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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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Diamond FAILEdoodle- Black/Tan 2-Color Hand-Pulled Limited Edition Silkscreen, Acrylic, Spraypaint, Silkscreen Ink and Glitter Print on Archival Lenox Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2022 Diamond FAILEdoodle: Black/Tan 19 x 25 Inches Each variant an edition of 25 Acrylic, Spraypaint, Silkscreen Ink and Glitter on Archival Lenox 100 Signed, Stamped and Embossed A new breed of Faile Dog was born last year. First found on the streets of New York this pup found its way into the studio and really came to life. We've been pushing our shimmering print process lately and this felt like the perfect print to introduce this into our practice. Four different editions, two in red glitter and two in black glitter. All stained, sprayed, painted and printed; it's all the hallmarks of a studio print now with a lot more shine. During the first years of its existence, the group did not work inside a studio of its own and, as a result, 1999-2005 has been a period of experimentation for them with different media of creation, as well as ways of exhibiting their work. FAILE has embraced both “traditional” media, such as painting, sculpture, and printmaking, and, at the same time, less conventional ones, for example, window pallets and even prayer wheels.

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No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

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The Gang AP Artist Proof Archival Print by Dulk- Antonio Segura Donat Limited Edition on Hand Deckled Archival Pigment Print Pop Graffiti Street Art Artist Modern Artwork. AP Artist Proof 2023 Signed & Marked AP Print Limited Edition Artwork Size 9.84x12.83 Archival Pigment Fine Art. The Alluring Complexity of Dulk's "The Gang AP" Antonio Segura Donat, also known as Dulk, crafts a captivating world in "The Gang AP Artist Proof Archival Print," where the vibrancy of nature meets the notion of imagination. As an AP — artist proof — this 2023 release represents a highly collectible piece, with a signature and the distinguishing AP mark, indicating its status before the general edition run. It's a limited edition piece that thrives in the dimensions of 9.84x12.83 inches, showcasing Dulk's proficiency in archival pigment on fine art. Celebrating Artistic Merit with Archival Pigment Prints The careful selection of hand-deckled archival pigment print medium reflects a dedication to quality, ensuring that the vivid colors and intricate details of Dulk's work endure over time. This attention to longevity is a crucial aspect of modern street art and pop graffiti — a movement known for its transient nature — now seeking permanence in the art world through such high-fidelity reproductions. Dulk's Vision in "The Gang AP" In this piece, Dulk weaves a narrative rich in symbolism and alive with color. "The Gang AP" showcases a totem of animals, each character bursting with personality and detail, standing against a luminous backdrop that seems to celebrate their existence. This is characteristic of Dulk's work, which often delves into themes of the environment, conservation, and the animal kingdom through a lens that is both critical and heartwarming. The print is a testament to Dulk's roots in street pop art and graffiti artwork, where storytelling is as vital as the aesthetic appeal. The layering of characters upon one another in "The Gang AP" suggests unity and interdependence, evocative of the social dynamics often explored within urban art narratives. The "The Gang AP" print by Dulk reflects the evolving street pop art scene. As much as it is a fine art collectible, it stands as an emblem of contemporary storytelling through art, drawing upon the heritage of graffiti and the broader tapestry of pop culture. It underscores Dulk's place in the art world as a creator who bridges the gap between the wildness of the natural world and the structured urban landscapes where street art thrives.

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Boba- Something In The Tea Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Luke Chueh Pop Culture LSD Artwork. 2019 Signed Limited Edition of 100. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2019 Run of: 100 Limited blotter editions are hand-perforated & may vary slightly from the example shown.

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The Escape Hand Pulled 9-Color Silkscreen Print on 410gsm Somerset Satin Paper by Eelus Famous Pop Artist. 2021 Signed Limited Edition of 50 Artwork Size 24x30.7

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Letters- White Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Seen UA. 2017 Signed & Numbered Limited Edition of 50 Artwork Size 16x22 Seen UA (b. 1961) Letters (White), 2017 Giclee in colors on hand-pulled Fine Art paper 22 x 16 inches (55.9 x 40.6 cm) (sheet) Ed. 17/50 Signed, numbered and dated in ink along the lower edge

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Save Your Cromie Silkscreen Print by Faile Hand-Pulled 6-Color on Cotton Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 20 Artwork Size 27.56x39.37 Silkscreen Print of Punk Woman With Switch Blade Stiletto Knife. In the ever-evolving realm of contemporary art, "Save Your Cromie" stands as a vivid testament to the synthesis of pop and street art. This silkscreen print by the esteemed Faile emerges from the tumultuous backdrop of 2023 and captures the zeitgeist of the era with its striking and rebellious imagery. It's evident that the artwork speaks volumes about societal norms, resistance, and female empowerment, emphasized by the iconic representation of a punk woman wielding a switch blade stiletto knife. Hand-pulled with six distinct colors on high-grade cotton fine art paper, the quality of this piece is unmistakable. Each hue plays a role in narrating a story, merging the aesthetic appeal of pop art with the raw energy of graffiti. The intricate patterns and motifs that grace the background further enrich the central image, making the composition not just a visual spectacle but a narrative journey. Limited in its availability, only 20 of these prints were ever made, each meticulously signed and numbered by the artists themselves. Measuring 27.56x39.37 inches, it offers ample space for the details to shine, ensuring that the viewer is drawn into its depths, time and time again. For collectors and enthusiasts alike, "Save Your Cromie" is more than just an artwork. It's a piece of history, a reflection of societal sentiments, and above all, a showcase of how pop and street art, two seemingly disparate genres, can converge to create something truly mesmerizing. With this piece, Faile invites viewers to not just see but to feel, think, and question, making it an essential addition to any collection.

