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War Child 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Hijack Rare Street Art Famous Pop Artwork Artist. 2022 Signed Edition of 75 16x16 Ukraine War Protest Print. "When adults wage war, children suffer."

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Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

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Freedom For Humanity- Chrome Limited Edition Serigraph Print with Chrome Foil on Hand-Deckled 290gsm Coventry Rag Fine Art Paper by Mear One Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 20 Artwork Size 20x27 "This piece, 'Freedom For Humanity,' symbolizes the attitude we should be taking regarding our rights as human beings. It's a play on George Orwell's 'Newspeak' from his novel 1984, where he combines and condenses words to create a new language. Language is so important for understanding what it means to be truly free. Yet, it is constantly being eroded, redefined, and replaced to suit the corporations and superficial consumer pop-culture trends for profit. People need translation out of our current language based on greed towards a more meaningful and insightful existence, using language based on our humanity, sharing, and cooperation. I want to inspire critical thought on the implementation of 'Newspeak' in our current Orwellian, media-blitzed reality." - Mear One. Dissecting' Freedom For Humanity' by Mear One Mear One has established himself as a consequential artist in street pop art and graffiti artwork, with "Freedom For Humanity" being one of his most compelling works. This Chrome Limited Edition Serigraph Print is more than a mere aesthetic indulgence; it is a testament to the artist's impassioned plea for linguistic and intellectual freedom. Limited to a series of just twenty signed and numbered pieces, the 2016 artwork, sized 20x27 inches, is printed on hand-deckled 290gsm Coventry Rag Fine Art Paper. This choice underscores the premium quality and the exclusiveness of the print. The Semantic Revolution Embodied in Art Mear One's creation is an interplay of visual and verbal languages, a critical response to the perversion of words in our contemporary society. This piece reflects not just Orwell's concept of 'Newspeak' but a broader commentary on the state of language and its role in human freedom. The artist's use of chromatic intensity and stark contrasts on the fine art paper is an eye-catching element of modern pop art and serves as a metaphor for the clarity and vibrancy that should accompany human communication. The central figure, a striking representation of defiance, holds a sign that boldly demands "Freedom for Humanity," symbolizing the fight against the manipulation of language by corporate and political forces. Mear One's message is clear: the erosion of language and the commodification of words for profit and power threaten the very fabric of our society. The artist seeks to inspire a reevaluation of how language is wielded and perceived in the modern age. His work implores us to transcend a lexicon rooted in greed and forge one grounded in our collective humanity. The message is a rallying cry for cooperation, sharing, and a reassessment of our values as a civilization. Embracing a New Lexicon for Human Empowerment The artwork bridges street art's raw expressiveness and the sophisticated discourse on human liberties. "Freedom For Humanity" is not merely Mear One's call to action; it is an invitation to introspect on the corporatization of our language and, by extension, our thoughts and freedoms. Through his serigraph, Mear One channels the power of Street Pop Art and graffiti Artwork to ignite conversation and drive change. The piece doesn't just hang on a wall; it stands on the front lines of cultural discourse, challenging the viewer to break free from the Orwellian shackles of modern-day 'Newspeak.' Ultimately, "Freedom For Humanity" is a symbolic manifesto in art form. It is a reminder of the potency of words and the significance of their liberation. Mear One has contributed a visually stunning piece to the realm of Street Pop Art and graffiti Artwork and embedded a profound message of liberation and unity within it. His work stands as a beacon for those who seek to understand the true meaning of freedom in a world where language is continually at risk of being co-opted by those in power.

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The Disappeared 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Cleon Peterson (b. 1973) The Disappeared (Black), 2019 Screenprint in colors on Coventry Rag paper 18 x 24 inches (45.7 x 61 cm) (sheet) Ed. 45/100 Signed, numbered, and dated in pencil along lower edge Published by the artist

