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Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

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Wavelengths Sunrise PP Printer Proof HPM Hand Embellished Print Silkscreen Print by Erik Otto Hand-Pulled 4-Color Screen Print on Deckled 335gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & Marked PP HPM Hand Embellished Print Limited Edition Run Artwork Size 16x20 Erik Otto's "Wavelengths Sunrise": A Harmonious Blend of Artistic Disciplines Erik Otto's "Wavelengths Sunrise" is a striking example of the convergence of pop street artwork, graffiti, and delicate art sensibilities. Released as a Printer's Proof (PP) in 2019, this hand-embellished silkscreen print is part of a limited edition series that captures the essence of contemporary art's diverse expressions. The hand-pulled print features a four-color screen process on deckled 335gsm Coventry Rag fine art paper. The artwork size is 16x20 inches, a dimension that allows the intricate patterns and vibrant colors to stand out, engaging the viewer in a visual dialogue. This PP HPM (Hand-Painted Multiple) print is a testament to Otto's craftsmanship and attention to detail. Each print in the series is signed and marked by the artist, indicating its status as a unique work within the edition. Hand embellishment means that while the prints are part of a series, each piece contains individual strokes of the artist's brush, adding a layer of exclusivity and personal touch that collectors and enthusiasts highly value. Integrating Fine Art Techniques with Street Art Aesthetics The "Wavelengths Sunrise" print illustrates Otto's ability to blend the precision of fine art printmaking with the spontaneity and boldness characteristic of street pop art and graffiti. The deckled edges of the Coventry Rag paper contribute to the print's tactile quality, imbuing the work with an organic feel that contrasts with the meticulous screen printing process. The choice of paper is crucial, as Coventry Rag is known for its durability and luxurious texture, making it an excellent medium for silkscreen printing. Otto's choice of a four-color screen print process allows for the layering of colors, creating a depth and complexity that mimics the dynamism of a sunrise. The process also nods to the origins of pop art and its embrace of mass production techniques, yet Otto's hand embellishments ensure that each print remains a singular piece of art. The result is a harmonious balance between uniformity and individuality, mass production, and artisanal creation. The Visual Language of "Wavelengths Sunrise" in the Art World "Wavelengths Sunrise" speaks the visual language of motion and rhythm through its concentric patterns and waves, a motif that resonates with street art's fluidity and ever-changing nature. The work's title itself suggests a natural phenomenon that is both constant and variable, much like the street art scene that continually evolves and adapts to the cultural zeitgeist. Otto's print captures this essence, inviting contemplation on the cyclical patterns in nature, art, and urban life. In summary, Erik Otto's "Wavelengths Sunrise" stands as a captivating piece within pop street artwork and graffiti. As a limited edition PP HPM print, it bridges the gap between street art's immediacy and fine art printmaking's calculated finesse. Otto's work reflects the current state of street pop art, where traditional boundaries are redefined, and new forms of artistic expression emerge. His contribution to the art world with "Wavelengths Sunrise" is a vibrant testament to the potential of modern art to innovate and inspire across various platforms and audiences.

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong Austin Texas. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

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The Gang AP Artist Proof Archival Print by Dulk- Antonio Segura Donat Limited Edition on Hand Deckled Archival Pigment Print Pop Graffiti Street Art Artist Modern Artwork. AP Artist Proof 2023 Signed & Marked AP Print Limited Edition Artwork Size 9.84x12.83 Archival Pigment Fine Art. The Alluring Complexity of Dulk's "The Gang AP" Antonio Segura Donat, also known as Dulk, crafts a captivating world in "The Gang AP Artist Proof Archival Print," where the vibrancy of nature meets the notion of imagination. As an AP — artist proof — this 2023 release represents a highly collectible piece, with a signature and the distinguishing AP mark, indicating its status before the general edition run. It's a limited edition piece that thrives in the dimensions of 9.84x12.83 inches, showcasing Dulk's proficiency in archival pigment on fine art. Celebrating Artistic Merit with Archival Pigment Prints The careful selection of hand-deckled archival pigment print medium reflects a dedication to quality, ensuring that the vivid colors and intricate details of Dulk's work endure over time. This attention to longevity is a crucial aspect of modern street art and pop graffiti — a movement known for its transient nature — now seeking permanence in the art world through such high-fidelity reproductions. Dulk's Vision in "The Gang AP" In this piece, Dulk weaves a narrative rich in symbolism and alive with color. "The Gang AP" showcases a totem of animals, each character bursting with personality and detail, standing against a luminous backdrop that seems to celebrate their existence. This is characteristic of Dulk's work, which often delves into themes of the environment, conservation, and the animal kingdom through a lens that is both critical and heartwarming. The print is a testament to Dulk's roots in street pop art and graffiti artwork, where storytelling is as vital as the aesthetic appeal. The layering of characters upon one another in "The Gang AP" suggests unity and interdependence, evocative of the social dynamics often explored within urban art narratives. The "The Gang AP" print by Dulk reflects the evolving street pop art scene. As much as it is a fine art collectible, it stands as an emblem of contemporary storytelling through art, drawing upon the heritage of graffiti and the broader tapestry of pop culture. It underscores Dulk's place in the art world as a creator who bridges the gap between the wildness of the natural world and the structured urban landscapes where street art thrives.

