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Fashion Addict Refill- Burberry Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Burberry Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Fashion Addict Refill- Coach Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Coach Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Fashion Addict Refill- Tiffanys Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Tiffanys Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Fashion Addict Refill- Prada Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Prada Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Fashion Addict Refill- Versace 2 Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Versace 2 Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Frontier I Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Josh Keyes, Street Pop Art Graffiti Legend. Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 19 Inches Release: July 26, 2019 Run of: 250 I think they are successful in that I accomplished what I set out to express. I would enjoy revisiting this theme in the future. I think the imagery is interesting and wacky, and when I look at the print, it transports me someplace far, far away. I like art that leaves me slightly confused and with unanswered questions. If you need another reason, the paper and printing quality are top notch." - Josh Keyes The theoretical context of his work is connected to mythological and folklore themes –especially the legends and stories of Native Americans- and the imagery that exists between dreams and nightmares in order to express a profound existential anxiety and uncertainty. In the dystopia of Keyes nature interacts with the urban life in an abstract and unsettling way, which aesthetically reminisces scientific textbook illustrations and anatomical diagrams.

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Union Pacific Chilled Express Original One of a Kind Acrylic Paint Painting Artwork on Studded Distressed Cradled Wood by Popular Street Graffiti Artist Lyric One. 2019 Signed Hand-Painted Ready To Hang Original Acrylic Paint Wood Panel With Realistic Raised Rivets Size: 24 x 36 Inches Release: August 15, 2019 Capturing the Essence of Transient Motion in Street Art The 'Union Pacific Chilled Express' is a striking original acrylic painting by the famous street graffiti artist Lyric One. This 2019 hand-painted piece on a studded distressed cradled wood panel, with realistic raised rivets, measuring 24 x 36 inches, embodies the fusion of street pop art and graffiti artwork. It resonates with the movement and commercial vibrancy that are the lifeblood of the railroads, an homage to the transient nature of both freight and art. Industrial Narratives in Lyric One's Work Lyric One's artistic endeavor into the world of transportation and industry is encapsulated in this significant work. The subject matter – a Union Pacific refrigerator car used for transporting perishable goods across vast distances – is not a common muse for artists. However, Lyric One elevates this everyday industrial object to a piece of art, meticulously capturing the textures and surfaces that tell a story of travel, trade, and the passage of time. The artwork, signed and ready to hang, was released on August 15, 2019. It reflects the artist's deft ability to translate street pop art's ethos onto various canvases. The choice of distressed wood and the attention to detail, such as the raised rivets, are reminiscent of the textures found in urban environments. These rivets add a tactile element to the piece and echo the industrial nature of rail transport – each one could represent the countless connections and junctions found along the rail networks. Symbolism and Aesthetics in Graffiti Artwork In 'Union Pacific Chilled Express,' the contrast between the practical function of the chilled express service and the vibrant expression of graffiti art is striking. The bold, ice-blue lettering against the stark white background captures the viewer's attention, drawing them into a world where the industrial and the artistic collide. Snowflake motifs not only signify the refrigeration aspect but also add an element of fragility, a subtle nod to the impermanence often a theme in street art and the world of commerce. Lyric One's work is a testament to the dynamism of street pop art. With each brush stroke on the cradled wood, the artist brings to life the hum of the railway lines, the chill of the cargo holds, and the omnipresence of industry in our daily lives. The artwork is not just a static piece to be admired; it is an active participant in the dialogue about the role of industry in society and the omnipotent influence of commerce in our visual culture. This piece by Lyric One reminds us that street pop art and graffiti artwork are not confined to walls and alleyways but are dynamic forms that can transform any surface into a narrative. The 'Union Pacific Chilled Express celebrates this versatility and the ability of street artists to capture the essence of motion, industry, and life's transient nature in their work.

