through militarization and violence. The collaboration underscores both artists’ shared commitment to making politically engaged art accessible to broad audiences. With its limited edition of only 100, dual signatures, and thematic strength, the print has become a significant and sought-after work for collectors. It captures the way Street Pop Art & Graffiti Artwork can take familiar imagery and transform it into a searing critique of the modern world, cementing its role as both cultural artifact and fine art object.

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Arches Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Not Great Men 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Not Great Men Screen Print 18 x 24 inches Edition of 450 August 20, 201 The Not Great Men print was inspired by the Gang of Four song of the same name from their album “Entertainment”.. Gang of Four are a great band musically and lyrically with many of their songs tackling subjects like consumption, capitalism, obsession with power, exploitation, narcissism, and class structure. The song Not Great Men has long struck me as a wise indictment of the contradiction or paradox of leadership and power. It takes assertive, charismatic people with self-confidence to be leaders, but on the dark side, leaders are often power hungry, manipulative, and abusive of their power.

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Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.

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Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Wasted AP Artist Proof 6-Color Hand-Pulled Limited Edition Silkscreen Print on Coventry Rag Paper by Low Bros Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2015 Signed & MArked AP Limited Edition Artwork Size 18x24 Silkscreen Printed by SerioPress. Distinction of Artist Proofs in Street Pop Art & Graffiti Artwork Artist Proofs, commonly denoted as AP, represent a tradition in printmaking where a small number of prints are made for the artist's personal use. In the context of Street Pop Art and graffiti Artwork, these proofs are often viewed as more valuable due to their rarity and the artist's personal touch. "Wasted" by Low Bros is a striking example of an AP Artist Proof, a 6-color hand-pulled silkscreen print showcasing the artists' meticulous craft and creative prowess. Creation and Significance of "Wasted" by Low Bros The "Wasted" AP silkscreen print stands out with its 6-color hand-pulling technique, executed on Coventry Rag Paper. This choice of paper is significant for its texture and durability, which is particularly conducive to the silkscreen process, allowing for a high-quality finish that captures the vivid color palette and intricate details of the artwork. The piece's dimensions, 18x24 inches, make it a commanding presence, ideal for collectors who appreciate the interplay of fine art techniques within the street art genre. Limited Edition and Collectibility As an AP limited edition, "Wasted" holds a special place in the collection of Low Bros works. Signed and marked as an Artist Proof, this print was created in 2015 and serves not only as a piece of art but also as an artifact within the Street Pop Art and graffiti Artwork movement. The artist's signature on an AP print is a testament to its authenticity and a direct connection to the creators' hands. These factors contribute to the print's desirability and potential investment value. Silkscreen Printing by SerioPress The production of "Wasted" was in the hands of SerioPress, a fine art printer known for its expertise in silkscreen printing. This collaboration between the artists and the printer ensures that each print meets the high standards expected in fine art circles. The process involves layering each color individually and pulling them by hand, a labor-intensive method that results in a work of art with depth and texture. Artistic Impact of "Wasted" The artwork itself, with its bold graphics and symbolic imagery, reflects the core themes explored by Low Bros in their body of work. The title "Wasted" could allude to various interpretations, ranging from commentary on societal excesses to the transient nature of street art. This complexity of meaning, paired with the striking visual design, encapsulates the essence of the Low Bros' impact on Street Pop Art and graffiti Artwork. "Wasted" AP Artist Proof by Low Bros is a significant contribution to the genres of Street Pop Art and graffiti Artwork, merging traditional printmaking techniques with street art's edgy and dynamic energy. Its status as an Artist Proof elevates its importance, offering collectors a rare opportunity to own a piece closely tied to the artists themselves. As street art continues to gain recognition, such limited edition prints by prominent artists like Low Bros are pivotal in bridging the gap between street culture and the high art world.