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Wrestling With Faile Block Archival Print by Faile Limited Edition on Deckled 290gsm Cotton Entrada Rag Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 250 Artwork Size 12x16 Archival Pigment Fine Art Wrestling Wrestler Hanging Out With Hsi Friend a Giant Teddy Bear with Rainbow. Exploring the Vibrant Nexus of Culture in Faile's "Wrestling With Faile Block" Archival Print "Wrestling With Faile Block" is a striking archival print by the artist collective Faile, a name synonymous with the innovative fusion of pop graffiti and street art. This 2023 limited edition piece, signed and numbered with a release of only 250 copies, is a testament to Faile's unique position in the modern art world. Measuring 12x16 inches and printed on deckled 290gsm Cotton Entrada Rag fine art paper, this work captures the essence of street pop art and graffiti artwork through its archival pigment delicate art process, ensuring the vibrancy of its colors and the sharpness of its imagery for posterity. The piece itself presents an intriguing tableau—a wrestler in a moment of repose with a giant teddy bear set against a rainbow backdrop. This juxtaposition of the tough, muscular wrestler with the innocence and softness of the teddy bear creates a compelling contrast characteristic of Faile's work. The image is framed by the playful suggestion of a wrestling magazine cover, replete with satirical headlines and quips that contribute to the narrative richness of the piece. In "Wrestling With Faile Block," the collective leverages the visual language of comics, advertising, and pop culture, repurposing them in a way that celebrates and critiques these mediums. The inclusion of the rainbow, often a symbol of peace and diversity, in this context of wrestling—a sport known for its aggression and combativeness—invites myriad interpretations, from the reconciliation of opposing forces to the celebration of unexpected friendships. Faile's approach to art is characterized by a desire to break down barriers between high and low culture, merging the accessibility of street art with the exclusivity of gallery-bound fine art. Their work often features a textual and visual narrative open to interpretation, encouraging the viewer to engage with the artwork on multiple levels. Cotton Entrada Rag fine art paper adds a tactile quality to the print, emphasizing the physicality of the subject matter and the craft of printmaking. Like much of Faile's work, this piece is deeply embedded in the context of street pop art and graffiti artwork. The collective's roots in the streets inform their aesthetic choices and thematic explorations, allowing them to create art reflecting urban life and a commentary on broader societal issues. Through works like "Wrestling With Faile Block," they continue to contribute to the dialogue surrounding the value and potential of street art within the contemporary art canon. Collectors of Faile's work can appreciate the intricate layering, the interplay of text and image, and the cultural references that are hallmarks of their prints. "Wrestling With Faile Block" is not just an artwork; it is a cultural artifact that captures the spirit of its time, a snapshot of the evolving narrative of street pop art and graffiti artwork. It stands as a vibrant example of how these forms of artistic expression can transcend their origins to make a lasting impact on the landscape of modern art.

