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Clingy Companion Black Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box.

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Lizard Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Trip Benzos Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Trip Benzos by Ben Frost: Video Game Iconography Meets Street Pop Art & Graffiti Artwork Trip Benzos, the 2025 limited edition blotter paper print by Australian artist Ben Frost, captures the jarring collision of nostalgic culture and contemporary pharmaceutical critique through the lens of Street Pop Art & Graffiti Artwork. Presented as a 7.5 x 7.5 inch archival pigment print on hand-perforated blotter paper by Zane Kesey, the piece is a psychedelic reimagination of a familiar video game character altered into an anxious, grinning avatar of consumer intoxication. The warped exuberance in the expression and the bold palette reflect Frost’s trademark interrogation of media, medicine, and mind states. Pharma Satire and Pop Subversion Frost is globally recognized for repurposing icons of commercial entertainment into biting social commentary. In Trip Benzos, he adapts a beloved gaming mascot and outfits him in his raccoon-suited glory, only this time wired on hyperreality. With swirling rainbow eyes and exaggerated limbs, the figure becomes a metaphor for the synthetic highs and cartoon-fueled escapism of modern life. The word BENZOS, boldly emblazoned above, anchors the viewer in the pharmacological theme. As with Frost’s broader body of work, this piece questions the ethics of consumer culture and the thin line between fun and sedation. Visual Culture on Blotter Paper The use of perforated blotter paper is integral to the piece’s conceptual gravity. This medium, traditionally associated with LSD distribution, is reclaimed here as a legitimate fine art format. Frost’s execution is precise, colorful, and layered with irony. The print’s hallucinogenic vibrancy and the flattened graphic styling make the imagery pulse with comic intensity. Clouds and green fields provide a friendly background that contrasts starkly with the print’s title, challenging viewers to reconcile innocence with artificial euphoria. The medium becomes more than a surface—it becomes a statement on altered perception, branding, and identity. Ben Frost and the Contemporary Urban Narrative Ben Frost, based in Sydney, has cultivated an international following through works that blend corporate iconography with pop satire and graffiti aesthetics. His work often plays in public space, galleries, and now on unique substrates like blotter paper, creating dialogues between street legality, fine art, and social critique. Trip Benzos stands as an extension of Frost’s focus on pharmaceutical dependency and the cartoonification of mental health. It is a snapshot of a culture high on itself, addicted to entertainment, and medicated into smiles. This limited edition speaks with the voice of the underground while using the tools of mass marketing, a formula that defines the power and provocation of Street Pop Art & Graffiti Artwork.

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1x1 Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Luke Chueh. 2022 Signed & Numbered Limited Edition of 75 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Summer of Love LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Dynamite Felix Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Miss Piggy On Ozempic by Ben Frost: Glamour, Medication, and Street Pop Satire Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost, released in 2025, marks another unflinching entry in the artist’s exploration of pharmaceutical aesthetics and iconic pop culture. Printed as a limited edition archival pigment work on perforated blotter paper, this 7.5 x 7.5 inch artwork puts Miss Piggy—arguably the most flamboyant and body-conscious character of the Muppets—at the center of a satirical fusion between celebrity vanity and the contemporary obsession with weight-loss medication. Miss Piggy is rendered in her classic pink glamor with her signature lashes, pearls, and sass, juxtaposed against the stark commercial design of Ozempic packaging. With references to semaglutide, prescription labels, and the inflated price of American healthcare, the work pokes at society’s increasing reliance on aesthetic pharmaceuticals. Street Pop Art & Graffiti Artwork Meets Medical Consumerism Ben Frost, known for his bold and controversial use of commercial packaging as visual canvas, turns pharmaceutical branding into a narrative device. With Miss Piggy as the character choice, the message becomes sharply ironic. The collision of children’s entertainment with adult insecurities about beauty, size, and control echoes throughout the composition. This piece is not just parody but visual critique, challenging the public’s relationship with health marketed as vanity and the commodification of self-worth. The format of the blotter paper, perforated and collectible, reinforces the idea of medication as a consumable culture artifact—something to be taken, divided, shared, or used for identity shaping. The Role of Feminine Icons in Street Pop Narratives Miss Piggy’s exaggerated femininity and status as a cultural diva are cleverly subverted in this composition. Her character becomes a visual metaphor for the endless pursuit of image perfection. Ben Frost’s work often questions who sets those standards and who profits from them. Here, the packaging of a once-niche diabetes medication now popularly associated with cosmetic weight loss becomes the modern-day pedestal on which icons are propped and critiqued. This collision of corporate design and animated star power builds tension between innocence and commodification, using Street Pop Art & Graffiti Artwork methods to satirize how quickly culture recycles its idols and issues. Blotter Medium and Psychedelic Provocation Produced in collaboration with Zane Kesey, who hand-perforated the blotter editions, the piece subtly nods to counterculture and the history of mind-altering media. While Ozempic is marketed as a drug for bodily transformation, the print format itself references altered states of awareness. The use of a pop icon like Miss Piggy elevates the print to a statement not just about beauty standards, but about consumption itself—whether it's drugs, fame, or cartoon nostalgia. Miss Piggy On Ozempic is a sharp-edged satire of cultural priorities in an era of performative wellness and image engineering. It is loud, subversive, and unmistakably Frost.

