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The Dark Rider- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 19 x 28 inch. Hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. A small drop of ink by the tip of the sword from the printing process.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Xlarge Gorilla Dcon Cartoon OG 2019- Gold Signed Original Embellished Drawing Limited Edition Vinyl Art with Gold Colored Metal Chain Toy Collectible Artwork by street graffiti artist D*Face x Medicom. 2019 Limited Edition Art Toy with Real Metal Chain Pendant XL Logo & Drawing Artwork Size 6x9.5. Small Hand Drawings of Heart and peace Sign, Tag, Throw Up Signature On The Back, Hand Embellished Permanent Marker. Includes Original Packaging. The XLarge Gorilla DCon Cartoon OG 2019 is a striking embodiment of the innovative artistry of D*Face, also known as Dean Stockton. This limited edition vinyl art piece is a significant representation of the fusion between street art's rebellious vibrancy and the sophisticated realm of art collecting. Characterized by its lustrous gold hue and adorned with a gold-colored metal chain, the piece exudes an urban luxury that is both captivating and thought-provoking. Created in collaboration with Medicom, a Japanese brand known for its art toys that cater to the meticulous collector's market, the artwork stands as a testament to DFace's ability to navigate multiple platforms of artistic expression. His works are often infused with satirical critiques of consumerism, pop culture, and the monotony of the corporate world. The Gorilla DCon piece, with its hand-embellished details such as the small drawings of a heart and peace sign and the artist's iconic tag and signature on the back, is a unique synthesis of art and personal touch, which is emblematic of DFace's style. Each stroke of the permanent marker on the back of the vinyl art is a signature of authenticity and individuality, making each piece in this limited edition a singular work of art. The street graffiti artist, having grown up in London, brings the influence of his environment into his work, combining it with elements of Los Angeles streetwear culture, particularly that of XLARGE, a brand known for its deep roots in music, skate, and street art. D*Face's integration of his street art heritage with the world of toy collectibles creates a nexus point for enthusiasts and collectors alike, making the XLarge Gorilla DCon Cartoon OG a coveted item for those who appreciate where the pulse of street art intersects with the exclusivity of limited edition collectibles.

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A Bathing Ape 28th Anniversary 400%- Pink BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figure by Bape- A Bathing Ape x Medicom #3 2021 Medicom x A Bathing Ape Bape New In Box

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Off On A Fast One- Savage Sacred Young Minds Series 17-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. Savage Sacred Young Minds Series FAILE (American, est. 1999) Title: Off On A Fast One 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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Lines In The Slipstream #4 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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Graffiti for Sale Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 30x22 Hijack's "Graffiti for Sale" stands as a testament to the evolution of street art, an audacious blend of rebellion and commercialism. Crafted in 2022, this limited edition, hand-pulled 15-color screen print encapsulates the paradoxical nature of street art's rise to mainstream acclaim. Rendered on fine art paper, the composition spans 30x22 inches, creating an ample canvas to appreciate the artwork's meticulous detail and vivid chromatic play. The piece, limited to just 50 signed and numbered editions, brings to the forefront the contentious debate surrounding the commercialization of graffiti. At the center stands a poised figure, presumably an art dealer, holding a placard declaring "Graffiti for Sale." This central image, juxtaposed against a cacophony of vibrant graffiti tags and emblems, confronts the viewer with the tension between street art's roots in countercultural expression and its present-day commodification. Delving into the vivid backdrop, one can trace the raw energy of graffiti's underground origins. Explosions of color, wild typography, and iconic symbols sprawl chaotically, capturing the essence of a clandestine world of midnight tags and adrenaline-fueled mural sessions. However, the central figure's stoic presence serves as a constant reminder of the changing perceptions and commercial intersections of this once covert art form. In "Graffiti for Sale," Hijack manages to create a visual discourse that challenges viewers to contemplate the trajectory of street art. Has it been co-opted by the very establishment it once defied, or has its mainstream success given it a larger platform for its messages? The artwork doesn't answer these questions but rather encourages a dialogue, a true hallmark of meaningful art in any era.

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Let's Burn It All- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage Silkscreen Print by Shepard Fairey The Barb Wire Dove Collage is a 2023 hand-pulled silkscreen print by Shepard Fairey (OBEY), produced as a signed and numbered limited edition of 450. Printed at 18 x 24 inches on Speckletone fine art paper, the work exemplifies Fairey’s mature collage-driven style, where iconic symbols are reassembled into layered political statements. The dove, a recurring motif throughout Fairey’s career, is rendered in bold cream tones against a black circular field, immediately drawing the eye while anchoring the composition with visual clarity and symbolic weight. Symbolism, Pattern, and Political Tension At the center of the image, the dove clutches a strand of barbed wire rather than an olive branch, transforming a universal symbol of peace into one marked by restriction, conflict, and unresolved struggle. Surrounding it, Fairey builds a dense patchwork of patterns inspired by global decorative traditions, currency engravings, and protest-era graphic textures. The fractured red, gold, teal, and blue background feels both ornamental and confrontational, suggesting cultural richness colliding with violence and control. This tension between beauty and brutality is intentional, reinforcing Fairey’s long-standing critique of power structures that commodify peace while perpetuating conflict. The distressed overlays and visible “collage” seams give the work a street-poster immediacy, as if it were torn from walls layered with history and dissent. Significance Within Street Pop Art & Graffiti Artwork Within Street Pop Art & Graffiti Artwork, Barb Wire Dove Collage stands as a distilled example of Shepard Fairey’s activist ethos. It merges clean graphic iconography with complex political messaging, making the piece accessible at a glance yet rewarding deeper reading. The relatively large edition size reflects Fairey’s belief in democratic distribution of ideas rather than exclusivity, while the hand-pulled silkscreen process preserves the tactile authenticity valued by collectors. For those collecting OBEY works, this print sits comfortably alongside Fairey’s most recognizable peace and protest imagery, offering a visually striking reminder that peace is not passive, but contested, fragile, and worth defending.

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Die Anatomie Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021Signed & Numbered Fine art print by NYCHOS Size: 24inch x 38,6inch / 61cm x 98cm Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos Die Anatomie Archival Pigment Fine Art Print Die Anatomie is a 2021 signed and numbered limited edition archival pigment print by internationally acclaimed street artist Nychos. Measuring 24 x 38.6 inches (61 x 98 cm), this large-format artwork is printed on velvet cotton fine art paper and released in a limited edition of 111. Each print is hand-signed and numbered, exemplifying Nychos’ distinctive fusion of graffiti culture, anatomical illustration, and contemporary pop surrealism. Anatomy, Beauty, and Mortality In Die Anatomie, Nychos presents a striking full-length female figure rendered in his signature cross-section style. The outer form is elegant and poised, framed by flowing hair and decorative floral motifs, while the interior reveals meticulously detailed organs, musculature, and skeletal structures. Beneath the central figure, animated skeletons rise from organic, visceral forms, creating a layered narrative that balances beauty, life, decay, and rebirth. The composition blends classical art nouveau-inspired framing with Nychos’ raw, biological precision, resulting in a visually powerful meditation on the human condition. Large-Format Collectible on Velvet Cotton Paper Produced as a high-quality archival pigment print on premium velvet cotton fiber paper, Die Anatomie captures the smooth gradients, intricate anatomical detailing, and rich tonal depth that define Nychos’ work. Limited to just 111 hand-signed examples, this 2021 edition stands as a significant collectible within the artist’s celebrated body of “dissection” artworks. Bold, technically masterful, and conceptually layered, Die Anatomie reinforces Nychos’ reputation as a leading figure in contemporary street and pop-influenced fine art.