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Bananappétit Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 96 Artwork Size 22x22 Silkscreen Print of Warhol Inspired Monkey with Banana. A Cheeky Nod to Pop Culture Bananappétit Silkscreen Print by Mr Brainwash, also known as Thierry Guetta, offers a playful tribute to one of pop art’s most iconic motifs. The artwork, created in 2024 as a signed and numbered edition of 96, measures 22x22 inches and features a mischievous monkey holding a vibrant banana. This reference to Andy Warhol’s famous banana places the piece firmly within the lineage of pop-inspired creations. At the same time, the image brims with the artist’s signature humor, encouraging viewers to engage with art history in a lighthearted and unconventional way. The monkey sits perched on a box emblazoned with spirited slogans, adding to the sense that the entire scene is meant to spark curiosity and delight. Longtime admirers of Mr Brainwash recognize his knack for making instantly recognizable symbols feel fresh and immediate. The playful energy radiating from this print suggests that the monkey is inviting viewers to question assumptions about the role of art in contemporary culture. The background, painted in a subtle hue of pale blue, offers a calming setting for the bright yellow of the banana, echoing Warhol’s preference for bold color contrasts. This interplay of color helps the banana pop against the surface, demanding attention much like a well-placed piece of graffiti on a bustling city wall. Street Pop Art & Graffiti Artwork Influences Mr Brainwash embodies a fusion of pop and street-inspired influences, and Bananappétit exemplifies that synergy. The monkey’s black-and-white fur, rendered in a style reminiscent of spray paint stencils, connects the composition to the raw energy of Street Pop Art & Graffiti Artwork. Viewers might recall how urban creatives often repurpose existing symbols, subverting them or adding new layers of meaning. Here, the banana serves as both a comedic device and a piece of cultural nostalgia, reinforced by the museum-like setting that also invokes high art traditions. Brightly colored signage on the box references uplifting messages frequently found in Guetta’s wider portfolio, referencing positivity and self-empowerment. The piece merges that spirit with the rebellious edge of street-based practices, reflecting a world in which classic pop imagery coexists with the ever-evolving language of murals and stencils. The combination generates a vibrant statement on how art can bridge influences from various movements, adapting iconic elements to better connect with modern audiences. Craftsmanship and Visual Elements Though the print embraces an attitude of spontaneity, each layer is meticulously executed. The silkscreen technique brings a bold clarity to the subject matter, with deckled fine art paper adding a tactile sense of authenticity. This process requires precision, as every layer of ink aligns seamlessly, resulting in crisp details and saturated hues. The palette balances strong primary tones, offering a sense of vibrancy reminiscent of street posters. The monkey’s lifelike stare grabs the viewer’s attention, while subtle shadows and clean lines create dimension within the scene. The visual humor peaks in the framed banana artwork displayed behind the monkey, referencing how pop culture objects can enter galleries as celebrated high art. A red utility knife resting on the floor hints at the do-it-yourself nature of creative endeavors, implying that artistic transformation can happen at any moment. Bananappétit thus becomes more than a simple homage—it serves as a multi-layered composition that rewards repeated viewing with small, impactful details. A Collectible Masterpiece Collectors and enthusiasts of Street Pop Art & Graffiti Artwork are drawn to Bananappétit for its fusion of iconic motifs, humorous commentary, and polished technical skill. The decision to limit the edition to 96 ensures that each print carries a sense of exclusivity, further heightened by the artist’s signature and numbering. By placing a timeless symbol of pop art in a new narrative, Mr Brainwash encapsulates the playful and unpredictable nature of contemporary creativity. Owners of this piece find that its message extends beyond the surface, sparking reflection on how popular imagery can be reinvented to keep pace with cultural changes. Bananappétit stands as a testament to the power of urban-inspired fine art, blending recognizable images with unexpected twists that challenge conventional notions of what belongs in a gallery setting. The result is a vivid print that unites passion for art history, a flare for humor, and a streetwise sensibility into a single, unforgettable statement piece.

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Floral Takeover 2017 Black Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Black Red by Shepard Fairey (OBEY) Artwork Overview *Floral Takeover 2017 Black Red* is a bold ornamental silkscreen by Shepard Fairey that flips the visual dominance of the Floral Takeover series. In this variation, deep black floral forms sit against a vivid red field, creating a composition that feels heavier, more assertive, and unmistakably graphic. The piece draws from classic wallpaper motifs while asserting itself as a contemporary work rooted in street art, design, and political poster traditions. Style and Concept Fairey’s Floral Takeover series reflects his ongoing interest in pattern as both decoration and disruption. Originally conceived for street installations, these repeating floral designs function as visual interventions, quietly infiltrating public space while maintaining a strong graphic identity. The Black Red colorway emphasizes contrast and density, giving the pattern a more commanding presence. The symmetry and repetition invite contemplation, while the bold palette reinforces Fairey’s belief that harmony and balance in design can mirror how complex systems might be approached in the real world. Edition Details Released in 2017, *Floral Takeover 2017 Black Red* is a hand-pulled, two-color silkscreen print on cream Speckletone fine art paper. The artwork measures 18 x 24 inches and is signed and numbered by Shepard Fairey as part of a limited edition of 200. One of four official color variants in the Floral Takeover series, this Black Red edition stands out for its intensity and visual weight, making it a standout example of Fairey’s pattern-based works within contemporary pop and street art.

