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Akhal- Teke War Horse Silkscreen by Dave Kinsey Hand-Pulled 14-Color Screen Print on Hand Deckled 300gsm Cotton Rag Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 30 Artwork Size 39x32 14 color hand-pulled screen print w/deckled edge Printed on Cotton Rag 300gsm by Keigo Studios NY Signed: KINSEY / Numbered Edition of 30

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Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Punishment- Red Hand-Pulled 1-Color Silkscreen Print on 290gsm Coventry Rag Paper by Desirable Artist Cleon Peterson Limited Edition Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 36x36 “One of the main inspirations that I have is anger. If I can be angry about something, it means I feel passionate about it. It makes me want to make art about it”, Cleon Peterson says. Nonetheless, his art is not dealing with violence on a superficial level, and it is not used as a tool of provocation per se. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead, weaponizes in the battle with apathy. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty alone but the lack of reaction to them.

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Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers White by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers White is a 2016 hand-pulled 2-color silkscreen print by American artist Cleon Peterson. This signed and numbered limited edition of 125 was printed on deckled fine art paper and measures 13 x 34 inches. It features a procession of six stylized, muscular figures in a uniform line, each carrying a blood-streaked sword draped across their shoulders. The artwork is a graphic portrayal of conformity and violence, rendered in Peterson’s iconic flattened silhouette style. With clean lines and bold simplicity, the figures march in lockstep across a stark white background, forming a visual rhythm that mimics propaganda friezes and ancient relief carvings. The use of gold and red ink intensifies the contrast between elegance and brutality, a hallmark of Peterson’s visual language. Symbolism of Power, Violence, and Uniformity In Marchers White, Peterson explores the mechanization of power and the erosion of individuality within systems of control. Each figure appears identical, stripped of personal identity and locked in a hypnotic march. The red-tipped blades suggest recent violence or continuous bloodshed, reinforcing the idea that aggression has become routine, even ceremonial. The figures’ nudity, stylized musculature, and emotionless posture evoke primal force restrained within a ritual of obedience. The repeated form not only recalls ancient military parades or mythic processions, but also comments on contemporary structures of state, surveillance, and oppression. The absence of background or contextual setting forces viewers to focus entirely on the figures and their choreography, placing the act of violence and conformity at the center of the narrative. Cleon Peterson’s Allegorical Voice in Street Pop Art & Graffiti Artwork Cleon Peterson is known internationally for creating visual allegories that depict lawlessness, domination, and moral inversion. His works pull from classical art history, political propaganda, and modern editorial illustration to construct a world in collapse—where traditional boundaries between good and evil are blurred. Marchers White reflects Peterson’s ongoing examination of systemic violence and institutional complicity. While minimal in execution, the work functions as a complex statement on the banality of authoritarianism. It belongs squarely within the lineage of Street Pop Art & Graffiti Artwork, as it utilizes bold, graphic style to engage in socio-political critique. Peterson does not romanticize rebellion or glorify power—instead, he presents viewers with unfiltered snapshots of a dystopian order wrapped in seductive aesthetics. Printmaking Technique and Collector Value The Marchers White edition is crafted with the precision and attention to detail that characterizes Cleon Peterson’s fine art practice. Printed using a 2-color silkscreen method on heavyweight deckled fine art paper, the physical quality of the piece matches its conceptual weight. The crisp edges of the figures and the subtle texture of the ink application reflect a high standard of printmaking. Each print is individually signed and numbered, securing its authenticity and positioning it as a significant work within Peterson’s catalog. For collectors of Street Pop Art & Graffiti Artwork, Marchers White stands as a poignant artifact of modern discontent—a visually arresting and politically charged piece that underscores the silent march of violence accepted as structure.

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Camden Maid Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 8"- Have a secret you need to hide? A problem that needs ignoring? Questionable browser history? Or simply just want to sweep a bad year away? Camden Maid by Brandalised is here to help! Whatever secrets you have, she’ll sweep them into the wall where no one will find them. She’s the go-to and the most trusted when it comes to hiding secrets. The detailed polystone collectible features the stencil-like paintwork you’ve come to love with our Brandalised collaborations. Incredible details adorn the piece, from the folds of the lifted wall to Camden Maid’s facial details. Own an iconic work of street art like never before. Licensed by BRANDALISED™ © Full Colour Black Ltd. MMXXII

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Tenochtitlan- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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Dead Che SDCC Orange Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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The Reflection Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2021 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 39X16 Silkscreen Print. The Limited Edition Silkscreen Art of Cleon Peterson Cleon Peterson's artistry is a powerful voice in the contemporary discourse of street pop and graffiti artwork. His 2021 creation, "The Reflection," is a testament to his distinct style and thematic concerns. This piece is a limited edition silkscreen print, with only 125 pieces available, each bearing Peterson's signature, which adds to the exclusivity and collectible nature of the artwork. These prints are emblazoned on hand-deckled 290gsm Coventry Rag fine art paper, known for its durability and premium quality, ensuring that each piece retains its depth and texture, which is significant in street art representation. The Aesthetic of "The Reflection" Cleon Peterson's "The Reflection" is visually striking, echoing the high-contrast aesthetic typical of street art. Black silkscreen ink gives the artwork a bold, graphic quality reminiscent of the dynamic visuals found in urban graffiti. At 39x16 inches, the print's substantial size allows viewers to immerse themselves in its stark world. Peterson employs a monochromatic palette, which adds visual impact and underscores the thematic dualities often explored in his work—order and chaos, violence and harmony, and power and subjugation. Peterson's composition places a solitary figure against an expanse of tumultuous landscape, a mountainous terrain that seems both majestic and oppressive. The use of negative space and the sharp delineation between the figure and its environment draws attention to the isolation of the individual within the space, a theme often explored in both street and pop art as they grapple with the individual's place in society. Context and Influence The artistic milieu from which "The Reflection" emerges is rich with historical and cultural significance. Cleon Peterson, an American artist, is renowned for his assertive approach that borrows street and pop art elements. His works do not shy away from the complexities of societal structures, often depicting scenes of conflict and strife that force the viewer to confront the darker aspects of human nature and societal interactions. Peterson's art does not exist in a vacuum but is part of a larger conversation about the nature of modern life and the individual's experience within it. By drawing on the motifs and methods of street art, which is historically linked to subversive and anti-establishment sentiments, Peterson's art challenges viewers to reconsider their perceptions of authority, community, and the self. The graffiti art form's traditional use of public spaces as a canvas is reflected in Peterson's choice to use silkscreen printing, a technique synonymous with the mass production and dissemination of images, thus merging the realms of high art and public discourse. Collectibility and Cultural Impact "The Reflection" is a visual feat and a collector's highlight. Its limited run and Peterson's autograph make each print a coveted piece for enthusiasts of street pop and graffiti artwork. The hand-deckled edges of the Coventry Rag paper offer a tangible connection to street art's hands-on, often rebellious nature, even within the confines of a private collection. The paper's texture and weight add a tactile dimension that elevates the print beyond a mere reproduction; it becomes an artifact, a piece of Peterson's world that one can own and display. In the landscape of contemporary art, Peterson's voice rings clear. His work, "The Reflection," is a powerful commentary on the human condition, society's ills, and the individual's role within the larger narrative. This print, nestled comfortably in the collection of 125, is more than just a visual statement—it is a piece of cultural conversation, encapsulating the ethos of street art's raw, unapologetic exploration of life's gritty realities. Cleon Peterson's art continues to resonate with those captivated by the intersection of street sensibility and pleasing art aesthetics. "The Reflection," with its stark beauty and complex commentary, is a significant piece within his work, offering a somber meditation on the nature of self and society. It bridges the artist's internal reflections and the external world's perceptions, inviting viewers to ponder their place within the ever-shifting tapestry of contemporary life.

