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Bollywood Sugar In Blue- Silver Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Homer Original Painting Pasca and Ink on Watercolor Paper by Artist Jon Burgerman Modern Pop Art. 2014 Signed Original One of a Kind Watercolor Painting Size 22.5x29.5 "Jon Burgerman makes vibrant, neo-primitive scrawls of shapes and color. He's pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s into a far more interesting and strong direction. Think Walt Disney at an Incan monument on mescaline." - Francesca Gavin, Visual Arts Editor Dazed & Confused and author of Street Renegades and 100 New Artists published by Laurence King.

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Baby Milo X Hajime Sorayama- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Bape- A Bathing Ape. 2022 A Bathing Ape BAPE x Hajime Sorayama Rare Bearbrick Collectible New In Box

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Together Brown Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Brown Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, portraying two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it reflects street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Goonie 034 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Navigating the Surreal and Street Pop Art in Goonie 034 by Naoto Hattori Naoto Hattori's "Goonie 034" emerges as a significant piece in Street Pop Art & Graffiti Artwork despite its roots in the more traditional practice of watercolor painting. The 2013 original creation is a testament to Hattori's distinctive vision, blending the boundaries between the precise technique of watercolor and the often spontaneous, expressive nature of street art. This artwork, enshrined within a custom 8.5x8.5-inch frame, brings forward a 3x3-inch image that captivates with its surrealist depiction, inviting a streetwise dialogue on a fine art platform. The artwork, signed and singular in its existence, reflects the artist's deep engagement with the piece, from the stroke of the brush to the careful selection of the frame and matte. Hattori's involvement in each step of the creation and presentation process aligns with the ethos of street artists, who often see their art from inception through to its final public display. This dedication to the craft and the artwork's journey from studio to viewer shares the spirit of Street Pop Art & Graffiti Artwork, where the artist's hand is evident in every aspect. Hattori's "Goonie 034" might not explicitly adopt the visual lexicon of graffiti; however, the piece exudes a rebellious aura akin to the impactful visuals of graffiti art. The watercolor medium, often seen as delicate and reserved for fine art, is pushed to new limits in Hattori's hands, presenting a piece that challenges the viewer's expectations and traditional art norms. This subversion is a core element of street and pop art, making "Goonie 034" a bridge between disciplines and inviting fine art enthusiasts to explore street-inspired artwork's vivid and raw territories. The Influence of Naoto Hattori and the Interplay with Urban Art Forms Naoto Hattori's influence in the artistic community extends beyond his surreal imagery. His artwork "Goonie 034" is pivotal in the conversation about the interplay between different art forms. The small scale of the watercolor painting demands close inspection, much like the intricate details found in stencil graffiti or the hidden messages in urban murals. It's a dialogue of the intimate versus the expansive, the personal versus the public, a dynamic often explored in Street Pop Art & Graffiti Artwork. The enigmatic quality of Hattori's work embodies street art's unpredictability and layered meanings. While his canvas is paper and his tools are brushes and pigments, the sentiment conveyed is as powerful and engaging as any piece found on the concrete canvases of cityscapes. "Goonie 034" is a cultural artifact that transcends the conventional gallery space and resonates with the authenticity and vibrancy of street art. Exploring "Goonie 034" in the context of Street Pop Art & Graffiti Artwork underscores the fluidity of art and howhich it can occupy multiple spaces and cater to diverse audiences. Hattori's piece serves as a reminder of the limitless possibilities that arise when artists draw inspiration from various sources and blur the lines between established art categories. The artwork is a testament to the evolving narrative of street and pop art, which continues redefining itself and its relevance in the ever-changing landscape of contemporary art.

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Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

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Baby Milo X Hajime Sorayama- Silver 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure Bape- A Bathing Ape. 2022 A Bathing Ape Rare Bearbrick Collectible New In Box

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Grey Art Toy by KAWS – Brian Donnelly The Holiday Thailand Grey Art Toy by KAWS, the artistic alias of American creator Brian Donnelly, stands out as a rare and powerful work in the field of Street Pop Art & Graffiti Artwork. Released as a 2025 limited edition and now out of print, this collectible sculpture measures approximately 7 x 11 inches and arrives new in box with a printed stamp on the foot. Rendered in a muted grey palette, the artwork features the beloved Companion characters—an adult figure seated atop a vividly painted Earth while gently embracing a smaller child figure. Both characters hold a glow-in-the-dark fluorescent moon with a detailed textured surface, symbolizing both innocence and cosmic wonder in a world that increasingly values emotional narrative in contemporary vinyl art. Emotional Expression Through Form and Symbol Unlike the bright tones often used in earlier Companion works, the grey edition of the Holiday Thailand Art Toy emphasizes subtlety and seriousness. The seated figure may be interpreted as a mother, father, or guiding friend, creating a moment of quiet connection with the child nestled in their lap. The Earth below them is shown in bold blue and green, visually rooting this piece in themes of global care and responsibility. The glowing moon cradled between them becomes a shared point of light, a guiding symbol in the literal and figurative darkness. This interaction between figures and the celestial object elevates the sculpture from a collectible toy to a visual meditation on care, protection, and environmental consciousness. Brian Donnelly’s Continued Impact on Street Pop Art & Graffiti Artwork Brian Donnelly, born in Jersey City, USA, started his career tagging walls and bus stop advertisements, blending cartoon iconography with sharp social commentary. His rise from graffiti artist to global contemporary art figure is marked by his ability to blend street language with emotional depth. The Companion figure, instantly recognizable with its X-ed out eyes and Mickey Mouse-inspired gloves, has become an international symbol for vulnerability, connection, and modern alienation. In the Thailand Grey edition, Donnelly strips the form of bright color and instead uses the soft grey tones to focus attention on the body language and the emotional intimacy of the piece. The positioning of the child figure leaning into the adult’s chest creates a tender pause, often missing in the more satirical or energetic works of Street Pop Art & Graffiti Artwork. A Coveted Collectible in the Vinyl Art Toy Movement Each Holiday edition by KAWS ties the Companion character to a geographic or thematic location, and the Thailand release is no exception. While the colorful brown variant captures warmth, this grey version offers a more introspective aesthetic. The bright, hand-painted globe beneath the seated figure ensures that the sculpture’s message remains worldly and expansive, even as the figures themselves remain personal and inward-looking. The glow-in-the-dark moon feature enhances the sculpture’s interactive and ambient qualities, transforming under different lighting to reveal its full emotive power. Collectors and museums alike consider this edition a benchmark for contemporary vinyl-based Street Pop Art & Graffiti Artwork. Its scarcity, strong narrative, and signature KAWS execution make it a vital piece for those who seek work that blends simplicity with depth. The Holiday Thailand Grey Art Toy is not just a decorative figure—it is a sculptural story about human connection and cosmic hope.

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VOLTEQ 20 Inch Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by street graffiti Quiccs. 2022 Voltron Themed TEQ63 Dunny Standing 20 Inches Tall, Limited Edition of 500. Kidrobot has once again teamed up with artist Quiccs to bring to life the fusion of TEQ and Dunny in an epic creation. Introducing the VOLTEQ Dunny 20” Vinyl Art Figure by Philippines-based illustrator, toy designer, and graffiti artist Quiccs. This giant 20” Dunny is a mecha-inspired statement piece based on the artist’s TEQ63 character, a post-apocalyptic hero living in a dystopian society.