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Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Pure White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Silkscreen Print "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY The realm of street art, pop culture, and graffiti has witnessed countless legendary figures whose artistry has both challenged and changed perceptions. One such luminary is Shepard Fairey, the renowned artist behind the OBEY campaign, who has consistently melded activism and artistry in his works. A notable tribute by Fairey is the silkscreen print dedicated to Terry Hall, the iconic lead singer of the Specials. Terry Hall's influence in the world of music was significant, and his tragic passing due to pancreatic cancer was a tremendous loss to the music community. This sentiment was palpable when Musack hosted an astounding tribute to Hall, graced by stalwarts like Horace Panter, Lynval Golding, Jane Wiedlin, Fishbone, members of No Doubt, and numerous other eminent artists. This tribute not only celebrated Hall's legacy but also underscored the bond shared by these artists, many of whom were influenced by the Specials during their formative years. The silkscreen print crafted by Fairey serves as a testament to Hall's enduring impact on him and the broader music fraternity. The artwork, pulled by hand on fine art paper, epitomizes the meticulousness synonymous with Fairey's creations. Limited to an edition of 325, the monochromatic rendition of Hall draws inspiration from a poignant photograph by Chalkie Davies. An alternative version features the event lineup, limited to an edition of 300, with a significant portion having been sold during the event. The proceeds from this version were dedicated to Musack, a laudable charity aimed at empowering kids through music. Fairey's connection with Hall went beyond mere admiration. Their conversations, which delved deep into topics like mental health, creativity, and life's intricacies, highlighted the profound respect and mutual understanding they shared. The artist's tribute to Hall is more than just a print; it's a heartfelt homage to a kindred spirit. Through this artwork, Fairey offers the world a glimpse into their shared moments, while simultaneously emphasizing Terry Hall's undying influence in the realms of music and culture.

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Sirens Of The Past Day Silkscreen Print by Cleon Peterson Hand-Pulled on Hand Deckled 290gm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x22 Silkscreen Print of Stylized Gold & Black 3 Nude Siren Greek Myth Legends The realm of pop art, street art, and graffiti art has seen the emergence of countless unique and thought-provoking pieces, and the work of Cleon Peterson stands as a testament to the raw power and passion that can be infused within such creations. Peterson's piece titled "Sirens Of The Past Day" is a silkscreen print that draws on various elements of Greek mythology, merged with his iconic street art style, representing an intriguing blend of the old and the new. Hand-pulled on 290gm Coventry Rag Fine Art Paper, "Sirens Of The Past Day" presents the viewer with a bold portrayal of three nude Sirens, characters from Greek myth legends, known for their enchanting voices and deceptive allure. Peterson adopts a stylized approach in creating this masterpiece, using a striking combination of gold and black. This choice of colors lends the artwork a distinct aesthetic appeal, reminiscent of both pop art's simplicity and street art's dynamic energy. "Sirens Of The Past Day" measures 18x22, making it an ideal size for collectors looking for a piece of artwork that could stand out in a variety of settings, be it a private collection, a gallery, or a public space. The artwork is a limited edition of 75, ensuring the exclusivity of the piece. Each print is hand-signed and numbered by Cleon Peterson himself, adding a personal touch to this remarkable creation and underscoring the authenticity of the work. Cleon Peterson, known for his hard-hitting and often controversial themes, draws on a wide range of influences, from classical mythology to contemporary societal issues. In "Sirens Of The Past Day", Peterson breathes life into the age-old legends of the Sirens, presenting them in a modern context that resonates with the ethos of pop and street art. His signature style shines through the bold, stark lines and striking color palette, transforming the Sirens from ancient myths into powerful symbols of seduction and danger in the contemporary world. Peterson's unique ability to blend pop art's boldness with the raw edginess of street art is reflected beautifully in "Sirens Of The Past Day". This limited edition silkscreen print is a reflection of Peterson's artistic prowess, a masterpiece that draws the viewer in and invites them to delve deeper into the intricate world that Peterson creates with his art. With its intense imagery and thought-provoking theme, "Sirens Of The Past Day" is a testament to Cleon Peterson's skill and vision, making it a notable addition to any collection of pop or street art.