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Diamond FAILEdoodle- Red/Tan 2-Color Hand-Pulled Limited Edition Silkscreen, Acrylic, Spraypaint, Silkscreen Ink and Glitter Print on Archival Lenox Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2022 Diamond FAILEdoodle: Red/Tan 19 x 25 Inches Each variant an edition of 25 Acrylic, Spraypaint, Silkscreen Ink and Glitter on Archival Lenox 100 Signed, Stamped and Embossed A new breed of Faile Dog was born last year. First found on the streets of New York this pup found its way into the studio and really came to life. We've been pushing our shimmering print process lately and this felt like the perfect print to introduce this into our practice. Four different editions, two in red glitter and two in black glitter. All stained, sprayed, painted and printed; it's all the hallmarks of a studio print now with a lot more shine. Once their artworks enter the public sphere, the viewer is invited to engage and interact with them. FAILE does not believe in a higher meaning or an absolute truth that exists outside of the audience’s perception, which eventually is encouraged to sculpt the meaning. The creative process jumps from one theme to the other, connecting everything in an intertextual delirium and, in the end, the audience takes the responsibility of interpreting it. This is, by itself, a revolutionary act of anti-elitism, since the meaning of the work can be now found in the mass’s reaction, placing FAILE in the spectrum of site-specificity and relational aesthetics.

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Red Cream by Shepard Fairey Floral Takeover 2017 Red Cream is a hand-pulled silkscreen print by Shepard Fairey, released in 2017 as part of a limited edition of 200. Printed in two colors on cream Speckletone fine art paper, the artwork measures 18 x 24 inches and is signed and numbered by the artist. The composition features an all-over floral pattern rendered in Fairey’s signature red, drawing inspiration from ornamental wallpaper, textile design, and historic decorative motifs. Pattern, Power, and Subversion At first glance, Floral Takeover appears purely decorative, but the repetition and scale transform the pattern into something more assertive. Fairey has long used pattern as a form of visual occupation, echoing his street practice of wheatpasting and large-scale installations. The floral imagery references traditional wallpaper and domestic design, yet its bold color and dense layout give it a confrontational presence. By elevating a repeat pattern into a standalone fine art print, Fairey challenges the boundary between decoration and statement, turning ornament into a vehicle for cultural takeover. Place Within the OBEY Body of Work This print belongs to a broader series in which Shepard Fairey explores pattern-making as both a design exercise and a conceptual tool. Originally developed for street installs, these patterns evolved into collectible fine art works that reflect his interest in propaganda aesthetics, repetition, and visual saturation. Floral Takeover 2017 Red Cream stands out for its balance of elegance and intensity, offering a quieter yet still commanding example of Fairey’s practice. As part of a four-version release, it has become a sought-after piece for collectors who appreciate the graphic and ornamental side of the OBEY canon.

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Late Night Study II Original Ink Hand Drawing on Fine Art Paper by modern trending street art artist Sheefy McFly. 2020 Signed Original Marker Drawing Artwork Size 18x24 Framed Late Night Study II, 2020 Ink on paper 24 x 18 inches (61 x 45.7 cm) (sheet) Signed and dated along right edge. Framed Dimensions 27.5 X 21.5 Inches

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AK-47 Lotus- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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A Falcaroo Named Knievel Giclee Print by Brett Crawford Artwork Limited Edition Print on Somerset Fine Art Paper Graffiti Pop Street Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 22x22.  A Falcaroo Named Knievel by Brett Crawford – Fantastical Momentum in Street Pop Art & Graffiti Artwork A Falcaroo Named Knievel is a limited edition giclee print created in 2018 by American artist Brett Crawford. Printed on Somerset fine art paper and measuring 22 x 22 inches, the work was issued as a signed and numbered edition of 50. Known for his surreal animal hybrids and playful satire, Crawford delivers a piece that combines fantasy, Americana, and symbolic humor through hyper-detailed imagery. The central figure is a kangaroo with delicate feathered wings, wearing a glossy red, white, and blue star-spangled helmet. Perched confidently atop the helmet is a small bird adorned with a matching headpiece. This creature—part falcon, part kangaroo, and part daredevil—commands the viewer’s attention with its unusual anatomy and subtle intensity. The deep blue gradient background amplifies the dreamlike setting, while the smooth airbrushed texture of the composition contrasts against the sharply rendered fur and glass reflections, creating a polished yet wild tension. Hybrid Beings and Symbolic Satire in Crawford’s Narrative World Brett Crawford's A Falcaroo Named Knievel exemplifies the artist’s ability to bend logic into poetic absurdity. The fusion of kangaroo and bird, wrapped in a name that references American stunt legend Evel Knievel, brings layers of commentary into the visual space. This mash-up creature is at once humorous, heroic, and strange—a representation of risk, aspiration, and American showmanship. The falcaroo stands still, yet its aerodynamic helmet and wings suggest readiness to take off or leap into action. The juxtaposition of high-performance symbolism with gentle surrealism is part of Crawford’s ongoing practice in Street Pop Art & Graffiti Artwork, where icons and creatures are reinvented as metaphors for identity, ambition, and cultural mythology. Technical Execution and the Power of Paper and Ink Printed using high-resolution giclee technology, the artwork maintains the integrity of Crawford’s original textures and color gradients. Somerset fine art paper enhances the richness of detail, preserving the depth of shadow and clarity of highlight that define Crawford’s visual style. The rounded body of the falcaroo is coated in fine layers of shadow and midtone, lending the creature dimensional realism. The glossy surface of the helmet is rendered with perfect light distortion, echoing the precision found in graffiti mural finishes while offering the permanence of fine art media. This print is a pristine example of how contemporary Street Pop Art & Graffiti Artwork can exist beyond walls—crafted for collectors without losing its energy or humor. Cultural Memory, Mutation, and Playful Rebellion Brett Crawford’s choice to merge animal hybridity with American pop symbolism encapsulates his signature approach. A Falcaroo Named Knievel is not just a visual gag—it’s a sculpted memory of televised stunts, backyard imagination, and exaggerated heroism. It pays homage to the reckless confidence of Evel Knievel, while playfully acknowledging the absurdity of such myth-making. By placing a small bird on top of this already surreal creature, Crawford reminds viewers that scale, leadership, and bravery are constructs often flipped on their heads. The falcaroo may never leap, but it carries the iconography of motion and defiance. As part of the Street Pop Art & Graffiti Artwork tradition, the piece celebrates individuality through oddity, reverence through mockery, and stillness through potential energy. Crawford continues to invent a visual world where anything can be a symbol and nothing is without humor.