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Collateral Damage Original Painting Mixed-Media Spray Paint, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Once Upon A Time No More 2 Artwork Lenticular Giclee Limited Edition Print on Lenticular Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. 2021 Signed & Numbered COA Lenticular Artwork Size 21x27. The image changes according to the direction of view. Chicago Dior, Nike Shoes. Pop culture, graffiti, and street art have been playing an instrumental role in the contemporary art scene, presenting unique takes on traditional motifs and embracing the amalgamation of different artistic forms. Mimi Yoon, a celebrated artist in this sphere, has achieved commendable success with her artwork titled "Once Upon A Time No More 2". This creation stands as a testament to her ingenious approach, seamlessly merging classic fairy tale imagery with modern cultural symbols. Rendered as a giclee print, a method renowned for its ability to reproduce color accurately and with high-resolution detail, the artwork is presented on lenticular fine art paper. This particular choice of medium is what sets "Once Upon A Time No More 2" apart. Lenticular printing is a technology that employs lenticular lenses to produce images with an illusion of depth or the ability to change when viewed from different angles. This dynamic visual effect means that the image morphs depending on the viewer's perspective, offering a multifaceted and interactive experience. Mimi Yoon's decision to use this technique infuses an element of dynamism and modernity into her artwork, allowing the narrative to evolve with the observer's movement. The subject matter of the artwork is both captivating and thought-provoking. It portrays a reimagined Cinderella, juxtaposed with the iconic Nike shoes from Chicago Dior, challenging the traditional Cinderella narrative where glass slippers play a pivotal role. This deliberate blend of a fairy tale princess with contemporary streetwear reflects a cultural shift, suggesting a modernized fairy tale where brand logos and urban style have a significant place. The presence of the bird and mouse, familiar figures from the Cinderella story, further intertwines the old with the new, cementing Yoon's narrative of a modern-day fairy tale. The year 2021 marked a milestone for "Once Upon A Time No More 2", as it was released as a limited edition piece. Each print carries the signature of Mimi Yoon, ensuring authenticity and a personal touch from the artist herself. Further enhancing its exclusivity, the artwork is accompanied by a Signed & Numbered Certificate of Authenticity. With dimensions of 21x27 inches, it's poised to be a statement piece, capturing attention and evoking discussions. Mimi Yoon's "Once Upon A Time No More 2" is more than just an artwork; it is a reflection on contemporary society's interplay with age-old tales. By positioning Cinderella in Nike shoes, Yoon not only challenges but also refreshes the narrative, making it relevant to today's audience. As a representation in the broader context of pop art, graffiti, and street art, this piece exemplifies how artists like Yoon are rewriting norms and pushing boundaries. It serves as a reminder that art is ever-evolving, constantly influenced by societal shifts, technological advancements, and the artist's own perspectives. Through "Once Upon A Time No More 2", Mimi Yoon invites observers to witness and engage with a fairy tale that is firmly rooted in today's zeitgeist.

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Graff Head Slick 6 HPM Unique Spray Paint Silkscreen Print by OG Slick Embleshed 1 of 1 Hand-Pulled 11-Color on Untrimmed 250gsm Stonehenge Fine Art Paper Artwork. 2022 Signed Unique 1/1 HPM Spray Paint Artwork Size 40x26 Silkscreen Print of Mickey Mouse Cartoon Guan Yin Throwing Hand Signs With Upper Body and Face Covered in Adstract Spray Paint Graffiti & Words Graffiti, street art, and pop art have always been powerful mediums to convey social, political, and cultural commentary. Within this realm, artists often amalgamate iconic symbols from various spheres to create striking visual stories. A testament to this fusion is the "Graff Head Slick 6 HPM Unique" spray paint silkscreen print by renowned graffiti artist OG Slick. This hand-pulled 11-color masterpiece stands out, not just for its intricate detailing but also for its commentary and interplay of traditional and modern iconography. This art piece is meticulously crafted on 250gsm Stonehenge fine art paper, preserving its vivid colors and sharp lines. The 40x26 artwork showcases Mickey Mouse, an emblematic character synonymous with American pop culture, represented as the Guan Yin, the Chinese Goddess of Compassion. This portrayal of Mickey Mouse, donning the avatar of Guan Yin and striking hand signs, intertwines two cultures while highlighting the universality of certain messages. The upper body and face of Mickey, concealed under a layer of abstract spray paint graffiti and words, further amalgamates traditional art forms with modern graffiti styles. OG Slick's motivation behind this series traces back to his younger days, during his visits to Chinatown. He recalls the presence of small figurines placed near store registers, believed to bring prosperity to the shopkeepers and blessings to those who offered them money. Drawing parallels, the artwork visualizes the same Guan Yin figurine, now juxtaposed in the digital age, where she is showered with digital currency, symbolizing the evolving nature of blessings and prosperity in contemporary times. Through this mesmerizing piece, OG Slick delves into the intricate dance of tradition and modernity, reminding viewers of the transient nature of cultural values and the enduring essence of art.

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Pedestal 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print PEDESTAL Screen Print 18 x 24 inches Edition of 450 August 8, 2013 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Rolex Designer Drugs PP Printers Proof Skateboard Art Deck by Denial- Daniel Bombardier Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. PP Printers Proof 2018 Marked PP Limited Edition Signed COA Skateboard Artwork Size 8x31 Skateboard Art Deck Featuring The Rolex Logo in Pill Form. Rolex Designer Drugs PP Printers Proof Skateboard Art Deck stands as a testament to the fusion of street culture, contemporary art, and iconic branding. Crafted meticulously by Denial, the pseudonym of Canadian artist Daniel Bombardier, this piece marries the subversive tone of street and graffiti art with high-end branding – a juxtaposition that has been a recurring theme in the world of pop art. Denial's ability to weave these seemingly disparate elements showcases his keen eye for culture, irony, and the potency of symbols in today's consumer-driven society. The 2018 piece, bearing the 'PP Printers Proof' mark, signifies its exclusivity as a limited edition. These proofs are preliminary versions of a printed piece, offering an insight into the artist's process and ensuring that the final prints meet the desired standards. Furthermore, it comes with a Certificate of Authenticity (COA) and is signed, offering collectors a tangible connection to Denial himself. Measuring 8x31, the skateboard deck is not just a canvas but a symbol of street culture. The deck, though an unusual choice for many traditional artists, is perfectly in sync with Denial's roots in street and graffiti art. At its center, the piece features the Rolex logo, but not as we know it. Reimagined as a pill, it comments on society's obsession with luxury and the lengths to which people might go to attain or showcase affluence. The use of the pill form, synonymous with quick fixes and temporary highs, poses questions about the fleeting nature of luxury and the societal pressures of branding. A brilliant embodiment of pop culture, luxury branding, and street art, the Rolex Designer Drugs Skateboard Art Deck by Denial is more than just a visual treat. It's a critique, a conversation, and a testament to the evolving nature of art in the 21st century.

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SprayedPaint.com Gift Card Emailed To You! SprayedPaint.com is a unique online platform that caters to graffiti street art enthusiasts and collectors. We offer many high-quality gift cards featuring artwork from some of the most talented and renowned graffiti artists worldwide. Our gift cards are the perfect way to give the gift of street art to your loved ones, friends, or colleagues. Whether you're looking for a birthday present, a holiday gift, or something to show you care, SprayedPaint.com has covered you. SprayedPaint.com emerged as an innovative and dedicated online platform, creating a unique niche within street pop art and graffiti artwork. With a specific focus on graffiti street art enthusiasts and collectors, this platform transcends the conventional boundaries of art commerce by offering high-quality gift cards adorned with the works of some of the world's most renowned and skillful graffiti artists. These gift cards are not merely transactional items but imbued with street art's spirit and vivacity, making them an ideal gift for various occasions. Celebrating Street Art through Gift Giving The concept of gifting is elevated through the offerings of SprayedPaint.com, as each gift card serves as a gateway to the rich and eclectic world of street art. The versatility of these cards makes them perfect for a wide array of occasions, from birthdays and holidays to gestures of appreciation and care. In selecting a gift card from SprayedPaint.com, one is not only choosing a present but also sharing a piece of street pop art's dynamic and ever-evolving narrative. Supporting Artists and Fostering Community However, the mission of SprayedPaint.com extends far beyond the commercial. The platform stands out for its commendable commitment to the street art community, ensuring that with every gift card purchase, a portion of the proceeds is directed towards supporting the featured artists. This symbiotic relationship between art patronage and artist support fosters a thriving ecosystem where artists gain deserved recognition and exposure, thus propelling the cultural significance of street pop art and graffiti artwork. Discovering the Spectrum of Street Art The value proposition of SprayedPaint.com is anchored in its ability to curate and showcase a diverse range of graffiti street art that appeals to both seasoned collectors and newcomers alike. By shopping the collection of gift cards on the platform, patrons are invited to delve into the vibrant and exhilarating domain of street art, discovering pieces that resonate with the urban experience and the artists' personal stories. These cards become more than just gifts; they become narratives and conversations sparked by the allure of street art. SprayedPaint.com has established itself as more than an ordinary online storefront; it is a bastion for celebrating and disseminating street pop art and graffiti artwork. By offering gift cards that carry the essence of this art form, supporting the artists who create it, and providing a space for discovery and appreciation, SprayedPaint.com is a testament to the enduring appeal and cultural importance of street art in contemporary society. But SprayedPaint.com isn't just about selling gift cards. We're also committed to supporting the street art community and helping talented artists gain the recognition and exposure they deserve. That's why a portion of each gift card purchase goes directly to support our featured artists and their work. So, if you're looking for a truly unique and meaningful gift for the street art lover, look no further than SprayedPaint.com. Shop our collection of gift cards today and discover the vibrant and exciting world of graffiti street art.