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Euphoria Pink Error Silkscreen Print by Buff Monster, a hand-painted on Fine Art Paper Limited Edition Artwork. 2021 Stamped As Error Unique Artwork Size 18x24 Silkscreen Print of Melty Misfit Icecream Stylized Melting. This Was Considered a Error During the Printing Process by Artist Due To Backround Color Changes. Unsigned. An Unexpected Twist on a Candy-Colored World Euphoria Pink Error Silkscreen Print by Buff Monster arrives from 2021 in a rare variation that highlights the artist’s passion for vibrant hues and whimsical motifs. Stamped as an error due to background color changes, this unique 18x24 piece stands apart from typical editions. Despite remaining unsigned, it possesses an authentic stamp acknowledging its accidental creation. This twist lends the artwork a special aura, prompting collectors to seek it out for both its visual appeal and its spontaneous backstory. Buff Monster’s signature melty misfit creatures appear front and center, oozing across the composition in shades of orange and green, accented by pink drips. The entire scene feels like an otherworldly candy meltdown, enhanced by the bright interplay of cheerful tones. The melting ice cream shapes, cyclopean characters, and bold cherry accents represent key hallmarks of Buff Monster’s style. The vividly colored figures often signify a playful approach to art that embraces comedic and childlike qualities without relinquishing an edgier, street-inspired side. Here, the swirl of colors merges with a background that inadvertently shifted tone, creating a visually striking collage of fun chaos. While printing errors can sometimes diminish the perceived value of an edition, this mishap elevates the piece’s desirability among fans who appreciate the unforeseen moments that give Street Pop Art & Graffiti Artwork its spark of authenticity. Capturing the Spirit of Street Pop Art & Graffiti Artwork Buff Monster’s work resonates with an urban flair, echoing the aesthetic of large-scale murals and rapid-fire graffiti tags. Vibrant color blocks clash and drip, recalling the allure of spray paint on concrete walls. Euphoria Pink Error Silkscreen Print exudes these impulses by displaying a cast of melting monsters that appear to dance across the paper. This style is consistent with the energy found in Street Pop Art & Graffiti Artwork, where bold outlines and layered pigments transform otherwise ordinary surfaces. The pink splotches on the top edge, for instance, could be remnants of a paint drip that just happened to come out differently than intended. The print thus captures the spontaneity that often characterizes street-based artistic processes. From Happy Accident to Coveted Variation The background shift that defines this print alters the environment in which Buff Monster’s creatures exist. In some areas, the pink is softer than usual, while in others, it appears saturated and intense. These discrepancies underscore how hand-pulled silkscreens can yield unexpected outcomes. Rather than discarding this variation, Buff Monster chose to document its uniqueness by stamping it as an error. Collectors with an eye for novelty prize these sorts of artistic anomalies, which reflect the freewheeling nature of contemporary urban expression. That sense of anything can happen not only aligns with the spirit of Buff Monster’s playful cast of characters, but it also captures the ethos of printmaking itself. Undeniable Character in Every Drip Even though Euphoria Pink Error Silkscreen Print remains unsigned, it features intricate details that link it unmistakably to Buff Monster’s broader repertoire. Viewers can spot hints of halftone textures and bold lines, elements that recur throughout his other forays into rainbow-splashed designs. The swirling meltdown effect leaves behind layers of color that appear to dissolve into one another, adding dimension and fueling the sense of sweet chaos. Cherry icons, goopy eyes, and lumpy shapes jostle together, bringing the piece to life in a swirl of pink and yellow. The result is an artwork that transcends a mere printing mishap, standing instead as an emblem of the charm and spontaneity that define Street Pop Art & Graffiti Artwork. This error edition, in all its bright and messy glory, provides a rare opportunity to glimpse Buff Monster’s willingness to embrace creative accidents and transform them into something fresh and irresistible.