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Clingy Companion Black Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box.

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Peaceful Warrior- Silver Buddha Pop Street Artwork Limited Edition Giclee Print on 340gsm Heavy Hahnumühle Photo Rag Metallic Paper by Urban Graffiti Modern Artist Risk Rock. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 20x24 Peaceful Warrior Silver” - Iconic Risk “Warrior” Image with his “Keep On Keepin On” motto. On Metallic Silver Paper. Hand signed and numbered.Printed at Risk Rock Studios through our new partnership with Glicee LA. Giclee Print on Heavy Hahnumühle Photo Rag Metallic Paper 340gsm. 20x24 Inches Edition of 25

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Only Stories of the Past Original Pop Street Art Pen Drawing on Antique Post Cards by Artist Mark Powell. 2022 11x14.17 Signed Ballpoint pen drawing on an antique collection of postcards, bespoke frame.

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Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Brown Art Toy by KAWS – Brian Donnelly The Holiday Thailand Brown Art Toy is a standout limited edition vinyl sculpture by Brian Donnelly, an American artist known globally as KAWS. Released in 2025 and now out of print, this collectible piece represents a key moment in the evolution of Street Pop Art & Graffiti Artwork. Standing approximately 7 x 11 inches, the artwork features the artist’s signature Companion characters—recognizable by their cartoonish gloves, soft forms, and crossed-out eyes. In this edition, a large Companion figure sits on a brightly painted globe, holding a smaller child-like figure while both cradle a textured, glow-in-the-dark moon. The earth beneath them is rendered in bold blue and green, grounding the piece in a clear environmental and humanistic message. A Symbol of Care, Connection, and Responsibility This artwork differs from many of KAWS’ earlier works by emphasizing intimacy and quiet reflection over commercial parody. The large Companion, positioned as either a mother, father, or protector, gently supports the child figure in its lap. The shared moon held between them glows in the dark, adding a symbolic gesture of shared light, guidance, and imagination. The planetary imagery reinforces the sense of global connectedness and personal responsibility—an increasingly relevant theme in Street Pop Art & Graffiti Artwork. Rather than existing as a critique, this edition feels more like an offering of comfort and unity, a sentiment that has resonated widely with collectors and fans of Donnelly’s work. KAWS and the Expansion of Street Pop Art Brian Donnelly began his career tagging walls and subverting advertisements in New York City, later evolving into one of the most commercially and critically successful figures in contemporary Street Pop Art & Graffiti Artwork. His Companion character has appeared in sculptures, paintings, large-scale installations, and collectible toys. Each iteration of Companion holds a different emotional register, and the Holiday Thailand edition marks one of the most sincere. Donnelly’s decision to have the figure seated on Earth holding a celestial body is a continuation of his visual storytelling, often involving themes of isolation, care, and shared vulnerability. The X-ed eyes, once associated with irony or detachment, become here a symbol of a quiet inner world. Collector Significance and Artistic Detail This edition was part of the ongoing Holiday series that placed Companion figures in culturally symbolic locations around the world. For Thailand, the sculpture’s gentle posture and universal themes reflect a more spiritual tone. The glow-in-the-dark moon is made with detailed surface textures to mimic the actual lunar surface, enhancing its realism and tactile appeal. The foot of the figure is stamped and printed, certifying authenticity and aligning it with previous limited editions. Like many KAWS pieces, this edition sold out quickly and is now highly sought after. Its rarity, craftsmanship, and emotional resonance have made it a landmark example of collectible vinyl art within the context of Street Pop Art & Graffiti Artwork. Collectors and cultural institutions have increasingly embraced works like this for their ability to communicate complex feelings through simple forms. The Holiday Thailand Brown Art Toy stands as a powerful visual story about nurturing, fragility, and global consciousness, rendered in the familiar yet ever-evolving language of KAWS. This sculpture is not just a toy, but a meditation in vinyl—one that continues to influence the trajectory of Street Pop Art & Graffiti Artwork worldwide.

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Snoopy Bad INC is an original mixed-media graffiti artist—modern pop art on real metal street signs Sonic Bad. 2015 Signed Original Spray Paint Mixed Media on Tin Metal Security Sign. Sonic BAD INC Snoopy Bad INC Artwork Size 14x10 Depicting Peanuts Red Barron Snoopy & Woodstock Bomber Stylistic Graffiti Holding Pistol Gun with Security Camera and Snowman. Sonic Bad's Unique Blend of Iconography: Snoopy Bad INC Sonic Bad's "Snoopy Bad INC" is a striking work that marries the notion of classic comic characters with the gritty edge of street art, showcasing the artist's skill in blending pop culture references with a streetwise aesthetic. The 2015 piece is a mixed media work on tin metal, utilizing spray paint to bring vibrant life to an otherwise mundane security sign. Measuring 14x10 inches, this signed original work presents a version of the beloved Peanuts characters, Snoopy and Woodstock, reimagined as rebellious icons in a stylistic graffiti interpretation. Interpreting Street Narratives through Pop Culture Lenses Sonic Bad, an artist renowned for pushing the boundaries of street pop art, infuses "Snoopy Bad INC" with layers of meaning. By depicting the Red Baron Snoopy and a bomber, Woodstock holding a pistol gun, juxtaposed with a security camera and a snowman, the artwork comments on the surveillance state and the loss of innocence in contemporary society. The playful imagery contrasts with the underlying message about security, surveillance, and the militarization of everyday life. The transformation of familiar, comforting figures into agents of anarchy or resistance is a common theme in modern pop art and graffiti, where the recontextualization of well-known images challenges viewers' perceptions and expectations. Sonic Bad's portrayal invites reflection on how innocence and playfulness can be corrupted by societal control and violence. Crafting Commentary on Canvas and Metal The choice of a metal street sign as the canvas for "Snoopy Bad INC" is particularly resonant, suggesting a subversion of authority and a claim to the public space typically dictated by such signs. Sonic Bad's adaptation of the sign, a symbol designed to regulate and warn, into a piece of art underscores a reclaiming of agency, turning a tool of control into a medium for free expression. The use of mixed media in "Snoopy Bad INC" highlights Sonic Bad's versatility as an artist. Spray paint, a staple in graffiti art, brings an urban feel to the work. At the same time, incorporating other media adds texture and depth, creating a piece that is visually arresting and thought-provoking. The artwork stands as a testament to the power of street art to transform everyday objects and icons into profound statements. Sonic Bad's Artistic Evolution and Impact "Snoopy Bad INC" exemplifies Sonic Bad's evolution as an artist and his impact on street pop art and graffiti. His ability to weave together elements of popular culture, street art stylings, and social commentary places him among the leading figures in the genre, capable of sparking conversation and challenging societal norms. The piece is a vibrant addition to the discourse of street art, reflecting the genre's capacity to adapt and evolve. Sonic Bad's work, through pieces like "Snoopy Bad INC," continues to influence and inspire, ensuring the relevance and vitality of street pop art in a changing cultural landscape. The legacy of such art lies in its capacity to engage, provoke, and endure, much like the artist behind the creation.