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Antisoul 2Vth Diamond Dust Papyrus Artwork Giclee Limited Edition Print on Egyptian Papyrus by Pop Culture Graffiti Artist Marwan Shahin. "ANTISOUL” 2021 Diamond Dust Papyrus fine art print Limited Edition of 99, Only 99 will ever be made. 35cm x 45cm ANTISOUL is hand-made by Shahin Studios in Egypt in celebration of Marwan Shahin's new solo exhibition 'Pyramid Schemes' opening in Los Angeles on November 6th 2021 at done galleries. Each Papyrus print comes with a crypto-chip registering and authenticating the work on the blockchain. Signed, numbered, branded by Marwan Shahin, and contains a crypto NFC chip for authentication by the Fine Art Ledger.

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Cut it Up Do it Yourself 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 500 Print Size 18x24 August 9, 2019 Beyond The Streets In Store Only Blue Variant "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey Shepard Fairey Cut It Up – Do It Yourself Blue Variant Silkscreen Cut It Up – Do It Yourself (Blue Variant) is a 2019 signed and numbered limited edition silkscreen print by Shepard Fairey, created in collaboration with Beyond The Streets. Hand-pulled in three colors on cream Speckle Tone paper, this 18 x 24 inch print was released in an edition of 500 and sold exclusively in-store on August 9, 2019. Featuring Fairey’s iconic OBEY face reimagined through collage aesthetics, the piece reflects the artist’s deep roots in DIY street art culture. OBEY Icon and the X-Acto Legacy The composition divides the OBEY face into four quadrants, each featuring stylized hands gripping bold X-Acto knives in red and black. The fragmented layout references cut-and-paste techniques that defined Fairey’s early process—physically slicing Rubylith, assembling photocopies, and building imagery long before digital tools dominated design. The blue-toned background softens the contrast while emphasizing the raw, graphic shapes. As Fairey explains, the work is a tribute to experimentation: embracing mistakes, overspray, and the tactile energy of handmade creation. Beyond The Streets Edition and Cultural Significance Released as part of the Beyond The Streets exhibition, this blue variant stands as a collectible moment within Shepard Fairey’s broader OBEY print catalog. The cream Speckle Tone paper enhances the vintage poster aesthetic, while the clean three-color screenprint preserves the sharp, graphic impact. Limited to 500 signed examples, Cut It Up – Do It Yourself captures the ethos of independent street art production—hands-on, imperfect, and unapologetically bold.

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Abstraction Drip Wide Brown Blood Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 20.5x9 Signed Original

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Nasty Nas- Cut The Record Original One of a Kind Mixed Media on Laser Cut Wood Panel With Industrial Resin Painting Artwork by Popular Street Graffiti Artist Tavar Zawacki (Above). Mixed Media on Laser Cut Wood Panel With Industrial Resin Size: 22 x 22 Inches (56 x 56 cm) Release: May 06, 2016. Cut the Record (Nas), 2014 Mixed media on laser cut wood panel with industrial resin 22 inches (55.9 cm) diameter Ed. 1/1 Signed to reverse. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record' series each has either had their music remixed and or remixed music themselves. Since Illmatic Album in 1994, I don’t think a week has gone by since I’ve listened to that album. One of my favorite albums." - Above

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Damn Them All Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 24.1x27.6 Jamie Reid's "Damn Them All" is an evocative masterpiece that vividly embodies the essence of pop culture, graffiti, and street art. Crafted in 2019, this artwork is a testament to Reid's enduring influence in the realm of contemporary art, offering a captivating blend of vivid hues, intricate collage elements, and pointed socio-political commentary. The artwork stands as a limited edition giclee print, with only 300 pieces ever produced, each impeccably printed on premium 290gsm Hahnemühle bamboo paper. This meticulous choice of medium not only ensures the artwork's longevity but also accentuates its vibrant details. Each piece is hand-signed and numbered by Reid, making every print a unique collector's item. Delving into the artwork's history provides an intriguing context. The piece draws its inspiration from an original collage Reid created for a magazine publication by The Guardian, which delved deep into the themes of republicanism. Furthermore, the iconic image resonates with punk aficionados, as it was employed for the cover of the 1977 "God Save the Queen" by The Sex Pistols, a song that shook the foundations of the British establishment. Each detail, from the playful juxtaposition of cultural symbols to the rebellious undertones, encapsulates the spirit of a time when art and music sought to challenge societal norms. Measuring at 24.1 x 27.6 inches, "Damn Them All" is not just a visual treat but a historic statement, exemplifying Jamie Reid's unparalleled ability to intertwine art with cultural and political discourse. Edition of 300, printed on 290 gsm Hahnemühle bamboo paper, signed & numbered. Artwork image used for the cover of God Save the Queen in 1977 by The Sex Pistols. Damn Them All is a limited edition giclee print by Jamie Reid. Derived from an original collage made for a magazine issued by The Guardian with a lead story on republicanism. From an edition of 300, printed on 290 gsm Hahnemühle bamboo paper, the piece is signed and numbered by the artist. 24.1 x 27.6in

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Deconstructed Set Silkscreen Print by Pose- Jordan Nickel Hand-Pulled 15-Color on 160lb Cover Mohawk Superfine UltraWhite Paper Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 85 Artwork Size 12x16 Silkscreen Print Set of 4 Prints. In the rapidly evolving arena of modern art, where both pop and street art have established deep-rooted identities, Pose, also known as Jordan Nickel, introduces a fresh perspective with his 'Deconstructed Set Silkscreen Print'. A captivating set of four artworks, each piece showcases a meticulous attention to detail and a vibrant array of 15 hand-pulled colors. The choice of 160lb Cover Mohawk Superfine UltraWhite paper, complemented by a colorful finish, elevates the tactile sensation of the prints, offering a luxurious feel to the touch. Crafted in 2021, this limited edition resonates with Pose's signature style — a harmonious interplay of colors, intricate patterns, and thought-provoking deconstruction of familiar elements. This collection, limited to a mere 85 sets, possesses an aura of exclusivity, further heightened by Pose's personal signature on each print. The standardized size of 12x16 for each artwork ensures a cohesive aesthetic when displayed together, allowing the viewer to delve into the narrative that spans across the set. At a glance, each print stands as an independent story. From the intriguing portrayal of a polka-dotted pouch to the energetic imagery of a breaking egg, the artworks invite introspection into the seemingly everyday objects. Yet, when viewed collectively, they weave a tapestry of interconnected narratives, celebrating the eclectic spirit of street art merged with the iconic undertones of pop art. Pose's 'Deconstructed Set Silkscreen Print' is, undoubtedly, a testament to the boundless possibilities of artistic expression in contemporary times.