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St Michael Error Silkscreen Print by Buff Monster, a hand-painted on Fine Art Paper Limited Edition Artwork. 2021 Stamped As Error Unique Artwork Size 18x24 Silkscreen Print of Melty Misfit Icecream Stylized Fighting Monsters with Spear & Shield. This Was Considered an Error During the Printing Process by Artist Due To Background Color Changes. Unsigned.  A Vibrant Twist on a Classic Motif St Michael Error Silkscreen Print by Buff Monster reimagines the triumphant battle scene often depicted in traditional art, substituting celestial warriors and demons with cheeky, melting ice cream monsters. This 18x24 piece showcases Buff Monster’s signature blend of whimsy and bold color, where confectionery shapes merge with a playful yet rebellious vibe. Created in 2021 and stamped as an error due to background color variations, it features a one-eyed ice cream figure armed with a spear and shield, fending off monstrous forms beneath its feet. Although unsigned, the print retains an undeniable authenticity that sets it apart from standard runs. Street Pop Art & Graffiti Artwork Influences Buff Monster’s style embodies the lively energy of Street Pop Art & Graffiti Artwork. The dripping pinks and oranges, along with the bold outlines and halftone textures, draw from urban stenciling and pop-inspired motifs. The figure’s stance, brandishing a long spear and cartoonish shield, might initially appear incongruous with the sweet, melty surfaces. Yet this mashup of the fierce and the cute is precisely what makes Buff Monster’s work distinctive. By harnessing the familiarity of public art and the punchy saturation of pop culture references, the artist bridges conceptual traditions with a tone of mischievous humor. The swirling gradients and drips echo the immediacy found in graffiti tags, solidifying the piece’s roots in street-based creativity. The Significance of the Printing Error St Michael Error Silkscreen Print was deemed an error by the artist, owing to unexpected shifts in background color that set it apart from the intended palette. Rather than discard or overlook these flawed editions, Buff Monster chose to stamp them, emphasizing their unique status. This approach resonates with the notion that Street Pop Art & Graffiti Artwork is inherently unpredictable. The ephemeral nature of art on city walls often includes imperfections or variations that become part of its allure. When layered across a collectible silkscreen piece, such distinctions can add a heightened sense of rarity. Fans and collectors might see this version as a window into Buff Monster’s creative process, complete with the unplanned moments that contribute to the spontaneity of the final outcome. A Coveted Treasure for Fans Although unsigned, the St Michael Error Silkscreen Print retains Buff Monster’s unmistakable mark through its vibrant color selection and mischievous subject matter. The background color shift has produced a singular piece that straddles the line between mainstream pop designs and the underground flair of street-based works. Collectors gravitate toward these misprint editions because they stand as a testament to the artist’s willingness to embrace experimentation. The victorious central figure, posed atop a heap of defeated monsters, crystallizes the humor-laden style that defines Buff Monster’s cartoon universe. Observers who appreciate the merging of playful tropes with punchy, neon-infused palettes will find that this version of St Michael offers a rare blend of improvisation and polish. Its enchanting chaos and rebellious color scheme underscore the steadfast appeal of pop-inflected art, reminding viewers that sometimes the best discoveries emerge from unexpected accidents.

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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Lines In The Slipstream #4 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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Nature Of Yang- White Clear Red Artwork Full Bleed Hand-Embellished Spray Paint Gold Leaf HPM Archival Limited Edition Print on 300gsm Archival Rag Paper by Urban Artist Shark Toof. 2017 Signed & Numbered Limited Edition of 15 Artwork Size 18x18 Gold Foil