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Woody Original Magic Marker Drawing by Ronnie Cutrone on Card Stock Paper Modern Street Pop Artwork. 1988 Signed Dated Original Magic Marker Drawing Size 5x7 Woody Woodpecker Original Hand Drawing by Ronnie Cutrone. Comes With COA. Ronnie Cutrone, a prominent figure in the contemporary art movement, notably gifted the world with his renditions of popular culture icons. Among these masterpieces is his 1988 original magic marker drawing of Woody Woodpecker, a character synonymous with animated brilliance. Crafted meticulously on card stock paper, this piece vividly captures the essence of Woody with the distinctive style that Cutrone was celebrated for. What makes this drawing exceptionally unique is its origin in the heart of the modern street and pop art scene, where Cutrone's reputation was firmly rooted. Woody Woodpecker, with his iconic laughter and mischievous antics, becomes a perfect muse for Cutrone's exploration into the intersection of popular culture and street art. Measuring at an intimate size of 5x7, every stroke and shade of the marker reflects Cutrone's dedication to detailing and his mastery of expressing dynamism through minimalism. The bold contrasts, the playful aura, and the unmissable signature of Cutrone, dated '88, mark this piece as a testament to the era's artistic evolution. For collectors and art enthusiasts, the inclusion of a Certificate of Authenticity (COA) further elevates the drawing's significance, ensuring its authenticity and value. It's a stark reminder of when pop culture permeated street walls, galleries, and the hearts of many, through the hands of artists like Ronnie Cutrone. This piece, both in its subject and execution, stands as an embodiment of an era where animated characters were not just for entertainment but also a powerful medium of artistic expression.

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Heat Wave Grapeade HPM Stencil Spray Paint Silkscreen by Faile Hand-Painted Multiple on Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 12 HPM Unique Acrylic Spray Paint Silkscreen Artwork Size 25x38 Drawing from the vibrant energy of New York City's golden age of hip-hop and the high-octane drama of vintage wrestling, with a quintessential FAILE flair, the Lemonade Heat Wave Print emerges as a joyful embodiment of summer revelry. This unique work of art encapsulates the spirit of warm, carefree summer days in a stunning blend of mediums. The creative journey that led to this vibrant masterpiece spanned a period of about six weeks, during which each print was meticulously crafted by hand. This artistic process involved painting, rolling, spraying, printing, and even blowing each print dry. The painstaking care and detailed attention invested in each step are evident in the final product, capturing an array of beautiful studio nuances. The Lemonade Heat Wave Print is impressive in size, measuring 25 x 38 inches. This limited edition print is an exclusive offering, with only 12 unique pieces created. Employing a diverse mix of mediums, the print combines the vivid hues of acrylic paints with the textures of silkscreen ink and the edge of spray paint on paper. The tactile quality of the print is further enhanced by an embossed finish. Each print is authenticated with a signature and numbered, indicating its place in this exclusive series. As a product of FAILE in 2023, the Lemonade Heat Wave Print carries with it the distinctive stamp of the celebrated art collective. This unique blend of mediums and styles showcases the diverse influences and creative energy of FAILE, making it a standout piece in any art collection. Faile, a collective of two artists hailing from the U.S., namely Patrick McNeil and Patrick Miller, has carved a unique niche in the domain of pop art, street art, and graffiti. Emerging from the gritty skate culture of New York City in the late 90s, Faile quickly rose to global prominence, redefining the visual aesthetics and thematic boundaries of urban artistic expressions. The duo's art is celebrated for its fusion of contemporary pop culture iconography, elements of comic strips, advertising imagery, and sharp socio-political commentary. Their works, often in the form of large scale mural installations, present a kaleidoscopic blend of color, patterns, and text, creating visually engaging narratives. The pop art elements, characterized by bold outlines and vibrant colors, are reminiscent of the legendary pop artist, Andy Warhol, while retaining their distinct Faile aesthetic. The signature elements of their style pay homage to the classic era of comic book art, advertising, and pulp fiction cover designs. As street artists, Faile displays a keen understanding of their environment, integrating their works into the urban landscape with a blend of irreverence and respect. Their techniques often include wheat pasting and stencil graffiti, presenting an intriguing contrast between ephemeral street art traditions and the permanence of their themes. Faile's graffiti art is a testament to their dedication to the medium's rebellious roots. Their pieces, marked by layered visuals and cryptic messages, embody the essence of graffiti as a form of unsanctioned public discourse. This art, rooted in the streets but transcending its confines, resonates in galleries, museums, and art auctions worldwide, demonstrating Faile's versatile appeal and substantial contribution to pop art, street art, and graffiti.

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Relief Variant Black Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 13-Color on Hand Deckled 160lb Cover Mohawk Superfine UltraWhite Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Variant Black Limited Edition of 20 Artwork Size 23x30 Silkscreen Print "Relief Variant Black Silkscreen Print" by Pose, or Jordan Nickel, is a silkscreen print artwork that utilizes bold colors, patterns, and textures to create an engaging visual experience. Pose is a contemporary American artist known for his distinctive style, which combines influences from street art, pop art, and graffiti. Pose (Jordan Nickel) – Relief Variant Black and the Evolution of Urban Abstraction Pose, the artist alias of Jordan Nickel, has firmly established himself as a pivotal figure in the convergence of Street Pop Art & Graffiti Artwork. His 2023 limited edition Relief Variant Black Silkscreen Print is a powerful demonstration of his commitment to layered visual chaos and cultural commentary. Created as a 13-color hand-pulled silkscreen on hand-deckled 160lb Mohawk Superfine UltraWhite paper, the artwork bursts with saturated energy. This variant black edition is tightly limited to just 20 signed and numbered prints, cementing its rarity and importance within his expanding body of work. This piece encapsulates Nickel’s approach to urban abstraction, combining comic book language, graffiti letterforms, and commercial design with high-gloss precision. With clashing shapes, textures, and vibrant tones, Relief Variant Black exists in a constant state of visual tension—each element exploding with kinetic force yet held together by strict compositional control. The purple-haired figure at the center, seemingly overwhelmed or ecstatic, symbolizes both emotional release and sensory overload, themes Pose frequently explores through his intricate collages of visual culture. Layered Emotion Through Graphic Dissonance At the heart of Pose’s silkscreen print is the manipulation of emotion through exaggerated expression and digital-era fragmentation. The character’s facial features are partially obscured by intersecting blocks of color, sharp angles, and drips of paint. This interplay of abstraction and representation suggests the disconnection of personal identity in the hypermediated age. The screaming mouth, clutched hands, and glitch-style overlays all evoke a collision of excitement and distress, reflecting the overstimulated emotional states common in digital life. Rather than offering clear messages, Pose opts for symbolic and formal disruption. His characters become vessels of conflict, joy, and chaos all at once. The graphic layering technique, rooted in graffiti’s natural affinity for density and call-and-response mark-making, draws attention to the act of composition itself. It’s a visual cacophony reminiscent of street walls—where posters, tags, and illustrations merge into living archives of voice and rebellion. Pose’s Role in the Graffiti to Gallery Continuum Jordan Nickel began his career as a graffiti writer in Chicago, part of a generation of artists who blurred the line between fine art and vandalism. Influenced by hip-hop, comic books, signage, and advertising, he developed a signature aesthetic that celebrates both high-velocity mark-making and meticulous craftsmanship. His move to studio work didn’t dilute his raw energy—it refined it into gallery-ready explosions of color and cultural sampling. Pose has exhibited globally and contributed to major mural festivals and installations, often creating large-scale works that retain the handstyle essence of his roots. Whether on canvas, wall, or silkscreen paper, his work always references the urban landscape and consumer culture while pushing toward something more abstract and psychological. Street Pop Reimagined with Graphic Precision Relief Variant Black represents a refined moment in Street Pop Art & Graffiti Artwork—where street influence meets print studio mastery. The silkscreen process, with its meticulous layering, complements the spontaneous feel of Pose’s composition. Every burst of color and block of visual interference is intentional, bringing the energy of graffiti into a new medium while preserving its confrontational spirit. In Jordan Nickel’s hands, pop imagery becomes unstable, dripping with irony and layered meaning. The viewer is invited to engage not just with the character on the page, but with the entire infrastructure of media, culture, and identity that Pose samples and deconstructs. As both an heir to the graffiti movement and an innovator of pop abstraction, Pose continues to expand the boundaries of what street-born fine art can be.