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Another Day In the Coal Mine Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled Navigating the intersections of pop art, street art, and graffiti art, Shepard Fairey's "Another Day In the Coal Mine" emerges as an evocative piece that resonates deeply with contemporary themes and societal introspections. This large format artwork is a manifestation of Fairey's unparalleled skill, a hand-pulled 4-color serigraph print that captivates with its intricate design and vivid colors, all meticulously rendered on custom cotton Coventry rag paper. The composition presents a harmonious blend of patterns, ranging from the radiant sun-like designs to the serene floral motifs, juxtaposed against stark industrial imagery. The title, "Another Day In the Coal Mine," subtly hints at the labor-intensive, often unrewarding tasks that many endure in their daily lives. Yet, amidst this seemingly bleak narrative, the vibrant bird on the bottom right stands as a beacon of hope, a symbol of resilience and perseverance. Crafted in 2023, each of these limited pieces, measuring 45x26, has been hand deckled, adding an authentic touch to the artwork's overall aesthetic. With only 100 prints in circulation, each signed and numbered by Shepard Fairey, the exclusivity of the piece is undeniable. Embedded within its fabric is the unmistakable Obey publishing chop, discreetly positioned in the lower left corner. Beyond its visual appeal, the artwork carries a deeper purpose. Fairey, in his continuous commitment to environmental advocacy, pledges the proceeds from this piece to Greenpeace. As a testament to the power of art, "Another Day In the Coal Mine" not only engages viewers visually but also drives action for a more sustainable future.

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Be Faithful Original Painting Spray Paint Aerosol & Acrylic Paint on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 16.25x22 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” -Shark Toof

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang Ben Kehoe The Cavalry Above The Clouds Original Acrylic Painting 2013 The 2013 original acrylic painting The Cavalry Above The Clouds by American artist Ben Kehoe stands as a striking example of narrative imagination within contemporary Street Pop Art & Graffiti Artwork. Created on wood board and measuring 20 x 16 inches, this one-of-a-kind hand-painted piece blends surreal fantasy with symbolic undertones, demonstrating Kehoe’s signature ability to balance storytelling, humor, and social reflection through painterly technique. Signed by the artist and ready to hang, the work encapsulates the spirit of modern pop surrealism while remaining deeply rooted in the visual language of folk and street-influenced art. Imagery and Composition Set against a glowing orange sky filled with sweeping clouds, the painting depicts a lone figure riding a massive bald eagle through the heavens. The eagle, rendered in meticulous detail with layered feathers and a stern gaze, exudes both majesty and power. The rider, modest in scale and dressed in muted tones, grips the reins with a sense of calm determination, suggesting a symbolic partnership between human courage and natural strength. The backdrop’s warm tonal gradient evokes both serenity and tension — a dreamlike atmosphere that merges the mythic with the contemporary. The juxtaposition of the enormous bird of prey and the tiny rider introduces themes of freedom, dominance, and the pursuit of transcendence. Symbolism and Thematic Interpretation In The Cavalry Above The Clouds, Ben Kehoe explores the intersection between power and vulnerability, suggesting a narrative of human ambition soaring beyond earthly constraints. The eagle, long a symbol of freedom and national identity, becomes here a vessel for introspection rather than patriotism. The rider’s presence evokes the individual’s quest for control amid vast, unpredictable forces — an allegory for humanity’s ongoing negotiation with nature and self-determination. The painting’s surreal yet deliberate tone reflects Kehoe’s approach to allegorical storytelling, transforming fantastical imagery into layered social and psychological commentary. Ben Kehoe’s Artistic Vision Ben Kehoe, an American painter associated with the pop surrealist movement, is celebrated for his intricate narratives that blend humor, melancholy, and the absurd. His art often features anthropomorphic figures and fantastical scenes that mirror human emotion through metaphor and symbolism. Working primarily with acrylics on wood, Kehoe achieves a textural warmth and painterly precision that connect his work to both folk traditions and contemporary street-influenced aesthetics. The Cavalry Above The Clouds embodies his signature fusion of narrative depth and visual allure, offering a window into an imagined world where the boundaries between myth and modernity dissolve — a hallmark of Street Pop Art & Graffiti Artwork at its most contemplative and poetic.

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We Are Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Silkscreen Print Add Fuel's Artistic Vision in "We Are" "We Are" by Add Fuel is a captivating silkscreen print that epitomizes the innovative spirit of street pop art and graffiti artwork. The 2023 limited edition piece, signed and numbered with a release of only 100 copies, measures 19.69x27.56 inches and is a testament to the meticulous craft of hand-pulled printing. Created on 320gsm Astropack fine art paper, the work showcases a 6-color process that vividly brings to life the intricate patterns and bold graffiti elements that are the signature of Add Fuel's style. Add Fuel, the artist behind "We Are," reinterprets the traditional blue and white ceramic tile aesthetic with a contemporary twist, infusing the classic medium with the energy and boldness of street art. The print features an array of tile designs, each detailed with unique patterns, forming a more significant, cohesive image. At first glance, the artwork pays homage to the historical art form, but upon closer inspection, the disruptive force of graffiti tears through the surface, creating a striking contrast. The artwork's juxtaposition of historical art motifs with modern graffiti techniques speaks to the evolving nature of street pop art. Add Fuel's work is a dialogue between past and present, suggesting that both traditional art forms and contemporary expressions have a place in today's cultural landscape. Like much of street pop art, this piece is not confined to the walls of galleries; it carries the vibrancy of the streets and the weight of history, bridging different art movements and eras. The Significance of Hand-Pulled Silkscreen in Art Hand-pulled silkscreen as the medium for "We Are" highlights the importance of craftsmanship in an age of mass production. Each print in the limited series results from a laborious process requiring precision and patience, ensuring that every piece is imbued with the artist's touch. Using multiple colors in printing allows for depth and complexity, making each print a rich visual experience. Silkscreen printing, especially when done by hand, is a nod to traditional art creation techniques. In an era where digital art is becoming increasingly prevalent, Add Fuel's commitment to hand-pulled prints emphasizes art-making's tactile and physical aspects. It is a celebration of the artist's hand in an age where it can often be absent from the creative process. Street Pop Art and Graffiti Artwork's Influence on "We Are" "We Are" is firmly rooted in street pop art and graffiti art traditions. These movements have long been characterized by their willingness to challenge conventional ideas about where art belongs and what forms it can take. Add Fuel's print extends this tradition, demonstrating that the disruptive spirit of street art can find harmony with more classical art forms. The cultural influence of street pop and graffiti artwork is evident in the reception of pieces like "We Are." They resonate with a broad audience, appealing to those who appreciate street art's rebellious nature and traditional designs' intricate beauty. This blend of styles has become a hallmark of contemporary art, reflecting a society that values diversity and the fusion of ideas. In the broader context of modern art, "We Are" symbolizes unity and progress. Add Fuel's innovative approach to his craft indicates a more significant movement within the art that seeks to honor the past while boldly stepping into the future. His work visually represents the possible dialogue between different artistic disciplines and a reminder that art is a constantly evolving conversation. "We Are" by Add Fuel is a striking example of the potential for street pop art and graffiti artwork to transcend boundaries and create something new and vibrant. The limited edition silkscreen print is a testament to the power of art to unite diverse elements into a cohesive and compelling whole. It celebrates art's capacity to connect us to our heritage while pushing us to explore new horizons. Through works like "We Are," the conversation between traditional art forms and contemporary expressions continues, enriching the cultural fabric of our time.