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UltraS PP Printer Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kyiv. It's the largest of the eight paintings and the one I spent the most time on. The figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative paintings. For the last decade, I have tried to depict universal time and avoided artificial objects. I've dropped that dogma. I love that the subject is current and contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky. The Convergence of Revolution and Art in David Molesky's "UltraS" David Molesky's "UltraS PP Printer Proof" stands out as a pivotal creation that captures the essence of Street Pop Art and graffiti Artwork while being deeply rooted in the historical context of the revolution in Kyiv. As an archival pigment print on 310gsm fine art paper, this piece holds significant value in its material quality and profound thematic content. The limited edition print, marked and signed by Molesky himself, measures 24x20 inches, providing a substantial canvas for the artist's vision. Molesky's journey through the artistic depiction of universal time and space takes a dramatic turn with "UltraS." The painting eschews his previous avoidance of temporal and artificial elements, plunging instead into the immediacy of current events with a raw and gripping portrayal of the human spirit in times of conflict. The "UltraS" series, specifically this print, departs from Molesky's earlier figurative painting, venturing into a more dynamic and narratively rich territory. The artwork is an amalgamation of past and present, a visual dialogue between the history it draws from and the contemporary medium of its expression. The print itself, a Printer's Proof, bears the unique distinction of being a precursor to the final limited edition run, carrying with it the artist's nuances and direct hand. The markings and the signature on each PP print confirm its authenticity and exclusivity, making it a coveted item for collectors and admirers of modern pop art. In "UltraS," Molesky achieves a striking balance between the static and the kinetic. The image of the solitary figure, poised against a backdrop of fiery chaos, encapsulates a moment of intense action and profound stillness. This figure, adorned in an "old school puffy down jacket," is an anachronistic anchor, throwing the viewer into a liminal space where time converges. The overall coloration of the print, reminiscent of old film tones, further imbues the scene with a sense of history and gravitas. David Molesky's Artistic Evolution Through "UltraS" The "UltraS" piece is not just an artwork but a historical document and a visual commentary, encapsulating the enthusiasm and the ethos of the streets. By adopting elements from graffiti art, Molesky infuses the piece with authenticity and an edge typically reserved for the most impactful street art. The scrawled "UltraS" on the side of the burning vehicle is a nod to the graffiti tradition, a signature that declares both presence and resistance. This Printer's Proof edition of "UltraS" is a testament to Molesky's artistic maturation. It showcases his willingness to engage with the present, to document it, and to reflect on it through his art. The series demonstrates a clear narrative progression in his work, embracing the current moment with all its complexities and contradictions. The impact of "UltraS" lies in its capacity to transcend the temporal boundaries that often define street art. Molesky's print is a snapshot of a single event and a broader exploration of the human condition amidst societal turmoil. It is a piece that resonates with the urgency of now while simultaneously capturing the echoes of the past. For the art world, "UltraS" represents a significant contribution to the discourse of Street Pop Art and graffiti Artwork. It is a work that demands contemplation, speaks to the soul of the viewer, and invites us to ponder the role of art in reflecting and shaping our perception of historical events. David Molesky's "UltraS" is not just a piece to be viewed; it is an experience to be absorbed, a dialogue to be entered, and a reflection of our world.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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Untitled Crying Eyes Original Concrete Spray Painting by Snik One of a Kind Artwork by Street Art Pop Artist. 2018 Signed Spray Paint Painting Framed Original Artwork on Concrete Ready to Hang Size 15.25x15.25 Untitled Crying Eyes by Snik – Silent Emotion and Surface Precision in Street Pop Art & Graffiti Artwork Untitled Crying Eyes is a 2018 original spray paint painting by UK-based stencil duo Snik, framed and executed directly on a 15.25 x 15.25 inch slab of concrete. Signed by the artists, the work captures a close-up of a woman's face, rendered in black and white with diagonally sliced stencil precision that distills both depth and vulnerability through layers of minimalist contrast. The composition isolates the eyes, brow, and nose, with special emphasis on the emotional presence within the gaze. The tears are not literal but implied through texture, shadow, and line. The rawness of the concrete acts as both background and active element, amplifying the piece’s quiet power. Within the space of Street Pop Art & Graffiti Artwork, this painting exemplifies how raw materials, tight technique, and controlled execution can transform surface into soul. Hand-Cut Stencil Craft and Emotional Fidelity Snik’s meticulous hand-cut stencil technique is on full display in this piece. Every contour of the eyes, every arch of the brow, and every soft transition in tone is created through layered spray work applied with exacting care. The use of diagonally cut lines adds a cinematic quality—like a paused film frame or a memory fading into texture. What might seem like a technical abstraction at first glance is, in truth, a deeply human expression delivered through a nonverbal visual code. The eyes, framed by shadows and glints of light, tell a story of containment and release. There is tension held beneath the surface. In the tradition of Street Pop Art & Graffiti Artwork, this method of telling emotional truths through stencil craft and surface texture has become Snik’s unmistakable signature. Concrete as Emotional Conduit Rather than choosing canvas or panel, Snik works here directly on concrete, reinforcing a commitment to the street-based origins of their medium. Concrete carries with it the memory of walls, sidewalks, and cities—an unspoken biography of surfaces touched by time, weather, and wear. This material choice is both conceptual and aesthetic. The visual grain and imperfections of the concrete interact with the spray layers, producing moments of erosion and fracture that mimic the emotional undercurrent of the piece. The face is partially obscured by the very nature of its foundation, making it feel like a memory etched into infrastructure. Within Street Pop Art & Graffiti Artwork, this decision ties the personal to the public, giving form to emotion in a setting that evokes the weight of urban life. Snik and the Precision of Emotional Stillness Untitled Crying Eyes distills Snik’s core artistic ethos into a single image: poetic clarity delivered through methodical labor. This is not a work of spectacle, but one of sustained gaze. It slows the viewer down. It doesn’t beg for attention—it holds it. The quiet sadness within the piece is elevated by its craft, and the rawness of the concrete gives it truth. Through balance, texture, and visual silence, Snik continues to redefine how emotion is handled in Street Pop Art & Graffiti Artwork. Their approach combines the mechanical edge of stencil work with the painterly flow of light and feeling. This piece does not tell a story—it offers a face to one. Framed, grounded, and ready to hang, Untitled Crying Eyes is a moment of precision carved into permanence, whispering across surface and time.