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Be Reasonable Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Sex Pistols Music Tribute With Burning Money Mao From China and ROnald Regan "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey

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Idiot Giclee Print by Joan Cornellà Artwork Limited Edition Print on Archival Textured Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 25.59x21.25 Idiot Giclee Print by Joan Cornellà Idiot is a 2023 limited edition giclee print by renowned street pop artist Joan Cornellà. Signed and numbered, this piece is part of a collection of 100 prints, created on archival textured fine art paper. Measuring 25.59x21.25 inches, the artwork showcases Cornellà's distinctively humorous and absurd style, often characterized by simplistic cartoon figures and dark satirical themes. The image depicts a smiling man being scanned with a thermometer-like device reading "Idiot Certified," creating an immediate visual punch and exemplifying Cornellà’s signature approach to challenging societal norms. Joan Cornellà's Approach to Satire in Street Pop Art Joan Cornellà, a Spanish-born artist, is widely known for his minimalist, absurdist cartoons that take a critical look at modern society. His work frequently uses humor, often dark and uncomfortable, to shine a spotlight on the trivialities and absurdities of human behavior. Idiot is no exception, and in this print, Cornellà uses simple lines and bright colors to convey a biting critique on the ease with which society labels individuals, often without deeper understanding or nuance. Cornellà’s characters typically have smiling, vacant expressions, which only serves to heighten the absurdity of their situations. In Idiot, the juxtaposition of the smiling man with the thermometer reading “Idiot Certified” suggests a satirical commentary on the superficial judgments people face in a world driven by appearances and quick assessments. The "certification" of idiocy highlights the ridiculousness of relying on superficial indicators or societal validation to define self-worth or intelligence. This kind of critique is a hallmark of street pop art, where everyday symbols and elements are often recontextualized to critique social behavior and norms. The use of minimalistic, flat designs is a stylistic choice that enhances the immediacy of the message. Cornellà uses a bold color palette and simple lines to make the work visually striking, creating an art piece that immediately grabs attention while allowing viewers to quickly grasp its satirical meaning. The exaggerated, cartoon-like figures may appear simple at first glance, but they carry complex undertones about the human condition and the absurdity of modern societal structures. The Role of Dark Humor in Cornellà's Graffiti and Pop Art Cornellà’s work has been likened to graffiti and street pop art in that it distills complex social critiques into instantly recognizable images. His use of dark humor—a staple of his work—sets him apart within the pop art landscape. Idiot relies on a form of humor that is both biting and subtle, allowing viewers to laugh at the absurdity of the situation while recognizing the deeper societal issues being critiqued. The simplicity of the image belies the complexity of its social commentary, offering layers of interpretation. In street pop art, humor is often used as a tool to subvert traditional art norms or challenge authority. Cornellà's approach can be seen as a continuation of this tradition, where humor acts as a vehicle to critique social, political, and cultural systems. The absurdity in Idiot draws attention to how people often willingly conform to ridiculous standards without question. It reflects the increasingly superficial nature of society, where quick judgments based on surface-level interactions—much like a thermometer scan—can lead to reductive, often harmful, labels. The use of a medical device to certify idiocy also evokes a commentary on the over-reliance on technology or systems that dehumanize people. Cornellà’s work often critiques the technological and bureaucratic systems that strip individuals of their humanity, reducing them to a set of labels or metrics. This resonates with the broader themes in street pop art and graffiti, where artists often challenge the dehumanizing aspects of modern life, from politics to mass surveillance. Giclee Print as a Modern Medium for Street Pop Art The choice of giclee printing for Idiot aligns with the artist’s commitment to quality and the longevity of his artwork. Giclee printing is a process that uses high-resolution digital images and archival inks to create prints that are as close to the original as possible. This method ensures that the vibrant colors and sharp lines in Cornellà’s work are preserved over time. The use of archival textured fine art paper further enhances the print’s quality, providing a tactile, almost painterly feel to the image. Giclee printing is often used by modern street pop artists who want to maintain the integrity of their work while making it more accessible to collectors. In the case of Idiot, the giclee print allows Cornellà’s satirical cartoon to be appreciated in a physical format that retains all of the detail and color of the original digital design. By producing a limited edition of 100, Cornellà ensures that the artwork remains exclusive, while still making it available to a wider audience. In street pop art, the medium is often just as important as the message. By using high-quality printing techniques, Cornellà ensures that his satirical message—both humorous and critical—can stand the test of time, while also contributing to the ongoing conversation about what constitutes fine art in the context of street art and graffiti. The print is both a collectible item and a work of art with a strong social message. The Role of Social Commentary in Joan Cornellà's Artwork Cornellà’s artwork often revolves around themes of identity, societal expectations, and the absurdity of modern life. Idiot is a perfect example of how Cornellà uses simple imagery to dissect these complex ideas. The smiling man in the image, unperturbed by his "certified" idiocy, reflects the way individuals can become complicit in their own dehumanization by accepting societal labels. Cornellà’s work frequently critiques how people allow themselves to be categorized and diminished, all while maintaining a cheerful or passive demeanor. The absurdity of the situation is heightened by the fact that the character being labeled an "idiot" seems entirely unaware or unconcerned by the judgment being passed. This plays into Cornellà’s larger body of work, where individuals are often depicted as detached from the consequences of their actions or the systems that control them. In street pop art, this detachment is a common theme, reflecting how urban environments and societal structures can alienate individuals from themselves and each other. Idiot by Joan Cornellà is a masterful example of how street pop art and graffiti-inspired artwork can blend humor, absurdity, and critical social commentary. Through the use of minimalistic design, bright colors, and satirical humor, Cornellà challenges viewers to question how society defines intelligence, self-worth, and identity. The high-quality giclee print on archival fine art paper ensures that this artwork will remain a lasting and impactful piece within the world of contemporary art.