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Along the Way- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2019 Limited Out of Print Open Edition 10 x 7-1/2 x 3-1/2 inches. Displayed With Packaging. KAWS (b. 1974) Along the Way (Black), 2019 Painted cast vinyl 10 x 7-1/2 x 3-1/2 inches (25.4 x 19.1 x 8.9 cm) Open Edition Stamped to the underside of the feet Produced by Medicom Toy, Tokyo The Significance of KAWS' Along the Way in the Pantheon of Street Pop and Graffiti Art In the contemporary vortex of Street Pop Art and Graffiti Artwork, few names are as instantly recognizable as that of KAWS, the pseudonym of American artist and designer Brian Donnelly. His enigmatic characters and motifs have transcended the street to occupy the lofty realms of high art and collectible design. The "Along the Way" series epitomizes KAWS' acumen in creating art that resonates with a broad audience while retaining the gritty ethos of street culture. The "Along the Way" Black Limited Edition Vinyl Art Toy, released in 2019, is a paradigm of KAWS' aesthetic, melding a sleek, polished finish with the emotional depth of his characters. The work showcases two figures in a moment of camaraderie or support, encapsulating universal themes of friendship and unity. This piece, measuring 10 x 7-1/2 x 3-1/2 inches, is a tangible expression of the artist's signature style, featuring the crossed-out eyes that have become synonymous with his oeuvre. Crafted from painted cast vinyl, this artwork is stamped on the underside of the feet, a mark of authenticity and a nod to the underground aspects of street art. Produced by Medicom Toy in Tokyo, a company known for its quality and collaboration with artists to create limited edition figures, "Along the Way" is an open edition, allowing for accessibility often absent in high art. This approach aligns with the democratic spirit of street art, where visibility and public engagement are paramount. KAWS' Impact on Street Pop Art and Its Commercial Success KAWS' journey from a graffiti artist tagging the streets of New York to a renowned figure in the art world is a testament to the evolving perceptions of street art. His works, such as the "Along the Way" series, bridge the often segregated domains of traditional fine art and the dynamism of street culture. By bringing his distinct iconography into the three-dimensional form of vinyl toys, KAWS has helped to elevate the medium to an art form respected by collectors and museums alike. The commercial success of "Along the Way" and other KAWS pieces also highlights the increasingly porous boundaries between art, commerce, and collectibility. By producing art in toys, KAWS taps into the nostalgia and playfulness inherent in pop culture while commenting on its mass-produced nature. His work resonates with art fans and a generation that grew up with the visual language of cartoons, toys, and bold graphics. The Aesthetic and Cultural Resonance of KAWS' Artwork The aesthetic of KAWS deftly marries graffiti's raw, immediate nature with a polished pop art sensibility. In "Along the Way," the figures are rendered in black, a choice that imbues the work with a sense of both sophistication and depth. The monochromatic scheme emphasizes the form and emotion conveyed by the characters' posture and interaction rather than distracting with color. IThisfocus on form and affect tllows KAWS' work to communicate beyond language and cultural barriers, striking a chord with a global audience. Culturally, KAWS' work resonates because it reflects the ethos of street art in a form that is palatable to the mainstream. By presenting his artwork in a collectible and displayable manner, KAWS bridges the divide between the subversive origins of street art and the desire for art that can be owned and cherished. The "Along the Way" figures are not only art pieces but artifacts of a cultural movement that blurs the lines between high and low art, between the gallery wall and the city street. The "Along the Way" Black Limited Edition Vinyl Art Toy by KAWS is not merely a collectible item; it is a significant piece of Street Pop Art that encapsulates the evolution of graffiti into a recognized and highly valued form of artistic expression. It stands as a testament to the power of street art to permeate and transform mainstream art culture and as a symbol of KAWS' indelible impact on the art world.

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The Cage And The Heart Of The Beast PP Printers Proof Silkscreen Print on Somerset Fine Art Paper by Artist Sandra Chevrier Limited Artwork. PP Printers Proof 2019 Signed & PP Marked Artwork Size 27x35.5. Sandra Chevrier (b. 1983) La Cage Et Le Coeur De La Bête, 2019 Screenprint in colors on Somerset paper 35-1/2 x 27 inches (90.2 x 68.6 cm) (sheet) PP Signed and numbered in pencil along lower edge Published by Graffiti Prints, United Kingdom Emotive Power in Chevrier's Art Sandra Chevrier's "La Cage Et Le Coeur De La Bête" (The Cage And The Heart Of The Beast) is a compelling silkscreen print that weaves together the visual intensity of street art with the emotional depth of pop art. This Printer's Proof (PP) edition, produced in 2019, is a signature work that underscores Chevrier's reputation as a formidable talent in contemporary art. The piece, published by Graffiti Prints in the United Kingdom, represents a confluence of techniques and themes that resonate deeply within the art community. "La Cage Et Le Coeur De La Bête" visually explores identity, constraint, and liberation. Chevrier's work often features the motif of a woman's face obscured by comic book imagery, a representation of the societal 'cages' that can define and restrain. In this piece, the vivid colors and dynamic, funny book scenes that overlay the subject's face serve as both a mask and a revelation of the inner turmoil and strength within the female subject. The print, measuring 35-1/2 x 27 inches, is a testament to the artist's detailed and intricate approach to silkscreen printing, a medium that allows for the sharp articulation of complex images. The choice of Somerset paper for the print indicates Chevrier's commitment to quality; it's a type of paper renowned for its ability to hold ink and produce rich, vivid images. Chevrier's Commentary on Femininity and Strength Chevrier's "La Cage Et Le Coeur De La Bête" is imbued with a narrative of femininity and strength. It challenges the viewer to contemplate the juxtaposition of vulnerability and power, the seen and unseen, and the personal versus the societal. The inclusion of superhero imagery superimposed on the woman's face brings a dialogue of the fantastical into the realm of the every day, prompting reflection on the heroic qualities found in the personal battles we face. This piece, marked as a Printer's Proof, highlights its unique status in the printmaking process, often reserved for the artist's and printer's use before the final edition is run. The PP designation enhances the artwork's collectibility, signifying it as a rare piece of Chevrier's work. Street Pop Art and Graffiti Influence In the realm of street pop art and graffiti artwork, Chevrier's print stands as a vibrant example of how fine art's intimacy can intersect with street art's public-facing boldness. Her work captures the ethos of street art's accessibility and its capacity for profound emotional resonance, all while maintaining the collectible aspect of limited-edition fine art prints. Sandra Chevrier's "La Cage Et Le Coeur De La Bête" is more than just a silkscreen print; it's a narrative piece that engages with empowerment, constraint, and identity themes. It reflects the artist's distinct place in the landscape of street pop art and graffiti artwork, where the lines between personal expression and broader cultural commentary are seamlessly blended. Through her art, Chevrier invites us to recognize and reflect on the cages that confine us and the potential within each of us to find our own heart of the beast.

