Saint of the Living AP Artist Proof Walking Dead Silkscreen Print by Epyon5 Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 16.5x24 Silkscreen Print Gold Metallic Ink of Daryl Walking Dead TV Show. Saint of the Living AP Artist Proof Walking Dead Silkscreen Print by Epyon5 Saint of the Living is a limited edition silkscreen print by Epyon5, created in 2016 as an AP artist proof edition. This hand-pulled screenprint measures 16.5x24 inches and is signed and marked AP, making it an exclusive variation of the limited edition release. Featuring a striking portrait of Daryl from The Walking Dead TV show, this print utilizes bold contrasts, stencil-based layering, and intricate detailing to capture the intensity of the character. The inclusion of gold metallic ink enhances the visual impact, giving the piece a luminous quality that reflects the fusion of Street Pop Art & Graffiti Artwork with contemporary screen printing techniques. Symbolism and Composition The composition of Saint of the Living presents Daryl as a near-mythological figure, framed within a heraldic-style design that enhances his legendary status within The Walking Dead universe. The portrait is structured with sharp contrasts, utilizing a layered stencil technique that emphasizes depth and expression. His determined gaze, set against the backdrop of ornate filigree and radiating lines, conveys a sense of resilience and survival. The golden halo effect behind his head evokes religious iconography, elevating him to a saint-like figure within the post-apocalyptic narrative. The skull at the bottom of the print reinforces the theme of mortality, survival, and the ever-present threat of death within the series. The textured background, featuring layered elements and distressed patterns, gives the artwork an aged, urban feel, reminiscent of wheatpaste posters and stencil graffiti found in cityscapes. Street Pop Art & Graffiti Artwork Influence Epyon5 is known for his ability to merge traditional printmaking with the raw energy of Street Pop Art & Graffiti Artwork, and Saint of the Living is a perfect example of this stylistic fusion. The sharp-edged stencil work, combined with a controlled use of shading and color blocking, mirrors techniques used in large-scale street murals. The presence of gold metallic ink adds a unique dimension, elevating the print beyond traditional two-tone stencil work while still maintaining the aesthetic of urban-inspired art. The layered elements, including hidden textures and subtle distressing, give the artwork a weathered look, much like street posters that have been layered and peeled over time. The incorporation of pop culture imagery, particularly a character as well-known as Daryl, ties the piece into the broader tradition of street art’s fascination with reinterpreting media figures into bold, symbolic visuals. Collectibility and Cultural Significance As an artist proof edition, this version of Saint of the Living holds a special place within the limited print run, making it a rare and highly collectible piece for fans of Street Pop Art & Graffiti Artwork. The AP marking signifies that it was part of the early production process, often reserved for the artist’s personal collection or small exclusive releases. The use of hand-pulled silkscreen techniques ensures that each print carries a distinct, handcrafted quality, further enhancing its value. Epyon5’s ability to transform well-known characters into high-art pieces that blend elements of religious iconography, street aesthetics, and pop culture symbolism ensures that this print remains a standout example of how contemporary screen printing continues to thrive within the urban art landscape.

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

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Roya HPM Hand Embellished Archival Print by Mateo Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2025 Signed & Numbered HPM Hand Embellished Print Limited Edition of 10 HPM Uniques Artwork Size 17x24 Archival Pigment Fine Art Roya HPM by Mateo: Sacred Identity Rendered Through Street Pop Art & Graffiti Artwork Roya HPM is a 2025 hand-embellished archival pigment print by French artist Mateo, produced in a limited edition of only 10 hand-painted multiples. Each edition within this exclusive HPM series is individually enhanced, transforming the fine art print into a one-of-a-kind mixed media statement. Printed on 290gsm Moab Entrada Fine Art Paper, the artwork measures 17x24 inches and carries the physical presence of a richly layered and deeply symbolic Street Pop Art & Graffiti Artwork. Mateo’s combination of sacred geometry, cultural portraiture, and lavish visual language is fully realized in this exquisite piece. Symbolism, Ornamentation, and Personal Identity In Roya, the central portrait emerges from a tapestry of intricately detailed motifs, gold embellishments, and sacred ornamental patterns that frame and fill the subject’s face and body. The woman’s features are composed with sharp photorealistic clarity, yet Mateo overlays her identity with a reverent layering of design—a nod to heritage, divinity, and beauty. The use of golden motifs radiating from the subject’s cheeks echoes Islamic and Persian architectural elements, honoring spiritual aesthetics while grounding the figure in cultural specificity. The artwork suggests not just a face, but a monument to memory, ancestry, and pride. Mateo’s masterful stencil work and embellishment with hand-painted elements makes each HPM in the edition a singular interpretation of the larger concept. No two prints are the same, as the artist deliberately injects variations in pattern, gilded detail, and color saturation. The result is an artwork that feels both universally symbolic and personally devotional. Luxury Techniques with Urban Grit The tactile brilliance of Roya HPM stems from its hybrid creation process—archival pigment printing ensures sharp fidelity to Mateo’s original design, while the Moab Entrada paper provides a lush, heavyweight surface for further hand embellishment. Each embellishment is a conscious act of layering history and meaning, blending graffiti-adjacent aerosol energy with fine art methodologies. Mateo’s work straddles public and private space, from murals to gallery walls, and this piece captures the tension between those two domains. This HPM print reflects Mateo’s ability to turn the language of street art into sacred visual storytelling. Gold-painted filigree evokes spiritual icons while celebrating global cultural traditions often excluded from western fine art narratives. Roya becomes not only a portrait but a tribute—a face carrying generations of stories, both visible and veiled. Street Pop Art that Honors Culture and Memory Mateo’s Roya HPM is a rare convergence of craft, message, and material. It speaks to the essence of Street Pop Art & Graffiti Artwork: the elevation of marginalized voices through visual spectacle and emotional resonance. The work feels regal and revolutionary, sacred and defiant. In Mateo’s hands, portraiture becomes a canvas for cultural restoration, not through nostalgia but through transformation. Roya is not merely seen—it is experienced, celebrated, and remembered.

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