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Icarus Democracy 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 24x36 "Liberty and equality are principles most people value, but the challenge is to find the proper equilibrium between the two. Democracy is the mechanism our nation has used to balance the freedom and desires of the individual with policies that are fair and beneficial for the collective of society. Democracy requires dedicated maintenance. With the culture of the previous administration and many politicians undermining democracy itself, the folly of over-confidence about the guaranteed endurance of democracy will lead to potential disaster. The threat of fascism is very real. If you value democracy use your voice and your vote. I’d recommend reading Timothy Snyders “On Tyranny” to anyone who does not see the threats to democracy (and the principles it protects) as concerning. This print, “Icarus Democracy,” will also be available in person at Dallas Contemporary." -Shepard Fairey The Icarus Democracy Silkscreen Print is a piece of art created by Shepard Fairey, an American contemporary street artist, graphic designer, and activist. In the Icarus Democracy Silkscreen Print, Fairey uses the myth of Icarus to convey a message about democracy. In Greek mythology, Icarus is a figure who, along with his father Daedalus, escapes imprisonment using wings fashioned from feathers and wax. Despite being warned by his father, Icarus flies too close to the sun, causing the wax in his wings to melt and sending him plummeting into the sea. The story of Icarus is often interpreted as a cautionary tale about hubris and the perils of overconfidence or overreaching. Fairey's print likely uses the Icarus story to comment on the state of democracy, suggesting that democracies can also fall victim to hubris and overconfidence, resulting in negative consequences. Or maybe it's just fearmongering? The piece serves as a reminder of the importance of vigilance in preserving and protecting democratic values and institutions both ironically and literally. The artwork, like many of Fairey's pieces, is created using the silkscreen printing technique. This process involves using a screen to apply ink onto a surface, creating bold, vibrant images. The Icarus Democracy Silkscreen Print showcases Fairey's signature style, characterized by strong lines, bold colors, and iconic imagery, featuring portraiture & symbols that can be easily recognized and interpreted by a wide audience.

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Protect The Blue Planet- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Coventry Rag Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Hand Deckled 30 x 41 inches Serigraph on Coventry Rag, 100% cotton custom archival paper Hand-deckled edges Limited Edition of 75 Signed + Numbered Printed by Obey Giant "Protect The Blue Planet" stands as a testament to Shepard Fairey's dedication to using his art as a vehicle for environmental advocacy, fusing the worlds of pop art, street art, and graffiti art. This limited edition, hand-pulled 2-color serigraph, reveals the intricate relationship between humanity and our environment. Imprinted on 100% cotton Coventry Rag paper, the choice of material underpins Fairey’s commitment to sustainable artistry. The dimensionality of the piece, 30 x 41 inches, lends itself to an immersive viewing experience, accentuated further by its hand-deckled edges, which bring a tactile, organic touch, reminiscent of the raw edges of street posters. In partnering with the PangeaSeed Foundation to release this work for Earth Month, Fairey encapsulates the pressing environmental concerns of the modern era. Central to the piece is the depiction of an endangered North Atlantic right whale that exudes a mandala with the earth cradled within. This mandala, rooted in various cultural traditions, signifies harmony, unity, and the interconnectivity of the planet's ecosystems. The floral ornaments within it blossom as symbols of flourishing harmony, but the contrasting inclusion of flames starkly reminds viewers of the ever-looming threat of global warming. The text - "Protect the Blue Planet" and "One Ocean-One People" - along with the chosen blue palette, draws attention to the inextricable bond between thriving oceans and a sustainable world. As a renowned figure in the street art community, Fairey's work has always pushed boundaries, and with "Protect The Blue Planet", he once again blurs the lines between artistic expression, activism, and social responsibility, reminding the world of its role in safeguarding the planet. "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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The Kiss 2 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Marwan Shahin's most controversial artwork from the "BANNED" series discussing women’s rights in the Middle East. "The Kiss 2” 2018 19 inches x 25 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

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Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Up They Rise 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fabriano Cotton Paper by Jamie Reid Rare Street Art Famous Pop Artwork Artist. PP Printers Proof. Up They Rise, 2007 Screenprint in colors on Fabriano Cotton paper 27-1/2 x 19-3/4 inches (69.9 x 50.2 cm) (sheet) P.P. (aside from an edition of 50) Signed, numbered, and titled in pencil along lower edge

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Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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God Save the USA- Swastika Eyes Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 52 x 71 -20.5in x 38 - Printed onto hand-distressed, off-white paper, Reid captures the retro style of his early work in this contemporary take-down of American politics. God Save the USA (Swastika Eyes) is from a limited edition of 313, signed and numbered by the artist, and each edition has a slight, unique variation due to the distressed paper.