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang

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Hello My Name Is AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2019 Signed & Marked AP Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Shepard Fairey is a name that resonates deeply within the realms of pop art, street art, and graffiti. Recognized for his iconic "OBEY" campaign, Fairey's contributions to the visual world have been both provocative and impactful. A remarkable embodiment of his prowess is the "Hello My Name Is AP Artist Proof" silkscreen print from 2019. This piece is not only a testament to Fairey's skill as an artist but also speaks volumes about the evolution of street art. Crafted meticulously by hand, this screen print graces cream speckletone fine art paper, adding a touch of vintage charm to the already rich design. The piece is exclusive in its kind, marked as an Artist Proof, setting it apart from regular editions and giving it a special status for collectors and art enthusiasts. The central image – Andre the Giant, reimagined in a 'Hello My Name is' name tag format – serves as a compelling visual anchor. Andre the Giant has been a recurring motif in Fairey's work, symbolizing counterculture, defiance, and the power of art to challenge norms. This particular silkscreen print is not merely an artwork; it's a reflection of the zeitgeist. Street art, having its origins in unsanctioned art displays and graffiti, has grown to become a respected form of artistic expression, blending both dissent and aesthetics. Fairey's representation of Andre the Giant juxtaposed with a ubiquitous name tag showcases the dichotomy of individual identity versus societal labels. For those who find themselves at the intersection of pop culture, graffiti, and contemporary art, "Hello My Name Is AP Artist Proof" by Shepard Fairey is a compelling representation of how street art has transitioned, grown, and left an indelible mark on the visual landscape of our times.

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New York City Subway Maps IV PP Printers Proof Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 17x24. New York City Subway Maps IV, Archival pigment print in colors with hand-embellishments on Moab Fine Art paper Cope2's Artistic Legacy in "New York City Subway Maps IV PP Printers Proof" The "New York City Subway Maps IV PP Printers Proof" by Cope2 represents a confluence of street authenticity and artistic innovation within modern Pop Art. The 2019 Printers Proof edition, signed and marked by the artist, is a limited series that pays homage to the raw spirit of New York's street culture. The artwork, measuring 17x24 inches, is a hand-embellished archival pigment print on Moab Fine Art paper, echoing the gritty essence of urban life through vibrant spray paint and bold tagging styles. As a seminal Graffiti Street Art movement figure, Cope2's work encapsulates the city's visual vibrancy and chaotic energy that never sleeps. His "New York City Subway Maps IV" represents the iconic transit system and a canvas showcasing the layered history of graffiti that has become synonymous with the city's subways. The hand-embellishments signify Cope2's personal touch, making each piece a unique fragment of New York's urban narrative. Blending Traditional Techniques with Urban Aesthetics Cope2's Printers Proof edition blurs the lines between traditional printmaking techniques and the urban aesthetics of graffiti. By incorporating hand-embellishments, each print transcends its status as a mere reproduction, becoming a standalone work of art. The series showcases Cope2's versatility as an artist capable of adapting street capable of adapting street art's spontaneous natureine art printing. The "New York City Subway Maps IV" series is a cultural artifact that reflects the evolution of street art from an act of rebellion to a recognized form of artistic expression. Cope2's work has transitioned from the fleeting surfaces of subway cars to the permanence of fine art paper, enabling the transient nature of street art to be captured, preserved, and appreciated as part of contemporary art's expansive canon. The limited edition Printers Proof series is a testament to the enduring appeal of street art and its significance within the larger context of pop culture. It underscores the importance of preserving the ephemeral nature of graffiti while providing an accessible medium for art collectors and enthusiasts to engage with street art in a new way. In essence, Cope2's "New York City Subway Maps IV PP Printers Proof" is a vibrant homage to the streets of New York, a tangible slice of the city's artistic soul. Through his work, Cope2 continues to play a pivotal role in shaping the narrative of Street Pop Art and Graffiti Artwork, ensuring that the voices of the streets are heard and celebrated in galleries and collections across the globe. His artwork remains a dynamic intersection of color, form, and urban storytelling, capturing the city's pulse in each spray-painted line and hand-drawn tag.

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The Residue Of Arrogance PP Printers Proof Archival Print by Eddie Colla Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 14x24 Archival Pigment Fine Art Eddie Colla's 'The Residue Of Arrogance': A Commentary in Print Eddie Colla's 'The Residue Of Arrogance' PP (Printer's Proof) archival print is a limited edition piece that communicates a powerful narrative through street pop art. Signed and marked by the artist in 2019, this print on fine art paper, 14x24 inches, uses archival pigment for longevity. The artwork explores themes such as identity, resistance, and societal structures, which are central to Colla's work. His art often reflects on the impact of commercialism and the intrusion of public spaces, creating dialogues around the power dynamics of visual culture. This piece is yet another example of Colla's ability to blend fine art with street art's energy and social consciousness.