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Star of David Lenticular Lithograph Print by Yaacov Agam Hand-Pulled Print on MEDIUM Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 99 Artwork Size 5.5x5.5 Lenticular 3D Changing Pattern of the Jewish Religion Star of David Stylized with Color & Stripes. Star of David Lenticular Lithograph by Yaacov Agam in Street Pop Art & Graffiti Artwork The Star of David Lenticular Lithograph, created by Yaacov Agam in 2000, is a limited edition, hand-pulled print that embodies the fusion of movement, symbolism, and vibrant color transformations. Signed and numbered as part of an edition of 99, this artwork measures 5.5 x 5.5 inches and uses lenticular technology to create a dynamic, shifting image of the Star of David. By incorporating layered colors, optical illusions, and geometric precision, Agam transforms a significant cultural and religious symbol into a kinetic visual experience, aligning with contemporary street pop art & graffiti artwork aesthetics. Lenticular Motion and the Evolution of Street Pop Art Lenticular printing techniques, like those used in this piece, create a three-dimensional optical effect that shifts based on the viewer's movement. This approach connects to modern street pop art, where interactive murals, holographic graffiti, and urban projection art rely on audience engagement. The striped patterns and fragmented color overlays amplify the sense of motion, making the Star of David appear to transform as the angle changes. This concept aligns with street art murals incorporating layered graffiti, shifting perspectives, and projection mapping, where art is not static but instead reacts to movement and light. Agam’s expertise in kinetic art techniques has influenced contemporary artists experimenting with lenticular posters, digital graffiti, and interactive installations, creating pieces that challenge traditional perceptions of form and structure. Yaacov Agam’s Influence on Optical and Graffiti Artwork Agam is recognized as a pioneer in optical and kinetic art, a style that heavily influences modern street pop art and graffiti techniques. His works share similarities with urban artists who integrate moving illusions, perspective-based compositions, and multi-layered stencils. The shifting interplay of color and geometric abstraction found in this lithograph has strong parallels to street murals incorporating 3D illusions, shadow layering, and reflective graffiti techniques. His use of the Star of David as a subject adds a cultural and symbolic layer, making this work both a visual experiment and a statement on identity, movement, and transformation. Many street pop artists incorporate cultural motifs, symbols, and spiritual iconography, using urban environments as a canvas for messages about history, faith, and identity. The blending of abstraction, kinetic motion, and traditional symbols makes Agam’s work relevant to street-based contemporary artistic expressions. Collectibility and Impact of the Star of David Lenticular Lithograph As a hand-pulled lenticular lithograph, this piece is a rare and highly sought-after artwork, blending fine art techniques with street pop aesthetics. The limited edition of 99 ensures its exclusivity, and the use of dynamic lenticular printing places it in the category of collectible experimental printmaking. This method is frequently referenced in urban graffiti prints, holographic street installations, and digital kinetic art, making Agam’s work a significant influence in this artistic movement. With its changing Star of David composition, striking color contrasts, and optical movement, this artwork is a representation of Agam’s legacy in shaping modern visual culture. The fusion of tradition with contemporary lenticular motion reflects the evolution of street pop art & graffiti artwork, where artists push boundaries by combining classical symbols with cutting-edge visual effects. The Star of David Lenticular Lithograph stands as an example of how kinetic art techniques continue to inspire and reshape urban visual storytelling.

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Nude Blonde Woman 93 Original Oil on Cloth Painting by Peter Keil One of a Kind Artwork on 3d Raised Hand Sewen Custom Made Canvas Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1993 Signed by Peter Keil & Dated Oil Painting on Ready to Hang Hand Sewn Raised Stuffed Cloth Panel Canvas Original Artwork Size 24x30. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of a Nude Blond Woman Highly Stylized with Arms Holding Hair Up Behind Her Head. Exploring the Expressive Vivacity in Peter Keil's "Nude Blonde Woman 93" "Nude Blonde Woman 93" is a striking original oil-on-cloth painting by Peter Keil, renowned as The Wild Man of Berlin for his expressive and dynamic artistry. This 1993 piece, signed and dated by the artist, presents an unorthodox canvas, a 3D-raised, hand-sewn custom-made panel that adds a unique tactile dimension to the artwork. The size of the original piece, measuring 24x30 inches, offers a generous view of Keil's raw and uninhibited portrayal of the human form. Here, Keil captures the essence of a nude blonde woman, highly stylized and in a pose that exudes both strength and fluidity, her arms elegantly lifting her hair behind her head. Peter Keil's approach to painting is characterized by his vigorous application of thick paint, a technique that contributes to his work's textural richness and depth. Over time, some of Keil's art may show signs of paint flaking, a natural occurrence that reflects the passage of time and the organic qualities of the materials he engages with. These perceived imperfections are, in fact, integral to the artwork's character, embodying the very nature of Keil's spontaneous and emotional creative process. Reimagining Figurative Art Through the Lens of Street Pop and Graffiti In "Nude Blonde Woman 93," Keil reimagines figurative art with an aesthetic that intersects with the spontaneity and audacity often found in street pop art and graffiti. Keil's bold use of color and form aligns with the visual language of these movements, which are not confined by the traditional boundaries of fine art. His depictions go beyond mere representation to evoke emotional states and narratives reminiscent of the impactful imagery that characterizes street art and graffiti. The artwork serves as a visual experience and a physical one, with the raised canvas inviting viewers to engage with the painting beyond the pictorial plane. This method of presentation is emblematic of Keil's desire to push the limits of conventional art display and to create a more immersive experience for the observer. Collecting a piece like "Nude Blonde Woman 93" is akin to owning a moment in the vibrant history of contemporary art. Keil's paintings are highly sought after for their expressive power and their place within the narrative of art's evolution, particularly in the context of street pop art and graffiti. His works testify to an artist's capacity to capture the complexity of human expression through bold strokes and a fearless approach to color. Peter Keil's original oil painting "Nude Blonde Woman 93" celebrates human form and expression, encapsulating the uninhibited spirit of street pop art and graffiti within the framework of fine art. Keil's work continues to inspire and challenge, securing his reputation as a significant contemporary artist who captures the zeitgeist of his era through each vivid brushstroke.

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Happy 3D Die-Cut Wood UV Archival Print on Laser Cut Wood Panel ready to hang by Buff Monster Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 205 Happy 3D UV Colorway Artwork Size 14.5 x 13.5 inches (37 x 34 cm) "I painted a similar (and smaller) painting on wood for my show last year, and it sold immediately. So I've redrawn the line work for this new print, which measures approximately 14.5" x 13.5". The art is UV printed on wood, the sides are painted by hand, and the back is signed and numbered.." -Buff Monster. Happy 3D by Buff Monster: Playful Psychotropia in Laser-Cut Form Happy 3D is a standout die-cut wood UV archival print created by the New York-based artist Buff Monster in 2020. This hand-finished limited edition of 205 pieces measures approximately 14.5 x 13.5 inches and features his signature aesthetic: one-eyed monsters dripping with joy, eccentricity, and visual sugar overload. Laser-cut into a custom silhouette and UV printed on wood, the piece fuses high-gloss production with raw material texture. The surfaces are inked with a 3D anaglyph color palette of red and blue hues, lending an electric illusion of motion and dimension. Each print is signed and numbered on the back, with hand-painted edges adding a personal and tactile layer to the fabrication. The finished piece is ready to hang, fusing collectible art toy sensibilities with gallery-ready Street Pop Art & Graffiti Artwork presentation. Buff Monster and the Visual Language of Joy Buff Monster, born in the United States as Herschel Baltrotsky, is widely known for his candy-coated world filled with melting eyeballs, ice cream monsters, and playful cosmic abstractions. Emerging from the Los Angeles street art scene and later relocating to New York City, he became a dominant force in Street Pop Art & Graffiti Artwork. His work regularly blends Japanese pop culture, graffiti influences, punk music, and 1980s aesthetics into pieces that celebrate color, texture, and exaggerated emotion. Happy 3D builds on these themes with its hallucinogenic palette and glossy finish, continuing Buff Monster’s exploration of tactile forms and dimensional storytelling. With a career rooted in murals, stickers, and collectible vinyl figures, his shift to wood panels and UV technology shows his embrace of new formats while maintaining the irreverent visual DNA of street culture. Materiality, Technique, and Street Pop Identity Happy 3D is not a traditional flat print—it is a sculptural expression of digital and manual craftsmanship. The UV archival process enables full-color printing with vibrant precision directly onto wood, giving the illustration a textured permanence. Laser cutting gives the outline a dynamic silhouette, enhancing the monster’s bulbous shape and playful presence. Buff Monster’s choice to hand-paint the edges affirms the artist’s commitment to the handmade within a technologically assisted process. These material decisions speak to the ethos of Street Pop Art & Graffiti Artwork, where production methods are as critical as imagery. Here, the cheerful grotesqueness of the subject—a single eye creature made of cloudlike ooze—becomes more than character design. It becomes a tactile object, an emblem of visual fantasy grounded in punk DIY traditions. A Collectible of Controlled Chaos Limited to 205 editions, Happy 3D is part sculpture, part print, and part wall-mounted artifact. It blends humor and horror with contemporary pop execution. The subject matter evokes Buff Monster’s recurring themes of ephemeral delight and surreal emotion. Its eye gazes directly outward, commanding attention, while its melting body suggests instability beneath the surface charm. This piece sits comfortably between a street art relic and a collectible design object. It captures the bold optimism and visual indulgence at the heart of Buff Monster’s practice, proving that Street Pop Art & Graffiti Artwork continues to evolve with new tools and formats without losing its loud, weird, and joyful core.