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I Was Here Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed Limited Edition of 50 Artwork Size 12x12 "This piece explores the longevity that graffiti is normally susceptible to. The buff, white washing or the grey is a street artists worst enemy. Many mornings I have gone out to look at a piece in public I did the night before to see nothing but fresh paint over it. This piece entitled "I was here" pays tribute to those lost nights and depressing mornings" - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Arrow Pulse Summer Original Hand-Painted Multiple Mixed-Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow.I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Ramones Globe Collectors Deck Set- Foil Fine Art Limited Edition Print on Resin-7 Canadian Maple Skateboard Deck by Famous Punk Artist Bob Gruen. 2022 Edition of 100 4x Ramones Deck Set with Quilter Case including Punk Rock Legends: Joey Ramone, Johnny Ramone, Dee Dee Ramone, Tommy Ramone The Ramones Collector's Set includes four limited edition 8.25" decks, featuring Dee Dee, Tommy, Johnny and Joey Ramone mid-performance at the CBGB’s in 1976, captured by photographer Bob Gruen. Decks are constructed from Resin-7 Canadian maple and come in an embossed and quilted carry case, inspired by the Ramones’ iconic black leather jackets. Display these boards, store them, hang them on your wall, or skate them. Whatever you choose to do, we hope you are as proud of them as we are. Strictly limited to 100 sets globally.

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Mace Ave Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: November 29, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Another Day In the Coal Mine Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled Navigating the intersections of pop art, street art, and graffiti art, Shepard Fairey's "Another Day In the Coal Mine" emerges as an evocative piece that resonates deeply with contemporary themes and societal introspections. This large format artwork is a manifestation of Fairey's unparalleled skill, a hand-pulled 4-color serigraph print that captivates with its intricate design and vivid colors, all meticulously rendered on custom cotton Coventry rag paper. The composition presents a harmonious blend of patterns, ranging from the radiant sun-like designs to the serene floral motifs, juxtaposed against stark industrial imagery. The title, "Another Day In the Coal Mine," subtly hints at the labor-intensive, often unrewarding tasks that many endure in their daily lives. Yet, amidst this seemingly bleak narrative, the vibrant bird on the bottom right stands as a beacon of hope, a symbol of resilience and perseverance. Crafted in 2023, each of these limited pieces, measuring 45x26, has been hand deckled, adding an authentic touch to the artwork's overall aesthetic. With only 100 prints in circulation, each signed and numbered by Shepard Fairey, the exclusivity of the piece is undeniable. Embedded within its fabric is the unmistakable Obey publishing chop, discreetly positioned in the lower left corner. Beyond its visual appeal, the artwork carries a deeper purpose. Fairey, in his continuous commitment to environmental advocacy, pledges the proceeds from this piece to Greenpeace. As a testament to the power of art, "Another Day In the Coal Mine" not only engages viewers visually but also drives action for a more sustainable future.

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Grace- Euphrosyne 12-Color Glitter Embellished Hand-Pulled Limited Edition Serigraph Print on Thick Fine Art Paper by Romero Britto Rare Famous Pop Artwork Artist. 2006 Signed & Numbered Limited Edition of 180 Glitter Artwork Size 18x18 Small Bump Nic To Right Facing Eye Inner Outline Woman, hand glittered edition of 180, 2006 printed at Published by Britto Central Inc, Image 14" Circle

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Silver OG Canbot Canz AP Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Czee13. 2020 Artist Proof AP New In Box, Very Rare Edition of 15, The Silver OG Canbot Canz AP by Czee13: A Rare Gem in Street Art Collectibles The Silver OG Canbot Canz AP (Artist Proof) is a collectible at the intersection of street art and the refined world of art collectibles. Crafted by the renowned street graffiti artist Czee13 in 2020, this limited edition vinyl art toy is a rarity, with only 15 pieces in existence. Each Silver OG Canbot Canz AP is a new-in-box treasure that carries the soul of street pop art within its sleek, metallic finish. Czee13's Vision in Monochromatic Elegance The Silver OG Canbot Canz AP embodies Czee13's vision of street art's adaptability and endurance. The artist-proof designation marks these pieces as originals from the artist, serving as a benchmark for the series. Rendered in striking monochrome, the canbot is canvas reflects Czee13's graffiti roots through its stylized spray can form and the intricate, graffiti-inspired designs that adorn its surface. Sculptural Synthesis of Street Art Aesthetics This art toy is a sculptural synthesis of street art aesthetics and the collectible culture that embraces such pieces. The limited edition release underscores its rarity, a common thread in graffiti artwork, where the transient nature of street art is often at odds with the permanence sought by collectors. With its artist-proof status, the Silver OG Canbot Canz AP bridges this divide, offering a piece of street art that remains unaltered by time or environment. In the narrative of street pop art, the Silver OG Canbot Canz AP is a testament to the evolution of graffiti from urban landscapes to the mantels of art connoisseurs. It exemplifies how street art continues to influence and redefine the boundaries of pop culture and art collection, preserving the spirit of the streets in a form meant for posterity.

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Destroy, Rebuild, Repeat AP HPM Artist Proof 3D Print Framed on Wood Cradled Panel ready to hang by Quiccs Graffiti Street Artist Modern Pop Art. AP Artist Proof Signed, Small Drawings & Marked AP Framed Artwork Size 12x16 Frame Larger. 12 x 16 in. (30.48cm x 40.64cm) Three-layered fine art wood print, hand-signed and numbered by Quiccs This first of its kind three-layered fine art birch wood print starts with a 3/4" wood print. It’s then layered with a 1/2" custom shape pop-out pieces, then finished with a 1/4" custom cut layer to create a unique fine art piece. Layered Expression Through Precision Destroy, Rebuild, Repeat by Filipino graffiti and street pop artist Quiccs is a standout three-dimensional fine art wood print that encapsulates the ethos of transformation through destruction and creativity. Built from three distinct layers of wood — a 3/4-inch foundational panel, a 1/2-inch set of precision-cut pop-out pieces, and a final 1/4-inch top layer — the structure of this artwork mirrors its conceptual narrative. Each tier contributes to the visual complexity, bringing dynamic depth to a high-octane scene that merges elements of mecha, hip-hop, street culture, and toy aesthetics. Framed and ready to hang, this artist proof version measures 12 by 16 inches with the frame extending slightly larger to encase the sculptural form. Signature Characters in Street Pop Fusion At the heart of the piece is Quiccs’ iconic character TEQ63, rendered with bold outlines, heavy saturation, and mechanical armor stylings that fuse Japanese super robot design with urban cultural codes. A bandana-wrapped skull face, accented by skeletal insignias, and battle-worn mechanical limbs clash with elements like sneakers and vinyl spray marks — blending the militant with the playful. What sets this artist proof apart is the additional small hand-drawn character at the top right, a uniquely placed skull and crossbones sketched directly on the surface, reinforcing its rarity and giving insight into the artist’s own shorthand visual lexicon. Material Language and Conceptual Strength Executed on birch wood using archival printing methods, Destroy, Rebuild, Repeat captures the hard-edged sensibilities of graffiti culture while exploring new material possibilities in fine art editions. The decision to build on wood rather than canvas or paper grounds the work in craft traditions, while the digital print techniques and spray paint effects point forward toward urban futurism. The layered build mimics the complexity of Quiccs’ message — a repeating cycle of construction and collapse, identity and reinvention, that defines the experience of creators navigating a world of social chaos and resilience. Limited Rarity in Contemporary Street Pop Art This piece is part of a signed and numbered artist proof run marked AP 08/08 and features original embellishments and framing. As an experimental iteration of Quiccs’ art objects, it bridges collectible design with gallery-ready installation. The framed silhouette and physical texture highlight its significance not just as a visual spectacle but as a sculpture with weight and story. Created in 2018 during a time of widespread cross-pollination between streetwear, designer toys, and pop surrealism, Destroy, Rebuild, Repeat reflects the strength of Quiccs’ voice in the movement of Street Pop Art & Graffiti Artwork.