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Cialis Le Pew Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Pharmaceutical Aesthetics and Cartoon Satire Cialis Le Pew by Ben Frost brings together cartoon absurdity and adult pharmaceutical branding in a limited edition archival blotter paper print released in 2025. Known for his provocative Street Pop Art & Graffiti Artwork, Frost takes viewers on a subversive ride by merging the suggestive character of Pepé Le Pew with the visual identity of Cialis, a well-known medication for erectile dysfunction. Printed on 7.5 x 7.5 inch perforated blotter paper and hand-perforated by Zane Kesey, this piece sits at the intersection of consumer critique and visual comedy. With bold linework and an unmistakable pharmaceutical color scheme, Frost uses satire to expose the contradictions of health, desire, and fantasy in commercial culture. Reinterpreting Brand Messaging Through Street Pop Ben Frost’s work frequently co-opts the visual language of consumer goods, particularly those related to pharmaceuticals and fast food. In this print, the formal structure of a Cialis package is preserved: dosage information, branding, and corporate insignia are all present. But the addition of Pepé Le Pew lounging provocatively transforms the message entirely. The piece is not about medical treatment—it becomes a conversation on romantic projection, toxic masculinity, and mass-market seduction. Frost intentionally plays with taboos by inserting a controversial cartoon figure into the branding of a real-world medication, using humor as a mechanism for cultural interrogation. Blotter Format as Conceptual Canvas The decision to present this print on perforated blotter paper deepens the commentary. Traditionally associated with psychedelic culture, blotter art has been a platform for anti-establishment graphics since the 1960s. In this format, Frost’s image carries connotations of altered states, drug dependency, and societal disillusionment. The material becomes a message in itself, encouraging viewers to consider how they consume information, media, and identity. The perforations serve not just as a nod to underground drug culture but as a device that dismantles the sterile clinical distance of pharmaceutical packaging. Ben Frost and the Language of Visual Irony Ben Frost, an Australian contemporary artist, has made a career out of weaponizing logos, mascots, and visual trademarks. Through satirical juxtaposition, he addresses addiction, overconsumption, and the contradictions of modern branding. With Cialis Le Pew, he continues this trajectory by turning a prescription drug box into a visual metaphor for desire and farce. The artwork challenges the passive viewer, inviting questions about how intimacy and commodification intersect. It is both a punchline and a statement—a collision of cartoon innocence and adult marketing that leaves a lasting visual impact.

