Original Artwork

3 artworks

  • Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton

    D*Face- Dean Stockton Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton

    Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.

    $3,938.00

  • Sale -15% MTA Subway Map Lime Green Purple Original Spray Paint Acrylic Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo MTA Subway Map Lime Green Purple Original Spray Paint Acrylic Painting by Cope2- Fernando Carlo

    MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

    $1,917.00 $1,629.00

  • Sale -15% Titanium, Grease & Leather Original Painting by Ron Zakrin

    Ron Zakrin Titanium, Grease & Leather Original Painting by Ron Zakrin

    Titanium, Grease & Leather Original Painting Acrylic & Canvas in Custom Frame by Ron Zakrin Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting 22x33 Ron Zakrin has been an ever-present creative force in Detroit since the mid-nineties when he emerged on to the underground electronic music set with paintings that provided a visual counterpart to the Detroit sound that was taking the world by storm. Since those early days Ron's work has expanded in scope and scale; no longer strictly focused on man and his relationship with technology, Zakrin probes the veins of society and explores the nature of man, love, and loss. Zakrin lives in Detroit Michigan, where he was born and works daily.

    $1,639.00 $1,393.00

Original Artwork

Original Artwork as a Core Medium in Street Pop Art & Graffiti Artwork

Original artwork remains the most direct and impactful form of creative expression within Street Pop Art & Graffiti Artwork. These works, executed by hand in a single iteration, serve as the foundation of an artist’s visual identity. Whether composed on canvas, wood, street signs, found objects, or walls, original pieces are where experimentation, emotion, and intent are fully visible. Artists working in this space often blend graffiti-based techniques with graphic aesthetics, using materials like aerosol, ink, acrylic, and marker to develop layered compositions. Each original artwork stands apart from multiples or editions because it is singular—a one-off that embodies the gesture and immediacy of the artist’s hand. In a culture shaped by tagging, repetition, and stylized language, the original work holds particular weight, not only as an object of authenticity but as a form of raw communication.

Technique, Surface, and Raw Process

The process of creating original artwork within Street Pop Art & Graffiti Artwork is often defined by speed, layering, and material responsiveness. Many artists trained in graffiti culture carry with them a commitment to direct mark-making and improvisation. Surfaces are selected not only for their texture or durability but for their connection to the urban environment. Metal panels, salvaged signage, shipping crates, and concrete slabs are all commonly repurposed as canvases. Paint application varies from clean, graphic block-outs to expressive drips, fades, and sprays. In many cases, the energy of the piece lies in its imperfections—overspray, buffed areas, or abrupt transitions are not hidden, they are celebrated as part of the visual language. The use of stencil, sticker layering, and raw brushwork reflects the ongoing influence of the street, where control and chaos are in constant negotiation.

Artist Voice and Cultural Positioning

Original artwork allows for full expression of the artist’s intent without the boundaries of format, size, or duplication. Within Street Pop Art & Graffiti Artwork, artists like OG Slick, Shepard Fairey, Retna, and Futura have all built careers around the strength of their original pieces. These works often carry deeper commentary than their commercial counterparts, diving into themes such as consumerism, rebellion, identity, and coded language. The ability to paint freely, to make permanent decisions without concern for replication, creates a space where risk and vision intersect. Many artists return to original works as a way to evolve or reset their approach. It is within the one-of-one painting or sculpture that new techniques are often born—then carried forward into print runs, murals, or product design.

Collectors and Institutional Value of One-of-One Works

Original artwork within Street Pop Art & Graffiti Artwork has gained significant attention in both private and institutional collections. As the line between contemporary and urban art continues to dissolve, these unique pieces are now featured in museum collections, major exhibitions, and fine art auctions. The scarcity of originals elevates their value, not just in market terms but in cultural significance. Each piece represents an unfiltered snapshot of the artist’s mindset at a specific moment. While prints and editions extend reach and accessibility, originals are held as archives of the creative process, where surface, intent, and execution converge. In a visual culture often saturated by digital imagery and mass production, the original artwork asserts itself as irreplaceable—standing as a document, a statement, and a physical presence that reflects the urgency and influence of Street Pop Art & Graffiti Artwork.
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