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Power Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Power, 2020 Screenprint in colors on Arches Rag paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 94/100 Signed, numbered, and dated in pencil along lower edge Published by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Mobius Teal PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 The Artistic Vision of Lauren YS in 'Mobius Teal PP' Lauren YS's 'Mobius Teal PP' emerges as a striking example of contemporary pop street artwork, blending the fluidity of graffiti with the meticulous process of silkscreen printing. This Printer's Proof (PP), hand-pulled and marked by the artist in 2019, embodies a limited edition three-color screen print on 290gsm Coventry Rag fine art paper. Signed and denoting its unique status in the edition run, the artwork's dimensions of 18x14 inches frame a visual narrative that is both surreal and expressive. Symbolism in 'Mobius Teal PP' The 'Mobius Teal PP' print by Lauren YS is a testament to their fascination with the surreal and the marine, featuring a vivid portrayal of octopuses in an infinite loop. The title, 'Mobius,' refers to the Möbius strip, a surface with only one side and one boundary component, symbolizing infinity, continuity, and the cyclic nature of the universe. This concept is elegantly captured through the interweaving tentacles of the octopuses, which are depicted in a state of perpetual motion against the contrasting teal background. The choice of color in 'Mobius Teal PP' is not merely aesthetic but intentional, with the teal acting as a backdrop that conjures the depths of the ocean—a realm full of mystery and often associated with the unconscious mind. The juxtaposition of the pink and black inks adds a dynamic vibrancy to the print, emphasizing the fluidity and grace of the cephalopods, creatures known for their intelligence and adaptability. Lauren YS's Technique and Medium Lauren YS employs the silkscreen printing technique with finesse, a method traditionally linked with the pop art movement and the grassroots dissemination of street art. Each layer of color in the 'Mobius Teal PP' is meticulously applied, showcasing the artist's hands-on approach and commitment to precision. Coventry Rag paper, a medium known for its quality and durability, ensures that each print remains a lasting artifact of the artist's vision, retaining the vibrancy of the inks over time. The significance of a Printer's Proof in the art world cannot be understated. PPs are typically reserved for the artist's personal use or archival purposes and are often considered more valuable due to their rarity and direct involvement in their production. The PP mark on 'Mobius Teal PP' indicates its status as part of a select group of prints that precede the official limited edition run, sought after by collectors for their proximity to the artist's original intent. Impact and Legacy in Street Pop Art The 'Mobius Teal PP' holds a place of importance in the oeuvre of Lauren YS and within the broader context of street pop art. The artist's work blurs the boundaries between the subversive energy of street art and the calculated precision of fine art printing, creating pieces that resonate with a broad audience. Lauren YS's contributions to the field reflect a contemporary evolution of street pop art, where traditional graffiti merges with avant-garde aesthetics to form new artistic expressions. As an artist, Lauren YS stands at the forefront of this evolution, pushing the boundaries of street pop art and graffiti into new territories. 'Mobius Teal PP,' with its intricate design and profound symbolism, is a beacon of the limitless potential within these art forms. It is a celebration of the medium's ability to decorate urban landscapes and convey complex, introspective narratives through the interplay of ink and imagination.

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Cathedral AP Artist Proof Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. AP Artist Proof 2017 Signed & Marked AP Limited Edition Giclee Artwork Size 18x18 Kari-Lise Alexander’s Cathedral: The Fluidity of Identity in Contemporary Pop-Inspired Surrealism Kari-Lise Alexander’s Cathedral, released as an 18 x 18 inch signed Artist Proof in 2017, presents a hypnotic portrait that blends photorealistic precision with elements of surreal distortion. This giclée print on 290gsm fine art paper captures a figure partially obscured by cascading water, flowers, and organic abstraction. The subject, a pale-skinned woman draped in vibrant blossoms, is simultaneously present and vanishing, her body dissolving into fluid motion. The transparency of water acts as a veil, distorting reality and transforming the portrait into a meditation on impermanence, transformation, and self-concealment. Alexander, known for her figurative surrealism, often incorporates themes of water, femininity, and nature into her work. In Cathedral, she positions the viewer as both witness and intruder, observing a moment of private reflection through a barrier of falling water. The water does not merely frame the composition—it reshapes it. Faces blur. Petals smear. The painting becomes an active space where emotion is filtered through liquid movement. This dynamic use of transparency offers more than visual interest; it becomes a metaphor for the slippery, ever-shifting boundaries of personal identity. Hyperreal Texture Meets Atmospheric Abstraction The interplay between realism and abstraction in Cathedral is deliberate and poetic. The figure’s facial expression is rendered with lifelike accuracy—delicate shadows, tightly painted features, and emotional weight. Yet her body, partially hidden by wet streaks and botanical textures, seems to dissolve into the background. This creates a tension between what is defined and what is disappearing. Kari-Lise Alexander utilizes oil-like effects in a digital print medium to mimic the unpredictability of nature and the complexity of inner life. The circular framing device behind the figure may evoke the architectural structure implied by the title. A cathedral, often associated with spiritual sanctuary and towering form, contrasts with the vulnerability of the exposed body and the ephemeral texture of water. The contrast suggests that the true place of worship in this work is not stone or space, but the internal landscape of emotion and memory. The circle becomes both halo and lens—focusing the viewer’s attention while abstracting the context. Symbolism of Nature and the Female Form In Cathedral, floral imagery serves as more than decorative flourish. The dense crown of peonies, berries, and green vines placed on the figure’s shoulders connects her to cycles of life and growth. The flowers are not merely worn—they appear to grow from her, reinforcing a fusion between the natural world and the self. Water, often a recurring motif in Kari-Lise Alexander’s paintings, amplifies this symbolism. It signifies renewal, decay, and emotional release all at once. In combination, these elements create a visual language where the feminine body becomes both the temple and the terrain. Though not strictly situated within traditional Street Pop Art & Graffiti Artwork, Cathedral echoes contemporary movements that challenge the line between classical portraiture and cultural commentary. The work’s ethereal energy, paired with its striking surface distortion, aligns it with a broader pop-influenced aesthetic that merges beauty with introspection, and figuration with experimentation. Kari-Lise Alexander's work expands the vocabulary of modern surrealism by using tactile realism to explore the unseen interior—turning emotion, memory, and transformation into arresting visual experiences.