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Supreme Vuitton Smashup Pill- Blue Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2022 Numbered Limited Edition of 75 Skateboard Artwork Size 8.25x31.87 Naturally, the artist has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continues to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Le Tigre Limited Edition 8-Color Hand-Pulled Silkscreen Print on 250gsm Stonehenge Fine Art Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Le Tigre Silkscreen Print by Chris Saunders "This piece is an evolution of a piece I did a few years ago that originated as a sketch. I was experiencing a massive shift in my life at the time. I was feeling a pull away from my career as a commercial artist to focus on my own art and I had a lot of fear coming up for me. Usually, when I experience these shifts I do my best to get out of my head and trust my inner guidance. That inner guidance tends to mold those experiences into the form of different animal forms that guide me through that transition. To me, the tiger represents primal instinct and being able to let go and trust yourself and fully trust your intuition. This piece looks about 100 times more amazing when you see it in person, the pics don't really highlight the layers and textural quality of all the inks used." - Chris Saunders

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Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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Fame City Pop Street Artwork Limited Edition Giclee Print on 310gsm Canson Infinity Rag Photographique Paper by Urban Graffiti Modern Artist Ces One- Rob Provenzano x Doves x Mast x Yes2. 2020 Signed & Numbered By All 4 Artists Limited Edition of 100 Artwork Size 36x12 "Fame City,” depicts a mural painted in Wynwood.

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Flint Eye Alert Globe 4-Color Hand-Pulled Limited Edition Silkscreen Print on French True White Art Paper by Artist Shepard Fairey Artwork. 2017 Signed & Numbered Limited Edition of 450 Size 18x24 “This piece is based on a painting I did for my ‘Earth Crisis’ show in Paris. The entire body of work for that show used these shades of blue/turquoise as a connection to the air and water that is essential to sustaining life on planet Earth. This piece is more specifically about the idea that we need to see what is right in front of us, that we are dependent on nature and I used the blooming flower as a symbol of both beauty and growth. If we keep ruining the air and water, things won’t grow, not to mention we’ll all get sick.”

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Eruption PP Archival Print by DAIM Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 14x21 Archival Pigment Fine Art DAIM's Eruption PP Archival Print: A Fusion of Street Pop Art and Fine Artistry The "Eruption PP Archival Print" by the artist DAIM is a striking example of the fusion between street pop art and the meticulous approach of fine art printmaking. This particular work, part of a limited edition on 310gsm museum fine art paper, showcases the artist's expertise in creating depth and movement on a two-dimensional surface. Known for his dynamic and geometrically complex graffiti works, DAIM has transferred his skill to fine art prints, capturing the spirit of graffiti in a form that allows for preservation and collection. The term 'PP' refers to 'Printer's Proof,' akin to an Artist's Proof but typically reserved for the collaborators in the printmaking process. The printers often retain these proofs as a reference for the quality and color of the print edition. The "Eruption PP Archival Print" from 2016 bears the mark of DAIM's involvement and approval, signed and designated as a PP, further emphasizing its uniqueness beyond the standard edition prints. This print, sized at 14x21 inches, is manageable and highly collectible, making it a sought-after piece for enthusiasts of modern street pop art and graffiti artwork. Technique and Cultural Significance in DAIM's Archival Prints DAIM's mastery in creating complex, 3D-style graffiti is evident in the "Eruption PP Archival Print," where the illusion of protruding shapes and bursting elements is palpable. The use of archival pigment ensures that the vibrancy of the colors and the precision of the details are maintained over time, mirroring the longevity and historical significance of the street art from which it draws inspiration. The technique also allows the artwork to stand the test of time, just as street art's messages and impact continue to resonate within urban landscapes and cultural dialogues. This artwork represents more than just an aesthetic pleasure; it encapsulates the evolving narrative of street art into a more formalized art setting. Through his print, DAIM challenges the traditional separation between the renegade spirit of street art and the curated walls of art galleries. The inclusion of such prints in the art market reflects the changing perceptions of graffiti art, acknowledging its rightful place within the broader spectrum of significant cultural productions. The Impact of Limited Edition Prints in the Art World The introduction of limited edition prints has markedly transformed the world of street pop art and graffiti artwork. These prints allow artists like DAIM to reach a wider audience, offering a piece of their art that is both accessible and exclusive. The "Eruption PP Archival Print" exemplifies this shift, as it is a piece of DAIM's large-scale graffiti legacy and a collectible artwork that can be owned privately. The concept of Printer's Proofs such as this extends the idea of exclusivity and provides collectors with a tangible connection to the artist's original vision. Limited editions like DAIM's print bridge the transient nature of street art and the permanence sought by collectors. As such, they play a crucial role in sustaining the artists and their creative endeavors while ensuring that the art itself is preserved to the elements and the passage of time. In the context of modern art, these prints are more than just reproductions; they are original creations that carry the essence of the artist's hand and the vibrancy of street art culture. In summarizing the importance of DAIM's "Eruption PP Archival Print," it is crucial to recognize the confluence of artistic technique, cultural impact, and market dynamics it represents. This print is a snapshot of DAIM's creative journey, a celebration of street art's influence on contemporary culture, and a testament to the enduring appeal of street pop art and graffiti artwork within the fine art community.

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A-Z Values- X Original Painting of Spray Paint & Black Ink on Heavy Matte Paper by Jason Naylor Graffiti Street Artist Modern Pop Art. Series of positive affirmations beginning with letters A-Z, this is letter X for X- Factor. An A-Z series of paintings highlighting personality characteristics, or values, that help define what it means to be a good person. This is a personal project inspired by the 36 Days of Type challenge which is popular on social media. Spray paint + black ink on 18 x 24 heavy matte paper.

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Feels So Good Original Silkscreen Etching Print by D*Face- Dean Stockton Hand-Pulled on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 1 Original Artwork Size 33x54 Silkscreen Etching Print Custom Framed D*Face (b. 1978) Feels So Good, c. 2009 Etching and screenprint in colors on wove paper 54 x 33 inches (137.2 x 83.8 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along the lower edge. No apparent condition issues. Floated and framed under acrylic. Framed Dimensions 59 X 37.5 Inches