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Graffiti Happy V30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Graffiti Happy V30 by OG Slick: A Subversive Emblem in Street Pop Art & Graffiti Artwork Graffiti Happy V30 is a 2025 hand-embellished HPM giclee print created by acclaimed graffiti and street pop artist OG Slick. Limited to just 25 signed and numbered pieces, each 30x30 inch print is executed on 310gsm fine art paper with deckled edges and customized with spray paint splashes, brush strokes, and unique markings. While the giclee base maintains the integrity of the original image, each embellishment transforms it into a one-of-a-kind statement piece. At the heart of the work is a mutated version of the iconic yellow smiley face—a symbol long associated with innocence, peace, and pop culture—now visually sabotaged with graffiti expression. This artwork, with its glossy yellow surface and overlaid visual noise, becomes an artifact of commentary, mood, and contradiction within the language of Street Pop Art & Graffiti Artwork. Visual Strategy and Cultural Subversion The central image in Graffiti Happy V30 is OG Slick’s rendition of a yellow smiley face, instantly recognizable and historically tied to commercial branding, rave culture, and feel-good iconography. Here, the smile is intentionally distorted, painted across a vivid yellow canvas, with asymmetry and aggressive linework interrupting the synthetic cheer. The face's cheerful eyes are disrupted by scrawled black lines and harsh green sprays—tags that cut across the familiar and inject raw spontaneity into the polished symbol. Slick’s embellishment with dripping paint, overspray, and stenciled geometry fractures the illusion of perfection. The result is not a destruction of joy but a reframing of it, challenging viewers to question the simplicity of happiness in a chaotic, commercialized world. In Street Pop Art & Graffiti Artwork, this type of visual intervention forces public symbols to engage with personal expression, decay, and rebellion. OG Slick’s Technique and Street-Born Aesthetic OG Slick is a legendary figure in the Los Angeles graffiti movement whose career has been built on visual appropriation and redefinition. Known for inserting street sensibilities into polished imagery, Slick’s work navigates the space between satire and sincerity. In Graffiti Happy V30, he uses the giclee medium to maintain visual clarity while applying real-world graffiti techniques—splatter, masking, and drip work—directly onto each print. The HPM format ensures every copy is a standalone piece, marked with personal visual decisions made in-studio. Slick’s choice to work with the smiley face further deepens his dialogue with pop iconography, questioning its ubiquity and forced cheer. The print’s embellishments challenge the artificiality of corporate happiness and suggest an alternate narrative where happiness is imperfect, unpredictable, and at times aggressively painted over. Limited HPM Print as Urban Commentary Graffiti Happy V30 is a limited edition object that merges the high-end collectible world with the street’s unsanctioned urgency. Each print in the series is delivered with unpredictable markings—layers of paint splatters, harsh angle strokes, and incidental drips—that bring the chaos of outdoor walls into the structure of a fine art frame. The hand embellishment process ensures authenticity and visual energy, with each piece chosen at random to highlight uniqueness. The deckled paper adds a tactile edge to the piece, enhancing its position as both print and sculpture. Within the broader context of Street Pop Art & Graffiti Artwork, this edition operates not just as a visual remix but as a provocation—forcing its viewers to reassess joy, branding, and the mask of civility under the raw filter of urban commentary. OG Slick’s print does not simply depict a smile; it questions whether that smile has been earned, or painted on.

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What Party Figure- Black Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7. New In Box Printed Foot. Black Chum is wondering what happened to the parties in 2020? The What Party Figure in Black emerges as a poignant symbol in the oeuvre of Kaws, the influential modern artist whose works have continuously blurred the boundaries between commercial and fine art. This limited edition vinyl art toy sculpture stands at 5.1x11.3x3.7 inches, a size that is intimate yet substantial, allowing it to make a statement in any collection. Released in 2020, a year marked globally by the COVID-19 pandemic, this collectible piece adds resonance as its title, "What Party," echoes the year's isolation and the sudden absence of communal gatherings and celebrations. Crafted in bright Black, the figure is instantly recognizable as a Kaws creation, with its characteristic crossed-out eyes and exaggerated hands, elements that have become synonymous with the artist’s unique visual language. The toy is not merely a playful item; it is a legitimate and impactful piece of art that comments on the human condition. Its vivid color can be interpreted as a beacon of hope or a siren call to attention, forcing viewers to ponder on the changes our society faced, especially during a time when the world came to an abrupt pause. Each sculpture comes brand new in its original box, indicating that it has never been displayed or handled. The printed foot of the figure ensures authenticity, an essential aspect for collectors and admirers of Kaws' work. While this piece was categorized as an open edition, its availability became scarce as the demand outpaced supply, and it swiftly transitioned out of print, turning it into a sought-after artifact. The What Party Figure stands not just as a testament to Kaws' enduring influence in the intersection of pop art, street art, and graffiti art but also as a cultural commentary encapsulated in vinyl. It captures the essence of a unique moment in history, symbolizing the collective yearning for connection in a time of global upheaval and the enduring power of art to reflect and resonate with the zeitgeist.

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The Cage And The Heart Of The Beast PP Printers Proof Silkscreen Print on Somerset Fine Art Paper by Artist Sandra Chevrier Limited Artwork. PP Printers Proof 2019 Signed & PP Marked Artwork Size 27x35.5. Sandra Chevrier (b. 1983) La Cage Et Le Coeur De La Bête, 2019 Screenprint in colors on Somerset paper 35-1/2 x 27 inches (90.2 x 68.6 cm) (sheet) PP Signed and numbered in pencil along lower edge Published by Graffiti Prints, United Kingdom Emotive Power in Chevrier's Art Sandra Chevrier's "La Cage Et Le Coeur De La Bête" (The Cage And The Heart Of The Beast) is a compelling silkscreen print that weaves together the visual intensity of street art with the emotional depth of pop art. This Printer's Proof (PP) edition, produced in 2019, is a signature work that underscores Chevrier's reputation as a formidable talent in contemporary art. The piece, published by Graffiti Prints in the United Kingdom, represents a confluence of techniques and themes that resonate deeply within the art community. "La Cage Et Le Coeur De La Bête" visually explores identity, constraint, and liberation. Chevrier's work often features the motif of a woman's face obscured by comic book imagery, a representation of the societal 'cages' that can define and restrain. In this piece, the vivid colors and dynamic, funny book scenes that overlay the subject's face serve as both a mask and a revelation of the inner turmoil and strength within the female subject. The print, measuring 35-1/2 x 27 inches, is a testament to the artist's detailed and intricate approach to silkscreen printing, a medium that allows for the sharp articulation of complex images. The choice of Somerset paper for the print indicates Chevrier's commitment to quality; it's a type of paper renowned for its ability to hold ink and produce rich, vivid images. Chevrier's Commentary on Femininity and Strength Chevrier's "La Cage Et Le Coeur De La Bête" is imbued with a narrative of femininity and strength. It challenges the viewer to contemplate the juxtaposition of vulnerability and power, the seen and unseen, and the personal versus the societal. The inclusion of superhero imagery superimposed on the woman's face brings a dialogue of the fantastical into the realm of the every day, prompting reflection on the heroic qualities found in the personal battles we face. This piece, marked as a Printer's Proof, highlights its unique status in the printmaking process, often reserved for the artist's and printer's use before the final edition is run. The PP designation enhances the artwork's collectibility, signifying it as a rare piece of Chevrier's work. Street Pop Art and Graffiti Influence In the realm of street pop art and graffiti artwork, Chevrier's print stands as a vibrant example of how fine art's intimacy can intersect with street art's public-facing boldness. Her work captures the ethos of street art's accessibility and its capacity for profound emotional resonance, all while maintaining the collectible aspect of limited-edition fine art prints. Sandra Chevrier's "La Cage Et Le Coeur De La Bête" is more than just a silkscreen print; it's a narrative piece that engages with empowerment, constraint, and identity themes. It reflects the artist's distinct place in the landscape of street pop art and graffiti artwork, where the lines between personal expression and broader cultural commentary are seamlessly blended. Through her art, Chevrier invites us to recognize and reflect on the cages that confine us and the potential within each of us to find our own heart of the beast.