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Flower Power Blue Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Silkscreen Print Shepard Fairey's "Flower Power Blue" silkscreen print is an iconic representation of the dynamic fusion between pop art, street art, and graffiti art. This hand-pulled print, realized on Speckletone fine art paper, depicts a compelling fusion of vibrant colors and assertive designs, characteristic of Fairey's recognizable aesthetic. Produced in 2021, "Flower Power Blue" exemplifies Fairey's propensity for utilizing powerful symbology in his art. The piece depicts a flourishing flower, its vibrant blue petals spreading outwards in an explosion of color, symbolizing growth, resistance, and the indomitable spirit of nature against the urban backdrop. The intricate detailing, a testament to Fairey's prowess as an artist, is also suggestive of the artist's ongoing dialogue with the environment. Fairey, also known by his street name OBEY, has been an influential figure in street art and pop art circles. His unique style combines elements of graffiti and stencil techniques, with a keen focus on societal commentary. In "Flower Power Blue", Fairey channels this commentary through symbolism and color, creating a layered narrative for the audience to interpret. As a limited-edition piece, this artwork holds a special significance for collectors. Only 375 prints were made, each one signed and numbered by Fairey himself. Measuring 18x24 inches, the print's size complements the visual impact of its design, rendering it a captivating addition to any art collection. The artwork's limited nature also adds a degree of exclusivity, contributing to its appeal among art enthusiasts. Shepard Fairey's "Flower Power Blue" is, in essence, a visual testament to the power of street art as a medium for societal critique and commentary. This silkscreen print, with its vivid colors, potent symbolism, and the exclusivity of its limited-edition status, embodies Fairey's significant contribution to the realms of pop art and street art.

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Goonie 037 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. The Distinctive Fusion of Surrealism and Street Pop Art in Goonie 037 by Naoto Hattori Naoto Hattori's original watercolor painting, "Goonie 037," presents a compelling narrative within the spectrum of Street Pop Art & Graffiti Artwork despite its more traditional medium and surrealistic approach. Diverging from the typical urban landscapes and politicized messages of street art, Hattori encapsulates an enigmatic presence that resonates with the peculiar and profound characteristics that align with the whimsical and the bizarre. The small-scale image size of 3x3 inches, housed within an 8.5x8.5-inch frame, commands attention through its intimacy and intricacy, a testament to Hattori's meticulous craftsmanship. Crafted in 2013, this one-of-a-kind watercolor painting brings forth the imaginative realms Hattori is renowned for while also hinting at the essence of Street Pop Art through its unique presentation and the artist's choice to custom frame and matt the piece himself. This personal involvement in the presentation echoes the hands-on approach of street artists, who often control every aspect of their work, from conception to installation. The artwork's intricacy and bespoke framing suggest a dialogue with the viewer, an intimate exchange often sought after in street art. Hattori's "Goonie 037" does not explicitly borrow from the visual language of graffiti but instead infuses the personalized, often subversive spirit of graffiti art into a more surreal and fantastical realm. This piece, signed and validated by the artist, showcases his skill in rendering otherworldly subjects with a precision and depth that is palpably felt. Although the work is rooted in fine art traditions, its spirit of non-conformity and the surprise element inherent in its surreal subject resonates with the disruptive ethos of Street Pop Art & Graffiti Artwork. Naoto Hattori's Artistic Legacy and the Intersection with Urban Aesthetics While "Goonie 037" might at first glance seem distant from the raw vibrancy of street art, its singular nature aligns with the one-off pieces that adorn city walls, often never to be replicated or seen elsewhere. Hattori's decision to engage with watercolor—a medium often perceived as delicate and requires a systematic approach—parallels the precision street artists apply with their spray cans and stencils. The artwork's surreal character challenges the viewer's perception and invites interpretations as varied as the audience that encounters it, akin to the diverse viewership of Street Pop Art & Graffiti Artwork. The convergence of Naoto Hattori's work with the sensibilities of Street Pop Art & Graffiti Artwork lies in the shared ethos of both realms to evoke emotion, challenge norms, and captivate through visual storytelling. "Goonie 037," with its rich textures and profound depth, embodies a visual monologue that speaks to the onlooker on multiple levels. The artwork encourages a pause, a closer inspection, and a moment of reflection, much like street art that compels passersby to stop and ponder. In examining the legacy of Naoto Hattori and his creation "Goonie 037," one can see the threads that connect his work with the larger tapestry of Street Pop Art & Graffiti Artwork. His oeuvre reminds us that art cannot be confined to a single category or style but is a fluid and ever-evolving entity that draws from myriad influences and manifests in various forms. "Goonie 037" thus stands as a bridge between the worlds of surrealism and street art, embodying the transformative power of art to transcend boundaries and engage with viewers across diverse spectrums.

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Between Man & God- White Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. Between Man & God (White), 2018 Screenprint in colors on Coventry Rag paper 28 x 43 inches (71.1 x 109.2 cm) (sheet) Ed. 36/150 Signed, numbered and dated in pencil along lower edge Published by the artist. Mild handling creases along the right edge. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Frank Sinatra The Crooner Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2005 Signed Frank Sinatra The Crooner HPM Serigraph Print by Steve Kaufman SAK

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Looking Forward Gray Pink HPM Unique Round Silkscreen by Buff Monster Embleshed Hand-Pulled 3-Color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered HPM Hand Embellished Painted Limited Edition of 100 Artwork Size 12 Round "This edition features a happy melty head looking up; a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster

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Some Velvet Morning- Wood Variant Hand-Pulled 16-Color Silkscreen Print on 110lb Cover Wood Veneer Paper by Pop Artist Eric Pause Rare Art Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 10 Size 30x24

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 16 x 12” black and bone screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Chasing Ghosts AP Artist Proof Archival Print by Ben Frost Archival Pigment Fine Art Limited Print on 290gsm Moab Entrada Paper Pop Artist Artwork. AP Artist Proof 2022 Signed & Marked AP Limited Edition of 75 Artwork Size 22x22 Chasing Ghosts AP, an archival print by contemporary artist Ben Frost is a vivid representation that merges the iconography of classic video games with the provocative undertones characteristic of street pop art and graffiti artwork. This piece is an Artist Proof (AP) from a limited edition of 75, each signed and marked by Frost, confirming its exclusivity and collectible status. The artwork, sized at 22x22 inches, is printed on 290gsm Moab Entrada paper, a fine art medium known for its durability and archival quality. This ensures that the vibrant colors and sharp lines of Frost's work will retain their integrity over time. The image itself is a playful yet pointed nod to the arcade era, specifically the Pac-Man game, with a unique twist that is typical of Frost's style, which often includes a juxtaposition of nostalgic elements with modern cultural commentary. In "Chasing Ghosts AP," Frost utilizes a familiar visual language, drawing viewers in with the comfort of nostalgia while confronting them with the unexpected integration of contemporary symbols and themes. This technique is a hallmark of his approach to art, blending pop culture references with more profound social messages. The work captures the essence of street pop art and graffiti by appropriating commercial and popular imagery to create something new and thought-provoking. By recontextualizing these images within fine art, Frost challenges viewers to reconsider the symbols and icons that permeate their everyday lives. As with much of Ben Frost's art, "Chasing Ghosts AP" is not just a visual experience; it's a dialogue with the audience, inviting them to reflect on the impact of pop culture on their perceptions and beliefs. This piece stands as a testament to the ever-evolving genre of street pop art and its intersection with the digital age, reminding us that art can be both a mirror and a window to the world we live in.