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Share Silkscreen Print by Kaws- Brian Donnelly Hand-Pulled on 250gsm Steel Gray Fine Art Paper Limited Edition Artwork. 2021 Released 2022 Signed & Numbered Limited Edition of 500 Artwork Size 16x20 Silkscreen Print of Gray Kaws Companion Accomplice Holding Pink BFF Companion Doll. The "Share" silkscreen print by KAWS, also known by his real name Brian Donnelly, is a significant piece within the contemporary Street Pop Art movement, exemplifying the convergence of graffiti's raw expressiveness with the meticulous process of fine art printmaking. Released in 2021 and subsequently signed and numbered in 2022, this limited edition artwork embodies the cross-pollination of street culture and high art that has become synonymous with KAWS' oeuvre. As a limited edition of 500, each print holds a place of rarity and exclusivity in the art market. KAWS: From Graffiti Artist to Global Art Phenomenon Brian Donnelly, professionally known as KAWS, began his journey in the graffiti subculture in Jersey City. His early work was known for its rebellious nature, often commandeering advertising billboards to introduce his now-iconic characters. Over the years, KAWS has established himself as a significant figure in the global art scene, moving beyond his graffiti roots to embrace a more comprehensive array of mediums, including painting, sculpture, and, as demonstrated by "Share," the traditional silkscreen printing technique. The Artistic Merit of 'Share' "Share" is a testament to KAWS's artistic versatility and ability to navigate the complex terrains of street pop art. The artwork features the Gray KAWS Companion holding a pink BFF Companion doll, rendered on 250gsm Steel Gray fine art paper. The choice of steel gray paper not only complements the grayscale of the Companion but also accentuates the vibrant pink of the BFF, creating a visual pop that is both striking and emotionally resonant. The Companions, recurring figures in KAWS' work, are known for their emotive, human-like expressions that communicate universally understood feelings despite their cartoonish forms. Hand-pulling silkscreen prints are labor-intensive and require a high level of skill, reflecting KAWS' dedication to craftsmanship in his work. Each print from the "Share" series is unique due to the nature of the printing process, with subtle variations that make each piece a singular work of art. The edition size 500, while relatively small in mass-produced goods, is significantly oversized for handcrafted artwork, indicating KAWS' intention to make his art more accessible to the public. The Cultural Impact of KAWS' Limited Edition Prints KAWS' limited edition prints, such as "Share," play a crucial role in the democratization of art. They allow a broader audience to engage with and own a work from an artist highly regarded in the street and OK art domains. These prints often act as an entry point for new art collectors and enthusiasts, bridging the divide between exclusive art circles and the wider public who may be more familiar with street art and graffiti. Furthermore, the presence of KAWS' work in galleries and streetwear stores highlights the fluidity with which his art traverses different cultural landscapes. "Share," in particular, with its poignant depiction of companionship and care, has become a symbolic image that resonates on multiple social, emotional, and cultural levels. It speaks to the enduring human need for connection, a theme often explored in Street Pop Art and Graffiti Artwork. KAWS' Role in the Evolution of Street Art The release of silkscreen prints like "Share" also underscores the evolution of street art from its clandestine beginnings to its current status as a recognized and celebrated art form. Through his meticulous translation of graffiti aesthetics into fine art printmaking, KAWS has played a pivotal role in this transformation. His work challenges traditional notions of what constitutes art and who can be considered an artist, expanding the audience and the understanding of Street Pop Art. In essence, KAWS' "Share" is a powerful reflection of the ethos of Street Pop Art. It encapsulates the vibrancy of street culture while embracing the sophistication of fine art. As a limited edition silkscreen print, it stands as a cultural artifact that captures the zeitgeist of the 21st century, blurring the lines between high art and popular culture and resonating with a diverse and global audience. Through works like "Share," KAWS continues redefining the boundaries of art, ensuring that his legacy will be felt for generations.

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Sansho Copper HPM PP Printers Proof Silkscreen Print by Fin DAC 23-Color Screen Print on 330gsm Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. PP Printers Proof 2020 Signed & Marked PP Copper Leaf HPM Hand Finished Embellished Limited Edition Artwork Size 23.62x33.46 Concept and Execution in Fin DAC's Artwork The "Sansho Copper HPM PP" silkscreen print stands as a significant piece within the oeuvre of the artist Fin DAC, known for his distinctive fusion of street pop art and traditional painting techniques. The piece is part of a limited edition, highlighting the artist's intricate work with a 23-color screen print on 330gsm Somerset fine art paper, a testament to the high quality and attention to detail hallmarks of Fin DAC's art. In "Sansho Copper HPM PP," Fin DAC showcases his mastery of color and form. The image is a striking portrait featuring a subject adorned in traditional Asian attire, overlaid with vibrant, explosive color patterns and copper leaf embellishments. This contrast of the subject's serene, almost stoic, expression with the dynamic splashes of color reflects the artist's aim to juxtapose the calm of the figure with the chaos of the surrounding environment, a theme prevalent in street pop art. Artistic Significance and Cultural Impact The artwork is marked PP, denoting 'Printer's Proof,' indicating its status as a rare piece outside the standard numbered series. Fin DAC's decision to sign and mark these proofs assures collectors of authenticity and exclusivity. The copper leaf HPM, or 'Hand Painted Multiple,' signifies that each piece in the edition, while part of a series, contains unique hand-applied elements, making each print a standalone work of art. Technique and Materials Fin DAC employs silkscreen printing, a technique beloved in street art and pop art for producing vibrant, crisp images. Using 23 separate screens to apply color illustrates the complexity and labor-intensiveness of the process. The 330gsm Somerset paper, chosen for its high quality and durability, ensures that the artwork's vivid colors and intricate details are preserved. Placement in Pop and Street Art "Sansho Copper HPM PP" manifests how street pop art can be accessible and sophisticated. By incorporating traditional elements of pop art, such as screen printing and vivid coloration, with the nuanced details of hand embellishment, Fin DAC bridges the gap between street art's raw energy and fine art's refined techniques. This piece exemplifies the potential of street pop art to not only exist within the public sphere but also to hold a prestigious place in private collections. Fin DAC's Influence on Contemporary Art Fin DAC has carved a niche for himself within the art world by consistently delivering visually arresting and thematically resonant works. His ability to capture the essence of his subjects while infusing them with a modern aesthetic has made him a prominent figure in the dialogue surrounding contemporary street pop art. "Sansho Copper HPM PP" is a testament to Fin DAC's skill in creating pieces that resonate with a broad audience and contribute to the discourse of what constitutes art in the modern era. "Sansho Copper HPM PP" by Fin DAC is an exemplar of contemporary street pop art and a significant contribution to the evolving narrative of pop art and graffiti artwork. It showcases the potential for traditional art forms to adapt and thrive in the context of modern aesthetics and cultural commentary. This print stands as a vibrant intersection of history, culture, and contemporary art, reflecting the diverse and dynamic nature of the genre.

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The Blob Bat Limited Edition Maple Dinger Baseball Bat Sculpture Artwork by Modern Fine Graffiti Street Artist Efdot. Efdot's Blob Bat features his signature abstract-meets-figurative Blob pattern, wrapping around the glossy black barrel of the wooden bat. Efdot logo and Ef. monogram are included on the surface above the grip of the bat. The first blob bat was originally featured on Efdot's Topps Project 2020 Mike Trout card. Only 10 black/gold Blob Bats will be made in this special edition for MLB Opening Day 2021. Bat Details: Size: 33' in length with a large barrel with a medium handle Material: D-318 Maple In collaboration with Dinger Bats "Baseball is not included in purchase Fulfilled by Efdot Studio in Brooklyn, NY.

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Collateral Damage Circles Original Painting Mixed-Media Spray Paint, Sand. Glitter, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage Circles, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper, Glitter, Sand Coarse Gritty Texture Grabs The Light) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Air Max 90 - GalactiDRIP Size 12 Art Shoes, Limited Edition Sneaker Artwork Collectible by Street Artist Sierato Artisan Echelon on Nike. Limited Edition Hand Made Hand Painted Size: 12 US Men's Authentic Leather Air Max 90's in The Signature Sierato style Galaxy theme, with a Hand Painted Freestyle South Beach drip pattern from the Nike swoosh that is unique every time. Signed Box. New Never Worn. Merging the kinetic world of sneaker culture with the vibrancy of cosmic vistas, the Air Max 90 - GalactiDRIP represents a striking example of how street art can transcend traditional canvases and find expression in the realm of fashion and collectibles. Conceived by the renowned street artist Sierato, known for his bold and expressive designs, this size 12 US men's footwear is not just a pair of shoes but a wearable piece of art. The sneakers are crafted from authentic leather, ensuring the quality expected from Nike's Air Max 90's and a perfect backdrop for the artist's signature style. Sierato's Galaxy theme is a visual journey through space, splattered across the shoes in a freestyle South Beach drip pattern that cascades from the iconic Nike swoosh—a pattern that's unique to each pair, making every sneaker an original masterpiece. This particular design approach reflects the spontaneous and often improvisational spirit of street art, where each stroke or drip of paint adds to the piece's narrative. These limited-edition sneakers, created by an artist who stands at the artisan echelon of custom footwear, represent a niche where fashion, art, and individuality converge. Collectors of sneaker art are drawn to pieces like the GalactiDRIP for their unique aesthetics, the craftsmanship involved, and the statement they make. Each shoe is a testament to the artist's vision and meticulous attention to detail, ensuring the wearer is stepping into a story with every stride. The Air Max 90 - GalactiDRIP is a testament to the expanding boundaries of pop art and street art, where artists like Sierato are redefining what it means to create and where art can exist. No longer confined to gallery walls or urban landscapes, art has found a dynamic and mobile canvas, engaging with audiences in a manner that is both personal and public. These art shoes blur the lines between utility and aesthetic wonder, catering to a growing community that values the intersection of artistic expression and everyday life.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Fenway Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art "Fenway Archival Print" by Scott Listfield is an art piece by the artist Scott Listfield, who is known for his distinct style of painting astronauts exploring landscapes filled with elements of pop culture and contemporary society. The title "Fenway Archival Print" is set in Fenway Park, the iconic baseball stadium in Boston, Massachusetts, home to the Boston Red Sox. Listfield has incorporated Fenway Park, the surrounding neighborhood, or some other related elements into the artwork, combined with his signature astronaut figure. Since this is an "archival print," the artwork is a high-quality reproduction of the original painting, using archival inks and paper to ensure long-lasting color and quality. These prints are often signed and numbered by the artist, making them valuable collector's items.