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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AK-47 Lotus- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Protect the eARTh Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Hijack Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 22.5x30 Silkscreen of Man With Broken Blue Umbrella Walking By Graffiti Wall. Hijack's "Protect the eARTh" serves as a profound reflection on the intersection of urban life and environmental consciousness. Crafted in 2022, this artwork, confined to a limited edition of 50 pieces, demonstrates the artist's knack for capturing the zeitgeist of our contemporary world. Spanning a canvas of 22.5x30 inches, the print communicates a tale both intimate and universal through its evocative imagery. A key component of the composition is the solitary figure, navigating an urban landscape with a broken blue umbrella. This umbrella, damaged yet still fulfilling its role, is emblematic of the Earth's resilience in the face of human-induced challenges. Its vibrant blue color, a symbol of the planet's vast waters and clear skies, contrasts starkly with the gritty, grayscale urban setting. The backdrop, an old graffiti wall, underscores the impermanence of human endeavors. Amidst the myriad of tags and markings, the words "Protect eARTh" and "I LOVE EARTH" stand out, echoing the piece's overarching theme. Through these seemingly random but carefully chosen scribbles, Hijack emphasizes the importance of cherishing and preserving our environment. "Protect the eARTh" is more than a captivating visual; it's an urgent plea. While it draws from the aesthetics and ethos of pop graffiti art, the piece transcends the genre, becoming a universal statement about our collective responsibility towards the planet. In this print, Hijack masterfully converges the immediacy of street art with a timeless message, creating a poignant reminder of the world's fragility and our role within it.

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.

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Breathe Right Original Painting Oil On Linen w/ Custom Walnut Frame by David Molesky Graffiti Street Artist Modern Pop Art. 2014 Signed & Custom Framed Original Oil Painting Artwork Size 24x20 "This painting is from my series of paintings based on media images of the revolution in Kiev. Its the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I’ve dropped that dogma. I love that the subject is current, and also contains elements that seem from another era." - David Molesky

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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The Beauty of Rebellion Limited Edition Polystone Art Toy Collectible Artwork by street graffiti artist Abell Octovan.  Set to challenge the notion of beauty in today's society; the ballerina is all geared up with a vest and mask, holding a smoke grenade and twirling and dancing amid a rebellion. Drawing inspiration from classic Greek sculptures, The Beauty of Rebellion features a smooth marble-like effect. The spray can is highlighted with a red accent, a representation of the desire to break free from the beauty conventions we all know. A Dance of Dissent Abell Octovan's "The Beauty of Rebellion" merges the classical grace of a ballerina with the subversive edge of street art, creating a polystone resin sculpture that challenges and redefines conventional aesthetics. This 2021 limited edition collectible embodies a visual protest against the rigid standards of beauty that permeate society, presenting a figure of elegance poised in an act of insurrection. The collectible portrays a ballerina, traditionally an icon of beauty and poise, adorned not with the typical delicate attire but with a vest and mask, holding a smoke grenade. This juxtaposition creates a striking image of contrast and conflict – amid a pirouette, the dancer is simultaneously a symbol of rebellion. The piece draws a parallel between the disciplined form of ballet and the chaotic nature of protest, suggesting that both require a certain degree of passion and precision. Marble and Movement: A Statue of Subversion Octovan's sculpture, with its smooth marble-like effect, nods to the classical Greek statues that epitomize an enduring standard of beauty and form. However, "The Beauty of Rebellion" subverts this tradition by introducing elements of street culture, namely the spray can, highlighted in red as a beacon of defiance. This very spray can represent the artist's – and society's – urge to break free from the constraints of conventional beauty norms. The ballerina stands on a cloud of billowing smoke, a base that further emphasizes the theme of upheaval. While symbolizing chaos, the smoke also serves as a pedestal for the figure, elevating her act of rebellion to one of artistic and cultural significance. This base grounds the sculpture in the realm of street pop art & graffiti artwork, where messages are often conveyed through bold and unexpected visual statements.  Defining Beauty Through Defiance "The Beauty of Rebellion" is not merely a collectible but a statement on the evolving perceptions of beauty in contemporary culture. Abell Octovan uses this piece to spark conversation about the societal pressures of beauty standards and the power of individual expression. The ballerina's dance becomes a metaphor for the struggle against these pressures, her grace a form of resistance, and her grenade a tool for societal awakening. In the context of street pop art & graffiti artwork, Octovan's work reflects the genre's capacity to address severe cultural and social issues through art that is accessible yet provocative. The sculpture encourages viewers to consider the many forms of beauty and how art can challenge the status quo. Legacy of Rebellion in Art Abell Octovan's "The Beauty of Rebellion" joins the ranks of iconic works within street pop art & graffiti artwork that have redefined how beauty is represented and understood. By fusing elements of classical art with modern-day symbols of resistance, Octovan creates a dialogue that extends beyond the sculpture into the fabric of societal discourse. The collectible is a testament to the enduring power of art to confront and question. In its blend of the classical and the contemporary, "The Beauty of Rebellion" stands as a symbol of the ongoing conversation about beauty, expression, and the role of art in challenging the conventions we have come to accept. It is a dance of dissent, captured in resin, echoing through the halls of modern art.