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Who Fried Roger Rabbit? Seroquel Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Cartoon Madness Meets Pharmaceutical Culture Who Fried Roger Rabbit? Seroquel Blotter Paper Print by Ben Frost reimagines the iconic animated character Roger Rabbit within the framework of modern pharmaceutical branding. Released as part of Frost’s 2025 collection, this 7.5 x 7.5 inch limited edition archival pigment print on perforated blotter paper explores the collision of pop culture and medication packaging with satirical precision. Featuring the animated character smiling manically beside a Seroquel XR layout, the print is hand-perforated by Zane Kesey and produced in a signed and numbered edition. This work critiques how society normalizes mental health struggles through branding and questions how animation, nostalgia, and pharmaceuticals can coexist in a single visual message. Satirical Branding and Medicinal Irony Frost fuses Roger Rabbit’s over-the-top personality with Seroquel, a medication used to treat mood disorders, to amplify the surreal effects of overstimulation and sedation. By transforming the clinical appearance of a pharmaceutical box into a playful, chaotic canvas for a cartoon figure, Frost blurs the line between treatment and escapism. His use of quetiapine packaging language is precise, including dosage information and warnings, yet subverted by Roger Rabbit’s erratic demeanor. The underlying message reflects on how medication is commercialized in a culture that commodifies both mental illness and childhood nostalgia. Material Subversion in Blotter Format The blotter paper format is integral to the conceptual thrust of the piece. Traditionally associated with LSD distribution, blotter prints evoke a psychedelic lineage and hint at an altered perception of reality. By placing a cartoon character on a faux-medication backdrop, Frost disrupts the expectation of serious pharmaceutical design with absurdity. The perforation physically fragments the image, echoing the fragmentation of consciousness and emotion in both medicated and animated experiences. This format enables the artwork to comment simultaneously on drug culture, entertainment media, and mental health marketing. Ben Frost’s Visual Provocation Australian artist Ben Frost has made a name for himself by appropriating advertising, pharmaceutical logos, and mass-market cartoons into biting social commentary. His Street Pop Art & Graffiti Artwork unpacks consumer psychology through bold color, recognizable imagery, and pointed juxtapositions. Who Fried Roger Rabbit? is a standout example of this method—merging the aesthetics of childhood with the clinical detachment of adult medicalization. Frost confronts viewers with contradictions they may overlook in daily life, drawing humor and tension from the unsettling marriage of cartoon madness and prescribed stability. It’s not just visual stimulation—it’s a question wrapped in a package we’re told to trust.

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Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Ben Frost's Stitch and the Prescription Rebellion Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost, released in 2025 as a limited edition pigment print on perforated blotter paper, continues the Australian street artist's sharp critique of consumerism, pharmaceutical branding, and the hijacking of pop culture. In this particular work, the animated alien Stitch is depicted in a manic outburst overlaid on EpiPen pharmaceutical packaging. Known for his unapologetic visual collisions, Ben Frost uses the raw visual energy of graffiti tactics and comic aesthetics to deliver a satirical jab at the marketing of medical dependency, while simultaneously twisting beloved childhood characters into symbols of overstimulated chaos. Street Pop Art Meets Pharmaceutical Anxiety What sets this work apart in the category of Street Pop Art & Graffiti Artwork is its brutal honesty in aesthetic and message. The combination of a hyperactive Stitch and the sterile typography of prescription medicine constructs an immediate visual dissonance. Stitch's feral teeth, wide eyes, and clawed hand scream in emotional excess, a stark contradiction to the controlled and impersonal design of the EpiPen label behind him. The juxtaposition acts as a metaphor for cultural burnout, the medicating of identity, and the commodification of both childhood and health. Frost’s use of blotter paper, a medium historically associated with LSD, heightens the psychedelic tone and lends another layer of commentary about societal escapism through pills, pleasure, or nostalgia. Perforation as Medium and Message The print is produced on a 7.5 x 7.5 inch perforated blotter sheet, hand-perforated by Zane Kesey, son of Ken Kesey, the cultural icon known for pioneering the psychedelic movement. This detail ties the artwork to a broader historical conversation around consciousness, art, and rebellion. In this format, the artwork becomes something to be metaphorically consumed, suggesting the idea of breaking apart sanitized narratives into fragmented truths. The perforations also echo street art’s ephemerality, its nature of being divided, destroyed, or shared. The medium is the message as much as the image, with Frost exploiting every inch of material for critical storytelling. The Power of Satirical Mutation in Urban Culture Ben Frost’s visual style often depends on mutation, appropriation, and critique, and Trip A Stitch In Time stands out for its frenzied commentary on overstimulation, identity distortion, and pharmaceutical dependence. Within the context of Street Pop Art & Graffiti Artwork, this piece is more than a parody of medical culture—it is an indictment of the manufactured balance society attempts to impose through pills, branding, and repackaged characters. Stitch, in this chaotic reinterpretation, becomes a monster of modern consumption, captured at the moment he breaks through the constraints of prescription labels and cartoon nostalgia to claw at something far more human—truth through madness.