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Together Brown Companion Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2018 Out of Print Limited Edition Artwork Size 6x10x5.5 New In Box Stamped/Printed Foot Brown Kaws Companion Friends Hugging by Artist Kaws- Brian Donnelly. When considering the evolution of pop and street art, one cannot overlook the significant contributions of Brian Donnelly, widely known by his moniker, Kaws. Among his numerous iconic pieces, the "Together Companion Art Toy" stands out as a testament to his mastery and distinctive style. Released in 2018 as a limited edition, this vinyl sculpture quickly went out of print, solidifying its status as a coveted collectible. Measuring 6x10x5.5 inches, it exudes a tangible essence of emotion, portraying two Companion characters, the artist's signature creations, engaged in a heartwarming embrace. Their hug, symbolizing friendship and unity, is a vivid depiction of the interconnectedness often found in urban communities where street art thrives. Every detail of the sculpture, including the stamped or printed foot, underscores Kaws' commitment to authenticity. Housed in its original box, this artwork isn't just a mere toy; it reflects street art's potency in capturing raw, human emotions. With pieces like the "Together Companion Art Toy," Kaws continues to elevate street art, ensuring it remains a vital and respected aspect of the broader art discourse.

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A Swan Amongst Ducks Limited Edition Archival Pigment Prints on Moab Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. A SWAN AMONG DUCKS [2009] 26 x 21 Giclée Print on Archival Paper Signed & numbered limited edition of 20

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599 Ferrari Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

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Rainbow Two PP Printer Proof Archival Pigment Fine Art Limited Edition Print on 310gsm Moab Fine Art Paper by Modern Pop Street Graffiti Artist Scott Listfield. PP Printer Proof 2019 Signed & Marked PP Limited EditionArchival Pigment Print on 290gsm Moab Fine Art Paper Size: 12x18 Inches Release: November 22, 2019 "Weirdly enough, I was thinking about the color palette from Thor: Ragnarok. It's one of my favorite movies from the past couple of years, and it's got a wonderful, bright, 70's psychedelic space vibe in some of the set designs and movie posters. I wanted to grab that exuberant rainbow and see how it fit into this starry world I was working on." ––Scott Listfield Exploring the Chromatic Narratives of Scott Listfield's "Rainbow Two" Scott Listfield's "Rainbow Two PP Printer Proof" is a striking piece in modern pop street graffiti art. Released alongside its predecessor, "Rainbow One," on November 22, 2019, this limited edition archival pigment print is rendered on 310gsm Moab fine art paper. Signed and marked as a Printer's Proof, this 12x18 inch print is part of a limited edition, distinctive for its quality and rarity. Drawing inspiration from the vivid color scheme of "Thor: Ragnarok," Listfield captures a 70s psychedelic space aesthetic, weaving it into the fabric of his trademark starry landscapes. This print, featuring his iconic astronaut, continues Listfield's exploration of pop culture and societal themes set against the infinite tapestry of space.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Boobees HPM PP Printers Proof Archival Print by Camilla d'Errico Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2020 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 12x16.5 Archival Pigment Fine Art Mixed Media Acrylic Paint. The Artistic Intersection in Camilla d'Errico's "Boobees" HPM PP Embodying the playful and provocative spirit of Street Pop Art and graffiti Artwork, Camilla d'Errico's "Boobees" HPM PP archival print stands as a testament to her imaginative prowess and her ability to communicate profound narratives through pop surrealism. Created in 2020, this limited edition hand-painted multiple represents a tangible intersection of high art and the rebellious streak of street art. In this space, d'Errico thrives and continues to redefine boundaries. The artwork, sized 12x16.5 inches, is meticulously printed on 290gsm Moab Entrada fine art paper, a choice that reflects the artist's dedication to quality and longevity. It features archival pigment, a staple in fine art printing for its color fidelity and resistance to degradation. The medium of mixed media acrylic paint brings an additional dimension to the piece, with hand embellishments that ensure each print within the edition retains a sense of uniqueness, akin to the ethos of graffiti art where no two tags are exactly alike. Cultural Significance and Aesthetic of "Boobees" HPM PP "Boobees" HPM PP is not merely a visual treat; it's a symbolic piece that captures the essence of modern challenges and societal norms. The printer's proof, marked PP and signed by d'Errico, is a coveted item for collectors who value the intimacy of owning a piece directly from the artist's press. The hand embellishments done by d'Errico herself infuse the print with a level of authenticity and personal touch that resonates with the hands-on nature of street art. The imagery in "Boobees" is both whimsical and weighted with symbolism. The central figure, adorned with a melting rainbow of colors on her hair, surrounded by bees, speaks to the themes of transformation and the natural world's raw beauty. This harmony between the subject and the environment echoes the core principles of Street Pop Art and graffiti Artwork, where the art is often in dialogue with its surroundings. The bees add a layer of environmental commentary, reminding the viewer of our delicate balance with nature. Impact and Collectability of d'Errico's Work In the art collecting world, pieces like "Boobees" HPM PP are cherished for their blend of acceptable art principles with the approachability of pop art. They occupy a unique space where art is both a collector's and a statement piece, often sparking conversations and serving as a bridge between the art lover and the layperson. The hand-painted elements, limited edition nature, and signature of the artist all play into its desirability, making "Boobees" a sought-after print among enthusiasts of Street Pop Art and graffiti Artwork. In the broader context of pop art and street art, d'Errico's "Boobees" HPM PP is a colorful commentary on the intersection of humanity with the natural world, rendered through the lens of a modern artist who is acutely aware of her influence and role within these dynamic art forms. It is a piece that reflects the times, challenges the observer, and delights the senses, much like the buzzing bees that are central to its narrative and aesthetic.