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Endless Power! Limited Edition Hand Pulled 4-Color Serigraph Print on 100% Cotton Rag Archival Paper w/ Deckled Edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. The Provocateurs (Chicago) Event Shepard Fairey Print. 24 x 36-inch Serigraph Signed and Numbered Edition of 200 ART ALLIANCE publishing chop on the bottom left corner. Petrol Unlimited Future with Lung Tonic.

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Peoples Climate March- To Change Everything We Need Everyone Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. People’s Climate March – To Change Everything We Need Everyone Screen Print 18 x 24 inches Edition of 300 September 18, 2014. 'Most of you know that I am very concerned about the dangers of climate change. Dick Cheney said “if there is even a 1% chance of a terrorist attack, we must do everything in our power to be prepared”. 95% or more of the scientific community agrees that climate change is happening, and is a dramatic threat to the planet, yet far less is being done to fight climate change than to fight terrorism. It’s a good thing the streets of New York will be flooded soon — with hundreds of thousands of people demanding solutions to our out-of-control climate crisis. It’s both an honor and a calling of my conscience for me to contribute a poster to the People’s Climate March effort and get something urgent across about one of the biggest threats facing present and future generations. Lady Liberty and all of us are in trouble if we don’t push our leaders to take bold action.' -Shepard Fairey

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Protect the eARTh HPM 2 Hand-Embellished Limited Edition 11-Color Silkscreen & Acrylic Paint on Fine Art Paper by Artist Hijack Graffiti Street Pop Artwork. 2022 Signed 1 of 1 Unique HPM Hand Embellished Limited Edition of 10 One of a Kind Silkscreens Artwork Size 22.5x30 Custom Framed Silkscreen of Man With Broken Umbrella Walking By Graffiti Wall. A striking manifestation of contemporary street art, "Protect the eARTh HPM 2" by Hijack offers viewers a penetrating gaze into environmental consciousness, seamlessly woven into urban settings. The piece, crafted in 2022, showcases not only the artist's commitment to highlighting pressing global issues but also his refined expertise in blending different artistic mediums. At the heart of this artwork is a lone figure, attempting to navigate an urban expanse with a vivid, broken blue umbrella as his shield. The umbrella, fragmented yet distinctly prominent in its hue, symbolizes Earth's endurance amidst the adversities thrust upon it. The deep blue, reminiscent of the planet's boundless oceans and skies, stands in stark juxtaposition against the monochromatic city background. This backdrop, depicting a graffiti-laden wall, offers a raw depiction of urban decay, further accentuated by the figure's shadowy presence. Amid the chaotic jumble of spray paint and scribbles, certain inscriptions like "Protect eARTh" and "I LOVE EARTH" boldly emerge, acting as poignant reminders of the work's central theme. With "Protect the eARTh HPM 2", Hijack embarks on a quest to bridge the seemingly disparate worlds of urban decay and environmental conservation. This 1 of 1 unique hand-embellished edition, limited to just ten silkscreens, spans a canvas measuring 22.5x30 inches, inviting viewers to pause, reflect, and reconsider their relationship with the environment. Every brushstroke and silkscreen imprint echoes Hijack's signature style, culminating in a piece that is as thought-provoking as it is visually arresting.