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KAWS Companion 2020- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2020 Open Out of Print Edition Kaws Rare Collectible Size 17.13 X 8.86 X 3.15 IN New In Box. Reflective Artistry in KAWS Companion 2020-Brown Marking a milestone in contemporary art, the KAWS Companion 2020-Brown is a vinyl art collectible that celebrates the 20th Anniversary of the iconic KAWS Companion. Launched on December 17th, 2020, this piece resonates with a global audience, mirroring the collective experience of that year. The figure's prone position, lying face down, captures a moment of stillness and reflection, an attribute that has made it a symbolic piece for display. Measuring 17.13 x 8.86 x 3.15 inches, this out-of-print edition adds a somber yet elegant touch to the series with its earthy brown tones, contrasting the typically vibrant KAWS palette. The KAWS Companion 2020-Brown embodies the street pop art movement's evolution, offering a form that is both a commentary on the year's events and a celebration of two decades of KAWS' contributions to the art world. Its flat design is a distinctive stylistic choice and enhances its displayability, making it a favored piece among collectors and enthusiasts of street graffiti art. KAWS Companion 2020-Brown: A Symbol of the Times The KAWS Companion 2020-Brown serves as a symbol of its era, encapsulating the feelings of pause and contemplation that defined the end of 2020. This collectible artwork, new in the box, extends beyond its function as a mere object. It takes on a narrative role that speaks to its viewers with an intimacy uncommon in limited-edition releases. The Companion's downcast form is a poignant reminder of the year's challenges, yet its existence as a piece of art also signifies hope and the enduring spirit of creativity. This figure's release demonstrates KAWS' awareness of his audience and the cultural moment, aligning with the essence of street pop art and graffiti artwork. The Companion 2020-Brown, through its very posture and color, communicates a universal sentiment that resonates across different contexts, bridging the gap between art and lived experience. Companion 2020-Brown: A Continuation of KAWS' Legacy The KAWS Companion 2020-Brown continues the artist's legacy and is a significant entry into the street pop art genre. Its rarity as an out-of-print edition has only increased its value as a piece of art history. KAWS, a pivotal figure in bringing street art into the collectible domain, showcases the maturation of his work through this figure, presenting a collectible that is as contemplative as it is captivating. The Companion 2020-Brown's flat design allows it to rest with a unique poise, inviting viewers to engage with the artwork personally. It is a testament to the potential of vinyl art toys to transcend their initial perception as playful objects and become profound statements within the artistic discourse. As street pop art continues to gain recognition, KAWS' Companion 2020-Brown stands as a testament to the genre's depth, diversity, and capacity to reflect contemporary narratives.

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Coffee Break Drawing of Mona Lisa Hand-Pulled 1-Color Silkscreen Print on Woven Fine Art Paper by Pop Graffiti Artist Madsaki Rare Street Art Limited Edition Artwork. 2020 Signed Limited Edition of 100 Fine Artwork Size 20.25x28.75 The contemporary art scene is an ever-evolving landscape, filled with experimental ventures and boundary-pushing works that challenge traditional artistic norms. A shining example of this trend is the 'Coffee Break Drawing of Mona Lisa', a piece created by renowned pop graffiti artist Madsaki. His rendition of Leonardo da Vinci's masterpiece reimagines the iconic image, offering a fresh perspective while paying homage to the original. Through a blend of classic inspiration and modern execution, Madsaki's work represents the fusion of past and present, bringing street art and pop art into the realm of high art. Employing the hand-pulled 1-color silkscreen print technique on woven fine art paper, Madsaki's interpretation emphasizes the raw essence and intricate details of street art. The silkscreen method is notable for its versatility, allowing for vibrant color applications and intricate designs. The choice of woven fine art paper adds a textured depth to the piece, enhancing the tactile experience of viewing the artwork. Madsaki's decision to employ these materials and techniques showcases his dedication to preserving the authenticity of street and graffiti art, while elevating it to a level of sophistication that resonates with art enthusiasts and collectors alike. The year 2020 marked a significant moment for Madsaki and fans of his work, as 'Coffee Break Drawing of Mona Lisa' was released as a limited edition artwork, with only 100 copies available. Each piece was signed by the artist himself, adding an element of exclusivity and personal connection for collectors. Measuring at 20.25x28.75 inches, the artwork's size further emphasizes its significance, making it a statement piece suitable for various display settings. Such limited editions often become coveted treasures in the art world, embodying both the artist's vision and a snapshot of a particular moment in artistic history. As a topic in the broader discussion of pop art, street art, or graffiti art, Madsaki's 'Coffee Break Drawing of Mona Lisa' stands out for several reasons. First, it challenges the traditional boundaries between 'high' and 'low' art. By taking a revered classical piece and presenting it through the lens of street art, Madsaki prompts viewers to reconsider their preconceptions about what constitutes 'fine art'. Moreover, the piece serves as a testament to the growing acceptance and recognition of street and graffiti art within mainstream art circles. Artists like Madsaki are not just rebelling against traditional norms; they are reshaping and redefining them. In the realm of modern artistry, the 'Coffee Break Drawing of Mona Lisa' by Madsaki stands as a beacon, illustrating the limitless possibilities when classic inspirations meet contemporary interpretations. As art continues to evolve, it is works like these that will be remembered for their audacity, creativity, and profound impact on the art world's landscape.

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Unworn New Old Stock Adidas Yeezy Boost 350 V2 Zebra- Size 5 Shoe Rare Limited Edition Sneaker Artwork Collectible. Adidas is back with their latest Yeezy Boost 350 V2. Fresh off the heels of NBA All-Star Weekend, these Yeezy's are nicknamed the "Zebras," and come in a classic white, black and red color scheme. Sporting a white-based Primeknit upper with black accents giving off a Zebra stripe vibe, “SPLY-350” displayed across the sides in red finished off by a translucent BOOST cushioned sole. To date they are the most limited adidas Yeezy release and have instantly become one of the most popular colorways. Their release date is set for February 25th, 2017. Retail is set at $220 and they will only be available in men’s sizing, no love for infants from Yeezus this time around. On June 24th, adidas will re-release the coveted “Zebras,” giving fans worldwide one more shot at obtaining one of 2017s most popular kicks. If you got lucky with the first release, already have a pair on lock from the re-release or don’t want to risk taking the “L,” check out the marketplace where you can buy and sell the “Zebra” adidas Yeezy 350 Boost V2 online now. Rock, stock or flip, the choice is yours and yours alone.