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Marching Into Oblivion Green Pink AP 12-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Marching Into Oblivion Green Pink AP Silkscreen Print by Dalek – James Marshall Dalek, the creative alias of American artist James Marshall, continues to define a distinct voice within Street Pop Art & Graffiti Artwork through his bold visual vocabulary and evolving abstractions. The 2023 artist proof edition of “Marching Into Oblivion” presents a masterclass in color and chaos, combining Marshall’s signature Space Monkey character with a 12-color hand-pulled silkscreen technique. This AP edition print, sized 18x24 inches, showcases a saturated electric pink background contrasted by vibrant greens, yellows, and deep blacks to create a visual rhythm that feels both mechanical and organic. Every line is tightly rendered, while the palette pulses with cartoon surrealism and calculated energy. From Iconic Form to Emotional Abstraction Dalek’s work is often anchored in the evolution of the Space Monkey figure, a character originally born from his exploration of cultural disaffection and emotional detachment. In “Marching Into Oblivion,” the character takes on exaggerated motion, appearing multiplied and caught mid-march with arms raised, mouths agape, and eyes wild. The visual tempo created by repetition and movement invokes both celebration and disorder. This print is less about a literal narrative and more about symbolic propulsion—a march into overstimulation, into synthetic joy, into noise. With vibrant, almost synthetic precision, Dalek uses form to confront modern anxiety through hyperactive repetition and blinding optimism. Street Pop Energy Rendered in Pure Color Printed with archival pigment on fine art paper, each AP in the series carries the artist’s signature and the AP mark, denoting its rarity and place within the studio’s private production. The decision to use 12 individual silkscreen layers to construct the image shows Dalek’s commitment to traditional printmaking and craft. The richness of the ink, coupled with the mechanical consistency of the forms, creates an artwork that feels digitally native yet physically hand-wrought. The graphic explosiveness of this print is unmistakable—its aesthetic draws from video game glitch, graffiti boldness, urban decay, and punk flyers. Every circle, shadow, and color is strategically placed, lending the work a level of sophistication that transcends surface-level pop. Marching Toward the Inevitable Dalek’s work often blurs the line between playfulness and existential critique, and this piece continues that thread. While the colors may shout with confidence and energy, the title “Marching Into Oblivion” hints at a deeper commentary. There is a sense of automation, of characters driven forward without control, perhaps reflecting the cultural malaise of routine consumerism or the emptiness behind the facade of progress. The work exists in a liminal zone between celebration and collapse, between Street Pop Art’s commercial slickness and graffiti’s chaotic truth. It is this duality that gives Dalek’s prints their power—bright and loud, yet full of tension and coded meaning. This limited edition AP offers a vibrant, thought-provoking artifact of contemporary visual language.

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Slumscape Apps #8 Small Sponge Limited Edition Hand-Embellished HPM Archival Pigment Prints on Watercolor Paper by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2021 Signed From a Series of 43 Unique archival pigment prints with a light touch of hand-embellished collage and watercolor Paper 13 x 20”, image 11.25 x 19” 2021

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Liberty Pink Silkscreen Print by Buff Monster, a hand-painted on Fine Art Paper Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print of Melty Misfit Statue of Liberty Icecream Stylized Landmark "As I was developing the Liberty sculpture, I wanted to create a similar print. Both remind us of the highest ideals we can aspire to and express my tireless optimism and commitment to be a positive force in the world. Even though the figures are painted in various colors, I wanted to return to a simplified color palette of pinks and grays for the print." -Buff Monster. An Enthralling Take on a Modern Icon Liberty Pink Silkscreen Print by Buff Monster, an American artist celebrated for his cheerful designs and bright color palettes, features a delightful reinterpretation of the Statue of Liberty in an 18x24 inch format. Released in 2021 as a signed and numbered edition of 100, this piece centers on the artist’s trademark motif of a melty, single-eyed character adorned with dripping ice cream elements. The figure, rendered in pinks and grays, stands as an homage to New York’s famed landmark and the optimism it represents. By fusing playful imagery with a pop-inspired color scheme, Buff Monster produces a piece that captures both the whimsical and the iconic. The result is a fusion of fantasy and cultural reference that resonates across fans of Street Pop Art & Graffiti Artwork. Playful Imagery and Symbolic Meaning The melting, cyclopean face on this Statue of Liberty showcases Buff Monster’s distinctive style, blending sweet elements with cartoonish forms. The statue’s torch becomes an exaggerated ice cream cone, suggesting the joys of indulgence that spark curiosity in passersby. Though humorous on the surface, the underlying concept reflects the pursuit of higher ideals, hinting at aspirations for freedom and creativity in a complicated world. The pink color palette amplifies a message of positivity and cheer, making the statue appear as a beacon of lightheartedness amid bustling cityscapes. Observers often find it an uplifting blend of comedic nostalgia and deeper cultural significance, keeping with the tradition of Street Pop Art & Graffiti Artwork that merges bold visuals with meaningful content. Limited Color Palettes in Street Pop Art & Graffiti Artwork Buff Monster frequently employs vibrant color fields, yet for this silkscreen print, he chose a more limited spectrum of pinks and grays. This choice heightens the artwork’s graphic impact, directing attention to the contrasting drips and playful forms that define the character’s features. The overall effect draws parallels to classic pop art, where flat color planes and stark outlines dominate. The simplified palette also underscores a unifying concept: celebrating the higher ideals of optimism while remaining approachable and easy to interpret. The synergy between each shade of pink and gray creates a dynamic sense of depth, turning the statue into a luminous figure that contrasts nicely against the background. Craftsmanship and Collector Appeal Hand-printed silkscreens remain a significant element of Buff Monster’s portfolio, combining the spontaneity of street influences with the discipline of fine art techniques. This limited edition of 100, each bearing the artist’s signature and edition number, resonates with collectors who appreciate the intersection of handcrafted quality and urban-inspired aesthetics. The thick, deckled fine art paper enhances the sense of artistry, with textured edges that emphasize the tactile nature of the print. The 18x24 inch size is large enough to highlight every droplet of pink paint and each line of the character’s playful expression without overwhelming a personal space. Liberty Pink Silkscreen Print illustrates how Buff Monster’s approach to Street Pop Art & Graffiti Artwork can transform a cultural emblem into a lighthearted celebration of hope and imagination. By paying homage to the iconic statue through melting ice cream and cartoon features, the artist elevates everyday positivity to the realm of the extraordinary, ensuring viewers cannot help but smile when they encounter this vibrant piece.

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The Masked Pharaoh 3-Color Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 20 Size 14x17.5 & "NFT" "Shahin Studios is delighted to present The Masked Pharaoh Papyrus by Marwan Shahin, The Artwork was first to be created in lockdown during the Covid-19 pandemic, imagining TutAnkhAmoun staying safe and protecting himself against the modern-day plague. this edition of the artwork is interpreted with hand-pulled Silkscreen print on Authentic Egyptian Papyrus, and each print is intricately arranged with a filigree of black Diamond Dust, to produce visually intoxicating kaleidoscope-like effects. contains an NFT crypto-chip by the Fine Art Ledger. Each print is Authenticated and registered on the blockchain by The Fine Art Ledger comes with a digital Certificate of Authenticity containing its cryptographic stamp." -Marwan Shahin