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Cherry Glitter Silkscreen Print by Buff Monster Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 100 Silkscreen with Glitter Artwork Size 20x20 Silkscreen Print Cherry Icecream Jellyfish Demon Stylized Buff Monster Cherry Glitter Silkscreen Print Cherry Glitter is a 2007 signed and numbered limited edition silkscreen print by Buff Monster, hand-pulled on fine art paper with glitter accents. Measuring 20 x 20 inches and released in an edition of 100, this print captures the artist’s signature fusion of cute-meets-creepy iconography, rooted in graffiti culture and Japanese pop aesthetics. As a Street Pop Art collectible, it reflects Buff Monster’s early, highly sought-after print era. Cherry Demons and Playful Darkness At the center of Cherry Glitter sits a stylized, jellyfish-like ice cream demon crowned with bright pink cherries. The character rises from a cluster of rounded, cratered forms, framed by ornate, symmetrical black flourishes that resemble baroque wallpaper patterns. Above, a small winged creature floats, adding to the mischievous narrative. The grayscale palette is punctuated by vibrant pink details, creating a striking contrast that enhances the whimsical yet slightly macabre tone Buff Monster is known for. Glitter Detail and Edition Craftsmanship This hand-pulled silkscreen incorporates glitter elements that add texture and light-catching dimension to the composition. The layered inks and crisp linework highlight the precision of traditional screenprinting techniques. Limited to just 100 signed examples, Cherry Glitter stands as a strong early example of Buff Monster’s collectible print work—blending street sensibility, cartoon surrealism, and decorative design into a bold 20 x 20 inch statement piece.

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We Belong Together Silkscreen Print by Faile Hand-Pulled 4-Color on Lenox 100 Fine Art PaperLimited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 47 Artwork Size 18x24 Acrylic & Silkscreen Print A Vibrant Depiction of Devotion We Belong Together Silkscreen Print by Faile radiates with expressive color and striking contrasts that immediately draw the eye. Created in 2024 as a signed and numbered limited edition of 47, this 18x24 artwork exemplifies Faile’s talent for fusing romantic and playful elements with bold compositional techniques. The piece features acrylic applications on top of a four-color silkscreen process, all on Lenox 100 Fine Art Paper. This layering approach results in a mesmerizing collage of imagery, where vintage references are reimagined through a distinctly modern lens. Viewers encounter a central figure pair—a woman embracing a skeleton—while swirling patterns, ornamental motifs, and vibrant text occupy the surrounding space. These juxtapositions highlight a compelling tension between life, love, and the forces that bind people together. Street Pop Art & Graffiti Artwork Inspiration Faile, an American artistic partnership, is well known for incorporating references from Street Pop Art & Graffiti Artwork into their prints, paintings, and installations. Influences from comic strips, retro advertisements, and urban culture often intermingle with classical romance or religious iconography. This can be seen in the swirling lines and bright color fields of We Belong Together, echoing street art’s penchant for high-impact visuals and easily recognizable shapes. The design exemplifies how these urban influences harmonize with more traditional aesthetic elements. While the swirling hair and swirling filigree patterns recall vintage romance covers, the bold black outlines and limited color palette reflect street-inspired aesthetics that are both raw and immediate. The result is a piece that suits the gallery environment while paying homage to the grassroots roots of street-based creativity. Dynamic Symbolism and Evocative Imagery The composition of We Belong Together focuses on a deeply emotional moment: a pink-haired figure cradles a skeletal partner in a tender pose. This portrait evokes notions of everlasting commitment, hinting at love transcending physical boundaries. The skeleton’s half-smile and the woman’s embrace invite viewers to question how themes like mortality can be intertwined with devotion. Faile leverages these symbols to create a narrative that stretches beyond the immediate visual impact. Elements such as the fiery reds in the background suggest fervent passion, while delicate details—like the number tattooed on the woman’s shoulder—add subtle references that spark the imagination. The carefully layered acrylic paint accentuates textures and shadows, creating a sense of depth that heightens the dreamlike quality of the artwork. Collectible Appeal and Enduring Charm Collectors drawn to pop-inspired aesthetics and bold executions consider this silkscreen print a quintessential Faile piece. The fact that only 47 editions exist highlights its exclusivity and provides an extra layer of desirability for enthusiasts seeking something truly distinctive. Each version is carefully hand-pulled, ensuring that slight variations make every print unique. The 18x24 scale offers a large enough canvas to showcase the array of details, yet remains manageable for display in personal collections. Faile’s ability to unite high-impact visuals with nuanced commentary on love, life, and mortality positions We Belong Together as an artwork that resonates on multiple levels. Its combination of Street Pop Art & Graffiti Artwork influences, acrylic adornments, and expressive silkscreen printing confirms Faile’s place among notable contemporary artists who continue to push the boundaries of accessible, narrative-driven art.