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The Hunter PP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2022 Signed & Marked PP Limited Edition 1/2 Artwork Size 10.5x12.25 Archival Pigment Fine Art Star Wars Bounty Hunter Boba Fett Duck Hunting in Vintage Natural Lake Landscape. Some PPs may have slight blemishes and margin differences; this was a working artist copy. Distinguished by a unique blend of Pop Art and playful imagination, Dave Pollot's Limited Edition "The Hunter PP" archival print is a standout piece in contemporary art. Released in 2022, this Printers Proof edition, marked as PP and signed by the artist himself, is an extremely exclusive version with only two copies, making it a valuable addition for discerning art collectors. Expertly printed on Matte Velvet Rag Fine Art Paper, this artwork draws out the distinctive textures and details that define Pollot's style, which straddles the line between pop and street art. It showcases the beloved Star Wars character Boba Fett, universally recognized as a formidable bounty hunter, depicted in an unlikely scenario – duck hunting in a beautifully rendered natural lake landscape. This whimsical juxtaposition of pop culture iconography and a serene outdoor setting is emblematic of Pollot's innovative approach to art, blending irreverent humor with striking visual design. The print measures 10.5x12.25 inches, making it an ideal size for display. It leverages archival pigment, ensuring that the vivid colors and intricate details remain unaltered over time, thus promising longevity for this modern artwork. In pop, street, and graffiti art, "The Hunter PP" makes a distinctive statement, embodying Pollot's transformative artistry in recontextualizing familiar imagery in novel and engaging ways. For anyone seeking to delve into the rich world of modern pop and street art, Dave Pollot's "The Hunter PP" Archival Print represents an intriguing blend of cultural iconography, humor, and artistic prowess. This limited edition piece, with its perfect blend of the contemporary and the iconic, stands as a testament to Pollot's capacity to transform and redefine the boundaries of pop and street art.

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Together Grey Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Grey Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and his distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, with its portrayal of two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it's a reflection of street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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Family- Brown/Blue/White Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2021 Limited Open Edition 13.39 X 12.2 X 5.71 IN / 34 X 31 X 14.5 CM. Displayed With Box Embracing Diversity in KAWS' Family-Brown/Blue/White Series The "Family-Brown/Blue/White" Limited Edition Vinyl Art Toy Collectible set by KAWS, released in September 2021, represents a vivid tableau of the artist's iconic figures, each rendered in a distinct hue that creates a striking visual harmony. Measuring 13.39 x 12.2 x 5.71 inches, the set was unveiled as a part of the TOKYO FIRST art exhibit, positioning these characters at the forefront of the contemporary art scene. This series features two Companion figures, a mini and full-sized Chum figure, and a BFF figure, all of which are fan favorites and embody KAWS' signature aesthetic. This set is a testament to KAWS' ability to navigate the interplay between Street Pop Art and graffiti Artwork and the collectible toy market. The figures are displayed in their original box, highlighting the collectible nature of the artwork and ensuring their condition and value. The differentiation in color among the figures emphasizes individuality within the unity of design, reflecting the diversity of characters that KAWS has created over the years. KAWS' Commentary on Connectivity Through Art and Play KAWS's "Family-Brown/Blue/White" series is not merely a set of collectibles but a nuanced commentary on connectivity and relationship dynamics against the backdrop of pop culture and street art. While sharing common design elements like crossed-out eyes, each figure has a unique impression and coloration. The brown, blue, and white colors used are symbolic, with brown often representing the earth and the grounding of relationships, blue the depth of emotion and communication, and white the purity and simplicity of connections. This set also plays into KAWS' broader narrative, frequently exploring themes of human emotion and interaction within the urban environment. With its comforting embrace, the BFF figure speaks to the bonds that tie individuals together, while the Companions, in their varying sizes, suggest the growth and evolution of personal relationships. By incorporating these themes into his work, KAWS ensures that his art remains relatable and evocative, bridging the gap between street art's raw expressiveness and the polished sphere of collectible design. The Artistic and Cultural Impact of KAWS' Family Series The impact of KAWS' "Family-Brown/Blue/White" series within the Street Pop Art and graffiti Artwork scenes is profound. The collection, with its detailed craftsmanship and thoughtful color palette, underscores the evolution of street art from an act of public defiance to a highly sought-after commodity within the art market. Through this series, KAWS continues to challenge traditional art's boundaries, pushing the envelope in terms of how art is perceived, valued, and engaged with. As a limited open edition, the series offers exclusivity and accessibility, allowing a broad audience to engage with KAWS' work. This duality reflects the very nature of street art, which is rooted in the idea of art for all yet is increasingly recognized as a valuable and collectible form of creative expression. The "Family-Brown/Blue/White" series, therefore, is not only a collection of aesthetically pleasing figures but also a cultural artifact that encapsulates the zeitgeist of contemporary art practice, mirroring the inclusivity and diversity that is at the heart of KAWS' artistic philosophy.

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NY@BRICK Karimoku Chess 400% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture. 2020 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after their collaborations with Medicom.

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Hotline Kids OG Original Acrylic Spray Paint Mixed Media Painting by Faile One of a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Silkscreen Spray Paint Painting Original Artwork Size 25x38 Stylized Vaporwave Style Punk Woman Talking on Phone With 2 Men During Summer Layered With Text "Hotline Kids OG" stands as a striking and representative piece within the evolving landscape of contemporary pop and street art. Its creator, renowned artist Faile, has seamlessly merged the worlds of graffiti and fine art to create a visually dynamic and highly thought-provoking piece. This original artwork is a one-of-a-kind acrylic spray paint mixed media painting, deftly executed on fine art paper. Faile's ingenious fusion of art forms and innovative use of mediums result in an exciting dialogue between the traditionally disparate worlds of street art and high-end galleries. The artwork itself is signed and dated to 2023, asserting its position within the current moment of artistic production and thought. It is a mixed media work, demonstrating the artist's adept manipulation of materials such as acrylic and silkscreen, as well as his command of spray paint, a tool synonymous with the world of graffiti and street art. Measuring 25x38, it is a sizable work that commands the viewer's attention, demanding a thorough and appreciative examination of its layered complexity. "Hotline Kids OG" presents an intriguing scene rendered in a stylistic fusion of vaporwave and punk aesthetics. A woman is seen talking on a phone, flanked by two men, all set against the backdrop of summer. This scene may appear mundane at first glance, yet, upon closer observation, it is an incisive commentary on contemporary societal interactions and power dynamics. Faile utilizes the 'everyday' as a canvas to draw out the often overlooked nuances of human communication and relationships. The layers of this artwork extend beyond the narrative depicted. Faile has incorporated text within the painting, creating a dynamic interplay between visual and linguistic elements. This approach further emphasizes the layered nature of human interactions and underlines the impact of technology on communication. Furthermore, this textual integration harks back to graffiti's subversive tradition of utilizing public spaces as platforms for dialogue and expression. In the rich tapestry of street and pop art, "Hotline Kids OG" marks a significant contribution. It encapsulates the ethos of its creator, Faile, and his desire to push the boundaries of artistic conventions. It challenges traditional distinctions between high art and street art, bridging the gap and illustrating the potential for their synergistic coexistence. This artwork exemplifies the potency of contemporary art to reflect, critique, and shape societal narratives. It stands as a testament to the dynamic and evolving nature of the art world and, in particular, the continually thriving and expanding genres of pop and street art.