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Yogi on Xanax 9-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 9-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 50, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Consumer Critique in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 9-color hand-pulled screen print by contemporary Australian artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover stock in a 24 x 24 inch format. Signed and numbered in an edition of 50, this bold silkscreen work was produced by POP!NK Editions, renowned for their meticulous craftsmanship in contemporary art print production. The piece combines pharmaceutical packaging design with nostalgic cartoon imagery to produce a visually explosive and conceptually loaded commentary on modern consumer culture. Frost inserts the wide-eyed face of Yogi Bear into the unmistakable layout of a Xanax prescription label, transforming an innocent animated figure into a symbol of medication culture, psychological sedation, and branded addiction. Pharma Design Meets Cartoon Chaos Ben Frost is internationally known for his provocative use of pop culture iconography, and Yogi on Xanax exemplifies his strategy of visual collision. The imagery reappropriates the familiar Xanax box, typically associated with clinical calm, and injects it with the erratic energy of Yogi Bear’s wide grin and hypnotic spiral eye. The polished pharmaceutical layout clashes with the expressive cartoon illustration, creating a moment of visual and conceptual tension. Frost’s technique exposes the strange intersection between happiness, dependence, and entertainment. By overlaying humor onto something serious, he invites viewers to question how commercial products—from children's cartoons to anxiety medications—are embedded into cultural behavior and identity. This blend of absurdity and critique is central to Street Pop Art & Graffiti Artwork, where language and imagery from mass culture are subverted for public commentary. Material Precision and Production Integrity The print’s execution on Mohawk Superfine UltraWhite paper ensures a pristine, high-fidelity surface that supports the layered ink of the 9-color silkscreen process. The heavyweight 160 lb cover stock provides durability and a gallery-quality finish, elevating the piece from poster to collectible artwork. Each color is individually hand-pulled, resulting in rich, solid applications that enhance the saturation and intensity of Frost’s bold graphics. The print’s 24 x 24 inch dimensions offer a perfect square composition, aligning the clinical symmetry of packaging design with the oversized personality of Yogi Bear’s warped cartoon form. Frost’s decision to preserve the integrity of the Xanax design while inserting his own subversive visuals makes this work a standout example of pop art precision with street-level satire. Ben Frost and the Visual Language of Commercial Rebellion Ben Frost continues to be a defining voice in Street Pop Art & Graffiti Artwork, using the language of branding, packaging, and iconography to reflect the contradictions of contemporary life. In Yogi on Xanax, he exploits the comfort of nostalgia to highlight uncomfortable truths. The cartoon becomes the messenger for a culture that medicates joy and aestheticizes control. Frost’s unique visual style—bold lines, saturated colors, and razor-sharp layout—presents a clear but distorted mirror to viewers, forcing them to reconcile the ridiculous with the real. His work does not ask for passive admiration; it demands a response. Yogi on Xanax stands as a satirical totem of consumer anxiety, wrapped in packaging that feels as familiar as it is jarring. This print does not just exist in the world of contemporary pop—it defines what it looks like when pop turns critical.

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Love Catcher Blue Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 6-Color on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 22x22 Silkscreen Print by Mr Brainwash- Thierry Guetta Mr. Brainwash, whose real name is Thierry Guetta, is a French-born, Los Angeles-based street artist and filmmaker. He was born on November 11, 1966, in Garges-lès-Gonesse, France. Mr. Brainwash came to prominence through the 2010 Oscar-nominated documentary "Exit Through the Gift Shop", which was directed by the renowned British street artist Banksy. Initially, Guetta began as a videographer who was interested in street art and decided to document the phenomenon. This endeavor led him to meet and film numerous street artists, including Shepard Fairey and Banksy. However, in a surprising twist, Banksy turned the camera on Guetta, encouraging him to become an artist himself. The result was Mr. Brainwash, a pop artist known for his large-scale productions and eclectic style, drawing heavily from pop culture references and the work of other street artists. His work often blends elements of pop art with the raw, edgy aesthetics of street art. Since his emergence, Mr. Brainwash has held numerous exhibitions and his work has gained significant attention in the art world, both for its bold, distinctive style and for the controversy surrounding his sudden rise to fame. He is known for his energetic and often humorous installations, sculptures, and stenciled artworks. Despite criticism from some quarters who view his work as derivative, Mr. Brainwash has continued to maintain a successful career in the contemporary art scene. Mother's Day is a celebration that honors mothers and motherhood, maternal bonds, and the influence of mothers in society. It is celebrated on various days in many parts of the world, most commonly in the months of March or May. The modern American holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia. Anna Jarvis's mother, Ann Jarvis, had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. Anna Jarvis wanted to honor her mother by continuing the work she started and to set aside a day to honor all mothers because she believed that they were "the person who has done more for you than anyone in the world". In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers. Since then, Mother's Day has become a day that children celebrate their mothers with cards, gifts, and activities. The holiday has been adopted by other countries and it's celebrated in different ways worldwide. For example, in the United Kingdom, it is traditionally known as Mothering Sunday and it's celebrated on the fourth Sunday of Lent. In Mexico, it's always celebrated on May 10th, regardless of the day of the week. It's important to note that Mother's Day can bring different feelings for different people. While it's a joyous occasion for many, it can be a difficult day for those who have lost their mothers or who have strained relationships with them. It's also a day to honor and remember mothers who have passed away.