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Polka Dot Portrait Holographic 14-Color Limited Edition Silkscreen Print on 10pt Lava Holographic Board by Sheefy McFly- Tashif Turner. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 14-Color Screen Print on 10pt Lava Holographic Board Size: 18 x 24 Inches Release: September 30, 2021 Run of: 30

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Without Excuse PP Printers Proof HPM Hand Embellished Print Archival Print by Eddie Colla Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Embellished Limited Edition Artwork Size 18x24 Archival Pigment Fine Art Eddie Colla's 'Without Excuse': A Fusion of Artistic Rebellion and Technique Eddie Colla's 'Without Excuse' epitomizes the rebellious spirit of street pop art and graffiti artwork, merging traditional artistic methods with the defiance of street art culture. This PP (Printer's Proof) HPM (Hand Painted Multiple) archival print from 2020, signed and marked by the artist, is a limited edition creation, reflecting Colla's distinctive approach to modern art. Sized at 18x24 inches and printed on 290gsm Moab Entrada fine art paper, the artwork is a hand-embellished masterpiece, showcasing Colla's commitment to challenging the commercialization of public spaces. 'Without Excuse' exemplifies Colla's mastery in blending fine art with the raw expressiveness of street art, making a bold statement in both content and style.

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Clementine AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Influenced Woman Floating In Water Shepard Fairey's distinct style has become a hallmark in the realms of pop art, street art, and graffiti art. One of his most remarkable works is the "Clementine AP" Silkscreen Print, an artist proof created in 2012. This piece exemplifies the meticulous craftsmanship and creative ingenuity that Fairey consistently demonstrates. It's a hand-pulled screen print on Speckletone Fine Art Paper, underscoring his dedication to producing high-quality artwork that has a tangible and unique texture. The art piece's design showcases an image of a woman, evidently influenced by the music of Neil Young, floating serenely in water. This serenity is contrasted by the inclusion of the iconic "Hello My Name is" name tag, a staple of street culture that often accompanies graffiti. Such juxtaposition between calm and urban grittiness encapsulates Fairey's ability to combine different elements from varied inspirations into one cohesive and captivating piece. Moreover, the print is adorned with graffiti elements, which are not only a nod to the artist's roots but also add a layer of depth and texture to the narrative of the artwork. Another essential aspect to note about the "Clementine AP" Silkscreen Print is its exclusivity. Being an Artist Proof (AP), it indicates that this piece was part of the initial run of prints the artist created before finalizing the edition. Such proofs are treasured by art collectors for their rarity and unique details. Signed by Fairey himself and marked with the "AP" designation, this artwork stands as a testament to the artist's profound influence in the contemporary art world. Its size, 18x24 inches, makes it an ideal piece for display, offering viewers an immersive experience into the mind and creative vision of Shepard Fairey.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Crystal Cranium- Printers Select Edition 5-Color Hand-Pulled Limited Edition Silkscreen Print with Rainbow Roll on 10pt Beaded Glass Holographic Board by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Signed 9-Color Screen Print on Citrine 290gsm Colorplan Fine Art Paper Size: 18 x 24 Inches Release: August 06, 2021 Run of: 100