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb

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The Possessed Triptych Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 154x18 (18x18 x 3) Triptych Silkscreen Print. Unveiling The Possessed: A Triptych by Cleon Peterson The Possessed Triptych Silkscreen Print by Cleon Peterson captures a raw, dynamic energy that is both compelling and confrontational, embodying the spirit of street pop art and graffiti artwork. Released in 2024, this limited edition artwork reflects Peterson's stark, narrative-driven style, showcasing his distinctive approach to visual storytelling through bold lines and contrasting colors. Cleon Peterson's Vision in Print With only 125 pieces available, each signed and numbered by the artist, The Possessed Triptych becomes a coveted item for art enthusiasts and collectors. Measuring an impressive 54 inches wide by 18 inches high when displayed side by side, the three 18x18 panels create a striking visual impact. Hand-pulled on deckled 290gsm Coventry Rag fine art paper, the triptych's medium is as refined as its execution, a testament to Peterson's craftsmanship and attention to detail. The choice of Coventry Rag paper underscores the artist's commitment to quality. Known for its durability and exceptional surface, this paper enhances the depth and intensity of the silkscreen print, allowing the stark contrasts and intricate details to resonate with the viewer. Interpreting The Possessed Triptych The Possessed Triptych is an arresting exploration of chaos, power, and human interaction. Peterson's work is often laced with themes of struggle and strife, depicting scenes that challenge the onlooker's perceptions of morality and order. This triptych is no different, presenting a tumultuous narrative that unfolds across the three panels, drawing the viewer into a world of stark dichotomies and raw emotion. Peterson's use of a limited color palette amplifies the drama within each frame, with the stark black and the warmth of gold engaging in a visual dance that is both ancient and contemporary in its expressions. The aggressive forms and the interaction of figures suggest a more profound commentary on societal structures and personal demons, leaving much to interpretation while clearly stating the pervasive nature of the conflict. The Cultural Impact of Peterson's Work Cleon Peterson's art is not created in a vacuum but is a direct response to the world around him. Much like the rest of his oeuvre, the Possessed Triptych is a bold statement within street pop art, a genre that often serves as a public forum for social critique and reflection. His distinctive style has solidified his standing within the contemporary art scene, resonating with the ethos of street art and its roots in graffiti's transgressive nature. As a visual storyteller, Peterson takes on the role of a modern-day chronicler, using silkscreen prints to document and dissect the complexities of the human condition. The limited nature of The Possessed Triptych ensures that each piece is a part of this narrative, an artifact of Peterson's artistic journey, and a snapshot of cultural discourse. Cleon Peterson's The Possessed Triptych is a powerful addition to the canon of street pop art and graffiti artwork, offering a glimpse into the artist's profound engagement with themes of power, chaos, and societal constructs. Through silkscreen printing, Peterson has created a series that captures the eye and also provokes the mind, ensuring that his work remains a subject of discussion and admiration within the art community.