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Rainbow Two PP Printer Proof Archival Pigment Fine Art Limited Edition Print on 310gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Scott Listfield. PP Printer Proof 2019 Signed & Marked PP Limited EditionArchival Pigment Print on 290gsm Moab Fine Art Paper Size: 12x18 Inches Release: November 22, 2019 "Weirdly enough, I was thinking about the color palette from Thor: Ragnarok. It's one of my favorite movies from the past couple of years, and it's got a wonderful, bright, 70's psychedelic space vibe in some of the set designs and movie posters. I wanted to grab that exuberant rainbow and see how it fit into this starry world I was working on." ––Scott Listfield Exploring the Chromatic Narratives of Scott Listfield's "Rainbow Two" Scott Listfield's "Rainbow Two PP Printer Proof" is a striking piece in modern pop street graffiti art. Released alongside its predecessor, "Rainbow One," on November 22, 2019, this limited edition archival pigment print is rendered on 310gsm Moab fine art paper. Signed and marked as a Printer's Proof, this 12x18 inch print is part of a limited edition, distinctive for its quality and rarity. Drawing inspiration from the vivid color scheme of "Thor: Ragnarok," Listfield captures a 70s psychedelic space aesthetic, weaving it into the fabric of his trademark starry landscapes. This print, featuring his iconic astronaut, continues Listfield's exploration of pop culture and societal themes set against the infinite tapestry of space.

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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Wavelengths Sunrise PP Printer Proof HPM Hand Embellished Print Silkscreen Print by Erik Otto Hand-Pulled 4-Color Screen Print on Deckled 335gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & Marked PP HPM Hand Embellished Print Limited Edition Run Artwork Size 16x20 Erik Otto's "Wavelengths Sunrise": A Harmonious Blend of Artistic Disciplines Erik Otto's "Wavelengths Sunrise" is a striking example of the convergence of pop street artwork, graffiti, and delicate art sensibilities. Released as a Printer's Proof (PP) in 2019, this hand-embellished silkscreen print is part of a limited edition series that captures the essence of contemporary art's diverse expressions. The hand-pulled print features a four-color screen process on deckled 335gsm Coventry Rag fine art paper. The artwork size is 16x20 inches, a dimension that allows the intricate patterns and vibrant colors to stand out, engaging the viewer in a visual dialogue. This PP HPM (Hand-Painted Multiple) print is a testament to Otto's craftsmanship and attention to detail. Each print in the series is signed and marked by the artist, indicating its status as a unique work within the edition. Hand embellishment means that while the prints are part of a series, each piece contains individual strokes of the artist's brush, adding a layer of exclusivity and personal touch that collectors and enthusiasts highly value. Integrating Fine Art Techniques with Street Art Aesthetics The "Wavelengths Sunrise" print illustrates Otto's ability to blend the precision of fine art printmaking with the spontaneity and boldness characteristic of street pop art and graffiti. The deckled edges of the Coventry Rag paper contribute to the print's tactile quality, imbuing the work with an organic feel that contrasts with the meticulous screen printing process. The choice of paper is crucial, as Coventry Rag is known for its durability and luxurious texture, making it an excellent medium for silkscreen printing. Otto's choice of a four-color screen print process allows for the layering of colors, creating a depth and complexity that mimics the dynamism of a sunrise. The process also nods to the origins of pop art and its embrace of mass production techniques, yet Otto's hand embellishments ensure that each print remains a singular piece of art. The result is a harmonious balance between uniformity and individuality, mass production, and artisanal creation. The Visual Language of "Wavelengths Sunrise" in the Art World "Wavelengths Sunrise" speaks the visual language of motion and rhythm through its concentric patterns and waves, a motif that resonates with street art's fluidity and ever-changing nature. The work's title itself suggests a natural phenomenon that is both constant and variable, much like the street art scene that continually evolves and adapts to the cultural zeitgeist. Otto's print captures this essence, inviting contemplation on the cyclical patterns in nature, art, and urban life. In summary, Erik Otto's "Wavelengths Sunrise" stands as a captivating piece within pop street artwork and graffiti. As a limited edition PP HPM print, it bridges the gap between street art's immediacy and fine art printmaking's calculated finesse. Otto's work reflects the current state of street pop art, where traditional boundaries are redefined, and new forms of artistic expression emerge. His contribution to the art world with "Wavelengths Sunrise" is a vibrant testament to the potential of modern art to innovate and inspire across various platforms and audiences.