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Protect the Sacred Limited Edition Graffiti Artwork Offset Lithograph Print on Cream Speckle Tone Paper by street artist Shepard Fairey. 2015 Signed & Numbered 24x36 Edition of 200- Protect the Sacred, 2015 Offset lithograph in colors on thick speckled cream paper 36 x 24 inches (91.4 x 61 cm) (sheet) Ed. 200 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.

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Protect The Blue Planet Limited Edition Hand Pulled 2-Color Silkscreen Print on Thick Cream Speckle Tone Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered 18x24 inches Limited Edition of 450 "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

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Occupy Protester A.P. 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey, Rare Street Art OBEY Pop Artwork Artist. A.P. Artist Proof 2012 Signed & Numbered Occupy Protester, 2012 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 450) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. Occupy Wall Street Shepard Fairey's 'Occupy Protester': A Beacon of Street Pop Art and Activism Shepard Fairey's 'Occupy Protester' is a poignant representation of the artist's involvement with the Occupy Wall Street movement and his continuous impact on street pop art and graffiti artwork. As an artist-proof (A.P.), this 2012 silkscreen print in colors on speckled cream paper was apart from the main edition of 450, enhancing its rarity and desirability among collectors and enthusiasts of the genre. Measuring 24 x 18 inches, the print is significant not only for its artistic merit but also for its strong political message. The 'Occupy Protester' features a figure wrapped in a scarf, with only the eyes visible, set against a backdrop of bold red and black stripes. This image is striking and filled with emotion, reflecting the intensity and urgency of the Occupy movement. The number "99%" prominently displayed in the artwork resonates with the movement's message, which protested against economic inequality and the disproportionate power of the wealthiest 1% of the population. Fairey's choice of speckle-tone paper adds an organic feel to the work, suggesting the grassroots nature of the protests. Cultural and Political Impact of Fairey's Work Shepard Fairey has long been an artist who uses his work to comment on social and political issues. 'Occupy Protester' continues this tradition, embodying the spirit of resistance and the call for change that defined the early 2010s. Published by Obey Giant, Los Angeles, the print serves as a historical document of the time, encapsulating the widespread feelings and sentiments among the participants of the Occupy Wall Street movement. Fairey's ability to communicate powerful messages through his art has solidified his position as a pivotal figure in the street pop art movement. The legacy of 'Occupy Protester' extends beyond its initial release. As a piece of street pop art, it has been instrumental in demonstrating the potential of art to influence public discourse and act as a catalyst for social change. The artist’s signature and numbering along the lower edge of the print serve as a reminder of the personal commitment and the voice of the artist behind the work. It is a testament to Fairey's dedication to his craft and his unwavering support for movements that seek to challenge the status quo. Legacy of 'Occupy Protester' in Street Art Shepard Fairey's 'Occupy Protester' is more than just a piece of art; it symbolizes a pivotal moment in contemporary history. It represents the synergy between art and activism and how street pop art can transcend traditional canvases to become a part of the collective consciousness. As an A.P. screenprint, it holds a special place in the chronicles of street art, signifying a moment when art and the artist stepped out of the shadows and into the arena of political activism. The print remains a powerful piece of visual communication, reflecting the ethos of a movement that sought to redefine power and privilege in the modern world.