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Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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Fidel- Green Limited Edition Hand Pulled Varnished 3-Color Serigraph Print on Deckled 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti street artist modern pop art. 2010 Signed & Numbered Limited Edition of 50 Hand Deckled & Varnished Artwork Size 31.25x22.25 "Fidel" (Green) stands as a testament to the profound talent and artistic prowess of Ernesto Yerena, a notable figure in the world of modern pop art, street art, and graffiti art. This piece, which was masterfully crafted in 2010, is a limited edition serigraph print, meaning that every stroke and nuance of color has been manually pressed onto 320gsm Coventry Rag Paper. This choice of substrate is significant as Coventry Rag is revered for its luxurious feel and superior durability, ensuring that the vibrancy of Yerena's creation remains intact over time. The "Fidel" (Green) print is an explosion of three distinct colors, combined in a way that showcases Yerena's unique ability to convey depth and emotion through minimalistic color palettes. This serigraph also boasts of hand-deckled edges, an intricate touch that adds an element of raw authenticity to the piece. The paper's dimensions stretch to an impressive 31.25" x 22.25", while the live art itself graces a space of 27" x 18.25", providing ample room for the artist's vision to unfold. Each piece is individually signed and numbered by Yerena, marking its exclusivity as only 50 of these prints exist. What further elevates the significance of "Fidel" (Green) is the expertise that went behind its production. The print was brought to life by Modern Multiples in 2010, a reputable print studio known for its high-quality work. Guided by the watchful eyes of Richard Duardo, a renowned artist and master printer, the process ensured that Yerena's vision was faithfully translated onto paper. This meticulous oversight and collaboration signify the blend of passion, precision, and artistic vision that modern pop and street art represents. Through "Fidel" (Green), Ernesto Yerena has undoubtedly etched an indelible mark in the annals of contemporary art.

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It's You I’m Dreaming Of AP Archival Pigment Fine Art Limited Edition Print on Hot Press Paper by Artist Chris Austin. AP Artist Proof 2021 Signed Size 16x16 Edition of 10. Printed on Archival, Hot Press Paper, Signed and Numbered

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Overflow Limited Edition Hand Pulled 10-Color Serigraph Print on 30 pt. archival museum board by Erik Otto Graffiti Street Artist Modern Pop Art. 2019 Signed 10-color serigraph 30 pt. archival museum board 22 x 30 in. / 56 x 76 cm. Signed edition of 30. Printed in collaboration with Haven Press. Each layer hand-painted on films and exposed to screens through direct photo-emulsion — no computer & no digitizing involved.

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Peace & Freedom Dove Metal Street Sign Limited Edition 2-Color Silkscreen Print on Street Sign Material Graffiti Modern Pop Art by Artist Shepard Fairey x Beyond The Streets. 2021 Metal Reflective Street Sign With Attached Signed COA Edition of 350 Size 24x24

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Royal Selangor- Arabesque Golden BE@RBRICK Limited Edition Pewter Metal Art Toy Urban Collectable Art Figures In the Special Edition 400% Arabesque Golden BE@RBRICK ROYAL SELANGOR, the Midas Touch elevates the richness of arabesque metal engraving from mere visual feast to lavish gold-toned banquet. Since its debut in Tokyo in 2001, MEDICOM TOY’s BE@RBRICK has achieved international cult status, its cartoon-like bear form a collaborative canvas to art, design and fashion greats.

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Supergirl- No Trains Running Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on New York Subway Notice by Popular Street Graffiti Artist RD-357. Painting of DC Comics Femail Superhero Supergirl on a real New York/Manhattan Subway Notice. Planned Service Changes, No Trains Running, Jan 14-17 2011

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

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Gold Domino Game Set Object Art by Ben Baller, a Limited Edition Designer Collectible Pop Artist Artwork. 2022 Limited Edition of 2000 Rare Golden Domino Game Set & Box Object Art New In Box. Reimagining Play: Ben Baller's Gold Domino Game Set as Object Art The Gold Domino Game Set Object Art by Ben Baller epitomizes the fusion of luxury and play, a limited edition set that redefines traditional gaming through the lens of pop artist artwork. A mere 2,000 pieces of this rare collection were crafted in 2022, each one a testament to the innovative spirit of contemporary art movements. The set is encased in a box that is as much a part of the artwork as the dominoes themselves, with the resounding message "THIS IS NOT YOUR PRACTICE LIFE" inscribed, echoing the ethos of Street Pop Art and Graffiti Artwork. The transformation of a classic game into a designer collectible reflects the Street Pop Art tendency to elevate the mundane to the magnificent. By incorporating gold—a material that has historically symbolized wealth and power—into a playful context, Ben Baller invites a dialogue on the juxtaposition of value and entertainment. The dominoes are not merely game pieces but also individual works of art, each carrying the potential to form countless combinations and outcomes, much like the freeform nature of graffiti art. This domino set transcends its function as a game, entering the realm of interactive art. It is designed to engage, serve as a focal point for social interaction, and be a tactile experience that delights in its aesthetic and use. The gold set, presented new in the box, carries an air of exclusivity and the anticipation of an artifact yet to be explored. Golden Play: The Domino Set as a Symbol in Street Art Culture In the Street Pop Art and Graffiti Artwork culture, symbols and icons are often repurposed to challenge perceptions and critique societal norms. Ben Baller's Gold Domino Game Set stands as a symbol of the intersection between high art and popular culture, where the act of play is encapsulated in a luxurious form. The game set becomes a canvas, reflecting the artist's vision and the playful undercurrents of street art. The domino set also mirrors the communal aspects of street art—just as murals and tags become part of the neighborhood fabric, so does this game set invite community and camaraderie. The act of playing dominoes is a universal language, bridging cultures and generations, much like street art's ability to communicate across diverse audiences. The "BB" logo, synonymous with Ben Baller's brand, serves as a signature on this collective experience, marking each game as part of a larger narrative. Furthermore, the set aligns with the pop art movement's exploration of consumerism and the commodification of leisure. It questions the boundaries between art and object, between a gallery piece and a household item. In this way, the Gold Domino Game Set is not just an object of play but a statement of the cultural significance of games and their role in our lives. Artistic Investment: Collecting the Gold Domino Game Set For collectors, the allure of Ben Baller's Gold Domino Game Set lies in its dual identity as a functional game set and a piece of limited edition art. As an investment, it represents the convergence of artistic expression and the cultural cache of collectible design. This set is emblematic of a trend in art where the lines between practical items and art objects are not just blurred—they are deliberately intertwined. The limited edition nature of the set—only 2,000 in existence—elevates its status within the art and collectibles market. It becomes a sought-after piece for its beauty, craftsmanship, rarity, and potential to appreciate. As a collectible, it holds a story, a piece of the artist's vision, and a moment where artistry and play are celebrated in golden harmony. The Gold Domino Game Set by Ben Baller is a cultural artifact at the crossroads of Street Pop Art, Graffiti Artwork, and luxury design. It is a celebration of the playful spirit that underpins much of pop art, a luxurious interpretation of a timeless game, and a nod to the collective joy of shared experiences. This set is not merely a collection of golden dominoes; it is a compendium of art, play, and the enduring message that life, with all its games and gambles, is not a rehearsal but a stage for splendor and spectacle.