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Mobius Teal PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 The Artistic Vision of Lauren YS in 'Mobius Teal PP' Lauren YS's 'Mobius Teal PP' emerges as a striking example of contemporary pop street artwork, blending the fluidity of graffiti with the meticulous process of silkscreen printing. This Printer's Proof (PP), hand-pulled and marked by the artist in 2019, embodies a limited edition three-color screen print on 290gsm Coventry Rag fine art paper. Signed and denoting its unique status in the edition run, the artwork's dimensions of 18x14 inches frame a visual narrative that is both surreal and expressive. Symbolism in 'Mobius Teal PP' The 'Mobius Teal PP' print by Lauren YS is a testament to their fascination with the surreal and the marine, featuring a vivid portrayal of octopuses in an infinite loop. The title, 'Mobius,' refers to the Möbius strip, a surface with only one side and one boundary component, symbolizing infinity, continuity, and the cyclic nature of the universe. This concept is elegantly captured through the interweaving tentacles of the octopuses, which are depicted in a state of perpetual motion against the contrasting teal background. The choice of color in 'Mobius Teal PP' is not merely aesthetic but intentional, with the teal acting as a backdrop that conjures the depths of the ocean—a realm full of mystery and often associated with the unconscious mind. The juxtaposition of the pink and black inks adds a dynamic vibrancy to the print, emphasizing the fluidity and grace of the cephalopods, creatures known for their intelligence and adaptability. Lauren YS's Technique and Medium Lauren YS employs the silkscreen printing technique with finesse, a method traditionally linked with the pop art movement and the grassroots dissemination of street art. Each layer of color in the 'Mobius Teal PP' is meticulously applied, showcasing the artist's hands-on approach and commitment to precision. Coventry Rag paper, a medium known for its quality and durability, ensures that each print remains a lasting artifact of the artist's vision, retaining the vibrancy of the inks over time. The significance of a Printer's Proof in the art world cannot be understated. PPs are typically reserved for the artist's personal use or archival purposes and are often considered more valuable due to their rarity and direct involvement in their production. The PP mark on 'Mobius Teal PP' indicates its status as part of a select group of prints that precede the official limited edition run, sought after by collectors for their proximity to the artist's original intent. Impact and Legacy in Street Pop Art The 'Mobius Teal PP' holds a place of importance in the oeuvre of Lauren YS and within the broader context of street pop art. The artist's work blurs the boundaries between the subversive energy of street art and the calculated precision of fine art printing, creating pieces that resonate with a broad audience. Lauren YS's contributions to the field reflect a contemporary evolution of street pop art, where traditional graffiti merges with avant-garde aesthetics to form new artistic expressions. As an artist, Lauren YS stands at the forefront of this evolution, pushing the boundaries of street pop art and graffiti into new territories. 'Mobius Teal PP,' with its intricate design and profound symbolism, is a beacon of the limitless potential within these art forms. It is a celebration of the medium's ability to decorate urban landscapes and convey complex, introspective narratives through the interplay of ink and imagination.

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They Say Raps Changed Dr. Dre Snoop Dog A.P. Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2019 Signed & A.P. Marked Limited Edition Run Artwork Size 17.01x10.98 Mark Drew's Commentary on the Evolution of Hip-Hop Mark Drew's "They Say Raps Changed Dr Dre Snoop Dog" is an Artist's silkscreen print that speaks volumes about the shifting landscape of hip-hop through the medium of Street Pop Art and Graffiti Artwork. This hand-pulled screen print on fine art paper is a significant work within Drew's oeuvre, demonstrating his ongoing engagement with the dialogue between music and visual art. The artwork is 17.01x10.98 inches and is part of a limited edition run. It is distinctively marked with Drew's signature and the A.P. stamp, indicating its status as an artist's proof and exclusivity within the series. The phrase "They say rap's changed" is a direct nod to the commentary on the evolution of hip-hop culture and music, a prevalent theme in Drew's work. Using screen printing, a technique with a rich history in pop art and street art, Drew creates a visual bridge between the current perception of hip-hop and its roots. The piece serves as a nostalgic reminder and an invitation to reflect on how the genre has grown and transformed over the years. Interplay of Music and Visual Art in Drew's Work The interplay of music and visual art has always been at the heart of Mark Drew's work. His silkscreen prints, often featuring lyrics from iconic hip-hop songs, go beyond mere representation; they comment on the cultural significance of the words and the imagery chosen to accompany them. In "They Say Raps Changed," the use of characters from vintage comics in conjunction with the poignant phrase highlights the contrast between the past and the present, the evolution of an art form, and the universal nature of change. Drew's decision to utilize an artist's proof for this print underscores his art's experimental and innovative nature. Artist proofs are often where the artist finalizes the details of the print, and they carry with them a sense of immediacy and authenticity that is highly valued in Street Pop Art and Graffiti Artwork. This particular piece, with its crisp lines and bold colors, is a testament to Drew's skill as a printmaker and his understanding of the power of street art to communicate complex messages in an accessible way. The silkscreen print "They Say Raps Changed" is a cultural artifact that encapsulates the spirit of a particular moment in hip-hop history while engaging with contemporary dialogues about the genre. Mark Drew continues contributing to the discourse of street art, pop art, and the intersection of visual culture and music through his work. His prints are aesthetically compelling and serve as historical commentaries, bridging gaps between different eras and genres and inviting viewers to explore the deeper connections between them.