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The Take Over PP Archival Print by Wane One Cod Limited Edition Print on 310gsm Natural Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x17 Archival Pigment Fine Art Wane One Cod's 'The Take Over': A Statement in Street Pop Art 'The Take Over,' a PP (Printer's Proof) archival print by Wane One Cod, encapsulates the essence of street pop art through its vibrant depiction of graffiti on a moving canvas—a delivery truck in an urban setting. This 2016 limited edition print, crafted on 310gsm natural museum fine art paper and sized at 24x17 inches, is a collector's piece, each meticulously signed and marked as a Printer's Proof. The artwork reflects Wane One Cod's roots in the early New York graffiti movement and his transition into a pop artist whose works are revered in the contemporary art scene. With 'The Take Over,' Wane One conveys graffiti art's raw energy and commanding presence as it moves beyond static walls to become an integral part of the city's dynamic landscape. The print stands as a testament to the enduring influence of street art and its ability to transform everyday objects into vehicles of artistic expression.

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The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Marilyn Monroe Portrait Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. Unstretched canvas, the image is in perfect condition. Rare Marilyn version blond hair portrait.

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The Beatles Anthology 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Medicom Toys Anthology Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. This is a 1000% Bearbrick and it stands at 70 cm tall.

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Space Shuttle 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 NASA Space Shuttle Program 40th Anniversary

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Island Yachting 84 Sunset Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin, a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of 3 Sail Boats on a Lake Under a Large Sunset. Paint Flaking to Tree. Interpreting "Island Yachting '84 Sunset" by Peter Keil "Island Yachting '84 Sunset" stands as a vibrant testimony to the creative genius of Peter Keil, famously known as "The Wild Man of Berlin." This striking oil painting on a Masonite panel, created in 1984 and personally signed, unfolds across a generous 24x24 inches canvas. Keil's distinctive use of thick, textural paint is on full display, a signature method that may lead to some flaking over time, echoing the passage of years and the inherent character of his artwork. This piece depicts three sailboats on a lake, all basking under the glory of a large, captivating sunset—a scene that merges the tranquility of nature with the dynamic energy of Keil's brushwork. The painting embodies the vitality of Street Pop Art and graffiti Artwork through its bold color choices and the dramatic depiction of the sunset. Keil's application of color in vast, sweeping gestures captures the fleeting beauty of the setting sun, its reflection on the water, and the silhouetted figures by the lake. This striking visual narrative is rendered with an immediacy often associated with graffiti art. At the same time, the subject matter and its treatment reflect the influence of pop art's fascination with everyday scenes and objects. Peter Keil's Artistic Legacy and Medium Peter Keil's selection of a Masonite panel as his medium reflects his commitment to the ethos of street art, which often incorporates unconventional materials. The robust nature of Masonite complements the impasto technique used by Keil, allowing for a depth of texture and a sense of durability that resonates with the permanence of street murals. The surface also provides a stable ground for the layered application of oil paints, facilitating the rich impastos and the vibrant, textural contrasts characteristic of Keil's style. This painting, "Island Yachting '84 Sunset," is a testament to Keil's exploration of the interplay between light and shadow, a theme central to both Street Pop Art and Graffiti Artwork. The silhouetted figures and the vivid sunset create a dialogue between the boldness of the artwork and the subtlety of its subject, a balance that Keil manages to strike with each stroke. The piece serves as a visual delight and a narrative of time and place, capturing the serene yet fleeting moments of twilight on the water. The Impact of "Island Yachting '84 Sunset" in Contemporary Art The impact of "Island Yachting '84 Sunset" within the contemporary art scene is multifaceted. On the one hand, it reflects Keil's profound effect on the development of modern art, particularly within the genres of Street Pop Art and Graffiti Artwork. His ability to translate the spontaneity of street art into a more enduring form challenges and expands the boundaries of how art is traditionally viewed and experienced. On the other hand, the painting celebrates the aesthetic freedom that defines Keil's body of work, showcasing his capacity to encapsulate complex emotions and moments within the confines of a canvas. Moreover, the painting is a reminder of the transient nature of art, much like the ever-changing street art that Keil emulates. While a sign of the artwork's age, the flaking paint adds a layer of authenticity and historical value, embodying the artist's acceptance of imperfection and change as intrinsic elements of his work. This acceptance and celebration of the passage of time makes "Island Yachting '84 Sunset" not just a painting but a living piece of history within the art world. "Island Yachting '84 Sunset" by Peter Keil is an exemplary piece that encapsulates the essence of Street Pop Art &and graffitiArtwork through its vibrant execution and emotional depth. It is a powerful example of Keil's artistic prowess and contribution to the dialogue between traditional painting techniques and the contemporary street art movement. As the painting continues to intrigue and inspire, it serves as a testament to the enduring nature of Keil's work and his status as a prominent figure in contemporary art.

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Atlas- Standard Limited Edition 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 Each print is signed plus numbered by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash.

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Viva La Raza Archival Print by The Perez Bros Limited Edition on Hand Deckled 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 40x30 Archival Pigment Fine Art by The Perez Bros

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30 Perceptions of a Tiger- 23 Gold Original Handmade and Hand-painted High-temperature Ceramic Figure with White Gold Luster Sculpture Artwork by graffiti street artist modern pop artist Violeta Hernandez. 2022 Original Ceramic Sculpture Artwork Size 5.7x5.7. Signed Original Type: Handmade and Hand-painted High-temperature Ceramic Figure with White Gold Luster Size: 5.7 x 5.7 x 3.7 Inches (14.5 x 14.5 x 9.5 cm) Release: January 17, 2022 30 Perceptions of a Tiger – 23 Gold Ceramic Sculpture by Violeta Hernández in Street Pop Art & Graffiti Artwork 30 Perceptions of a Tiger – 23 Gold is an original ceramic sculpture created by contemporary Mexican artist Violeta Hernández. Released on January 17, 2022, this work stands as a singular exploration of form and emotion through a handmade and hand-painted ceramic medium. The piece measures 5.7 x 5.7 x 3.7 inches (14.5 x 14.5 x 9.5 cm) and is fired at high temperature to ensure durability, then finished with white gold luster, a luxurious detail that enhances its surface with glinting highlights. Hernández’s figure embodies a fierce and expressive feline, its arched back and bared teeth capturing a raw, emotional state between defense and defiance. This figure is both animal and icon, channeling a blend of sacred totem and urban attitude, marking its place in the visual language of Street Pop Art & Graffiti Artwork. Violeta Hernández’s Ceramic Practice and Emotional Symbolism Known for her work across illustration, silkscreen, and sculpture, Violeta Hernández brings the same deliberate intensity to her ceramic forms as she does to her graphic prints. 30 Perceptions of a Tiger – 23 Gold showcases her ability to convey tension and vulnerability within a compact, tactile object. Each tiger figure in the series is sculpted and painted by hand, ensuring no two are exactly alike. The face of the sculpture is particularly striking, featuring a stylized snarling expression that mirrors the internal ferocity humans carry but rarely express outwardly. The surface of the figure is layered with hand-painted textures that echo animal markings while also hinting at brushstrokes, scratches, and urban wear—symbolizing the survival and grit embodied in modern identity. The white gold luster adds depth and visual contrast to the muted tones of gray and black, infusing the piece with a glimmer of divine strength. Ceramics as Rebellion in Street Pop Art & Graffiti Artwork This sculpture is not simply decorative—it is a radical reimagining of the ceramic form within the context of Street Pop Art & Graffiti Artwork. Traditionally viewed as a craft medium, ceramic art in Hernández’s hands becomes a platform for protest and transformation. The small but potent sculpture disrupts expectations of both ceramics and street art, occupying a liminal space between the gallery and the street. Its size invites close inspection, yet its stance and expression radiate bold presence. By incorporating white gold luster—a material associated with opulence and spiritual relics—Hernández elevates the object beyond its humble size, allowing it to stand as both artifact and message. The tactile quality of the clay, the intensity of the form, and the finish of luster all contribute to its presence as a contemporary urban relic. 30 Perceptions of a Tiger – 23 Gold as Cultural Statement Through this piece, Violeta Hernández expands the boundaries of what Street Pop Art & Graffiti Artwork can include. While graffiti has historically occupied walls and silkscreen has flourished in posters, this sculpture brings the conversation into the sculptural and ritualistic. It suggests that emotional states, animal instincts, and identity politics can be preserved in form, not just image. The snarling tiger becomes an avatar of resilience and confrontation, compact yet resolute. Signed by the artist and released in a limited, original edition, 30 Perceptions of a Tiger – 23 Gold reflects Hernández’s commitment to integrating emotion, mythology, and artistic process into powerful symbols of contemporary life. The piece stands not just as a collectible, but as a sculptural declaration of ferocity, survival, and creative rebellion.