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Happy Helmet Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Currently exhibits locally and internationally, while his work has been presented in multiple exhibitions in the USA, Europe, and Asia. One of the first things that one notices in the art of Frost is the unconventional media and means, from traditional square-shaped canvas to cardboard boxes and from acrylic paint to aerosol spray. It is not random that a great portion of his art consists of appropriated imagery of animations, just like the Simpsons, Looney Tunes, Smurfs, Winnie the Pooh, etc., which are placed into a new artistic context, without losing their original connotations.

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Swarovski Crystalized Ice Shoeuzi Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. Edition of 100, Size 100% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box 2021 Signed COA Crystalized ICE edition with 750 hand-placed Swarovski Crystals. J-LDN has created an edition-specific sculpt for these drops with sculpted-in positions for each crystal.

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Grin Trip Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Queen Of Bicycle Day Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Origin of Species Evolution Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Pink Eyes Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Luke Chueh pop culture LSD artwork. "Psychedelic substances definitely had a major role in the development of my popular 'bear' character. Back when I was in college, my best friend and I had an experience that inspired us to run around my house declaring we were Care Bears. I was christened 'Luke Bear,' and my friend, 'Jaime Bear.' Nicknames that have stuck till this day. Fast forward to when I moved to Los Angeles. I wanted to create a character that could readily represent me. Even after more than a decade, a bear was the obvious choice." - Luke Chueh

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Woodstock Daze Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Clingy Companion Pink Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box

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Just One More Bump Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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Origin of Species Jumble Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Super Soup- Red Trip Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Denial. 2022 Signed & Numbered Limited Edition of 30 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Boba- Something In The Tea Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Luke Chueh Pop Culture LSD Artwork. 2019 Signed Limited Edition of 100. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2019 Run of: 100 Limited blotter editions are hand-perforated & may vary slightly from the example shown.

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McTripping Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Say Goodnight Gracie by Herbie Greene: Blotter Paper Resistance in Street Pop Art & Graffiti Artwork Say Goodnight Gracie is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released on April 19, 2021. Signed and numbered with a certificate of authenticity, each piece in this limited edition was hand-perforated by Zane Kesey, reinforcing its symbolic roots in psychedelic counterculture. The print features a black-and-white photograph of Grace Slick, the iconic frontwoman of Jefferson Airplane, overlaid with colorized elements including a paisley red outfit and piercing cyan eyes. The backdrop includes Egyptian-inspired sketches and faded, spray-painted text reading Happy New Year, creating a layered composition that mixes defiance, memory, and cultural critique. Herbie Greene, a legendary photographer from the United States, was known for capturing defining moments of the 1960s San Francisco music scene. This print is more than just a photo—it is a protest embedded in a relic. Slick’s expression and raised middle finger become the central focal point, offering a timeless act of rebellion immortalized through photographic grit and street-inflected style. The surrounding textures—worn concrete, hand-drawn symbols, and fading graffiti—echo the raw surfaces used in Street Pop Art & Graffiti Artwork, reinforcing the voice of anti-establishment figures who spoke through walls, posters, and sound. Grace Slick, Counterculture, and the Power of Visual Protest The image of Grace Slick in Say Goodnight Gracie resonates deeply with the cultural spirit of the 1960s and its aftermath. Slick's role as a voice of psychedelic rock and protest was unmistakable, and this moment of visual resistance encapsulates that spirit perfectly. She does not perform; she confronts. Her multicolored attire, contrasted against a grayscale background, draws attention to individuality and dissent amidst uniformity and decay. The visual isolation of colorized features within a monotone space mimics the effect of street stenciling or wheatpaste posters, techniques commonly used in urban protest art to highlight voices against a muted backdrop of authority. The print format on blotter paper is significant. It bridges the documentation of music history with the tangible aesthetics of drug culture and underground art. Zane Kesey’s involvement in hand-perforating the editions ties this piece directly to the visual traditions of LSD blotter art, where iconography often merged political satire, celebrity, and surrealism. This connection reinforces the idea of art not just as commentary, but as a vehicle of transformation—mental, social, and spiritual. The Urban Palimpsest as Art Form Herbie Greene’s composition in Say Goodnight Gracie operates like an urban palimpsest. Layers of history, rebellion, femininity, and symbolism are built into every detail. The hieroglyph-like drawings add an archaeological tone, suggesting lost messages or forgotten rituals that still echo in the present. The crumbling wall texture and ghosted graffiti add urgency and vulnerability, as if the image could fade at any moment—just like the posters pasted on city walls, fleeting yet unforgettable. This quality is central to Street Pop Art & Graffiti Artwork, where temporality, public visibility, and emotion collide to create impact. Grace Slick’s raised hand and unflinching gaze are a signal, not just a pose. They challenge the viewer to consider where protest lives today. In Greene’s composition, the past is not frozen but reanimated on blotter paper, a medium that has transported minds beyond the visible world for decades. This visual dialogue between photography, protest, and psychedelic symbolism speaks not just to nostalgia but to the ongoing role of image as resistance. Herbie Greene and the Documentation of Rebellion Herbie Greene’s work captures moments that transcend the frame. By reissuing Say Goodnight Gracie on perforated blotter paper, he transforms documentation into object, memory into statement, and portrait into symbol. This choice elevates the piece beyond archival photography into the arena of Street Pop Art & Graffiti Artwork, where message and method matter equally. Greene, born in the United States, became known for his close work with artists like Jefferson Airplane, the Grateful Dead, and Janis Joplin. His lens documented a generation seeking transformation, and in this work, that spirit persists—vivid, fierce, and permanent on a medium built for moments that change everything. Say Goodnight Gracie is not just a tribute to a music icon. It is a distilled act of visual rebellion, sharpened by decades of cultural memory and executed on one of the most subversive print surfaces in art history. It offers a flash of resistance captured in time, formatted for the hand, the wall, and the mind alike.