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CamoSplash Green Blue White Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 38x38 Thumb Print & Date on Back Part of the CamoSplash Series CamoSplash Green Blue White Silkscreen Print by Mr Brainwash CamoSplash Green Blue White is a striking 2022 silkscreen print by French street pop artist Thierry Guetta, widely recognized under the name Mr Brainwash. Measuring 38 by 38 inches, this signed and numbered edition is limited to only 50 pieces and printed on fine art paper using a hand-pulled 8-color silkscreen process. Each work is uniquely authenticated with the artist’s thumbprint and the production date on the reverse, emphasizing its value as a certified collectible in the Street Pop Art & Graffiti Artwork movement. Palette as Conceptual Symbolism The artwork bursts with a camouflage-inspired composition made up of deep forest green, saturated indigo blue, and bold splashes of off-white. The combination channels both urban disruption and natural textures. The motif alludes to camouflage while simultaneously rejecting its purpose—Mr Brainwash makes the invisible visible through controlled chaos. The white appears to drip like paint from a shaken can, creating sharp tension against the structured organic forms. The green and blue base creates a shifting landscape that morphs into a painterly battlefield, a reference point to how art can disrupt complacency and shift awareness. It mimics the frenetic yet deliberate movements of tagging culture, where walls become expressions of identity and presence. Silkscreen Precision and Aesthetic Control Mr Brainwash's technique in this piece showcases his ability to merge expressive gesture with the mechanical discipline of silkscreen printing. Each of the eight layers was applied with precision to achieve both color saturation and edge clarity. The process allows for slight texture shifts and ink density variation across the edition, making each of the 50 prints subtly unique. The hand-pulled process further anchors this work in the tactile traditions of street art, connecting mass image production with human imperfection. These technical characteristics link back to Guetta’s fascination with pop mass media and replication, infusing the work with an irony that’s both humorous and defiant. Position Within the CamoSplash Series CamoSplash Green Blue White forms a critical part of the CamoSplash series, which reinterprets camouflage as a visual metaphor for contemporary visual saturation. Rather than hiding, these prints demand attention and confront viewers with bold abstractions that simultaneously conceal and reveal. The series reflects Guetta’s long-standing mission to infuse fine art contexts with street urgency. He first gained global visibility through his association with Banksy and the documentary Exit Through the Gift Shop, which introduced the world to his signature blend of irony, positivity, and spectacle. Within the wider ecosystem of Street Pop Art & Graffiti Artwork, this print occupies a space of contradiction—luxury printmaking techniques used to amplify subcultural aesthetic energy. The work asserts that visibility itself is an act of artistic rebellion, especially when delivered through color, movement, and tactile power.

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Kissing Coppers- Gold Rush Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Polystone Product Size Height: 10" (25.4 cm) * Box Size Height: 7.50" (19 cm) Width: 8.00" (20.3 cm) Depth: 14.25" (36.2 cm) * Kissing Coppers returns! The second colorway of the highly sought-after piece brings a luxurious black and gold finish to the iconic stencil art. Icons of authority in a tender intimate moment. Advocating the acceptance of different sexual identities by society and humanizing a force that has been seen as violent in recent times. No matter which side we are on, or which pockets of society we belong to, we all seek a very human emotion - love. Gold is the color of love, passion, and magic. Let Kissing Coppers (Gold Rush) illuminate your collection with its gleaming finish, don't miss your chance to own this remarkable piece of art that is now immortalized as a special edition Polystone figure.

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Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Miss Piggy On Ozempic by Ben Frost: Glamour, Medication, and Street Pop Satire Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost, released in 2025, marks another unflinching entry in the artist’s exploration of pharmaceutical aesthetics and iconic pop culture. Printed as a limited edition archival pigment work on perforated blotter paper, this 7.5 x 7.5 inch artwork puts Miss Piggy—arguably the most flamboyant and body-conscious character of the Muppets—at the center of a satirical fusion between celebrity vanity and the contemporary obsession with weight-loss medication. Miss Piggy is rendered in her classic pink glamor with her signature lashes, pearls, and sass, juxtaposed against the stark commercial design of Ozempic packaging. With references to semaglutide, prescription labels, and the inflated price of American healthcare, the work pokes at society’s increasing reliance on aesthetic pharmaceuticals. Street Pop Art & Graffiti Artwork Meets Medical Consumerism Ben Frost, known for his bold and controversial use of commercial packaging as visual canvas, turns pharmaceutical branding into a narrative device. With Miss Piggy as the character choice, the message becomes sharply ironic. The collision of children’s entertainment with adult insecurities about beauty, size, and control echoes throughout the composition. This piece is not just parody but visual critique, challenging the public’s relationship with health marketed as vanity and the commodification of self-worth. The format of the blotter paper, perforated and collectible, reinforces the idea of medication as a consumable culture artifact—something to be taken, divided, shared, or used for identity shaping. The Role of Feminine Icons in Street Pop Narratives Miss Piggy’s exaggerated femininity and status as a cultural diva are cleverly subverted in this composition. Her character becomes a visual metaphor for the endless pursuit of image perfection. Ben Frost’s work often questions who sets those standards and who profits from them. Here, the packaging of a once-niche diabetes medication now popularly associated with cosmetic weight loss becomes the modern-day pedestal on which icons are propped and critiqued. This collision of corporate design and animated star power builds tension between innocence and commodification, using Street Pop Art & Graffiti Artwork methods to satirize how quickly culture recycles its idols and issues. Blotter Medium and Psychedelic Provocation Produced in collaboration with Zane Kesey, who hand-perforated the blotter editions, the piece subtly nods to counterculture and the history of mind-altering media. While Ozempic is marketed as a drug for bodily transformation, the print format itself references altered states of awareness. The use of a pop icon like Miss Piggy elevates the print to a statement not just about beauty standards, but about consumption itself—whether it's drugs, fame, or cartoon nostalgia. Miss Piggy On Ozempic is a sharp-edged satire of cultural priorities in an era of performative wellness and image engineering. It is loud, subversive, and unmistakably Frost.

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Rainbow Bite- AP Artist Proof Pop Artwork Limited Edition Giclee Print on Italian Cold-Press Watercolor Paper by Modern Artist Casey Weldon. AP Artist Proof 2019 Signed & Marked Limited Proof Edition Artwork Size 16x24 "Since I was a child, I have been taught to fear the shark. Thru media sensationalism and Hollywood exploitative cinema, sharks have always been portrayed to me as anthropomorphically mean and soulless creatures that want nothing other than to chomp me to bits and gobble up my remains if I dare tap a toe in that ocean." -Casey Weldon

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Sinner AP Artist Proof Silkscreen Print on 410gsm Somerset Satin Paper by Lee Eelus Street Art Pop Artwork. AP Artist Proof 2022 Signed Limited Edition of 3 Artwork Size 22.64x30.12

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My Love Is Vengeance Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "My Love Is Vengeance" is a compelling silkscreen print that exemplifies the masterful artistry of Cleon Peterson. Released in 2022, the piece is an evocative blend of pop, street, and graffiti art influences, capturing the dynamic evolution of modern visual narratives. With a powerful dichotomy of black and bone, the artwork explores profound themes of passion, conflict, and resilience, drawing viewers into its rich tapestry of emotion and symbolism. Printed meticulously on the premium 290gsm Coventry Rag paper, the artwork's quality is indisputably top-notch. The paper, known for its rich texture, amplifies the depth of the piece, allowing the intricate details to shine through. The choice of deckled edges adds an air of vintage charm, offering a stark contrast to the modern and contemporary essence of the depicted figures. With dimensions set at 18x24 inches, the expansive canvas becomes a window to a world where love and vengeance dance in an eternal embrace. The intertwined figures, rendered in fluid lines and sharp contrasts, echo tales of love and its multifaceted nature—both tender and fierce. Each curve, shadow, and hue speaks volumes, challenging viewers to introspect and interpret. And adding to the allure is the artwork's exclusivity. With each print being hand-pulled, a unique touch of authenticity is embedded. The signature of Cleon Peterson and the numbered mark further assert its rarity, making it a treasured addition for any art collector. In "My Love Is Vengeance", Cleon Peterson has, yet again, showcased his unparalleled ability to merge diverse artistic genres, creating a timeless piece that resonates deeply with today's art aficionados.