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The Collaborator- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. One character is observed standing up with cuffed hands raised above its head, the other one is located in the foreground, featuring the silhouette of a police officer sitting down while brandishing a rifle. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang Ben Kehoe The Cavalry Above The Clouds Original Acrylic Painting 2013 The 2013 original acrylic painting The Cavalry Above The Clouds by American artist Ben Kehoe stands as a striking example of narrative imagination within contemporary Street Pop Art & Graffiti Artwork. Created on wood board and measuring 20 x 16 inches, this one-of-a-kind hand-painted piece blends surreal fantasy with symbolic undertones, demonstrating Kehoe’s signature ability to balance storytelling, humor, and social reflection through painterly technique. Signed by the artist and ready to hang, the work encapsulates the spirit of modern pop surrealism while remaining deeply rooted in the visual language of folk and street-influenced art. Imagery and Composition Set against a glowing orange sky filled with sweeping clouds, the painting depicts a lone figure riding a massive bald eagle through the heavens. The eagle, rendered in meticulous detail with layered feathers and a stern gaze, exudes both majesty and power. The rider, modest in scale and dressed in muted tones, grips the reins with a sense of calm determination, suggesting a symbolic partnership between human courage and natural strength. The backdrop’s warm tonal gradient evokes both serenity and tension — a dreamlike atmosphere that merges the mythic with the contemporary. The juxtaposition of the enormous bird of prey and the tiny rider introduces themes of freedom, dominance, and the pursuit of transcendence. Symbolism and Thematic Interpretation In The Cavalry Above The Clouds, Ben Kehoe explores the intersection between power and vulnerability, suggesting a narrative of human ambition soaring beyond earthly constraints. The eagle, long a symbol of freedom and national identity, becomes here a vessel for introspection rather than patriotism. The rider’s presence evokes the individual’s quest for control amid vast, unpredictable forces — an allegory for humanity’s ongoing negotiation with nature and self-determination. The painting’s surreal yet deliberate tone reflects Kehoe’s approach to allegorical storytelling, transforming fantastical imagery into layered social and psychological commentary. Ben Kehoe’s Artistic Vision Ben Kehoe, an American painter associated with the pop surrealist movement, is celebrated for his intricate narratives that blend humor, melancholy, and the absurd. His art often features anthropomorphic figures and fantastical scenes that mirror human emotion through metaphor and symbolism. Working primarily with acrylics on wood, Kehoe achieves a textural warmth and painterly precision that connect his work to both folk traditions and contemporary street-influenced aesthetics. The Cavalry Above The Clouds embodies his signature fusion of narrative depth and visual allure, offering a window into an imagined world where the boundaries between myth and modernity dissolve — a hallmark of Street Pop Art & Graffiti Artwork at its most contemplative and poetic.

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Its Like That PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP #1 Printers Proof 2018 Signed & Marked PP Artwork Size 16x23 Scott Listfield is a contemporary American artist known for his iconic paintings of an astronaut exploring landscapes dominated by pop culture icons and references. Listfield's work is often associated with graffiti art prints and street art prints due to his use of urban and post-apocalyptic themes. His astronaut figure, who is often portrayed with a visor obscuring his face, has become an instantly recognizable symbol in the world of contemporary art.This archival-quality print features the iconic "Its Like That" artwork by Scott Listfield. It's printed on heavy paper with a semi-gloss finish that produces vibrant color. Get museum-grade quality with longevity that lasts up to 200 years. Be the envy of your friends with this Its Like That PP Archival Print by Scott Listfield. Professionally printed on high-grade archival paper for top-quality color and detail, this art print will surely be a showstopper. Bring a touch of sophistication to your wall decor today!

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Revenge Day Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color on 290gsm Coventry Rag Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 28x28 Silkscreen Print Revenge Day is a silkscreen print created by Cleon Peterson, a Los Angeles-based artist known for his controversial and provocative work. His art often explores themes of violence, chaos, and societal struggles, reflecting the darker aspects of human nature and social dynamics. The Revenge Day silkscreen print is an example of Cleon Peterson's signature style, featuring stark black, white, and tan color schemes with heavy use of harsh symmetry. His characters often engage in violent or antagonistic interactions, highlighting the artist's view of the world as a cruel and brutal place.

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Prescient Original Modern Pop Art Gold Leaf & Graphite Pencil Drawing on Cradled Wood by Artist Craww. Signed 2014 Gold Leaf Mixed Media Pencil Drawing on Cradled Wood 12x16

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Pop Graff Original Painting Acrylic, Spray Paint Mixed Media on Canvas Gallery Wrap by Sen2 Graffiti Street Artist Modern Pop Art. "Having developed my style over the course of thirty years, I often use vibrant colors and funky lettering to capture the viewer's attention in an instant. While my graffiti is generally limited to the street, I decided to showcase three original canvases exclusively for 1xRUN.As an artist, I have deep and passionate respect for the forefathers of the Pop Art Movement. Some of my greatest influence has come from Andy Warhol and Roy Lichtenstein. They planted the seeds in the latter part of the 20th century which changed people's perception of art. It's remarkable when a handful of individuals can spawn a revolution that will continue for many years to come, well into the 21st century. They created a paradigm shift in how art was to be interpreted and became the legendary masters." - Sen2

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