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Trippy Felix Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Lion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Near Down Town LA Razor Wire Study Original Mixed Media Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Embossed Archival Card Sheet by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 7.5x5 "NEAR DTLA RAZOR WIRE STUDY I've been painting small studies of LA scenes at night. This is a series of hand-painted originals. Mixed media on embossed archival card sheets Size- 7.5" x 5' in signed and numbered Very limited; only a tiny batch is created with each series." -Saber. Immersing in the Urban: Saber's "Near Down Town LA Razor Wire Study" Saber's "Near Down Town LA Razor Wire Study" is a striking original mixed-media painting that offers a gritty yet beautiful snapshot of Los Angeles's urban landscape. This 2023 artwork, signed by the artist, is a unique piece meticulously created on a 7.5x5 inch embossed archival card sheet. Saber, a revered figure in the street art pop scene, captures the essence of downtown LA with a raw and expressive technique that blends spray paint and acrylics, revealing the city's character beneath its nocturnal veil. This series of hand-painted originals by Saber is more than a mere representation of the city's physical attributes; it's a deep dive into the soul of the urban environment. The mixed media on the embossed archival card accentuates the textural contrast between the harshness of razor wire and the ethereal quality of the city's skyline at night. Using spray paint, a medium synonymous with street art, imparts authenticity to the artwork, resonating with the spontaneous energy of graffiti. Saber's choice to focus on LA scenes at night tells of his intent to explore themes of isolation, boundary, and freedom. The razor wire, a symbol often associated with division and confinement, is set against the backdrop of a city known for its boundless creativity and dreams. This juxtaposition invites contemplation about the barriers—both physical and metaphorical—that define urban spaces and the lives within them. The "Near Down Town LA Razor Wire Study" is part of a minimal series emphasizing the exclusivity and collectibility of Saber's work. Each piece in the series is numbered, highlighting its position within a broader narrative that Saber constructs through these visual explorations. Collectors of street pop and graffiti artwork will find a convergence of street-level rawness and delicate art sophistication in these pieces. Saber's work stands as a compelling example of the potential of street pop art to transcend its origins and become a powerful form of contemporary fine art. The artist's ability to convey the complexity of the urban experience through the interplay of mediums, textures, and colors is a testament to his mastery of the form. His paintings are not just art objects but windows into the urban psyche, reflecting city life's vibrant and sometimes chaotic spirit. In essence, the "Near Down Town LA Razor Wire Study" series embodies the evolution of graffiti into a form of street pop art that challenges, engages, and captivates. It underscores the ongoing conversation about the value of street art within the artistic canon and its capacity to capture and comment on the essence of contemporary urban existence. Through his intimate and visceral portrayals of Los Angeles, Saber solidifies his position as a leading voice in street art pop, shaping how we perceive and interact with the surrounding cityscapes.