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Long Live Death- Bone 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 150. The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”.

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P Zero Peel Out Medium Tire Rug Object Art by Scuderia Ferrari x Joshua Vides Limited Edition Designer Collectible Pop Artist Carpet Artwork. 2023 Limited Edition Rare P Zero Peel Out Medium Tire Rug Object Art Size 4ftx4ft Black Joshua Vides Stylized P Zero Scuderia Ferrari Tire with White Trim Cotton Backed Carpet. Scuderia Ferrari Design and Artistic Vision The fusion of utility and artistry takes a bold leap forward with the P Zero Peel Out Medium Tire Rug, a collaborative creation by Ferrari and pop artist Joshua Vides. This limited edition piece of the 2023 collection is a prime example of how functional items are reimagined within Street Pop Art and Graffiti Artwork, encapsulating a contemporary aesthetic that bridges everyday objects with highbrow artistic expression. At first glance, the P Zero Peel Out Medium Tire Rug captivates with its striking black and white design, a nod to the iconic Ferrari P Zero tires known for their association with performance and luxury. Joshua Vides' stylization brings an artful twist to the familiar, transforming a symbol of speed and precision into a statement piece. The rug spans 4 feet by 4 feet, offering a substantial canvas that showcases the collaboration's attention to detail and design prowess. The black base of the rug sets a dramatic stage for the white accents that delineate the tire's features. Vides' approach is reminiscent of his signature style, where he often outlines objects in bold lines to create a cartoon-like reality, playing with perceptions and inviting viewers to re-evaluate the mundane. The cotton-backed carpet material further grounds the piece in the realm of the tactile and practical while the artwork elevates it to the collectible. Cultural Resonance In the landscape of pop and street art, collaborations between artists and commercial entities are not uncommon. Still, this piece stands out for its seamless integration of corporate branding with artistic reinterpretation. The tire, an object typically associated with machinery and industry, is transformed through the lens of street pop art, an act that carries a multitude of cultural and social implications. The tire transcends its original purpose in this piece, becoming a canvas reflecting the intersections between high-speed motorsports, luxury branding, and urban art culture. It is a physical manifestation of the dialogue between these worlds, which is increasingly present in today's visual culture. Impact on Art and Design The significance of the P Zero Peel Out Medium Tire Rug extends beyond its aesthetic appeal; it is an emblem of how contemporary artists like Vides can influence and redefine our understanding of product design. The intersection of art and consumer goods has been a hallmark of pop art since its inception, and this piece is a modern continuation of that tradition. Furthermore, the limited edition nature of the rug ensures its status as a collectible item, coveted not only for its artistic value but also for its rarity. In the dynamic world of street pop art, limited edition pieces such as this serve as cultural artifacts that capture a moment in time, a snapshot of current trends, and the evolving tastes of society. The P Zero Peel Out Medium Tire Rug is a testament to the synergistic potential of collaborations between artists and brands. It is a celebration of street pop art's ability to infiltrate and elevate the objects of our daily lives, turning them into art that challenges our perceptions and enriches our environments. This piece is not just a rug but a narrative woven from the threads of innovation, art, and industry, which unfolds with each viewing.

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Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

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We Need To Talk Silkscreen Print by Gary Taxali Hand-Pulled 5-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 25x31 Silkscreen Print Decoding Gary Taxali's "We Need To Talk" Silkscreen Print Gary Taxali's "We Need To Talk" is a silkscreen print encapsulating the essence of Street Pop Art and Graffiti Artwork. Released as a limited edition in 2015, this print demonstrates Taxali's distinctive art style that merges the old with the new, the classic with the contemporary. The artwork is a substantial 25x31 inches, making it a statement piece for any collector. This hand-pulled 5-color print on Cover White Arches fine art paper is a testament to Taxali's craftsmanship and attention to the finer details of printmaking. The choice of Arches paper, known for its texture and durability, speaks to the quality and longevity of the print. Each piece in the limited edition of 50 is signed and numbered by Taxali, highlighting the exclusivity and authenticity of the work. "We Need To Talk" features a central monkey-like figure surrounded by graphic elements and text, all interplaying to create a narrative open to interpretation. The monkey's direct gaze and the surrounding dialogue bubbles and text snippets such as "GUM DROP," "SHUCKS," and "DEAR BOB" suggest a conversation that is both playful and poignant. The use of bold colors and sharp contrasts, along with Taxali's signature illustrative style, creates a visual language that draws the viewer in and encourages them to explore the deeper meanings behind the art. Taxali's work is often reflective of societal commentary and personal expression. In "We Need To Talk," one could argue that the juxtaposition of text and image invites the viewer to consider the complexities of communication in the modern age. The phrases interspersed throughout the artwork resonate with the cacophony of messages and information that bombard us daily. At the same time, the central figure's emotive expression serves as a focal point amidst the noise. Taxali's print stands out for its engagement with the viewer in the broader context of Street Pop Art and Graffiti Artwork. Street art is known for its public accessibility and often aggressive nature. While Taxali's work is housed within the more private confines of a gallery or collection, it retains the spirit of street art through its bold messaging and visual impact. Given its limited-edition nature, the artwork is a visual treat and a collector's item. Numbering and signing each print creates a direct connection between the artist and the collector, a hallmark of acceptable art practices. Taxali's integration of high art techniques with street art's approachability exemplifies these art forms' evolving nature and increasing overlap. "We Need To Talk" by Gary Taxali is a powerful piece of art that combines the artist's unique visual style with the interactive and message-driven qualities of Street Pop Art and Graffiti Artwork. This print is a reflection of Taxali's skill as an artist and his ability to communicate complex themes through the medium of silkscreen printing. For collectors and admirers of contemporary art, this work is not just an aesthetic addition but a conversation starter, a narrative piece that invites interpretation and contemplation. As Taxali continues to influence the art world, works like "We Need To Talk" are significant milestones in his artistic journey, capturing the zeitgeist of our times through the lens of pop and street art.