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Holiday Japan- Black Limited Edition Vinyl Fine Art Toy Collectible Artwork by Street Graffiti Artist Kaws- Brian Donnelly. 2019 Vinyl Fine Art Sculpture Holiday Japan Black Painted Cast Vinyl Fine Artwork Size 9x4x3.5 Stamped to the Underside Published by AllRightsReserved, Hong Kong. Perfect to Near Perfect In Original Packaging. Kaws- Brian Donnelly Street Pop Art & Graffiti Holiday Japan- Black KAWS, originally known as Brian Donnelly, has been a prominent figure in street and commercial fine art. His works often feature a strong graphic quality, with bold colors and large, flat paint areas reminiscent of advertising and traditional graffiti art. The Holiday Japan Black Limited Edition is a notable piece that encapsulates the essence of KAWS's approach to art. With its distinctive crossed-out eyes and exaggerated forms, the sculpture is a crossover of street art's rawness and the refined nature of fine art collectibles. The collectible art toy market has seen a significant rise in popularity over the last few years, with pieces like the Holiday Japan Black Limited Edition Vinyl Fine Art Toy by the street graffiti artist KAWS, aka Brian Donnelly, becoming highly sought after. This artwork is a quintessential example of Street Pop Art and graffiti Artwork, reflecting the artist's signature style and the broader cultural movement. The vinyl sculpture celebrates modern Street Pop Art and graffiti Artwork, exemplifying how this genre can seamlessly blend playful imagery and serious art critique. With its sleek black painted cast vinyl, the piece stands at a compact size of 9x4x3.5 inches, making it a desirable item for art collectors and enthusiasts of the street art genre. The Holiday Japan Black Limited Edition's aesthetic is a nod to the artist’s roots in graffiti and his evolution into a staple of contemporary art collections. Authenticity and Collectibility Collectors of KAWS’s work are not only drawn to the visual appeal but also to the authenticity and exclusivity that his pieces offer. The Holiday Japan Black Limited Edition is stamped to the underside, bearing the mark of its creator and publisher, AllRightsReserved, based in Hong Kong. This stamp serves as a seal of authenticity, a crucial aspect for collectors who are vigilant about the provenance and legitimacy of the artwork they acquire. The fact that this artwork is maintained in perfect to near-perfect condition in its original packaging further increases its collectible value. Collectors often seek pieces held in the condition closest to their original state, including the packaging accompanying the artwork. The packaging itself, often adorned with the artist's work, becomes a part of the collectible experience, and in some cases, it is almost as valued as the artwork it houses. Impact on Pop Culture and Art The prominence of KAWS’s Holiday Japan Black Limited Edition in the collectible market is also a testament to the cultural impact that Street Pop Art and graffiti Artwork have had in recent years. KAWS’s crossover from a graffiti artist tagging the streets of New York to a well-recognized figure in the art world reflects the shifting boundaries between 'high' art and 'low' art. His work challenges traditional distinctions and suggests that art can be accessible while maintaining a high degree of craftsmanship and conceptual depth. The Holiday Japan Black Limited Edition and other works by KAWS often feature characters and motifs that resonate with a broad audience, bridging the gap between popular culture and fine art. This accessibility has allowed Street Pop Art and graffiti Artwork to garner a dedicated following that extends beyond the conventional art market, touching on fashion, music, and design. The Holiday Japan Black Limited Edition Vinyl Fine Art Toy by KAWS is a pivotal piece within the artist's oeuvre and a significant representation of contemporary Street Pop and graffiti Artwork. It stands not just as a collectible object but as a cultural artifact that encapsulates the dynamic interplay between street culture and the fine art establishment. The work's popularity and high demand among collectors underline the growing appreciation for art forms that were once considered outside the traditional art market, marking an exciting evolution in the perception and valuation of street-inspired artwork.

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Holiday Japan- Grey Limited Edition Vinyl Fine Art Toy Collectible Artwork by Street Graffiti Artist Kaws- Brian Donnelly. 2019 Vinyl Fine Art Sculpture Holiday Japan Grey Painted Cast Vinyl Fine Artwork Size 9x4x3.5 Stamped to the Underside Published by AllRightsReserved, Hong Kong. Perfect to Near Perfect In Original Packaging. Kaws- Brian Donnelly Street Pop Art & Graffiti Artwork in Collectible Form Brian Donnelly, professionally known as KAWS, is renowned in the street art scene and the fine art collectible world. His Holiday Japan Grey piece, a vinyl sculpture in 2019, showcases the distinct aesthetic that has become synonymous with KAWS' work. The grey-painted cast vinyl, 9x4x3.5 inches, is a substantial yet manageably sized piece that fits perfectly within the intimate space of a collector's shelf or a gallery display. Exploring art in the urban landscape often leads to the intersection of street culture and collectible design, where the Holiday Japan Grey Limited Edition Vinyl Fine Art Toy by KAWS, or Brian Donnelly, serves as a paradigmatic example. This piece reflects the fusion of Street Pop Art and graffiti Artwork with the commercial viability of fine art collectibles, embodying the complex narratives of modern pop culture within its meticulously crafted form. Each sculpture is stamped on the Underside, ensuring authenticity and traceability, a mark of prestige published by AllRightsReserved in Hong Kong. The stamp signifies the sculpture’s origin and confirms its legitimacy in the art world, a crucial factor for collectors. Additionally, preserving the artwork in perfect to near-perfect condition within its original packaging speaks volumes about its value, care, and the respect it commands among enthusiasts. Impact and Significance in Contemporary Art The Holiday Japan Grey edition is a testament to the pervasive influence of KAWS in contemporary art. It captures the spirit of street art in a tangible form, translating the ephemeral nature of graffiti into a permanent object of art. This transition from the transient walls of urban landscapes to the permanence of vinyl sculpture is significant in the narrative of Street Pop Art and graffiti Artwork. It symbolizes the journey of street art from the peripheries of legality to the center stage of mainstream art collection. The characteristically crossed-out eyes and exaggerated limbs of the figure are iconic to KAWS’ creations, which often incorporate elements from popular culture and cartoon imagery. The Holiday Japan Grey, with its monochromatic palette, allows the form and emotional expression of the figure to take precedence, creating a strong visual impact that resonates with the street art aesthetic while maintaining a minimalist sophistication. Collectibility and the Art Market In the art market, exclusivity and limited access elevate an artwork's desirability. The limited edition nature of the Holiday Japan Grey, with only a select number of pieces available, creates a sense of urgency and exclusivity among collectors. The collectible's standing in its original packaging further adds to its mint condition, a factor of paramount importance in the art collection. KAWS’ Holiday Japan Grey is not merely a collectible; it is a piece of cultural history, a snapshot of the artist’s exploration of themes that range from isolation and companionship to social commentary. The figure's simplicity, with its textured surface and the depth of its grayscale tones, offers a commentary on the complexity hidden within seemingly straightforward representations, a hallmark of Street Pop Art and graffiti Artwork. In conclusion, the Holiday Japan Grey Limited Edition Vinyl Fine Art Toy by KAWS represents street art's vibrancy and the meticulous craftsmanship of collectible design. As a significant piece within KAWS’ oeuvre, it exemplifies the evolution of graffiti from an act of rebellion to a celebrated form of contemporary art. Collectors and admirers of Street Pop Art and graffiti Artwork recognize this piece as both an investment and a piece of the narrative that continues to shape the dialogue around the value and place of street-inspired art in today's cultural lexicon.