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Swarovski Crystalized Olive Shoeuzi Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2021 Limited Edition of 50, Size 100% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box Signed COA 2021 Crystalized Olive edition with 750 hand-placed Swarovski Crystals. J-LDN has created an edition-specific sculpt for these drops with sculpted-in positions for each crystal.

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Chips Mushroom Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Chips Mushroom by Ben Frost as Street Pop Art & Graffiti Artwork Chips Mushroom is a vibrant 2025 blotter paper release by Australian artist Ben Frost, executed as a limited edition archival pigment print on hand-perforated blotter paper. The piece is a psychedelic explosion of color and character, transforming two chipmunk-style cartoon figures into glowing avatars of trippy mischief. The characters embrace a massive mushroom with hypnotic joy, their candy-colored eyes swirling in sync with the red, yellow, and blue pulsations radiating through the background. Released on April 19, 2025 and perforated by Zane Kesey, the artwork is part of Frost’s continuing exploration of pharmaceutical satire, cartoon nostalgia, and drug culture iconography—filtered through the visual language of Street Pop Art & Graffiti Artwork. The Visual Style and Commentary of Ben Frost Ben Frost, born in Australia, is known internationally for his provocative works that remix corporate branding, medication packaging, and pop culture icons with subversive intent. He draws heavily from graffiti aesthetics, advertisement design, and comic art, twisting their purpose to expose the absurdities of consumption and identity. In Chips Mushroom, he collides the aesthetics of children's cartoons with drug symbolism, using hyper-expressive chipmunks and a towering mushroom to provoke a layered visual response. The piece walks a line between euphoric fantasy and sensory overload, challenging how innocence and escapism are sold and interpreted in media and marketing. The exaggerated features and blissful daze of the characters hint at both chemical surrealism and the performative bliss of consumer culture. Blotter Paper as Medium and Message Printing Chips Mushroom on perforated blotter paper is not a gimmick—it is a conscious, culturally loaded choice. Blotter paper has long been associated with the psychedelic counterculture of the 1960s and beyond, often used as a delivery method for LSD. By using it as the canvas, Frost recontextualizes his cartoon-laced satire into a physical object that evokes altered perception, rebellion, and the boundary-pushing roots of graffiti art. The small grid squares also echo the building blocks of digital pixel art and the modular logic of pharmaceuticals, reinforcing the connections between microdosing, consumerism, and branding. It is both a print and a conceptual time bomb—an art object that challenges the viewer before it even speaks. Cartoon Characters as Agents of Disruption The use of chipmunk-like characters pulling ecstatically at a colossal mushroom isn't simply a tribute to animation nostalgia. In the framework of Street Pop Art & Graffiti Artwork, these creatures become symbols of rebellion, fantasy, and hallucination. Their exaggerated grins and kaleidoscopic eyes bring the influence of underground comics and urban tagging culture into collision with drug references and psychedelic art history. Much like other Frost works that utilize pop mascots in disturbing or ecstatic ways, Chips Mushroom relies on innocence warped by excess. The playful format becomes a tool to decode addiction, pleasure, and capitalist spectacle—all while holding fast to the vibrant, rule-breaking DNA of street art.

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Clingy Companion Blue Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box

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Hoodie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Luke Chueh pop culture LSD artwork. "Psychedelic substances definitely had a major role in the development of my popular 'bear' character. Back when I was in college, my best friend and I had an experience that inspired us to run around my house declaring we were Care Bears. I was christened 'Luke Bear,' and my friend, 'Jaime Bear.' Nicknames that have stuck till this day. Fast forward to when I moved to Los Angeles. I wanted to create a character that could readily represent me. Even after more than a decade, a bear was the obvious choice." - Luke Chueh

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1984 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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