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Obey Deco Flower Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2019 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower & Words Rise Above Obey 1989. Small Smug To The Red V Arm Only Seen Under Certain Angles of Light From Manufacturing Process. Working Artist Proof. "The Obey Deco Flower is inspired by Constructivism, Art Deco, Black Flag, and my belief that positive symbols can inspire positive actions. There are a lot of assholes pushing fear and division… don’t fall for it… RISE ABOVE!" -Shepard Fairey Shepard Fairey's "Obey Deco Flower Blue AP" stands as a testament to the crossroads of pop art, street art, and graffiti art, brilliantly marrying aesthetic sensibilities from a range of art movements. This hand-pulled silkscreen print is impressively rendered on Speckletone Fine Art Paper, showcasing Fairey's commitment to both technique and quality. The print, issued as a limited edition piece in 2019, features the arresting image of a blue lotus flower, surrounded by the potent words "Rise Above" and "Obey 1989." These phrases echo the cultural undertones and provocations Fairey is renowned for. The design itself is heavily informed by a medley of inspirations, including Constructivism and Art Deco, interspersed with a nod to the band Black Flag. Fairey's dedication to weaving positive symbols into his artwork, hoping they ignite positive actions in society, is evident. The blue lotus, traditionally symbolizing enlightenment and rebirth, coupled with the rallying call to "Rise Above," challenges viewers to transcend the divisive narratives that often plague society. As Fairey himself articulates, there is an overwhelming number of voices promoting fear and division, making the message of this artwork not just timely, but timeless. Shepard Fairey's "Obey Deco Flower Blue AP" not only reaffirms his status as a prominent voice in contemporary art but also serves as a reminder of art's enduring power to inspire change and provoke thought in an ever-evolving world.

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Age Of Reason PP Printer Proof Archival Print by Dragon76 Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 14x14 Archival Pigment Fine Art Dissecting "Age Of Reason" by Dragon76 "Age Of Reason" is a profound Printer's Proof (PP) archival print from 2019, rendered by the artist known as Dragon76. As an embodiment of street pop art and graffiti artwork, this limited edition print is embellished on 310gsm Museum Fine Art Paper, a testament to its enduring quality and the artist's commitment to excellence. Signed and distinctly marked as a PP, it bears the hallmarks of a collector's piece, with a dimension of 14x14 inches, providing an intimate yet impactful scale for the viewer. Using archival pigment in fine art ensures that the intricate details and complex color palette remain vivid over time. Convergence of Themes in Modern Artwork Dragon76, renowned for his unique aesthetic that marries elements of street art with classical delicate art sensibilities, presents a tapestry of modern societal issues through the "Age Of Reason." The artwork is a visual commentary steeped in symbolism and layered with multiple motifs that tackle the zeitgeist of contemporary society. The title is a call to rational thought in an era seemingly filled with confusion and conflict. Each element within the print—from the aggressive imagery to the iconic symbols of power and rebellion—conveys a narrative about the struggle for reason in a world marred by chaos. Symbolism and Storytelling in Street Art This piece stands out as a cultural artifact that encapsulates the spirit of street pop art. Dragon76 utilizes the canvas to question and critique, engaging with themes of political power, social unrest, and the quest for peace. The imagery converges to form a battleground of ideas, where each symbol vies for dominance in the viewer's mind. "Age Of Reason" serves not only as a work of art but as a catalyst for discourse, embodying the very essence of what graffiti artwork strives to accomplish—sparking conversation and provoking thought. The intricate layering and juxtaposition of elements indicate the complex realities faced globally, prompting introspection about the state of humanity. Through a blend of text, iconography, and figuration, Dragon76's print invites the audience to dissect the varied components, each serving as a puzzle piece to the broader message he aims to convey. The use of fine art materials elevates the print beyond the transient nature of traditional street art. By choosing a durable medium typically reserved for high art, Dragon76 bridges the gap between the ephemeral and the permanent, allowing "Age Of Reason" to resonate with graffiti's impermanence and fine art's lasting nature. In doing so, he positions street art within the larger context of art history, ensuring its place in the ongoing narrative of artistic expression. In sum, "Age Of Reason" by Dragon76 is a testament to the power of street pop art and graffiti artwork to reflect and challenge societal norms. It is a visual compendium of contemporary struggles, encapsulated in a format that defies the fleeting nature of street art, designed to endure both in physical form and in the impact it has on its audience. Through this piece, Dragon76 extends an invitation to ponder, question, and ultimately reason.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Gizmo Costume 1000% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. This fuzzy Be@rbrick figure features the loveable Gremlin Gizmo and stands approximately 27.55 tall.

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Vote For Light Silkscreen Print by Jamie Reid Hand-Pulled on Wove Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 19.6x24.41 Silkscreen Print of People in Face Masks and the Words "Vote For Light". Small bump to the middle extreme left margin. "Vote For Light" by Jamie Reid is a remarkable embodiment of the zeitgeist captured in the medium of silkscreen print. Hand-pulled on luxurious Wove Fine Art Paper, the piece, created in 2015, is an amalgamation of Reid's perspective and the cultural tides of the moment. Limited in its run, only 50 of these pieces were produced, each signed and numbered by Reid himself, ensuring authenticity and exclusivity. The artwork, measuring 19.6x24.41 inches, showcases an arresting visual of individuals adorned in face masks, an imagery that resonates with the contemporary experiences of the global populace. The indelible phrase "Vote For Light" emblazoned amidst the portrait of the masked figures sends a powerful message, potentially a call to action or a plea for hope amidst times of uncertainty. Silkscreen printing, traditionally associated with pop art, has been masterfully used here to blend the lines between street art, graffiti, and the more conventional gallery artworks. Reid’s decision to utilize this method is a testament to his commitment to maintain the raw and unfiltered aura commonly associated with street and graffiti art. Jamie Reid's "Vote For Light" is more than just a print; it stands as a symbol, a social commentary, and an invitation for discourse. As with most artwork that converges on the realms of pop, street, and graffiti art, this piece not only captures the artist's viewpoint but also challenges its audience to introspect and engage with the world around them. Drawing inspiration from the events and sentiments of its time, the artwork offers a snapshot of history, forever immortalized on fine art paper.

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Love Catcher Pink Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 6-Color on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 22x22 Silkscreen Print by Mr Brainwash- Thierry Guetta Mr. Brainwash, whose real name is Thierry Guetta, is a French-born, Los Angeles-based street artist and filmmaker. He was born on November 11, 1966, in Garges-lès-Gonesse, France. Mr. Brainwash came to prominence through the 2010 Oscar-nominated documentary "Exit Through the Gift Shop", which was directed by the renowned British street artist Banksy. Initially, Guetta began as a videographer who was interested in street art and decided to document the phenomenon. This endeavor led him to meet and film numerous street artists, including Shepard Fairey and Banksy. However, in a surprising twist, Banksy turned the camera on Guetta, encouraging him to become an artist himself. The result was Mr. Brainwash, a pop artist known for his large-scale productions and eclectic style, drawing heavily from pop culture references and the work of other street artists. His work often blends elements of pop art with the raw, edgy aesthetics of street art. Since his emergence, Mr. Brainwash has held numerous exhibitions and his work has gained significant attention in the art world, both for its bold, distinctive style and for the controversy surrounding his sudden rise to fame. He is known for his energetic and often humorous installations, sculptures, and stenciled artworks. Despite criticism from some quarters who view his work as derivative, Mr. Brainwash has continued to maintain a successful career in the contemporary art scene. Mother's Day is a celebration that honors mothers and motherhood, maternal bonds, and the influence of mothers in society. It is celebrated on various days in many parts of the world, most commonly in the months of March or May. The modern American holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia. Anna Jarvis's mother, Ann Jarvis, had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. Anna Jarvis wanted to honor her mother by continuing the work she started and to set aside a day to honor all mothers because she believed that they were "the person who has done more for you than anyone in the world". In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers. Since then, Mother's Day has become a day that children celebrate their mothers with cards, gifts, and activities. The holiday has been adopted by other countries and it's celebrated in different ways worldwide. For example, in the United Kingdom, it is traditionally known as Mothering Sunday and it's celebrated on the fourth Sunday of Lent. In Mexico, it's always celebrated on May 10th, regardless of the day of the week. It's important to note that Mother's Day can bring different feelings for different people. While it's a joyous occasion for many, it can be a difficult day for those who have lost their mothers or who have strained relationships with them. It's also a day to honor and remember mothers who have passed away.