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Talk Talk Talk- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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The Collaborator- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. One character is observed standing up with cuffed hands raised above its head, the other one is located in the foreground, featuring the silhouette of a police officer sitting down while brandishing a rifle. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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The Collaborator- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. One character is observed standing up with cuffed hands raised above its head, the other one is located in the foreground, featuring the silhouette of a police officer sitting down while brandishing a rifle. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Useless Idiot- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Size: 18 x 24 Date: 2019 Condition: NEW Artist: Cleon Peterson Hand-pulled black & red screen prints. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited Edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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God Save Us All Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 82 x 58 - 32.3in x 22.8 God Save Us All is a timely comment on the state of American politics, as the safety-pinned British figurehead is swapped for a swastika-eyed President Trump. Against a distressed US flag, Reid adds his signature cut-up collage text.

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God Save The Queen Collage Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 Blending the worlds of street art, pop culture, and political dissent, Jamie Reid's "God Save The Queen" stands as a poignant reflection of the punk era's raw energy and defiance. Created in 2019, this masterful artwork captures the essence of rebellion, with a striking portrayal of the British monarch, her eyes obscured by the phrase "God Save The Queen." It is not merely a visual spectacle but a statement, encapsulating the punk movement's spirit and challenging the establishment's symbols and authority. The imagery, familiar to many, became emblematic of the punk rock movement in the late 1970s. Its resonance extends beyond the art sphere into music, as it bears a strong association with the controversial track "God Save the Queen" by The Sex Pistols released in 1977. The audacity of the image, combined with the song's provocative lyrics, created ripples in society, making it an iconic piece of cultural history. This particular creation is a limited edition giclee print, with only 300 pieces ever produced. Each print is meticulously crafted on premium 290gsm Hahnemühle bamboo paper, renowned for its exceptional quality and ability to bring out the finest details of the artwork. Measuring 32.3 x 22.8 inches, every piece has been hand-signed and numbered by Reid, ensuring its authenticity. For collectors and art enthusiasts, owning a piece of this limited edition offers not just a visual delight but also a slice of history, representing a moment when art, music, and activism converged to shape a generation.

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Never Trust A Punk Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 In the annals of pop culture, graffiti, and street art, Jamie Reid emerges as a luminary, challenging societal norms with his provocative creations. "Never Trust A Punk" stands as a testament to Reid's unparalleled ability to intertwine art with cultural and political discourse. This piece, crafted in 2019, distinctly captures the punk ethos that rose to prominence in the late 1970s, becoming a hallmark of Reid's aesthetic. "Never Trust A Punk" is not merely an artwork but a statement, a proclamation that showcases Reid's characteristic blend of satire, dissent, and visual appeal. The juxtaposition of the iconic Union Jack with a stark portrayal of the British monarch, her eyes concealed, boldly encapsulates the rebellious spirit of the time. The message is clear, echoing sentiments of distrust and rebellion, which were rampant during the punk movement. This artwork holds an even deeper resonance for music enthusiasts and followers of British punk rock. The imagery bears a striking resemblance to that used for the cover of "God Save the Queen" by The Sex Pistols in 1977, a track that stirred controversy and remains emblematic of the punk era. As a limited edition giclee print, only 300 pieces of "Never Trust A Punk" were ever produced. Each print is immaculately rendered on premium 290gsm Hahnemühle bamboo paper, a medium chosen for its ability to capture the vibrancy and detail of the original artwork. Measuring at 32.3 x 22.8 inches, each piece is hand-signed and numbered by Reid, solidifying its authenticity and making it a coveted item for collectors and art enthusiasts alike.