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Pink Party Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Art Pop Culture Artist Serge Gay Jr. 2011 Signed Original Acrylic Painting Size 40x30 Ready To Hang On Stretched Canvas Serge Gay Jr.'s "Pink Party": A Vibrant Fusion of Pop Culture and Fine Art "Pink Party," an original acrylic painting on stretched canvas by the acclaimed pop culture artist Serge Gay Jr., is a striking embodiment of the fusion between the worlds of high art and popular culture. This 2011 signed original artwork, measuring 40x30 inches, exemplifies Gay's ability to capture the zeitgeist of his era through a vibrant tableau that is at once playful, provocative, and poignant. The painting, ready to hang and enjoy, offers a window into the artist's vision where the lines between street art, pop art, and graffiti blur, creating a narrative that resonates on both an aesthetic and conceptual level. The artwork's visual lexicon is rich with symbolism and iconography, characteristic of Gay's style, which often weaves together elements of street pop art and graffiti artwork. "Pink Party" is no exception, with its bold colors, dynamic composition, and juxtaposition of imagery that speaks to the societal narratives and pop culture references. The painting's scene is a carnival of motifs that engage with themes of identity, celebration, and the undercurrents of social commentary, inviting viewers into a dialogue with the piece that goes beyond its surface beauty. Exploring the Layers in Serge Gay Jr.'s Artistic Expression The layers of meaning in Serge Gay Jr.'s "Pink Party" are a testament to the depth of his artistic expression. Each element within the canvas works in concert with the others to create a cohesive narrative that is both deeply personal and universally relevant. Gay's work often touches on the intersectionality of identity, culture, and the vibrant energy of urban life, and this painting is a celebration of those themes, presented with the flair and finesse that only a master of his craft can achieve. Gay's approach to pop culture is nuanced and layered, often reflecting on the past while commenting on the present. The imagery in "Pink Party" draws from a broad palette of cultural references, from music and fashion to social movements and everyday life. His ability to distill these elements into a single, harmonious composition is a hallmark of his work, making each piece a complex conversation starter. The use of acrylic paint adds a tangible texture to the work, emphasizing the physicality of the street art influence in his practice. The Cultural Relevance of "Pink Party" in the Artistic Landscape "Pink Party" holds a place of cultural relevance in the contemporary artistic landscape. It is reflective of a time when the boundaries between different art forms are increasingly porous, and the influence of pop culture on traditional art practices is undeniable. Serge Gay Jr.'s work is situated at the heart of this cultural shift, using the canvas to explore and explode the conventions of what fine art can be. This original piece by Gay not only exemplifies his skill as a painter but also his insight as a cultural commentator. Through his art, Gay captures the spirit of the times, embodying the energy, challenges, and triumphs of modern society. "Pink Party," with its captivating visual narrative and layered meanings, continues to resonate with audiences, securing its place as a significant work in the canon of 21st-century pop art. In the broader context of Street Pop Art & Graffiti Artwork, "Pink Party" represents the evolving nature of these genres, showcasing how they can transition from the walls of the city to the walls of a gallery without losing their impact or authenticity. The painting is a celebration of the street art ethos — accessible, engaging, and unapologetically bold. Serge Gay Jr.'s ability to bridge the gap between these worlds with such fluency is a testament to his role as a leading figure in the contemporary art scene. As a unique art object, "Pink Party" is not only a visual feast but also a piece of history, capturing the essence of an era where art is increasingly becoming a vehicle for social change and personal expression. It stands as a beacon of the creative possibilities that arise when the street meets the studio, and the result is a work that is as thought-provoking as it is beautiful.