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Work Well Together- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Abstract A4 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Love Gloves HPM Vinyl Sculpture by OG Slick Limited Edition Modern Pop Graffiti Street Art Artwork. 2024 Signed & Numbered Limited Edition of 200 Artwork Sculpture Size 11x5 Love Gloves HPM Vinyl Sculpture by OG Slick – Limited Edition Modern Pop Graffiti Street Art Artwork OG Slick, a renowned artist in Street Pop Art & Graffiti Artwork, brings his signature style to life with Love Gloves, a limited edition HPM vinyl sculpture. This signed and numbered collectible, limited to only 200 pieces, captures his bold and rebellious artistic vision while symbolizing a universal message of love and connection. The 11x5-inch sculpture features two gloved hands forming a heart, adorned with splattered paint and a graffiti-tagged base, showcasing OG Slick’s deep roots in graffiti culture and modern pop art aesthetics. The sculptural form is a direct reference to OG Slick’s long-standing visual language, where he blends elements of street culture with clean, graphic iconography. The use of vinyl as the medium gives the piece a glossy, smooth finish that contrasts sharply with the raw, expressive paint splatters. The hand-painted elements make each piece unique, reinforcing the handmade, urban authenticity that defines Street Pop Art & Graffiti Artwork. OG Slick and the Impact of Street Pop Art & Graffiti Artwork Originally from Hawaii and now based in Los Angeles, OG Slick has been a key figure in the graffiti world since the 1980s. His work is characterized by a seamless blend of street art rebellion, pop culture references, and high-concept fine art. His graffiti roots remain central to his work, but he has expanded his practice into sculptures, large-scale murals, and commercial collaborations without compromising his raw, street-based aesthetic. His artwork often explores themes of consumerism, identity, and urban culture while maintaining a playful and satirical edge. Love Gloves encapsulates this approach by transforming a simple gesture into a striking sculptural statement. The gloves, reminiscent of classic cartoon iconography, add a nostalgic and universal appeal while reinforcing OG Slick’s deep ties to graffiti culture. His ability to merge traditional graffiti techniques with contemporary art forms has made him one of the most respected artists in Street Pop Art & Graffiti Artwork. Love Gloves – A Statement of Unity and Street Art Energy Love Gloves is more than a sculpture; it is a symbolic representation of unity, love, and artistic rebellion. The two hands forming a heart represent connection and positivity, but the splattered paint and graffiti tag ground the piece in the raw, unfiltered energy of street culture. The contrast between polished vinyl and chaotic paint drips creates a visual tension that mirrors the dynamic nature of graffiti itself—constantly evolving, expressive, and unapologetic. The hand-painted nature of each piece ensures that no two sculptures are identical, reinforcing the uniqueness and collectibility of this limited edition artwork. The spray-painted heart on the base adds an extra layer of texture and meaning, bringing the essence of live street art into a tangible, sculptural form. This piece serves as both a declaration of love and a tribute to graffiti’s ability to convey deep messages through bold, immediate imagery. The Lasting Influence of OG Slick’s Art in Contemporary Culture OG Slick has built a career on pushing the boundaries of Street Pop Art & Graffiti Artwork, and Love Gloves is another testament to his innovative approach. His ability to transform graffiti-inspired imagery into fine art objects has made his work highly sought after by collectors and street art enthusiasts alike. His influence can be seen in galleries, urban landscapes, and fashion collaborations, proving that street art is not just a movement but a lasting cultural force. Love Gloves is a perfect example of how graffiti can be reinterpreted into new mediums without losing its raw energy. The piece exists at the crossroads of street culture, pop aesthetics, and high-end art, making it a defining work in modern Street Pop Art & Graffiti Artwork. Whether displayed as a collectible, a statement piece, or a celebration of street culture, OG Slick’s Love Gloves continues to spread its message of love, unity, and artistic defiance.

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Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

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Animals- Cow Limited Edition Hand-Embellished HPM Serigraph Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. Artist: Steve Kaufman Title: Animals- Cow Dimensions: 10in. by 12in. Edition: From the rare limited edition of unique works using the same colors and patterns 13/50 Medium: Original oil painting on canvas Signature Details: Hand signed and numbered by the artist verso After graduating from SVA with a Bachelor of Fine Arts, Kaufman held art shows in London and eventually left The Factory to establish his own studio, named “SAK”, after the nickname Warhol had given to him based on his initials. Already an activist, having participated in an early AIDS awareness demonstration in which he was arrested, Kaufman attempted to make an impact on the Homeless issue by hiring homeless New Yorkers to assist him at his studio. He went on to raise millions for the homeless cause.

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Lagos Original Street Sign Spray Painting by Atomik Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Painting on Reclaimed Metal City Road Construction Sign Artwork Size 36x36 of Spray Painted Smiling Atomik Orange In the vibrant world of modern graffiti and pop art, Atomik emerges as a unique voice, creating pieces that resonate deeply with art aficionados and street art enthusiasts alike. His 2023 artwork, titled "Lagos," is a prime example of his genius. Made on a reclaimed metal city road construction sign, this piece is not just a painting but a marriage of art and urban elements. Measuring 36x36 inches, "Lagos" is an ode to the urban environment from which Atomik draws inspiration. The centerpiece, the spray-painted smiling Atomik Orange, is instantly recognizable and evokes a sense of familiarity, bridging the gap between the street and the art gallery. The backdrop, a real metal city road construction sign, adds layers of authenticity and rawness to the piece. Its weathered appearance, marked with signs of wear and age, tells a story of its own, setting a contrasting stage for the vibrant and playful Atomik Orange. This painting does more than just showcase Atomik's technical prowess with a spray can. It challenges the boundaries of traditional art forms, blurring the lines between graffiti, pop art, and found object art. By choosing a reclaimed metal sign as his canvas, Atomik comments on the transient nature of urban life and the ever-evolving face of cities. For those who appreciate art that speaks to contemporary issues while staying rooted in traditional techniques, "Lagos" is a testament to Atomik's ability to capture the zeitgeist of modern urban culture. It's not just a piece of art; it's a conversation starter, a narrative, and a reflection of the times we live in.

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Steven Harrington Magic Hour 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 100% & 400% Bearbrick New In Box

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