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Detroit Series 16 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x24 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my evolution of style and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2's Detroit Series 16: An Emblem of Street Pop Art and Graffiti Artwork Cope2, a name synonymous with the gritty vibrancy of street pop art and graffiti artwork, presents us with "Detroit Series 16", which encapsulates the essence of urban expression. This 2010 original painting is a vivid example of the fusion of spray paint, acrylic paint, and mixed media on cradled wood. At a sizeable 24x24 inches, this ready-to-hang piece is an authentic Cope2 creation, complete with his iconic bubble letters that burst with the energy and spontaneity characteristic of his work. This particular piece of the Detroit Series is a rich tapestry of color, texture, and form. Using cradled wood as a substrate represents a departure from the temporary walls and subway cars that traditionally serve as canvases for graffiti artists. Cope2's choice of material marks a conscious step towards the permanence and longevity of his art, aligning with his desire to evolve and adapt over his thirty-plus years of creating. By employing a mixed media approach, Cope2 bridges the gap between graffiti's raw, street-level artistry and the refined, deliberate nature of studio-created works. The Evolution of Style in Cope2's Work The journey that Cope2 describes in his transition to mixed media paintings is evident in "Detroit Series 16". The artwork serves as a visual narrative of his stylistic evolution, revealing the layers of growth and change that define his career. In his own words, the versatility of his art showcases the breadth of his experience, from the unbridled expressions of 'hardcore graffiti' to the complex, multidimensional pieces he crafts today. The piece tells the story of an artist who is not content with the status quo, continuously pushing the boundaries of his medium to explore new techniques and concepts. The essence of street art, emphasizing accessibility and community engagement, is preserved in this work, even as it embraces elements of pop art's focus on mass media and popular culture. Cope2's work, mainly "Detroit Series 16", is a testament to the transformative power of art to convey personal journeys and societal narratives. It is a visual representation of the artist's belief in change, the potential of graffiti to evolve, and his ability to reflect these shifts through his art. Impact and Legacy of Cope2's Detroit Series The impact of "Detroit Series 16" extends beyond the visual appeal of its vibrant colors and intricate forms. It represents a moment in time within the broader narrative of street art's assimilation into the fine art world. Cope2's work, with its signature aesthetic and commitment to graffiti's core values, has played a pivotal role in redefining the perceptions of street-inspired art. The series, particularly this piece, exemplifies the fluid nature of contemporary art, where genres intersect and new forms emerge. As street art continues to gain recognition and respect within the art community, works like "Detroit Series 16" stand as milestones along this path of cultural acceptance. They are reminders of the roots of this art form in the uncommissioned, often unsanctioned expressions found in urban environments worldwide. Yet, they also signify the possibility of transcendence, of art that can rise from the streets to hang on the walls of collectors and enthusiasts who value the authenticity and raw power that graffiti embodies. In assessing Cope2's "Detroit Series 16" legacy, one cannot help but recognize the artist's influence on the trajectory of street pop art and graffiti artwork. His ability to navigate the transition from street to studio without losing the essence of graffiti's spirit is remarkable. The series offers a visual testimony to Cope2's enduring relevance in the art world, highlighting his role not just as an artist but as a chronicler of street art's dynamic and ever-evolving language. Through his creations, Cope2 continues contributing to the dialogue around what constitutes art, who can create it, and where it deserves to be seen.

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Selfie Gun Yellow Silkscreen Print by Joan Cornellà Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 250 Artwork Size 16.14x22.44 Silkscreen Print Selfie Gun Yellow Silkscreen Print by Joan Cornellà Selfie Gun Yellow is a 2024 hand-pulled silkscreen print by Spanish artist Joan Cornellà. Signed and numbered in a limited edition of 250, this work measures 16.14 by 22.44 inches and presents Cornellà’s now-iconic visual punch with a deceptively cheerful palette masking deeply provocative themes. The image features a smiling male figure in a blue suit standing against a vibrant yellow background, holding a selfie stick that supports a handgun rather than a smartphone. The print's stark simplicity, exaggerated expression, and flat fields of color allow its absurdity and subversion to dominate the viewer's first and lasting impression. Joan Cornellà’s Visual Irony and the Absurdity of the Digital Age Joan Cornellà was born in 1981 in Barcelona and has risen to international prominence for his uniquely unsettling yet humorous critiques of contemporary life. Through a visual language that borrows heavily from mid-century commercial illustration and pop iconography, Cornellà’s work deconstructs digital narcissism, commodified identity, and passive complicity. Selfie Gun Yellow crystallizes many of these themes. The joyful pose of the figure, exaggeratedly cheerful and unaware, becomes a metaphor for societal blindness in the pursuit of validation and spectacle. The gun at the end of the selfie stick transforms a common habit into a commentary on psychological self-destruction and performative existence. Silkscreen Precision and the Language of Commercial Aesthetics The technique used in Selfie Gun Yellow amplifies its message. The precision of hand-pulled silkscreen printing allows for crisp, clean lines and saturated colors, giving the work the look of mass-produced consumer graphics while being part of an exclusive limited run. The yellow background is not merely a color field but a psychological trigger—evoking optimism and energy while laying the groundwork for cognitive dissonance. The contrast between the man’s welcoming demeanor and the weapon he points toward himself deepens the satire without relying on excessive visual clutter. This minimalism, paired with shocking irony, is central to Cornellà’s success as a provocateur in Street Pop Art & Graffiti Artwork. The Role of Satirical Minimalism in Street Pop Art & Graffiti Artwork Cornellà’s contribution to the evolution of Street Pop Art & Graffiti Artwork is defined by his capacity to use restraint to elicit powerful reactions. His figures are deliberately anonymous, their individuality stripped away to amplify the social roles they play. In Selfie Gun Yellow, the business suit, the performative smile, and the stylized violence condense global anxieties into one frozen frame. With no dialogue, no background narrative, and no ambiguity, the piece is direct but not reductive. It forces a confrontation with the viewer's own habits, obsessions, and the mechanics of attention in the modern world. Through works like this, Joan Cornellà continues to provoke, entertain, and challenge through satire masked in simplicity.

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