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Joshua Vides X Unfinished Business Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. This artwork, skillfully created by Joshua Vides, aims to support important causes. The proceeds from its sale will be directed towards One Hundred Black Men, the Hispanic Federation, and the Asian American Business Development Center. This initiative, known as Unfinished Business, was launched by Hennessy to provide grants to small businesses owned by individuals from Black, Latinx, and Asian American communities. By offering financial assistance and essential resources, Unfinished Business seeks to empower these business owners who play a crucial role in strengthening our communities. Joshua Vides' artistic oeuvre is defined by his unique interpretation of Pop Art, a seamless merger with Street Art elements, and a deep-rooted respect for Graffiti Art. One of his most notable works that encapsulates this triadic fusion is the "Unfinished Business Cone Art Object Sculpture". A fascinating assemblage, the sculpture is a thought-provoking exploration of space and dimension, challenging traditional norms of visual perception through its use of stark, black outlines and an almost unfinished aesthetic, reminiscent of sketch-like visuals. This piece is a stellar embodiment of Vides’ ability to transform everyday objects into extraordinary works of art, truly underlining his position as a contemporary trailblazer in the realm of visual art. As with his other works, the "Unfinished Business Cone Art Object Sculpture" utilizes a unique monochromatic palette, a signature aspect of Vides' style that stems from his background in graffiti. This unconventional application of color, or lack thereof, disrupts viewers' expectations, encouraging them to engage with the work in a more meaningful way. Vides invites the observer to question the traditional boundary between the two-dimensional and three-dimensional worlds. The sculpture is not merely an object; it's an exercise in optical illusion and a commentary on our perception of reality, a testament to Vides’ innovative blend of pop, street, and graffiti art. The "Unfinished Business Cone Art Object Sculpture", in essence, showcases Vides' unconventional approach, his audacious experimentation with the commonplace, and his subversion of our visual expectations. It stands as a brilliant exemplification of the harmonious integration of different art genres and redefines the realm of pop art and graffiti. Reflecting Vides' distinctive style, it is a magnificent contribution to the ongoing dialogues in contemporary art, cementing his position as a noteworthy figure in the art world.

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St Marks Horses Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on 260gsm Modigliani Suede Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 250 Artwork Size 32.3x26.8 Silkscreen Print In 2009, while attending the 53rd Venice Biennale, Shepard Fairey crafted a limited edition print titled "St. Mark's Horses." The creation of this piece took place during the artist's time in Venice. It was made in collaboration with SMS Venice, an organization dedicated to supporting the city's artistic and architectural heritage. This exclusive print consists of 250 editions, each individually signed and numbered by Fairey. Fairey's works are produced in limited edition series, and owning a signed and numbered print can be a valuable addition to any art collection. His unique style and powerful messages have made him one of his generation's most influential street artists. The St. Marks Horses print features Fairey's iconic style, incorporating propaganda, counterculture, and street art elements. The artwork is centered around the depiction of two horses with a St. Mark's reference, which is likely inspired by the Horses of Saint Mark or the Triumphal Quadriga, a set of Roman bronze statues of four horses that were once part of a monument erected in Constantinople and are now located in Venice, Italy.

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Camo Pink & Yellow Medium M-2C-M1 Silkscreen Print by Invader Hand-Pulled on Somerset Satin Cotton Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 28.35x24.02 Silkscreen Print of Artist Invader's Famous Space Invaders Glitch Stylized Art in Pink & Yellow. NVDR3-6 Invader's Camo Pink & Yellow Medium M-2C-M1 Silkscreen Print The Camo Pink & Yellow Medium M-2C-M1 silkscreen print by Invader stands as a bold example of Street Pop Art & Graffiti Artwork that fuses digital nostalgia with contemporary fine art aesthetics. Released in 2024 as a signed and numbered limited edition of 100, this artwork draws upon the French artist's long-standing fascination with retro gaming, pixel art, and guerilla installation tactics. Printed on premium Somerset Satin Cotton Fine Art Paper using hand-pulled silkscreen methods, this edition measures 28.35 by 24.02 inches, offering collectors a vibrant and highly stylized composition. The Visual Power of Color and Pixelation Rendered in clashing neon pink and acid yellow, the M-2C-M1 silkscreen print distills the iconography of Invader's global Space Invaders project into a camouflaged digital tapestry. At first glance, the composition may seem like a disordered array of pixel blocks, but deeper inspection reveals the signature forms of an 8-bit alien buried in the chaos. The colors are deliberately chosen for visual dissonance, creating a pulsating optical experience that references both camouflage patterning and screen glitch aesthetics. This duality plays into Invader's ongoing commentary on visibility, surveillance, and anonymity—core themes in his urban art interventions. Conceptual Layering and Street Art Foundations As a pioneer of global street interventions, Invader—born in France as Franck Slama—has embedded thousands of mosaic Space Invaders in cities worldwide since the 1990s. While these works often exist at street level and are subject to weathering or removal, prints like the Camo Pink & Yellow Medium M-2C-M1 allow for permanence and museum-level preservation. Yet the silkscreen medium preserves the DIY ethos of the artist’s original practice. The geometry in this piece evokes his analog mosaic approach while emphasizing the systematic repetition and coding that define much of his digital-meets-physical output. The artwork's coding-style title M-2C-M1 hints at his classification system for organizing and archiving his global installations, adding an archival dimension to its aesthetic experience. Position Within Street Pop Art & Graffiti Artwork Invader’s work, including this print, occupies a definitive place within the evolution of Street Pop Art & Graffiti Artwork. He merges the mischievous transience of graffiti with the pixel-perfect precision of digital design. Unlike traditional graffiti rooted in letters and tags, Invader introduces game culture and technological critique into the street narrative. By abstracting his alien into camouflage and glitch formats, he blurs lines between resistance and assimilation—an aesthetic metaphor for how subversive art can both infiltrate and adapt to institutional spaces. The result is not just a collectible silkscreen, but a dynamic statement on modern visual culture, surveillance, and the role of play in public space. This edition offers not only a snapshot of Invader's continued evolution as a contemporary artist but also a rare opportunity for collectors to engage with a piece that translates the energy of street placement into a refined, tactile artifact.

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Red Dragon White Platinum 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art, a Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 25.2x23.1 Rare Takashi Murakami TM/KK Red Dragon Bitcoin Protocol Satoshi Nakamoto Silkscreen Print Artwork Signed 2022 Edition of 100 In pop culture and street art, few names resonate with as much acclaim and recognition as Takashi Murakami. With an artistic style that effortlessly blends traditional Japanese motifs with modern pop and street art aesthetics, Murakami has carved a unique niche for himself in the art world. One of his recent creations that has garnered widespread attention is the "Red Dragon White Platinum" silkscreen print, a testament to his ingenuity and unparalleled craft. The year 2022 witnessed the birth of this masterpiece, a 2-color hand-pulled limited edition silkscreen print on fine art paper. This technique, while traditional, lends an exquisite texture and depth to the artwork, making each piece a tactile experience as much as a visual one. With a size measuring 25.2x23.1, the artwork is large enough to command attention yet intimate enough to draw viewers in for a closer look. Delving into the intricate details of the "Red Dragon White Platinum," one can't help but be captivated by the majestic portrayal of a red dragon, its wings spread out in all its glory. The meticulous detailing on the dragon, from the scales to the tendrils of smoke, showcases Murakami's attention to detail and his commitment to perfection. Complementing the fiery red of the dragon is the subtle white platinum background, adorned with patterns and motifs that add layers of depth and intrigue to the composition. However, what truly sets this piece apart and anchors it firmly in the contemporary zeitgeist is the mention of "Bitcoin Protocol" and "Satoshi Nakamoto." By integrating these terms, Murakami bridges the worlds of art and cryptocurrency, highlighting the ever-evolving nature of street and pop art. It's a nod to the digital age, to the decentralized world of Bitcoin, and to its enigmatic creator, Satoshi Nakamoto. This blend of traditional imagery with modern concepts is a hallmark of Murakami's style, pushing boundaries and challenging conventions. Produced in a strictly limited edition of just 100 pieces, each "Red Dragon White Platinum" print is signed and numbered by Takashi Murakami, lending authenticity and exclusivity to every piece. Owning one is not just about having a piece of art; it's about possessing a slice of history, a moment captured in time by one of the world's most renowned artists. Takashi Murakami's influence on pop and street art is undeniable, and the "Red Dragon White Platinum" is a shining example of his ability to evolve and adapt to weave narratives that are both timeless and timely. It serves as a reminder of the power of art to reflect society, to challenge norms, and to constantly push the boundaries of what's possible. As the worlds of art and technology continue to intersect and overlap, creations like this will undoubtedly serve as benchmarks, celebrated for their vision, craft, and the stories they tell.

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