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Reveal Silkscreen Print by Dave Kinsey Hand-Pulled 3-Color Screen Print on 290gsm 100% White Archival Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Limited Edition Artwork Size 24x24

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The Portal HPM Giclee Print by Jeff Soto Artwork Limited Edition Print on 305gsm Cotton Rag Fine Art Paper Hand Embellished PrintGraffiti Pop Street Artist. 2023 Signed & Numbered Acrylic HPM Hand Embellished Print Limited Edition of TBD Artwork Size 18x24 Giclee Print. Butterfly on a Stylistic Fantasy World Cactus Like Alien Desert Plant. Jeff Soto's "The Portal" HPM Giclee Print: A Foray into Fantastical Imagery Jeff Soto's "The Portal" stands out as a testament to his exceptional talent and imaginative vision in the pantheon of street pop art and graffiti artwork. Released in 2023, this hand-embellished print pushes the boundaries of traditional graffiti art, incorporating elements of fantasy and surrealism that are hallmarks of Soto's aesthetic. The artwork is a giclee print on 305gsm cotton rag fine art paper, a medium chosen for its ability to capture the vibrancy of Soto's palette and the intricacy of his details. Each piece in this limited edition series is signed and numbered, underscoring the personal touch Soto brings to his work and the value placed on each print by collectors and enthusiasts alike. Symbolic Elements in "The Portal" "The Portal" features a butterfly perched on a cactus-like alien desert plant, a subject that immediately captivates the viewer with its rich colors and otherworldly appearance. The butterfly, often a symbol of transformation and beauty, is rendered with meticulous attention to detail, its wings a canvas for Soto's exploration of pattern and hue. The surrounding flora and landscape, reminiscent of a stylistic fantasy world, invite interpretation and suggest a narrative beyond the visual. This image, juxtaposing the natural and the fantastical, invites viewers to consider the intersection of reality and imagination, a recurring theme in Soto's work. Artistic Techniques and the Creation Process The creation process of "The Portal" reflects Soto's commitment to craftsmanship and originality. Hand embellishments with acrylics add a unique dimension to each print, ensuring that no two pieces are identical. This practice of hand embellishing, known as HPM (Hand Painted Multiple), bridges the gap between mass-produced prints and one-of-a-kind paintings. It's a nod to the artist's roots in graffiti, where each piece is an individual expression, yet it also embraces the reproducibility and accessibility of pop art. The size of the print, 18x24 inches, is substantial, allowing the viewer to immerse themselves in the details and the vivid world Soto has created. Cultural Significance of Soto's "The Portal" "The Portal" is more than a beautiful image; it is a cultural artifact that reflects the evolving landscape of street pop art and graffiti artwork. By situating a symbol of beauty and metamorphosis in a setting that defies conventional interpretations of space and environment, Soto challenges the viewer to rethink their perceptions of graffiti art. This piece exemplifies the shift in contemporary art towards multifaceted works, blending technique, form, and meaning to create pieces that are as thought-provoking as they are aesthetically pleasing. In the context of Soto's oeuvre, "The Portal" represents both a continuity of themes and an exploration into new creative territories. In conclusion, Jeff Soto's "The Portal" HPM giclee print significantly contributes to street pop art and graffiti artwork. It encapsulates the essence of Soto's artistic journey, showcasing his ability to transcend the confines of traditional street art and embrace a broader canvas of expression. This limited edition print, with its hand-embellished touches and striking imagery, is a celebration of art's potential to transport, transform, and enchant. It is a vibrant gateway into the imagination of one of the most visionary artists in contemporary street pop art.

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Nature Of Yin Versus Yang Gold Leaf Fluorescent Red Artwork Full Bleed Hand-Embellished Spray Paint Gold Leaf HPM Archival Limited Edition Print on 300gsm Archival Rag Paper by Urban Artist Shark Toof. 2017 Signed & Numbered Limited Edition of 15 Artwork Size 18x18 Gold Foil