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Burning The Dead Red Silkscreen Print by Cleon Peterson Hand-Pulled on 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2016 Signed & Numbered Limited Edition of 150 Artwork Size 43.5x17 Hand Deckled Silkscreen Print Cleon Peterson Burning The Dead Red 2016 Silkscreen Print Cleon Peterson, born in the United States in 1973, is recognized for his stark and confrontational contributions to contemporary Street Pop Art & Graffiti Artwork. Burning The Dead Red, released in 2016, exemplifies his signature visual language built on themes of power, violence, domination, and societal conflict. This hand-pulled silkscreen print measures approximately 43.5 x 17 inches and is produced on 290gsm Coventry Rag fine art paper with hand deckled edges, reinforcing its status as a refined limited edition artwork. The edition was limited to 150 and each print is signed and numbered by the artist. Peterson’s disciplined use of minimal color palettes and flattened silhouettes has established him as a distinct voice within Street Pop Art & Graffiti Artwork, merging classical frieze composition with modern graphic brutality. Violence, Power, and Silhouette Composition in Street Pop Art & Graffiti Artwork Burning The Dead Red presents a continuous horizontal scene of black silhouetted figures engaged in ritualistic violence against a central fallen form. Weapons are raised, bodies contort in aggression, and limbs overlap in a tightly choreographed sequence that reads almost like an ancient battle relief translated into modern graphic form. The intense red and white background creates a turbulent visual field, amplifying the psychological weight of the composition. Peterson’s figures are intentionally anonymous, stripped of facial detail and reduced to archetypal agents of dominance and submission. This stylistic reduction aligns with core strategies in Street Pop Art & Graffiti Artwork, where bold contrast and simplified forms communicate complex social commentary with immediate impact. The work confronts viewers directly, forcing engagement with themes of brutality and systemic violence rather than offering decorative appeal. Cleon Peterson’s Contemporary Impact on Street Pop Art & Graffiti Artwork Cleon Peterson’s work frequently explores the cyclical nature of power struggles and human conflict, positioning his compositions within a broader dialogue about authority, control, and collapse. Burning The Dead Red demonstrates how limited color fields and strong negative space can intensify narrative clarity while maintaining aesthetic restraint. The hand deckled edges and high-quality Coventry Rag paper elevate the piece within fine art printmaking standards, reinforcing the growing institutional recognition of Street Pop Art & Graffiti Artwork. As a limited edition of 150, the print reflects the controlled scarcity model common to contemporary urban art markets, ensuring both collectibility and archival presence. Through its uncompromising imagery and disciplined production, this 2016 silkscreen stands as a powerful example of Peterson’s role in expanding the thematic boundaries of Street Pop Art & Graffiti Artwork.

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Human Nature Silkscreen Print by D*Face- Dean Stockton x Kai and Sunny Hand-Pulled on Hand Deckled 410gsm Somerset Raident White Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 150 Artwork Size 25.6x33.9 Silkscreen Print D*Face x Kai and Sunny Human Nature Silkscreen Print Human Nature is a 2025 collaborative silkscreen print by DFace and Kai and Sunny, blending pop iconography with kinetic abstraction. Hand-pulled on hand-deckled 410gsm Somerset Radiant White fine art paper, the composition features a stylized female profile fractured by sweeping bands of red and blue linear motion. The flowing arcs create a sense of velocity and emotional tension, slicing across the face while preserving its graphic clarity. As a piece of Street Pop Art & Graffiti Artwork, it merges DFace’s bold comic-inspired visual language with Kai and Sunny’s precision-driven line work and atmospheric movement. Collaboration, Contrast, and Visual Energy D*Face, a leading figure in contemporary British street art, is known for subverting pop culture imagery with sharp social commentary and graphic punch. Kai and Sunny, the British duo celebrated for intricate line-based compositions, bring structural rhythm and layered motion into the piece. In Human Nature, the contrast between the clean, iconic portrait and the sweeping, almost wind-tunnel-like bands of color creates visual friction. The red streak cutting across the eyes introduces drama and ambiguity, while the blue gradients soften the surrounding space. Within Street Pop Art & Graffiti Artwork, this collaboration represents a refined fusion of character-driven imagery and environmental abstraction. Edition Details and Craftsmanship This silkscreen print measures approximately 25.6 x 33.9 inches and is signed and numbered in a limited edition of 150. The hand-pulled process enhances the saturation and crispness of the layered color transitions, while the deckled edges of the Somerset Radiant White paper emphasize its fine art quality. The scale allows the viewer to fully experience the motion sweeping across the surface, making the print feel immersive rather than static. As a limited edition Street Pop Art & Graffiti Artwork, Human Nature stands as a technically accomplished and visually dynamic collaboration between two distinct yet complementary artistic voices.

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