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AR-15 Lily- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

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Suicide Man- Red Limited Polystone Resin Sculpture Artwork by Graffiti Street Artists Banksy x MediCom. 2020 Limited Edition Red Polystone Resin Sculpture Displayed With Box

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Suicide Man- White Gesso Limited Polystone Resin Sculpture Artwork by Graffiti Street Artists Banksy x MediCom. 2020 Limited Edition White Polystone Resin Sculpture New In Box

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1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back

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Life is Wavy Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The final piece from Marwan Shahin's "BANNED" series discussing women’s rights in the Middle East. Life is Wavy confronts European countries where they banned Muslim women to wear any veils on beaches. "Life is Wavy” 2018 20 inches x 26 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

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Voice Of The Ghetto Hand-Pulled 4-Color Silkscreen Print on Light Card Stock by Graffiti Artist Stay High 149- Wayne Roberts Rare Street Art Limited Edition Artwork. 2009 Plate Signed & Hand-Numbered Limited Edition of 200 Artwork Size 17.75x23.75 Handling creases throughout are most noticeable along the right and upper edges.

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Protect Our Oceans- XL HPM Hand Embleshed Artwork Limited Edition Giclee Print on Deckled 310gsm Canson Aquarelle Art Paper by Urban Modern Artist Dragon76. 2022 Signed & Numbered Limited Edition of 26 Artwork Size 52x27- Stock Photo PangeaSeed Foundation 52 x 27 inches Fine-art Giclée print on Canson Aquarelle 310gsm fine art paper Limited edition of 26 Uniquely hand-embellished Signed + Numbered Printed with ♥ by Static Medium

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

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Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2009 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 75 Large Format Artwork Size 29.25x40.5 Silkscreen Print 20 Year Retro Series. Faint Handling Creases. Shepard Fairey's OBEY: A Landmark in Street Pop Art and Graffiti Artwork Shepard Fairey's "Riot Cop" is a definitive piece that embodies the rebellious spirit and critical eye of street pop art and graffiti artwork. As part of the OBEY series, this large-format silkscreen print is more than a visual statement; it's a historical marker of the genre's evolution over two decades. Crafted with precision and care, the "Riot Cop" was hand-pulled in colors on cream Speckletone fine art paper, a medium that speaks to the quality and detail revered in fine art and the raw, unfiltered message often conveyed in street art. Released in 2009, each of the 75 editions of this large-format artwork, measuring 29.25x40.5 inches, was signed and numbered by Fairey. This gesture underscores the personal touch and authenticity valued in the world of art collectors. The artwork was reissued to mark the 20th anniversary of the OBEY project, which coincided with Shepard’s 20-year retrospective at the ICA Boston. This series, revisiting images from 1998 to 2000, showcases the artist's intention to refine previous works, substituting the iconic OBEY orange for metallic gold, lending the series an air of sophistication and timelessness. Impact and Contextual Significance of Fairey's Work The "Riot Cop" is more than an aesthetic creation; it's a commentary on authority, control, and the use of power. Fairey's work is deeply ingrained in the socio-political fabric of the times, often provoking thought on the mechanisms of society and governance. The prominent use of the word "OBEY" beneath the image of an authoritative figure wielding a baton is a direct call to the viewers to question the structures and rules that govern them. This challenge to the status quo is symbolic of the cultural force that street pop art and graffiti artwork have become, serving as an outlet for creativity and a powerful tool for social critique and activism. Shepard Fairey's journey from a skater kid with a sticker campaign to a celebrated artist with a globally recognized brand is a narrative that mirrors the ascension of street art into the mainstream consciousness. The "Riot Cop" is a testament to Fairey's growth as an artist, showcasing his skill in blending the aesthetics of street art with more profound political messages. The shift in the color palette in the anniversary series from orange to metallic gold signifies a physical transformation in the artwork. It represents a maturation of the OBEY message, which has evolved to maintain relevance in an ever-changing cultural landscape. Collectability and Legacy of the OBEY Series As a limited edition artwork, the "Riot Cop" occupies a unique space in the art market, appealing to street art enthusiasts and fine art collectors. The exclusivity of the piece and its social commentary have cemented its status as a highly desirable item. The legacy of Fairey's OBEY series is not limited to the collectors who own a piece of it; it extends to its influence on aspiring street artists and the dialogue it has inspired about the role of art in society. The series mainly works like the "Riot Cop," it continues to inspire a new generation of artists who see the urban landscape as a canvas for expressing their thoughts on contemporary issues. Shepard Fairey's "Riot Cop" from the OBEY series is a significant work that captures the essence of street pop art and graffiti artwork. It stands as a cultural artifact that encapsulates the ethos of a movement, the voice of an era, and the vision of an artist who has skillfully used silkscreen printing to challenge perceptions and invite introspection. Through his work, Fairey continues to demonstrate the power of art as a means of communication, a form of resistance, and a catalyst for change.

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God Save Us All Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 82 x 58 - 32.3in x 22.8 God Save Us All is a timely comment on the state of American politics, as the safety-pinned British figurehead is swapped for a swastika-eyed President Trump. Against a distressed US flag, Reid adds his signature cut-up collage text.

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