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Noir Flower Woman Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Blue AP" is a testament to the harmonious blend of pop and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Cascade Silkscreen Print by Lefty Out There Hand-Pulled 1-Color on Hand Deckled Black Stonehenge Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 80 Artwork Size 18x18 Silkscreen Print Lefty Out There’s Cascade: A Linear Labyrinth in Motion Cascade by Lefty Out There is a 2017 limited edition hand-pulled silkscreen print that encapsulates the artist’s ongoing exploration of form, repetition, and flow within the Street Pop Art & Graffiti Artwork landscape. Produced in a signed and numbered run of only 80 prints, this 18x18 inch piece is silkscreened in a single color on hand deckled black Stonehenge fine art paper, creating a striking visual impact that draws the viewer into a hypnotic field of structured chaos. Organic Entanglement and Digital Precision Cascade serves as a pure expression of Lefty Out There’s signature aesthetic—his meticulous linework forms a tangle of organic curves and hard-edge repetition that feels simultaneously analog and algorithmic. The artwork pulses with tension as fluid hand-drawn strokes collide with a tighter, rhythmically patterned grid. The left half of the composition features a dense and almost biological cluster of meandering shapes, reminiscent of neurons or circuitry. In contrast, the right half transforms into a cascading repetition of these forms, creating the illusion of flow and movement as the lines taper off in calculated waves. The juxtaposition highlights the artist’s mastery over composition and scale, turning a seemingly minimal palette into a maximalist visual statement. Monochrome Dynamics and Material Strength Executed in black and white, the one-color silkscreen process elevates the interplay of light and shadow across the print’s surface. The use of black Stonehenge paper anchors the composition with weight, while the white ink provides a dimensional contrast that mimics relief. The fine art paper’s hand deckled edges give each print a raw tactile finish that resonates with the underground authenticity of street culture. This bold yet minimalist technique aligns seamlessly with the ethos of Street Pop Art & Graffiti Artwork, where process and materiality carry as much meaning as the final image itself. Symbolic Movement and Lefty’s Cultural Voice Cascade stands as a conceptual continuation of Lefty Out There’s focus on containment and expansion, both visually and ideologically. The visual tension in the piece mirrors broader themes in urban existence—control versus chaos, conformity versus self-expression. With roots in street tagging and public installations, Lefty’s artistic language pushes these motifs into the gallery space without abandoning their rebellious origins. The repetitive forms, reminiscent of biomorphic graffiti and digital echo waves, speak to a generation fluent in both street culture and digital code. As a limited edition work, Cascade exists as a static snapshot of motion—one that crystallizes the frenetic pulse of modern visual noise into a meditative design, equally suitable for fine art collectors and street culture devotees.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Useless Idiot- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Size: 18 x 24 Date: 2019 Condition: NEW Artist: Cleon Peterson Hand-pulled black & red screen prints. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited Edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Hello My Name Is Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Introducing the iconic "Hello My Name Is" silkscreen print by renowned artist Shepard Fairey, a pioneering figure in the worlds of pop art, street art, and graffiti. This hand-pulled screen print on Cream Speckletone Fine Art Paper showcases Fairey's distinct style that has captured the hearts of art enthusiasts worldwide. As an OBEY limited edition artwork, it holds a unique position in the realm of contemporary art. Created in 2019, this signed and numbered limited edition comprises only 450 prints, making it a highly sought-after collectible. Each piece is numbered, adding an exclusive touch that speaks to its rarity and value in the art market. With an artwork size of 18x24 inches, the print commands attention and stands as a striking representation of Fairey's artistic vision. At the heart of this piece lies Fairey's famous "Andre the Giant" motif, an iconic symbol that originated from his street art campaign. Inspired by the ubiquitous "Hello My Name is" name tags and graffiti culture, Fairey ingeniously merged this concept with the legendary figure of Andre the Giant, resulting in a bold and thought-provoking work of art. This silkscreen print serves as a prime example of the fusion of pop culture, street aesthetics, and graffiti elements that define Fairey's contribution to the contemporary art movement. His ability to challenge conventional norms and provoke dialogue through art has made him a significant figure in the modern art scene. As an artist who emerged from the streets and subcultures, Shepard Fairey has been instrumental in bridging the gap between street art and the mainstream art world. His artworks, including this "Hello My Name Is" print, continue to captivate audiences and contribute to the ongoing evolution of pop art, street art, and graffiti as legitimate and influential forms of artistic expression.

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

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