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Iconic Bubble- White 24ct Gold Leaf 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Edition of 25 signed by the artist 8 colour screen print on 300 gsm somerset paper with 24ct Gold Leaf Dimensions: 75 x 55cm year 2019

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Some Velvet Morning- Wood Variant Hand-Pulled 16-Color Silkscreen Print on 110lb Cover Wood Veneer Paper by Pop Artist Eric Pause Rare Art Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 10 Size 30x24

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Cut it Up Do it Yourself 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 500 Print Size 18x24 August 9, 2019 Beyond The Streets In Store Only Blue Variant "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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Do No Harm Lolly Neapolitan Ice Cream HPM Mixed Media Sculpture by Miss Bugs Limited Edition Pop Artwork Street Artist Fine Art. 2019 Signed COA & Dated to Packaging Label Mixed Media HPM Plastic Resin Sculpture Limited Edition of 900 Artwork Size 2.2x5.5. Each Unique and Hand Made. Pharmaceutical packaging presents a mesmerizing spectacle as it envelops a one-of-a-kind creation—a meticulously crafted resin ice lolly. Handmade with care, this extraordinary treat enthralls with its fusion of artistry and danger. Encapsulated within its translucent form lie surgical blades, adding an unexpected twist to its delicate allure. Resting gracefully upon a luxurious Jesmonite marble plinth, this captivating piece invites contemplation and intrigue. Its unique blend of contrasting elements ignites curiosity, challenging perceptions and evoking a sense of wonder. As an artistic duo, Miss Bugs has gained recognition for their unique approach to art and their ability to fuse different mediums and techniques. They often draw inspiration from other artists, as well as popular culture, which allows them to create thought-provoking pieces that challenge conventional ideas and perceptions of art. Their work has been exhibited in numerous solo and group exhibitions worldwide. They have shown their work in galleries across the United Kingdom, the United States, and other countries. This exposure has helped them build a strong following and reputation within the contemporary art scene.

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Hello My Name Is Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Introducing the iconic "Hello My Name Is" silkscreen print by renowned artist Shepard Fairey, a pioneering figure in the worlds of pop art, street art, and graffiti. This hand-pulled screen print on Cream Speckletone Fine Art Paper showcases Fairey's distinct style that has captured the hearts of art enthusiasts worldwide. As an OBEY limited edition artwork, it holds a unique position in the realm of contemporary art. Created in 2019, this signed and numbered limited edition comprises only 450 prints, making it a highly sought-after collectible. Each piece is numbered, adding an exclusive touch that speaks to its rarity and value in the art market. With an artwork size of 18x24 inches, the print commands attention and stands as a striking representation of Fairey's artistic vision. At the heart of this piece lies Fairey's famous "Andre the Giant" motif, an iconic symbol that originated from his street art campaign. Inspired by the ubiquitous "Hello My Name is" name tags and graffiti culture, Fairey ingeniously merged this concept with the legendary figure of Andre the Giant, resulting in a bold and thought-provoking work of art. This silkscreen print serves as a prime example of the fusion of pop culture, street aesthetics, and graffiti elements that define Fairey's contribution to the contemporary art movement. His ability to challenge conventional norms and provoke dialogue through art has made him a significant figure in the modern art scene. As an artist who emerged from the streets and subcultures, Shepard Fairey has been instrumental in bridging the gap between street art and the mainstream art world. His artworks, including this "Hello My Name Is" print, continue to captivate audiences and contribute to the ongoing evolution of pop art, street art, and graffiti as legitimate and influential forms of artistic expression.

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Habitats II Standard Lithograph Flouro Mix Print by Al Maser Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2019 Signed & Numbered Limited Edition of 75 Artwork Size 19.69x27.56 "A lot of my works focuses on relationships. That's stemmed from working in the public realm for the majority of my artist career. How the public interact and engage with my large outdoor murals, led me onto building interactive installations so people can engage with the '3d paintings' Over the past few years this idea of relationships and the environment has found me looking at botanics and their role and effect on us. Primarily out of interest but it has lead me to understand the importance of certain plants, in regards to our health, mental health, sleep, anxiety etc. It has naturally brought me to the National Botanical Gardens Dublin Ireland to sketch and take photos of the plants I've found of interest. From those sketches and photographs I've integrated their loose forms into my 'hard lined' art and applied the new compositions to my print works." - Maser Habitats II, a remarkable work by Al Maser, exemplifies the fusion of graffiti, street, and pop art elements, capturing the essence of urban contemporary expression. This captivating lithograph, titled "Habitats II Standard Lithograph Flouro Mix Print," is a celebration of Al Maser's deep engagement with public spaces, relationships, and the intricate dance of human interaction with nature. Hand-pulled with precision on high-quality fine art paper, this 2019 creation exudes vibrancy, both in its color palette and its inherent narrative. With a dimension of 19.69x27.56, it is a limited edition, showcasing Al Maser's commitment to exclusivity, as it is one among a mere set of 75, each authentically signed and numbered. Maser's artistic journey has been characterized by his fascination with relationships, shaped largely by his extensive experience in public art. This interplay between the public and his large-scale outdoor murals served as a catalyst, urging him to craft interactive installations that serve as tangible "3d paintings." This exploration of relationships further extended to the environment, steering Maser towards the realm of botanics and their profound influence on human well-being. His curiosity about the role of plants in regulating health, mental state, sleep, and anxiety led him to the National Botanical Gardens in Dublin, Ireland. There, he sketched and photographed intriguing plants, seamlessly integrating their organic forms into his characteristically 'hard lined' art. Habitats II, thus, stands as a testament to Maser's unique approach, translating his real-world observations into compelling print works that resonate with a wide audience.

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